Original subtitles

Tommy, I've been playing everything on your feet.

You liar.

It's supposed to look legal.

But all the money that Tommy Donlevy makes, he never sees it.

Well, Shelly, I take good care of him.

Obviously, somebody must be taking pretty good care of him. I hear he's

out on smack all the time.

Hey, wait a minute.

Baby, come down, please.

Okay, Tommy, playback's ready. This is absolutely ridiculous. It doesn't fit.

And don't talk to me about how much it cost.

The sleeves are falling off and I want a red one. Now get out of here.

Hey, Tommy, why don't we sweeten the Fender bass when we overdub the vocal?

All right, let's do the vocal again from the instrumental. The first part was

all right, wasn't it?

Roll it.

Get out of here!

What do you think, Dave?

Playback. Huh?

There's a person out there.

Smell any practice anymore?

Said, honey, do you want to dance? I said, yeah, you get the bill in the

morning, Mark. Paid in advance.

Paid in full by a friend.

You may be good looking and you don't need no man.

But every party could sing.

You may be good looking and you don't need no man.

But every party could sing.

Everyone needs a... Tommy, hold it.

Hey, Bobby, what's the matter? What's the matter?

Bobby?

Bobby?

What's the matter? Do you know how many people die, how many PMs we have to

perform? Besides, what's your big interest in this?

Well, I got a pretty good idea. My best is this cop on it, remember?

And my interest...

It's job related. We've been assigned to investigate drug traffic and wrecking

business. That means working.

Potter, Robert Frederick, age 22.

In words you understand, diabetic coma.

Potter was a diabetic.

That we established.

You get copies.

I'm weighing over budget for the month.

You keep tissue samples for a minimum of what, three, four months?

Back off, Crowley. I have three customers stacked up in there. Yeah,

there's nothing here but a detox test.

There was no reason to suspect heroin poisoning. Any diabetic shooting heroin

committing suicide.

Who's talking suicide?

How long would it take you to run up a detox test?

How long would it take you to put your request through channels?

Oh, come on now. You're not going to put me through all that, are you, Dorothy?

Calling me Dorothy won't buy you any speed, Bill.

Hey, Linda? It's Bill.

We're here.

The man will be with you, Bill. Get yourself a cup of coffee. Go on, relax.

Come on, sweetheart. This isn't living statue time. Let's get a little life

it. Come on. Come on.

You've got better biceps.

And bigger feet.

Okay. Take five.

Hi, Bill.

Oh, hey, Linda.

Nice to see you. This is obviously Sergeant Anderson here. Oh, hello,

Anderson. Nice studio you have. I'm Linda Cam, Dame Magazine.

Sit down.

Okay. Is this all your stuff?

Right. All right. You. He's been trying life, isn't he? Yeah.

Listen, honey, I happened to mention to Linda that we were starting a rundown on

Bobby Potter. Right. Right. I told Bill that we were repairing a big layout on

the Cronium skateboard.

Pull out to the works when Bobby died.

We had to postpone it ever since I've been hearing things, things about money,

things about dope.

When I add it up, it comes out to a big payola ripoff.

With media records and David Griffin in it up to their corporate ears. Yeah,

those stories are always around. We've been trying to nail Griffin for years.

I heard that Bobby Potter wanted to leave the group, that he wanted to blow

whistle. Isn't that interesting? Well, it does make a difference.

Yeah. So, we're sending you in with a chromium skateboard.

You're going to try to pass me off as a groupie?

You'll come to love it.

What am I really going to be?

Can you set up a meeting with your new interviewer here, with Don Levy?

Right away, I can guarantee it. If Dame Magazine gets the story.

You set it up and you got the story.

So I'm going to be a reporter?

You're going to be Monica Bryant.

Monica Bryant.

I know that name.

She works out of our New York office.

But right now she is spending a month in the Greek islands.

Yeah. Listen, I know you're busy, honey.

Set up this time and place and let us know, will you? All right. Back to the

saddle, Peter.

Hey, look, do me a favor, will you? When she gets here, just send her right up.

Dave, you're pushing too hard. That boy's in no shape to see any reporters.

Magazine's getting hot again.

Tommy is still upset.

He hasn't budged from that saxophone in a month.

Bobby was his best friend, you know.

Yeah, terrific.

I'm his only friend, and he owes me three albums.

I don't need more than a...

Passed up Bobby Porter Memorial album to over his head.

Tommy's paid off for you.

I take it one gold record at a time.

You'd be doing yourself a favor and the kid in there.

You try to convince him that he'd better get into a recording studio quick

before a whole new generation grows up that never heard of him.

Oh, Miss Roth. I'm Monica Bryant.

Of course.

From Dame Maggie. Hi.

I guess you've heard of Dave Griffin. Meet your record. You're a friendly

neighborhood record pusher. Who has? How do you do?

If you were selling something, Miss Bryant, I'd have to buy the whole line.

Right now, I'm just a poor working girl, I'm afraid.

In that case, I guess I'd better feed you. I'll pick you up for dinner

Well, I might be busy.

Oh, that's right. I need a story. Why don't you call me when you're finished

here? Audrey knows where to reach me. Audrey.

Take good care of Miss Bryant.

That's your department.

She's terrific.

You're very nice yourself.

Tommy is still broken up. I don't expect too much of him.

Hi. Hi.

I'm Monica Bryant from Dame Magazine.

Charlie Parker's version of Embraceable You.

Charlie Parker.

The Bird is last gig for Dial Records recorded in New York in 1948.

So?

So, not that many people can handle the G major progression from the tonic chord

to the diminished to the D7th, right?

They ever see Bird?

No, just know his music.

Okay, why waste time? Look, you got the real Tommy D right here in the flesh.

No, uh, no mascara, no sequin dust, no fancy threads.

I love it.

Should we sit down?

Hey, Tommy.

Hmm? The doctors told you to rest.

Yeah, so what?

I'm gonna go in, honey. I'm gonna change, get a shower, okay?

Yeah, so long.

Want to see the place?

Twenty -two beautiful acres perched high atop the gilded hills and a

scant two miles away from the ratty neighborhood where I was born and grew

And yet I cannot forget my roots. Pure California, as American as the rolling

surf and the sandy hills.

Hey, what's the matter? Did I say a dirty word?

Well... I can get that nonsense out of any fan magazine.

Nonsense? Hey, now, hold it.

You're disposing of my life story right there.

Okay, okay.

The recorder's off.

There's nobody here but us.

Relax. Be yourself. Nobody ever died of it.

Don't be too sure of that.

Come on, loosen up.

What troubles have you got?

Everybody's got troubles. Come on.

Hey, wait a minute, lady. Where have you been? I have three gold records and two

platinum records.

I just sold out the forum in Madison Square Garden. You call that trouble?

you tell me.

Now, as I said, the recorder's off.

Nobody will know.

And you might even feel better.

I don't care how many people fight to get into Yankee Stadium to hear you or

many stooges you got up in that mausoleum.

You have the look of a very lonely guy.

I'll be fair. The way I see it, you're just working stiff, and you've got a job

to do. Correct?

Right. Want to catch the real Tom Donlevy? Call it unaware, in the raw.

Terrific. Call your photographer. I'm going to set you up a recording session.

Dave!

Marsha! Audrey!

But were you on friendly terms with Bobby?

He was Tommy.

Chuck and me. We came along later.

Have you any idea why he wanted to leave the group? I... Aha.

I knew we'd meet again.

Mr. Griffith, hello.

Sonny, the rest of the boys are ready. Come on.

Yeah, she'll be able to see and hear better from the booth.

You ever been to a recording session before? Nothing like this. There is

like this.

Would you mind stepping out? We're going to play now.

Right away, buddy. Okay, everybody, let's settle down.

Tommy, you want to rehearse at once for level?

This is my last but one. No, let's play it down right away. Come on, Tommy.

I said we'll lay it down.

That should be good for my story.

I'm still planning on hitting her.

Will that be good for my story?

Depends on the point of view.

Roll it.

Okay.

Ready?

One, two, three, four.

Johnny, I think you've probably met everybody here, right? We're not total

strangers, are we?

Think you can try getting with the beat?

What's more from the top?

One, two, three, four.

Stop!

Are you going to get with it?

You can read notes, can't you, Maris?

I've been following the chart.

Look, I don't want to spend the rest of my life on this one lousy cut, all

right?

You're used to Bobby Embiid. Johnny Mara's the best. I know, but he's used

it. Once again.

One, two, three, four.

Is that some kind of record around here?

Now what?

Follow the chart.

Tommy, I've been playing everything on these sheets. Like hell you have.

I ought to know. I wrote them all. Not the way I heard it. What is that

to mean? You just put your name on the music. Bobby Potter wrote all this

material. You liar.

One big happy family.

is the best in the business.

I don't know why I had to choose him out.

No, Ben.

It's me, you know.

It's me doing it. I... I can see myself.

Losing everything I... I can't stop.

Baby, come down, please.

I just die when you're like this.

Help me, Jenny.

Help me.

Sure, we'll sign.

Let him sweat a little bit.

Humility never killed anybody.

You'll get back to me, huh?

Quit? It'd probably kill you if it did.

You're probably right, huh?

I love it.

I live off the tension, the excitement.

Everything that goes with this business.

For you, a vacation is flying to Europe to hear a new group, I'll bet.

Wrong.

For me, a vacation is flying to Europe to find a new group.

I study to be an accountant.

Did you see me bent over a bunch of books trying to work out a tax savings

then heading for the valley every night?

Depends what you got in the valley.

Well, I'm not, uh, not putting it down. It's just that I like what

I have here.

Here?

Yeah. Nobody lived here.

It wasn't designed for living.

What that boy said about Tommy's song. To me, it's a place to let it all hang

out.

Did Bobby write them?

You don't stop, do you?

Just like you.

First things first.

A song.

Who knows who writes a song?

A bunch of guys get together, they...

Kick around a few ideas, they jam a little, and before you know it, a song.

Who does the publishing?

We have a company.

We?

When the group first started, nobody wanted to chance it alone.

It was too big a gamble.

You own the publishing rights.

I share.

I come.

That could be the stone looking for a new... No way. No way. No way.

Hello.

Yeah.

What is it, Audrey?

I can wait.

I told you.

I don't want to talk about it. Hold on a second.

Where are you going?

Come on.

Hey, Audrey, I want you to do me a favor.

I want you to get all the information you can about this gal, Bryant.

Where she comes from, her credits, everything.

All right? Thanks.

Bill, I don't know how we missed this.

The interpreter.

There wasn't enough heroin in his system to account for his death.

How soon do you want my report on it?

When you get around to it. We got a deal going down right now. This whole thing

may be wrapped up in a couple of days.

You know how things are around here. You never catch up with the paperwork.

Remind me to buy you a drink sometime.

Hi.

Hey, Monica, how are you?

Jenny, turn that thing down, will you?

You okay?

Yeah.

I guess I was a little dumb about the whole thing.

I had no business founding Johnny Marris. You can't buy a better bass

than him.

Anyway, I had Audrey send him a big check. Oh, that'll square everything.

Look, it happened.

Maybe I shouldn't have been in such a rush to get back to the recording

Maybe you were still a little too upset over Bobby.

Were you with Bobby before the record session the night he died?

What does it matter?

He was a diabetic, right?

Yeah, what does that have to do with anything? Did you actually see Bobby

his own insulin that night?

Hey, Monica, you want to take a little drive with me?

Got a brand new set of wheels right outside here.

Jenny just fixed it up for me.

Jenny? Yeah, well, her father used to drive stock cars, and Jenny spent most

her young life following him around from one dirt track to another. Come on.

I'll get my bag.

You stay right there.

Do you know Ramondi?

Yeah, what about it?

Yeah, I'm Sergeant Crowley, police department.

Your parole officer's not coming, do you know?

Why are you roasting him? He hasn't done anything. Look, miss, he's on parole,

which means his parole officer has the right to interview him any time he

Right, do you know?

Please, Sondra, don't say anything.

Sondra.

Excuse me, are you Sondra Whitman?

That's right, she is Mr. Griffin's secretary.

Aren't you also listed as president of the publishing company?

I'm not on parole, Sergeant.

I must have the wrong slant on the music business.

Sandra, why don't you go on back to the office?

Mr. Griffin's probably waiting on you, huh?

Yes, Sandra.

Dino will be all right, won't you, Dino? Sure.

Well, you call me as soon as you can.

I will.

May I have a sit -up?

No, make yourself right at all.

Thank you.

Now, look, kid.

Nobody wants to step on you, you know.

Yeah, I bet.

We just want to know what happened the night Bobby Potter died.

Bobby died, period.

Who could have got at his insulin?

I never touched his insulin.

I never said you did.

But you're in a good position to know who could have.

Dino, let me tell you something. You're in a hell of a lot deeper this time than

a mere possession of a sale case.

Now, what about it?

Look, I... Listen, I got to think about it.

Give me a day to come up with something, all right?

Just be careful you don't think yourself back into the junk.

Where have you been all day?

I've been trying to reach you.

Listen, there were just two cops over here twisting me, huh?

I got this.

Yeah.

Yeah, all right.

since you've been this far away from the studio.

I can't even remember.

Hey, Al. Say bye.

You dig this?

Oh, yeah.

My father and I used to come out here all the time.

And even after he divorced Mom, picked me up every Sunday.

Then when he had a couple of gigs for music Then we take the half day book

So if he wasn't holding we just we just stay here on the pier and it's all day

long He played that yeah now.

It's like just as good as bird He died, right?

Listen can you do me a favor?

This article or whatever it is, could you just leave off my mother?

She gets hers every week.

Okay.

What about money? You have any idea how much you make every year?

You kidding?

I can't even count that high. Well, somebody must know.

Yeah, you're right. I got it made. The American dream.

Big house, big car, plenty of women like Jenny.

Every time I turn my head, there are people falling all over each other to do

what I want.

Really?

Or are they there to make sure you do what they want?

Tommy. Shut up.

Tommy.

What's bothering you?

Nothing's bothering me.

Why did Bobby want to leave the group? What did happen the night he died?

Had your fun?

Maybe I better drive. I value my life, and you're too big an investment to end

up at the bottom of one of these canyons.

All right, out. Get out.

What? What? Tommy. I don't need you hassling me.

Unstap the line. Let's get him in the wagon.

Bill. Man, I should have leaned on him harder.

Shouldn't have given him time to think. Yeah, but you didn't know this was going

to happen. Look, I know how you feel. I've blown my in with Tommy Donlevy.

Yeah.

Pep, I got to go. I want to be there when they break the news to Sandra

Hey, man, quit pushing on me, will you? I told you I'd never tell him. But you

knew he was there.

No way. How many times do I have to tell you?

Okay. Cool it, cool it.

Quit all this shucking and jiving.

Don't you like some more?

No, no, I'm okay now.

I should have stayed with him.

I should have been there to help him.

There are a lot of things a lot of us should have done, Sandra, but we didn't.

We can't go back.

I had to smart off at you.

Everybody swans over to Cobb, don't they, Jeff?

Yeah. See, I was trying to tell Dino that it wasn't him I wanted.

Chromium Skateboard was scoring with him.

Oh, he wasn't dealing.

He had no choice.

Who was leaning on him, Sandra? Was it Griffin? I don't know.

It might have been.

When Dino was busted before, he worked for Media Records.

He was a promotion man. He called on radio stations.

Well, look, Sandra, did, uh, Griffin get him a job with Tom Donlevy?

I don't know. I guess so.

Sandra, you're Griffin's secretary. You're also listed as an officer in some

his companies.

I just sign forms, type minutes. Somebody has to do it. Yes, but you got

head together. Now, you probably got a pretty good idea of what's going on,

especially with chromium skateboard.

It happens to a lot of groups.

What happens to a lot of groups? Murder?

Please. I know so little about any of this.

Sandra, two people are dead. Two people have been murdered.

You want to help Dino?

I said nobody can go back, but you really want to help Dino?

Okay, here's your chance.

It's all very complicated, and it's supposed to look legal.

But all the money that Tommy Donlevy makes, he never sees it.

They have papers his mother signed, agreements, long -term notes.

Bobby Potter was making noises, right? He wanted an accountant.

He was going to see a lawyer.

Who's got these records? Where are they?

In the office.

But please, I don't want to go back there anymore.

Okay.

Sandra, listen, Investigator Stiles will take you home.

He'll also call you as soon as the coroner will release the body.

He doesn't have to.

Of course I don't.

But it'll make it a lot easier for you if I do.

Sandra, did Dino ever score for the skateboard?

Once. And he really sweated.

It was about five or six weeks ago.

That's about the time Bobby Potter died.

Right.

Okay, I'll be in touch. Thanks very much.

Hey, man, you're really blowing your mind.

You don't want no part of that Brian shit. Oh, climb off, will you? I have

enough problems on my back.

Yeah, well, I know.

But you don't need her up there, too.

I just can't think straight anymore.

Well, we know how to fix that, don't we?

Oh, that's terrific.

That's just terrific. That's your answer to everything, isn't it?

Don't you understand? I'm in big trouble.

Well, what about me?

Don't I count anymore?

Okay, fine.

Well, you're not walking, are you?

Why not?

You got a new old lady, blonde and beautiful.

I got you, babe.

One or the other.

Can be out of here in five minutes.

If you're going with those bummers, don't you come looking for Jenny.

Don't split on me, Jenny.

Get rid of that chick.

Yeah, sure.

Maybe I better make a room.

Pick up something.

You be okay?

When are you coming back?

A couple hours.

What are you guys doing? Studying for your finals?

Yeah. Looks like my life's like dripping out.

Just from those?

No, not quite, but at least now we know what records to go in and subpoena.

Looks like your friend Griffin is not a very nice man.

Tell me about it.

Well, looks like he launders mob money, among other things.

Crowley. Yeah, hey, Linda.

You still taking pictures of Peter?

Wait a minute, you can't say that to a cop.

I'm looking at her even as we speak.

Is that right?

Okay, thanks.

Well, it looks like you're still in. Tommy Donlevy wants to see you right

Very interesting.

Sure, I'm scared. First Bobby and now Dino. Your problem is Tommy Donlevy.

and he's coming apart.

Jenny's with us.

Do you want him zonked out of his skull?

I'll tell you what I want. I want another album.

I want it in gold. I want it in platinum. I want the whole works. I

what you have to do. Squeeze him.

Yeah, and suppose there's no more juice inside. Suppose there's nothing.

I'm going to feel sorry for him.

But I want my money's worth.

Well, what about that Bryant gal I asked you about?

Oh, she's on the Day Magazine staff in New York. She wrote a novel a couple of

years ago.

Well, get me a copy of the book. I want to know everything there is to know

about that lady.

Dave, she isn't worth it.

I'll decide if she's worth it or not worth it.

Give me the book.

You better get back to Tommy.

He's not going anywhere.

Dave, what are you going to do if Tommy can't get it together?

Tough. On who?

What do you think?

Well, you got a contract.

You got to pay him.

Not if they bust him.

It's standard in every contract.

Your mean dude.

Who, me?

Mm -hmm.

I love mean dudes.

Don't you got a job to do?

Mm -hmm.

Yeah, I'm Sergeant Crowley. This is Investigator Stiles.

I'd like to have a little talk with you, please.

Inside.

What's your name?

Cloris. No calls, Cloris.

Yes, sir.

Whatever it is, I'm pretty busy.

Yeah, we know how busy you are, Mr. Griffin.

We were conducting an investigation, and I need to take a look at your...

Corporate records for Chrome Publishing Company, TV recording, escape

management. Wait, wait, wait.

Not without a court order.

Come on, Mr. Griffin. I think you're well aware that corporate records are

to the public scrutiny, aren't you?

What do they say about fighting city hall?

You lose.

Yeah. Yeah.

Rolling wheel productions... Give me the list.

You can look all you want. Everything's straight.

Fine, then you got nothing to worry about.

I better not. I pay a big retainer every year to make sure of that.

Legally, I'm clean.

What about ethically?

Ethically? Are you kidding?

In this business?

I made rich men out of a bunch of kids that should be pumping gas.

Unfortunately, two of those rich men are dead and a third one strung out on

drugs. Nobody's mother.

Yeah.

What kind of an accounting did Bobby Potter want?

What does that mean?

I don't know. I'm just trying to establish fact on a rumor.

What about Tommy Donlevy? You ever get out on that?

Well, surely I take good care of him.

Obviously, somebody must be taking pretty good care of him. I hear he's

out on smack all the time.

Hey, wait a minute now. I don't have to listen to this. I'm going to ask you

gentlemen to leave.

Yeah, you're right, Mr. Griffin. You see, we're just trying to do our job.

Sometimes we get a little carried away.

The fact is, we're going to need your permission to have these records copied.

You see, without your permission, I'm going to have to go down and get a court

order and come back and confiscate them. It gets to be a big hassle.

I'd like to avoid that, wouldn't you?

Or would you?

Go ahead.

Thanks for your cooperation.

Sorry, there are no pictures.

Well, see, everybody says they love me so much.

Audrey and Dave and Jenny.

And I tell myself they need me.

But you're right.

They're all into me.

It spells money.

When did it all start, Tommy?

With Bobby?

Before, I think.

Bobby always used to say, here we are writing songs about truth and honesty.

All heavy.

And what are we doing? How are we living?

He was going to quit?

Yeah.

I wasn't ready for that.

We've been together since we were kids.

The night he died, do you remember something?

We had a big hassle over something.

Jenny gave me all the details about that.

I remember Dave kept telling me, don't worry, Bobby isn't really going to

You see, there are a lot of things recently that I just can't remember.

Other people tell me about them later.

Things like what?

Like last night.

I'm really sorry about that, Monica. You know, it's just that sometimes people,

they get to me, and I don't know what I'm going to do next.

Did you come right back here after you dumped me in the canyon?

Then what?

Then I got this face down, you know.

No, I don't know.

And you're going to have to be able to come up with something better than that

for the police.

Police? Why the police?

Tommy, this is the real world. A boy was killed.

People have to know why.

Come in.

Mr. Griffin, this rock brought this fire for you. Oh, yeah, yeah. Thank you.

Thank you.

Think about it, Tommy, okay?

I think it means too much effort.

Hi.

Did I miss anything?

You never miss a trick.

I'll call you later, Tommy.

There she is. Okay, leave it alone. I'm fine.

Here,

here.

Give me your hand.

I'm telling you, I'm okay.

I'm okay. I'm all right.

Somebody get my shoes and my purse.

Get my shoes.

I'm telling you, I'm all right.

Hold your arm still. Look at my car. My car is what's ruined. Just relax. I'm

fine. I'm all right. We know your mouth still works.

Hey, Bill. Huh?

Can I see you a minute?

I'll be right back. Okay, get my shoes. It's my purse. Relax, will you?

I'm telling you, it's just a couple of bruises. I'm all right.

Somebody cut the emergency brake cable and the brake line.

You're kidding.

It's a good thing she had her seatbelt on.

Did she be sitting up like that?

Well, it's hard to believe, but she seems to be all right. See?

I think she should stay off her feet for a while, though. What do you know about

this? I don't know anything about it. Somebody cut the brake lines on her car.

Now, what do you know about it? Do you have anything to do with it?

It had to be Jenny.

She'll tell you. I was driving up the hill. I thought I stopped to help her. I

was the one who phoned the ambulance.

Are you sure she's okay?

Yeah, just let her take it easy for a little bit.

Do you want to join us up at the top of the hill for a little conversation?

I wouldn't, but if you insist, I will.

Get right up and investigate her, Stiles. Joe, take her up.

Okay, come on.

Are you all right?

Yeah, I'm all right. I'm fine.

Do you realize how close you came in? Yeah, I noticed.

I can't take many more of these.

Here you go, Pap. Oh, thanks.

Okay, Miss Roth.

Now, you want to tell me what you know about Bobby Potter?

What about Bobby Potter? I don't understand the question.

You mean you were not aware that he was going to knock down this sweet little

deal of yours?

Who was in on it?

Let me tell you something, Miss Roth. Now, we have ways of getting to the

We just subpoena you before the grand jury.

But we're offering you immunity.

There isn't much time. We still don't know where Tommy and Jenny have gone.

I don't know. I swear I don't know. Then why don't you just start by telling us

what you do know?

If I were you, I'd listen to him.

You don't have to go to the end of the line with the others.

You can do yourself a favor.

I guess you could say I was part of it.

Who wouldn't?

We had a good thing going, Dave and I.

What about Dino?

How'd he fit into it?

He was Dave's man. He used to distribute drugs for Dave when he worked as a

promotion man.

And what did Jenny get out of it?

Plenty. She enjoyed watching Tommy sweat.

Oh, man.

She's one bad chick.

I have a pretty good idea where Jenny might have gone. One of two places.

The office?

Yeah. Does he keep a gun at the office?

Yes. And he might use it.

Let's have the keys.

Mr. Roth, we're going to put you under protective custody in a hotel room until

this thing boils over.

Yeah, Bill, Joe.

I just checked out Griffith's apartment.

Just take it out.

You got it.

Sergeant Crowley? Yeah. We got a radio message. The van was spotted on a

supermarket parking lot over on Macon and First. We got a unit standing by.

Close enough.

Yeah. Listen, have your partner cover the back.

You take the front.

Are you okay? Yeah, I'm fine.

I shouldn't have let you come with me.

The paramedic said you should stay off your feet. I'm all right.

I'm going up to the office. Now you sit down. You want me to back you up? No, I

want you to sit down and get off your feet. They might be in the studio. Just

wait for me, okay? Okay, okay, okay.

How long is this going to take?

Less than it took Potter. We haven't got much time.

Tommy?

Tommy, you listen to Jenny. She'll tell you what's right.

Come on. I know. Come on. Tell about Bobby.

You switched the insulin, remember?

Come on.

Come on.

Tell about Dino.

Dino's dead.

I know Dino's dead.

Now, come on.

Come here.

Come here.

Now tell him about Dino. Come on. Tell him about Dino. And put it down.

Dino called.

Dino called.

You had to go meet him.

He's going too fast.

Too... Come on. Too...

Come on, write it, baby. Come on, come on.

Bill, answer the phone.

Answer the phone.

Yeah? Bill, they're in Studio A.

Hey, Dave, what's up?

You all right? What's up?

She's a cop, Tommy.

Come on, come on. Put it down. You had to kill her. Write it. Come on.

You had to kill her. I'm not going to. I can't. I won't.

They killed

Dino and Bobby. They're making a confession.

All right, now put that gun down.

Put it down nice and easy. Let's go.

Put your hands on top of your head.

Both of you.

All right, move around to the front of the piano.

Move!

Move!

Down on your knees.

You better get an ambulance. This kid's in bad shape.

I thought I told you to wait.

I was waiting.

Isn't he great?

You're really something else.

I got a sneaky feeling it won't be long before you'll be back in the recording

studio. Well, maybe with this, but no more funny clothes.

You don't have to worry about your clothes.

We'll just let it happen, okay?

Okay.

Hey.

We'll drop by in a week or so. All right.

See you in a couple weeks. Okay. Thank you.

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