All language subtitles for LA Law s07e19 Vindaloo in the Villows.eng

Previously on L .A. Law.

Dominic? There he is. How's it going,
Chief?

Dominic, hi.

Put out your hand.

I'll come. Put out your hand. I got
something for you.

Ha ha!

I wheeled an exact in the eighth race
and a 25 to one shot. Bingo!

He has no idea what I'm talking about.
We had a very big day today, Ben.

There's three large right in the palm of
your hand.

Benny, we'd like you to tell us a little
bit more about this friend of yours.

What do you want to know? For starters,
we'd like to know why it was that he

gave you $3 ,000.

The horse he bet on won.

But why did he give you money?

He always gives me money when the horse
wins.

I give him money to bet with, and he
gives me money if the horse wins.

Where are you going?

I gave out the mail, and I put extra
paper in the copier, and I cleaned up

kitchen. Benny. Tell him where we're
going.

We're going to Vegas.

You are taking advantage of someone who
is mentally retarded. So far as I'm

concerned, I'm not taking advantage of
anyone.

So happens Ben's an adult.

A retarded adult. An adult. A grown man
who doesn't have to answer to you or

anyone else about how he spends his
money.

Ben, give me another hit, would you?

Yeah.

So, tonight's the big night, huh? You
ready?

I guess so.

You guess so.

Ben, you guess so is not the right
attitude.

You remember what we talked about?

You can't be tentative, all right?

He who hesitates is lost.

You snooze, you lose, you sleep, you
weep. You follow me?

If you want this woman, you have to go
after her, and you have to go after her

strong.

What if she doesn't like me? She said
she'd go out with you, didn't she?

Yeah. What more do you want?

You think she just likes me because
she's retarded?

She likes you, Ben, because you're a
likable guy.

Uh -huh.

Let me tell you something, Ben.

Women are different from men.

Women know what they want and what they
don't want.

And one thing for sure they don't want
is weakness.

And they can smell weakness.

The way a shark smells blood.

You deal from strength and they're yours
to do with as you will.

How are you today?

Do you mind not smoking in here?

Absolutely not.

Tell me something, you like Italian
food?

Ben and I were just discussing our plans
for this evening. We thought you might

be interested in a little dinner, some
wine, a little veal scallopini.

I don't eat veal. A little linguine with
white clam sauce, a little steak pizza.

Or in the alternative, we can dispense
with the restaurant altogether.

I can bring my Jerry Vale records over
to your house and we can send out for

Chinese.

Look at that.

I can't get a rise out of this one no
matter what I do.

Come on.

See you tonight, then.

Last chance.

No?

Okay.

Rana versus Jayaraman, Pundar, and
Chandra. What on earth is this?

It's mine, Douglas.

We represent three men who work in an
Indian restaurant who are being sued by

couple who claim to have been beaten by
them while dining there.

How were we so fortunate as to have this
one fall in our laps? Stuart made the

mistake of telling the owner of the
restaurant that we were attorneys.

It's a great restaurant.

Is this one on the cuff, Stuart?
Absolutely not.

Ali Jayaraman is a paying customer.

I happen to like Indian food.

Sheila prevailed on me one night to give
it a try. I found it to be rather good.

We'll take you to Ollie's place, if
you'll let me.

Lake versus Severson.

Lucille Lake is the direct descendant of
a slave named Dandridge Bright.

Dandridge Bright was a painter.

Twenty of the paintings that he made
while he was a slave are now in the

possession of Mr. and Mrs.

Severson, Mr.

Severson being the direct descendant of
the slave owner.

And Mrs. Lake would like her paintings
returned to her family.

She's suing over this now? How do you
get past statute of limitations?

The value of the collection was only
made known to her recently.

I also intend to argue that title in the
paintings never vested with the

Severson family because Dandridge Bright
was their slave. This is a case you're

entertaining some chance of winning?

Yes, it is.

It's also a case that could lead to lots
of other cases. If we're even slightly

successful, if we come away with
anything, this could lead to an

subsequent litigation.

And we, in all likelihood, would be the
first place that these plaintiffs come.

I think you're dreaming.

I think no matter what platitudes people
mouth regarding slavery, nobody gives

anything back. We're looking to break
new ground, Jonathan.

I think it's a risk worth taking. And
also, it's not as though we've got

anything to lose.

What about the client? We're handling
this on a contingency basis. She's

got nothing to lose. And that makes it
okay for her to go along thinking she's

actually got a chance.

I think she has a chance. If I didn't
think so, I wouldn't be representing

Let me make this as clear as I can. I've
got a medical malpractice and a

wrongful death both scheduled for trial.
The last thing I need on my calendar is

a food fight.

Well, the defense agrees, Your Honor.
We're ready to settle.

I am prepared to write a check this
instant.

And in the spirit of reconciliation, I
will also provide to the plaintiff, Mr.

and Mrs., complimentary meals at my
restaurant for one month, tax included.

First of all, my clients have no
interest in eating at Mr.

Jayaraman's restaurant ever again.

Secondly, he's only offering $1 ,200.

You have a figure in mind?

$250 ,000.

For spilling food?

There was no spilling. The waiter and
busboy attacked us. Please, sir, it was

but a tragic misunderstanding.

He hit Warren with the lamb vindaloo
while the other one pelted us with

These are vicious lies. The men and
women were the aggressors. They are

responsible for the violence. What
Rupesh means is we must put blame aside

seek accommodation.

Your Honor.

The Rohners have no medicals. Their
losses are nowhere near six figures.

of the associations with that night of
terror, an entire subcontinent of

gastronomia has been poisoned for both
of us.

For us, it is a loss you cannot put a
price on.

Try, Mr. Rauner. I'm sorry you can't
enjoy Indian food anymore, but I suggest

you lower your sights and settle, and I
suggest you make it well south of $250

,000. Your Honor, I'm not going to allow
my clients to turn to settlement

negotiations until I've had a chance to
depose the defendants. I am not

extending discovery beyond this week,
Counselor.

Either finish by then, or I'll invite a
motion to dismiss, with prejudice.

Got it?

By God, I like this woman.

Not as an admission of fraud or guilt,
but as a gesture of goodwill, the

Seversons would like to offer you 50 %
of the royalties from the book that they

have just written about Dandridge
Bright.

They would also like Mrs. Lake to write
a foreword to the book. What kind of

numbers are we talking about, Mr.
Richards?

If this book sells to colleges as a
text, your clients could make up to $30

,000. And if it doesn't sell to
colleges?

Publisher estimates $10 ,000 to $15
,000.

No.

No?

That's it?

Mama, I think we should discuss this.

We're not rich people, Mrs. Lake.

We don't plan to sell the paintings.
What we want to do is continue lending

to museums, giving everyone a chance to
look at this great artist's work.

It still comes down to you deciding what
to do with my great -grandfather's

paintings. Could I have a moment with my
mother, please?

I don't need a moment. The answer is no.

Mrs. Lake.

If you win and sell the collection in
pieces, or God forbid, sell it to a

foreign buyer, you've lost an invaluable
piece of American art and heritage.

Mrs. Severson, I see the result of the
heritage of slavery and oppression

every time I open my eyes.

My daughter's little girl is smart
enough to be a doctor, but nobody she's

known has ever been that. We don't have
enough money to send her to medical

school, so you know what her highest
aspirations are.

to have a nice car, and to keep from
getting pregnant until he's 18.

My grandson doesn't believe he'll live
past 20, so he doesn't even bother to

think about the future.

I want my grandchildren to have at least
a chance at the kind of life your

children take for granted.

And if selling a few of my great
-grandfather's paintings will help me to

that, I think he'd say, go to it.

We having a great time, huh? Is this
place great or what?

And look what else we got here.

Italian good luck cookies.

What are you doing?

What am I doing?

Wait a second.

Huh?

The higher it floats, the better the
luck.

Not bad, huh?

So, Rosalie, you having a good time?

Yeah.

They make a good marinara sauce here,
you know, not too heavy.

Hey, I got to hold up the conversational
ball myself here? What's the story?

You see, I can't get him to shut up, but
here he's got a beautiful woman sitting

next to him. He's speechless.

Doesn't Dominic have a beautiful voice?

Yeah. I love this girl. She never says
no.

Hi, Mom.

Hello.

Rosalie, I hope I'm not too early
picking you up, but you did say 8 .30.

This is my mother. This is Dominic.
Pleased to meet you.

And this is Benny.

Hello, Benny.

Hello.

So, are you ready to go home?

Ah, what's the rush? Come on.

Sit down, take a load off, have a cup of
coffee.

Would you like to stay a little longer?

Dominic.

Dominic just sang a song.

Really? They were playing Santa Lucia. I
couldn't resist.

And he knows all sorts of tricks, too.

Sure, the one with your hands.

Not sure which one you mean.

You know, retarded three -card money.

I'm not sure that's really such a good
one, Ben. There's other games that are a

lot funnier.

I'd really like to see that one.

Sure. Put your hand on the table.

Like that, yeah.

Now, I put my hands like this, and
then...

Which hand is yours?

I don't know.

That's why they call it retarded three
-card Monty.

Okay, so, hey, Fran, can I interest you
in a little spumoni? I really don't find

games like that amusing.

Oh, we were just having a little fun,
you know.

I think you were just having a little
fun. And someone else would expect.

Come on, Fran, let's not ruin a nice
evening here.

Bruce Lee, I think it's time for us to
go home.

Benny, very nice meeting you.

Dr. Haverford, as an historian, what is
your area of speciality?

African -American life in the antebellum
south.

Are you familiar with the work of
Dandridge Bright?

Yes, I've done considerable research and
published a number of articles on Mr.

Bright Ender's works, as well as other
African -American slave artisans and

artists. What makes these 20 paintings
of Mr. Bright so valuable?

They represent a very rare look at
plantation life from the point of view

slave. Beyond that...

Examples of arts or crafts of this
quality, or any quality for that matter,

by slaves are almost non -existent. What
they did was not generally recognized

as art, and very little was preserved.

What were your sources in researching,
Mr. Bright?

The Overseer's book from the Severson
Plantation, as well as a detailed

kept by Dr.

Philip Severson.

Who was Dr.

Philip Severson? He was Dandridge
Bright's owner, and the great -great

-grandfather of the gentleman sitting
over there.

What was Dandridge Bright's job as a
slave on the Severson plantation?

Initially, he was a stable boy.

As he got older and the Severson
children took a fancy to him, he was

the house as a butler and babysitter of
sorts.

Is that when he started painting?

To the best of our knowledge, yes.

Dr. Haverford, in your expert opinion,
did Dandridge Bright freely give his

paintings to Dr. Severson? No. A slave
had no property. He was property, just

like livestock.

It would be impossible for a slave to
make a gift of something that his master

already owned.

Thank you, Dr. Haverford.

Dr. Haverford, is there any indication
in Philip Severson's journals that he

forcibly took those paintings from Mr.
Bright? No. Well, in your opinion, is it

impossible for a slave of his own free
will to make the gesture of giving a

to his master? In my opinion, a slave by
definition...

has no free will.

Dr. Haverford, in the interest of
serving justice here, I have to ask you

Do you think, as an African American
yourself, that it is possible for you to

render an unbiased opinion on this
subject?

I was unaware, Mr. Richards, that the
condemnation of human slavery was a

I have no further questions for Mrs.
Lake's witness.

Mr. Your Honor, in looking over the
order slip for the meal that night, I

noticed that there's a dish I couldn't
find on the menu.

He means the chicken karahi. It is
karahi. If the woman cannot pronounce

Hindi properly, perhaps she should stick
to English. Please forgive my cousin's

playful chatting.

Actually, the Mrs. Dialect is quite
good. Most authentic. We asked the chef

prepare the karahi because we desired a
dish from the Punjab. And how did you

find the karahi? The chicken was
overwhelmed with fenugreek, and with no

to stand up to it, the dish was...

So you sent it back?

Yes, it was inedible. Sounds like you're
a hard man to please.

Is that a question?

Mr. Rahner, let's turn to the event that
immediately precipitated the alleged

assault. How would you describe it? Our
waiter, that dangerous -looking one they

call Rupesh, brought out a serving of
lamb vindaloo. I took one bite, and I

overwhelmed with nausea. Too hot for
you? No.

He could not eat it. I could not help
myself but laugh.

In my village, small girls can eat
vindaloo twice as spicy.

That's why you attacked me. It was you
who attacked.

When I told him to take back the
vindaloo, he got this strange look in

and started mumbling in Hindu.

The next thing I knew, the plate of
vindaloo came crashing down on my head.

what did you do? Well, I was fighting
for my life. And for Lois. So you admit

that you hit them back.

He had to. It was self -defense. Oh, not
so. Mr. Honor, isn't it possible this

entire melee resulted because you
overreacted to having food spilled on

It was an attack.

A brutal, vicious attack.

Hi, Benny.

Hi.

This is where you work.

Yeah.

I'm making copies.

I had fun last night.

I did, too.

Good.

Dominic wasn't mad at my mom, was he?

I don't think so. I hope not, because
she said she was glad to meet you.

She said she was especially glad to meet
Dominic.

She has to meet everyone now.

Anyone I'm with, she has to meet.

Ever since this thing happened.

What thing?

This thing that happened with this guy.

He goes to rec centers sometimes.

And this thing happened.

What happened, Rosalie?

Well, this guy came into the locker
rooms while I was changing into my

suit.

And he did some things to me that... He
did some things that

were not very nice.

What kind of things?

You know.

Sex?

Uh -huh.

Did you tell the police?

No. Well, Rosalie, you gotta tell
somebody about this.

I did. I told my mama. I told you.

You gotta tell somebody that can do
something about it.

Somebody like my friend Tommy.

What can he do?

He works in the district attorney's
office.

He can make sure that man goes to jail.

I don't... I don't want to talk to
anybody.

It'll be okay.

I'll go with you.

Mrs. Lake, how much do you know about
your family?

We can trace our family history back
five generations, when my great -great

-grandfather, Moses Bright, was brought
to South Carolina from the Niger Delta

in Africa by slave traders.

Dandridge was born in 1843 and sold to
the Seversons away from his own

family in 1855.

Were you close with your great
-grandfather, Mrs. Lake? I didn't get to

very long.

When his wife died in 1925, he just
disappeared. And nobody could find him

he showed up on my aunt's doorstep in
Cleveland in 1935.

Apparently, he had been living on the
streets.

He didn't like to talk about it much.

And then three years later, he died.

When did you discover that your great
-grandfather was a recognized artist?

About six months ago.

How did you make that discovery?

I got this call from an art dealer in
Chicago, and he said that he had

seen the Severson collection.

Why was he calling you? He said that he
had traced the family tree of Dandridge

Bright in hopes of finding some
descendants who might have paintings

were willing to sell.

What did you do then, Mrs. Lake?

I called the Seversons. How did they
respond to you?

Well, at first, they treated me like I
was visiting royalty.

They invited me out to their house in
Pasadena to look at the paintings.

They even came to Nickerson Gardens and
picked me up. What happened?

They said they were ashamed that their
great -great -grandfather had owned

slaves, and they hoped they were making
some amends by allowing the paintings to

be seen and appreciated by the public.

What did you say?

I said if they really wanted to make
amends, they would give the paintings

to Dandridge Bright's family.

They thought I was joking till I got a
lawyer.

Then they stopped returning my calls.

Thank you, Mrs. Lake. I have no further
questions.

Mrs. Lake, is it your testimony that you
did not know that your great

-grandfather was an artist?

I knew he liked to paint, but I didn't
know how much his paintings were worth.

So prior to contacting the Seversons,
you never made any attempt to locate any

of his paintings?

That's right.

This is a newspaper account of a family
reunion at your aunt's home in 1937.

Would you please look at the
accompanying photograph and tell us

that is, in fact, your aunt's house?

Yes. And is the man in the photograph
your great -grandfather, Dandridge

Yes. Would you please describe to the
court what Mr. Bright is standing next

He's standing next to his paintings.
What became of those paintings, Mrs.

Objection. Dandridge Bright's total
output is not in dispute here, Your

What is in dispute are the 20 paintings
currently held by Chet and Janet

Severson. It goes to the question of
reasonable discovery.

I'll allow it. Do you know what happened
to those paintings, Mrs. Lake? My aunt

did not have a big house in Pasadena,
Mr. Richard. Please, Mrs. Lake, just

answer the question. When my grandfather
died, the only way my aunt could make

ends meet was to rent his room. She
didn't have any place to put his

What became of the paintings of
Dandridge Bright that your family owned?

My aunt threw them away.

Thank you.

I've loved these paintings since I was a
kid. Why is that, Mr. Stevenson?

Because I couldn't believe that someone
who had lived as a slave could still

view life in such a luminous and a
vibrant way.

When did you discover that the paintings
were valuable?

Well, initially, they weren't very
valuable. They became valuable when I

taking the collection to art critics and
galleries and pushing for exhibitions

and reviews.

And why did you do that?

Because we believed we had an incredibly
important piece of American artistic

history that belonged to the public
domain, not in our living room in

Did you know that Mr. Bright had any
living relatives?

Not until Mrs. Lake called us.

Did you ever do anything to conceal the
existence of these paintings from them?

The collection had been on exhibit in
museums across the country almost

continually for the past ten years,
including four months in Los Angeles.

Mrs. Lake could have as easily walked
into that exhibit as anyone else. Thank

you.

This collection has been appraised at
half a million dollars. Is that correct,

Mr. Severson? Yes, but that's really
irrelevant since I don't plan to sell

Well, you don't have to sell it to reap
the benefits of it, though, do you?

I am not sure what you mean. Your
connection to these paintings has helped

get a seat on the board of directors of
the American Folk Art Museum, isn't that

so? Well, yes, but my work there is
completely voluntary. I've received no

compensation for that.

What about the numerous lectures you've
given at museums across the country?

What about the book you're about to
publish on the work of Dandridge Bright?

The remuneration from those things does
nothing more than offset the cost of my

participation. But it has given you a
high profile in the art world, has it

Miss Peros, an artist.

Especially a folk artist like Dandridge
Bright does not get to be well -known

unless somebody makes it his business to
show his works to the world. I am that

person. And I've done so because I
believe that Dandridge Bright was an

extraordinary talent whose work could
benefit a lot of people.

Do you believe that one man should
benefit from the forced labor of another

No. Well, if you don't believe that, Mr.
Stevenson, and if your only intention

in all of this is to bring Dandridge
Bright's art to the people, why don't

sell these paintings to a museum and
give the proceeds to the descendants of

Dandridge Bright? We shouldn't have to
sell these paintings. My family

them for five generations. I have tended
this collection. I have promoted it.

And I am entitled to keep it. And the
fact that it came to you through slavery

has no importance here?

Objection, badgering your honor. I
didn't own slaves. Why should I have to

for a crime I didn't commit? Why should
you get to benefit from it?

Objection, your honor.

Withdrawn. I have no more questions.

You claim you lost control of the tray.

Yes, it bubbled, and the vindaloo
toppled onto the customers quite

And before I could apologize, the mister
grabs me by the throat, begins to

squeeze the breath out of my body. Oh,
please. I thought it was a dead man. Had

my cousins not intervened, who knows
what he would have done? Exactly.

Ali, let's just get through this. Mr.

Pundar, how long have you been a waiter?

Five years.

Is it your life's ambition to be a
waiter?

No. I am an engineer with a PhD from
Mumbai Polytechnic. It must be difficult

for an educated man such as yourself to
take orders all day. When the customers

are well -mannered and respectful, I am
content.

I imagine the Rauners posed quite a
challenge given their demanding

Oh, they were most discourteous. Always
bossing and yelling.

I attribute this to low breeding.

Is it true they sent back two dishes
prior to sending back the vindaloo?

We should have sent back the whole meal.
And each time, did the cook then have

to prepare an entirely new dish from
scratch? From scratch, yes. How long did

this go on? More than two hours. Two
hours?

The Rauners didn't even arrive at the
restaurant until after 11.

Are you telling me they kept you running
back and forth to the kitchen till 1 a

.m.? And then they took one bite of the
vindaloo and sent it back to.

They were impossible. Didn't you just
want to kill them? Yes, I wanted to kill

them. There's no jury here. So you took
the vindaloo and you smashed it over Mr.

Rauner's head. Yes, no, no, I smashed it
over the head. And you took the chutney

and you threw it at Mrs. Rauner, didn't
you? Yes, I threw it. And your cousin

beat them too, didn't he? Yes, we fought
with them. We hated them. We beat them

because they deserved to be beaten. And
if they ever sit at my table again, I

shall beat them again.

Oh, rupesh, rupesh, rupesh.

Rosalie, this happened six weeks ago.

You said you remembered because it was
right after your birthday.

Yeah. Okay.

Now, this man, Clark Sims, you knew him?

He came to the rec center sometimes.

Can you remember what happened after he
followed you into the locker room?

He told me he wanted to talk to me.

And was anyone else around?

No. It was late.

Tell me what happened next.

He told me that he liked me.

And then he asked me if I liked him.

And he asked me if I wanted him to be my
friend.

And did you answer him?

It's okay to tell, Tommy.

I said yes.

And tell me what happened next.

He touched my hair, and then he pushed
me down on the

bench, and he laid down on top of me,
and I

tried to get up, but he was too big.

And then he pulled

down my swimsuit bottoms.

Rosalie, did he have any kind of a
weapon?

Um, no.

Did he hit you or threaten you with
violence?

No. Did you tell him no?

I told him I had to go home.

I told him I wanted to go.

I did.

Rosalie, I'm going to ask you a
question, but I want you to think real

before you answer it, okay?

Did you tell this man that you didn't
want to have sex with him?

Yes.

Okay.

If that's what happened, I think we have
a case against him.

But I want to be sure you understand
this isn't going to be easy.

You're going to have to talk to a lot of
people you don't know. You're going to

have to answer a lot of questions about
a lot of different things.

I'll help her.

Okay.

Rosalie, are you sure this is what you
want to do?

This is what I want to do.

Okay, then.

The body of our country bears many
scars.

from a violent and tragic history.

But if we hold our contemporaries
responsible for wounds inflicted by our

ancestors, we risk descending into
chaos.

Should we tear up the railroads because
the tracks were laid by exploited

Chinese laborers? Should we dismantle
our cotton and rice and tobacco

because they were built on the back of
black slaves?

Should we turn back our clothing because
somewhere in our history a child was

forced to work 12 or 14 hours a day at a
sewing machine?

Or should we lay these tragedies to rest
and move on?

There is no one in this courtroom who is
making an argument in favor of slavery.

You are not here to pass judgment on
slavery. What you are here to determine

whether or not to penalize a man for
something that his great -great

-grandfather did. Not his father, nor
his grandfather, nor even his great

-grandfather, but his father's father's
father's

father.

This man has done nothing wrong.

The events of another century do not
give us the right to take away that

which is his.

That which is his.

That which he inherited.

That which was in his family.

That which is his.

Though the defense counsel would
disagree, I maintain that it is entirely

acceptable for you to ask yourselves,
how did it get to be his?

Chet Severson has directly and
personally benefited from the work of a

has built a reputation in the art world
and increased his net worth by half a

million dollars based on 20 paintings
that his great -great -grandfather

acquired without the consent of the
artist.

He stole them.

I mean, that's not what it was called at
the time, but that's what it was.

stealing. And to say that Dandridge
Bright gave his paintings to the

is to imply that he had a choice about
keeping them. He was a slave. He had no

choice. Not about keeping his freedom,
and not about keeping his family, and

about keeping his paintings.

I think if Dandridge Bright came before
you and asked to have returned to him

that which he lost as a result of his
enslavement, the answer would be very

simple. You'd give him what he asked
for.

He wasn't allowed to make demands then,
and he can't be here now.

But his direct descendant is here.

Tell her what you can no longer tell
him.

That was a fine speech, Miss Paddle. Oh,
thank you. I thought my mother was

crazy bringing this lawsuit.

Now, I think we actually might win.

So you thought I was crazy, huh?

He admitted to the battery during the
deposition, Your Honor. We see no reason

why we should be the ones to back down
from our position.

Because your clients don't have a
quarter of a million in damages, and my

clients don't have a quarter of a
million, period.

And they have no insurance.

The best they can scrape up is $10 ,000.
Garnish their wages. No, please, Your

Excellency. Mr. Gaffney, if you and your
clients are foolish enough to proceed

to trial, I foresee a strong chance
you'll wind up with nothing.

On the other hand, the court would look
favorably on an agreement that achieves

the following.

The Rauners get $10 ,000 in compensatory
damages, broken up over two years.

And punitives?

No punitives.

Mr. Pundar will enter a psychological
counseling program to help him control

dangerous temper.

Finally... For the next six months while
he undergoes treatment, Mr. Pundar

should be kept away from customers.

In the wrong circumstances, a loaded
vindaloo could be a deadly weapon. I

want to take any chances. I can put
rupesh in the kitchen.

Pete?

Done. And, uh, Mr.

Jayaraman, keep an eye on the little
guy, too. I'm not so sure about him.

Oh, I certainly will, Your Excellency.
And I want you to know you are cordially

invited to come down to my restaurant
free of charge and enjoy a full -course

meal for you and a dining companion.

No, thanks.

I've got a peptic ulcer to take care of.
My sympathy is your excellency.

Goodbye, Mr. Jayaraman.

Goodbye, your excellency.

Tommy Mullaney? Yeah. Can I help you?

Fran Hendrickson, Rosalie's mother. Oh,
of course.

Please, come on. Thank you.

Your daughter's very brave.

Going through a rape trial under any
circumstances is an ordeal. I don't need

tell you how much she's going to need
your full support.

That's what I want to talk to you about.
Of course.

Rosalie told me what you discussed, what
she's going to have to testify to on

the witness stand.

She's just going to have to tell the
truth.

I'm not worried about what she's going
to do. I'm worried about what you're

going to do.

What do you mean?

Is the fact that Rosalie is
developmentally disabled going to factor

case? Yeah, the fact that Rosalie's
retarded goes directly to the issue of

consent. So you're going to say that she
wasn't capable of consent?

I'm going to say that in this particular
instance, she was not capable of

consent, yes.

So you're going to put my daughter in
front of a courtroom as, um, Exhibit A,

the perfect example of how the mentally
retarded are not responsible for their

actions. I am going to do my best to see
that the creep who raped your daughter

gets convicted.

No matter how much you might damage
Rosalie's self -esteem in the process.

Mr. Mullaney, ever since Rosie was a
little baby, I devoted myself to

her like any other child.

I encouraged her independence. I
insisted that she be treated like a

being. And she has grown into a
beautiful, capable woman.

I won't let you put her on the stand and
destroy that self -confidence all for

the sake of obtaining a conviction.

Your daughter was raped.

She has the right to see her attacker
brought to justice.

Tell me something.

If Rosalie wasn't retarded, would you
still be prosecuting the case?

No, I would not.

Why wouldn't you? She didn't file a
police report. She didn't seek medical

attention. There's no physical evidence
and there are no witnesses.

Besides, it's a month and a half after
the fact.

I've agonized over what happened to my
daughter that day.

And I want very much for the man who
hurt her to suffer.

But presenting my daughter not as a
woman who was raped.

But as a helpless, retarded girl who is
incapable of making her own decisions, I

believe you will be doing her far more
damage, and I won't let you do that.

I want to withdraw the complaint.

That decision has to come from Rosalie.

You'll hear from my daughter by the end
of the day.

It's good that we're doing it.

It is good.

I'm ready to open myself up to different
kinds of restaurants, different kinds

of ethnic eating experiences.

There are so many different ethnic
groups in this city. I think we should

advantage of them all.

Absolutely. Welcome, honored friends.

Hi, Ali. These are friends of ours. This
is Douglas and Sheila Brackman. We're

honored to have you here with us.

May I take your order, or would you like
a little bit more time?

No, I think we're ready. I'll have the
aloo chat to start and my usual sag

paneer. I always keep the same thing.

Madame? Oh, let someone else go first.

Yeah, I'll have the tandoori chicken,
and I'll have my own thag paneer, since

know my wife won't give me any of hers.

Ali, what is the difference between the
thag paneer and the mutter paneer? Thag

paneer is with spinach.

Mutter paneer is with green peas.

Would you excuse me for a moment? I have
to take care of some people.

Rupesh will take the rest of your order.

What is the difference between the dal
makhani and the dal ghasht?

The dal gosht is with the lamb.

And the dal makhani is with what?

Dal makhani.

Lentils. Only lentils.

The murg musalam. What is that?

Murg musalam.

It's chicken served over minced meat.
Oh, so it's chicken and meat? I think

better off with chicken.

Why don't you try the chicken curry?

I'm not too big on curry.

How about chicken korma? What is chicken
korma? It's a cream sauce.

You don't want cream.

You're right. How about tandoori
chicken?

That sounds good.

That sounds good.

Ooh, what is Began Bartha?

Why don't you just order some? Let him
ask, Stuart. How else is he going to

learn? What is Began Bartha?

What is Navratan Korma? And what is the
difference between Parantha, Papadum's

culture, and Nan's?

Rupesh, no!

Has the jury reached a verdict?

We have, Your Honor. What say you? In
the matter of Lake v.

Severson... We fine for the plaintiff an
award in the sum of $500 ,000.

Your Honor, move for judgment
notwithstanding the verdict. Your Honor,

no grounds to overturn this verdict. Sit
down, counselors.

I'm prepared to do this on the court's
own motion. What's going on?

I'm not sure yet. Having reviewed all
the testimony and considered the

put forth in this courtroom, I find that
this case turns on questions of law.

rather than questions of fact.

At the time Dandridge Bright produced
the work in question, he belonged to

Philip Severson. As reprehensible as we
may find that now, this collection of

paintings came into the Severson family
through legal means.

Whether we like it or not, slavery was a
perfectly legal institution prior to

the passage of the 13th Amendment.

That amendment abolished slavery, but it
said nothing, absolutely nothing.

about transactions between slave and
master. Given that, there is no basis

interfering with present -day property
rights.

To do so, in my opinion, would be
tantamount to a taking and would itself

constitutionally prohibited.

I also find the statute of limitations
not to have been told.

Accordingly, plaintiff's action is
barred as a matter of law.

Jury verdict is set aside.

Judgment is hereby entered for the
defendant.

This case is dismissed.

Damn!

How could I be so foolish?

How could I look for justice from a
system designed by old white men to

what they've got and keep us begging at
the door?

Miss Palmer, this is neither the time
nor the place. How could I even consider

that you would leave anything to chance?
That you would relinquish control of

your safe little world?

to 12 people who might just maybe shake
things up a bit.

Oh, baby, wait. Oh, Mama, it's a
mockery. Wait, wait, wait.

Wait a minute.

Wait.

All right, we knew it would be a long
shot. Well, I managed to forget all

I managed to fool myself into thinking
that we were actually being listened to.

If you want me to, I can take it up on
appeal.

What would our chances be? Not great.

Miss Potter, we appreciate all the hard
work you put in, and we thank you. I'm

willing to keep going with this.

If my daughter wants to pursue it, she's
free to do so.

But for me, once is enough.

Ugly. Hi.

I'm not going to do it, Benny.

Do what?

I'm not going to talk to Tommy anymore.
I'm not going to court.

My mom says that Tommy's going to say
that I can't make up my own mind because

I'm retarded.

My mom says that that is not true.

What do you say?

I say... I'm going to listen to my mom.

Okay.

So...

So you're not mad at me?

No.

I like you, Benny.

You do?

Yeah, I really do.

Well, I like you, too.

Come here.

Come here.

Do you want me to go?

Want me to?

No. Why?

Because. Because why?

Because it's wrong.

Sex is wrong?

Well, it's wrong if you don't love the
person you're doing it with.

I'm sorry.

No, it's okay.

I guess you want me to go.

No.

I want you to stay.

It's okay.

It's okay.

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