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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:15,820 --> 00:00:18,620 Thank you. 2 00:00:29,390 --> 00:00:33,990 To learn all about those things you just can't find. 3 00:00:35,230 --> 00:00:38,310 To build a boat together. 4 00:00:39,870 --> 00:00:42,050 You and I together. 5 00:00:42,410 --> 00:00:44,730 We're going to find our way. 6 00:01:25,000 --> 00:01:26,920 cheated. You pulled on my coat in the driveway. 7 00:01:27,300 --> 00:01:31,460 What about you? You slammed the car door on me. You hit me with your briefcase. 8 00:01:31,940 --> 00:01:37,060 And you tripped me coming up the stairs. Don't change the subject. We're talking 9 00:01:37,060 --> 00:01:38,060 about you. 10 00:01:38,820 --> 00:01:40,180 Start cooking dinner. 11 00:01:40,440 --> 00:01:41,440 I ain't cooking dinner. 12 00:01:42,580 --> 00:01:44,220 Remember, you gotta eat what I cook. 13 00:01:45,060 --> 00:01:46,240 Hey, guys, what's going on? 14 00:01:46,780 --> 00:01:50,660 Oh, Kate is trying for the worst sportsman of the year award. 15 00:01:52,130 --> 00:01:53,610 Guys, you're always kidding. 16 00:01:53,810 --> 00:01:54,810 You're always happy. 17 00:01:55,590 --> 00:01:58,270 What a pleasure it is to be near you. I am so lucky. 18 00:02:00,350 --> 00:02:01,490 Gee, thanks, Rick. 19 00:02:02,510 --> 00:02:03,510 How much? 20 00:02:04,930 --> 00:02:05,930 This much. 21 00:02:06,030 --> 00:02:07,030 Oh. 22 00:02:07,610 --> 00:02:11,070 Let me remind you, that is less than one billionth of one percent of the gross 23 00:02:11,070 --> 00:02:12,070 national product. 24 00:02:12,730 --> 00:02:14,230 I got that from my math teacher. 25 00:02:15,270 --> 00:02:16,570 What on earth do you need? 26 00:02:16,930 --> 00:02:17,930 Oh, sure. 27 00:02:19,850 --> 00:02:23,230 It's a student film contest. The top five get shown on television in a prime 28 00:02:23,230 --> 00:02:24,230 -time special. 29 00:02:24,310 --> 00:02:25,670 On national TV? 30 00:02:26,570 --> 00:02:29,130 Well, it's more like Long Island TV, Channel 6. 31 00:02:29,610 --> 00:02:32,050 But this big -time Hollywood director, he's doing the judging. 32 00:02:32,970 --> 00:02:35,490 Why does it cost so much money to enter this contest? 33 00:02:35,930 --> 00:02:36,930 Oh, no, no, Dad. 34 00:02:37,390 --> 00:02:39,250 That's how much it'll cost to make my film. 35 00:02:39,550 --> 00:02:41,150 I worked out the budget in film class. 36 00:02:41,610 --> 00:02:44,910 Let's just turn in that documentary made on Kate's cat. You got an A -plus on 37 00:02:44,910 --> 00:02:48,270 that. Well, they're looking for something a little more exciting than 38 00:02:50,380 --> 00:02:52,980 Dad, this is important to me. Film is my life. 39 00:02:53,300 --> 00:02:54,300 I didn't know that. 40 00:02:54,580 --> 00:02:55,580 Yes, Kate. 41 00:02:55,660 --> 00:02:58,780 And if I want to get anywhere in this business, I've got to enter context. 42 00:02:59,340 --> 00:03:01,120 That's how Stevie Spielberg started, Dad. 43 00:03:02,380 --> 00:03:05,260 That's what you said about Chuckie Norris when you wanted karate lessons. 44 00:03:06,220 --> 00:03:08,140 You broke a board in front of a girl and quit. 45 00:03:08,680 --> 00:03:10,220 Dad, she's the one that broke the board. 46 00:03:10,720 --> 00:03:11,720 That's why I quit. 47 00:03:12,520 --> 00:03:16,440 Well, let's not forget that deluxe professional drum set that we all enjoy, 48 00:03:16,640 --> 00:03:20,520 Dusty. Dad, if you give me the money, I promise to get straight A's for the rest 49 00:03:20,520 --> 00:03:21,299 of my life. 50 00:03:21,300 --> 00:03:24,780 And I will never, ever, never put you in an old folks' home. 51 00:03:26,120 --> 00:03:28,380 How can I refuse an offer like that? 52 00:03:29,100 --> 00:03:31,380 All right, honey. 53 00:03:32,140 --> 00:03:36,480 I'll give him a check for... That's great, Dad. 54 00:03:36,860 --> 00:03:39,600 I'm going to go call Brad and Alfonso. This is so great. 55 00:03:40,560 --> 00:03:42,240 Oh, what's your movie about, anyway? 56 00:03:43,020 --> 00:03:45,600 Just think of Fellini with a hint of Bergman. 57 00:03:45,800 --> 00:03:48,600 The story of love, courage, and the human condition. 58 00:03:48,980 --> 00:03:50,660 You can get all that into one film? 59 00:03:51,000 --> 00:03:53,580 Sure. As long as I don't go over two minutes. 60 00:04:01,260 --> 00:04:04,520 I've looked over the script and I made a few cuts. Now we're down to three main 61 00:04:04,520 --> 00:04:09,250 characters. The wandering poet, the vulnerable, sensitive schoolteacher, And 62 00:04:09,250 --> 00:04:10,250 disenchanted duck. 63 00:04:10,930 --> 00:04:12,690 I don't know if I'm right for the duck. 64 00:04:14,430 --> 00:04:16,370 Please don't start with me, Alfonso. 65 00:04:16,790 --> 00:04:19,930 We're having enough trouble as it is finding someone to play the school 66 00:04:20,390 --> 00:04:24,490 I just don't understand why we can't get anyone. We're offering them a chance to 67 00:04:24,490 --> 00:04:25,490 be in a movie. 68 00:04:26,070 --> 00:04:27,070 Hey, look. 69 00:04:27,690 --> 00:04:28,690 Jessica Winter. 70 00:04:28,730 --> 00:04:29,890 You haven't asked her yet? 71 00:04:30,290 --> 00:04:31,350 Yeah, she's great. 72 00:04:31,850 --> 00:04:34,350 I saw her do Romeo and Juliet in a senior play. 73 00:04:34,880 --> 00:04:36,380 No one even laughed at us. 74 00:04:37,180 --> 00:04:38,180 Let's get it. 75 00:04:38,320 --> 00:04:42,240 Guys, guys, calm down. Let's not look as desperate as we are. 76 00:04:42,700 --> 00:04:43,880 Look, let me handle this. 77 00:04:49,120 --> 00:04:52,180 Now, Jessica, do you want to be in a movie? 78 00:04:52,820 --> 00:04:53,960 Give me a break. 79 00:04:54,900 --> 00:04:57,600 No, I'm serious. I'm making a movie. It's going to be on TV. 80 00:04:58,620 --> 00:04:59,780 TV? Yeah. 81 00:05:00,200 --> 00:05:02,020 This role, you'd be perfect for it. 82 00:05:02,360 --> 00:05:04,480 It's something you could really sink your teeth into. 83 00:05:04,780 --> 00:05:05,780 Would I get to cry? 84 00:05:06,120 --> 00:05:07,120 Fuck it. 85 00:05:07,880 --> 00:05:10,360 Listen, why don't you come to our table and we'll talk about it. Sounds 86 00:05:10,360 --> 00:05:11,360 terrific. 87 00:05:11,520 --> 00:05:12,680 You know Alfonso. 88 00:05:13,080 --> 00:05:14,860 And this is Brad. He'll be your co -star. 89 00:05:15,440 --> 00:05:16,440 Hey, babe. 90 00:05:17,220 --> 00:05:18,220 Forget it. 91 00:05:20,240 --> 00:05:21,380 Jessica, wait. What's wrong? 92 00:05:22,020 --> 00:05:24,320 Look, Dick. I'd love to be in your movie. 93 00:05:24,640 --> 00:05:25,800 Just get rid of Brad. 94 00:05:26,640 --> 00:05:28,000 I can't do that to a friend. 95 00:05:28,800 --> 00:05:29,800 No way. 96 00:05:30,340 --> 00:05:31,340 We're lost. 97 00:05:31,680 --> 00:05:33,860 Jessica? Rad, you're fired. 98 00:05:37,420 --> 00:05:39,300 No, no, not the duck. 99 00:05:43,680 --> 00:05:44,680 Rick, 100 00:05:45,780 --> 00:05:49,900 what are you doing? It's four o 'clock in the morning. 101 00:05:50,140 --> 00:05:51,480 I'm editing the goodbye scene. 102 00:05:51,820 --> 00:05:53,060 You have school tomorrow. 103 00:05:53,380 --> 00:05:57,320 Today. I know, but this is when I do my best work, Dad. 104 00:05:57,600 --> 00:05:59,280 Well, it's when I do my best sleeping. 105 00:06:00,090 --> 00:06:03,110 Please, just a few minutes more. Come on, son, you're exhausted. 106 00:06:03,510 --> 00:06:05,270 No, I'm not. Yes, you are. 107 00:06:05,790 --> 00:06:08,350 You just edited your pajama string into the film. 108 00:06:09,230 --> 00:06:10,270 You're funny, Dad. 109 00:06:11,410 --> 00:06:15,270 Rick, are you going or do I have to carry you? 110 00:06:17,150 --> 00:06:19,230 Okay. Okay, I'm going. 111 00:06:24,990 --> 00:06:25,990 Good night, son. 112 00:06:26,230 --> 00:06:27,230 Good night. 113 00:07:28,300 --> 00:07:29,300 Did you love it? 114 00:07:29,360 --> 00:07:31,740 Well, um, uh, uh, 115 00:07:32,500 --> 00:07:33,500 Edward? 116 00:07:34,200 --> 00:07:36,020 You first, Kate. 117 00:07:36,480 --> 00:07:37,480 Well, 118 00:07:37,860 --> 00:07:40,540 I thought it was, um, different. 119 00:07:41,400 --> 00:07:42,420 Really different. 120 00:07:42,880 --> 00:07:45,940 Oh, that's what I was going for. Great. Wow. 121 00:07:47,560 --> 00:07:48,620 What'd you think, Dad? 122 00:07:50,180 --> 00:07:53,640 Uh, well, um... Come on. Be honest now. 123 00:07:53,920 --> 00:08:00,020 Okay. Well, you know the fan... at the beginning there? The title. 124 00:08:00,240 --> 00:08:03,960 Yeah, yeah. You know, I thought they were very original. 125 00:08:04,440 --> 00:08:06,200 Really? Yeah, the same with the ending. 126 00:08:06,460 --> 00:08:08,560 The credits. Yeah, really nice. 127 00:08:08,820 --> 00:08:09,820 I agree. 128 00:08:10,320 --> 00:08:12,840 Boy, what a relief. I'm glad you liked it. 129 00:08:13,240 --> 00:08:18,380 Wait a minute. What about all the stuff in between? 130 00:08:18,940 --> 00:08:21,460 That I had some problems with. 131 00:08:23,200 --> 00:08:25,240 Well, what do you mean, Dad? What was wrong with it? 132 00:08:25,620 --> 00:08:26,680 Nothing, nothing. 133 00:08:27,940 --> 00:08:29,740 I didn't understand it. 134 00:08:30,200 --> 00:08:32,020 You didn't? I thought it was me. 135 00:08:33,260 --> 00:08:36,940 What's not to understand? It was a commentary on man's inhumanity to man. 136 00:08:37,840 --> 00:08:39,340 I thought it was about a duck. 137 00:08:41,260 --> 00:08:43,940 Dad, that was a thimble. I used tons of thimble. 138 00:08:45,800 --> 00:08:47,040 Well, did you like the story? 139 00:08:48,040 --> 00:08:49,040 Story? 140 00:08:50,800 --> 00:08:53,520 Was there anything about my film you liked? 141 00:08:58,760 --> 00:08:59,760 Pick up something. I'll be upstairs. 142 00:09:04,960 --> 00:09:09,940 What kind of father am I? I couldn't even think up a good lie to tell him. 143 00:09:10,240 --> 00:09:12,180 Well, he asked you to be honest. 144 00:09:12,600 --> 00:09:15,520 Yeah, just like you asked me to be honest about your singing lessons. 145 00:09:16,600 --> 00:09:19,420 I asked you to be honest, not brutal. 146 00:09:20,100 --> 00:09:21,660 I hope he's not too upset. 147 00:09:22,280 --> 00:09:23,760 Oh, don't be silly. 148 00:09:24,560 --> 00:09:25,560 He's not upset. 149 00:09:31,240 --> 00:09:32,240 Maybe a little. 150 00:09:47,720 --> 00:09:48,720 Drop these. 151 00:09:49,920 --> 00:09:50,920 Thanks. 152 00:09:55,220 --> 00:09:58,240 I guess that's what you filmmakers call a statement. 153 00:09:58,700 --> 00:10:00,420 Dad, I'm not a filmmaker anymore. 154 00:10:01,800 --> 00:10:03,440 I've decided to become a crossing guard. 155 00:10:05,940 --> 00:10:06,940 Sit up, son. 156 00:10:08,540 --> 00:10:09,760 Let me tell you a little story. 157 00:10:13,820 --> 00:10:15,880 This is about the first toy I ever invented. 158 00:10:18,300 --> 00:10:19,520 What, have I told you this before? 159 00:10:20,840 --> 00:10:21,840 No. 160 00:10:22,240 --> 00:10:25,880 But you probably thought your toy was going to be a huge hit. Then you 161 00:10:25,880 --> 00:10:28,340 it, no one bought it, and you weren't a hit to your fourth try. 162 00:10:29,280 --> 00:10:30,340 Sure I haven't told you? 163 00:10:32,840 --> 00:10:36,540 Dad, look, no offense, but the little story stopped working a couple of years 164 00:10:36,540 --> 00:10:38,620 ago. I'm not a little kid anymore. 165 00:10:39,280 --> 00:10:40,280 Could have fooled me. 166 00:10:41,740 --> 00:10:42,740 Well, look at yourself. 167 00:10:42,960 --> 00:10:45,880 A little criticism, you fall apart. I can't believe you're going to give up 168 00:10:45,880 --> 00:10:47,420 because I'm not crazy about your film. 169 00:10:47,660 --> 00:10:50,860 I'm not. I'm giving up because you were right, Dad. It was a bad film. 170 00:10:51,520 --> 00:10:55,240 It was worse than that. It was bogus, abstract, boring, black. 171 00:10:56,140 --> 00:10:57,140 I wouldn't say black. 172 00:10:58,960 --> 00:11:00,380 Dad, after seeing that... 173 00:11:00,670 --> 00:11:03,150 I wouldn't even trust myself with an Instamatic camera. 174 00:11:03,650 --> 00:11:05,810 Oh, come on, son. You're being hard on yourself. 175 00:11:06,030 --> 00:11:07,030 You showed a lot of talent. 176 00:11:07,210 --> 00:11:09,990 How about those opening credits? I told you I liked them. Must have been hard to 177 00:11:09,990 --> 00:11:10,990 put together. 178 00:11:11,430 --> 00:11:12,430 Brad did those. 179 00:11:14,370 --> 00:11:15,370 Oh. 180 00:11:15,830 --> 00:11:17,030 I knew what I should have done. 181 00:11:17,610 --> 00:11:20,710 I should have kept it simple and short, without all the thimbles. 182 00:11:21,350 --> 00:11:22,350 I'll buy that. 183 00:11:23,170 --> 00:11:25,270 I should have made more of a classic kind of film. 184 00:11:25,850 --> 00:11:27,350 After all, I'm studying the masters. 185 00:11:27,710 --> 00:11:29,150 Chaplin, Keaton, Stallone. 186 00:11:31,170 --> 00:11:32,590 You're kidding, Dad. Just kidding. 187 00:11:33,530 --> 00:11:34,550 Well, why don't you do it? 188 00:11:35,690 --> 00:11:36,549 Do what? 189 00:11:36,550 --> 00:11:37,910 Make another film for the contest. 190 00:11:38,410 --> 00:11:41,810 You mean write it, cast it, shoot it, edit it by the day after tomorrow? 191 00:11:42,090 --> 00:11:42,869 Why not? 192 00:11:42,870 --> 00:11:45,670 Dad, it took me three days to learn how to load the camera. 193 00:11:47,790 --> 00:11:50,110 Son, winners never quit and quitters never win. 194 00:11:51,770 --> 00:11:54,990 Well, what I mean is when the going gets tough, tough, get going. 195 00:11:57,150 --> 00:11:59,910 What I'm trying to say is at first you don't succeed. 196 00:12:00,880 --> 00:12:02,320 How many of these do you know? 197 00:12:04,380 --> 00:12:06,120 Look, I'll help you out. 198 00:12:06,840 --> 00:12:09,880 Kate will pitch in, so will Brad and Alfonso. What do you say? 199 00:12:10,360 --> 00:12:11,600 Well, I guess it's possible. 200 00:12:12,080 --> 00:12:14,600 Well, come on. You're going to have to be more positive than that. 201 00:12:16,740 --> 00:12:18,140 Okay, I'll do it. All right! 202 00:12:18,920 --> 00:12:19,920 Come on! 203 00:12:20,080 --> 00:12:21,080 What do I do first? 204 00:12:21,380 --> 00:12:22,440 Make out another check. 205 00:12:31,690 --> 00:12:32,690 Places, everyone. 206 00:12:33,690 --> 00:12:34,690 Excuse me. 207 00:12:36,690 --> 00:12:39,670 Am I the assistant director or not? 208 00:12:40,270 --> 00:12:41,630 That is more like it. 209 00:12:42,010 --> 00:12:43,010 Places, everyone. 210 00:12:51,910 --> 00:12:52,910 Daddy, you ready? 211 00:12:52,930 --> 00:12:53,930 Yeah, just a second. 212 00:12:58,760 --> 00:13:01,160 Dad, we're waiting. Okay, just a minute. I'll be right there. 213 00:13:03,640 --> 00:13:04,640 Actors. 214 00:13:07,140 --> 00:13:08,580 Okay, now. Let's do it. 215 00:13:10,080 --> 00:13:11,080 Quiet! 216 00:13:13,180 --> 00:13:15,900 And when I yell snow, I want you to start sprinkling. 217 00:13:18,220 --> 00:13:19,220 Ready? 218 00:13:19,340 --> 00:13:20,540 And action. 219 00:13:42,760 --> 00:13:45,660 Oh, I'm sorry, son, but I know you only have so much film. I don't want you to 220 00:13:45,660 --> 00:13:47,860 waste it. I have a great idea. 221 00:13:48,100 --> 00:13:50,560 Can we save it for the sequel, Dad? We're running out of time. 222 00:13:50,820 --> 00:13:54,800 But my idea will make a profound statement on the human condition, son. 223 00:13:54,800 --> 00:13:55,800 make your film meaningful. 224 00:13:56,260 --> 00:13:57,860 Dad, I don't want it to be meaningful. 225 00:13:58,200 --> 00:13:59,620 I just want it to be fun. 226 00:14:02,700 --> 00:14:03,700 Directors. 227 00:14:05,380 --> 00:14:06,380 Okay. 228 00:14:06,640 --> 00:14:08,060 Now let's do it for real. 229 00:14:09,660 --> 00:14:10,660 Ready? 230 00:14:11,060 --> 00:14:12,060 And action. 231 00:15:35,370 --> 00:15:36,370 No, Keith. 232 00:16:15,920 --> 00:16:17,340 I still think we should have used my idea. 233 00:16:17,840 --> 00:16:21,040 Dad, it's a student film. I couldn't use your idea. It would have looked too 234 00:16:21,040 --> 00:16:23,060 professional. Oh, not with that acting. 235 00:16:24,540 --> 00:16:26,860 I mean, well, it's obvious that you're an amateur. 236 00:16:28,460 --> 00:16:32,560 I mean, uh, excuse me, but I have to put snow back in the box. 237 00:16:35,200 --> 00:16:36,860 You know, guys, I can't thank you enough. 238 00:16:37,540 --> 00:16:40,280 Giving up your weekend on such short notice, working like dogs. 239 00:16:40,900 --> 00:16:42,060 You guys are really friends. 240 00:16:42,320 --> 00:16:43,640 Hey, it was our pleasure. 241 00:16:43,860 --> 00:16:44,980 Yeah, don't mention it, Rick. 242 00:17:04,810 --> 00:17:05,990 I kind of like that one, too. 243 00:17:06,190 --> 00:17:07,450 I like the special effects. 244 00:17:08,130 --> 00:17:09,290 What special effects? 245 00:17:09,609 --> 00:17:13,270 Anybody can build an Empire State Building out of matchsticks and set it 246 00:17:13,270 --> 00:17:16,050 fire. How'd they get that monkey to eat it? 247 00:17:17,310 --> 00:17:20,190 I still think Rick's will be much better. I hope it's on next. 248 00:17:20,550 --> 00:17:22,170 Oh, it better be. It's the last one. 249 00:17:23,349 --> 00:17:24,349 Hey, so what? 250 00:17:25,050 --> 00:17:28,210 The only thing that matters is when the going got tough, I didn't quit. 251 00:17:28,569 --> 00:17:30,790 I went on to make a film that I can be proud of. 252 00:17:31,810 --> 00:17:33,890 I don't care whether they pick mine or not. 253 00:17:35,630 --> 00:17:37,750 I think he may have learned something from all this. 254 00:17:37,970 --> 00:17:41,370 Hey, look, the next film's coming on. Please let it be mine. Please. 255 00:17:43,650 --> 00:17:47,390 Welcome back to the First Annual Young Filmmakers Festival. 256 00:17:50,910 --> 00:17:56,750 And now for our fifth and final film. 257 00:17:58,590 --> 00:17:59,630 Please, please. 258 00:18:01,050 --> 00:18:05,890 An homage to the silent film that uniquely... expresses man's 259 00:18:05,890 --> 00:18:09,190 survive in a hostile technological environment. 260 00:18:09,670 --> 00:18:10,910 Too bad, Rick. 261 00:18:11,150 --> 00:18:12,550 Yeah, tough break. 262 00:18:12,930 --> 00:18:17,730 We are pleased to present Rick Stratton's Vacant Lot. 263 00:18:20,890 --> 00:18:25,730 Like I said, I only want to make meaningful films. 264 00:21:11,760 --> 00:21:16,480 a student film shown on local television in the biggest city in the world to 265 00:21:16,480 --> 00:21:18,340 millions and millions of people. 266 00:21:20,460 --> 00:21:22,000 Speech! Speech! Speech! 267 00:21:22,460 --> 00:21:23,460 Well, okay. 268 00:21:24,120 --> 00:21:27,600 I would like to thank the Academy for this award. No! No! 19064