All language subtitles for Invader.2024.1080p.AMZN.WEB-DL.DDP5.1.H.264 (SDH)
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1
00:00:08,342 --> 00:00:11,913
♪
Give wings to your heart ♪
2
00:00:12,045 --> 00:00:13,882
♪
Your spirit... ♪
3
00:00:14,014 --> 00:00:16,618
(aluminum cans clanging)
4
00:00:16,751 --> 00:00:18,887
(sledgehammer crashes
against wall; lid pops)
5
00:00:19,019 --> 00:00:21,388
(sledgehammer crashing)
6
00:00:21,523 --> 00:00:23,223
(sledgehammer crashes;
glass shatters)
7
00:00:23,357 --> 00:00:26,628
(sledgehammer
crashing against wall twice)
8
00:00:29,564 --> 00:00:31,766
(music continues over radio)
9
00:00:38,506 --> 00:00:41,375
(song ends; commercial spokesman
speaking indistinctly)
10
00:01:11,371 --> 00:01:13,741
(commercial ends on radio)
11
00:01:38,900 --> 00:01:40,334
(glass shattering)
12
00:01:40,467 --> 00:01:42,503
(dog barking in distance)
13
00:02:20,273 --> 00:02:21,643
(grunting with strikes)
14
00:02:24,912 --> 00:02:28,516
(screams)
15
00:02:28,650 --> 00:02:30,718
(phone ringing in distance)
16
00:02:33,453 --> 00:02:35,222
HOST (over radio):
Richard Speck is sought tonight
17
00:02:35,355 --> 00:02:38,559
for the murders of those eight
student nurses in Chicago.
18
00:02:38,693 --> 00:02:40,595
Reports of his whereabouts
cropped up
19
00:02:40,728 --> 00:02:42,530
all the way
from Illinois to Texas,
20
00:02:42,664 --> 00:02:44,464
where he's known
to have relatives.
21
00:02:44,599 --> 00:02:46,233
Speck looks like the man.
22
00:02:46,366 --> 00:02:48,268
He fits the description
given police
23
00:02:48,402 --> 00:02:49,671
by a lone survivor,
24
00:02:49,804 --> 00:02:51,438
and his fingerprints
have been found
25
00:02:51,572 --> 00:02:54,042
in the apartment
where the girls were killed.
26
00:02:54,174 --> 00:02:56,209
(host continues indistinctly)
27
00:02:58,880 --> 00:03:00,280
(tense theme playing)
28
00:03:00,414 --> 00:03:03,651
HOST:
So far, no trace
of a little 7-year-old girl...
29
00:03:03,785 --> 00:03:06,353
(host continues indistinctly)
30
00:03:11,358 --> 00:03:13,493
(police siren passes by)
31
00:03:13,628 --> 00:03:16,564
(phone ringing in distance)
32
00:03:32,113 --> 00:03:34,682
(ringing continues)
33
00:03:40,755 --> 00:03:42,890
(police sirens blaring
in distance)
34
00:03:45,225 --> 00:03:47,895
(tense theme playing)
35
00:04:13,087 --> 00:04:15,388
DRIVER:
Ma'am. Ma'am.
36
00:04:15,523 --> 00:04:17,058
Morton Grove, last stop.
37
00:04:17,191 --> 00:04:19,127
You have to go.
I have to get back on time.
38
00:04:19,259 --> 00:04:20,427
Come on.
39
00:04:21,461 --> 00:04:23,030
-Um...
-I have to get back on time.
40
00:04:23,164 --> 00:04:24,665
-I have to stay on schedule.
-(Speaking Spanish)
41
00:04:24,799 --> 00:04:26,100
I'm gonna be late.
Come on, let's go.
42
00:04:26,234 --> 00:04:27,434
Mm-hmm.
43
00:04:27,568 --> 00:04:28,936
Come on.
I have to go.
44
00:04:29,070 --> 00:04:30,738
Come on.
You're the last one. Come on.
45
00:04:30,872 --> 00:04:32,840
-(in English) What time is it?
-It's almost 4:30.
46
00:04:32,974 --> 00:04:34,609
We were supposed
to be here at midnight.
47
00:04:34,742 --> 00:04:36,511
We hit traffic.
We got stuck in traffic.
48
00:04:36,644 --> 00:04:37,945
-Mmm.
-Come on.
49
00:04:38,079 --> 00:04:39,547
Everyone else has gotten off
and gone home.
50
00:04:39,680 --> 00:04:41,314
Come on, let's go.
51
00:04:42,650 --> 00:04:45,285
(ominous theme playing)
52
00:06:11,471 --> 00:06:13,541
Is anybody there?
53
00:06:13,674 --> 00:06:15,375
(TV playing indistinctly within)
54
00:06:15,509 --> 00:06:16,911
Is anybody there?
55
00:06:17,044 --> 00:06:18,913
REPORTER (on TV):
...how many people were aboard
56
00:06:19,046 --> 00:06:21,682
or whether any were killed,
but there's one response...
57
00:06:21,816 --> 00:06:23,651
(reporter continues
indistinctly)
58
00:06:27,555 --> 00:06:28,890
(door hinge creaks)
59
00:06:32,526 --> 00:06:33,961
(knocks on door)
60
00:07:16,837 --> 00:07:18,572
(loud metallic creak)
61
00:07:29,250 --> 00:07:30,952
(loud metallic creak)
62
00:08:09,323 --> 00:08:10,758
(notification chime
plays over P.A. system)
63
00:08:10,891 --> 00:08:12,893
(woman speaking indistinctly
over P.A.)
64
00:08:24,839 --> 00:08:26,941
(announcement continues
in distance)
65
00:08:38,719 --> 00:08:40,855
(line ringing)
66
00:09:02,877 --> 00:09:05,312
(ringing continues)
67
00:09:05,446 --> 00:09:06,981
RECORDED VOICE:
Your call has been forwarded
68
00:09:07,114 --> 00:09:08,916
to an automated
voice messaging system.
69
00:09:09,050 --> 00:09:11,318
-CAMILA'S VOICE:
Camila...
-...is not available.
70
00:09:11,452 --> 00:09:13,754
At the tone,
please record your message.
71
00:09:13,888 --> 00:09:15,524
When you finish recording,
you may hang up
72
00:09:15,656 --> 00:09:18,125
or press one
for more options.
73
00:09:18,259 --> 00:09:20,261
(call beeps)
74
00:09:20,394 --> 00:09:22,029
Camila?
75
00:09:22,163 --> 00:09:24,031
Eh...
76
00:09:24,165 --> 00:09:27,935
(in Spanish)
77
00:09:37,645 --> 00:09:38,979
(in English)
Uh, bye.
78
00:09:39,113 --> 00:09:40,549
(notification chime
plays over P.A. system)
79
00:09:40,681 --> 00:09:43,584
(woman speaking indistinctly
over P.A.)
80
00:09:43,717 --> 00:09:45,152
(sighs)
81
00:09:47,221 --> 00:09:49,723
(luggage scrapes on tile
and clacks as she flips on side)
82
00:09:56,630 --> 00:09:58,699
(line ringing)
83
00:10:01,570 --> 00:10:04,038
(notification chime
plays over P.A. system)
84
00:10:08,109 --> 00:10:10,344
(static crackling over phone)
85
00:10:12,279 --> 00:10:14,148
-MAN (over phone):
Ana?
-¿Papá?
86
00:10:15,316 --> 00:10:16,684
(in Spanish)
87
00:10:31,665 --> 00:10:34,335
PAPA:
88
00:10:41,242 --> 00:10:43,144
ANA (in English):
Okay, okay, okay, go.
89
00:10:44,145 --> 00:10:45,412
PAPA:
90
00:10:45,547 --> 00:10:47,148
ANA:
91
00:11:12,907 --> 00:11:14,675
(cell phone rings)
92
00:11:14,808 --> 00:11:18,379
-(Speaking Spanish)
-(phone beeps)
93
00:11:18,513 --> 00:11:20,214
PAPA (in Spanish):
94
00:11:23,317 --> 00:11:25,786
ANA:
95
00:11:28,756 --> 00:11:30,925
PAPA:
96
00:11:35,129 --> 00:11:36,330
ANA:
97
00:11:36,463 --> 00:11:37,865
(in English)
Bye.
98
00:11:37,998 --> 00:11:39,400
(phone beeps off)
99
00:11:42,269 --> 00:11:43,370
(sighs)
100
00:11:46,807 --> 00:11:48,275
(car horn blaring)
101
00:11:50,211 --> 00:11:52,146
(heavy metal music
playing over radio)
102
00:11:57,484 --> 00:12:00,221
(woman speaking indistinctly
over P.A.)
103
00:12:04,024 --> 00:12:05,826
(honking continues)
104
00:12:11,600 --> 00:12:13,867
(heavy metal music
playing over radio)
105
00:12:19,006 --> 00:12:20,774
DRIVER (in English):
Just you?
106
00:12:24,812 --> 00:12:26,514
(Speaking Spanish)
107
00:12:26,648 --> 00:12:28,048
Is it just you?
108
00:12:29,883 --> 00:12:31,986
Are you the only one
for the cab?
109
00:12:36,090 --> 00:12:39,260
Well, uh, get on in.
110
00:12:44,733 --> 00:12:46,200
Come on, get in.
111
00:12:46,333 --> 00:12:47,401
Let's go.
112
00:12:49,704 --> 00:12:50,639
Just-- just come on.
113
00:12:50,771 --> 00:12:52,172
Come on, get in.
114
00:12:52,306 --> 00:12:55,142
(heavy metal music continues
over radio)
115
00:13:05,052 --> 00:13:06,487
(Speaking Spanish)
116
00:13:06,621 --> 00:13:08,022
(in English)
I'm sorry.
117
00:13:08,155 --> 00:13:10,391
What? Hold on. What--
118
00:13:11,559 --> 00:13:14,194
DRIVER:
Yo! Hey!
119
00:13:14,328 --> 00:13:15,329
Hey!
120
00:13:16,463 --> 00:13:18,399
Hey! Miss!
121
00:13:22,936 --> 00:13:24,471
DRIVER:
Fuck!
122
00:13:26,574 --> 00:13:28,510
(notification chime
plays over P.A. system)
123
00:13:28,643 --> 00:13:32,112
(woman speaking indistinctly
over P.A.)
124
00:13:34,114 --> 00:13:35,382
DRIVER (in distance):
Hey!
125
00:13:37,752 --> 00:13:39,019
DRIVER:
Hello!
126
00:13:47,995 --> 00:13:49,396
Miss!
127
00:13:52,399 --> 00:13:53,735
Shit.
128
00:13:53,867 --> 00:13:55,402
Damn it!
129
00:13:58,540 --> 00:14:00,274
Goddamn it!
130
00:14:09,584 --> 00:14:10,918
Fuck you.
131
00:14:12,486 --> 00:14:14,589
-(metallic clang)
-Fuck you!
132
00:14:24,632 --> 00:14:25,933
Bullshit.
133
00:14:30,204 --> 00:14:31,539
(door closes)
134
00:14:31,673 --> 00:14:35,008
(notification chime
plays over P.A. system)
135
00:14:35,142 --> 00:14:36,977
(woman speaking indistinctly
over P.A.)
136
00:14:37,111 --> 00:14:39,012
(tense theme playing)
137
00:14:43,016 --> 00:14:44,918
(ominous theme playing)
138
00:15:32,399 --> 00:15:36,370
FEMALE VOICE (in Spanish):
139
00:15:50,885 --> 00:15:52,419
(bird cawing)
140
00:15:59,527 --> 00:16:01,094
(car horn honks)
141
00:16:22,082 --> 00:16:23,651
(car horn honks)
142
00:16:35,763 --> 00:16:37,464
(car horn honking)
143
00:16:41,903 --> 00:16:43,470
(bird cawing)
144
00:16:53,648 --> 00:16:55,048
(bird cawing)
145
00:17:02,824 --> 00:17:05,760
FEMALE VOICE (in Spanish):
146
00:17:29,182 --> 00:17:31,218
(phone line ringing)
147
00:17:31,351 --> 00:17:33,688
(police siren blaring
in distance)
148
00:17:40,695 --> 00:17:42,229
(train passing)
149
00:17:42,362 --> 00:17:43,698
RECORDED VOICE:
Your call has been forwarded
150
00:17:43,831 --> 00:17:45,633
to an automated
voice messaging system.
151
00:17:45,767 --> 00:17:48,235
-CAMILA'S VOICE:
Camila Torres.
-...is not available.
152
00:17:48,368 --> 00:17:50,370
At the tone,
please record your message.
153
00:17:50,505 --> 00:17:52,239
When you finish recording,
you may hang up
154
00:17:52,372 --> 00:17:54,943
or press one
for more options.
155
00:17:55,075 --> 00:17:56,243
(call beeps)
156
00:17:56,376 --> 00:17:58,580
ANA (in Spanish):
157
00:18:35,016 --> 00:18:36,050
(speaks Spanish)
158
00:18:36,183 --> 00:18:37,417
(phone beeps off)
159
00:18:55,803 --> 00:18:57,170
(sighs)
160
00:19:11,251 --> 00:19:13,453
(car passing)
161
00:19:16,624 --> 00:19:18,693
(people chattering in distance)
162
00:19:22,229 --> 00:19:25,399
FEMALE VOICE (in Spanish):
163
00:19:36,544 --> 00:19:38,746
(ominous theme playing)
164
00:20:14,749 --> 00:20:15,783
(doorbell rings)
165
00:20:21,656 --> 00:20:23,390
(dog barking in distance)
166
00:20:23,524 --> 00:20:25,693
(knocking on door)
167
00:20:25,827 --> 00:20:27,895
(child chattering in distance)
168
00:20:31,632 --> 00:20:33,366
(child laughs in distance)
169
00:20:57,091 --> 00:20:58,693
(children laugh in distance)
170
00:21:05,633 --> 00:21:08,536
(bird cawing in distance)
171
00:21:53,514 --> 00:21:56,349
(phone ringing within)
172
00:22:05,458 --> 00:22:07,061
(ringing stops)
173
00:22:14,101 --> 00:22:17,505
(ominous theme playing)
174
00:22:46,567 --> 00:22:50,004
(church bell ringing
in distance)
175
00:23:00,348 --> 00:23:02,617
(phone line ringing)
176
00:23:21,903 --> 00:23:26,874
(line ringing increasing rate
between intervals)
177
00:23:29,377 --> 00:23:32,847
(line ringing with no intervals)
178
00:23:39,720 --> 00:23:41,022
(ringing stops)
179
00:23:41,155 --> 00:23:42,523
(people chattering)
180
00:23:42,657 --> 00:23:45,293
(Muzak playing lightly
over speakers)
181
00:23:45,425 --> 00:23:48,162
BOSS (in English):
No, it's not fine.
It's not fine.
182
00:23:48,296 --> 00:23:50,298
- Look, Carlo, I'm your boss...
- (speaking Spanish)
183
00:23:50,430 --> 00:23:52,633
-...and I want you
to do a better job...
-(in English) Excuse me--
184
00:23:52,767 --> 00:23:53,834
-Take it easy.
-It's embarrassing.
185
00:23:53,968 --> 00:23:55,468
-Excuse me.
-BOSS: Yes?
186
00:23:55,603 --> 00:23:56,804
I-- I am sorry
to bother you.
187
00:23:56,938 --> 00:23:58,539
I am looking
for Camila Torres.
188
00:23:58,673 --> 00:24:00,141
-(boss scoffs)
-CARLO: You know Camila?
189
00:24:00,274 --> 00:24:03,744
Camila Torres is not here.
Carlo, you are supposed...
190
00:24:03,878 --> 00:24:05,579
ANA: I do know Camila.
Do you know where--
191
00:24:05,713 --> 00:24:07,415
- Carlo, go in the back...
- No, I...
192
00:24:07,548 --> 00:24:08,783
-...and get the back stocked.
-I need to talk to him
a minute.
193
00:24:08,916 --> 00:24:09,884
-Is that o--?
-She's not here.
194
00:24:10,017 --> 00:24:11,385
She didn't come to work today.
195
00:24:11,519 --> 00:24:12,853
What am I supposed to tell you?
196
00:24:12,987 --> 00:24:14,855
This guy is supposed
to be stocking shelves.
197
00:24:14,989 --> 00:24:17,490
-ANA: No, no, I'm--
-Which he's obviously
not very good at.
198
00:24:17,625 --> 00:24:19,226
Seriously, please go
get the back stocked.
199
00:24:19,360 --> 00:24:22,229
I have honeydew melons that
are going wrong in the back.
200
00:24:22,363 --> 00:24:24,098
-I'm sorry to bother you.
-CARLO: I'm sorry.
201
00:24:24,231 --> 00:24:26,767
I told you, she's not here.
She never came in, you know.
202
00:24:26,901 --> 00:24:28,336
-What do you mean?
-She's not here.
203
00:24:28,468 --> 00:24:30,271
She didn't come to work today.
She never showed up.
204
00:24:30,404 --> 00:24:32,807
If you see her, you tell her
her check is in the mail, okay,
205
00:24:32,940 --> 00:24:35,042
-'cause I don't have
time for this
-Wait a minute.
206
00:24:36,310 --> 00:24:37,778
Um...
207
00:24:37,912 --> 00:24:40,614
What are you doing?
You cannot be in here.
208
00:24:40,748 --> 00:24:42,717
I know, but it's that
I am looking for Camila.
209
00:24:42,850 --> 00:24:44,752
-She's missing.
-She's missing?
210
00:24:44,885 --> 00:24:46,320
She's missing a lot of stuff,
including her shift.
211
00:24:46,454 --> 00:24:48,456
-What if something
happened to her?
-(scoffs)
212
00:24:48,589 --> 00:24:51,425
What are you talking about?
Seriously, did you check
the parking lot?
213
00:24:51,559 --> 00:24:53,194
She's probably out there
doing drugs.
214
00:24:53,327 --> 00:24:55,096
Are you fucking serious?
215
00:24:55,229 --> 00:24:57,431
You are going to go to jail.
Do you want me
to call the police?
216
00:24:57,565 --> 00:24:58,899
I have done nothing to you.
217
00:24:59,033 --> 00:25:00,500
-I have done nothing...
-How about we see--
218
00:25:00,634 --> 00:25:01,869
...and you are going
to call the police?
219
00:25:02,003 --> 00:25:03,304
Do you want to see
if the police think
220
00:25:03,437 --> 00:25:04,872
you've done nothing
after I've talked to 'em?
221
00:25:05,006 --> 00:25:06,807
You are harassing me.
You are--
222
00:25:06,941 --> 00:25:08,743
I don't know who you are.
Why are you back here?
223
00:25:08,876 --> 00:25:10,945
-(speaking Spanish) Mm-hmm.
-You know, you...
224
00:25:11,078 --> 00:25:13,080
-...right now are trespassing.
-(speaking Spanish)
225
00:25:13,214 --> 00:25:15,950
-(in English) Trespassing?
-This is not an open space.
226
00:25:16,083 --> 00:25:18,719
Okay?
Comprendo?
You're not allowed
to be back here.
227
00:25:18,853 --> 00:25:21,255
-(Speaking Spanish)
-BOSS:
Adios.
228
00:25:21,389 --> 00:25:22,790
ANA:
Adiós!
229
00:25:23,691 --> 00:25:25,393
(in English) What else?
230
00:25:25,526 --> 00:25:27,128
(ominous theme playing)
231
00:25:27,261 --> 00:25:30,931
(church bell ringing
in distance)
232
00:25:55,923 --> 00:25:59,026
(woman shrieking)
233
00:26:21,882 --> 00:26:24,251
(wind howling)
234
00:27:48,637 --> 00:27:51,038
(large truck passes)
235
00:28:11,825 --> 00:28:14,862
(intense theme playing)
236
00:28:29,810 --> 00:28:32,446
(in Spanish)
Papá? Eh, um...
237
00:28:58,707 --> 00:29:02,476
(heavy metal music playing
over radio)
238
00:29:17,458 --> 00:29:22,329
(CARLO speaking Spanish)
239
00:29:26,934 --> 00:29:28,637
ANA:
240
00:29:28,769 --> 00:29:31,038
CARLO:
241
00:29:35,175 --> 00:29:37,011
ANA:
242
00:29:41,048 --> 00:29:43,851
-CARLO:
-ANA:
243
00:29:47,021 --> 00:29:50,124
-CARLO:
-ANA:
244
00:29:50,257 --> 00:29:54,061
-ANA:
-CARLO:
245
00:29:55,630 --> 00:29:57,464
CARLO:
246
00:29:59,233 --> 00:30:00,301
ANA:
247
00:30:05,339 --> 00:30:06,974
CARLO:
248
00:30:07,107 --> 00:30:08,510
ANA:
Mm-hmm.
249
00:30:09,910 --> 00:30:11,546
CARLO:
250
00:30:12,714 --> 00:30:14,248
ANA:
Ana.
251
00:30:15,717 --> 00:30:17,151
CARLO:
252
00:30:36,837 --> 00:30:38,038
CARLO:
253
00:30:44,378 --> 00:30:47,181
(heavy metal music playing
quietly over radio)
254
00:30:54,888 --> 00:30:56,190
(scoffs)
255
00:31:26,654 --> 00:31:29,089
ANA:
256
00:32:04,124 --> 00:32:07,094
CARLO (stammers in Spanish)
257
00:32:40,127 --> 00:32:41,930
(in English)
You got to help me.
There's a man with a gun.
258
00:32:42,062 --> 00:32:44,532
1618 Mayfield.
Please, come quick!
259
00:32:45,966 --> 00:32:47,401
(speaks Spanish)
260
00:33:09,624 --> 00:33:11,258
(speaking Spanish)
261
00:33:26,975 --> 00:33:28,108
CARLO:
262
00:33:36,350 --> 00:33:38,586
(police radio chatter)
263
00:33:58,138 --> 00:33:59,473
OFFICER:
Hey, how you doing?
264
00:33:59,607 --> 00:34:01,108
-(speaks indistinctly)
-OFFICER: Good.
265
00:34:01,241 --> 00:34:02,877
(ominous theme playing)
266
00:34:03,011 --> 00:34:04,411
(speaks Spanish)
267
00:34:09,784 --> 00:34:11,686
-ANA:
-CARLO:
268
00:34:19,092 --> 00:34:21,128
(chattering)
269
00:34:33,675 --> 00:34:36,611
-OFFICER: Have a great day.
-All right, you too...
270
00:34:39,047 --> 00:34:40,314
(car engine starts)
271
00:34:48,590 --> 00:34:51,358
-(Carlo groans)
-ANA:
272
00:34:54,194 --> 00:34:56,731
CARLO:
273
00:35:12,847 --> 00:35:14,015
(Ana coughs)
274
00:35:14,147 --> 00:35:15,550
Uh...
275
00:35:15,683 --> 00:35:17,384
(Ana gasping)
276
00:35:20,220 --> 00:35:21,823
CARLO:
277
00:35:33,300 --> 00:35:35,837
CARLO (speaking Spanish)
278
00:35:41,241 --> 00:35:43,143
(ominous theme playing)
279
00:35:43,276 --> 00:35:45,479
(car doors close)
280
00:36:24,786 --> 00:36:26,219
(keys jingle)
281
00:36:30,992 --> 00:36:32,392
(keys jingling)
282
00:36:41,468 --> 00:36:42,937
(whispering
indistinctly)
283
00:36:49,077 --> 00:36:50,310
CARLO (whispers)
284
00:37:01,321 --> 00:37:03,223
(Carlo stammers)
285
00:37:10,998 --> 00:37:12,499
CARLO:
286
00:37:12,633 --> 00:37:13,801
ANA:
287
00:37:14,802 --> 00:37:17,370
-(door opens)
-(Carlo stammers)
288
00:37:41,629 --> 00:37:43,363
(ominous theme playing)
289
00:37:43,497 --> 00:37:44,431
(door opens)
290
00:37:44,565 --> 00:37:45,867
(Carlo speaking Spanish)
291
00:37:48,836 --> 00:37:50,037
(door closes)
292
00:37:53,808 --> 00:37:55,877
(water dripping)
293
00:37:58,913 --> 00:38:00,615
(flies buzzing)
294
00:38:06,888 --> 00:38:10,490
CARLO (whispering in English):
Jesus Christ.
295
00:38:16,130 --> 00:38:17,698
(small thump in distance)
296
00:38:19,432 --> 00:38:21,035
CARLO (in Spanish):
297
00:38:30,211 --> 00:38:31,979
(dog barking in distance)
298
00:38:34,347 --> 00:38:35,883
(small thump in distance)
299
00:38:42,156 --> 00:38:43,591
(whispering)
Carlo.
300
00:38:51,398 --> 00:38:52,834
Carlo.
301
00:39:34,342 --> 00:39:36,376
(quietly shuddering)
302
00:39:51,359 --> 00:39:52,793
Carlo.
303
00:39:56,797 --> 00:39:58,866
(warped music skipping
on turntable)
304
00:40:15,750 --> 00:40:17,685
(Ana speaking Spanish)
305
00:40:35,236 --> 00:40:37,405
-CARLO (whispers): Ana. Ana.
-(Ana gasps)
306
00:40:37,538 --> 00:40:39,573
(Ana speaking Spanish)
307
00:40:39,707 --> 00:40:41,208
(small thump in distance)
308
00:40:43,844 --> 00:40:45,780
(dog barking in distance)
309
00:40:45,913 --> 00:40:48,115
(wind howling quietly)
310
00:41:27,188 --> 00:41:29,190
(Ana speaking Spanish)
311
00:41:32,626 --> 00:41:34,061
(loud thump in distance)
312
00:41:48,242 --> 00:41:49,777
(door creaking)
313
00:41:49,910 --> 00:41:52,279
(Carlo grunts in disgust)
314
00:42:33,654 --> 00:42:35,524
(door creaks)
315
00:42:37,191 --> 00:42:39,727
(TV playing quietly
and indistinctly)
316
00:43:16,397 --> 00:43:18,732
MAN 1 (on video in English):
It's a really nice house.
317
00:43:18,866 --> 00:43:20,234
I said
it's a really nice house.
318
00:43:20,367 --> 00:43:22,069
What year
was this house built?
319
00:43:22,203 --> 00:43:24,305
-MAN 2:
What?
-MAN 1:
I said what year...
320
00:43:24,438 --> 00:43:26,140
-(Man 2 speaks indistinctly)
-MAN 1:
Just asking you.
321
00:43:26,273 --> 00:43:28,275
MAN 2:
Hey, hey, hey,
get the fuck out of here.
322
00:43:28,409 --> 00:43:29,910
(indistinct dialogue)
323
00:43:30,044 --> 00:43:31,712
(Camila speaking Spanish)
324
00:43:31,846 --> 00:43:35,082
-MAN:
Honey, get back up--
-(woman screaming in house)
325
00:43:38,853 --> 00:43:40,589
(Carlo and Ana
speaking Spanish)
326
00:43:40,721 --> 00:43:42,923
(intense theme playing)
327
00:43:46,260 --> 00:43:48,295
-(woman screaming)
-(Ana speaks indistinctly)
328
00:43:54,468 --> 00:43:55,970
(Ana speaks indistinctly)
329
00:43:56,103 --> 00:43:57,938
(Ana and Carlo gasp in horror)
330
00:43:58,939 --> 00:44:01,242
-(Carlo gasps)
-(woman screaming)
331
00:44:09,083 --> 00:44:11,085
(Ana screams in Spanish)
332
00:44:11,218 --> 00:44:13,053
ANA:
333
00:44:34,576 --> 00:44:36,744
(screen door rattles and clicks)
334
00:44:38,946 --> 00:44:40,748
(keys jingling in distance)
335
00:44:45,819 --> 00:44:47,188
(lock clicking)
336
00:44:47,988 --> 00:44:49,223
(door creaks)
337
00:44:50,057 --> 00:44:51,358
(sobbing)
No, no...
338
00:44:51,492 --> 00:44:53,127
-(thumping upstairs)
-(Ana shushing)
339
00:44:53,260 --> 00:44:57,398
-No, no, no! (muffled screaming)
-(Ana continues shushing)
340
00:45:06,774 --> 00:45:08,776
(suspenseful theme playing)
341
00:45:20,721 --> 00:45:23,791
(footsteps walking slowly)
342
00:45:27,895 --> 00:45:29,730
(aluminum can clanging)
343
00:45:29,863 --> 00:45:31,666
(object and glass cup
clattering)
344
00:45:31,799 --> 00:45:33,300
(aluminum can clatters)
345
00:45:33,434 --> 00:45:35,102
(small object clatters
on floor)
346
00:45:47,414 --> 00:45:48,949
(clattering)
347
00:45:49,083 --> 00:45:50,518
(plastic bags rustling)
348
00:45:54,021 --> 00:45:55,590
(opens aluminum can)
349
00:45:55,724 --> 00:45:58,025
(warped music skipping
on turntable in distance)
350
00:46:04,465 --> 00:46:07,034
-(glass shatters)
-(man exhales)
351
00:46:10,605 --> 00:46:11,939
(belches)
352
00:46:19,446 --> 00:46:20,814
(wood stairs creak)
353
00:46:42,069 --> 00:46:43,470
-(muffled screams)
-(Ana continues shushing)
354
00:46:43,605 --> 00:46:44,938
(in English)
Okay, come on, come on.
355
00:46:45,072 --> 00:46:46,574
(muffled short shriek)
356
00:46:46,708 --> 00:46:49,109
(loud thumping in distance)
357
00:46:50,377 --> 00:46:51,378
(thumping fades)
358
00:46:59,253 --> 00:47:01,322
(footsteps approaching)
359
00:47:04,925 --> 00:47:08,128
(grandfather clock
chiming the hour)
360
00:47:18,439 --> 00:47:20,941
(warped music skipping
on turntable in distance)
361
00:47:32,286 --> 00:47:34,488
(aluminum cans clattering)
362
00:47:34,622 --> 00:47:35,889
(grunts)
363
00:47:39,860 --> 00:47:41,261
(warped music stops)
364
00:47:45,299 --> 00:47:48,570
(heavy metal music playing
on turntable)
365
00:47:56,310 --> 00:47:58,345
(glass clatters on ground)
366
00:48:03,618 --> 00:48:04,619
(glass shatters)
367
00:48:46,795 --> 00:48:48,195
(heavy metal song ends)
368
00:48:49,263 --> 00:48:51,365
(static skipping)
369
00:48:51,498 --> 00:48:54,769
(new heavy metal song
begins playing)
370
00:48:54,903 --> 00:48:56,604
(food sizzling)
371
00:49:10,984 --> 00:49:12,252
(glass clattering)
372
00:49:14,923 --> 00:49:17,191
-(man grunting)
-(Carlo yelling)
373
00:49:18,425 --> 00:49:20,160
(knife piercing flesh)
374
00:49:21,863 --> 00:49:23,665
(Carlo screaming in pain)
375
00:49:31,205 --> 00:49:33,307
(Carlo continues screaming
in pain)
376
00:49:44,853 --> 00:49:46,588
(shushes)
377
00:49:46,721 --> 00:49:48,322
(crying)
378
00:50:00,935 --> 00:50:03,103
(dog barking in distance)
379
00:50:05,507 --> 00:50:07,474
(Carlo continues screaming
in pain)
380
00:50:07,609 --> 00:50:09,276
(Carlo coughing)
381
00:50:10,344 --> 00:50:12,346
(Carlo continues screaming
in pain)
382
00:50:18,218 --> 00:50:20,420
(Polaroid photo whirrs
with each photo)
383
00:50:43,110 --> 00:50:44,779
(screaming and crying)
384
00:50:45,880 --> 00:50:47,180
(grunting and gasping)
385
00:50:47,314 --> 00:50:49,383
(Carlo groaning in pain
in distance)
386
00:51:12,372 --> 00:51:17,110
(speaks Spanish)
387
00:51:21,214 --> 00:51:23,685
-(door slams open)
-CAMILA: No. No!
388
00:51:23,818 --> 00:51:25,285
(screams)
389
00:51:25,419 --> 00:51:27,287
(Camila screaming)
390
00:51:30,058 --> 00:51:31,759
(man grunting aggressively)
391
00:51:36,196 --> 00:51:37,497
ANA (in English):
Hey!
392
00:51:39,834 --> 00:51:41,368
(man groaning)
393
00:51:41,501 --> 00:51:43,236
(Camila continues screaming)
394
00:51:47,207 --> 00:51:49,376
(Ana speaking Spanish)
395
00:51:53,081 --> 00:51:54,816
(Ana speaks indistinctly)
396
00:51:54,949 --> 00:51:57,417
(speaking Spanish)
397
00:51:59,319 --> 00:52:00,622
(man roars)
398
00:52:00,755 --> 00:52:02,222
(Ana screaming)
399
00:52:09,631 --> 00:52:10,765
ANA (in English): Help!
400
00:52:10,898 --> 00:52:14,134
-(dog barking in distance)
-Help!
401
00:52:14,267 --> 00:52:15,870
(Ana screaming)
402
00:52:17,038 --> 00:52:18,773
(man grunting)
403
00:52:21,341 --> 00:52:23,276
(Carlo yells)
404
00:52:24,411 --> 00:52:25,613
(speaks Spanish)
405
00:52:25,747 --> 00:52:27,548
(Ana screaming)
406
00:52:37,190 --> 00:52:39,292
(smoke alarm blaring)
407
00:52:41,161 --> 00:52:43,330
(Ana screaming)
408
00:52:49,871 --> 00:52:51,204
(man yells)
409
00:52:51,338 --> 00:52:53,775
(laughing)
410
00:52:58,780 --> 00:53:00,615
(object crashes;
smoke alarm continues)
411
00:53:01,916 --> 00:53:03,551
(object crashes;
smoke alarm continues)
412
00:53:03,685 --> 00:53:06,486
(object crashes; one less
smoke alarm continues)
413
00:53:06,621 --> 00:53:08,221
(object crashes;
all smoke alarms stop)
414
00:53:08,355 --> 00:53:09,891
(glasses rattling)
415
00:53:18,966 --> 00:53:20,668
(objects crashing nearby)
416
00:53:22,003 --> 00:53:23,270
Carlo!
417
00:53:24,639 --> 00:53:25,773
Carlo!
418
00:53:27,474 --> 00:53:29,644
(in English)
I have a gun!
419
00:53:29,777 --> 00:53:30,812
Carlo!
420
00:53:31,813 --> 00:53:33,246
I have a gun!
421
00:53:46,094 --> 00:53:47,695
(Ana breathing heavily)
422
00:53:57,839 --> 00:53:58,906
(door slams shut)
423
00:53:59,040 --> 00:54:00,742
-(Ana whimpers)
-(aluminum can rattles)
424
00:54:00,875 --> 00:54:02,342
Carlo!
425
00:54:04,244 --> 00:54:05,713
(aluminum can rattles)
426
00:54:16,490 --> 00:54:18,291
(metallic rattling in distance)
427
00:54:24,899 --> 00:54:25,900
(screams)
428
00:54:31,239 --> 00:54:32,807
(laughing)
429
00:54:34,876 --> 00:54:36,944
(in English)
Why did you do this to them?
430
00:54:40,447 --> 00:54:41,849
Answer me.
431
00:54:45,418 --> 00:54:46,554
(grunting)
432
00:54:46,687 --> 00:54:47,855
Why?
433
00:54:49,422 --> 00:54:50,658
(grunting loudly)
434
00:54:54,195 --> 00:54:55,596
(screams)
435
00:54:56,396 --> 00:54:58,032
(gunshots)
436
00:55:00,300 --> 00:55:01,869
(dog barking in distance)
437
00:55:03,671 --> 00:55:05,573
(man gasping in distance)
438
00:55:11,546 --> 00:55:13,446
(body thrashing)
439
00:55:13,581 --> 00:55:16,617
(police sirens approaching)
440
00:55:18,853 --> 00:55:19,921
(gasping)
441
00:55:20,054 --> 00:55:21,956
(objects clattering
and breaking)
442
00:55:37,705 --> 00:55:39,372
(gasping and breathing stops)
443
00:56:10,470 --> 00:56:11,706
(crying)
Oy...
444
00:56:11,839 --> 00:56:14,374
Carlo...
(Ana speaking Spanish)
445
00:56:14,508 --> 00:56:15,576
(continues in Spanish)
446
00:56:15,710 --> 00:56:18,212
Carlo. Carlo.
447
00:56:18,346 --> 00:56:19,714
(Ana speaking Spanish)
448
00:56:25,953 --> 00:56:27,054
(gasping for air)
449
00:56:29,422 --> 00:56:30,725
(Ana continues in Spanish)
450
00:56:30,858 --> 00:56:32,425
-CARLO: Ow!
-(Ana continues in Spanish)
451
00:56:37,665 --> 00:56:38,900
(Ana continues in Spanish)
452
00:56:39,033 --> 00:56:40,433
(Carlo grunting)
453
00:56:40,568 --> 00:56:42,435
(police sirens getting closer)
454
00:57:04,859 --> 00:57:07,561
(police sirens fading)
455
00:57:17,672 --> 00:57:19,674
(suspenseful theme playing)
456
00:57:34,655 --> 00:57:37,091
(police sirens blaring)
457
00:57:37,224 --> 00:57:39,193
(footsteps pattering)
458
00:57:42,462 --> 00:57:44,699
(officers yelling in distance)
459
00:57:53,574 --> 00:57:55,142
(police siren approaching)
460
00:57:57,178 --> 00:57:58,713
(police siren passing by)
461
00:58:19,900 --> 00:58:22,169
(intense theme playing)
462
00:58:31,112 --> 00:58:32,213
(dog barking)
463
00:58:45,026 --> 00:58:46,994
(police siren blaring
in distance)
464
00:58:55,269 --> 00:58:57,805
(quick breaths)
465
00:59:17,725 --> 00:59:19,693
(woman speaks indistinctly
in distance)
466
00:59:31,272 --> 00:59:32,673
(groaning in pain)
467
00:59:33,741 --> 00:59:35,676
(police siren approaching)
468
00:59:38,879 --> 00:59:40,714
(police siren passing by)
469
00:59:42,551 --> 00:59:43,684
(police siren approaching)
470
00:59:43,818 --> 00:59:45,520
(intense theme playing)
471
00:59:45,653 --> 00:59:47,755
(police siren passing by)
472
00:59:54,829 --> 00:59:56,097
(grunts in pain)
473
00:59:56,230 --> 00:59:57,932
(coughs)
474
01:00:07,576 --> 01:00:09,310
(police siren approaching)
475
01:00:11,946 --> 01:00:13,380
(police siren passing by)
476
01:00:31,999 --> 01:00:34,034
(police siren approaching)
477
01:00:36,737 --> 01:00:38,339
(police siren passing by)
478
01:00:42,076 --> 01:00:44,378
(police siren blaring)
479
01:01:08,235 --> 01:01:10,938
(TV playing indistinctly
in distance)
480
01:01:44,305 --> 01:01:45,940
OFFICER (in distance):
Police!
481
01:01:50,244 --> 01:01:52,112
(TV playing indistinctly
in distance)
482
01:01:58,819 --> 01:02:01,789
(police radio chatter
on walkie-talkie)
483
01:02:02,856 --> 01:02:04,091
Police!
484
01:02:08,762 --> 01:02:10,231
I know you're in here!
485
01:02:24,745 --> 01:02:26,347
Police!
I know you're in here!
486
01:02:26,480 --> 01:02:28,182
(police radio chatter)
487
01:02:35,690 --> 01:02:37,458
(curtain rattles)
488
01:02:38,660 --> 01:02:40,461
(ominous theme playing)
489
01:02:47,535 --> 01:02:50,505
Police!
Come out with your hands up!
490
01:03:01,650 --> 01:03:03,884
(man screaming and yelling)
491
01:03:11,959 --> 01:03:14,094
(officer grunting in pain)
492
01:03:16,864 --> 01:03:18,232
(grunting stops)
493
01:03:29,376 --> 01:03:30,477
(grunts)
494
01:03:32,246 --> 01:03:34,848
(panting)
495
01:03:53,067 --> 01:03:55,102
(helicopter passing overhead)
496
01:03:55,235 --> 01:03:56,805
(police siren blaring)
497
01:03:56,937 --> 01:03:58,839
(intense theme playing)
498
01:04:14,021 --> 01:04:15,389
DRIVER:
Hey, man, what the fuck?
499
01:04:15,523 --> 01:04:17,458
(engine starts)
500
01:04:18,492 --> 01:04:21,596
DRIVER:
What the f-- Hey! You--
501
01:04:21,730 --> 01:04:22,797
Are you crazy?
502
01:04:22,930 --> 01:04:24,965
Get your ass out of my car!
503
01:04:26,801 --> 01:04:29,103
(man growling and grunting)
504
01:04:30,037 --> 01:04:31,806
Hold on.
505
01:04:31,939 --> 01:04:33,374
I-- Hey, hold on.
506
01:04:36,210 --> 01:04:38,078
Hey, what the fuck?
507
01:04:41,215 --> 01:04:42,617
DRIVER:
Oh, take that.
508
01:04:44,819 --> 01:04:46,554
-(running off)
-Get out of here.
509
01:04:48,656 --> 01:04:50,090
(police radio chatter)
510
01:04:58,999 --> 01:05:01,603
(three gunshots)
511
01:05:04,238 --> 01:05:06,373
(two gunshots)
512
01:05:09,711 --> 01:05:11,746
(wind howling)
513
01:05:11,880 --> 01:05:13,113
(gunshot)
514
01:05:14,582 --> 01:05:16,116
(two gunshots)
515
01:05:31,365 --> 01:05:33,635
(ominous theme playing)
516
01:05:44,879 --> 01:05:46,714
(dramatic theme playing)
517
01:06:14,943 --> 01:06:16,678
(suspenseful theme playing)
518
01:06:54,716 --> 01:06:56,250
(knocks on door)
519
01:07:05,727 --> 01:07:07,194
(knocks on door)
520
01:07:10,999 --> 01:07:13,400
MAN: Hey, what's up, man,
this is a really nice house.
521
01:07:13,535 --> 01:07:15,469
OWNER: What are you talking
about? What do you want?
522
01:07:15,603 --> 01:07:17,539
MAN: Nothing, I was
just checking your place out.
523
01:07:17,672 --> 01:07:19,607
It's beautiful.
What year was this house built?
524
01:07:19,741 --> 01:07:21,676
OWNER: What?
Can I help you, buddy?
525
01:07:21,809 --> 01:07:23,076
MAN: Well, yeah, man,
I was just saying
526
01:07:23,210 --> 01:07:24,378
you have a nice house, you know.
527
01:07:24,512 --> 01:07:26,113
OWNER: Hey, hey,
get the fuck out of here.
528
01:07:26,246 --> 01:07:28,115
-MAN: Why are you telling me...
-I'm gonna call the police.
529
01:07:28,248 --> 01:07:31,251
CAMILA (in Spanish):
530
01:07:33,420 --> 01:07:36,256
(heavy metal music playing)
35455
