Original subtitles

Good morning, Joseph.

All ready to face the day?

Oh, yes, Betty.

Good morning, Betty.

We simply want to know the truth, Joseph.

May I ask what Mr. Soroyan said about me? Joseph, we want to hear your side of

the story.

Were you dismissed from Gillespie Soroyan?

I was, but I really don't know the reason why. Joseph, please, tell us the

truth, unless you are trying to hide something.

I assure you, Miss Elliot, I am telling you the truth.

I was doing the monthly audit of the bank's loan accounts when I came across

something I didn't understand.

And what was that?

Loans have been awarded to certain companies without an interest rate or a

for repayment.

Is that unusual?

Very. How else can a bank make money if it doesn't charge interest on a loan?

So what did you do then?

I brought these discrepancies to the attention of my superior, Mr Weaver, the

chief accountant. The next thing I knew, without any term of notice, I was

sacked.

Ah, there you are, Madge. Oh, we've finished Mrs Denton's suit, ready for

today's fitting.

Quite good considering she brought a visit board for two days.

I know, I checked it last night.

I never can surprise you, can we, Mrs Ramby? I'm not here to be surprised.

No. Now, Madge, about this blouse.

Is there something wrong with it?

Can't you see?

The seams haven't been over -sewn. I left instructions... But all our edges

to be sewn at each stage of the making, yes, Mrs Ramby?

Then why's it not been done? Well, we're a bit pushed for time getting Mrs

Denton's suit ready. The over -sewing will be done eventually.

It should have been completed by now.

We're doing our best.

Which sometimes happens not to be good enough.

No, Mrs. Runby.

Thank you.

The order had come from Mr. Sir Royan. He refused to see me.

Well, what about Sir Desmond?

Sir Desmond felt he couldn't countermand his partner's instructions.

But he promised that once it had all been sorted out, he'd make sure I had my

old job back.

In the meantime, as a recompense, he was kind enough to get me the position

here. So you had hoped to return to Gillespie Soroyan? Yes.

That's out of the question now. It's a Desmond debt. You're stuck with the

of Elliot, Jo.

Miss Elliot, this other matter.

What other matter?

I tried to talk to you about the loan from the bank.

Yes, what about it?

Now that I've received all the papers pertaining to it, it's the terms of the

loan agreement that concern me, the matter of the interest rate. Yes, well,

might be a little higher than usual.

But what about the raising of the interest rate each month?

Joseph, what do you mean?

It states in the agreement, albeit in small print, that the interest payable

will continue to rise.

Who?

Well, didn't Mr. Soroyan explain?

What it means is that until you're able to repay the loan, the interest will

continue to rise substantially. You could end up paying back the original

many times over.

I assumed you were aware of this.

No, no, girl, that is not the way to do a rouleau loop. How many times have you

been told?

You must do it the way I showed you.

Bad habits result in inferior workmanship.

Take a pride in what you do.

All of you.

I do.

Well, who do we believe?

Joseph or Sir Ryan?

I've never liked Sir Ryan.

Well, be that as it may, how do we know that Joseph isn't lying?

He could be covering up his own failings and by doing so, mismanaging our

accounts. Joseph, no.

Evie, I feel so foolish.

Sir Roy made out we were signing a standard agreement. We should have read

small print.

Can't... Can't we just find a way of paying off this loan to Sir Roy and

releasing ourselves from his control?

Oh, Evie, if it were that easy.

I would never have let this happen, Bea.

B, Jack's the director of the business. Why don't we talk to him?

No, Evie, I really don't want to bother him at the moment. Well, I think we

should ask him. No, I think this is something we should sort out ourselves.

talk to Jack.

Or I will.

This damn thing!

Here, let me do it.

What is the matter with you tonight? I'm nervous, that's all.

Now what is there to be nervous about? Oh, nothing.

The first showing of what I think, I hope, is my best film. I want people to

like it. They will.

No matter what anyone says, it doesn't get any easier. There's so much money

involved. There's got to be a success.

I have every confidence.

You haven't seen it yet.

I know your work.

Jack, I'm sorry to bring this up, but you mentioned money and investments.

I don't know what to do.

About Joseph or Soroyan? Both.

What if we can't repay the loan?

We're going to be forever in debt.

Do you trust Joseph?

Well, I want to, but I can't be sure.

What I should do is check the books myself, but the very thought of it.

Look, I've an idea.

Why don't you bring me all the books, and I'll get my accountants to look over

them, see if there are any inconsistencies.

All right?

And what about Sir Royan? First things first. Now, please, no more on this

subject. Not tonight.

What time are we picking Evie up? In half an hour. Thank you.

I feel better.

Good. You look beautiful.

I know the Montforts are dying to meet you.

Isn't Lady Montford something to do with the palace?

She's one of the ladies -in -waiting.

No!

I'm starting to feel nervous now.

Come on, let's go.

Jack took that. It's a very important photograph.

In what way, Lady Montford?

Oh, Elizabeth, please.

It's because of the portrait that I was first introduced to Alexander.

It was published in the Tatler.

Alexander saw it and was determined to meet me.

Oh, how romantic.

He is.

So you can see that's why I've always had a soft spot for Jack.

He never told me. He's too modest.

But he's very talented.

However, I have to say I was a little hesitant when he first asked permission

use the couch for his film.

But he was so reassuring and persuasive I could hardly say no.

Brilliant, very generous of you.

I can't wait to see the final result.

I've had the screen set up in the ballroom. Perfect.

Jack, I think Beatrice is charming.

You're a very lucky man.

I know.

And Evangeline is also very lovely.

I'd never have taken them for sisters at first, but now I can see the

similarities.

Everything's ready. Shall we start?

Why not?

Ladies and gentlemen, first of all, I'd like to thank you all for making the

effort to be with us this evening.

This, I can say, is a first for Montford Hall.

We were rather privileged to be chosen as a setting for Jack Maddox's new film,

The Secrets Within.

You are also rather privileged to be the first audience to view it.

I'm sure it'll be a wonderful success for Jack.

Now, if you'd all like to come into the ballroom, we'll begin in a few minutes.

I told Jerry a quick pint only.

As long as your Norman doesn't lead him astray.

Oh, Norman wouldn't.

He doesn't really drink.

Do you know, he always comes down straight after work.

You wait to be married as long as I have, because you'll be going down the

yourself to drag him out.

Oh, not my Norman.

Oh, I tried to pop in to see you yesterday.

Oh, Florence made sure I was kept busy.

Oh, she doesn't change that much, does she? I kept on trying to help you with

everything, but she always interfered.

It's as if she doesn't want me to even talk to the sisters.

She doesn't.

Do you know what really gets my back up?

The way she bosses my girls like I'm not even there.

I know, but we're supposed to be running the workroom.

Trouble is, as long as the work gets done, it's beautiful, not here at work,

then again with her.

Well, I suppose that's only fair.

But it's always us that gets the sharp end of the stick, innit? I know, I'd

to shove that steak.

Ouch.

There's nothing we can do about it.

I'm right fed up.

I don't know how much longer I can stand working like this.

What do you mean?

I've got to do something about her.

Haven't you done enough for tonight, love?

I'd just like to finish this, then I'll be happy.

Finish it in the morning, at work, where it's supposed to be done.

Alfred, if I don't, we'll get behind.

You've got a staff to do that for you.

I think to spend all my time trying to make them listen to the right way of

doing things.

Imagine telling your good girls at heart, but I despair sometimes. You're

conscientious, Flory.

I know you. You worry too much.

I like to take a pride in my work.

So do I.

I'm the best tailor in my firm, but I only do my best when I'm paid for it.

Can I just... No.

Alfred Ramby, you're a wicked, wicked man.

Isn't that why you married me?

I must congratulate you, Jack. Your film was excellent.

Thank you. If you'll excuse me just one moment.

You actually put a film in the air during a flight?

Yes. They had a small screen at the front, and then they put the projector

the back.

Our film's a regular, isn't it, on flight?

Apparently, we're the ones who felt it.

Excuse me. Do you like it?

It's beautiful.

I've never seen anything quite so stylish.

We bought it at the Paris exhibition.

Oh, I'd read all about it.

Is it as wonderful as it sounds?

It's the major creative event since the war.

There are all forms of art.

Architecture, interior design, furniture, ceramics, glass.

Oh, and of course, haute couture.

I rather like the whole concept. It's very modern and stylish.

Oh, if we weren't so busy, I'd love to go.

But... I'll just have to settle for the next best thing.

And what's that?

You can tell me about it.

Oh,

that is, if you don't mind.

No, no, of course not.

No, the major part of the exhibition took place along both banks of the

Then did you get to see everything?

Well, as much as time allowed for.

I have to tell you, we did get rather overwhelmed by the entire... Well, there

were three barges all showing Poirier's lavish gowns. Oh, he was exhibiting on

the Seine. Oh, I wish it had been on when we were in Paris last year.

We were very fortunate to spend some time with Gilles Carignac.

If I'm not mistaken, you're wearing one of his designs.

I am.

Everything I wear is exclusively French.

You're very fortunate.

Necessity, really.

Because of my position in court and being married to a government minister,

constantly in the public eye.

I have to dress accordingly, so I go to the best.

Would you never consider a London fashion house?

No.

That's honest.

Should I consider one?

The house of Elliot, perhaps?

If you did decide to come to see us, we'd make you something just as good as

Parisian house.

And probably at half the price.

Oh, Alexander would like that.

Good morning, Mrs Le Bon. Good morning, Florence.

Go ahead, please. I thought they'd brighten up the workroom.

Too nice, I do.

If I cut here... ..you'll be able to accentuate the line that you're after.

That's good.

And then if I cut here... ..and... ..here,

it'll give it the weight.

That's very good.

Florence, that's so clever. Don't you think, Madge?

Yes, it is.

I just want to look over them for myself. It will only be for a few days.

Naturally, that is your right.

Thank you. May I ask if you later intend handing them over to Mr. Soroyan?

I'm certainly not doing that.

Miss Elliot, please forgive me, but are you saying you believe what he says?

Joseph, you must understand, we are in a rather difficult position.

Until we are more familiar with our current financial situation, I'm afraid

can make no more decisions about anything. Now, if you'll excuse me.

Excuse me, Alice.

Oh, Miss Elliot, I thought you might like to know I've just received a

call from Lady Elizabeth Montford, who is very interested in viewing our

collection. Oh, Alice, that is good news, isn't it?

Good morning.

Mr. Royne.

I see you've made yourself comfortable.

Oh, I'm so sorry. Please forgive me. I realize how busy you are. But I did say

that I'd return.

The matter of the accounts.

May I have them now, please?

Oh, I'm afraid it's not convenient at the moment, Mr. Royne.

Miss Elliot.

Beatrice.

I regard your business as my personal responsibility. You really must believe

have invest interest at heart.

That is most reassuring. To properly manage your affairs, I need your full

cooperation. So you can strengthen your own position.

That's hardly fair.

Was it fair to make us take out a loan with extortionate interest rates?

You agreed the terms.

If you had explained the specific terms, we would never have agreed to it.

You do realize that no other bank would consider giving you a loan? Whatever the

interest rates.

Well, then why did you? Because I am endeavouring to get your business back

an even keel.

The rates were set for your own good.

I beg your pardon? Money is being wasted and misdirected. You need to be made

aware of the severity of the situation.

I am trying to get you out of the mess that Desmond got you into. Got me into.

You really must trust me.

I'm sorry if you'll excuse me.

I have a business to run and a loan to repay.

Very well.

I should still like to see the accounts, please, when it is convenient.

Yes, I shall telephone you when it is convenient.

I hope that'll be soon.

Good day.

Tilling, why have you done this to me before? That lady's coming in first.

Is there a problem?

No, we were just sorting out the order.

But I discussed that with you both first thing this morning. Let me see.

Oh, what's this?

Why has Mrs. Pennell's blouse been done before Lady Randall's suit?

And why has the order here been changed?

Well, we just thought... You thought?

Tilly, let me do the thinking. There is a reason for the work to be done in this

sequence. We just thought that if we did change the order, we'd get ahead.

Lady Randall's suit really is... I don't want to hear your opinions, Madge.

I want you to follow my instructions.

Yes, Mrs. Randall.

Did you have a successful day?

It was excellent.

The new story's been agreed.

The studio's given me an immediate go -ahead.

Oh, Jack, that's wonderful.

Does that mean you'll be going away again?

More than likely.

Won't be for long.

You've got the books back. And?

Joseph's management of the finances is without fault.

However, he was right about Sir Ryan.

My accountant's advice is to pay off the loan as soon as possible.

Or it could go on indefinitely.

I am more than aware of that debt.

It'll prove how beholden we now are to the bank.

I know, I know.

Anyhow, it seems to clear Joseph. I didn't think he was dishonest. Thank

Let's go out to dinner. I'm starving.

No, I'm not hungry.

Oh.

But you go.

Really.

Hello. You're early.

Sorry about today.

I always said you work too hard.

I mean, I don't think I can carry on like this much longer.

What are you saying, Florian?

Nobody listens to me.

I do my best to be reasonable, but Madge and Tilly always seem to think they

know best.

Have you spoken to the edits about this?

I can't go complaining to them all the time.

It's my job to thought these problems out.

Look, you've just had a bad day.

It'll come right tomorrow.

I don't want to go in tomorrow.

Are you serious?

Short of always having to shout at them, I don't know what else to do.

Maybe it's best if I give him my notice.

And where are you going to find another job as good as the one you've got?

Work's not that easy to find these days.

I don't know.

I bet you'll still be with the House of Elliot when Madge and Tilly are long

gone.

They're not worth sacrificing a good job for.

Look, you're just a bit tired and fed up, that's all.

Now, come on. No more silly talk about leaving.

All right?

Look, you'll feel better after a good night's sleep.

I'm afraid none of these will do.

Perhaps a variation on one of these designs.

Could I suggest... I really want something that's never been seen before.

A routine government function, it might well be.

But that's no excuse not to be dressed imaginatively.

Of course.

I quite understand.

I'll just go and see if Miss Elliot's available to discuss the design with

These are all our latent ideas.

Yes, it's not quite right. Do you understand what I'm after?

Yes.

Let me see.

If we were to change the line here, you see.

And drop the waist.

And maybe shorten the hem.

So...

The very thing.

Now, of course, I would like it in silk surjet, covered in beads.

And some gold and fresh water pulp here.

The very thing.

Naturally, I would like a matching cloak with a fur collar.

Yes, we can do that.

Oh, good.

Well, that's settled. Now, I really must be on my way.

Palace duties.

Alice, I will arrange for you to take my measurements in a day or two.

Very good, Your Ladyship.

Goodbye, Beatrice.

Alexandra and I would love you all to come to Montfort if you have a free

weekend to spare.

Thank you, Lady Elizabeth.

I shall tell Evie and Jack and we'll let you know.

Right. Goodbye, Beatrice. I can find my own way out and thank you.

I'm sure you're aware that the cost of the fur trim on the cloak far exceeds

special price of Lady Elizabeth's gown.

Yes, I know that, Alice, but we must look upon this as an investment for the

future. We need to attract more clientele of Lady Elizabeth's standing.

Believe me, it will be money well spent.

Very well.

Lot 24.

Three panels of fine Victorian beading to the young lady over there.

Lot 25.

A pair of exquisite prints.

18th century Italian designs.

Now start the bidding at ten shillings.

Come now, ladies and gentlemen. These are a superb example of the period.

Who will give me ten shillings?

Eight shillings.

I will be giving them away at seven.

Six.

Will anyone offer me five shillings before we move on to the next lot?

Five shillings, thank you.

Any advance on five shillings now?

No? Going for five shillings for the first time, the second time, third...

Sold to the young lady again.

Lot 26, per pair of 18th century silver candlesticks.

Evangeline. They're reputable. No. I didn't know you frequented auctions.

I thought you'd been too busy.

Well, I am a lad out, you know. Running a fashion house isn't just simply sewing

and drawing.

And may I ask why you're not at the House of Lords or the Treasury or

it is you're at?

Touché.

Actually, I was rather curious to see if the items I put into the auction had

been sold.

And? Were you successful?

I should say so.

All the furniture I wanted to get rid of.

Ghastly monstrosities that my great -grandfather installed at Montford were

bought by an American.

And some prints I had. They've just been purchased by a very beautiful young

lady.

You mean... Exactly.

Are you in a rush to get back?

Well, no, not really. Good.

Please, join me for lunch?

Yes, I'd love to.

I feel we cannot leave this matter any longer.

Is it about Jenny again? I'm afraid so.

The girl has already been disciplined once. Her work is not up to standard and

she's continuing to make mistakes.

Well, yeah, there might have been some problems with her work.

Which you and Madge have had to put right.

If we gave her another warning, she might improve.

We cannot afford to carry anyone, Madge. You should both know that.

It starts to affect everyone else's work.

We're going to have to let her go.

Don't you both agree?

So when are you going to tell her, then?

I'm not.

You are.

What? You want me to back up? Yes, Tilly. Oh, Madge. If it's got to be

I'll do it. No, Madge.

It must come from Tilly.

Jenny is one of Tilly's girls.

I want you to tell her in the mall.

No, I certainly do not aspire to be Prime Minister one day. Why not?

I would interfere with all my interests, and I'd never be able to spend time at

home with the family.

But you do enjoy your work at the Treasury.

It keeps me sufficiently busy without taking up too much of my time.

Now, don't misunderstand me.

I take the job very seriously.

But, well, Elizabeth likes to see me now and again.

Oh, do you suppose that Elizabeth will mind that I bought the prints?

Didn't you say they were a gift to her?

Hmm, from a visiting dignitary.

And I insist on making them a present to you.

I shall return your five shillings. That really isn't necessary. No argument.

Here, to make it official, I'll sign the back of one of them.

Come on, hand one of them over.

If you insist.

Are you sure Elizabeth won't mind?

Absolutely. No, she asked me to dispose of them because they didn't appeal to

her.

There.

Thank you.

Elizabeth thinks a lot of you, Beatrice.

She was going to the house of Elliot this morning to discuss having something

made. Yes, I know. I'm sorry I missed her.

There'll be other times, I'm sure.

Yes.

Well, I'd really better go.

No dessert or coffee?

Work to do, I'm afraid.

Thank you for lunch.

Thank you for your company.

That's what I want to know.

You're right. You haven't had a good giggle for a long time.

Whenever I laugh, Florence makes me feel right guilty, you know.

Oh, yeah, you only get a smile out of her when Miss Evelyn was being around.

Or when she's with the customers.

Pity her poor husband.

Everything's done to her way, you know.

Do the dinner this way, make the passages that way. Have a cuddle this

But never on a Sunday, or with the lights on.

It'll be worse, I suppose.

Still, I'll be glad when tomorrow's over.

You mean Jenny?

He'll be all right.

Don't you worry.

Evie, these are beautiful.

I particularly like this one.

Well, make yourself something out of it.

What do you mean? For you.

But I thought you were putting them into the jar. Oh, come on, Bea. How often do

we treat ourselves?

Besides, I'm making myself something out of this one.

After all, we should set some sort of example as leaders of fashion.

Exactly.

Jack will appreciate it.

Yes.

Is Jack coming to pick you up today?

No.

He's arranged to have supper with Lord Alexander at his club.

Evie, I really think Jack's fed up eating at home.

I saw Alexander today.

Really? Yes, he was selling some items at the auction.

The funny thing was, I took a fancy to these prints.

I must show them to you. I bought them for the flat.

And it turned out that Alexander was selling them.

And then he asked me to lunch. I thought it was rude not to accept.

He's such a nice man.

I mean, they're both nice, him and Elizabeth.

Yes.

Oh, Elizabeth's asked us if we'd like to go to Montford for the weekend.

Do you want to go? Yes.

Well, maybe. I don't know.

You decide.

I'll ask Jack.

He might not want to go.

I'm out there. I was quite surprised to see her there. She's changed a lot in

the last few years. Become much more independent.

What was she like before?

Well, very shy, unsure of herself.

Always relying on Beatrice to make decisions for her.

She's much more confident now.

Does what she wants to.

She goes out a lot on her own.

She even taught herself to ride recently.

Of course, Beatrice has to come to terms with the fact that little sister is no

longer reliant on her.

I expect she has a lot of suitors.

Lost count of the broken hearts.

I'm sure.

So, how's the new film?

Coming on.

Where have you set this one?

It's not quite as regal as Montford Hall, I'm afraid. It's set on an

pig farm.

I substituted glamour for grime.

Alexander.

How are you?

A pleasure to see you.

Let me introduce you to Jack Maddox, the filmmaker.

Ralph Soroyan.

How do you do?

We haven't met, have we?

No, I don't believe so.

Alexander, we must get together sometime.

Something I want your department to arrange for me. Of course, Ralph.

me tomorrow.

Thank you.

Very pleasant to have met you.

Splendid chap, Soroyan.

Merchant banker.

You know him well.

Quite a few years.

Met him through some charity functions that Elizabeth organised.

It's a charity, doesn't it?

More than that.

He's been a very generous supporter of the Conservative Party.

As long as it's his own money he's giving away, not the bank's.

That's very good, Jack.

No, Ralph Soroyan's a highly respected figure in the city.

He and for Desmond Gelletby founded the bank in, what, just after the war.

A very successful enterprise.

If there are any more men like Ralph.

Shall we go and eat?

Why, all right.

You said you wanted to see me.

That's right, Jenny.

Do you want to sit down?

What for?

More comfortable.

What's all this about?

Your work.

You see... I do my best. I mean, you know that.

Yeah. Yeah, I do. But the thing is... What are you trying to say, Mrs Ross?

Oh, I'm really sorry, Jenny. We're going to have to let you go.

Are you sacking me?

Oh, I'm sorry.

You've got it in for me, haven't you?

No. No, I really haven't. It's just we gave you too many chances and you made

too many mistakes.

It ain't bloody fair.

You'll get everything that's owed to you.

Oh, and how long is that going to last me?

I've got me mum and me baby brother to keep.

What are they going to do now, eh?

I'm so sorry, Jenny.

You don't care, do you?

You're all right.

Oh, you're two -faced, Tilly Foss.

I knew I should never have trusted you!

going on? Jenny's just run out crying.

She's been dismissed.

On whose authority and why?

On mine. She was repeatedly warned about her work and her attitude. It didn't

improve and I had no other choice.

I suppose Florence persuaded you.

I saw how she used to treat that poor girl, Bea.

Because, Evie, her work was not up to standard. That is no excuse.

It is every excuse. Have you forgotten we're trying to run a business?

Evie, we treat our staff more than well enough.

If we're to get the best from Florence, we have to be seen to support her

recommendations.

So it was her.

I have every faith in Florence's judgment. Well, I'm glad you do.

Evie, please, let's not argue about this. There are more important things to

discuss. Such as?

Ralph Soroyan has just telephoned.

He wants to see us this afternoon.

Why? He wouldn't elaborate, but he said it was important.

Yes, well, I don't particularly want to see him. You go. Evie, please, I need

your support.

I really don't think I can face him again on my own.

Please, Evie.

All right.

And Mr. Winter's still in your employ? We see no reason to let him go.

You seem convinced he's trustworthy.

His work cannot be faulted. We've had the accounts checked by an independent

source and they were all found to be in order.

You've had the accounts checked elsewhere?

By whom?

My husband's accountants.

But you weren't prepared to let me see them. Why do you need to?

Because the bank has a holding in the house of Elliot and has a right of

Those are our books. Yes, yes, yes, they are indeed.

You took them. No, Wint handed them over quite willingly.

Judith would never.

He couldn't very well do otherwise when he was presented with that, which is the

agreement that Desmond drafted and you signed, in which it's made quite clearly

that the bank has that right of access. And please believe me, this is a

standard clause.

I'd hoped that I wouldn't have to exercise that right, but you've really

no alternative.

Yes, it might be.

Yes.

Your determination not to let me see these books made me think you must be

hiding something.

I'm sorry it had to be this way.

But if the cost of materials is more, considerably more than the cost of the

garment, how do you expect to survive, let alone make a profit? I'm referring

this particular item for Lady Elizabeth Montmore.

I agreed to that price in order to attract her custom.

Well, if you continue to attract customers like that, you'll very, very

find yourselves bankrupt.

If your loan doesn't ruin us first.

There is nothing that you've told me

can be described as illegal.

I just can't understand why you're defending him, Jack. I'm not. I'm trying

understand him. That's all. I don't like Rascal Royne either. Now, please, I'm

not in the mood to argue.

Oh, come on, you two. What's the problem now?

Ralph's Royal.

Could we just try and forget about Ralph's Royal until Monday, please?

I'd really quite like to enjoy this for a while.

Why, goodbye.

Let's go.

I wish I did have access to the vaults of the Bank of England. So you don't

actually deal with the money?

Unfortunately, only the facts and figures.

Mind you, not all the matters we have to attend to are straightforward.

It's not just paperwork. Better than hell, you could tell.

Oh, the Treasury has a fund of stories, mostly unrepeatable.

There's certainly a lot of drama and intrigue in the world of high finance.

Jack, don't get Alexander talking about work.

As well as boring me, I'm sure it'll bore Evangeline and Beatrice.

Banking and high finance interest me.

Alexander, I believe you know Ralph Soroyan.

Ralph?

Of course, do you know him?

He's the director of the House of Elliot, our investment that tied up with

bank. Really?

But, Jack, you're a director too, aren't you? And yet at the club you said you

hadn't met.

It's a long story.

Well, whatever.

The House of Elliot is certainly in good hands.

You really think so?

Beatrice, could we change the subject, please?

Ralph is highly thought of in financial circles.

I believe he's chasing a knighthood.

And what's more, I think he's going to get it.

Perhaps he'll achieve it when he's ruined some more companies.

How could you?

I didn't say anything I was ashamed of. You embarrassed everybody.

Jack, I did not.

Alexander hardly took any notice, and Elizabeth made light of the whole thing.

We finished our meal off pleasantly enough.

Well, you certainly embarrassed me.

Am I not allowed to speak my mind anymore?

B, I would like to spend the little precious time that we do have together

discussing work.

Jack, I know the House of Elliot and its problems bore you. That is certainly

not true. That they're not nearly as important as any problems you have at

studio, but they're damned important to me, Jack, and I'm doing my best to try

and sort them out. I certainly do care about your business problems, but there

is a time and place for everything, and it's not here, not this weekend.

All right, Jack.

Let me know next time when it's appropriate to speak.

B, don't be ridiculous.

It's so ridiculous.

Darling, it's just a question of etiquette. Please, Jack, I don't want to

about it anymore. I just want to go to bed.

I am sorry about Jack and Beatrice.

What is there to be sorry about?

Well, they're a bit edgy at the moment.

They've both been working very hard.

I get more than edgy if I'm tired.

Darling, you're impossible.

I have to keep well out of Alexander's way when he behaves like that.

Don't worry.

Tomorrow's another day.

So, are we going riding in the morning?

Well, I'm afraid Beatrice doesn't ride.

But I presume you and Jack do?

Oh, yes.

Well, I'm not terribly experienced.

Oh, you'll be fine.

No, you, Alexander and Jack go riding and I'll keep Beatrice company. We can

have a good gossip.

Oh, that's subtle then.

Well, if you'll excuse me, I think I'm tired. Of course.

Good night.

Good night, Evangeline.

Such a lovely girl.

Don't you think?

Yeah.

Jack, will you come back to bed?

I'll sleep.

I would have liked to have learnt to ride, but my father thought it a waste

time. Well, you still could, Beatrice.

It's too late for me.

No.

Jack could teach you.

We don't spend much time together.

Jack wasn't feeling too well when he got up this morning, so he thought a walk

would be better instead.

Well, I hope he doesn't get lost.

Mind you, he wouldn't be the first guest that we'd had to send a search party

out for.

I didn't spoil your supper last night, did I?

Whatever do you mean?

Well, Jack thought I'd gone a bit too far in quizzing your husband about

drawing. Nonsense.

I was most intrigued.

Well, I've only met the man on a couple of occasions.

He's always given most generously to my charity appeals.

Has he?

So Alexander wasn't annoyed, then?

What happens now?

We have many of Alexander's cronies down for the weekend.

Most of whom I certainly wouldn't trust my affairs with.

Now, I want you to tell me about Gilles Carignac.

Not his designs.

About him.

I hear he's a favourite with a certain... Is that content?

It has always been one of my favorite spots.

It's beautiful.

Ralph used to come here as a child.

My parents had these terrible arguments.

It upset me.

I'd sit here for hours.

All of you never failed to calm me.

I can believe it.

Come on. I'll show you the rest of the estate.

Go on, Betty.

Right.

Even if I say so myself, we've done a grand job here, girl.

Well, I hope Lady Elizabeth will appreciate it.

Oh, Nora, could you give it a bit of a press here? A bit of cream.

Thanks. Hmm?

It's not right for you.

What do you need to do? I saw Jenny the other day.

Oh, yeah? How is she?

She hasn't got any work.

Shame. Yeah, they're in a terrible state. That's enough, Betty.

Oh!

What have you done? It was an accident. We can do something about it. Maybe

Elizabeth's final fitting is tomorrow morning. We can replace the burnt fur

nobody will know the difference. We cannot just replace a piece. It would

the whole cloak.

We've got to make another collar.

But, Mrs. Ramby, that'll take all night. I'm sure we can patch it. Patch it? We

do not patch things.

Go back and start again. I know that there's another pelt.

But, sir, is everything all right?

I'm afraid not.

But if we set to it now, I'm sure it'll be ready for the fitting tomorrow.

Could I telephone my husband, Miss Elliot?

You know, I was supposed to have this afternoon off.

Yes, isn't it your niece's wedding?

Yes, she's off to Canada tomorrow.

Oh, but you must go. I know how important your niece is to you.

I don't feel that I can now.

No, I insist.

We'll manage somehow.

Madge and Tilly are more than capable of coping with it. Of course, but what

about all the other orders?

I'll make sure that you're compensated for any extra time. All right?

I'll leave you to Ish instructions before you go, Florence. Yes, Miss

And thank you.

Right, as I said before, we will start again.

We're going to be here all night. If we do it the way Florence wants.

What do you mean, Madge?

You can see as well as I do we don't need to make a new collar.

Look, if we cut around here, we can replace the burnt fur.

With your expert stitching, my cutting will have it right as rainy winter.

And what about Florence's instructions?

Well, she's not here, is she?

No, Madge, I can't. My life won't be worth living.

She's going to have to do it the way that she wants.

Come with me.

Daisy? Yes?

Sorry to interrupt.

What can I do for you, Madge? Lady Mumford's cloak.

Oh, we do have another palette, don't we? Oh, yes, it's just that Mrs. Ramley

wants us to make a completely new collar.

Are you worried about finishing on time?

Oh, we don't mind working late, but silly me feel we can repair it just as

You see, if we cut out the burnt piece and add a new piece there for the dark,

it'd do the job, save time.

Well, I see what you mean.

Sounds reasonable enough to me.

Well, it's only that Mrs. Ranby insisted we do it her way. We've still got all

the other work to do and we don't want to get behind.

You're right.

So, do we have your permission to do it the way I suggested?

Of course, do, Madge.

Thank you.

Good morning, Madge. Ranby. Did you complete Lady Montfort's post?

Yes, plenty of time. Good.

I'll have a look.

Good. An excellent job.

It was hard work. I can see that.

I am very pleased.

Oh, how was the wedding?

Oh, it was beautiful.

Not having any children of my own, I've always regarded Phyllis as a kind of

daughter.

They'll be on the boat now.

Canada seems so very far away.

Can't you go and visit her there?

Oh, I don't know. It's the cost, and Alfred, my husband, doesn't like

travelling.

Right.

Ladies, shall we get back to work?

Agnes, could you take that down to Lady Montford's car? Thank you.

I can't tell you how pleased I am.

Thank you.

What's more, I shall certainly be wearing it tomorrow night.

Oh, but I thought that was the reason to have the gown made.

Well, I must be honest. I had my doubts.

About the House of Elliot?

About any London couturier.

I see.

I even went so far as...

Oh, dear, this sounds awful.

I even went so far as to have another gown commissioned from Paris.

In case ours didn't come up to standard.

Your caution surprises me.

Well, I've always been led to believe that Parisian couturiers are the best.

I do hope we've done something to dispel that myth.

You certainly have.

And that we shall be seeing you again?

It goes without saying.

Even at our standard rates, you will still find it cheaper than Paris and a

little bit more convenient.

Goodbye, Beatrice.

And thank you, Lady Elizabeth.

Oh, Mrs. Ramby. I meant to ask, what happened to Lady Elizabeth's damaged

The damaged cloak? What was Lady Elizabeth's wear in it?

I hope I misheard you.

Well, Madge and I repaired the old collar, didn't we, Madge?

And Lady Elizabeth, as you know, was thrilled with it.

Disregarded, Martin.

We did what we could in the time.

Well, be fair, Mrs. Ramby, you were pleased with it yourself.

Does it matter now?

I left you specific instructions.

Well, Miss Evie said we could.

I beg your pardon?

Miss Evie was happy with our suggestions and gave us her permission.

Did she now?

Right.

I feel my authority's been undermined. Florence, please.

I left specific instructions as you asked me to, Miss Elliot, and they were

totally ignored.

Madge and Tilly seemed confident that they could repair it. In the end, it

time. Evie, Florence is right. They should have followed instructions. It

have taken three times as long. Forgive me.

Miss Elliot, but Madge suggested that you gave her and Tilly permission to

on as they wanted to. Considering all the other work that had to be done,

way seemed most sensible.

It was an emergency and it had to be dealt with accordingly.

I'm sorry, but there are professional principles involved here and I'm tired

Madge and Tilly constantly disobeying and questioning my instructions.

It isn't a criticism of you, Miss Elliot, but I should never have come to

you in the first place. Well, I couldn't very well ignore them, could I? Make

sure that this does not happen again.

I shall talk to Magentilly personally this evening.

To say what, Miss Elliot?

To tell them that they must listen to you without exception in the future.

I'm sorry, but it's gone too far for that.

Unless Magentilly are replaced, they shall be forced to resign.

Aren't you rather overreacting, Florence?

For a long time I chose not to say anything, feeling it was my job to deal

it. They now think they know better.

I'm sure we can all work something out here.

I regret to say it has to be either them or me.

I cannot just dismiss Madge or Tilly.

Then I must resign.

I will not accept that, Florence.

I'm sorry, there's no more to be said.

I will come and collect my personal belongings tomorrow when everyone is

Florence. I can't compromise, Miss Elliot.

What did you want us to do with Mrs Grant's suit, Mrs Rambey?

Do whatever you like, Marge.

I don't know what you mean.

Since you've always done exactly what you want you to do, it seems rather a

pointless exercise asking me, doesn't it?

Well, I just asked, that's all.

You're silly.

You're both the same.

You both think that you know better.

Well, now you can prove it.

What's the matter, Mrs Rambey? The matter is, you've got your wish.

I'm leaving.

You're going?

Not too soon.

I'm tired of working with amateurs, with people who should have remained.

Now, hang on a minute.

Who are you calling amateur?

Isn't that obvious?

That's not fair.

Oh, and have you been fair? Well, times are changing.

There's other ways of doing things, you know. Not professionally.

If you'd been trained... Oh, we're here till kingdom come.

You never let off, do you?

Blooming training. Well, I'm glad I wasn't if it meant being like you.

You've both learnt a lot from me.

And you know it.

Oh, yes, we really have. We've learned how not to do things. Yeah, and all I

say is I pity those poor girls at your next job.

I'm sure they'll be more capable and more appreciative.

I'm not accepting Florence's resignation.

We need her skills as a cutter. Well, what do you intend to do? She's

In the heat of the moment.

When she comes back tomorrow to collect her things, hopefully the air will be

clearer. Come quick, there's been a terrible accident outside.

Mrs. Rambey!

Mrs. Rambey!