Original subtitles

NARRATOR: He's immortal, born in the highlands of Scotland

400 years ago.

He is not alone.

There are others like him--

some good, some evil.

For centuries, he has battled the forces of darkness, with

holy ground his only refuge.

He cannot die unless you take his head, and

with it, his power.

In the end, there can be only one.

He is Duncan Macleod, the Highlander.

THEME SONG: Here we are, born to be kings.

We're the princes of the universe.

I am immortal.

I have inside me blood of kings.

I have no rival.

No man can be my equal.

Take me to the future of your world.

LUKE [OFFSCREEN]: Damn you, Billie.

Don't lie to me.

BILLIE [OFFSCREEN]: I don't know what the hell you're

talking about, Luke.

-Those cattle didn't die of fever.

They died of mercury poisoning from that damn mine of yours.

-I don't think you're seeing the big picture here, Luke.

What's 12 head of cattle--

-18 head, Billie.

-OK, 18, whatever, compared to 20 tons of gold

ore from that mine.

-I don't give a damn about the gold, and neither will Avery.

-You're not going to tell Avery, Like.

Either you clean up that mine, or I shut it down.

[door opens]

AVERY [OFFSCREEN]: You two be quiet.

You'll wake up Jamie.

What are you guys fighting about, anyway?

-Nothing.

[baby crying]

-See, what'd I tell you?

Sara?

[baby crying]

-It's going to be OK.

Bye bye.

It's OK, mama's here.

No one's going to hurt you, baby.

Are you OK?

-Sara!

[engine sputters]

-Sara, stop!

[engine starts]

-Sara!

Sara!

[hawk screeches]

CHARLIE [OFFSCREEN]: Hey, MacLeod, what time is it?

-Time for breakfast, Charlie.

-Breakfast?

Well, if the Jeep hadn't broken down, we'd be eating at

Louise's Diner in Olympia, and I'd be smothered in hash

browns and not mosquito bites.

How'd you sleep?

-Like a baby, man.

-Psh.

Yeah, well, figures.

-[chuckles]

Ooo.

You hungry?

-Yeah, hungry--

I could eat a horse.

-Well, it's not a horse this morning, Charlie.

It's trout.

Oh, careful, it's hot.

-Trout--

and jam, man?

-Yeah.

-[scoffs]

-What's the matter, don't you want it?

-Well not for breakfast.

Come on!

-Do you know the nutritional value in trout?

[vehicle driving]

-Hey, what a minute.

What's that?

[vehicle driving]

-He's not going to make it.

-No way.

SARA [OFFSCREEN]: [screams]

[baby crying]

CHARLIE [OFFSCREEN]: MacLeod, it's on fire, man.

How is she?

-Get the door, Charlie.

Come on, help me.

-Got her?

-Pull it, pull it.

Come on!

There we go.

Pull it.

CHARLIE [OFFSCREEN]: All right, got her?

-OK, get her out.

Come on.

You got her.

-Yep.

OK.

-Put her down.

Put her down.

-Let's get her out of here.

This thing could blow.

-All right, man.

She's not looking too good, MacLeod.

-Put her down here, Charlie.

-OK.

All right.

You OK?

-What happened?

[baby crying]

My baby!

I've got a baby in there!

-Hold her.

-You've got to get my baby!

-All right.

All right.

He's all right.

[baby crying]

CHARLIE [OFFSCREEN]: Look out!

[explosion]

-[screams]

CHARLIE [OFFSCREEN]: You all right?

-It's OK.

It's OK.

-Give him to me!

Give him!

MAC [OFFSCREEN]: OK.

OK, relax.

It's OK.

It's OK.

It's OK.

-OK.

OK.

-What the hell's wrong with you, lady?

You got of got yourselves killed driving like that.

-You're OK.

Shh.

-We should take a look at that hand.

-Oh, my God.

MAC [OFFSCREEN]: Come on, come with us.

-Oh.

MAC [OFFSCREEN]: Let's take her back up.

-Oh, my god.

MAC [OFFSCREEN]: It's all right.

Come on.

-I'm sorry.

I'm so sorry.

I've got to go.

-15 minutes and she'll be running as good as new.

-15 minutes?

I can't wait.

-What's your hurry?

It's 45 miles to the nearest town.

-They are coming to take my baby, OK?

-Who's going to take your baby?

If you don't tell me, I can't help you.

[baby cooing]

-Avery, Avery Hoskins.

-Why's this Avery want your baby?

-He just does, OK?

I was married to his son.

-Hey, hey, is this about custody?

-Shh.

Yeah.

Jamie's father died before he was born.

-I'm sorry, but--

look, but what about this Hoskins?

-He just doesn't like me?

CHARLIE [OFFSCREEN]: Why?

-Because he says that I'm not white enough.

-And he doesn't want you raising his grand-kid.

-Look, you guys have got to help me.

-OK, come here.

-Looks like they got out there OK.

-I want to see for myself.

They can't be far.

BILLIE [OFFSCREEN]: Let's check this trail over here!

-Charlie.

-Yeah, man.

-What?

What is it?

Oh, God.

That's him.

That's Hoskins and his brothers.

They're going to try to take my baby.

MAC [OFFSCREEN]: No one's going to do anything, Sara.

Charlie, take her back to camp.

I'll talk to them.

-Don't!

He lies.

You don't know him.

-Sara, maybe we can work this out.

-Geez.

You've got to promise me that you're not going

to give him my son.

-All right.

Charlie, take her back.

CHARLIE [OFFSCREEN]: It's OK.

-Check along the ridge lines.

See if she went that way.

Billie, check along the road.

-Why don't you let me take care of this.

You go back and check the reservation.

-That's the last place she'll go.

-Mr. Hoskins.

-Who the hell are you?

MAC [OFFSCREEN]: Duncan MacLeod.

I was wondering if we could talk.

-About what?

-About an Indian woman and her baby.

-Where are there?

Dammit, if it's money she wants--

-She wants the baby.

-I'll give you to the count of three to tell

me where they are.

One.

[bolt racks]

-We can talk about this.

-Two.

[gunshot]

-Come on!

MAC [OFFSCREEN]: Go!

[engine sputters]

CHARLIE [OFFSCREEN]: It won't start, man.

[engine sputters]

-Get the bag.

Let's get out of here.

CHARLIE [OFFSCREEN]: Why, what's up?

[gunshot]

-Are you crazy?

You'll hit the boy!

Put that damn thing down and keep it down!

[baby crying]

-I think we lost them.

-Hoskins won't give up.

They're going to track him.

I know them.

-Charlie, take Sara downstream.

Stay on the hard ground.

-All right, man.

Later.

Come on.

-Looks like we lost them.

-Like hell we have.

See here, wet rocks.

You guys head across the river, pick up that trail.

I'm going upstream.

-Aw, man.

We're not going anywhere, MacLeod.

-Now what do we do?

-We get out of here.

Come on.

-Let's go.

-Damn!

-What is it, Luke?

-He suckered us and doubled back.

AVERY [OFFSCREEN]: I'm going back to the car and call the

ranch, get Mike and JJ here.

-Avery.

Might not be a bad idea to bring the dog.

CHARLIE [OFFSCREEN]: We can't walk, man.

It's 45 miles to anywhere.

-That's if we go by road.

It's only half that if we go through the canyon.

-Look, maybe we should just them on.

-No, we don't want anybody hurt.

Just want to look after the girl.

-20 hard miles with a woman and a baby

against guys with guns?

Come one, MacLeod!

-Then we better keep moving, Charlie.

--Looks like this is where they really

came out of the water.

-Looks like a bunch of rocks to me.

-Yeah, well, I guess they don't teach tracking at

business school.

-Hey, Luke.

You gonna tell Avery?

-Tell Avery what?

-About the mine.

-We'll worry about that later, after we get

this son of a bitch.

-Yeah, well--

[bolt racks]

---you're not going to get him, Luke.

Because you know what, he just got you.

-[gunshot]

-[groans]

MAC [OFFSCREEN]: What's up?

-Man, I hate heights.

MAC [OFFSCREEN]: What was that?

-Uh, nothing.

Next time, Jack, you climb the beanstalk, all right?

-Can you see anything?

CHARLIE [OFFSCREEN]: Damn.

They're heading for the river.

-How many?

-Hoskins and a couple of others.

MacLeod, they got dogs, man.

-It's all right.

Come on.

Good work, Charlie.

Let's go.

That way.

-All right.

BILLIE [OFFSCREEN]: Guy came out of nowhere, Avery.

I mean, Luke never had a chance.

He just blew him away.

I got off one shot, but he was one.

JJ [OFFSCREEN]: Can't believe Luke never saw it coming.

BILLIE [OFFSCREEN]: Maybe-- maybe this Macleod, maybe he's

party Indian or something.

-Did you see the baby?

-No.

They must have been hiding somewhere, I guess.

-Mike, take Luke's body back to the ranch.

JJ, get them dogs and let's get moving.

-Come on, boys.

Let's go get him.

[dogs barking]

CHARLIE [OFFSCREEN]: Hey, look, let me hold the baby.

Really, I promise I'll take good care of him, all right?

Come on, I'll give you a break.

Oh, come here, big guy.

SARA [OFFSCREEN]: [shivers]

-You OK?

-Yeah, just a bit cold.

-Don't worry, MacLeod will come back as soon he's found

us a place for the night.

-We should keep going.

-We can't keep going.

We can't keep the baby out in the cold all night.

Don't worry, it'll be all right.

-OK.

Achoo!

[laughs]

He's so beautiful.

-Yeah.

You know, he and I, we got something in common.

-Oh, yeah?

-Yeah.

We carry the blood of two different worlds.

-Really?

-Yeah.

I'm, uh--

I'm half Italian.

[chuckles]

yeah.

-Get out.

-No.

DeSalvo, Charlie DeSalvo.

-Well, as long as you don't tell me your great

grandmother's a Cherokee princess.

-What?

-Nothing.

[laughs]

-Hey, look, don't worry.

Nobody's going to take your baby.

Hey.

Hey.

[dogs barking]

-They doubled back so many times, I don't know what the

dogs are picking up.

-I'm calling in the police.

Oh, no police.

They killed Luke.

We finish this ourselves.

-They could use the choppers, maybe spot them from the air.

-Look, the police aren't going to get here till morning.

That time, they could be over the state line.

Let's go.

-Jamie'll be with them.

Look, JJ, you and Mike take the dogs, stick to the trail.

Maybe they'll-- they'll pick up a scent further on.

Billie, you and I go through the woods.

We'll go for about an hour, then we'll make camp.

You hear anything, fire a shot.

[dogs barking]

[baby crying]

SARA [OFFSCREEN]: What is it?

-Here you go.

-Thanks.

-Ooo.

-Oh, yes.

Mmm.

-You're not the only one missing your bed

tonight, are ya, huh?

Sweet, huh?

Well, I'm going to get some more firewood.

-Oh, yes, my guy.

My guy, such a big boy.

[wolf howls]

CHARLIE [OFFSCREEN]: [hums]

Oh, who's that?

Who's that?

Is it your mommy?

Oh.

Oh, it's your mom.

Let's be quiet.

Shh.

[hums]

Oh, who's this?

Oh, my goodness.

-Hi.

How's he doing?

-Well, he's not the only one who's hungry.

-You want me to feed him?

-[chuckles]

Hell no.

I'm a liberated man.

Get me the bottle.

[SINGING] Here we go.

Here we go.

It's dinner.

-You have to take the cap off.

There's a nipple inside the bottle.

-Yeah, right.

I knew that, man. yeah, I did.

Ooo.

Thank you, Uncle Duncan.

Then we take this nipple and we put it--

-Uncle Duncan.

-Uncle Duncan.

Oh, here we come.

Oh, it's eats time.

Time for big eats.

Ooo.

Oh, can Uncle Charlie have some?

Oh, oh, oh.

Hey?

Hey?

What do you think?

Oh, can Uncle MacLeod have some?

Oh, yes.

-Charlie, I think you're looking at the wrong end.

-What do you mean?

-[clears throat]

His diapers need changing.

-Right, well, uh, I vote that we wake up Sara.

-No, no, no.

Let her sleep.

-Hey, I don't do diapers, man.

-Says the liberated male.

Aye.

Get me some diapers and some wipes.

Change you now.

Here we go.

Oh, there you go.

-OK, there's the wipes, diaper.

-Babies.

I love babies.

-Hey, you're a real pro at this.

You sure you haven't got a couple of kids you haven't

told me about stashed away somewhere, man?

Yeah, I'm sure.

CHARLIE [OFFSCREEN]: You're a natural.

You want to have one of your own someday?

-Yeah, I've thought about it.

It's not for me.

-You don't say that.

A man like you, I mean, you've got to have a kid

of your own, man--

someone to share things with, to love, to teach all the

stuff you know.

I mean, who are you going to pass that on to?

-Come on, big fella.

Oh.

Let's get you up here.

[STRAINING] Oh, here we go.

Oh, oh, oh.

You're getting heavy.

Hi, there.

Hello.

That's better, isn't it, hmm?

[music playing]

-Oh, wasn't I wonderful?

-Absolutely splendid.

MARGARET [OFFSCREEN]: Duncan, don't you think some things

are best done in moderation?

-Moderation, Margaret, is for monks.

-Ooo, well said.

Say, can I use that for my next novel?

-Absolutely.

As long as you give me credit.

-Impossible.

Besides, everybody knows that a man's

place is in the kitchen.

Or is it in the bedroom?

Margaret, how old were you when you lost your virginity?

-There are limits, Nora.

-Only for the limited.

-Excuse me.

I have to go powder my nose.

-[laughs]

-Say, weren't you a little hard on her?

NORA [OFFSCREEN]: She's beautiful she's rich, and

she's the biggest snob on the eastern seaboard-- lord knows

somebody has to be.

-Say, two more champagnes, please.

-And don't think I haven't noticed the way she looks at

you.

-Are you jealous?

-Insanely.

-No reason to be.

[laughing]

[screaming]

-Ooo.

[giggles]

-Come on, this way.

-But the party's just started.

-Come on.

-[sings]

[giggles]

[laughs]

Isn't this wonderful?

-[WHISPERS] Will you be quiet?

-Shoe, shoe, shoe.

-[WHISPERS] Are you wanting to get us pinched?

-[laughs]

[WHISPERS] Quiet!

-[laughs]

-Will you be--

-All right, all right.

Party's over now.

-They're gone.

Let's have a drink.

Here.

[laughs]

-What about--

[giggling]

-Have a seat.

Duncan, will you marry me?

-What?

-I love you, and I think we should get married.

-Nora, uh--

-No, forget marriage.

Marriage is a convention.

It--it's an economic agreement that makes

women nothing but chattel.

Cheers.

-Cheers.

-What I-- what I really mean is, um, I want

to have your baby.

[laughing]

-Perhaps you should have a cigarette first.

-I'm serious.

I'm serious.

-So you are, aren't you?

-You're the only person I'd ever tell this to.

And if you tell anyone, I promise I will--

I will kill myself, and I will haunt you for the

rest of your life.

I've always-- ever since I was a little girl, I've always

wanted to have children.

I've always wanted to hear someone call me mother, to

know what it's like to love unconditionally.

You're not answering me.

-I can't

-Won't, you mean.

-Nora, there are things you just don't know about me.

-Spare me the "I was wounded in the war" routine, because I

know that's not true.

[laughing]

-Oh, you'll probably have a great laugh with your friends

over this one.

-Nora, I'm not laughing.

-Then tell me why.

-It's a long story.

-It doesn't have to happen today.

I understand if you want to be courted.

-It won't happen.

-Why?

-Because I can never have children.

-But there must be something we can do.

I know about this doctor in Chicago.

-Nora.

-They said the same thing about my cousin Joan's

husband, and they have twins.

You should see them, Duncan.

They're the most beautiful children.

-Nora, no doctors and no twins.

And if you stay with me, you will never have children.

It will never happen no matter how much I want it to.

-Never?

-Never.

-But I love you, Duncan.

-MacLeod.

Wake up, MacLeod.

-Oh, Charlie, it's your turn to change the diapers.

-MacLeod, wake up.

We got company.

[door opens]

-Yeah, and I think he's pissed.

-Probably doesn't like guests.

-You think he pays rent on this place, man?

-Either that or he's one of the three

bears looking for breakfast.

CHARLIE [OFFSCREEN]: Tell me he

doesn't eat people, MacLeod.

-I could, but I might be lying.

-Oh.

-It's all right, Sara.

Stay calm.

-We're calm, MacLeod.

What's next?

-Pass me the bag, the one by your foot.

[roars]

[roars]

[baby cries]

[roars]

[baby cries]

-Now this is what I'm looking for.

-Strawberry jam, MacLeod?

-Yep.

Here.

Come on, big boy.

Let's get out of here before he wants seconds.

[roars]

-Slowly.

[roars]

-Tastes good, huh?

It's good with trout, too.

[roars]

-How'd you know he'd go for the jam, man?

-I didn't.

-Oh, wow.

That's a real confidence builder.

Which way now, MacLeod?

-Well--

[dogs barking]

-It's Hoskins.

-Damn.

-We're going to have to slow them down, Charlie.

-All right.

-Do you have an extra piece of clothing?

-Um, in my backpack.

-OK.

[dogs barking]

-What are you going to do?

-You stay here.

We'll be back in five minutes.

Look after your mom for me.

Come on, Charlie.

[dogs barking]

-Are you OK?

[dogs barking]

-Take it easy, boys.

Get ready, we must be close.

-Tie those dogs up.

[dogs barking]

-They put a scarf up there to throw us off the trail.

I've got to get it down or those dogs

are going to go crazy.

[dogs barking]

[bolt racks]

-Thanks for tying the dogs up.

-Gonna kill me?

-You gonna kill us?

-Come on, man.

I just work here.

-Take a vacation.

[dogs barking]

-Where is she?

-You think they got her?

-No signs of a struggle, no other footprints.

-Then why'd she go, man?

-Come on.

-Nice work, guys.

Have a nice night?

Huh?

-Stan, put the dogs back on the trail.

My guess is their heading for the bridge.

-Next time you see 'em, don't give 'em a

second chance, all right?

-What about the baby?

-Let me worry about the baby.

CHARLIE [OFFSCREEN]: Come on, MacLeod.

We're never going to find her.

She went this way.

She's running.

-Well, why is she running from us, huh?

-[WHISPERS] Get down.

-What now?

It doesn't look good.

-Well, she couldn't have gone through there.

She wouldn't have gone back.

We would've seen her, and Hoskins is too close.

-So what do we do?

-This way.

-They're headed for the bridge, all right.

-Where are there?

They sure as hell aren't here.

-Oh, yeah, a great tracker loses his way.

Shut up!

-That doesn't mean you never were.

JJ, you and Mike take those dogs and go back

up along the trail.

Billie, let's keep moving towards the hill.

-No, I'm, uh--

I'm going to check up here, all right?

-You can't read a sign worth a damn.

-Yeah, well, I'm gonna check up here.

-Suit yourself.

-What do you got?

-She stopped here.

-How can you tell, man?

There's no sign.

-These are wild berries.

They've just been picked.

She can't be far.

-Oh.

-No, don't!

They're poisonous.

Just kidding.

-Very funny, MacLeod.

-Hey.

Where's the baby, Sara?

-Those two guys, they-- they took him.

BILLIE [OFFSCREEN]: No.

I don't believe that for a minute.

Oh well.

[bolt racks]

-Bye bye.

-Wait!

I'll--

I'll help you, OK?

I'll take you to 'em.

-I don't care.

[groans]

[baby crying]

MAC [OFFSCREEN]: She all right?

Why'd you run, Sara?

Why didn't you wait?

-Come on, MacLeod.

We've got no time.

Let's go!

Come on.

[hawk screeches]

SARA [OFFSCREEN]: What do we do now?

MAC [OFFSCREEN]: We go up.

CHARLIE [OFFSCREEN]: Oh, that's a

hell of an up, MacLeod.

-I know.

We're going to have to transfer the things out of my

backpack and put the baby on my shoulders.

Give me the canteen, Sara.

-Dammit, I had her!

-Oh, sure you had her.

-Hey, where the hell were you guys, huh?

Remember, I'm not the expert tracker here, Avery.

-We'll get 'em.

There's only one place for them to go, and

it's over that ridge.

Go get the Jeep, bring up some ropes and the

harnesses, go up top.

Take Mike with you.

-Let's go.

[dogs barking]

-We got 'em from both ends now.

-You OK?

-You say you didn't like heights, Charlie?

-Thanks for reminding me, MacLeod.

-[laughs]

-Watch this here.

CHARLIE [OFFSCREEN]: You all right?

-[grunts]

-[grunts]

OK, Sara.

Give me your hand.

Come on.

SARA [OFFSCREEN]: I can't reach, MacLeod.

MAC [OFFSCREEN]: Yes you can.

SARA [OFFSCREEN]: No I can't.

MAC [OFFSCREEN]: Give me your hand.

Come on, just trust me.

Come on.

SARA [OFFSCREEN]: [strains]

MAC [OFFSCREEN]: Come on.

SARA [OFFSCREEN]: [strains]

MAC [OFFSCREEN]: Come on.

SARA [OFFSCREEN]: I'm trying.

MAC [OFFSCREEN]: [strains]

SARA [OFFSCREEN]: [screams]

[thunder]

-Come on.

Pull up my arm.

-OK.

-Pull up my arm.

[thunder]

-Come on.

Push it.

Come on.

You all right?

Good.

Good.

OK, Charlie.

Give me your hand.

Wait there.

Wait, wait.

Wait, Charlie.

Wait.

Wait.

Take the baby from me.

SARA [OFFSCREEN]: OK, I got him.

I got him.

-Easy.

-Take him, Sara.

CHARLIE [OFFSCREEN]: Come on, MacLeod.

-OK.

OK, Charlie.

-[strains]

-Up you go.

-OK, come on.

[panting]

-I think we should rest here awhile.

-Are you sure we shouldn't have taken the road?

I don't want to be stuck here tonight.

MAC [OFFSCREEN]: It's a little late now, isn't it?

-Here you go.

-You all right?

-Yeah, I'm good.

-[sigh of relief]

Yeah, we're almost there.

-How's he doing?

-He's OK.

[baby crying]

-Oh, yeah.

-What?

What's happening?

MAC [OFFSCREEN]: I guess we're not going any farther.

Hoskins has a welcoming committee up

there for us, Charlie.

CHARLIE [OFFSCREEN]: Talk about being caught between a

rock and a hard place.

AVERY [OFFSCREEN]: MacLeod!

-What?

-Come on out!

I promise nobody'll shoot.

Billie!

Don't shoot!

-What do you want?

AVERY [OFFSCREEN]: I've got a man on top with

harnesses and ropes!

Let him have the baby!

-What about Sara?

-MacLeod, what are you doing?

-I'm trying to get both of you out of here alive.

-He can't have my baby!

-Let's get him safe and then we'll deal with it.

-No!

-MacLeod!

-Stay away!

[gunshot]

[baby crying]

-Billie, what the hell are you doing up there?

[baby crying]

-Hey, big guy.

How you doing?

OK?

You're going to be all right, you know?

You're going to be just--

hey-- hey, look.

What's this around his mouth?

MAC [OFFSCREEN]: Looks like some

kind of allergic reaction.

-He doesn't have any allergies.

-What about the berries?

When's Jamie's birthday?

SARA [OFFSCREEN]: It's May 10.

Why, you think we're going to be around for it?

-What color are his eyes?

-What is, some kind of a game?

They're brown.

Wait, they're blue.

-You were right the first time.

-Who's baby is this?

-This is my baby.

-Hey.

Hey, easy.

-Shh.

-[speaking foreign language]

-[speaking foreign language]

MAC [OFFSCREEN]: [speaking foreign language]

-Hey, hey, come on.

Speak English guys.

-A mother would no the color of her son's eyes, she'd know

whether he was allergic to berries, and she wouldn't call

him "my baby daughter" in her native tongue.

-Look, he's my baby, and you can't have him.

-Then who is Aymshen?

-I don't know.

-Who is she?

-She was my baby girl.

[baby coos]

-This isn't your baby, is it?

What happened to your baby, Sara?

-They killed her.

Who killed her?

-Hoskins killed her.

The doctor says that it was--

it was mercury poisoning.

It was from Hoskins' mine.

I told Billie about it, and he offered me money for my

daughter's life.

I took that $10,000 and I burnt it on her grave, OK?

MAC [OFFSCREEN]: So you took Hoskins' son to pay for your

daughter's life?

-No what?

[baby crying]

-Shh, shh.

We're going to have to talk to Hoskins.

-MacLeod.

MacLeod.

-Let go, Sara.

Easy does it, no one gets hurt.

Do you want to see your son?

-What do you want?

-All I want is for all of us to get out of here alive.

-It's too late.

Billie saw you kill my brother Luke.

-What?

If someone died, I didn't kill him.

-I saw the body.

-I have no reason to lie.

[baby coos]

-[WHISPERS] OK.

It's OK.

-So this is all about the mines and money?

-For Billie, maybe.

But for Sara, it's about her baby.

-She had no right to take my son.

-Try and understand how she feels.

-How about how I feel.

A man's wife dies giving birth, and then someone comes

along and takes away the only reason he has

left to go on living.

-Grief can make a man go crazy, can't it?

-You said it, boy.

-It can do the same thing for a woman.

-Give me the baby, Sara!

SARA [OFFSCREEN]: [screams]

-Stay away from me.

-Billie!

Get away from the girl!

Put down that rifle!

[baby crying]

-No, I didn't!

BILLIE [OFFSCREEN]: Huh?

How am I supposed to trust you?

You lied about the money, you took the money.

-No!

-We had a deal, Sara.

-Please, Billie!

No!

No!

[gunshot]

-[groans]

-[screams]

-[screams]

[baby crying]

-I'll get your son.

[baby crying]

-[groans]

SARA [OFFSCREEN]: [singing]

SARA [OFFSCREEN]: [singing]

-How you doing, Charlie?

-OK.

-It's over, Sara.

Give me Jamie.

Sara, give me Jamie.

-No.

He's mine.

That's not what you told me.

-Hoskins killed my baby.

-No, Billie killed your baby.

Hoskins knew nothing of it.

-No.

No, you're lying.

I'd rather we both die first before I give him up.

MAC [OFFSCREEN]: What about Aymshen?

-Aymshen.

I--

[sniffles]

I know.

-Who will remember her if you go?

Who will sing her song?

-[cries]

-Was she like you, Sara?

Was she beautiful?

SARA [OFFSCREEN]: [CRYING] Yeah, she was.

-All babies are.

They give us hope, Sara.

They give us a promise of better things to come.

-[cries]

MAC [OFFSCREEN]: Don't do this to Jamie.

It's not his fault.

He's innocent.

-[SNIFFLING] Yeah.

-Just like Aymshen.

-[cries]

-It's all right.

It's all right.

It's all right.

It's going to be OK.

It's all right.

-[sobs]

-Thought you ought to know, we'll be

closing down the mines.

-That's good.

-Yeah.

-I'm sorry about your brothers, Avery.

-Well, it's not your fault.

It's the way it is.

A year ago I had a wife, two brothers.

I've been running it all through my mind. it just don't

figure, none of it.

-You still have Jamie.

-Because of you.

I won't be pressing any charges against Sara.

There's been enough grief around here already.

-I'll tell her that.

-Take care, Avery.

-Good luck.

-Baby going to be all right?

-Yeah, baby's going to be just fine.

-Good.

Well, about time we should be riding off

into the night, huh?

[engine sputters]

-Maybe night time we should try using a horse.

-MacLeod.

[engine sputters]

-Come on.

[engine sputters]

THEME SONG: And here we are--

we're the princes of the universe.

Here we belong, fighting for survival.

We've got to be the rulers of your world.

I am immortal.

I have inside me blood of kings.

I have no rival.

No man can be my equal.

Take me to the future of your world.