All language subtitles for Highlander S04E12

REPORTER [OFFSCREEN]: At this
stage, it's not known if the

explosion was caused by gas,
chemicals, or a terrorist

bomb, but it's clear that the
mid-city subway complex has

been torn by a huge blast.

Firefighters and rescue teams
across the city are scrambling

to reach the disaster site,
hoping to contain the damage

and to reach victims.

Other than two pedestrians, no
casualty figures have yet been

released, but as the
smoke billows up,

one thing is certain.

The death toll will
continue to rise.

MAN [OFFSCREEN]: Come
on, fellows.

Keep it moving.

We need water at the
main entrance.

Come on, let's go.

-I'm a doctor.

Remember?

MIKE [OFFSCREEN]: Ah,
a pregnant one?

-Look, I work in an ER.

She's going to have to get
used to it someday.

Let's go.

MAN [OFFSCREEN]: Stand
aside, sir.

We're going to keep
this area clear.

-We need miners.

We need mining equipment.

We can't do this kind
of thing on our own.

-Excuse me, Sir.

-You can't go down there.

You understand?

-I'm Dr. Anne Lindsay.

-Who let you through?

Jeff!

[yelling]

ANNE [OFFSCREEN]: They said you
needed, um, extra-- extra

help around here.

Listen, um, we need
to get down there.

-Yeah, well you don't,
not for now.

You go get yourself a cup of
coffee or glass of milk or

something.

-Coffee?

What are you talking about?

The first hour is
very critical.

-Yeah, I know, Doc.

I'm sorry.

I can't let you through until
I got it secured.

The whole place could come down
around your ears yet.

REPORTER [OFFSCREEN]: And
relatively few victims are

thought to have been inside
the structure.

We will continue to bring
you late breaking

developments from--

-Mac, I've been thinking.

-What, again?

-No, I'm serious.

-No, Richie, I like
the colors.

-No, it's not about
the colors.

I like the colors, too.

I've been thinking that what
with this place being finished

and all, maybe you want
to give me the loft.

MACLEOD [OFFSCREEN]:
I'm not moving.

REPORTER [OFFSCREEN]:
--disaster

site, here is an update.

Rescue workers are having
a difficult time--

MAN [OFFSCREEN]: Attention
all crew.

This structure is
still unstable.

Use extreme caution when
entering the building.

MIKE [OFFSCREEN]: I'm
not going to wait.

-You know, just calm down.

They already said, they don't
want any heroes around here.

-They pay me the big
bucks for it.

[sirens]

MAN [OFFSCREEN]: Don, have your
crew string a line around

the perimeter of the building.

MAN [OFFSCREEN]: Hey, could you
give me a hand over here?

MAN [OFFSCREEN]: Keep
civilians away.

Emergency personnel only.

RICHE [OFFSCREEN]: What?

You're going to sell
this thing?

I mean, this is all a
business venture?

-Nope, it's not.

-Well, if you're not going to
sell it and you're not going

to live here, can I live here?

[laughs]

[explosion]

-Whoa!

Watch out.

-Too late.

Let's go.

[panting]

[explosion]

WOMAN [OFFSCREEN]: Help!

Please help!

-There.

Over there!

Let's clear the way.

[moaning]

-Come on down here.

We're here.

We're here to help you.

[moaning]

-I'm going to go check
out the other side.

-All right.

All right.

[sobbing]

-I'm a doctor.

You're going to be fine.

We're going to get
you out of here.

Now try not to move, OK?

It's OK.

It's all right.

[breathing heavily]

-Where does it hurt?

I don't want you to move.

Just tell me.

MAN [OFFSCREEN]: Look out!

REPORTER [OFFSCREEN]: We
interrupt our program with an

update on the mid-city
subway explosion.

A second major blast has rocked
the station, making

access to lower levels
almost impossible.

Unconfirmed reports say a
medical team from County

General Hospital led by
Dr. Anne Lindsay has

been trapped inside.

We have little information
at this time, but we will

continue to cover the situation
as it develops.

-Anne.

NARRATOR: He is Duncan MacLeod,
the Highlander.

Born in 1592 in the highlands
of Scotland,

and he is still alive.

He is immortal.

For 400 years, he's been a
warrior, a lover, a wanderer,

constantly facing other
immortals in the

combat to the death.

The winner takes his enemy's
head, and with it, his power.

I am a watcher, part of a secret
society of men and

women who observe and record
but never interfere.

We know the truth
about immortals.

In the end, there
can be only one.

May it be Duncan MacLeod,
the Highlander.

[theme music]

MAN [OFFSCREEN]: Sending
five guys up over

onto the other side.

WOMAN [OFFSCREEN]:
Doctor over here.

MAN [OFFSCREEN]:
What a circus.

Who do you think's in
charge here, Mac?

MACLEOD [OFFSCREEN]: Your guess
is as good as mine.

MAN [OFFSCREEN]: No.

I want everybody out of there.

You understand, everybody.

Your guys, my guys, everybody.

-One of the cars discovered
another leak.

Could blow at any time.

-My name's--

MAN [OFFSCREEN]:
It's all right.

Here, give me this.

Let me show you.

What?

Anne who?

-The doctor.

Lindsay.

-Oh yeah.

The pregnant one.

I remember her.

-That's her, yeah.

-She went in there without
my permission.

She never came out.

-When and where?

-Never mind where.

The last thing I need is
another damn hero.

Come on.

Come on.

-We're not giving up, are we?

-No, we're not.

-Just because he said we can't
go down doesn't mean we're not

going down.

-That's right.

-Well then, um, where
are we going to go?

[explosion]

[scream]

[grunting]

[scream]

-Oh god.

Mike.

OK, buddy.

It's OK.

-I think it's my back.

-It's OK, I'm going to
get you out of here.

[grunting]

OK.

Oh god.

You're going to be all right.

Try not to move.

-Pretty easy.

-Right.

I'm going to give you
something for pain.

No, no.

There's no time.

You've got to get out of here.

-I'm not going to leave you.

-You've got to get
out of here.

This whole place--

[groans]

-Nonsense.

Be quiet.

It's OK.

MIKE [OFFSCREEN]:
Get out of here.

This whole place could
come down.

[screams]

-Are you OK?

[siren sounding in distance]

-Man, this is unbelievable.

Looks like someone dropped
a bomb in here.

-That's exactly what it looks
like, but this was gas.

-And, um, there's
a difference?

-Yeah, there's a difference.

Believe me.

I've been there.

-Oh yeah?

Where was that?

-Hello?

-Did you hear that?

-England, World War II.

They called it The Blitz.

REPORTER [OFFSCREEN]: As we wait
out this terrible war, a

little beacon of light in the
darkness, we are broadcasting

live, courtesy of the BBC
directly from the lounge of

the Savoy Hotel in the
heart of London.

To all of England and across
the great ocean, to all our

friends in America, we have been
informed that the great

man himself, Winston Churchill,
has left his bunker

and is in a suite upstairs
negotiating with our French

and Dutch allies, and that he
will be down momentarily to

discuss the state of
the war with you.

Until then, we are returning to
our studios and the Lester

Lawrence orchestra, so join
us all, from Devonshire to

Devonport, from London
to Los Angeles.

[jazz music playing]

-Ah, in the war.

-The problem is, is that
Montgomery is so full of

himself, he can't stand the
idea of sharing power with

anyone.

-I say she's right.

Old Monty was a bit of
a pip, even when we

were back at Oxford.

Sulked ferociously for months
when he didn't make crew.

-What I heard is he
could not oar.

-And I'm sure that's not
how he remembers it.

-Still, I'd rather him on
our side than Rommel.

-That's because you
are a Brit.

If you'll excuse me,
Madame, gentlemen.

-You look beautiful.

-I hate to be the one to say
it first, but I missed you.

-Well, it's only fair.

I said it first the last time.

-It's not fair that British
intelligence should have a

stronger hold over you than I

-Who said anything about
British intelligence?

-Please.

You have MI5 written
all over you.

-You're fishing in
the wrong pond.

I was just down at Somerset
looking at some horses.

-So why don't I believe you?

-Because you're a reporter, and
that makes you terminally

suspicious.

-Just persistently curious.

-Welcome back, MacLeod.

Profitable trip, I hope?

-Oh, very promising.

Um, we'll know soon.

-Somerset?

-The horses.

-Right.

[sirens sounding]

-Ladies and gentlemen, it seems
the Fuhrer is once again

paying an uninvited call.

Therefore, we will be spending
our broadcast

until further notice.

For those in the London area,
please proceed to a shelter as

quickly as possible.

Remain there until the
all clear is sounded.

This is not the first time Nazis
have fallen on civilian

London, but let's hope
it's the last.

We interrupt our program until
Mr. Hitler gets the message

that he is decidedly not
welcome and calls his

hooilgans home.

-I'll see you later.

-Where are you going?

-Harry, I need a favor.

-There's an air raid going on.

-And the world needs
to hear about it.

-Not from me, they don't.

-All I need you to do is set
this up on the roof.

-They don't pay me
enough for that.

-Do I have to beg?

-You can't go up there.

You'd get yourself killed.

-He's right.

-You know what, dearie?

I always think you're out
of your bleeding mind.

-Oh well.

-What do you think
you're doing?

-Oh.

You're going to do
this on your own?

-So you know how to
work this stuff?

Oh!

Of course you do.

Isn't that one of the first
things they learn in-- um,

which part is this?

Cloak or dagger?

-It's a radio.

How hard could it be?

-All right.

You can help, but it doesn't
mean I believe all that stuff

about Somerset and the horses.

[explosions]

-Come on, come on.

What is taking you so long?

God, how can you be so calm?

-Calm, huh?

-Slow.

-Maybe you'd like to do it.

-Yeah, I could.

You're on the air.

-Good evening.

This is Diane Taron on the
rooftop of the Savoy Hotel.

Once again Hitler is displaying
his madness with

indiscriminate bombings in
the heart of London.

At this very moment, I am here
to report on the fires, on the

bombs, on the attacking
planes.

As I'm standing here, the enemy
continues to pound this

city as they have for months,
striking at the greatest

landmarks without honor
or remorse.

What I really want to tell you
is that through it all, this

is still London.

I can see the towers, moonlight
on the surface of

the Thames.

Parliament is still standing,
the palace is untouched, and

Big Ben is still ticking.

So, Mr. Hitler, the beer is
warm, the food inedible.

This is still England.

There aren't enough bombs
to undo that, so my

message is to the Nazis.

I was dancing when you got here,
and I'll be dancing when

you're gone.

[siren sounding]

-The all clear has
been sounded.

It is over for tonight.

Merry old England,
I urge you all,

check with your neighbors.

See if anyone needs help.

Back home in America, write
your congressmen.

England needs our help.

She needs our planes, she needs
our weapons, and she

needs our prayers.

Good night and God bless.

-You were good.

[jazz music playing]

-Where did everybody go?

-I think all the sane people
are still in the shelter.

-How wonderful.

They left us some champagne.

-Maybe they know there's
a war on.

-You know, for the moment,
I don't care.

-Thank you.

-Dance with me.

-What, here?

-Mm-hm.

-But there's no music.

-That's funny.

I can hear it.

Just listen.

[music playing]

-Have I known you all my life,
or does it just seem that way?

Do you believe in
fate, Duncan?

-Sometimes.

-I do.

I think this whole war happened

just so we could meet.

[clears throat]

-I'm, um, sorry to interrupt.

-If it isn't Harry, my
trusty engineer.

What can we do for you, Harry?

-Oh, just kind of seeing if
you and the gent were OK.

And to, um, thank you gentlemen
for doing my job.

-It's no problem, Harry.

-We had a radio in
the shelter.

We heard you, every
blessed word.

Did us all proud.

There wasn't a--

wasn't a dry eye in the place.

-Thank you, Harry.

-No.

Thank you.

And, um, God bless
the both of you.

[music playing]

-City looks so peaceful.

No Luftwaffe and bombs
and sirens.

-Diane, tonight was--

-Wonderful.

-Incredibly stupid.

-Uh-oh.

-Uh-huh.

-I think I've heard
that before.

-I know we have to take chances,
but you risk your

life every chance you get.

-And you don't?

I never tell you not to go

somewhere, not to do something.

We're all fighting this
war in our own war.

I am doing what I have to do
just the same way you are.

-It's different for me.

-I hope you're not going to
say it's different for you

because you're a man.

-No.

That's not what I was
going to say.

-That's good, because if I
thought for a minute that you

were anything like those idiots
that won't let me into

that damn press club,
then this could turn

into a very long war.

-Should have met you
before all of this.

-Why?

You think I'd be any
less stubborn?

-No, I don't, but I would have
liked to show you London then.

There were some places here
that were magical.

-Take me.

-Someday.

-How about now?

-You want to go sightseeing in
the middle of the Blitz in the

middle of the war?

-It's a beautiful night, not
a bomber in the sky.

It sounds good to me.

[chuckles]

-Anne?

Anne!

-Over there.

-Easy with him, easy.

Come on, sir.

Got you.

Come on.

I've got you.

There you go.

-He's in shock.

He's going to need a doctor.

-Yeah.

-Put that round him.

That's it, there.

You got him?

-Yeah, I got him.

-I'll take care of him.

You go find Anne.

-OK.

Wish me luck.

-Good luck.

-It's OK.

-Anne.

Anne, where are you?

-I'm right here.

Drink some of this, OK?

Just drink some of
this, all right?

-I'm dizzy.

I can't see.

-Doctor.

Doctor.

Doctor!

-Oh my god.

Oh!

[screaming]

WOMAN [OFFSCREEN]: Damn it!.

Mike!

Oh god, no.

Mike, don't do this.

-Do something.

He's going to die.

ANNE [OFFSCREEN]: He's
not going to die.

Come on, Mike.

Stay with us.

Stay with us.

Keep him still.

Keep him still.

Come on.

Come on.

Come on.

We need you down here, Mike.

Stay with us, come on.

WOMAN [OFFSCREEN]:
Come on, Mike.

Hold on.

Hold on.

Come on.

ANNE [OFFSCREEN]: Mike,
we're here.

We're here with you.

Come on.

Come on.

Come on, come on, please.

WOMAN [OFFSCREEN]: Come on.

ANNE [OFFSCREEN]: Don't go.

Stay with us, Mike, please.

WOMAN [OFFSCREEN]:
Stay with us.

Oh god, he's dead.

He's dead.

We're all going to die.

We're all going to die.

Oh god in heaven, help us.

[breathing heavily]

REPORTER [OFFSCREEN]:
The war rages on.

London reels as the Nazis do
their worst to strike at the

very heart of Britain.

CHURCHILL [ON RADIO]: We
shall go on to the end.

We shall fight in France.

We shall fight on the
seas of oceans.

We shall fight with growing
confidence and growing

strength in the air.

We shall defend our island,
whatever the cost may be.

We shall fight on the beaches.

We shall fight on the
landing grounds.

We shall fight in the fields
and in the streets.

We shall fight in the hills.

We shall never surrender.

REPORTER [OFFSCREEN]: But
England rises from this latest

outrage, led by Winston
Churchill, our

Prime Minister himself.

-You think Churchill's
right that there'll

always be an England?

-Count on it.

-But the Nazis are destroying
it one night at a time.

I mean, how much more
can they take?

If America doesn't get into this
war, there may not be an

England.

-Well, some places don't
know how to die.

When London was decimated by
the bubonic plague, nobody

thought the city would
ever recover.

Smell of death was everywhere.

Six years later, again the
city was thriving.

-You have a gift.

Aside from the ones I
already know about.

The way you make the--

the past just come alive.

-Thank you.

-No, no.

I--

I'm serious.

You should use it to, um
teach, to write, to--

to recreate the worlds
as you see them.

That is, after you're retired
from the spy business.

-I'm not a spy.

-I just meant is you
have a gift.

That's all.

-The point is nobody thought the
city would ever recover,

but it did.

It has.

-Where does all this
admiration for the

English come from?

I thought you Scots
hated the English.

-Well, courage is a hard
thing to deny.

They rebuilt the city after
the Great Fire.

They'll do the same thing
after Hitler.

-And us?

What happens to us
after Hitler?

-Us?

I guess I'll teach history and
you can go back to your desk

job and teach those young
fellows about a

journalist's life.

-Come on.

I'm serious.

Are we together because the
world is full of adrenaline,

or is there something else,
something more than that?

That's good, but it's not
exactly an answer.

-Diana, I--

[sirens sounding]

-We better go.

Come on.

-I can't.

-Diane, you're not on
the air out here.

There's no microphone.

There's no reason
to stay here.

-On the air or not, I have
to be a witness.

It's my job.

-Diane, let's go
to the shelter.

-Are you planning on
dragging me there?

-No, I'm planning
on asking you.

Please.

Please, come on.

MAN [OFFSCREEN]: This
way, this way.

Hurry!

-You're so stubborn.

Come on.

-Now, don't you mean
"independent?" I'm coming.

God.

-Oh.

-Be careful.

That is an expensive hat.

Give it to me.

[explosion]

[sirens sounding distantly]

-If it hadn't been for me, you'd
probably be on the roof

of the Savoy right now.

-Don't worry about it.

That's probably where
the bombs hit.

-No.

-What?

-Gas.

[explosion]

[moaning]

-Oh, sweetheart,
don't do this.

Oh sweetheart, don't do this.

-You'll-- you'll be
O-- you'll be OK.

-That's my line.

-How-- how early are you?

ANNE [OFFSCREEN]: Eight weeks.

This can't be happening.

-Well, trust me.

I've--

I've had four of my own, and--
and you don't always get to

count on the time
and the place.

-What's your name?

-Karen.

-Karen.

-How do you feel about natural
childbirth, Karen?

-Well, I think the more
important question is, how

does she feel about it?

-This isn't how I pictured it.

-Yeah.

She'll be OK.

[screaming]

-Oh god.

WOMAN [OFFSCREEN]: Oh.

OK.

-This is, um, Charlie.

We need to keep this
channel clear.

Over.

-Excuse me, excuse me.

Can I get a hand with him?

-What is this?

I thought I told you you
couldn't go down there.

-I just saved that boy's life.

-Where you going now?

-I'm going back down.

-Like hell.

-Hey!

-Jimmy.

Get over here.

-OK, OK.

They're starting to come
closer so you,

um, you like back.

Lie back.

Lie back.

-OK, OK.

No!

No.

-No, no, Anne, Anne--

-No!

I'm not having the baby here.

-No, no, you're not going
anywhere, OK, because the

baby's coming.

The baby's coming and you're
going to stay here.

We're going to start
your breathing.

-OK.

-OK, start your breathing.

[breathing heavily]

-No.

Well, I mean, no, not exactly.

We've got a good idea but
it's a mess down there.

Everything's going
to take awhile.

-I, um, I've been
down there, man.

I know where they are.

I can lead you right to 'em.

You don't have to waste
time searching.

Come on.

These are my friends we're
talking about.

-Put it on.

Here.

You're going to need this.

-Thanks.

-Good luck.

-I won't let you down.

-God, I hope not.

[panting]

-You heard something?

MACLEOD [OFFSCREEN]: Hey!

-Oh, did you hear that?

Is it real?

-Anne?

-God.

There must be three stories
of debris on us.

-I have to keep digging.

-Forget it.

Someone will dig us out
in the morning.

-Another morning's going
to be too late.

If we keep digging, maybe we
can get an air pocket.

-What's the use?

Good, solid British
construction.

You know, the worst thing about
this is all those bozos

who said I was going to get
myself killed are going to be

laughing at this.

-I'm not laughing.

-Damn.

-It's going to be OK.

-Evidence you may think that you
have seen to the contrary,

I really don't want to die.

You're supposed to say something
like, "Buck up,

we're not going to die."

-We're not.

-Anne!

-Duncan.

-Anne?

-Duncan!

MACLEOD [OFFSCREEN]:
Are you here?

ANNE [OFFSCREEN]: Duncan,
over here.

MACLEOD [OFFSCREEN]: Hang
on, I'm coming.

Hang on.

Hang on!

-Hurry, Duncan.

Hurry!

MACLEOD [OFFSCREEN]: Hang on.

ANNE [OFFSCREEN]: Duncan!

[screaming]

-She's fine.

She's fine.

-The baby.

Duncan, the baby.

The baby's coming.

-You sure?

ANNE [OFFSCREEN]: Yes.

[moaning]

-Keep breathing.

Keep breathing.

Keep breathing.

[breathing heavily]

ANNE [OFFSCREEN]: Duncan.

-You know, I fantasized about
us dying together, growing

old, raising some grandchildren,
spending some

time on the front porch
in rocking chairs.

This?

This isn't what I had in mind.

-How did we skip to--

to grandchildren so fast?

-No, you're right.

First come the kids.

I--

I figure maybe half
a dozen of them.

-You can't even fantasize
in moderation, can you?

-Why?

You don't like kids?

-No, I like kids.

-Wouldn't you want to
have some someday?

-Someday.

-You know, this conversation
isn't

making me feel any better.

I'm scared, Duncan.

-Me too.

-You know, I've really done a
lot of crazy things in my

life, but I--

I always thought I'd be OK.

I've never been this
close to death.

Have you?

-Yeah.

-When I was little,
I got this doll in

the mail for my birthday.

She instantly became
my favorite doll.

-I thought I was
your favorite.

-That's now.

We're discussing then.

I guess I loved her so much
because I got her from an aunt

in Colorado that I never met,
and I still haven't.

I guess she was sort of the
embodiment of all my dreams--

getting to Colorado, becoming a
real woman with my own car,

finding Mr. Right, even though
I always thought his name was

going to be George.

-Hm.

What did he look like?

-I think he would have looked
exactly like you.

I'm scared.

I guess none of this would be
important if it wasn't our

last day on earth.

-It's important to me.

-I'm really afraid, but I don't
have any regrets for

anything I've done.

Only about what I haven't done
and what it would have been

like for us to spend
our lives together.

At least we get to
die together.

[moaning]

-How am I doing?

-Good.

You're doing very good.

Won't be long.

MACLEOD [OFFSCREEN]:
You're doing great.

-Are you always this cheerful?

-Sure, when someone else
is having the baby.

-Breathe.

-Breathe.

[breathing heavily]

-I always thought there'd be
more time, more dancing,

beaches, exotic hotel rooms.

Oh, Duncan.

-This before the
grandchildren?

-There's this place my
aunt wrote me about.

I always meant to go.

Gothic in Colorado.

-The capital of America.

-It's meant to be beautiful.

-Oh, it is.

It is beautiful.

-You've been there?

-There are only two ways in.

You can take the pack through
the pass from

Aspen or take the river.

It meanders.

-Because it me-- meanders.

-All over the place.

[panting]

-It's OK.

Come on.

You said you've done
this before?

-Well, I've had 'em.

I've never caught one.

-Oh great.

-I'll do it.

-No!

Don't, please.

Please stay here.

Hold me.

Hold me.

-Come on.

-OK.

-Let's breathe.

-Push.

Now, push.

Push.

-No, I can't anymore.

-Do it.

You can.

-Duncan, I can't do it.

-Push.

Push.

[grunting]

-I can't anymore.

MACLEOD [OFFSCREEN]: You can.

You can do it.

You can.

[screaming]

-In the late spring when the
snow is all gone, the fields

are bursting with color.

You walk around on those
paths, and the magpies.

Suddenly, you see this
splash of color

rising from the grass.

It's the flowers.

The flowers.

-You're not making
this up, are you?

Doesn't matter.

-Come on.

She's coming.

Baby's coming.

-Breathe.

-Push.

Push.

[grunting]

WOMAN [OFFSCREEN]:
Baby's coming.

Push.

Push.

Push.

Push.

Yes, yes.

Oh, yes.

-Come on.

You can do it.

Come on.

Come on.

-Oh.

In the summer, when it's backlit
by the falling sun, it

looks like a giant cathedral
glowing in the sky.

-It's beautiful.

-At night, it's always
very quiet.

-Oh, yes.

Oh.

Oh, she's beautiful.

-Let me see.

Let me see.

MAN [OFFSCREEN]: Hello?

Hello?

Hello?

Hello?

No, nothing.

Right, move on.

MAN [OFFSCREEN]: Wait a minute.

Look.

MAN [OFFSCREEN]: Oi!

Right.

Are you OK?

You're a lucky bugger.

We didn't think we'd find anyone
alive down here, what

with all this gas.

Hang on, mate.

We'll have you out
in a minute.

RICHE [OFFSCREEN]: Mac!

-Richie?

RICHE [OFFSCREEN]:
Mac, is that you?

-Yeah, over here, Richie.

-Mac!

You OK?

You guys all right?

-Yeah, we're fine.

RICHE [OFFSCREEN]: Three
of you down there?

-Yeah, three.

Four.

RICHE [OFFSCREEN]: Get you guys
out of there in a second.

We need a stretcher
down here now.

MAN [ON RADIO]: Over, Roger.

Stand by.

-You OK?

-Yeah.

-Can we get a hand with
this woman, please?

Thanks.

You guys all right?

-Richie, we need a
blanket, fast.

-She needs help.

-Oh man.

Um, yeah.

I, um, I'll get some blankets.

I'll be right back.

-Hurry.

Please hurry.

I've, um--

I've already picked
a name for her.

-Well, I hope it's
a simple one.

Kids like simple names.

-Yeah.

Mary.

I'm going to call her Mary.

-Really?

-Mm-hm.

You don't like it?

-No, I do.

Um--

it was my mother's name.

-Yeah, I know.

I asked Joe.

[baby fussing]

RICHE [OFFSCREEN]:
Guess what, Anne?

Mac picked all the
colors himself.

-That's right.

I did.

I picked all the colors.

-Well, I think you did
a terrific job.

I

really do -You do?

-You do?

-Told you.

-What?

That's what I meant about, um--

-Colors.

-The colors.

I'll see you guys in a second.

-It's beautiful.

-Well, I thought it was a great
place to raise a family.

-Mm-hm.

-It's yours.

-Mine?

Oh Duncan, that's an
incredible gesture.

-Anne, it's OK.

I put it in Mary's name.

-For Mary?

-And you.

-Well--

well, even so, I--

I couldn't--

-Anne, look.

Put it in both your names.

I wanted you and Mary
to have it because--

well, you've got a lot to think
about now and I just

didn't want you to worry
about anything.

And I just wanted you
to have a part of

-I don't know what to say.

-Say yes.

Yes.

-Thank you.

Thanks.

Thank you.

-Was a hell of a gesture, Mac,
giving her the house.

I used to think a dozen roses
was nice gift or a sweater,

maybe even an ankle bracelet.

-You think she liked it?

-Oh, are you kidding?

She's going to be pinching
herself for three days just to

make sure she's not dreaming.

I mean, how often does somebody
get handed a five

bedroom, 4,000 square foot
custom designed home?

-For a minute there, I didn't
think she was going to take

it.

-Not a chance.

As soon as you lifted those
keys, I knew it was gone.

Want to ask you something.

-You want to know why.

-You're thinking of
moving in someday.

-No.

We were over a long time ago.

-I'm pregnant.

-Have you told the father?

-Yes, I have, but, um, he--

he--

he's an old friend and
it just happened.

It was after you
were gone and--

-Anne, you don't have
to explain.

-This is not your child.

You have absolutely
no obligation.

-I know that, but I have
an opportunity.

-Are you-- are you telling me
this or are you trying to

convince yourself?

-I'm still trying to
get used to it.

After 400 years, it's the last
thing I expected to happen.

-Do you want a child?

-Yes.

-No!

No!

-Anne!

You all right?

-Oh, Duncan, the baby.

-He killed Monati.

He would have killed you.

-I understand.

I can't live my life
like this, Duncan.

I thought I could but I can't.

Duncan, I'm a doctor.

I save lives.

I don't take them.

I can't start wanting
to take them.

Duncan?

-Yeah, but it doesn't
make sense.

I mean, you worked in that
place for months.

You've got to have a personal
relationship with every single

male in there.

-Richie, did you see the look
on her face after I

gave her the keys?

-Sure.

She was glowing.

-That's the reason.

For that one moment, just to
see the look on her face.

[theme music]