All language subtitles for The.haunting.of.hill.house.S01E01.STRiFE-METCON-NTG.English-WWW.MY-SUBS.COM

WWW.MY-SUBS.COM

[MAN] No live organism can
continue to exist sanely

under conditions of absolute reality.

Even larks and katydids are
supposed by some to dream.

Hill House, not sane...

stood by itself against its
hills holding darkness within.

It had stood so for a hundred
years before my family moved in...

and might stand a hundred more.

Within, walls stood upright,

bricks metneatly,

floors were firm.

Silence lay steadily against the
wood and stone of Hill House.

And whatever walked there...

walked alone.

_

[CRIES, SOBS]

[CRYING, SOBBING CONTINUES]

It's okay, Theo. Go back to bed.

Should I wake up Mom and Dad?

I've got it.

You okay, Nellie?

You scared?

That's okay.

I get scared too sometimes.

Why are you awake, Luke?

'Cause Nellie's awake.

What was it?

The Bent-Neck Lady.

Oh, her again?

Where was she?

Oh, boy.

Guess we better take a look.

Here, huh?

Your big brother must
have scared her away.

Big brothers are good like that.

What if she's hiding?

She's long gone.

I guess everybody can
go back to bed now.

There you go.

[BREATHES SHAKILY] You remember
what we talked about before?

About our dreams?

They can spill.

That's right.

Yeah,

just like a cup of water
can spill sometimes.

But kids' dreams are special.

- They're like...
- [WHISPERS] An ocean.

- An ocean.
- That's right.

And the big dreams...

can spill out sometimes.

Back to bed, Stevie.

Now, I know that Bent-Neck
Lady is really scary.

But that's all she is.

She's just a little spill.

How long do we have to live here, Daddy?

Well,

your mother and I, we have
to finish fixing this house,

and then someone has to buy it.

Then we can go?

Yep, and then we can go,
just like the last house.

Now, you get back to sleep, both of you.

I love you, sweetie.

[KISSES] Sweet dreams.

[GIRL] Dancing in the Red Room.

Dancing in the Red Room.

You're dreaming, Shirl.

The pandas aren't dreaming.

Pandas, huh?

Pandas don't eat macaroni.

Noted.

- Hmm.
- [CLEARS THROAT]

Everyone alive?

- Nellie had a nightmare.
- [INHALES DEEPLY]

And Shirley is sleep talking again.

Anything good?

- Pandas don't like macaroni, Liv.
- Hmm.

Luke?

- Synced & corrected by MementMori -
-- www.MY-SUBS.com --

Carl was driving on Rural
86 during the storm.

Do you remember that storm?

Of course not, you were in L.A.
It was a bad one.

It was cats and dogs, the
worst I'd seen in ten years.

He was up in the boons when
he lost control of the car.

He went over a guardrail
and went down a ravine.

The car flipped over and you
couldn't see it from the road,

especially because of the rain.

He was hanging there the whole time.

Hours.

Upside-down, tangled
up in his seat belt.

They said he could
reach the horn, but...

he couldn't press it for long 'cause,
you see, his arm was broken.

And that's how he died.

Upside-down, pressing on that horn
for as long as he could stand to.

[MAN] So when did it start?

The night after he died.

It started with drops of water.

Like raindrops...

falling onto my face.

I started to hear a car horn.

Short bursts.

Distant, I think, but
close enough to wake me,

and then, finally...

now, this was right after
the funeral itself.

This was the night after
the burial, you see.

I felt the water...

on my cheeks,

and I heard the car horn,

and then I looked up at the ceiling...
[BREATHES SHAKILY]

And there he was...

[QUAVERING] hanging there...

upside-down.

I could... I could see the water...

dripping off of his hair,

and his face was a...

a deep purple, like the
blood had all just...

pooled into his cheeks.

It's funny, you'd think you'd scream

after seeing something like that,

but you don't.

You just stare.

You just stare at it
like you're an idiot.

And then his mouth fell open,

but it wasn't a scream.

It was a car horn...

coming from his mouth...

so loud.

So loud that I fell off the bed.

And then I screamed.

I screamed because I hit the
floor and it startled me,

and it was like I only just
remembered, "Oh, right.

I can scream.

I should probably scream."
And I screamed, all right.

And I ran, and I tripped in the hallway,

and I looked back and he wasn't there,

and then I laid there and I cried.

And that was the last time
I've slept in that room.

That's a very interesting
story, Mrs. Walker.

Irene.

_

Irene...

_

This is what I'd like to do.

I'd like to look around your house.

I'd like to set up some equipment.

I'd also like to sleep
in that room tonight.

Goodness.

I'll be fine.

I can't promise I'll include
your story in my book.

- Of course.
- But it's possible.

And I thank you for sharing it with me.

_

I'm sorry, I should have
told you I'm a fan.

That's my favorite, the first one.

"Silence lay steadily against the
wood and stone at Hill House

and whatever walked there walked alone."

I can't imagine what it
was like living there.

The most famous haunted
house in America.

In fairness,

it wasn't famous when we moved in.

And besides, you've got me beat.

What do you mean?

I mean, if you actually saw your husband

hanging upside-down over your bed,

you've seen more than I ever have.

I've never seen a ghost.

- But your books.
- Ah, not in Arlington.

Danvers, Alcatraz,

on the Queen Mary or in Williamsburg.

And not in Hill House.

The way you write, I just assumed...

[INTERRUPTS] Other people's
stories. People like you, Irene.

I give them the right voice, that's all.

Well...

I hope tonight is a
game-changer for you.

- How so?
- Maybe my Carl

will finally give you
a story of your own.

You were one of his favorite
writers, so maybe...

that's the reason... for all this.

You know, I can tell you
one thing about Hill House

that isn't in the book.

Yes, please.

All those years trying to understand
what happened in that house,

you know what I never found?

A reason.

So, don't expect one.

How are your brother and sisters
doing, I wondered, since the book?

How are they doing these days?

You know who I wish would write a book?

Your dad.

[BOY] Just tonight.

[WOMAN] Won't you miss your brother?

I'd rather sleep here,

in case she comes back.

Alright.

Just tonight then.

I'll stay with her a bit.

Goodnight.

Hey, will you grab her blanket?

- Yeah.
- Thanks.

[EXHALES SHARPLY]

[KISSES]

[BREATHES SHAKILY]

[PANTS, WHIMPERS]

I'm sorry. Uh...

So...

Are you saying you'd prefer
not to do a viewing?

No.

We want to. It's not that.

It's part of your mother's pre-need,
so, it's already taken care of.

And we want to.

It's Max.

- I think he's just a little, um...
- A little nervous about it?

I'd say adamantly opposed.

_

Sorry, excuse me.

Hi, Max. I'm Shirley.

Harris Funeral Home.

I know this might be a
little weird for you,

but I promise it's all normal.

The reason Mommy and Daddy are here

is because it's important
to say goodbye to Grandma.

A viewing is just a
way to do that, to...

to see her one last time
and tell her you love her.

I don't need to say goodbye.

A lot of people feel that way at first,

but then they feel much
better when they do.

That's what Mommy said.

But she was wrong.

Grammy keeps sitting
on my bed at night...

and touching my hair.

She just stares at me.

And her eyes must hurt.

Why?

Because she doesn't blink.

It's Nell. I need you to call me.

It's hard to understand,
everything's so twisted...

and it's hard to explain, but...

I'm worried about Luke.

Have you talked to him?

Call me.

It's here.

It's great.

Hi, this is Nell. Please
leave a message...

I think you really nailed it.

It really sends a message.

We should put it on the website.

I think it'd work great in print, too.

If people still read papers, that is.

Oh... [GROANING] God.

- [COUGHS]
- This damn flue is a disaster.

This is supposed to be the easy part.

[CLEARS THROAT] There's nothing
easy about this house.

- You okay, Daddy?
- [MAN CHUCKLES]

Just trying to fix a flue. The
house doesn't like it, I guess.

Oh... Mr. Dudley found
something for you.

I don't know if this is
going to work, young lady.

And I'm gonna need it back.

I got it.

Open it!

Mr. Dudley says this is a master key,

so, it's supposed to open
any door in the house.

He's a weirdo.

So is that lady.

Daddy says they've been
taking care of this

house for years and years,

so, if anyone would know
where the key is...

What do you think is in there?

What if it's a cotton candy machine?

That'd be something.

Or a pony?

Not a pony.

This isn't working.

It could be a pony.

Something was moving.

I saw the shadow under the door.

This door's been locked for

years and years and
years and years, so...

[INHALES SHARPLY] if there's
a pony in there, it's dead.

This one doesn't work either.

Where's the friggin' key?

- Don't say that word.
- You say it.

The keys never work.

Can't he just use that big hammer?

We'll find the key.

I want to see what's in there, too.

Let's go see if Daddy has any more keys.

Daddy! We need more keys!

It's an emergency!

[STEVEN] I know you don't
need me to tell you this,

but literally everything
is an emergency with Nell.

[SHIRLEY] I know, but she sounded rough.

Shirl...

Rougher than usual.

She said it was about Luke.

- Then call Luke.
- [SHIRL] I did.

Straight to voicemail.

Well, then he sold his phone for cash

or he's still in rehab, which
means we stay out of it.

[STEVEN] Look, I can't deal with
this right now. I'm working.

Yeah?

You working?

That's right, Shirl.

Something else you want to add?

[SHIRL] Fine, I'll just
handle it, shall I?

That's why everybody dumps their
shit on me, isn't it, Steve?

[SHIRL] 'Cause I'm the
oldest. That's my job.

- Oh, wait, that's you.
- Fine,

I'll handle...

- Jesus.
- Tea?

Sure.

Thank you.

So does this stuff, you know...

capture the supernatural?

Don't believe in that word.

Which side of the bed do you sleep on?

I'm talking about the word itself.
"Supernatural."

There's natural phenomena
that we understand

and there's natural
phenomena that we don't.

Primitive humans used to die
of fright during an eclipse.

They had no idea what it was.

The eye of an angry god.

An evil spirit.

Nothing supernatural about it, though.

Once we understood what it was,

well, it was just natural.

I prefer "preternatural."

Natural phenomena that we
don't quite understand yet.

So does it capture that?

Huh.

Uh, no, no message. Just
wanted to see if he was there.

What was your name again?

Thanks, Paige.

[EXHALES SHARPLY]

[WHIMPERS]

Hi, this is Nell. Please leave
a message after the beep.

It's Steve. Sorry I missed your call.

I talked to Shirley.

I know you're worried about Luke,

but I called his rehab
center and he's fine.

He actually got his 90-day chip
today, if you can believe that.

I'll be around tomorrow if
you still need to chat.

I hope you're well, Nellie.

I mean that.

[EXHALES SHARPLY]

_

Hi.

Theodora.

[MOANS, PANTS]

[CHUCKLES, EXHALES]

[CHUCKLES, EXHALES]

Jesus.

Where'd you come from?

[CHUCKLING, PANTS]

So what's your story?

[INHALES SHARPLY] What do you mean?

I mean, who are you?

What do you do?

Where are you from?

You live in a funeral home.
[SLIGHT CHUCKLE]

I'm here for grad school.

Ah, Sociology.

I mean, the program's brutal, but...

I love Boston, man. It's
such a great town. [EXHALES]

What's that about?

I'm just kind of a germophobe.

That's okay. None taken.

That was really good.

Yeah, you're damn right.

I have to work tomorrow.

Oh.

Early.

Oh.

'Kay.

Was it something I said?

No. We just did what we
came here to do, yeah?

Okay, then.

Hi.

[SIGHS DEEPLY]

[WOMAN] I know you normally prefer
the company of cold stiffs.

Don't be so hard on yourself.

I got beer.

New friend?

- She coming back?
- No.

I mean, she's sweet enough,

but, pile of issues.

I just don't think you
can really know so much

after such a quick encounter.

Who's saying it's quick? I'm a giver.

You're like a guy.

You're worse than a guy,
you're like a frat guy.

When I said you could live here,

I wasn't expecting the pussy parade.

Nell called me today.

Ah.

She sounded bad.

- Yeah, 'cause it sucks to be Nell.
- She call you?

No.

Course not.

We still haven't talked since L.A.

- Theo.
- Don't.

I'm just waiting for an apology.

I'm drawing boundaries,

which is something you
might want to look into.

What's wrong with her?

I don't know.

You never really will.

One foot in crazy and the
other on a banana peel.

Her whole life.

Boundaries.

She said it was about Luke.

I don't know, something about it

scared me.

Luke will show up...

when he needs money.

I just keep thinking...

what if he doesn't?

Or if he does, it'll be the
last time I ever see him.

Boundaries.

Maybe a brick wall
when it comes to Luke.

_

[SCREAMS]

[ALARM BEEPS, STARTLES SHARPLY]

Ah.

Nell?

[NELL] Daddy.

Honey, are you okay? What time is it?

[NELL] Do you remember
the Bent-Neck Lady?

Yes.

[NELL] She's back.

Okay.

Okay.

Nell? Where are you?

I'm at home.

In bed.

[HUGH] I want you to go
to Steve and Leigh's.

I... I'm going to drive
to Orlando and...

and get a flight to L.A.

You... Steve's closest. You go to him.

Okay, now, I'll see... I'll
see you there tomorrow.

Okay.

I love you, Daddy.

Are you...

okay?

I'm fine.

[SNIFFLES] I'm sorry to wake you.

Good night, Daddy.

[SIGHS]

[SIGHS DEEPLY]

I don't know. She wouldn't...

Yeah, I'm going.

I'm going.

[HUSHED] Get up.

- Stevie, get up.
- Dad?

- What's going on?
- Get up.

- We gotta get out of here right now.
- Why?

- What's going on?
- Quietly, quietly.

- My shoes.
- Shh.

Shh.

[DOOR RATTLES]

[DOOR CREAKS]

[EXHALES SHARPLY] We're gonna run.

- [QUAVERING] Dad, what's going on?
- [HUSHED] Quiet.

[DOOR CREAKS LOUDLY]

[SIGHS SHARPLY]

I'm gonna carry you.

Dad, I...

You keep your eyes closed
no matter what you hear.

You don't open them.

You promise?

- I... I...
- Do you promise?

I promise.

You keep your eyes
closed no matter what.

You keep them closed.

[PANTING] Okay. Okay.

Okay.

Eyes closed.

Get back in the car!

I saw Abigail in the window!

She was in the window!

[CRIES]

[SOBS] What's happening?
Where's Mommy? Where's Mom?

I thought I saw her upstairs!

That's not Mom.

What about Mom?

Dad! We can't leave Mom!

Dad!

Dad. Dad.

Dad, I told you, there's no
reason you and I need to talk.

You don't just get to call
me and tell me what to do.

You're closest and
your sister needs you.

[HUGH] You get home
and you stay with her.

Keep your eye on her. Don't
let her out of your sight.

- Dad, I'm not even...
- I'll see you there. I'll meet you there.

[SCOFFS] Living at home right now.

[GASPS]

[WHISPERING] Nellie's in the Red Room.

[STARTLES, PANTS]

[SIGHS FORCEFULLY]

[GRUNTS]

[SIGHS]

[CAR TIRES SCREECH]

[HORNS HONK]

There used to be a stop sign
there until recently, yes?

I don't know.

I think so.

There's a pole there, see? But no sign.

Kids take 'em for their dorm rooms.

It's a moderately trafficked area.

A four-way stop without a sign is
bound to have a few near misses.

You slept better with your
husband in bed, right?

Of course.

You're probably just
noticing the car horns now

because you're not sleeping as well.

Things you used to sleep through.

The water.

There was a big storm the night he died.

One of the biggest you've
seen in a long time.

Yes.

There's a leak in your roof.

You just didn't notice the water
damage because of all the paneling.

It was only drizzling last night
and I even got a few drips.

You might want to get that looked at.
Water damage is no joke.

Happens all the time, Irene.

And the man I saw hanging
from my ceiling?

The mind...

It is a powerful thing, ma'am.

Especially the grieving mind.

I know what I saw.

The water and the car horns...

you'd be picturing how he died
as much as you wouldn't want to.

- I saw him.
- When you push that stuff down...

it comes out at night.
You couldn't help it.

When I said I've never seen a
ghost, that's not exactly true.

I've seen a lot of ghosts.

Just not the way you think.

A ghost can be a lot of things.

A memory, a daydream, a secret.

Grief, anger, guilt.

But in my experience...

most times they're just
what we want to see.

Why would I want to see
my Carl like that?

Because it's better than
never seeing him again.

Most times a ghost is a wish.

_

_

Thank you for doing that.

Carl would have loved it.

My pleasure.

_

The fuck, Steve?

- You didn't like it.
- No, I didn't like it.

What's going on?

My brother just raped the
family is what's going on.

- Hang on.
- Look, I get that things haven't exactly

been going well with your writing

and when you said you wanted
to do a book about the house,

I understood that, but this is...

I sent you guys the manuscript
in case you had any objections.

- I didn't have to do that.
- Of course we object. I object, Steve!

- Let's calm down a bit.
- You be calm, Leigh.

It's not your name in here.

It's not your family.

Hey, it is my family.

You weren't there.

Nell, Luke, Theo, they were just kids,

the things they told you in confidence.

- It's clear that they were kids.
- You make Mom sound fucking crazy.

- Oh, Mom wasn't crazy?
- And the Dudleys and Dad?

This is the worst of the bullshit,
worse than the tabloids.

Dad had every opportunity
to set that straight.

What am I supposed to write?
He said it was haunted.

- Those are his words.
- He was a wreck.

- He just lost his wife.
- And he hasn't said shit since.

Does he talk to you, Shirl?

Did he tell you what
happened that night?

Because all I've got are
those tabloid quotes.

He refuses to tell us anything else.

He believed it, Steve.

When he said those things,
he believed them.

In the moment, at least,
and you never did.

Neither did you.

And now you're digging up
that stuff? For a buck?

So you can stop living
off credit for a change?

- "A buck"?
- Look, I can tell that you're upset,

- but Steve had every right...
- A buck?

Do you know how much they're
offering on the advance?

We can buy a house, we can
move to L.A. We can...

I need to start a real
life, for my own family.

We're your family, Steve.

- What you're doing to Mom...
- Mom was mentally ill.

It's a fact.

I'll be damned if the apple
didn't fall too far from...

I'm... I'm sorry.

Wow.

I'm... I'm sorry, that wasn't...

Wow.

Nobody's buying the novels, Shirl.

You sent me the book.

Now you know what I think.

You publish this, you
know what it costs.

[ECHOEY] You know what it costs.

[SIGHS DEEPLY]

I'll write your story.

It's a good story.

I researched your house.

Did you know it was used as a
hospice briefly in the '60s?

I didn't.

I'd like to talk to you some
more about your marriage,

and get some background
on Carl, who he was...

who you both were.

That's what matters, really.

I'll need to take some liberties.

I always do.

But I promise to be respectful.

He was a fan.

I'll do it in a way he
would have really liked.

You really didn't see anything.

[YOUNG HUGH] They didn't see anything.

That's not the point.

[BREATHES SHAKILY] My kids
don't take the stand, Ross.

I had my eyes closed when we left.

You don't say anything, Stevie.

- No one else can corroborate your story.
- That's right.

The judge hears about packing five kids

into your car at three in the morning,

they're going to wonder why they
aren't hearing from those kids.

The media is already piling on.

If we don't give 'em someone
else to write about,

it's going to be more and more this.

[SIGHS] It's tabloids.

- It's just tabloids
- It's Family Court.

This stuff doesn't help
in a custody hearing.

They never filed charges. I was
never placed under arrest.

HAUNTED HOUSE?

It was a suicide.

- [YOUNG HUGH] They confirmed it.
- [MALE ATTORNEY] It doesn't matter.

They got this off your
statement to the police!

I wasn't thinking clearly that night.
We just lean on that.

- We can't un-ring this bell.
- Fine, they can rip me to pieces,

but they don't get to take
bites out of the kids.

[MALE ATTORNEY] It'd go a long way

if you'd let the press near the house.

Hell, they'll pay you.

They'll pay you to walk the
grounds, take some pictures.

No one goes near the house.

Just the police.

[SNIFFS] No one else has to.

Then sell it. You need the money, Hugh.

No.

You're saying you want to keep the
house your wife just died in?

You have any idea how that looks?

I want the gates...

and the doors kept locked at
all times, and I want to know

every day that it's empty.

No gardeners.

No staff.

Except for the Dudleys.

The Dudleys stay on.

[MALE ATTORNEY] That
doesn't make any sense.

The Dudleys stay on and
it sits there and rots.

I'm sorry you had to hear that.

If you lose?

I won't.

If you do, though?

Do we really have to go
live with Aunt Janet?

[SIGHS]

[WOMAN] Hello.

Hey.

What do you want?

So my sister...

There's something up with Nell.

She may show up at the house today.

[WOMAN] At my house?

[SIGHS]

The house, yeah.

Why?

My dad told her to.

I didn't get a chance
to tell him, it's...

But I'm sorry, you can
just point her to me.

Is that all?

Maybe I can come by and we can
talk about this some more.

You know what you'd have
to say. You tell me.

Is there any point?

[SCOFFS SHARPLY]

Hello, young man.

What are you doing?

Arranging the china and
some of the flatware,

so that your father can sell them.

These are valuable.

Dad says you and Mr. Dudley
come with the house.

Houses like this one require a staff.

Why don't you live here?

We live close by.

At the edge of the property,
through the woods,

right by town.

But there are so many rooms.

The staff hasn't lived on
the grounds since 1948.

So the people that lived
here before us...

The Hills.

So they were all alone?

Oh, yes.

No one would live nearer than town.

No one will come any nearer than that.

So, yes.

They lived all alone.

In the night.

In the dark.

Well, they didn't seem to be too scared.

My dad found a bunch of
stuff in the parlor.

Tarot cards and Ouija
boards and all that.

So, something tells me they
weren't too scared of the dark.

I see.

And you know what those
things do, don't you?

They're parlor games.

People use them to scare themselves.

This is the problem with
schools these days.

They teach you the secular world,

smother you in science.

And science isn't an
exact science, you know.

The world is dark, young man,

and the only light is the light
of the Lord Jesus Christ.

We need his light in the night.

In the dark.

Do you know the Gospels, young man?

[OLIVIA] He does.

Hugh and I decided
when Steve was little.

See, we knew that throughout
his life he'd be exposed

to all sorts of ideas and beliefs,

that there'd be all sorts of people

who'd tell him they had the answers.

I'm sorry, I meant no offense.

[CHUCKLES] So yes, he knows the Gospels.

He's also familiar with the Talmud.

The Tao Te Ching, the Torah,
the Koran, Greek mythology.

And he reads a lot of
Carl Sagan, Shakespeare.

Why is that, honey?

"Because there are more things
in Heaven and Earth, Horatio... "

"... than are dreamt of
in your philosophy."

Very good, ma'am.

Well, I don't suppose either
of you have seen Luke.

Not recently.

I assume you tried the treehouse?

[CHUCKLES SHARPLY] Very funny, mister.

Mom's looking for you.

Trying every closet.

It never occurs to her you'll be
in your [CHUCKLING] treehouse.

You know, the one Dad built for you?

I don't want to go in yet.

I don't like it inside.

No rush, my man.

- What you making?
- A new sign.

How do you spell "no girls allowed"?

"N", "O"...

I already got those.

"G."

[YOUNG STEVEN] I told you
last time that's a bad idea.

What happened to your other sign?

[YOUNG LUKE] Theo ripped it.

I'll bet.

"I."

Is this the family?

- [YOUNG LUKE] Yep.
- [YOUNG STEVEN] "R."

Who's this?

[YOUNG LUKE] Some girl
I saw by the woods.

What's next?

"L."

You know, I used to have
imaginary friends, too.

[CHUCKLING] They go away
when you get bigger.

"S."

She's not imaginary.

[YOUNG LUKE] Okay, "no girls."

Theo can't rip this one.
It's not allowed.

I'll tell her.

Will you hang out with me?

- You want me to?
- Yeah.

You can hang out all the time.

We can draw together.

No girls.

Just Stevie and Luke.

The cool kids.

Where do you get the ideas
for these drawings?

_

[DOOR BUZZES]

[GRUNTING, EXHALES]

Fother mucker. [EXHALES SHARPLY]

[SIGHS]

Hey, Luke.

Hey... Hey, Steve.

Uh, this isn't what it looks like.

I'm... [INHALES SHARPLY, SHIVERS]

Are you cold?

Yeah. [PANTS]

How'd you know where to find me?

I...

[INHALES SHARPLY] Tell
you what, I've got...

Let me see.

I've got 200 bucks here.

You hand me that iPad,

you can keep the cash and
sell that old camera.

But, uh, I need the iPad.

It stays here.

I'm... I'm sorry.

I know.

[SNIFFS] You know, it really
isn't what you think.

- [SNIFFS]
- Good.

Here.

[GASPS SHARPLY]

Thanks.

[CHUCKLES] I needed a good scare.

Leigh sent you here?

I tried to tell Dad we're...
we're having some issues,

but...

Did you tell Luke where I live?

Did you bring him here?

You just stood there and watched
him loot me? [BREATHES SHAKILY]

Christ, Nell.

So you hit up everybody,
dragged Luke out,

made Dad hop on a plane.

Fine.

You got us all listening.
What do you want?

What's so damn important, Nell?

[PHONE RINGS]

Shit, I didn't give him the
address. [INHALES SHARPLY]

Hey, I tried to tell you, we're...

[HUGH] Steve...

Dad?

[HUGH] About Nell...

I can't hear you.

[HUGH] ... hear me? I
said it's about Nell.

- I know, I just walked in and she's...
- Nell was lying.

Shocking.

[HUGH] She wasn't in L.A. She
was at the house, Steve.

She wasat the house.

She...

She's dead.

Steve?

[HUGH] Steve?

You there?

Steve?

Steve?

Steve?

Steve?

Steve?

Steve, you there?

- Synced & corrected by MementMori -
-- www.MY-SUBS.com --

SDH created by Joshua Francis