Original subtitles

[dramatic music]

[keys jingling]

[phone keys tapping]

- [faint indistinct talking]

[suspenseful music]

[phones ringing]

- Cabrera, what's the status?

- Surveillance is up

and operators are in position.

- Any chatter on local

police channels?

- None.

- Any abnormal activity

on the site?

- Haibach and Villareal

have been monitoring

the building all morning.

They've reported nothing.

We're clear to proceed

if you are.

- We're a go.

- All right, let's go.

- All right, Des, CCTV feeds

inside the building are up.

Langley's given us

the green light.

- Copy that.

- Remember what we're

fighting for here.

These passport papers

are the key to finding Tal.

So be safe,

but no mistakes.

- Understood.

I'm going in now.

- All right.

Looks like we've got

four guards total.

You just passed one.

There another one

the ground level

at the end of the hall.

Upstairs you have

two on your right.

- Sarah, push in on four.

[beeping]

- [speaking Croatian]

- Da.

[crowd cheers on TV]

- Files are in aisle six,

fourth row from the bottom,

ID number 17143.

Great.

Let's go.

- [speaking Croatian]

[chuckles]

- [speaks Croatian]

- Stay calm.

- You've been made.

Get out. Get out now.

- [grunts]

[blow landing]

[dramatic music]

[grunting]

- [groaning]

[blows landing]

- Give me cameras

on the first floor.

I want to find the other

two guards now.

- [yelling Croatian]

- You have one guard

in front of you,

one to your left.

- [speaking Croatian]

[guns firing]

[scattered screaming]

[gunshot]

[gunfire]

- Des, are you hit?

- No.

- Can you get out?

- I don't know.

[gunshot ricochets]

- Go now.

- [shouting in Croatian]

- [shouting in Croatian]

[gunfire]

[gunfire]

- Des, are you out?

Did she get out?

Haibach, stand by

to get the case.

Des, do you read anything?

Des, are you out?

[tense music]

- This is Villareal.

I'm in the van.

We're leaving the site now.

- [sighs]

- Do you have the papers

with you?

- Sitting in my lap.

- Good.

Good work. Good work.

We're gonna work on

your extraction plan

and we'll have you home

in 24 hours.

Well done.

- Looking forward to it, ma'am.

[soft chuckle]

- Congratulations, Erica.

- Yeah.

- Those passport documents are

the key to Tal's inner circle.

- This is a huge win

for the agency.

We got him.

Well done.

- Yeah.

Good job, guys.

- Keep it up.

Let's get them home.

[suspenseful music]

[soft music]

- Morning.

- Good morning.

- What are you eating

for breakfast?

- An energy bar.

- That's a candy bar

in gym clothes.

You should eat eggs.

- Why don't you make me some?

- I'll learn how

to cook them tomorrow.

Come on, let's go.

We're late.

Hurry up and

I'll let you drive.

- Really?

- No.

- Mom.

- Someday.

Not my car.

Let's go.

- Are you sure you

can't pick me up?

- Why do you want me

to pick you up?

- Because when dad does it

he gets there, like,

half an hour early.

- So?

- So, he watches me play.

And then on the way home

he tells me, like,

every little thing I did wrong.

- Well, I'm sure he's

just trying to help.

- I know, but he doesn't really

know what he's talking about.

- He played high school sports.

- He played golf, Mom.

It doesn't count.

[dramatic music]

- Closing the embassy in Yemen

will force CIA

to drastically reduce

its operations there.

- Houthi rebels are threatening

to take over the government.

We don't have a choice, Erica.

- Then neither does CIA.

I'm leaving now.

State Department's not budging.

No, I have to be on the Hill

with the House Intelligence

Committee at noon.

Also, would you confirm that

Cabrera's monitoring

Haibach and Villareal's

extraction?

I want no complications there.

Understood?

- Erica?

Erica!

You left your phone.

- Oh.

- I had to answer it.

The school called.

Hannah didn't show up today.

- I dropped her off.

[tires squealing]

[cell phone ringing]

[cell phone ringing]

[cell phone ringing]

[phone beeps]

- Hello, Erica.

I'm watching your daughter.

- Tal?

- She is a beautiful girl.

- [breathing heavily]

- You should be very proud.

I want their names.

The four CIA operatives

who stopped those bombings.

- Don't hurt her.

- That isn't my decision

to make.

It's yours.

It's up to you whether your

daughter dies today or not.

It's a simple choice...

- Can we talk?

- It's your daughter's life

or theirs.

- Wait, wait!

- Five,

four--

- Just stop counting!

- Three, two, one.

- Steven Haibach,

Brian Lanich,

Desiree Villareal,

Laine Heffron!

- Thank you.

- Tal!

Tal!

Tal!

Tal!

[screaming]

.

[suspenseful music]

- Hi, this is Hannah.

Leave me a message.

- Hi, this is Hannah.

[engine revving]

[tires squealing]

[tires squealing]

[cell phone buzzing]

- Hannah?

Hannah?

Hannah, are you in here?

Hannah?

[rattling]

- What do you want?

- I'm looking for my daughter.

Have you seen her?

- You're not supposed

to be in here.

- Have you seen her?

- I ain't seen nothing.

- Her phone is here.

Why is her phone here?

- Look like I got a phone?

- My daughter is missing.

She's 13.

She has a pink backpack.

Have you seen her?

I'm looking for my daughter.

Have you seen her?

Thank you.

Have you seen this girl?

Excuse me.

My daughter is missing.

She has light brown hair.

She's 13 years old.

Have you seen her?

- Was she wearing

a pink backpack?

- Yes, where is she?

- I don't know,

but she was sitting

on that bench over there.

- Do you know where she went?

- She left.

With the police.

- What?

- Two officers took her

and drove away.

- Thank you.

- Bethesda Police Department.

How may I direct your call?

- My daughter was picked up

by two police officers

at Virginia Park.

- Can you tell me exactly

what happened?

- My daughter is missing.

Someone told me that she was

picked up by two

police officers.

I need to know where she is.

- Did you get the names

of the officers?

- No.

- Okay, let me check

with our units.

Please hold.

Ma'am, are you there?

- Yes, yes.

- What park did you

say it was?

- Virginia Park!

Third Street.

It couldn't have been more

than ten minutes ago.

- I'm sorry but there's no

record of any of our officers

picking up a minor.

- That's impossible.

Check again.

- I did.

- Check again!

- I did, ma'am.

None of our officers

have your daughter.

What's her name?

I can file a missing

persons report

and issue an Amber Alert.

- He has her.

- What?

Who has her?

[cell phone buzzing]

It's Shepherd.

- Erica, where have you been?

Been trying to

get a hold of you.

- What is it?

- It's Haibach and Villareal.

They picked up

suspicious activity

outside the safe house.

I think they might

be in trouble.

Have you heard anything?

Erica, have you

heard anything?

- No.

- Are you sure?

No you have any reason

to believe

they might be compromised?

- No.

- How do you want to proceed?

- Pull them out.

Pull them out now.

[dramatic music]

[engine turning over]

[tires squealing]

[engine revving]

[tires squealing]

- [grunts]

Down!

Oh, down! Down!

[gunfire]

Down!

[tires squealing]

[grunts]

[tires squeal]

Go, go, go, go, go, go!

[tires squealing]

[gunfire]

[grunts]

[crashing]

[groaning]

[tires squealing]

[crashing]

[car alarms blaring]

.

[suspenseful music]

- What's going on?

- They're not responding.

- Who?

- Villareal and Haibach.

We gave them instructions

to leave the safe house,

but they haven't checked in.

- Did you try their cell?

- Yeah.

- What about the sat phone?

- I tried both.

No answer.

- Contact our assets in Zagreb.

I don't care who it is,

you get someone to their

location as soon as possible.

[cell phone buzzing]

- Yeah?

- Bring her to me.

- Okay.

[cell phone buzzing]

- Shepherd.

- They're gone.

- Who?

- Haibach and Villareal.

They're dead.

They went dark right after

we tried to pull them out.

Our asset on the ground in

Zagreb found them shot to death

in their car outside

the safe house.

They're dead, Erica.

Both of them.

- It's Tal.

- How do you know?

[phone beeping]

- God!

[heavy breathing]

- What is it?

- Brian Lanich.

We can't get a hold of him.

- [heavy breathing]

[line trilling]

[cell phone buzzing]

- This is Cabrera.

- Listen to me.

There's been foreign chatter.

I think one of our teams

has been compromised.

Haibach, Villareal,

Lanich, and Heffron.

They all helped me stop

the Logan Airport bombing.

Get word to them

wherever they are,

whatever they are doing,

you get them to safety

immediately.

Are you hearing me?

Whatever it takes.

Now.

[blade slices]

- [gasping]

- Stop moving.

Stop moving.

I just stabbed you

in your carotid artery.

Lis--listen to me!

I just stabbed you

in your carotid artery.

The only thing keeping you

from bleeding out in

the next 15 seconds

is my thumb.

- [gasping]

- Where is my daughter?

- [gasping]

[blood spurts]

[shouting]

- I know you work for Tal.

I know he has my daughter.

You tell me where she is

or you die.

- She's at your house.

- You are lying.

- Both of them,

dressed as police.

They took her home.

- Okay.

- [gasping]

[tires squealing]

[tense music]

- Hello, Erica.

- Tal.

- Such a pleasure

to finally meet you.

- Where's my daughter?

- Safe.

- If you hurt her,

I will kill you.

- You are in no position

to make threats.

I suggest you don't.

You look different in person,

stronger.

Odd how our opinions can shape

a person's image in our mind.

- Where is she?

- Ask again and I'll have her

eyes plucked from her skull.

Do you know why I'm here?

Do you know why I risked

my life to enter this country?

- No.

- It's because of you, Erica.

I'm here to tell you

your future.

The four CIA operatives

who work for you will die.

There is nothing you can do

to change that.

And soon your country will know

your part in their deaths.

You'll be arrested as a traitor

and spend the rest of your life

locked in a cage like a dog.

Your country will despise

your very existence.

And you will never see

your daughter again.

[sighs]

That future is as inevitable

as the dawn.

Except through me.

- What do you want?

- You.

- You want me?

You want me to work for you?

- I've had many adversaries

in my life.

Interpol, MI6, Mossad.

But no one came close

to stopping me.

Not until you.

And I want you

to be an operative.

I want you as you are.

Deputy director of the CIA.

Feed me intelligence.

Protect me from your country.

In return,

I will save you from that cage.

And your daughter will

be safe forever.

Don't answer now.

I know anything you'll say

will merely be in service

of saving your daughter.

No.

[laughs]

I want you to think...

[laughing]

about your response.

I want you to feel

the noose of incarceration

tightening around your neck.

Then and only then

do I want your answer.

You hate me.

But in time, you'll see--

just as many before you have--

that beyond hatred

lies salvation.

Your daughter is upstairs

in her room unharmed.

She knows nothing about this.

She simply believes she

was caught skipping school.

The less she knows, the better,

in case your decision

is one that pleases me.

Good-bye, Erica.

[door closes]

- Hannah?

I thought--I thought something

had happened to you.

- I'm so sorry, Mom.

I just wanted to meet Dylan at

the park and I wasn't thinking.

I'm so sorry.

- It's okay.

It's okay.

You're safe.

- What happened?

- Oh, I cut myself

getting in the car.

It's not as bad as it looks.

Are you okay?

- I'm fine.

- Are you sure?

Did they hurt you?

- No.

Mom, it was the police.

They saw me at the park and

asked why I wasn't at school.

I didn't know what to tell them

so they brought me back home.

Are you mad?

- No. No.

[heavy breathing]

I need to call the school

and let them know

that you're okay.

Give me one second?

- Okay.

[line trilling]

- Hi, you've reached

Laine Heffron.

Leave a message

and I'll call you back.

[beeps]

- [deep exhalation]

[deep exhalation]

- Daniel.

- What's up, Will?

- Did you follow up with

the DOJ on that Anderson case?

Counter Terrorism's asking.

- Yeah, I spoke

to them this morning.

They're, uh, ready to press

ahead with espionage charges.

- But not homicide?

- No, no.

They don't think we have it yet.

They wanna wait for forensics.

- Talk to the lab.

Find out what the hold up is.

- You got it.

And you still good for Saturday?

- We're looking forward to it.

- Major Keaton.

- Director Mayer.

What are you doing down here?

- We need to talk to you.

- Everything okay?

- Can we speak in your office?

[suspenseful music]

- So what's going on?

- There's been an incident.

About an hour ago we received

word that a private jet

that we chartered went missing.

Foreign authorities have

confirmed the jet went down.

Everyone aboard was killed.

- So, uh--so--so

what are you saying?

- I'm sorry, Will.

- No.

- Laine was on that flight.

- No.

No.

- We're so very sorry

for your loss.

Is there anything we can do?

We--

- No, no, no.

[soft dramatic music]

[crashing]

.

[suspenseful music]

- You sleep here last night?

- Not last night, no.

- You know, Will, you have to--

- What, Daniel?

What?

What do I have to do?

Hmm?

Eat, sleep,

take better care of myself?

I mean, please,

tell me what I have to do.

God knows everybody

else has been.

- 'Cause they care about you.

- Well, all I care about

is catching

the person that killed Laine.

Gotta go.

- Where you headed?

- Langley.

Deputy Director of the CIA

is briefing me

on their end of the attacks.

- Good.

I'm coming with you.

[suspenseful music]

- Agent Keaton.

I'm Anthony Cabrera.

- This is Agent Zain.

- Pleasure.

- I worked with Laine.

I'm sorry.

We're in here.

Thank you so much for coming,

Agent Keaton.

I know our two agencies haven't

always worked well together

in the past, but

four of our people are dead.

And we're willing to do

anything in our power

to find those responsible.

- Tell us what you know.

- [clears throat]

The separate attacks were

definitely coordinated.

All three happened within

30 minutes of one another.

- Any indication that

Tal's operatives

were in communication

with each other?

- Not at this moment, no,

but we're still

waiting on signals intelligence

from the NSA.

- How did Tal find them?

- Truth is, we don't know.

But we have a theory.

It's not uncommon for

foreign intelligence agencies

to monitor our operatives

when they're abroad.

- Our bureau does the

same thing here in the States.

- Exactly.

We think that Tal may have

exploited these agencies

in an effort to locate

our people.

We think that's how he found

them and how he was able

to take them out so quickly.

- Okay, so you've told us where

and you've told us how,

but you still haven't told us

why these four operatives

were targeted by Mikhail Tal.

- Retaliation.

These four operatives were part

of a team that in 2015

stopped the bombing

of 20 passenger planes

that were US-bound.

They saved thousands of people.

- And he killed them

because of that?

- Yes.

- Who knew about this team?

- Uh, a handful of analysts,

systems technicians,

and, uh,

senior operations managers.

- We're gonna need

a complete list of

all those names

by the end of the day.

- Cabrera can help

you with that.

[suspenseful music]

Agent Keaton.

I am sorry for your loss.

- Only a handful of people

at the CIA knew the identities

of the four operatives killed

at the recent attacks.

Tal had to have gotten

the names from one of them.

These are the 12 people.

These are our suspects.

Let's go to work.

[dramatic music]

- Keaton?

- What, you got something?

- Robert Lennon checks out.

From the beginning,

he's been claiming that

he had no knowledge of

Brian Lanich's whereabouts

the day of the attack.

I just got confirmation that

he was telling the truth.

He couldn't have done it.

- That's her.

Erica Shepherd.

She's the one that's

working with Tal.

- Whoa, wait.

Look, we don't have it yet.

We don't have enough evidence.

You confront her now,

you risk her conviction.

We'll get it, Will.

We have to do this by the book.

- I will.

- Where are you going?

- Just wanna talk to her.

[soft music]

[soft indistinct chatter]

Thomas.

Nia.

It's good to see you guys.

- You, too, Will.

- We miss you.

You don't come by

the house anymore.

- I know. I'm sorry.

I've been a little busy.

- You can still visit,

you know.

That hasn't changed.

- Appreciate that.

Saved these seats for you guys.

- You know how this

is gonna work?

- Yeah, well the, uh,

director's gonna get up

and he's gonna say a few words.

And then he's gonna put Laine's

name in the Book of Honor.

Her star's already on the wall.

[somber music]

- I gave the CIA my daughter.

They give me a star.

- Can you, uh, excuse me

for a minute, please?

Erica Shepherd.

- Agent Keaton.

How have you been?

- I've been better.

So I was wondering, um,

how's the progress

on the Tal investigation?

Any closer to catching him?

- I'm sorry, I can't say.

Are you still heading up

the investigation for the FBI?

- I am.

Sorry, can't say.

Though there has been

some talk.

Nothing official, just

gossip among family members.

- What kind of gossip?

- A little bit of everything.

Some people think that he

was working with the Russians.

Others think that he was

working with an American.

In fact,

some think from the CIA.

- Hmm.

And what do you think?

- I think that whoever it is

should be worried.

'Cause sooner or later,

I'm gonna find them.

- I'm confident that you will.

.

[soft music]

- It's time to go to bed.

- What?

- I have to be at work

early in the morning

and I'm not gonna be rushed

like I was today.

It is time to go to bed.

- Okay.

- Did you do your homework?

- I forgot.

I'll do it in the morning.

I'll wake up early.

I promise.

- Hannah, you are 13 years old.

Can you explain to me

why I'm telling you to

go to bed at night,

asking you if you've

brushed your teeth,

and I'm dragging you

out of bed every morning?

- I'm sorry.

- Sorry isn't an answer!

And sorry is not gonna cut it

in the real world!

You have got to start

taking care of yourself!

[sighs]

I'm sorry.

I'm exhausted.

You have got to start

taking care of yourself.

I'm not always gonna be here

to take care of you.

Do your homework.

- I'm sorry.

Excuse me. Excuse me.

[suspenseful music]

You were right.

- About what?

- Erica Shepherd.

You were right.

- We got the subpoenas?

- Yeah, the phone company

turned over the records

of her family's phones

this morning.

- She was using

her husband's cell.

- No, her daughter's.

There's one incoming call

from a known Tal associate

on the morning of the attacks.

Will, it is less than an hour

before the first death.

- We got her.

Where is she now?

[indistinct chatter]

[cell phone buzzing]

- Hey, Hannah.

Where are you?

Okay, well, I'm almost there.

I'll meet you outside

the museum entrance.

[soft chuckle] Okay, bye.

[indistinct radio chatter]

[suspenseful music builds]

[exhales]

- All agents move in.

Move in now!

- Go, go, go!

- FBI!

Don't move!

- Do not move!

- Left side.

- Covered.

- Hands behind your head.

- Do it now!

- Hands behind your head!

[handcuffs clicking]

Stand up.

Erica Shepherd,

you're under arrest

for espionage

and conspiracy against

the United States of America.

I know what you did.

I know everything.

Life is over.

- [gasping]

- Get her away from me.

- Wait.

My daughter's on her way here.

Let me say good-bye to her.

- No.

Get her out of here.

- Please.

Please, please!

Hannah!

[beeps]

- Don't say your name.

Don't say who

you're calling for.

Just give me the first

three-digit code

you were sent.

- BQR.

- The second three-digit code.

- 7RK.

- One moment.

[beeps]

- Hello?

Hello?

- Hello, Erica.

- Tal?

- I must admit that

I didn't think I would

hear your voice again.

What is it you want from me?

- Three years ago

you made me an offer.

- What of it?

- I want to know

if it still stands.

- Three years ago, you were

in a position to help me.

- I still am.

The FBI, William Keaton.

He's closing in on you.

I know you feel it.

I can help you.

- Why?

After all these years,

why would you do this now?

- I am not going

to die in a cage.

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