All language subtitles for The.Four.Horsemen.Of.The.Apocalypse.1962.1080p.WEBRip.x264.AAC-[YTS.MX]-en

[intense music]

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[indistinct chatter]

[screaming]

Ole, papacito! Ole!

[speaking in foreign language]

...with this one. Oh, no.

With this one,
be very, very, very careful.

- It's mine. Very careful, eh.
- Yeah.

Put everything in the plane,
we're flying home

first thing in the morning.

[music continues]

[indistinct chattering]

[cheering]

[music continues]

[indistinct]

[screaming]
He's gonna fall.

Oh, no. Not unless
the sky should fall.

[speaking in foreign language]

[indistinct chatter]

[all cheering]

[instrumental music]

[grunting]

[clapping]

[music continues]

Ah.

There's the new life..

...Miguel, in the blood
of my grandson. Huh?

Ah! I choose the way
it should be, huh.

You know, I sometimes think

that you must talk
privately with him.

Give me grandsons, you say.
To carry on.

[chuckling]

Ooh, when does Heinrich
get back?

He's back... this morning.

I knew it.

I could tell by the way
you act tonight.

But why are you not with him?

Why didn't you fly back
to see him today, huh?

Oh, of course, of course,
Madariaga.

You would have missed
the dancing tonight.

[laughs]

There's a world of time
to see Heinrich.

He's back for good now.

Away from this new Germany.

This bad thing
is happening over there.

He was studying medicine.

Oh-oh, yes,
uh, medicine, too.

Uh, but to live there
in times like these...

- He was studying.
- Oh, I know.

I-I bet he would study
very hard.

But, uh-uh, just like
Julio did, huh?

Well, of course, Julio,
they made him an engineer

a painter and look at him.

[music continues]

[laughs]

Europe cannot change a strain
of Argentine bulls.

Hmm. No, they are part
of their grandfather.

Miguel. Miguel,
you talk too much.

Tonight was made
for dancing. Come on.

A-a-again? No, no, no,
I don't think the body can...

Oh, to hell with the body.

If we die, we die dancing.

[Miguel grunts]

[all cheering]

[instrumental music]

[indistinct chatter]

[instrumental music]

[tires screeching]

[knocking on door]

Yes?

- Father.
- Oh, Julio.

How was the hunting trip?

Oh, successful. Very successful.

Perhaps, you can tell me

why you didn't get back
from Miguel's last night.

- We waited for you.
- Ah, yes.

Well, uh, I'd tell you

I just couldn't take
the responsibility, father.

You know, I..
Never have I seen such weather.

Yes, of course for myself,
I would have been

perfectly willing
to take the risk.

But, uh..

...uh, well, then there was

the old one, you know.

I have an emotional nature.
I am touched.

Well, thank you for being
so understanding, father.

However, your uncle, Karl..

...has a nature more systematic.

He checked
on the flying weather.

'And he found it was perfect.'

- He didn't.
- He did.

(Chi Chi)
'Julio!'

- Julio, did you get it?
- What? Get what?

You didn't get it?

- Let me see.
- Wait, wait a minute here.

Wait a minute.
Here you go.

You know, I pulled
that out myself.

Oh, you dar..

- Oh, you need a bath.
- Yeah.

Papa, look.

- What is it?
- It's a boar's tooth.

It supposed to have marvelous
magic powers.

Uh, it will take more
than a boar's tooth

I'm afraid to keep peace
at dinner tonight.

The formal dinner for Heinrich

'we should have had last night.'

What's all the fuss about?

Let Heinrich be pompous
if he wants to.

Let-let him go on about
the glories of Deutschland.

I shall simply rise
majestically from my seat

and sing the "Marseillaise."

Chi Chi, that is precisely,
what you will not do.

Hello, darling.

Hello, mother.

You don't know
what it was like in this house

during the first war.

But your father and I do.

Nothing must happen
to divide the family.

For your grandfather's sake,
and nothing else.

Does that mean that...

It means we shall not provoke

or be provoked.

If necessary,
we shall hold our tongues

and sit quietly as members
of the inferior French race.

Uh, you may be French, father

but I was born
two doors down the hall.

I am an Argentine, who, as my
sister says, now needs a bath.

An Argentine, yes.

Remember that tonight.
Restrain your grandfather.

There is no one here who
has influence on him, but you.

'You will try to restrain him,
won't you? It's important.'

Yes, father.

Now, then, I will caution
each of you

to remain silent
unless spoken to.

[thunder rumbling]

There will be no argument
at the dinner table.

Absolutely no argument.
Is that understood?

- Gustav?
- Yes, father.

- Franz?
- Yes, father.

What can be keeping them, Karl?

Isn't it enough that they
humiliated Heinrich yesterday?

Please, my dear, now.

I thought we agreed to forget

about last night, mother.
I certainly have.

You have a kind
and generous heart, Heinrich

and that is to be commended

but the fact still remains.

(Madariaga)
'Where is he, then, huh?'

'Where is my grandson?'

Heinrich? Ah, Heinrich!

- Oh, my boy! Yes.
- Grandfather. Grandfather.

- You've come back to us.
- Yes, sir.

Back to the pampas, to the rich,
dark soil of Argentina, hmm?

You can take
all of that-that Europe

and put it in the past. Ha!

I don't say it wasn't
good for you

to, to-to study in Germany

but, uh, that's all over now.

It's cold in here.

Now, then, Heinrich! Where's
the medals? Where are they?

Well, I was afraid they might

get spotted during
the soup course.

[all laughing]

Good. Good.
They haven't changed you.

No, not even those maniacs
in Germany.

'No, no.'

There it's always
war, war. Always war.

Hey, Marcelo.

War.

Yep.

It hasn't changed
over there since..

...since it was written for us
by St. John in the testament.

Look at them,
how they dance tonight.

Just as in the Apocalypse.

'Conquest.'

'War.'

'Pestilence.'

'Death.'

And the powers
given unto them

to kill with a sword..

...and with hunger..

'...and with the beasts
of the earth.'

Mother of cows,
is there no wine

in this house, huh?

Angel... cannot this family
have a toast

on such an occasion?

To..

...to Heinrich,
who has come back to us.

To my Julio,
never to leave.

To Chi Chi, who gets bigger
every day where she should.

'To Gustav and Franz.'

To my beloved daughters,
Luisa and Elena

and to their faithful,
I am certain... husbands

'Karl and Marcelo.'

To the family.

[instrumental music]

[thunder rumbling]

(Madariaga)
'Careful, careful!'

No, no, no.
Serve the guest of honor.

Heinrich!

[indistinct chatter]

Now, then.

Where does Heinrich
start his practice?

Buenos Aires?

Oh, we-we-we haven't
discussed that yet.

(Madariaga)
'What do you mean
you haven't discussed it?'

Well, we..

(Madariaga)
'Let Heinrich
speak for himself.'

I may not practice
anywhere for a while.

Ah!

Have you found something
more important?

Mother of cows, grandfather.
Does he have to answer you?

A man studies hard
for six long years.

He just doesn't leap
right into work.

- Huh, does he?
- Hey.

What is more important,
Heinrich?

He's only human,
grandfather.

He-he has a need now for things

like dancing and music

and, well, you know,
other things.

[all laughing]
That's strange.

Everyone wishes to speak
for Heinrich

but Heinrich himself.

It's only that Julio can put it

so much better
than my humble efforts.

Yeah. Ah.

Very well. I am pleased.

For some foolish notion,
I thought you might have

sworn allegiance
to that jackass in Europe.

That house painter
with a mustache.

[thunder rumbling]

There are many house painters
in Europe, grandfather.

And I daresay,
thousands of jackasses.

Oh, yes, yes. That's true.

But what a relief to know
that you're not one of them.

Well, that's a lot more than
you ever say about me, Heinrich.

What is it, now, now.
What is that lunatic's name?

'Uh. Uh, Hitler. Adolf Hitler.'

Hail Hitler!

Nobody, nobody says anything
like that to a good German.

Father, please.

A German?

A good German, you say?

Well, I see no Germans
at this table.

My daughters are Argentine.

My daughters' husbands,
one from France

one from Germany, came here
when they were very young.

They are now Argentine.

What? My grandchildren?

Everyone at this table
is Argentine.

So tell me, who at this table
is a good German?

[thunder rumbling]

Tell me.

I am good German.

And because I am a good German,
I gave up the study of medicine

long time ago to work
for the Nazi party.

I'm proud to say
I have a position

that is considered
quite important.

[thunder rumbling]

Say Hail Hitler,
in this house.

Say Hail Hitler.

Hail Hitler.

[all gasp]

[thunder rumbling]

To be a good German,
grandfather

is not to be born
in some special place

or to speak
some special language.

It is to have in one's veins
the blood

of a people
of a very special destiny.

Adolf Hitler is a man
more aware than anyone

of that very special destiny.

Heinrich.

Holy Saints, peaceful Jesus.

First it was the Kaiser.

Now..

...do we start
all that all over again?

Huh?

Conquest, war,
pestilence, death.

Seed of my seed.

Uh, I have begat assassins!

Huh?

Oh, no.
Grandfather, please.

Oh, get, get from me.

I will not be called
an assassin.

- Heinrich, you stop it.
- Let me die.

I lived too long.

I live, I work.

Here in Argentina,
I built a place of peace.

Peace and joy..

...and love.

These I leave to the children
of my children.

'In Argentina,
I built a garden.'

Where is the garden,
where the snake does not come?

Where the beast
does not enter?

Old, old, old.

Stupid, stupid, stupid!
Stupid, old man.

Did you think
never to see the beast again?

A curse on my seed!

The beast is in myself,
in my belly, in my loin!

Cursed be Madariaga.

Do I live to see
the beast once more?

The beast of the apocalypse.

[thunder rumbling]

The fire and the horsemen.

[grunts]

[intense music]

Conquest!

'On a white horse.
On his head, a crown.'

'War! Rider in flames
and in his hand, a sword.'

'Pestilence! The hunter
of the sickness of the soul.'

And Death. Death!

'Death!'

Always... forever.

[screaming]

[music continues]

[wind gushing]

Death!

[thunder rumbling]

[music continues]

[thunder rumbling]

[intense music]

[instrumental music]

[screaming]

[laughing]

Be back in an hour.

[indistinct chatter]

Ah.

- Thank you.
- Julio! Where have you been?

Papa's in a stitch.
We'd almost given you up.

Where am I? Hmm?
No, wait. Don't tell me.

Uh, the host is a friend
of father's and he, uh, writes.

Yes. Etienne Laurier. He just
happens to publish "La Justice."

In fact, there's some
of the most brilliant

political minds
in all of Europe...

Uh, how jolly.

Well, it sounds
like a million laughs.

- Where do I get fortified?
- The drinks are in here.

All the women are married
except me, so, please, behave.

(male
'If Chamberlain
had stood up to Hitler'

then we wouldn't be
in this position now.

Don't forget,
Chamberlain carried

'a heavy responsibility
as well as an..'

'He worked desperately
for peace.'

(male
'Peace in our time, yes.'

'And where has this quest
led us?'

Farther from peace than we've
ever been since the great war.

Can we blame it all
on Munich, on Chamberlain?

Isn't it possible that no power
on earth can stop this Hitler?

Not at all. That possibility
does not negate an attempt.

Surely, appeasement is hardly
the way to go about it.

Reason, a willingness
to compromise.

- Uh, this can be the peace...
- War has never had reason.

Economic or political necessity,
perhaps, but never reason.

You are saying, in fact,
that war is inevitable?

Not at all. One must simply deal
from a position of strength.

One must manipulate, not reason.

That's the real key
to peace in our time..

I trust that Czechoslovakia

was able to offer
any resistance.

I can only speak for myself.

Would it be my country,
I would stand up in shame.

The treaty of Versailles was
made with the best of intentions

but that didn't make it
historically fair.

[indistinct chatter]

(Marcelo)
'Big question now is, what... '

(Etienne)
'If they should live
even for ten years'

'there won't be a true Frenchman
left to witness them.'

(Marcelo)
'And what of
the Maginot Line, huh?'

'What of the forces
of the Soviet Union?'

You don't think that these will
give pause even to Hitler?

'Uh, let us at least
be reasonable, Etienne.'

'The man is not insane.'

We may not for hundreds
of years.

If they should live
even for ten years

there won't be a true Frenchman
left to witness them.

You see?

It's impossible for you to talk

of this man rationally.

And we must.
Nobody wants war.

And yet this kind
of irrational remarks

'these inflammatory statements'

you put into your paper,
in all fairness

what else can they do

but arouse the people to war?
Hitler doesn't.

Hitler is a bloodthirsty pig.

'He would spit
into the very eye of God'

and not look back.

Excuse me, Armand.
Excuse me, Armand.

I do hate to interrupt,
but the most extraordinary

thing has happened.
It's Sir Peter Troup. Here.

Well, he just lost
his hairpiece.

It's rather blond, you know.

Wavy on the side

with a slight widow's peak
in front.

If any one of you
should happen to see it

or-or sit on it or something

would you please tell Peter?

He's in the cloakroom, sulking.

MonsieurLaurier,
it's wonderful to see you.

MadameLaurier,
it was charming.

- Goodbye.
- Goodbye.

Who in the world
is Peter Troup?

A man of peace.
Peace at any price.

You made him up?

[laughs]

Etienne, I want you
to meet my son.

- Julio.
- Hello, father.

I knew you would come.
Here, please.

I want you to meet
a very real friend.

MonsieurEtienne Laurier.
My son, Julio.

How do you do?

Etienne and I met
on a ship one time.

Oh, we spent two weeks
in deck chairs.

And when they finally
lifted me out of mine

I understood modern painting.

No, no, no.
Your father is being modest.

Matisse, Renoir, Modigliani.

Rarely such insight.

Do I understand you paint?

Well, at the risk of assuming
some of my father's modesty.

No, not very well.

And, uh, I'm afraid,
among other things.

Etienne? Etienne,
you must hear this.

This delightful young lady
threw a tomato

at the German
foreign minister today.

- 'Extraordinary!'
- Who who.

You must excuse her.
She's still very young.

Oh, on the contrary.
I hope you hit him.

As a matter of fact,
I missed him.

Even my boar's tooth failed me.

MadameLaurier.
May I present my son, Julio?

Welcome to Paris, monsieur.

Oh, will you excuse me?

(male
'Oh, no.
Poland isn't Austria'

'Or even Czechoslovakia.'

'There's no escaping
a conflict there.'

You know.

- I can't get over it.
-Monsieur?

Yes. I was a witness
to that dazzling display

of diplomacy over there.
I am lost in admiration.

As a matter of fact, I haven't
seen a situation handled

with such finesse since
the cocktail party was invented.

- Oh, you are much too kind.
- No.

I said to myself now,
here's someone who is worthy

of something better
than, than all this.

- All this?
- Yes.

All this political double talk.

The do-goods, the do-bads.

The amateur strategists

and their endless theories

and their.. Ah!

Oh.

I, uh..

...I take it you
don't approve, then?

Oh, it wasn't a question of
whether I approve or disapprove.

It's just that,
that who cares?

I see.

Perhaps, uh, you might
tell me then

what you consider
worthy of importance?

Oh, now, I'm sure I could go
through a pretty long list

and not once mention
the ills of the world.

Hmm. Let's see now.

There'd be polo
on that list, of course.

And the races
and the racing cars.

And I'm sure
it must include women.

Is that a guess or a rumor?

Paris can be quite
provincial, monsieur.

- Within a certain circle.
- Hmm.

Well, I'm surprised
to see that reputation

can spread so rapidly.

Why? You can well afford it,
I think.

As a neutral.

But not many of us can,
um, share that luxury.

Hmm. I seem to detect a trace
of resentment there.

Good heavens,
I wouldn't presume to..

...resent someone I've just met

and certainly not a guest.

If you'll excuse me.

[indistinct chatter]

[Hitler speaking in German]

(all)
Hail! Hail!

(all)
Hail! Hail! Hail! Hail!

(all)
Hail!

[indistinct chatter]

...try to reach Gorvishi
at the Russian Embassy.

If you can't reach him,
go over and wait.

We need every detail before..

Marguerite.

Uh, before we can print
the next edition.

Right.

Marguerite.

- You did say 12:30.
- Of course I did.

- I like the dress.
- Thank you.

Etienne, Moscow.

Uh, get the blueprints
to Moscow.

I... brought a catalog.

If we get through
the auction in time

I thought we might
have lunch, perhaps.

- Hmm?
- Uh-uh, yes.

The Renoir is item 54.

They say there is a chance
it might be quite low because..

[telephone ringing]

Yes!
No, the situation is changed.

Hold on to it for now, right.

- Uh, Marguerite, I, uh...
- I know.

Huh, I knew it
the minute I walked in.

You can't bear to tell me.

But the auction
is out of the question.

Now believe me, I had every
intention of going

until word came through
just now.

Germany is signing
a treaty with Russia.

A mutual pact as allies.

It seems all the Armand Dibiers
are wrong once again.

And for me,
it'll be the old 24-hour watch.

With one innovation
there'll be a blackout tonight.

Your Paris in darkness.

[telephone ringing]

Yes!
Ah, one minute, hm.

No one can possibly imagine
that I love you.

But I love you.

Don't skip your dinner again.

Ladies and gentlemen
the bid is 70,000 francs

for Renoir's pastel,
Study for The Bathers.

Do we have anyone
for 90,000 francs?

'Thank you. 90,000.'

Do we have anyone
for 110,000 francs?

Thank you, 110,000 francs.

'Do we have anyone
for 130,000 francs?'

'One hundred-thirty thousand?
Thank you.'

Do we have anyone for 150,000?

'Thank you, sir.'

One hundred-seventy thousand?

The painting is sold
for 150,000 francs.

[indistinct chatter]

Ladies and gentlemen

the next is item number 26
in the catalog.

'Vase with flowers,
pastel by Odilon Redon.'

MadameLaurier.

Monsieur.

Look, I'm sorry about that,
but I just

couldn't let you
spoil my apology.

You know, you have a habit
of speaking in riddles.

Well, my apology for the way
I behaved the other night.

'Cause my father told me
how you both admired Renoir

so I, well..

- Yes.
- Yes.

So, I thought you might
like to have this one.

I'd also hoped
that you might forgive me.

- Monsieur Desnoyers...
- Julio.

I'm sorry,
but I can't possibly accept.

I tell you what.
Yes.

Suppose we let my father decide
at lunch, eh?

Unless, of course,
you have another engagement.

No, It's just
that a Renoir is.

Good. Good.

He'll be delighted to see you.

Please.

[instrumental music]

Oh, I agree with you, but it
goes far beyond that. Yes, uh..

Now, you take the Renoir
nude for example.

The-the pure sensuousness
of that figure.

The unbelievable shadings
that make up

the-the-the texture

and the, and the softness
of the flesh.

It-it's sheer magic, you know.

Oh, you seem to take
your painting

much more seriously
than I was led to believe.

Well, my big difficulty is

I don't take things
seriously enough, I'm afraid.

That's a sore point
with my father.

And is your father
always this late

for luncheon engagements?

Oh-oh, yes, always.

As a matter of fact sometimes
he doesn't show up at all.

I have a strong feeling
this is one of those days.

Yes, I-I'm afraid you're right.

Thank you.

You angry?

[chuckles]
I'm trying to be.

Well, in that case,
I'll, I'll confess to you

that I knew you were going
to that auction today.

- My father told me.
- Your father?

Mm-hmm.

Yes, he also mentioned that, uh

Etienne was going to be tied up
at the office.

All, all evening.

I'm beginning to think
that your father

must be of enormous
assistance to you.

Well, unwittingly, I assure you.

[instrumental music]

Thank you,
for a very nice lunch.

Well, under the circumstances
I'd much rather you, uh

thank me for dinner tonight.

I'm sorry, but please,
express my regrets

to your... father.

Alright.

Wasn't it a car like this
that won at Montlhery in '36?

Uh, oh, yes, It was a modified
version of this.

Beck and uh...
Dobbs, I believe.

What?

The names of the drivers.

They won again in, uh, '38.

Oh, I believe they did.

I wonder how fast
this one will go.

Uh.

Well, there's a road
just north of here.

I suppose we try it out. Hmm?

Alright.

[instrumental music]

[laughing]

That's good. Yeah.

[chuckles]
Yes, I think we spent
the whole summer

at Deauville that year.

That was with your uncle, hmm?

He was actually my guardian.

Oh, when I think now of

of all the money
he wasted on me.

Well, apparently
he had it to spend

so, why not, huh?

As it turned out, it wasn't his.

He was an embezzler.

What?

Enormous sums.

A gifted and genuine fraud.

- I adored him.
- Thank you.

At the time, Etienne
was a reporter for "Figaro."

That's when I met him.
He was such a crusader.

Uh, doesn't he get
awfully tiresome

just constantly trying to..

...right the wrongs
of the world and.. Oh.

We can't escape them
by turning our backs.

Unless, of course,
one happens to be neutral.

Well, after all,
I'm Argentine.

I'm neutral
whether I like it or not.

But you do like it.

You know, I..

Yes?

Well, I had a... grandfather.

He died a few, few months ago.

He was pure Argentine.

And he had this,
this primitive obsession

'that life was meant
just for the joy of living.'

'And he carried this feeling
to everything he was around.'

'And I-I think some of it
rubbed off on me.'

'And anything else
that wasn't that'

'just automatically
became evil.'

Like, the biblical
Four Horsemen.

And it got too much
for him, finally.

And when part of the family

turned Nazi... he became..

...one of the...early victims.

'He was a primitive man.'

He was a neutral.

But, I've a feeling
that you would have liked him.

Yes, you-you-you would have
liked him very much.

Well, shall we go?

That is if you, uh,
have to get back.

[instrumental music]

[indistinct chatter]

Say, you know something?

I just thought of a place

that's not very far
from here

with the, uh..
Oh, it has the deepest cushions.

And the softest music, huh?

- What do you say?
- No.

Well, not even as a, uh,
fitting ending to a perfect day?

Ah, one moment, monsieur.

- Hmm?
- Blackout.

Oh, not as a nightcap
for a, uh, charming evening?

[laughs]
No.

[instrumental music]

[singing in foreign language]

[singing continues]

[instrumental music]

[music continues]

[music continues]

[instrumental music]

When can I see you again?

Please. I can't.

- When?
- No.

[music continues]

- Thank you.
-Monsieur.

[siren blaring]

[explosion]

[explosions]

[gunshots]

[explosions]

Why, father.

Well, hi,
what are you doing here?

Oh, forgive me.
Should I go back and knock?

Or just leave quietly?

It's just I hadn't expected
a visit so soon.

Ah, well, I'll get a chair
for you.

No-no-no, that's alright.

I won't be staying long.

You know, if you hadn't left
the forwarding address..

...I would never
have found you at all.

Oh, as a matter of fact,
I was gonna call you tonight.

- Will you sit down here?
- Ah, thank you.

Yeah.

I'm sorry to have arrived

at such an inopportune moment.

No, as a matter of fact,
you're welcome anytime.

No, thank you.

No, no, I meant to say..

...inopportune by the nature
of my visit.

You're moving into a new place,
and I'm here

to see you about moving out.

About leaving Paris with you.

Uh, you want to leave?

Your mother and I, yes.

We came to the conclusion
that it was a mistake

to come here
in times like these.

Times that are getting
worse every day.

I see, well,
I don't think there's any..

...real threat to Paris now,
is there?

Not as we stand here,
not right this minute

but, uh, anyway,
that's why we wish to leave.

I see. Well,
if you're set on leaving...

All of us, Julio.
The family.

Well, I-I can't just
pack up, you know.

I can't just pack up
and go, like that.

Why not?

Why not? I.. Ahem.

Because my, my work. My...

Oh-oh-oh, your work!
Oh, yes, yes!

Oh, well I,
I would not presume, uh

to evaluate, of course, but, uh

I don't see anything here

that could not be transferred

to another climate.

I'm sorry. I can't leave now.

Light from the south.

How strange for a studio.

'This, um,
this view seems familiar.'

Ah, what's your number here?

Nine.

And the Lauriers?

The Lauriers?

I'm not sure. I don't..

Thirteen, isn't it?

Yes, I believe so.

Perhaps, we are at the heart
of the matter.

You must know,
of course that, um

Etienne is one of my oldest
and dearest friends.

Yes, I know that, but...

But what?
He has an attractive wife.

Paris abounds
in attractive women.

So, you,
you stay here for this.

For some, uh,
frivolous attachment.

At least I trust
it's frivolous.

Look, there's no point
in going into this now.

Oh, Julio,
in heaven's name!

Can everything be so simple?

Just to close your eyes
when it suits you.

To take advantage of a man
who is forced to leave Paris.

What?

Oh, you..

Oh, you didn't know.

Oh.

Yes.

He leaves on Friday.

An army detachment
for the Belgian front.

I regret the circumstances,
father.

I regret them very deeply.

But there's nothing
anybody can do about it.

Very well.

I'll tell your mother
that you cannot leave.

[indistinct chatter]

[train horn blaring]

(man on PA)
'Gate 7 for transport to Lyon.'

'Train leaving for Lyon..'

[indistinct chatter]

[baby crying]

[indistinct announcement on PA]

'Please report at once.'

[indistinct chatter]

[train horn blaring]

[dramatic music]

[instrumental music]

[music continues]

You, uh,
go to Notre Dame regularly?

I had meant to pray for Etienne.

But I'm not certain
I wasn't praying for myself.

[music continues]

[music continues]

[siren blaring]

[indistinct siren blaring]

[siren blaring]

[siren continues blaring]

[key clicking]

[siren continues blaring]

(man on speaker)
Attention, attention!

The government of France
requests all of its citizens

not to leave their homes.

I repeat, stand fast
and remain in your homes.

'There is no need to panic.'

'The roads about Paris
are highly congested'

'and will become impassable.'

'All [indistinct] must turn in'

'any arms they possess
to the police within 24 hours.'

[instrumental music]

[music continues]

I've arranged for you to, uh
take the train to Marseille.

You stay there for two weeks..

...and then you catch
the ship to South America.

What about you, Julio?

Oh, I'll join you
just as soon as possible.

But we must get Chi Chi
out of Paris.

Do you know about this?

Yes. He's right, Luisa.

You and Chi Chi
must get away.

It's becoming
far too dangerous.

You know,
there are no guarantees

that they will not bomb Paris.

Now, you may have to share
a compartment on the train

but the hotel reservations
in Marseille

are all taken care of.

[door closes]

- Chi Chi?
- I haven't got a minute, papa.

There's a student meeting
at the Sorbonne tonight.

Chi Chi.
Will you come here, please?

Papa, if it weren't important,
I wouldn't rush out like this.

- After Dunkirk today, I...
- Dunkirk?

Yes, I forgot.
You don't read the newspapers.

The British have evacuated,
all of them.

There's no one left now
but the French.

They're falling back faster
than the British left.

If I were a man, I would go...

(Julio)
'You'd go on doing exactly'

what you're doing right now.

This war was lost
a long time ago.

- Julio, I...
- 'That's alright, mother.'

Oh, he could talk that way.

He could talk anyway he liked

when there wasn't a real war

and people weren't
getting killed.

'All they did
was look at each other'

'across the Maginot Line.'

He could be as neutral
as he pleased

and what was the difference?

- But it's not the same now.
- No, it's not the same.

- They've won.
- Not for me, they haven't.

I may be a very small voice

'and of very little
importance'

'but I'll do everything
and anything I can'

if I have to fight them myself!

I'm sorry, papa.

It'll have to wait.
The meeting won't.

[band music]

[music continues]

[instrumental music]

[music continues]

(Karl)
'Marvel!'

Van Gogh. Cezanne.

Oh!

Renoir.

[chuckles]

I'll wager you
practically stole them

at the prices you paid.

[chuckles]
I can assure you, Karl

there was no attempt on my part

to take advantage
of the situation.

No, of course not.
But here we are.

Supposedly the victors,
entering Paris.

And all the while
it's you neutrals

who have reaped the spoils.

Well, now... at least

part of the family
is together again.

But I am sorry Chi Chi
couldn't be here tonight.

Oh, yes. Uh, she asked me
to give you her regrets.

Nice, attractive girl.

Must have had some dreary days

these past few months.

But Gustav can cure that.
He has many friends.

Oh-oh, I don't think she'll...

Oh, oh, oh!
Officers, of course.

Very good families.

'And, Julio, don't be surprised
to find that you have'

a little influence
in Paris now.

Good old Uncle Karl.

Yes, I can imagine that
the source of gasoline supply

might be good for a start,
right, Julio?

Oh, uh, I've managed
without it so far.

Managed, yes, but that's
the thing of the past.

Even the spoils
cannot compensate

for the everyday necessities.

'Right, Marcelo?'

[chuckling]
You know..

[chuckles]
Yes, from now on

you have friends at court,
so to speak.

And I expect you to take
full advantage of it.

Uh, tell me, Uncle Karl

how does the world
look from up there?

Beg your pardon?

'Huh, all of Paris
under your command'

gasoline, right
at your fingertips.

It's a very heady atmosphere,
isn't it?

- The German army...
- Gustav.

Julio, you think
I don't know, hmm?

You will never forget
that night, the old one died..

'...and perhaps you will
never forgive us.'

But I say it to you
as humbly as I can

that I regret that night
as much as you.

(Gustav)
'Father!'

Sit down.

But surely you must see now

why the both of you must see now

that my Heinrich was right.

After all, we are
here in Paris now.

And the importance,
the historical importance

of the Third Reich
is now a proven fact.

For myself at the moment

it is the family
I am thinking about.

And soon we shall be
all together again.

Marcelo, think of it.

'The family together.'

Let's drink to it.

[instrumental music]

The family.

Marguerite,
let's get out of Paris.

Let-let's go.
Let's get out of Paris.

We can go to-to Madrid.
We can go to Rio.

With what, my darling?

One Argentine passport?

Hmm. I think not.

The Nazis would never
let a French citizen

out of occupied France.

Unless somebody
arranged it for us.

I could ask him.

Yes, you could, perhaps,
but you wouldn't.

And I wouldn't want you to.

Not from him.
Not from any one of them.

But even if it were possible..

...I could never leave
without seeing Etienne.

We are trapped, you see..

...right here in Paris

surrounded by the German army.

[instrumental music]

There is something we can do.

It isn't much, I know..

...but I would love
to go dancing again

as we did that first night.

I'd like to put on something

all shimmering and-and lovely..

...and feel very feminine.

Would you take me dancing,
darling?

Surrounded by
the whole German army.

No.

Surrounded... by you.

[instrumental music]

- General?
- Yes?

The von Hartrotts' car
just arrived.

Thank you.

Tell me.

That one in white.
Do you know her?

No, general.

But I can make an inquiry.

Thank you.

[music continues]

Uh, colonel.

Please sit down.

Ready, sir?

Serve the caviar.
Start the dinner.

Well, colonel, it must be
a moment of great relaxation

for you
to be in Paris now.

I intend it to be.

If I can be
of any assistance

you've only to call
my Paris command.

Will your, uh, orders allow you

to remain for a while, colonel?

- Colonel?
- Yes?

Will you be here long?

A few days, perhaps.

Oh, what a pity. I really..

- Yes?
- Her name is Madame Laurier.

The escort is not her husband.

Of course.

That one over there, colonel

the one, uh,
in the white dress.

She attracts me.

Oh, uh, it seems she would
be attracting her escort, too.

Now, that can be taken care of.

Uh, it might prove
somewhat difficult, general.

You see, he, uh,
he happens to be my cousin.

Your..

Please forgive me.
I had no idea.

Does it carry offense?

It is simply
that the woman attracts me.

Oh, forgive me, general.

It's simply
that the very idea of any man

trying to take away a woman

from my cousin attracts me.

I am not, sir, any man.

I know. You are the commandant
of the Paris region.

But you see, my cousin
is the commandant of a..

...of a somewhat larger region.

[laughing]

This is worth
the trip to Paris.

[laughing]

I fail to see the humor.

You fail to know my cousin.

Are you implying
that I lack charm?

My charm resides here.

And in such
a romantic competition

a woman should prefer
your cousin to me

no such competition exists.

When I want a woman I make
no demand that she want me.

Do I have your permission
to meet the lady?

You have my permission
to blow your brains out.

Colonel Kleinsdorf,
will you suggest

to Madame Laurier
and her escort

that I will entertain 'em
at my table?

Yes, general.

[instrumental music]

I don't understand.

Von Kleig is a general.

Why is he being
so nice to the colonel?

The colonel, my lovely one

happens to be a member
of the SS.

In fact,
he's on Reinhardt Hedrick's

personal staff which is but one
step removed from Himmler.

And you know, of course,
who Himmler is next to.

Forgive me for asking.

[instrumental music]

Heinrich, I've been
expecting you.

Well, we got here
as soon as we could.

Yes, um, Madame Laurier,
my cousin, Colonel von Hartrott.

- Monsieur.
- A pleasure, Madame.

General von Kleig.

- Monsieur.
- Madame.

Please sit down.

Thank you, but you must know

General von Kleig,
that, uh, according to the terms

of the surrender at Compiegne

I am not required
to extend my company

to any German officer
of whatever rank

for a period
exceeding ten minutes.

[laughing]
Exhilarating.

Do please sit down.

May I add, Madame Laurier,
that you dance divinely?

My escort.

- Take a cigarette?
- No, thank you.

Perhaps your, uh,
escort would like to have one.

No, thank you.

Heinrich, you look
ten years older

if you look a day.

That's very kind
of you, Julio.

I supposed you're
a little concerned

'about the, uh, possibilities'

'of the Americans
getting into this.'

Oh, we'll be alright.
Thank you.

Thank you, general,
but she accepts

dinner invitations
from no one but me.

I beg your pardon?

MadameLaurier,
she says thank you

but she's dining
with me tomorrow night.

And I'll thank you to let

MadameLaurier
speak for herself.

She can't. She's French.

Then keep silence.

I can't. I'm neutral.

Young man, I will speak
with whom I please

dine with whom I please

take what and whom I please.

Do you understand me?

Oh, general.

General, you've eaten up
half of the world.

You ate up Holland,
you ate up Belgium

you ate up Norway,
you ate up France.

'Oh, you've eaten up countries
I've never even heard of.'

'You may even try
to eat up yourself.'

But, general,
don't try to eat up her.

She's mine.

Colonel Kleinsdorf..

...pick up
the gentleman's papers.

I, uh..

Of course, general.

But you are not
quite familiar with the...

Pick up his papers.

Yes, sir.

Julio, please go.

I will talk to the general.

You will not.

Julio, please!

I do not find
this amusing, von Kleig.

My cousin and Madame Laurier

will go freely in Paris

where and with whom
they choose

and I reprimand you,
von Kleig

for abusing the dignity
of our fatherland

in your private interest.

Go along, Julio.

[music continues]

[band music]

[instrumental music]

How... how deceivingly peaceful
the world seems from here.

I can understand now
why the French kings

moved to Versailles.

It didn't help them
very much, did it?

I suppose no one is ever
helped by being deceived.

And yet, how comforting
it can be for a while.

No cries of war,
no call to arms.

Nothing hurt,
nothing dying..

...except the leaves.

And they always come back.

Imagine what a disaster
it would be

if they ever failed
to come back.

How insignificant

it would make everything else.

Men might even
stop fighting..

...look up at the sky
and wonder.

[music continues]

- Marguerite?
- Yes.

There's something
I want to tell you.

Last night,
I realized that we

couldn't go on
living with this.

I realized that I had
to find some solution.

Solution? To what?

To our position
if we stay here.

You see, what happened
last night can happen

tomorrow night,
can happen next week

can happen next month..

I went to Uncle Karl

and he can make
the arrangements.

Of course, it'll take
a little time for him

a little time for us.

But you could leave here..

...as the wife of an Argentine.

We can't.

But don't you see how is,
it's impossible

to go on like this.

Dependent upon Uncle Karl

dependent upon Heinrich

every time we turn around.

- We can't.
- We must!

I will not go on bowing
and scraping to German generals.

Do you think
it is easy for me

because I don't scream?

Do you think I don't care?

The Germans are here, yes.

They have taken my country
and a little of my self-respect.

But I will live with it somehow.

I've got to.

No, that's the whole point.

Don't you see?
You don't have to, you..

We'll wait
for Etienne to come back

and then I'll tell him.

I'm afraid
it will be a long wait.

They notified me this morning.

I'd hoped I wouldn't
have to tell you.

With everything else I would

like to be able
to spare you this much.

Etienne is a prisoner of war.

[dramatic music]

[music continues]

[intense music]

[music continues]

[siren wailing]

Yes. He'll see you now.

One minute.

Just one minute.

Karl, please.

Now, then!

What is it?
What can I do for you?

Well, I don't know how to..

I'm afraid it's, um..

It's about, uh, Chi Chi.

Huh?

Well, it seems
there was a riot

over at the university.

As we understand it, she just

happened to be
in the neighborhood.

The fact is, uh,
your police have her, Karl.

- Chi Chi?
- Yes.

Well, I'm sure
it's all very trivial

nothing to be concerned about.

Oh, of course not!

Naturally, I'm anxious
to get her out

as soon as possible.

Of course. Of course.

And you, Julio, since I haven't
seen you for months

I take it that you are here

for the same request?

Oh, yes.

Yes. Well, then.

These unpleasant,
important relatives of yours

Julio, they do come in handy
at times, don't they?

Don't they, Julio?

Yes, well, I'm very grateful,
Uncle Karl.

Yes, they do come
in handy sometimes.

(Heinrich)
'Heil Hitler.'

Heil Hitler.

Well, now!

I hardly expected to see

a family gathering here.

- Uncle Marcelo. Julio.
- Heinrich.

- How well you look, Heinrich.
- Thank you.

And it's really a wonder

after his tour
of the eastern front.

You know,
he was commended in action.

Well, I'm sure
you're both very busy.

- If we could..
- Not at all.

Uncle Marcelo, my mother said
to give you her love.

Well, if you'll
forgive us, I..

Uh, well, thank you, Uncle Karl.

What's this, Julio?

Oh, this is nothing.

Nothing?

Some small difficulties
with Chi Chi.

There was a demonstration
at the university

and the police... you know.

Well, naturally,
I'm arranging her release.

Without an investigation?

Well..

It is a family matter.

May I see it, please?

Well, perhaps
I should have asked

for an investigation.

Uh..

You know, of course
that members of the Resistance

were involved in these riots.

No, I-I..

I don't.

The French Resistance
is no longer a handful

of harmless amateurs.

Not that either one of you

would ever get mixed
up with anything, but..

I assure you, colonel,
that my sister at heart

is just as frivolous
as I am myself.

[laughing]

Find out where she's being held.

You better pick her up yourself.

We'll furnish you with a car.

Thank you, Heinrich.

You may thank the kind officers

of the German army.

Tell me, Julio,
are you still keeping company

with Madame Laurier?

Why?

Von Kleig was inquiring
about her only yesterday.

You remember
General von Kleig, don't you?

At least, he certainly
remembers you.

You must be very busy, Heinrich.

We'll wait
for the car downstairs.

Uncle Marcelo.

We have accepted
the explanation.

A harmless escapade.

But you had
better make certain

it's the last.

Yes, of course.

Julio..

...you go on alone.

Talk to her.

Try to make her understand.

She won't listen to me anymore.

What makes you think
that I can...

Try.

Please try.

[instrumental music]

[instrumental music]

Now, if this should
ever happen again...

If this ever happens again

I won't trouble
you to get me released.

I won't be able to, look,
whether you know it or not

the Resistance
is behind all this.

Of course it...

But you're not involved
with them.

What if I were?

Oh, I'm not,
but what if I were?

What would you say?

Look, these people

they're not playing
games, Chi Chi.

Now, you got to stop acting

like you're still

throwing tomatoes
at foreign ministers.

Why should I stop when
you sit there talking to me

as though you're still talking

to your baby sister?

You haven't got the faintest
idea she no longer exists

and there's nothing
you can do about it.

I don't expect you
to understand, of course.

You know, perhaps
I know a lot more

than you give
me credit for.

And that doesn't stop me
from worrying about you.

What happens to me
isn't important.

- It's just...
- Not to you.

But to others
it is important, Chi Chi.

I'm sorry.
It can't be helped.

That's all? That's all?

Is that all you can say there's
nothing we can do about it

when your father
and I have been..

We-we've been
practically crawling

all around German Headquarters

begging for your release?

That couldn't be much worse

than crawling
all over some nightclub

with Madame Laurier.

A nightclub filled with Nazis!

Did you and Heinrich
compare notes about her today

or is she available
to the whole Germans...

Now, don't you say that!

Stop it. Stop it, Chi Chi.

Papers, monsieur.

Thank you, monsieur.

Papers, please.

I used to think you were
the most wonderful person

in the whole world.

[instrumental music]

[music continues]

She wouldn't listen.

What is it, Julio?

Why won't people listen to us?

Would it surprise you very much
if I told you that..

...I am proud
she wouldn't listen?

Oh, frightened, too, God knows.

But proud.

I think it's because it's
the only pride I have left.

'You see, the real reason'

I left France when I was 19

the reason I came to Argentina..

...was to escape military
service to my country.

Yes, Julio, I-I ran away.

And even many years later,
in 1914

when Karl went back
to fight for Germany

I stayed in Argentina.

The mind never lets go
of such things, you know?

In fact, they grow larger
through the years.

Why are you telling me all this?

Because it's all
I have to give you

to see me as I am
and to ask you

not to make the same mistake.

Is... Chi Chi
the reason for this?

No.

I've just seen Etienne Laurier.

'He was released
this afternoon.'

- He came to you?
- Yes.

I suppose because
I am one of his oldest friends..

...and because my son
stole his wife.

Did he s..

Was anything said
about a divorce?

The man has lost
everything, Julio.

They gave him such a bad time,
I doubt you would know him.

His newspaper's
been confiscated.

What he does next,
I have small idea.

I don't think, however,
that losing his wife..

...enters into his plans.

[instrumental music]

[music continues]

You look the same.

It's remarkable how women
can look the same.

How long have you been?

When did they release you?

This afternoon at Saint Denis.

Etienne, I..

Yes?

Please!

You have got to let me
tell you how.

Yes?

Etienne..

...I love him.

I want to marry him.

Etienne.

The lies.

The betrayals.

How many must a man
make his peace with?

No more.

For me, no more.

It wasn't betrayal.

I loved him.

France.

France.

What fine distinction
you draw around dishonor.

[instrumental music]

[music continues]

No divorce..

...ever.

[instrumental music]

How much..

...I must love you.

[music continues]

[indistinct chatter]

[music continues]

[music continues]

Shall we lose him?

No. Let him follow us.

[instrumental music]

[music continues]

[music continues]

[whispers]
Desnoyers.

Alright. That's all.

Tell me.

Why would a man like you

want to be in the Resistance?

I don't know.

It's an answer, I suppose.

Mmm, as good as any.

I don't pretend, of course,
to underestimate

your potential value.

A man of your connections,
your reputation as a..

Shall I say..

...a man of, uh,
superficial character?

Yes.

You could be
of enormous help...

Alright, but-but...

Ifyou are sincere.

But we shall have to find out.

Yes, but how?
Will you tell me how?

You will be contacted
in two days

by a man we shall call..

...Lebeau.

The rest is up to you.

I see.

[indistinct chatter]

[traffic bustling]

[explosion]

[whistle blows]

[speaking in German]

[dramatic music]

[whistle blows]

[instrumental music]

You were quite correct.

Himmler's first deputy
was in the car.

'He is now dead.
We can trust this man now.'

I am sure you will agree.
Should he prove unreliable..

...we have only to turn him
over to the Gestapo

as the author of the incident.

One word..

...anonymity.

Your true identity
will not be known

within the Resistance
except by myself.

And very few others.

Thank you.

If you tell anyone
what you're doing

then you must assume
that he or she will talk.

I refer specifically
to your father..

...and Madame Laurier.

I must warn you that,
on occasion

we have found it necessary
to kill some innocent

who has come to know too much.

Then good luck
to you, monsieur..

Hmm.

Shall we say... Manuel? Yes?

You are in
and you cannot get out.

'Guard above all your role
as a man of no character.'

Should anyone
become proud of you..

...you're lost.

[indistinct chatter]

[indistinct chatter]

[speaking in foreign language]

No, no, no.
She doesn't speak German.

Oh, she doesn't?
I am ashamed.

Would you care for a drink?

See you later.

This man, Desnoyers..

...he seems to have developed

a sudden friendly
interest in us.

Curious, isn't it?

[dramatic music]

[train chugging]

(male
'Thank you, madame.'

You had a call this afternoon.

Your Uncle, Karl.

He said... the reception
for strasse

was changed to Friday.

Oh, that's a reception for Karl
that father asked me to attend.

It was, uh..
I couldn't very well refuse.

[instrumental music]

July.

Yes?

If I thought..

If what we've had
should ever be destroyed..

...I'm not quite sure that
I wouldn't kill myself.

Marguerite.

Whatever you might believe..

...or be led to believe..

I could never do that
to either of us.

'Never.'

[indistinct chatter]

[indistinct chatter]

Be careful, Manuel.

They're having
an attack of nerves

or something's going on.

MonsieurDesnoyers.

Is "Manuel"
your Resistance name?

I don't know what
you're talking about.

I'm not such a fool
as to expose myself

to the fate of Herr von Kleig
until my case is complete.

I have a car waiting.

You are a lunatic, sir,
and you are going

to end up on the Russian front.

I have a date, and I'm
going to catch my train.

I'm afraid you are
the lunatic, sir.

Your date can wait.

[indistinct chatter]

I'm sorry.

[woman screams]

[whistle blows]

[indistinct chatter]

[instrumental music]

I was writing you a note.

I have to leave at once.

It's Etienne.

An old friend of his
just called.

Armand Dibier.

He said that he is here
in the Gestapo prison.

He was accused of,
of being in the Resistance

and apparently, the Gestapo
gave him a very bad time.

Fortunately, Armand
is a collaborationist

and was able to get,
get him released.

Why... you're going there now?

Uh, Armand said
he's got to have somebody

to get-get him a nurse,
get him settled.

- Well, I'll go with you.
- No!

There's a car waiting.

Armand,
sent it for me.

- How long will you be...
- I don't know. I..

- Marguerite.
- I..

I've got to see him.

I know.

[instrumental music]

[indistinct chatter]

But where do I go?

[speaking in German]

But we have no room!

Excuse me.

If you would please
look at the list.

P-please. Where?
Where will he be?

Over there. Over there.

(female announcer)
'One, three, five, six, four.'

'Four, three, zero,
three, four.'

[dramatic music]

[indistinct chatter]

(female announcer)
'Six, zero, zero, five, three.'

'Four, two, five, five, five.'

'Four, six, nine, eight.'

[music continues]

[instrumental music]

You kept the car waiting.

Yes.

Then you're not coming back.

(Marguerite)
'He needs someone, Julio.'

He must have somebody
to look after him now.

He fought them, Julio..

...and he will go on
fighting them.

If there is someone to,
to make him care.

Someone to..

Someone to say yes to him.

I can't turn my back
on him any longer.

'I knew that when
I met him at the prison.'

Please!

Understand me.

It was never
your war, Julio.

Nobody expected you
to do anything about it.

But the time..

The time has come when..

...I must.

[music continues]

Will I see you again?

I don't think we should.

I..

...I've got to pack.

[instrumental music]

Oh, my darling.

[indistinct chatter]

It's important
I speak to Emil

as soon as possible.

I don't think..

You must wait for us
to contact you.

There must be somebody
important I can speak to.

I've told you, I'll try, Manuel.
But it will take a while.

- You will have to be patient.
- Don't you understand?

I must speak to someone
who counts.

[machine whirring]

[machine whirring]

(Etienne)
'Come in.'

[radio static]

Won't you sit down, please?

'I'm sorry to have kept you
waiting for so long'

but we had to do
some reorganizing.

You're surprised, of course.

But no more than I
when Emil identified you.

If I'd known,
I would have..

...I would have asked
to see somebody else.

I'm afraid this would not
have been possible.

I'm your channel
in Paris, you see.

I will do anything
I can for you.

How can I ask a favor
of a man who...

Please!

I don't think Marguerite
should enter into this.

I was going to say
a man who has

withstood the Gestapo.

Yes, I... I survived it
this time.

I don't think I could again.

But that's not your problem.

What is it you want?

I want to leave Paris
just as quickly as possible.

I'll go wherever
you want to send me

anywhere that I can be of help.

It would seem,
perhaps, that..

...we are both
unable to keep

Marguerite out of this.

'I'm sorry.'

'You ask the one thing
I cannot grant.'

We have men
in the provinces

men by the thousands
who fight and win..

...but only one who can walk
into La Martinique.

We cannot lose you here
and we won't.

[sighs]

I know what you feel.

Believe me,
I know all about it.

[indistinct chatter]

[instrumental music]

[instrumental music]

[music continues]

[dramatic music]

(Marcelo)
'We hadn't seen her for weeks.'

And then the call came
from some office here.

I-I don't know what office.

Luisa took the call,
and she went to pieces

and she can't remember anything.

Anyway, the call came
from some office

that she'd been
taken by the..

...the Gestapo, and..

...and they've got her
at Compiegne.

The call came
from this office.

You know about it?

Compiegne,
that's-that's where they

they send them on
to-to labor camps.

Compiegne..

...in winter..

She-she didn't do anything.

She-she is a child.

'She is innocent.'

She confessed.

She confessed to-to what?

To being in the Resistance
for over two years.

They tortured her.

You tortured my Chi Chi.

I didn't.

You make war on children!

Children make war on us.

Karl, get her out of Compiegne.

Get her out of it.

I got her out
of something last summer

and she's been
in the Resistance

for over a year.

I got her out
over my initials..

...from the Gestapo.

They remind me.

Karl, call Heinrich.

Call Heinrich in Berlin.

Heinrich?

[chuckles]

That's a good one.

Karl, she'll die.

She'll, she'll die
in a labor camp.

- Gustav is dead.
- Yes, I know.

I know, but she..

[whimpering]

...she is a child.

She's my little girl.

Franz is dead..

...my little boy.

Did you know that?

Oh... I didn't.

My Franz, my little Franz

is burned up in the skies.

I didn't know.

'I didn't know.'

They kill my children.
I lose two children.

You lose one,
and you come crying?

Karl, I have lost no one.

She's dead.

[instrumental music]

We have two children left.

Heinrich, Julio.

[music continues]

Father.

What is it?

Chi Chi..

...she was in the Resistance.

She's dead.

She died at Compiegne.

How do you know this?

Karl..

Come on.
I'll take you home.

No, no, I can't
go anywhere just now.

Not for a while.

I'll just stand here.

How long did they have her?

Long enough
to make her confess.

[sobbing]

I made a request.

I asked you
to do something for me

and for yourself.

Oh, I knew
it wouldn't be easy.

You've had your own
kind of love for life.

Your grandfather's love,
I suppose.

For myself..

...I've loved life..

...differently.

With less passion, perhaps.

If I've yearned
for a painting

the touch
of an ancient thing.

Well, that was my way.

But can't you see, Julio?

No man really loves life

who is unwilling
to die for it.

'I am a man
who ran away, yes'

and now, when I don't want
to run away, it's too late.

I once asked you to act,
and now I beg you.

Go to England. Go anywhere
you can to fight them.

Only act, please.

I've never interfered
with your life

but now I must.

I beg you, Julio.

In the name of God, please..

...do what I never did.

You know too well, father

how I am.

[dramatic music]

If you please.

Please don't be
intimidated by our number.

We are not
an execution squad.

At least I hope not.

'Please sit down.'

'You told me a while back'

'that you wish
to get out of Paris.'

I think we can give you
that opportunity now

for a day or two,
at any rate.

Longer than that could mean
an inability to return at all.

I've had to give these
people your real name

and position.

You will know why
in a moment.

Now, tell us first, please

how intimate
is your relationship

with your cousin
Colonel Heinrich von Hartrott?

Heinrich?

I'm afraid it's deteriorated
since Argentina.

Hmm.

Do you think that he might
allow you to visit him?

Even for a few hours.

No, he's in Berlin now.
I don't think so.

He'll be in Normandy
when you ask to see him.

Tell him.
He has to know.

It seems that London
has lost contact

with a German Panzer Division
that was moved into Normandy

some two or three weeks ago.

Our intelligence
have not been able

to locate its headquarters.

We do know, however,
that your cousin

is leaving Berlin right now
to join that division.

If you could visit him,
MonsieurDesnoyers..

And find the headquarters.

Precisely. We have
every reason to believe

there'll be allied
landings this spring.

Oh, I see.

And if I find him, what then?

You will contact us
by wireless.

There will be an immediate
low-level bombing

of the headquarters,
aimed at its total destruction.

How immediate?

It will be up to you,
monsieur

to leave the area
as quickly as possible.

'Needless to say,
we can only hope'

'that you'll be
at the liberty to do so.'

'Well, monsieur?'

You know something, I always
did think that Heinrich

would get me
into trouble one day.

You will make your inquiry
as soon as possible

and we will make
the arrangements.

Francois here,
will be your contact.

'He will steal
your car immediately'

to install the wireless.

And you must be ready to leave
at a moment's notice.

That's all for now, monsieur.

[instrumental music]

[music continues]

It's Etienne.

We spent the last month
in Lille.

It was bad.
It was always bad.

'And the Gestapo
was everywhere.'

'They found him
and they killed him.'

Yes, he is gone.
But I cared for him.

I even... loved him.

Do you want me to stay?

[instrumental music]

Oh, my darling..

My darling.

I don't mean to beg you.

Things happen.

The world and the war..

Move on.

Passions are sometimes spent..

And we are never quite
the same people again.

Are we, Julio?

No, I suppose not.

[music continues]

Look, something's come up. Could
we leave just a little later?

It's arranged, monsieur.
There can be no change of plan.

A matter of a few minutes
can't make any difference.

How long... have
you been with them?

That man
down in the street

he came to see Etienne once.

He said he was
an old friend

but I knew, of course.

He is a member
of the Resistance.

Were you working for them
before I left?

Yes.

Now they're sending me
somewhere, Marguerite.

'I have to leave at once.'

Where?

I..

Tell me.

No.

You must tell me!

Alright.

I'm to find
the headquarters

of a German division
somewhere in Normandy.

No, no, no.

No, I should be back sometime

tomorrow afternoon, my darling.

It'll be very simple.
Heinrich is in command.

And there's no possible way
of them knowing

that I'm in the Resistance.

I-I just have to see him
for a few minutes, my darling

just a few minutes.

That's all they want me to do,
and then I'll leave.

Just a few..
Oh, please, don't.

Please, Marguerite.

Oh, please.

I will come back,
Marguerite.

You'll see.
I'll come back.

I will come back.

[instrumental music]

[music continues]

I wanna stop
at 16 Rue Cassell.

We are late already.

16 Rue Cassell.

Oui, monsieur.

[engine revving]

Your mother
is still asleep.

But I can wake her...

No, no, no.
It's better if you don't.

When will you come back?

Where can I reach you?

Well, you can't.

I don't understand.

Well, Marguerite
will explain everything.

Oh, you will go to see her.

You'll do that for me,
won't you, father?

Oh, yes, yes,
of course, I will

but is there nothing
you can tell me?

No, there's nothing.
But-but..

I'm not running away.

Do you understand that?

Julio.

[instrumental music]

[dramatic music]

[music continues]

[sighs]

Let me explain
the wireless, quickly.

'Under the car,
there is a little transmitter'

'perfectly hidden.'

It broadcasts a beep signal
on a very special wavelength

'constantly,
even when the engine's off.'

- Right now.
- 'Now.'

'The country ahead
as far as the channel'

'is thick
with hidden wireless.'

Our people
are following this signal

with directional receivers.

They know where
we are right now.

But of course,
and so does London.

Ingenious, huh?

How do they know
when we get where we're going?

The cigarette lighter.

You press it, you or I

'and the signal changes.
It is steady.'

There are no more beeps.

They know where we are
to a hundred meters.

'We, of course, must be sure
that we know where we are.'

'Perfection, eh?'

Francois, what do you
suppose would happen

if I were to press
this right now?

Then somebody, monsieur,
would waste a great many bombs

'and I, a night's work.'

[clears throat]

[instrumental music]

My reading
is 284 degrees.

Paris, 284.

London, 173.

[instrumental music]

MonsieurDesnoyers, I'm sorry
but I'll have to contact

Colonel von Hartrott to get
permission for you to proceed.

If you'll come
inside, please.

I had an informative
conversation

with Etienne Laurier
before he died

and it led
to a new development.

The development leads me
to a new question.

Perhaps since
your nephew received

so much information
in your own home

you have the answer.

Have you any specific record
when he joined the Resistance?

Why he should be
crossing northern France

at this very moment

with a man
carrying forged papers

who is also a member
of the Resistance?

He wanted to see Heinrich.

It should make it a very
entertaining rendezvous.

I remember them both
as such a clever pair.

Sir, that word
is "rendezvous."

I withdraw it.

Good day, general.

Your patrol has come from

Colonel von Hartrott's
headquarters.

They'll escort you in
and escort you out.

I apologize, monsieur,
for the delay.

[engine rumbling]

Use matches, monsieur.

[instrumental music]

London, bearing 173.

[instrumental music]

[music continues]

This is
General von Hartrott speaking.

I'm still waiting
for my call

to Colonel
Heinrich von Hartrott.

It's urgent!

Couldn't you have called
from your office, Karl?

Neither from my office
nor my home.

Why not?

Because I am in trouble.

Because my Heinrich
is in trouble.

Because your Julio
is in trouble.

Only two children left,
and they are both in trouble.

[instrumental music]

[music continues]

Now the lighter, monsieur.

[gunfire]

[dog barking]

You know, it's a strange thing,
Heinrich.

I never before associated
you personally with murder.

We do not murder members
of the French Resistance.

We execute them.

At least... those we don't
intend to question.

Show him upstairs.

[keys clacking]

[indistinct chatter]

[buzzing]

I want to see
the interrogation officer.

I'll be in the lounge.

[telephone ringing]

Operations here.

We have your target
pinpointed.

[airplane whirring]

[gunshot]

[airplanes droning]

Let's sit over here.
We'll not waste time.

[taps on table]

You may sit down
if you wish.

[indistinct engine revving]

I, uh,
I would hope that

a formal interrogation
is not necessary.

But that's up to you.

We shall find out
why you're here in any case.

Etienne Laurier died
under interrogation at Lille

the day before yesterday.
Did you know?

[dog barking]

He, uh..

...he gave several names,
including yours.

It is an ugly revenge.

He'd been through it once.

He knew he couldn't
go through it again.

If you believe that,
then bear in mind

how much simpler it will be
if you cooperate.

Do what you have to,
Heinrich

but for God's sakes,
will you do it without threats?

Do you think
they are idle threats?

Forget the uniform.

Don't play the soldier
with me, Heinrich.

[switch clicks]

I'm waiting
for the interrogation officer.

You know, I'd given you
a good deal more credit

than you deserved.

I even envied you once.

Your way of life,
your... your independence.

And then to discover
that you were childish enough

to join the Resistance.

You, of all people.
Why, Julio?

Was it for the woman?

She never knew.

(Heinrich)
'Then why?'

Why?

I don't suppose there's any
simple answer to that.

Now you say you envy
my independence.

Well, no one can be
independent.

Not in your world, Heinrich.

Finally, a man
has to take sides

no matter what the reason.

What shall I say then?

To my enemy
or to an impossible fool?

In a few minutes, it won't make
any difference what you say.

So why not a toast
to us, Heinrich?

The toast the old one
gave the night he died.

Remember?

To the family.

Can you still drink to that?

[telephone ringing]

Hello, von Hartrott.

Not now. Who? Who?

My father?
I'll take it.

[airplanes droning]

Hello. Hello?

Oh, no, it's just
planes going over.

They go past all the time.

What? What is it?

I am with Julio.

I am with Julio now!

What is it you want
to warn me about?

von Kleig? Oh, there will always
be trouble with von Kleig.

I know. I understand you,
father, but I..

[explosions]

My God, Julio.
Have you done this?

[explosions]

[rumbling]

[airplanes droning]

[explosions]

[crashing]

[instrumental music]

[music continues]