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[Music]
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within 35 years not just what is
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possible but what is permissible is
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completely altered
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this is the story of how the movies
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reflect and influence a time of Rapid
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change
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how social military and artistic
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advancements create a new world on the
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screen and behind it
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mostly this is a story of the tension
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that exists between the films that are
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created those who censor them
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and the ones who oppose such censorship
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[Music]
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when the opposite is so much fun it
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makes me proud to turn it down
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[Music]
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I'm going straight to help me please I'm
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falling falling
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[Music]
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you never want to do the things
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[Music]
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at all
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[Music]
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the threat of censorship has long been a
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restrictive Force upon Society
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in the late 1800s through the turn of
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the century a law called The Comstock
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act enforces a penalty for sending
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obscene materials through the mail
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Anthony Comstock boasts of impounding
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and destroying hundreds of thousands of
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photographs books and contraceptive
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devices
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the punishment for such obscenity is up
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to ten thousand dollars or ten years in
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prison
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Comstock also boasts of being
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responsible for more than 15 suicides
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[Music]
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in this new century rapid change is upon
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us
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president Theodore Roosevelt is loyal to
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strict Victorian values and against the
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growing strain of women voicing their
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desire for change
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it's an entirely different world I was
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raised with very strict parents they
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felt it was not uh proper to show great
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emotion in public
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rules of society state that any sexual
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indiscretions which give rise to public
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gossip are punished by social death or
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cutting
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these hypocritical people who hid sex
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you couldn't talk about it or that was
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something you never talked about with
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sex
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suddenly the world is able to look at
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itself moving
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and we see for the first time an era
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reflected on film
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the visualness of the films the movement
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of the films opens up a world on so many
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levels that's impossible for us to
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comprehend today
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it was lifting a veil on the entire
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world
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electricity pours through Penny arcades
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and Nickelodeon's where for pocket
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change people see moving pictures
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the New York evening World States for
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the first time in the history of the
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world it is possible to see what a kiss
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looks like
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the idea has unlimited possibilities
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discussions in the debates started to
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arise about what's appropriate
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what's appropriate for people to see
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which of course inevitably leads to
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what's appropriate for people to be
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doing so censorship immediately emerged
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as a key issue linked directly to the
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medium of film
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[Music]
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the Chicago Tribune launches an attack
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on the Nickelodeons
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describing their influence upon society
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as vicious
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the Presbyterian Methodist Baptist and
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congregational frowned on theatricals as
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being worldly
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it's nothing new of course it was sex in
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drama from the very word go way back in
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ancient Greece
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audiences demand to know the names of
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their favorite Stars
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and out of the Biograph Studios comes
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little Mary Pickford
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in this rare early film 19 year old Mary
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co-stars with her off-screen husband
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Owen Moore
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art imitates life and their real
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marriage is an unhappy one
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[Music]
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in Owen's dream Mary gives her husband
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the wife he's always longed for
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she also turns out to be his worst
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nightmare
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[Music]
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Mary Pickford brings a fresh and honest
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approach to film acting
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her performance is natural surprisingly
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subtle
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I was a mood
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that is I didn't do anything I didn't
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feel
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nothing to me so sacred
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about that camera
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Mary Pickford along with many other
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ambitious artists flocked to Los Angeles
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California
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Hollywood of course attracted The
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Adventurous the curious
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the imaginative people left their homes
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and flocked to Hollywood and they were
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all thrown together like children into
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this plot
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and movie making was so much fun
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eight to ten million Americans go to the
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movies every day
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fans flocked the theaters to see their
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favorite Stars
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I never thought of being a movie actress
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that was something like being a
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burlesque Queen that's so far back when
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they were flickers
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the first sexual Revolution is about to
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take place and the medium of film is the
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perfect outlet for open sexual
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expression
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enter upon the screen
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the vamp
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the vamp is the first dangerous woman of
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the movies
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so dangerous that her films are often
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restricted
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in 1917 in Chicago Theta beara's film
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Camille is banned for anyone under the
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age of 21.
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Berra and Fox film corporations sued the
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Chicago sensors for one hundred thousand
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dollars
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the lawsuit helped bring more than a
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hundred thousand dollars worth of
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patrons eager to see all of theta
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beara's releases
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[Music]
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although the novelty soon wears off
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the vamp doesn't last very long
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they suddenly very quickly begin to look
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like caricatures
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foreign
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Aldi recalls years later a man would run
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20 miles if he ever stumbled on a woman
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really looking like that
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it was difficult to convince an audience
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that you were such a femme fatale that
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you could lure a man from his work and
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his woman merely by raising and lowering
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your eyelashes
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director Cecil B Demille brings a
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sensual appeal to the movies with his
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sexual and societal melodramas
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in 1915 Cecil B Demille brings to the
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screen the cheat the story of a society
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woman who borrows money from a rich
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Japanese man
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[Music]
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the collateral for the loan involves
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sexual favors
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[Music]
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and Rain eggs on her debt he takes his
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revenge
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[Music]
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demille's introduction of overt Sato
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masochism is sensational
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yeah
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both to male and female audience members
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[Music]
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Cecil certainly made a big effect in the
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direction movies went toward
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[Music]
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Cecil had a a very large influence on
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the development
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of movies
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with the power of film comes the
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inevitable rise of the movie star
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and Mary Pickford becomes the most
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beloved female star in the world
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her sexuality lies in her strength
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[Music]
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and in her childlike sense of fun
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Mary Pickford is a dynamic Force
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[Music]
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Boon really and as Adolf zuker said
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about her she could do anything she
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could have run the whole business
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I never had any trouble with my
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directors because I didn't embarrass
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them if I wish to I had the power
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I don't believe in embarrassing people
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I've seen I would suggest this
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Mary also takes control of her personal
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life
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and begins a love affair with actor
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Douglas Fairbanks
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[Music]
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Douglas Fairbanks is a very sexy man
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an adventure some boy a delightful
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action figure
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he's got enormous charisma
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Douglas and Mary Pickford were married
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to other people had a notorious love
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affair and were in fact under going a
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fairly scandalous life together
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in 1917 President Woodrow Wilson enters
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America into World War One
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stars of the screen go on tour singing
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war bonds
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they raised Millions
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when Doug and Mary went to sell war
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bonds they found that millions of people
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came out for them
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well they could not believe the good
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fortune and they started to think wow
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I'm in a position now of being a God to
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people around the world I have to
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rethink really how I am supposed to act
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am I a role model now
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as American men enlist for the war
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opportunities arise for women
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by 1917 700 000 women are in war work
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and opportunities also Arise at the film
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studios
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the war gives women an excuse to lighten
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their load and lavish clothes go into
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storage
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Cecil B demille's films increasingly
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assert the importance of fashion as
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Hollywood supplies the public with the
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latest concepts of Allure and glamor
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you had all of America and all the world
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actually changing their looks as
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something happened on the screen
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the women wanted to look their best
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and what they felt was the best look was
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what they were seeing up on the screen
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Gloria Swanson becomes Cecil B demille's
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favorite star DeMille creates a perfect
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persona for her one which embodies
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glamor and sophistication like none
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other
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exuding Sleek Allure and confidence with
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every move she makes
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they loved one another he always called
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her affectionately little fellow
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she made the perfect star for him to
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dress in these
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incredible get-ups he understood that he
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could use dream sequences and fantasy
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sequences and returns to imaginary past
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film found a way to give Americans a
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whole new attitude towards sex a whole
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new Freedom by pretending that either we
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weren't responsible or it wasn't really
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happening
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how smart was that
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and this isn't a Time the Victorian age
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is just barely dying out
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and women across the country are going
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to see these movies
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which not only show them all these new
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fashion but much more importantly giving
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them an empowerment in their lives
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this is a fabulous time for women
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a true Liberation is realized when
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President Wilson gives women the right
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to vote
291
00:14:57,659 --> 00:15:03,838
women voted out the sale and
292
00:15:00,778 --> 00:15:06,600
transportation of alcoholic drinks
293
00:15:03,839 --> 00:15:10,320
The Volstead Act or national prohibition
294
00:15:06,600 --> 00:15:12,959
Act is passed on October 28 1919.
295
00:15:10,320 --> 00:15:16,320
prohibition gives a whole new reason to
296
00:15:12,958 --> 00:15:18,179
rebel against societal rules
297
00:15:16,320 --> 00:15:20,070
after World War one they threw up the
298
00:15:18,179 --> 00:15:21,899
corsets the jazz came in
299
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[Music]
300
00:15:21,899 --> 00:15:27,659
the girls would go into the ladies room
301
00:15:25,259 --> 00:15:30,419
and remove their corsets
302
00:15:27,659 --> 00:15:34,019
so you could dance closer to the men
303
00:15:30,419 --> 00:15:36,539
oh they thought that was scandalous
304
00:15:34,019 --> 00:15:37,980
it was a celebration
305
00:15:36,539 --> 00:15:41,099
people are under the impression that the
306
00:15:37,980 --> 00:15:43,139
1960s was the time when all the moral
307
00:15:41,100 --> 00:15:45,540
codes were broken and our world changed
308
00:15:43,139 --> 00:15:47,879
but actually it had happened in the
309
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1920s immediately following World War
310
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One the whole structure of society
311
00:15:50,159 --> 00:15:54,659
shattered
312
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women cut their hair women cut off their
313
00:15:54,659 --> 00:15:59,698
skirts they started smoking
314
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everybody was drinking drugs were all
315
00:15:59,698 --> 00:16:04,319
over the place
316
00:16:01,639 --> 00:16:06,659
Hollywood is now the center of American
317
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Film Production allowing producers
318
00:16:06,659 --> 00:16:12,919
directors and stars to thumb their noses
319
00:16:09,299 --> 00:16:12,919
at attempts for restraint and control
320
00:16:13,259 --> 00:16:18,838
we were like children
321
00:16:16,440 --> 00:16:22,079
sense of freedom and abandonment because
322
00:16:18,839 --> 00:16:23,820
we've had a war to end all wars
323
00:16:22,078 --> 00:16:26,039
everybody was going to be a millionaire
324
00:16:23,820 --> 00:16:27,199
in the stock market even your taxi
325
00:16:26,039 --> 00:16:29,578
drivers
326
00:16:27,198 --> 00:16:31,740
Douglas Fairbanks and Mary Pickford
327
00:16:29,578 --> 00:16:34,439
secure divorces from their spouses and
328
00:16:31,740 --> 00:16:37,139
quickly marry each other
329
00:16:34,440 --> 00:16:39,120
they not only survived the Scandal they
330
00:16:37,139 --> 00:16:41,639
are named king and queen of Hollywood in
331
00:16:39,120 --> 00:16:44,100
1920.
332
00:16:41,639 --> 00:16:46,860
it truly is amazing the way she over
333
00:16:44,100 --> 00:16:49,320
wrote all of the potential scandals it
334
00:16:46,860 --> 00:16:51,899
could have happened to her
335
00:16:49,320 --> 00:16:54,959
she would never have survived CNN but
336
00:16:51,899 --> 00:16:56,220
during the 24-hour news cycle but nobody
337
00:16:54,958 --> 00:16:58,138
cared
338
00:16:56,220 --> 00:17:00,120
the power of the star the money they
339
00:16:58,139 --> 00:17:01,799
made the importance they were the
340
00:17:00,120 --> 00:17:03,839
royalty they became
341
00:17:01,799 --> 00:17:06,119
the importance of them not having a
342
00:17:03,839 --> 00:17:09,058
scandal attached to them was Paramount
343
00:17:06,119 --> 00:17:11,359
and I mean that the Moguls watching over
344
00:17:09,058 --> 00:17:11,359
this
345
00:17:13,578 --> 00:17:18,659
Hollywood is threatened with government
346
00:17:15,838 --> 00:17:20,399
censorship when a series of scandals
347
00:17:18,660 --> 00:17:22,699
become public in the heart of the film
348
00:17:20,400 --> 00:17:22,699
world
349
00:17:33,650 --> 00:17:39,419
[Music]
350
00:17:36,720 --> 00:17:42,620
one actor is sacrificed in a scandal
351
00:17:39,419 --> 00:17:42,620
that could not be repressed
352
00:17:43,400 --> 00:17:49,019
comedian Roscoe Fatty Arbuckle is
353
00:17:46,619 --> 00:17:51,659
charged with manslaughter when Starlet
354
00:17:49,019 --> 00:17:53,819
Virginia rapid bleeds to death under
355
00:17:51,660 --> 00:17:55,798
mysterious circumstances after a party
356
00:17:53,819 --> 00:17:58,319
in San Francisco
357
00:17:55,798 --> 00:18:01,079
things go wrong at parties
358
00:17:58,319 --> 00:18:03,538
sometimes it gets in the papers people
359
00:18:01,079 --> 00:18:05,759
who were running the industry said this
360
00:18:03,538 --> 00:18:08,038
is not going to be good for business so
361
00:18:05,759 --> 00:18:09,960
we have to clamp down and straighten
362
00:18:08,038 --> 00:18:12,960
things out here
363
00:18:09,960 --> 00:18:15,360
in December of 1921 Postmaster General
364
00:18:12,960 --> 00:18:18,720
William H Hayes is invited to take
365
00:18:15,359 --> 00:18:22,439
control of the film industry
366
00:18:18,720 --> 00:18:25,319
Hayes first victim is Fatty Arbuckle
367
00:18:22,440 --> 00:18:29,880
no question about it was escape from
368
00:18:25,319 --> 00:18:31,439
he was a major major storm making this
369
00:18:29,880 --> 00:18:33,299
endless
370
00:18:31,440 --> 00:18:35,160
endless money and then the thing up in
371
00:18:33,298 --> 00:18:37,500
San Francisco is all over the paper and
372
00:18:35,160 --> 00:18:39,360
all Buckle was finished absolutely
373
00:18:37,500 --> 00:18:43,140
finished
374
00:18:39,359 --> 00:18:45,479
within days of his total acquittal the
375
00:18:43,140 --> 00:18:48,059
exoneration in fact an unprecedented
376
00:18:45,480 --> 00:18:50,038
apology coming from the jury
377
00:18:48,058 --> 00:18:51,119
will Hayes bands him from the screen for
378
00:18:50,038 --> 00:18:53,519
life
379
00:18:51,119 --> 00:18:55,919
because that is what will Hayes had been
380
00:18:53,519 --> 00:18:57,418
hired to do
381
00:18:55,920 --> 00:18:59,220
[Music]
382
00:18:57,419 --> 00:19:01,259
with the Arbuckle case still on the
383
00:18:59,220 --> 00:19:03,298
front pages director William Desmond
384
00:19:01,259 --> 00:19:04,798
Taylor is found dead in his Hollywood
385
00:19:03,298 --> 00:19:07,200
home
386
00:19:04,798 --> 00:19:10,440
both his girlfriend actress Mary miles
387
00:19:07,200 --> 00:19:13,279
Minter and comedian Mabel Normand are
388
00:19:10,440 --> 00:19:13,279
implicated in the murder
389
00:19:13,380 --> 00:19:18,840
nobody really had the heart of it but
390
00:19:16,440 --> 00:19:20,940
when it came down toward the end that
391
00:19:18,839 --> 00:19:22,798
the most likely suspect involved Mary
392
00:19:20,940 --> 00:19:23,880
miles winter people stopped going to her
393
00:19:22,798 --> 00:19:26,400
movies
394
00:19:23,880 --> 00:19:29,520
Mary miles winter was a little soft
395
00:19:26,400 --> 00:19:31,798
sweet little thing and people could just
396
00:19:29,519 --> 00:19:33,538
dismiss her
397
00:19:31,798 --> 00:19:35,279
question was what was their involvement
398
00:19:33,538 --> 00:19:37,259
with this man
399
00:19:35,279 --> 00:19:39,379
what kind of lives were these three
400
00:19:37,259 --> 00:19:43,319
individuals leading
401
00:19:39,380 --> 00:19:47,400
all that made the media and of course
402
00:19:43,319 --> 00:19:49,859
America question what is Hollywood like
403
00:19:47,400 --> 00:19:50,700
we go see a product that they make every
404
00:19:49,859 --> 00:19:53,699
week
405
00:19:50,700 --> 00:19:55,759
they're feeding us ideas and images but
406
00:19:53,700 --> 00:19:58,679
how do they live
407
00:19:55,759 --> 00:20:02,279
are they not living by the same
408
00:19:58,679 --> 00:20:03,040
standards the same moral values by which
409
00:20:02,279 --> 00:20:05,339
we live
410
00:20:03,039 --> 00:20:08,099
[Music]
411
00:20:05,339 --> 00:20:08,990
Taylor's death gives Hayes his baptism
412
00:20:08,099 --> 00:20:29,639
of Fire
413
00:20:08,990 --> 00:20:32,120
[Music]
414
00:20:29,640 --> 00:20:32,120
foreign
415
00:20:38,179 --> 00:20:43,559
within 20 years the population of Los
416
00:20:41,038 --> 00:20:44,819
Angeles has increased eight times its
417
00:20:43,558 --> 00:20:46,980
size
418
00:20:44,819 --> 00:20:49,519
a boom directly related to the film
419
00:20:46,980 --> 00:20:49,519
industry
420
00:20:52,798 --> 00:20:57,298
the top talent in Hollywood gathers to
421
00:20:55,319 --> 00:21:00,659
create their own Studio
422
00:20:57,298 --> 00:21:03,119
together Mary Pickford Douglas Fairbanks
423
00:21:00,660 --> 00:21:05,100
Charlie Chaplin and DW Griffith form
424
00:21:03,119 --> 00:21:08,279
United Artists
425
00:21:05,099 --> 00:21:10,558
they all thought that they should do
426
00:21:08,279 --> 00:21:13,440
something to get total creative control
427
00:21:10,558 --> 00:21:14,940
and also the financial control
428
00:21:13,440 --> 00:21:16,558
and they were voicing these opinions
429
00:21:14,940 --> 00:21:19,440
that maybe we should form our own
430
00:21:16,558 --> 00:21:21,899
company to do our own distribution and
431
00:21:19,440 --> 00:21:24,960
that's how United Artists was born
432
00:21:21,900 --> 00:21:27,240
the lunatics are taking over the asylum
433
00:21:24,960 --> 00:21:29,340
all kinds of barbs were thrown at them
434
00:21:27,240 --> 00:21:31,980
but of course that was because of the
435
00:21:29,339 --> 00:21:34,500
genuine fear the formation of United
436
00:21:31,980 --> 00:21:36,599
Artists sent through the industry sent
437
00:21:34,500 --> 00:21:39,058
through those Studio locals
438
00:21:36,599 --> 00:21:41,339
this really threatened what they had
439
00:21:39,058 --> 00:21:44,038
claimed was their Authority
440
00:21:41,339 --> 00:21:48,119
United Artists invites their peers to
441
00:21:44,038 --> 00:21:51,119
join them in taking control of their art
442
00:21:48,119 --> 00:21:53,158
italian-born actor Rudolf Valentino is
443
00:21:51,119 --> 00:21:55,619
enticed by the promise of financial as
444
00:21:53,159 --> 00:21:57,480
well as creative control
445
00:21:55,619 --> 00:21:59,038
after years of frustration with
446
00:21:57,480 --> 00:22:01,319
Paramount Studios and with his
447
00:21:59,038 --> 00:22:04,019
typecasting
448
00:22:01,319 --> 00:22:06,720
of Valentino is the first male exotic
449
00:22:04,019 --> 00:22:09,599
sex symbol
450
00:22:06,720 --> 00:22:12,179
The Daily Mirror describes him as the
451
00:22:09,599 --> 00:22:13,039
personification of irresistible sex
452
00:22:12,179 --> 00:22:16,119
magnetism
453
00:22:13,039 --> 00:22:16,118
[Music]
454
00:22:16,460 --> 00:22:21,179
Valentino is actually very shy and
455
00:22:19,440 --> 00:22:24,679
private
456
00:22:21,179 --> 00:22:24,679
and he is embarrassed by the attention
457
00:22:24,779 --> 00:22:33,418
heaven knows I'm no Chic he States
458
00:22:28,640 --> 00:22:35,700
I let them play me up as a lounge lizard
459
00:22:33,419 --> 00:22:37,740
soft handsome devil whose only sin in
460
00:22:35,700 --> 00:22:39,720
life was to sit around and be admired by
461
00:22:37,740 --> 00:22:42,120
women
462
00:22:39,720 --> 00:22:44,100
there was the kind of surrendering of
463
00:22:42,119 --> 00:22:47,699
responsibility
464
00:22:44,099 --> 00:22:50,399
that it's this man from another culture
465
00:22:47,700 --> 00:22:54,720
the man with a different morality a
466
00:22:50,400 --> 00:22:59,419
different set of sexual rules
467
00:22:54,720 --> 00:22:59,419
takes you over against your will
468
00:22:59,940 --> 00:23:04,920
it's the it's not your fault Avenue to
469
00:23:04,200 --> 00:23:08,088
hot sex
470
00:23:04,920 --> 00:23:08,089
[Music]
471
00:23:08,159 --> 00:23:12,500
the European charms permeate the screen
472
00:23:13,339 --> 00:23:18,480
Paula negri is aggressive
473
00:23:16,919 --> 00:23:22,559
foreign
474
00:23:18,480 --> 00:23:24,440
[Music]
475
00:23:22,558 --> 00:23:29,399
and very modern
476
00:23:24,440 --> 00:23:32,519
Paul and Mary was also a woman who knew
477
00:23:29,400 --> 00:23:36,380
who to be for the public
478
00:23:32,519 --> 00:23:39,480
she understood I need to play my role
479
00:23:36,380 --> 00:23:42,240
off-screen as well as on
480
00:23:39,480 --> 00:23:45,599
and when she came to Hollywood she
481
00:23:42,240 --> 00:23:47,599
knocked people off their seats with her
482
00:23:45,599 --> 00:23:52,079
behavior
483
00:23:47,599 --> 00:23:54,178
the 1920s give rise to the flapper
484
00:23:52,079 --> 00:23:56,819
this girl isn't frightening
485
00:23:54,179 --> 00:24:00,179
she's fun
486
00:23:56,819 --> 00:24:02,579
things started to show and although
487
00:24:00,179 --> 00:24:06,298
there was objections to it I think the
488
00:24:02,579 --> 00:24:08,399
power to change was stronger than the
489
00:24:06,298 --> 00:24:12,119
power to repress it
490
00:24:08,400 --> 00:24:14,700
there was a whole Revolution for women
491
00:24:12,119 --> 00:24:17,759
suddenly it's okay to appear nude in
492
00:24:14,700 --> 00:24:20,400
print for the sake of Art
493
00:24:17,759 --> 00:24:22,640
nudity is presented as tasteful and
494
00:24:20,400 --> 00:24:22,640
beautiful
495
00:24:22,990 --> 00:24:28,838
[Music]
496
00:24:30,779 --> 00:24:36,298
the Advent of art magazines has a lot to
497
00:24:33,538 --> 00:24:38,460
do with a new permissiveness as more and
498
00:24:36,298 --> 00:24:42,440
more females drop more and more clothing
499
00:24:38,460 --> 00:24:45,919
in print on the stage
500
00:24:42,440 --> 00:24:45,919
and on the screen
501
00:24:49,430 --> 00:24:57,269
[Music]
502
00:24:57,380 --> 00:25:03,020
Colleen Moore makes it okay to be a
503
00:25:00,058 --> 00:25:03,019
rebellious flapper
504
00:25:03,259 --> 00:25:07,740
Colleen Moore was your safe lover she
505
00:25:06,000 --> 00:25:09,419
was your innocent flower she was your
506
00:25:07,740 --> 00:25:12,659
flapper next door
507
00:25:09,419 --> 00:25:15,000
whereas Clara Beau watch out
508
00:25:12,659 --> 00:25:17,159
lock your doors protect your daughters
509
00:25:15,000 --> 00:25:20,339
and you know cover up your boy's eyes
510
00:25:17,159 --> 00:25:26,140
because Here Comes Claire about
511
00:25:20,339 --> 00:25:33,970
Clara Bow so clearly liked sex always
512
00:25:26,140 --> 00:25:33,970
[Music]
513
00:25:36,279 --> 00:25:42,368
[Music]
514
00:25:43,460 --> 00:25:48,960
clarabo is the first natural sex symbol
515
00:25:46,740 --> 00:25:51,538
a woman who doesn't have to work at it
516
00:25:48,960 --> 00:25:54,600
she just has to enjoy it
517
00:25:51,538 --> 00:25:56,900
producer B P schulberg bills her as the
518
00:25:54,599 --> 00:25:59,879
hottest jazz baby in films
519
00:25:56,900 --> 00:26:01,159
she was really the personification of
520
00:25:59,880 --> 00:26:03,360
the Discover
521
00:26:01,159 --> 00:26:05,640
jazz baby
522
00:26:03,359 --> 00:26:09,079
the time for change again he was the
523
00:26:05,640 --> 00:26:09,080
perfect vehicle for it
524
00:26:10,440 --> 00:26:16,140
Clara was a young woman who didn't have
525
00:26:13,500 --> 00:26:19,558
a very good background
526
00:26:16,140 --> 00:26:22,200
she was an utterly vulnerable creature
527
00:26:19,558 --> 00:26:25,639
Clara leaves a free sexual lifestyle
528
00:26:22,200 --> 00:26:25,640
also off-screen
529
00:26:25,798 --> 00:26:31,038
as long as she brings in the box office
530
00:26:27,960 --> 00:26:33,480
the studio protects her
531
00:26:31,038 --> 00:26:36,049
and she is now Hollywood's
532
00:26:33,480 --> 00:26:42,900
self-proclaimed it girl
533
00:26:36,049 --> 00:26:42,899
[Music]
534
00:26:43,220 --> 00:26:49,079
she really was pulling Paramount along
535
00:26:46,558 --> 00:26:52,019
for much of 20s
536
00:26:49,079 --> 00:26:54,599
so as a result people were afraid to
537
00:26:52,019 --> 00:26:55,740
rein her in either on the screen or off
538
00:26:54,599 --> 00:26:58,319
the screen
539
00:26:55,740 --> 00:27:01,159
in a day when you know sexual matters
540
00:26:58,319 --> 00:27:03,119
were never spoken of in mixed company or
541
00:27:01,159 --> 00:27:06,500
anywhere else
542
00:27:03,119 --> 00:27:09,298
alluding to shocking Behavior
543
00:27:06,500 --> 00:27:11,579
Louise Brooks along with Clara Beau
544
00:27:09,298 --> 00:27:13,038
represents a complete break from the
545
00:27:11,579 --> 00:27:16,139
Victorian Spirit
546
00:27:13,038 --> 00:27:19,079
Louise has a sensual and erotic ease
547
00:27:16,140 --> 00:27:21,840
accompanied by a startling Beauty
548
00:27:19,079 --> 00:27:23,460
her cool attitude in census Studio head
549
00:27:21,839 --> 00:27:26,459
BP schulberg
550
00:27:23,460 --> 00:27:27,679
barely a Starlet Louise has the attitude
551
00:27:26,460 --> 00:27:31,200
of a star
552
00:27:27,679 --> 00:27:33,538
Clara Beau knew how to play the game
553
00:27:31,200 --> 00:27:35,340
Louise didn't want to play the game she
554
00:27:33,538 --> 00:27:38,339
wasn't afraid to stand up there until
555
00:27:35,339 --> 00:27:40,740
the head of the studio where to go
556
00:27:38,339 --> 00:27:43,379
she didn't like what was going on
557
00:27:40,740 --> 00:27:46,259
she didn't take any BS from anybody so
558
00:27:43,380 --> 00:27:47,640
she became the bad girl at Paramount
559
00:27:46,259 --> 00:27:52,619
Studios
560
00:27:47,640 --> 00:27:56,520
my father loved that independent woman
561
00:27:52,619 --> 00:27:59,099
Luis also had some pretty fiery language
562
00:27:56,519 --> 00:28:02,460
and my father liked that too
563
00:27:59,099 --> 00:28:04,439
in 1924 director William DeMille writes
564
00:28:02,460 --> 00:28:10,620
that the New York State Board of sensors
565
00:28:04,440 --> 00:28:12,600
has made Cuts in 386 films he States the
566
00:28:10,619 --> 00:28:14,579
American people must conform to the idea
567
00:28:12,599 --> 00:28:16,019
that ignorance is the best form of
568
00:28:14,579 --> 00:28:18,000
Innocence
569
00:28:16,019 --> 00:28:21,379
it must take for granted that to see
570
00:28:18,000 --> 00:28:27,019
evil is to desire it
571
00:28:21,380 --> 00:28:29,940
in 1925 Norma Talmadge stars in the lady
572
00:28:27,019 --> 00:28:33,558
a society melodrama about a woman who is
573
00:28:29,940 --> 00:28:33,558
betrayed and abandoned by her husband
574
00:28:33,720 --> 00:28:40,519
destitute and pregnant she finds Solace
575
00:28:36,960 --> 00:28:40,519
and acceptance in a brothel
576
00:28:46,038 --> 00:28:52,519
due to her circumstances she is forced
577
00:28:49,380 --> 00:28:52,520
to abandon her child
578
00:28:57,960 --> 00:29:00,140
foreign
579
00:29:01,789 --> 00:29:15,359
[Music]
580
00:29:12,140 --> 00:29:18,419
office issues a list of don'ts to the
581
00:29:15,359 --> 00:29:20,579
movie studios but they are careful to
582
00:29:18,419 --> 00:29:22,919
include no Provisions for the actual
583
00:29:20,579 --> 00:29:24,839
enforcement of this list
584
00:29:22,919 --> 00:29:27,299
censorship becomes something of a paper
585
00:29:24,839 --> 00:29:30,619
tiger left up to the individual states
586
00:29:27,298 --> 00:29:30,619
or not at all
587
00:29:31,619 --> 00:29:35,819
the motion picture
588
00:29:33,778 --> 00:29:38,038
producers and Distributors Association
589
00:29:35,819 --> 00:29:40,200
would take a film and look at it real by
590
00:29:38,038 --> 00:29:42,898
Reel and get the scissors out and cut it
591
00:29:40,200 --> 00:29:44,100
if they felt that it wasn't right for
592
00:29:42,898 --> 00:29:46,979
people to see
593
00:29:44,099 --> 00:29:49,019
this was costing the studios about two
594
00:29:46,980 --> 00:29:50,759
million dollars a year and the reason
595
00:29:49,019 --> 00:29:53,960
for that was because they didn't put the
596
00:29:50,759 --> 00:29:53,960
parts back in they cut out
597
00:29:54,419 --> 00:29:58,278
so you give a film is no longer what was
598
00:29:56,159 --> 00:30:00,720
made
599
00:29:58,278 --> 00:30:02,819
Gloria Swanson is used to living her
600
00:30:00,720 --> 00:30:04,980
life the way she chooses ignoring
601
00:30:02,819 --> 00:30:07,619
protests from the studio
602
00:30:04,980 --> 00:30:08,579
in my own way in my own time I was a
603
00:30:07,619 --> 00:30:11,219
rebel
604
00:30:08,579 --> 00:30:13,558
I didn't go along with the current
605
00:30:11,220 --> 00:30:16,440
I was the first to have a baby
606
00:30:13,558 --> 00:30:18,480
that really said Hollywood obvious here
607
00:30:16,440 --> 00:30:19,919
when I told Mr Alaska I was going to
608
00:30:18,480 --> 00:30:22,259
have a child I thought he would never
609
00:30:19,919 --> 00:30:24,419
come out of the swoon
610
00:30:22,259 --> 00:30:26,759
Gloria Swanson is warned by Jessie
611
00:30:24,419 --> 00:30:28,799
Laskey to curb her behavior both on and
612
00:30:26,759 --> 00:30:31,259
off the screen
613
00:30:28,798 --> 00:30:33,298
during her second divorce Gloria's
614
00:30:31,259 --> 00:30:35,038
husband blackmails her with the claim
615
00:30:33,298 --> 00:30:37,679
that she had been having extramarital
616
00:30:35,038 --> 00:30:39,538
affairs with 14 men one of them being
617
00:30:37,679 --> 00:30:42,179
Cecil B DeMille
618
00:30:39,538 --> 00:30:43,859
Jessie Laskey insists that she settle
619
00:30:42,179 --> 00:30:45,659
out of court admitting guilt for
620
00:30:43,859 --> 00:30:48,658
something she has not done in order to
621
00:30:45,659 --> 00:30:50,760
keep a public Scandal out of the papers
622
00:30:48,659 --> 00:30:54,539
live your life on the screen for your
623
00:30:50,759 --> 00:30:57,359
public whatever you do off-screen well
624
00:30:54,538 --> 00:30:59,339
be careful about it because we don't
625
00:30:57,359 --> 00:31:02,298
care what you do as long as it doesn't
626
00:30:59,339 --> 00:31:02,298
get in the papers
627
00:31:02,700 --> 00:31:08,700
Gloria Swanson is forced to sign a new
628
00:31:05,339 --> 00:31:10,439
agreement outraged she responds in other
629
00:31:08,700 --> 00:31:11,700
words the studio is putting me on a
630
00:31:10,440 --> 00:31:13,620
tight leash
631
00:31:11,700 --> 00:31:15,720
they were scaring me into being a
632
00:31:13,619 --> 00:31:18,359
well-behaved star telling me that unless
633
00:31:15,720 --> 00:31:20,880
I towed the line they could cut me off I
634
00:31:18,359 --> 00:31:22,740
was angry and humiliated
635
00:31:20,880 --> 00:31:24,840
Gloria Swanson is brought into the
636
00:31:22,740 --> 00:31:27,120
United Artists fold where she is
637
00:31:24,839 --> 00:31:28,500
welcomed to pursue her career on her own
638
00:31:27,119 --> 00:31:31,019
terms
639
00:31:28,500 --> 00:31:34,440
I go Where Angels feared to tread
640
00:31:31,019 --> 00:31:36,240
so I I'm just as likely to swim upstream
641
00:31:34,440 --> 00:31:38,038
when everybody's swimming down because I
642
00:31:36,240 --> 00:31:40,200
have ideas of my own
643
00:31:38,038 --> 00:31:41,759
for Gloria Swanson to turn down a
644
00:31:40,200 --> 00:31:43,440
million dollars a year
645
00:31:41,759 --> 00:31:46,259
from Paramount
646
00:31:43,440 --> 00:31:48,279
to sign with United Artists is a
647
00:31:46,259 --> 00:31:50,278
testimony to the power of United Artists
648
00:31:48,279 --> 00:31:52,500
[Music]
649
00:31:50,278 --> 00:31:54,778
producer Gloria Swanson acquires the
650
00:31:52,500 --> 00:31:57,058
rights to and somehow manages to trick
651
00:31:54,778 --> 00:31:59,759
Hayes into allowing her to bring to the
652
00:31:57,058 --> 00:32:01,740
screen Somerset moms Reign the story of
653
00:31:59,759 --> 00:32:03,058
a fallen woman on the run from the
654
00:32:01,740 --> 00:32:06,240
police
655
00:32:03,058 --> 00:32:09,658
brain was on Hayes list
656
00:32:06,240 --> 00:32:11,339
of unfilmable plays so Gloria Swanson
657
00:32:09,659 --> 00:32:14,100
went around the back door
658
00:32:11,339 --> 00:32:17,158
and called it Sadie Thompson
659
00:32:14,099 --> 00:32:20,158
she went and had lunch with Will Hayes
660
00:32:17,159 --> 00:32:21,899
and said I need your help because of
661
00:32:20,159 --> 00:32:23,820
course we would never have it be a
662
00:32:21,898 --> 00:32:26,699
minister we want to change it to a
663
00:32:23,819 --> 00:32:29,298
reformer and Hayes bought in Hook Line
664
00:32:26,700 --> 00:32:29,298
and Sinker
665
00:32:30,659 --> 00:32:35,310
Sadie's plans for escape are thwarted by
666
00:32:33,240 --> 00:32:40,710
the reformer
667
00:32:35,309 --> 00:32:40,710
[Music]
668
00:32:42,380 --> 00:32:49,039
she gives up a second chance at life
669
00:32:44,940 --> 00:32:49,038
because she is haunted by his words
670
00:32:49,619 --> 00:32:54,199
when the reformer who has tried to
671
00:32:51,659 --> 00:32:58,580
convert her succumbs to his own lust
672
00:32:54,200 --> 00:32:58,580
Sadie returns to her former ways
673
00:32:59,099 --> 00:33:03,918
with no enforced production code to stop
674
00:33:01,679 --> 00:33:03,919
her
675
00:33:04,579 --> 00:33:10,740
always one to push the envelope Cecil B
676
00:33:08,038 --> 00:33:12,960
Demille creates the Godless girl an
677
00:33:10,740 --> 00:33:16,880
attack on atheism with a shocking
678
00:33:12,960 --> 00:33:16,880
scenario about a girl with no conscience
679
00:33:17,480 --> 00:33:23,960
DeMille is famous for his tactic of
680
00:33:20,038 --> 00:33:23,960
showing nearly anything he wants
681
00:33:24,259 --> 00:33:28,919
and using a last real Redemption as
682
00:33:27,538 --> 00:33:31,740
cover
683
00:33:28,919 --> 00:33:33,419
you can show all the sin all the sex all
684
00:33:31,740 --> 00:33:34,380
the violence all of the pravity you
685
00:33:33,419 --> 00:33:37,259
wanted
686
00:33:34,380 --> 00:33:38,180
as long as God was triumphed in the last
687
00:33:37,259 --> 00:33:40,440
reel
688
00:33:38,180 --> 00:33:43,080
[Music]
689
00:33:40,440 --> 00:33:45,419
and the evil doers were punished
690
00:33:43,079 --> 00:33:47,158
and virtue Triumph then people walked
691
00:33:45,419 --> 00:33:49,019
into the light
692
00:33:47,159 --> 00:33:51,000
and in the meantime he got away with all
693
00:33:49,019 --> 00:33:54,419
the sex and violence
694
00:33:51,000 --> 00:33:57,058
DeMille States his opinion on the matter
695
00:33:54,419 --> 00:33:59,940
in order to promote reform it is first
696
00:33:57,058 --> 00:34:02,319
necessary to show the wages of sin
697
00:33:59,940 --> 00:34:03,538
foreign
698
00:34:02,319 --> 00:34:06,778
[Music]
699
00:34:03,538 --> 00:34:10,619
making movies in the period of the Hayes
700
00:34:06,778 --> 00:34:12,440
office was a constant negotiation to see
701
00:34:10,619 --> 00:34:15,720
what you could get away with
702
00:34:12,440 --> 00:34:18,720
and what you couldn't it was just part
703
00:34:15,719 --> 00:34:21,118
of doing business there is one woman who
704
00:34:18,719 --> 00:34:22,519
not only ignores the sensors but she
705
00:34:21,119 --> 00:34:25,679
defies them
706
00:34:22,519 --> 00:34:27,000
Mae West has her own following in the
707
00:34:25,679 --> 00:34:30,480
theater
708
00:34:27,000 --> 00:34:32,940
not only does she star in racy plays she
709
00:34:30,480 --> 00:34:35,280
writes as well as produces them
710
00:34:32,940 --> 00:34:36,358
May is not afraid to speak openly about
711
00:34:35,280 --> 00:34:38,940
sex
712
00:34:36,358 --> 00:34:40,679
in fact she builds her entire career
713
00:34:38,940 --> 00:34:43,260
around it
714
00:34:40,679 --> 00:34:46,740
the lasting value and the lasting impact
715
00:34:43,260 --> 00:34:50,639
of May West is that she liberated the
716
00:34:46,739 --> 00:34:53,459
American public from Victorian prudary
717
00:34:50,639 --> 00:34:57,679
and she was all about demolishing the
718
00:34:53,460 --> 00:34:57,679
double standard between men and women
719
00:34:58,440 --> 00:35:03,838
May States for the press in this
720
00:35:01,619 --> 00:35:05,579
enlightened age of ours the world boasts
721
00:35:03,838 --> 00:35:07,320
of the fact that it is more open-minded
722
00:35:05,579 --> 00:35:08,299
and more intelligent than it has ever
723
00:35:07,320 --> 00:35:11,220
been
724
00:35:08,300 --> 00:35:15,839
science reveals greater Secrets every
725
00:35:11,219 --> 00:35:18,118
day and even God is doubted fearlessly
726
00:35:15,838 --> 00:35:19,920
but the great majority of people are
727
00:35:18,119 --> 00:35:22,559
still terribly in the dark when it comes
728
00:35:19,920 --> 00:35:24,500
to one of our greatest truths
729
00:35:22,559 --> 00:35:27,539
sex
730
00:35:24,500 --> 00:35:30,659
she had her own ethics
731
00:35:27,539 --> 00:35:33,420
she proved all the people who ambassaded
732
00:35:30,659 --> 00:35:35,460
her or put her down for uh you know
733
00:35:33,420 --> 00:35:37,139
glorifying the homosexual or the
734
00:35:35,460 --> 00:35:39,240
prostitute
735
00:35:37,139 --> 00:35:40,799
she was not the hypocrite that a lot of
736
00:35:39,239 --> 00:35:45,118
people were
737
00:35:40,800 --> 00:35:46,980
in March 1927 May West and 23 members of
738
00:35:45,119 --> 00:35:49,200
the cast of her play sex
739
00:35:46,980 --> 00:35:50,760
plead not guilty before the grand jury
740
00:35:49,199 --> 00:35:53,460
of New York
741
00:35:50,760 --> 00:35:55,820
May and her cast are indicted for the
742
00:35:53,460 --> 00:35:58,500
production of an allegedly immoral play
743
00:35:55,820 --> 00:36:00,599
people like to be shocked so why not
744
00:35:58,500 --> 00:36:02,820
Shock them they said
745
00:36:00,599 --> 00:36:04,859
where's the harm and I know what they
746
00:36:02,820 --> 00:36:06,780
like so I give it to her
747
00:36:04,858 --> 00:36:08,578
I wrote the story myself
748
00:36:06,780 --> 00:36:11,519
it's all about a girl who lost her
749
00:36:08,579 --> 00:36:13,740
reputation but never missed it
750
00:36:11,519 --> 00:36:15,659
it is only a matter of time before May
751
00:36:13,739 --> 00:36:18,719
West appears on the motion picture
752
00:36:15,659 --> 00:36:20,359
screen bringing an altogether new type
753
00:36:18,719 --> 00:36:22,578
to the world of film
754
00:36:20,360 --> 00:36:27,440
[Applause]
755
00:36:22,579 --> 00:36:27,440
sexual parody with a seductive voice
756
00:36:51,480 --> 00:36:54,480
foreign
757
00:36:54,800 --> 00:37:01,380
hits the nation in 1926 when Rudolph
758
00:36:58,679 --> 00:37:03,480
Valentino is laid to rest after he dies
759
00:37:01,380 --> 00:37:05,720
from complications from a perforated
760
00:37:03,480 --> 00:37:05,719
ulcer
761
00:37:06,179 --> 00:37:13,139
writer H.L Menken comments
762
00:37:09,480 --> 00:37:15,179
predicament of poor Valentino touched me
763
00:37:13,139 --> 00:37:18,480
here was a young man who was living
764
00:37:15,179 --> 00:37:21,899
daily the dream of other young men here
765
00:37:18,480 --> 00:37:25,019
was one who was catnip to women
766
00:37:21,900 --> 00:37:28,450
here was one who had wealth and fame
767
00:37:25,019 --> 00:37:31,579
and here was one who was very unhappy
768
00:37:28,449 --> 00:37:31,579
[Music]
769
00:37:32,219 --> 00:37:36,618
team of stardom reaches across the globe
770
00:37:38,400 --> 00:37:42,660
and beautiful women and talented
771
00:37:40,380 --> 00:37:44,640
directors from all over the world come
772
00:37:42,659 --> 00:37:46,929
to work in the most successful location
773
00:37:44,639 --> 00:37:50,779
for the production of Motion Pictures
774
00:37:46,929 --> 00:37:53,519
[Music]
775
00:37:50,780 --> 00:37:55,380
Swedish actress Greta Garbo comes to
776
00:37:53,519 --> 00:37:59,119
Hollywood and signs a contract to make
777
00:37:55,380 --> 00:37:59,119
films at MGM Studios
778
00:38:00,320 --> 00:38:06,019
she is Hollywood's latest foreign sexual
779
00:38:03,539 --> 00:38:06,019
icon
780
00:38:06,539 --> 00:38:10,440
you can't say that the vamp completely
781
00:38:08,159 --> 00:38:13,679
disappeared with the flapper because of
782
00:38:10,440 --> 00:38:16,440
course what was Garbo they were suddenly
783
00:38:13,679 --> 00:38:18,838
pulled up short because they had a
784
00:38:16,440 --> 00:38:21,480
realization that they had no heroin with
785
00:38:18,838 --> 00:38:23,880
youth beauty or personality enough to
786
00:38:21,480 --> 00:38:25,440
make free love sympathetic
787
00:38:23,880 --> 00:38:29,119
so at that point
788
00:38:25,440 --> 00:38:29,119
enter Greta Garba
789
00:38:29,239 --> 00:38:34,679
Garbo's most revealing scenes are played
790
00:38:32,039 --> 00:38:36,900
out with her lover off-screen John
791
00:38:34,679 --> 00:38:39,239
Gilbert
792
00:38:36,900 --> 00:38:42,300
her reaction to him it's just even a
793
00:38:39,239 --> 00:38:44,039
physical thing if they touch hands
794
00:38:42,300 --> 00:38:45,900
her face
795
00:38:44,039 --> 00:38:48,659
changes
796
00:38:45,900 --> 00:38:50,160
she really responded to him as she
797
00:38:48,659 --> 00:38:52,618
didn't respond to anybody else that I
798
00:38:50,159 --> 00:38:55,559
could see on the screen
799
00:38:52,619 --> 00:38:58,640
Hollywood represents freedom to some and
800
00:38:55,559 --> 00:38:58,639
shackles to others
801
00:38:59,219 --> 00:39:03,419
videos own their stars and they keep
802
00:39:01,559 --> 00:39:05,039
them on a short leash due to the
803
00:39:03,420 --> 00:39:06,599
ever-present fear of impending
804
00:39:05,039 --> 00:39:09,059
censorship
805
00:39:06,599 --> 00:39:10,859
they were so afraid of the Scandal
806
00:39:09,059 --> 00:39:12,838
you know they had to keep their eye on
807
00:39:10,858 --> 00:39:14,578
they didn't trust these people with good
808
00:39:12,838 --> 00:39:17,099
reason you know they were all
809
00:39:14,579 --> 00:39:19,560
misbehaving like crazy
810
00:39:17,099 --> 00:39:23,280
John Gilbert has no respect for a system
811
00:39:19,559 --> 00:39:26,219
which he considers to be hypocritical
812
00:39:23,280 --> 00:39:28,680
my father was irreverent
813
00:39:26,219 --> 00:39:30,838
I don't think father hated anybody he
814
00:39:28,679 --> 00:39:34,399
just sort of dismiss them but you don't
815
00:39:30,838 --> 00:39:34,400
dismiss we be mayor
816
00:39:35,400 --> 00:39:39,900
Louise Brooks also feels contempt for
817
00:39:37,858 --> 00:39:43,319
the system and so she escapes Hollywood
818
00:39:39,900 --> 00:39:46,858
studio Executives to star in Pandora's
819
00:39:43,320 --> 00:39:48,420
Box filmed in Berlin and directed by g w
820
00:39:46,858 --> 00:39:50,699
Pabst
821
00:39:48,420 --> 00:39:54,000
that was the nature of her Liberty
822
00:39:50,699 --> 00:39:55,559
gibbet character both off as well as on
823
00:39:54,000 --> 00:40:00,019
camera
824
00:39:55,559 --> 00:40:00,019
and it was her appeal to pass
825
00:40:00,059 --> 00:40:04,920
Lulu is a mythical figure a creature who
826
00:40:02,820 --> 00:40:07,559
uses her beauty to get what she desires
827
00:40:04,920 --> 00:40:09,849
leading her down a self-destructive path
828
00:40:07,559 --> 00:40:11,519
toward complete ruin
829
00:40:09,849 --> 00:40:13,920
[Music]
830
00:40:11,519 --> 00:40:16,500
the revealing scene in which she sits on
831
00:40:13,920 --> 00:40:18,900
the shigulch's lap the old man who is
832
00:40:16,500 --> 00:40:20,699
essentially just a pimp
833
00:40:18,900 --> 00:40:22,920
she's on his lap and she says everybody
834
00:40:20,699 --> 00:40:25,399
wants something from me and it's true
835
00:40:22,920 --> 00:40:28,200
and it's also true that everybody who
836
00:40:25,400 --> 00:40:30,838
does so and gets something from her
837
00:40:28,199 --> 00:40:34,199
usually ends up being destroyed
838
00:40:30,838 --> 00:40:36,900
but the key is that this happens with
839
00:40:34,199 --> 00:40:39,500
her being unaware of it all she is
840
00:40:36,900 --> 00:40:42,900
trying to do is share this incredible
841
00:40:39,500 --> 00:40:44,760
sexuality or eroticism or even you could
842
00:40:42,900 --> 00:40:48,300
just say affection
843
00:40:44,760 --> 00:40:51,359
what Lulu does is to bring out the worst
844
00:40:48,300 --> 00:40:54,900
qualities that exist at the deep dark
845
00:40:51,358 --> 00:40:57,838
horrible heart of all men
846
00:40:54,900 --> 00:40:59,280
her life destroyed Lulu ends up a
847
00:40:57,838 --> 00:41:01,739
prostitute
848
00:40:59,280 --> 00:41:04,619
on Christmas Eve she is brutally
849
00:41:01,739 --> 00:41:07,259
murdered by Jack the Ripper
850
00:41:04,619 --> 00:41:09,680
the only true love scene is this one
851
00:41:07,260 --> 00:41:13,079
with Jack the Ripper
852
00:41:09,679 --> 00:41:14,279
like Lulu Louise Brooks could not be
853
00:41:13,079 --> 00:41:16,859
tamed
854
00:41:14,280 --> 00:41:19,320
as Luis herself put it sex was the
855
00:41:16,858 --> 00:41:21,000
business of the town and she herself
856
00:41:19,320 --> 00:41:23,579
Louise was a
857
00:41:21,000 --> 00:41:26,519
hard partying girl enjoying the
858
00:41:23,579 --> 00:41:29,480
smorgasbord that Berlin had to offer
859
00:41:26,519 --> 00:41:32,400
I really didn't know any of the actors
860
00:41:29,480 --> 00:41:34,260
in the first place patch didn't want me
861
00:41:32,400 --> 00:41:36,480
to know any he was so afraid that I'd
862
00:41:34,260 --> 00:41:41,599
run out at night and go go to all those
863
00:41:36,480 --> 00:41:41,599
lesbian joints or get drunk
864
00:41:41,760 --> 00:41:46,260
the sensors take the shears to Pandora's
865
00:41:44,880 --> 00:41:49,200
Box
866
00:41:46,260 --> 00:41:50,760
Pandora's Box was hugely censored in
867
00:41:49,199 --> 00:41:53,399
Germany and butchered to death because
868
00:41:50,760 --> 00:41:56,700
it was so morally objectionable in the
869
00:41:53,400 --> 00:41:58,440
view of the sensors and that by the time
870
00:41:56,699 --> 00:42:01,319
it hit the United States which was much
871
00:41:58,440 --> 00:42:02,880
later it was further butchered and it
872
00:42:01,320 --> 00:42:05,599
played in New York for instance for
873
00:42:02,880 --> 00:42:05,599
about 10 minutes
874
00:42:06,179 --> 00:42:11,699
a Brash experimentation that up to now
875
00:42:09,300 --> 00:42:14,300
has only been discussed as a theoretical
876
00:42:11,699 --> 00:42:14,299
possibility
877
00:42:20,519 --> 00:42:24,179
at that point nobody was interested in
878
00:42:22,739 --> 00:42:28,199
silent films
879
00:42:24,179 --> 00:42:30,779
the best silent film of 1928 or 9 could
880
00:42:28,199 --> 00:42:32,039
not compete with the worst sound film at
881
00:42:30,780 --> 00:42:35,099
the box office
882
00:42:32,039 --> 00:42:37,440
before MGM made Garbo's first talkie
883
00:42:35,099 --> 00:42:40,079
they prepared her for more than a year
884
00:42:37,440 --> 00:42:42,000
Clara Beau has only two weeks of
885
00:42:40,079 --> 00:42:43,920
preparation for the undistinguished
886
00:42:42,000 --> 00:42:46,559
properties Paramount gives her
887
00:42:43,920 --> 00:42:50,019
wild party is the story of a college
888
00:42:46,559 --> 00:42:53,170
girl living the party life at school
889
00:42:50,019 --> 00:42:53,170
[Music]
890
00:42:54,358 --> 00:43:00,719
she is reformed by the love she has for
891
00:42:56,639 --> 00:43:03,379
her professor you mean you hate me
892
00:43:00,719 --> 00:43:03,379
yes
893
00:43:05,159 --> 00:43:10,259
I can get you one and I love you
894
00:43:07,858 --> 00:43:12,779
I hate you for what you've been and I
895
00:43:10,260 --> 00:43:16,040
I love you for what you could be
896
00:43:12,780 --> 00:43:16,040
will be killed
897
00:43:17,460 --> 00:43:23,599
Clara's Behavior behind the scenes can
898
00:43:20,159 --> 00:43:23,598
no longer be buried by the studio
899
00:43:28,619 --> 00:43:32,640
one
900
00:43:29,940 --> 00:43:34,559
you or two minutes ago you were getting
901
00:43:32,639 --> 00:43:36,118
cash with me
902
00:43:34,559 --> 00:43:39,539
and if it wasn't me it would be somebody
903
00:43:36,119 --> 00:43:41,519
else you couldn't love anyone it seems
904
00:43:39,539 --> 00:43:43,800
like a little girl really there was
905
00:43:41,519 --> 00:43:46,318
something of every damn day with clothes
906
00:43:43,800 --> 00:43:50,039
she was so innocent
907
00:43:46,318 --> 00:43:51,539
so vulnerable she had no protection at
908
00:43:50,039 --> 00:43:54,259
all
909
00:43:51,539 --> 00:43:57,719
in 1931 a disgruntled assistant
910
00:43:54,260 --> 00:44:01,640
publishes a scandalous pamphlet exposing
911
00:43:57,719 --> 00:44:01,639
Clara Beau for having numerous affairs
912
00:44:01,818 --> 00:44:08,400
she was an enormously big star for a
913
00:44:05,280 --> 00:44:11,220
long time and she did get unfortunate
914
00:44:08,400 --> 00:44:14,579
some publicity that was not
915
00:44:11,219 --> 00:44:18,539
the best of situations at that time
916
00:44:14,579 --> 00:44:21,000
new faces arrive with voices to match
917
00:44:18,539 --> 00:44:23,279
established Stars find their positions
918
00:44:21,000 --> 00:44:25,800
threatened as the studios prepare to
919
00:44:23,280 --> 00:44:28,079
change all of the rules
920
00:44:25,800 --> 00:44:30,539
Clara Beau has a portion of her salary
921
00:44:28,079 --> 00:44:33,119
placed into a trust
922
00:44:30,539 --> 00:44:35,338
if she misbehaves the trust fund
923
00:44:33,119 --> 00:44:37,200
disappears
924
00:44:35,338 --> 00:44:39,179
when things started to change with the
925
00:44:37,199 --> 00:44:40,318
coming of sound and she really had a
926
00:44:39,179 --> 00:44:42,779
problem and it was obvious that they
927
00:44:40,318 --> 00:44:44,519
were not going to be able to carry her
928
00:44:42,780 --> 00:44:47,040
haven't you ever had a girl back home
929
00:44:44,519 --> 00:44:49,440
that used to hold close in your arms and
930
00:44:47,039 --> 00:44:51,599
kiss sometimes
931
00:44:49,440 --> 00:44:54,679
oh
932
00:44:51,599 --> 00:44:54,680
I thought so
933
00:44:54,719 --> 00:44:59,159
couldn't you shut your eyes and pretend
934
00:44:57,059 --> 00:45:01,279
I'm I'm
935
00:44:59,159 --> 00:45:01,279
um
936
00:45:01,500 --> 00:45:06,059
she wasn't gonna be able to carry the
937
00:45:03,358 --> 00:45:08,039
studio any longer financially then
938
00:45:06,059 --> 00:45:09,358
things changed in a big way and she
939
00:45:08,039 --> 00:45:13,858
really was
940
00:45:09,358 --> 00:45:16,019
censored or censured in a way that
941
00:45:13,858 --> 00:45:18,299
financially
942
00:45:16,019 --> 00:45:21,420
Paramount now focuses on Marlena
943
00:45:18,300 --> 00:45:23,640
Dietrich as their new sex symbol
944
00:45:21,420 --> 00:45:26,159
they expect her not only to be their
945
00:45:23,639 --> 00:45:28,139
answer to Garbo but they also are
946
00:45:26,159 --> 00:45:29,940
relying on her to make it in sound
947
00:45:28,139 --> 00:45:33,299
pictures
948
00:45:29,940 --> 00:45:36,059
what she disliked very much was that At
949
00:45:33,300 --> 00:45:37,500
first she felt that she was an airs out
950
00:45:36,059 --> 00:45:40,679
Scarborough
951
00:45:37,500 --> 00:45:43,800
she was brought as a rival to MGM they
952
00:45:40,679 --> 00:45:47,159
didn't care about Dietrich per se as
953
00:45:43,800 --> 00:45:49,160
long as she was able to make MGM sweat a
954
00:45:47,159 --> 00:45:52,019
little Paramount was happy
955
00:45:49,159 --> 00:45:54,838
Dietrich has an amused no-nonsense
956
00:45:52,019 --> 00:45:56,759
approach to sex and she is appalled by
957
00:45:54,838 --> 00:46:00,059
the morals clause
958
00:45:56,760 --> 00:46:02,220
she states in America sex is an
959
00:46:00,059 --> 00:46:04,318
obsession in other parts of the world
960
00:46:02,219 --> 00:46:06,899
it's a fact
961
00:46:04,318 --> 00:46:09,179
my mother was very angry
962
00:46:06,900 --> 00:46:12,059
they have no right
963
00:46:09,179 --> 00:46:14,219
what I do as somebody who earns their
964
00:46:12,059 --> 00:46:18,779
living is one thing
965
00:46:14,219 --> 00:46:21,000
what I do outside of that structure
966
00:46:18,780 --> 00:46:24,480
she lived her life the way she wanted to
967
00:46:21,000 --> 00:46:26,519
live it not the way the studio would
968
00:46:24,480 --> 00:46:29,039
have liked
969
00:46:26,519 --> 00:46:31,139
Studio contacts Louise Brooks to return
970
00:46:29,039 --> 00:46:32,880
to Paramount and dub her voice over the
971
00:46:31,139 --> 00:46:35,818
silent footage that she had shot for the
972
00:46:32,880 --> 00:46:38,160
film the canary murder case
973
00:46:35,818 --> 00:46:40,730
she refuses
974
00:46:38,159 --> 00:46:42,000
and she ends her career
975
00:46:40,730 --> 00:46:43,920
[Music]
976
00:46:42,000 --> 00:46:46,619
so they called me and they said you must
977
00:46:43,920 --> 00:46:47,760
return to Hollywood to make this into a
978
00:46:46,619 --> 00:46:50,700
turkey
979
00:46:47,760 --> 00:46:53,460
I said lie I'm sorry I'm not returning
980
00:46:50,699 --> 00:46:55,739
to Hollywood they said well you must be
981
00:46:53,460 --> 00:46:57,240
kidding I said no I'm not kidding they
982
00:46:55,739 --> 00:46:58,858
said well how can we make it into a
983
00:46:57,239 --> 00:47:00,479
donkey without you and I said I really
984
00:46:58,858 --> 00:47:02,940
don't know
985
00:47:00,480 --> 00:47:05,039
it was her theory that the studios were
986
00:47:02,940 --> 00:47:07,380
capitalizing on all the confusion over
987
00:47:05,039 --> 00:47:10,619
sound in order to break contracts and
988
00:47:07,380 --> 00:47:13,680
cut salaries and tame the Stars
989
00:47:10,619 --> 00:47:15,720
the first publicity that came out about
990
00:47:13,679 --> 00:47:17,098
me in Hollywood when talking they said
991
00:47:15,719 --> 00:47:19,858
Louise Brooks is one of those
992
00:47:17,099 --> 00:47:21,539
unfortunate people whose voice did they
993
00:47:19,858 --> 00:47:23,279
apparently put this out as if I didn't
994
00:47:21,539 --> 00:47:25,318
have enough trouble whose voice didn't
995
00:47:23,280 --> 00:47:28,200
record well
996
00:47:25,318 --> 00:47:31,380
that Hollywood treatment is murders just
997
00:47:28,199 --> 00:47:33,000
murders are you not a person anymore you
998
00:47:31,380 --> 00:47:34,858
know the people who've been to die with
999
00:47:33,000 --> 00:47:36,659
you and you spent weekends with they
1000
00:47:34,858 --> 00:47:39,358
look right at you it isn't like this is
1001
00:47:36,659 --> 00:47:41,659
what they is we buff you you don't exist
1002
00:47:39,358 --> 00:47:41,659
anymore
1003
00:47:49,980 --> 00:47:52,980
foreign
1004
00:48:01,099 --> 00:48:06,800
October 1929 the world as we know it
1005
00:48:04,800 --> 00:48:09,720
collapses
1006
00:48:06,800 --> 00:48:12,539
when the depression finally hit
1007
00:48:09,719 --> 00:48:14,879
they still kept cranking out movies
1008
00:48:12,539 --> 00:48:17,759
for a few cents to be able to go to a
1009
00:48:14,880 --> 00:48:19,079
movie and get lost in that make-believe
1010
00:48:17,760 --> 00:48:21,680
world
1011
00:48:19,079 --> 00:48:26,160
in the entire history of movies
1012
00:48:21,679 --> 00:48:28,259
1929 was the most profitable year ever
1013
00:48:26,159 --> 00:48:30,299
the big problem in terms of censorship
1014
00:48:28,260 --> 00:48:33,060
and the content of movies was that all
1015
00:48:30,300 --> 00:48:35,640
of a sudden the film is on a disk a disc
1016
00:48:33,059 --> 00:48:37,619
cannot be censored the point is you
1017
00:48:35,639 --> 00:48:41,059
can't cut that
1018
00:48:37,619 --> 00:48:41,059
I'm Carrie Malott
1019
00:48:45,960 --> 00:48:49,380
I am what I am
1020
00:48:47,818 --> 00:48:51,059
I don't know how they finally settle
1021
00:48:49,380 --> 00:48:52,740
things in this world or the next but
1022
00:48:51,059 --> 00:48:54,659
when the day comes I'll stand there with
1023
00:48:52,739 --> 00:48:56,818
my chin up and take what's coming to me
1024
00:48:54,659 --> 00:48:58,858
and I wouldn't trade places with you you
1025
00:48:56,818 --> 00:49:00,539
white-livered sweet smelling hypocrite
1026
00:48:58,858 --> 00:49:01,578
that they gave me a one-way ticket to
1027
00:49:00,539 --> 00:49:05,219
Hell
1028
00:49:01,579 --> 00:49:06,720
by 1929 all of Hollywood converts to
1029
00:49:05,219 --> 00:49:08,338
sound
1030
00:49:06,719 --> 00:49:11,399
giving the studios the perfect
1031
00:49:08,338 --> 00:49:13,500
opportunity to clean house
1032
00:49:11,400 --> 00:49:16,260
Louise Brooks finally returns to
1033
00:49:13,500 --> 00:49:18,210
Hollywood only to be cast in bad B
1034
00:49:16,260 --> 00:49:19,740
westerns and short films
1035
00:49:18,210 --> 00:49:22,318
[Music]
1036
00:49:19,739 --> 00:49:24,479
the greatest of many ironies of Louise's
1037
00:49:22,318 --> 00:49:27,119
downfall was that her final films were
1038
00:49:24,480 --> 00:49:30,000
just small parts and terrible films of
1039
00:49:27,119 --> 00:49:32,579
which probably the most terrible is
1040
00:49:30,000 --> 00:49:34,980
Wendy Riley goes Hollywood Please Mr
1041
00:49:32,579 --> 00:49:36,660
Lane don't put that story Mr lacrosse
1042
00:49:34,980 --> 00:49:38,400
will be here in a few minutes yeah he'd
1043
00:49:36,659 --> 00:49:40,500
be a good guy the kid lose a contract
1044
00:49:38,400 --> 00:49:42,900
event goes to when she loses her
1045
00:49:40,500 --> 00:49:44,760
contract I lose my money but the
1046
00:49:42,900 --> 00:49:47,579
director of the film is more interesting
1047
00:49:44,760 --> 00:49:49,800
for Fatty Arbuckle who at that point had
1048
00:49:47,579 --> 00:49:52,619
long disgraced himself and been out of
1049
00:49:49,800 --> 00:49:55,079
work and was allowed to come back and
1050
00:49:52,619 --> 00:49:57,420
try to redeem himself by directing but
1051
00:49:55,079 --> 00:50:00,660
only if he used the pseudonym will be
1052
00:49:57,420 --> 00:50:03,300
good like a couple of facts it's said
1053
00:50:00,659 --> 00:50:06,899
ending for both of them
1054
00:50:03,300 --> 00:50:09,300
sound Alters audiences expectations and
1055
00:50:06,900 --> 00:50:12,358
makes it impossible for more demure and
1056
00:50:09,300 --> 00:50:14,519
older actresses to compete
1057
00:50:12,358 --> 00:50:16,619
was that all right
1058
00:50:14,519 --> 00:50:18,659
the sound coming it was really an
1059
00:50:16,619 --> 00:50:21,059
absolute Enlightenment it's hard to
1060
00:50:18,659 --> 00:50:24,239
describe the Panic for everybody the
1061
00:50:21,059 --> 00:50:28,078
whole town was taken
1062
00:50:24,239 --> 00:50:30,118
the classic play rain is remade but in
1063
00:50:28,079 --> 00:50:32,480
an entirely different style starring
1064
00:50:30,119 --> 00:50:35,579
Joan Crawford
1065
00:50:32,480 --> 00:50:37,079
Gloria Swanson was a lady who just
1066
00:50:35,579 --> 00:50:38,700
happened to be in a questionable
1067
00:50:37,079 --> 00:50:40,019
profession whereas with Crawford you
1068
00:50:38,699 --> 00:50:41,879
kind of got the feeling she really liked
1069
00:50:40,019 --> 00:50:43,440
it
1070
00:50:41,880 --> 00:50:46,079
used to pep you
1071
00:50:43,440 --> 00:50:49,019
were born holy Willy look at this the
1072
00:50:46,079 --> 00:50:52,140
Wabash blues music and a nipple liquor
1073
00:50:49,019 --> 00:50:54,838
that's what a rainy day is for says I
1074
00:50:52,139 --> 00:50:56,639
can you dance Hanson Joan Crawford was a
1075
00:50:54,838 --> 00:50:59,400
performer of much greater ferocity she
1076
00:50:56,639 --> 00:51:02,098
was more Manish in in some respects and
1077
00:50:59,400 --> 00:51:06,358
I think that colored her performance Mr
1078
00:51:02,099 --> 00:51:08,280
Davidson why do you worry about me
1079
00:51:06,358 --> 00:51:10,440
you've had your own soul and trust and
1080
00:51:08,280 --> 00:51:12,960
you have failed it is my business to
1081
00:51:10,440 --> 00:51:15,000
show you the way to redeem it
1082
00:51:12,960 --> 00:51:19,260
having anything to say about myself then
1083
00:51:15,000 --> 00:51:21,719
you can choose but one of two paths
1084
00:51:19,260 --> 00:51:24,319
what's the second choice
1085
00:51:21,719 --> 00:51:24,318
destruction
1086
00:51:25,318 --> 00:51:29,119
and who's gonna distract me
1087
00:51:29,219 --> 00:51:35,279
film's got a little bit down and dirty
1088
00:51:32,519 --> 00:51:38,039
in the 30s
1089
00:51:35,280 --> 00:51:39,780
oh I didn't know you were in the shower
1090
00:51:38,039 --> 00:51:42,079
did you have a good time with Oscar in
1091
00:51:39,780 --> 00:51:44,220
the medicine ball Warner Brothers
1092
00:51:42,079 --> 00:51:45,900
decided that we're going to shoot the
1093
00:51:44,219 --> 00:51:47,818
headlines and this is not a happy time
1094
00:51:45,900 --> 00:51:50,160
and we're going to show that yeah I'm a
1095
00:51:47,818 --> 00:51:52,440
[ __ ] and host of blame my father a
1096
00:51:50,159 --> 00:51:55,199
swell start you gave me ever since I was
1097
00:51:52,440 --> 00:51:57,539
14 months had been nothing but men dirty
1098
00:51:55,199 --> 00:52:01,439
rotten men and you're lower than any of
1099
00:51:57,539 --> 00:52:03,779
them I'll hate you as long as I live
1100
00:52:01,440 --> 00:52:06,659
while there is a rough production code
1101
00:52:03,780 --> 00:52:10,260
still in place filmmakers continue to
1102
00:52:06,659 --> 00:52:13,139
work around it not hear somebody with
1103
00:52:10,260 --> 00:52:15,780
could I do he's my boss and I have to
1104
00:52:13,139 --> 00:52:18,299
earn my own living
1105
00:52:15,780 --> 00:52:20,819
are you letting me go
1106
00:52:18,300 --> 00:52:24,500
I'll need everything I've given you
1107
00:52:20,818 --> 00:52:24,500
all your bonds and securities
1108
00:52:26,219 --> 00:52:29,699
think of myself
1109
00:52:28,139 --> 00:52:30,900
I've gone through a lot to get those
1110
00:52:29,699 --> 00:52:33,899
things
1111
00:52:30,900 --> 00:52:35,579
my life has been bitter and hard I'm not
1112
00:52:33,900 --> 00:52:37,980
like other women there are a lot of
1113
00:52:35,579 --> 00:52:40,619
things that the studios fought and they
1114
00:52:37,980 --> 00:52:42,550
would get around it by various devious
1115
00:52:40,619 --> 00:52:45,838
ways of doing it
1116
00:52:42,550 --> 00:52:45,839
[Music]
1117
00:52:46,818 --> 00:52:50,480
oh I'm hot
1118
00:52:50,880 --> 00:52:55,440
I wonder where my dress is
1119
00:52:53,960 --> 00:52:58,139
[Music]
1120
00:52:55,440 --> 00:53:01,500
do you have a dress one
1121
00:52:58,139 --> 00:53:04,940
pardon my appearance
1122
00:53:01,500 --> 00:53:04,940
I find it hard to
1123
00:53:13,380 --> 00:53:18,358
said that you had this enormous tug of
1124
00:53:15,420 --> 00:53:20,280
war between on the one hand the god of
1125
00:53:18,358 --> 00:53:23,219
Commerce and on the other hand the god
1126
00:53:20,280 --> 00:53:25,200
of God no Mr Davidson your garden me
1127
00:53:23,219 --> 00:53:26,699
could never be Shipmates and the next
1128
00:53:25,199 --> 00:53:28,618
time you talk to him you can tell him
1129
00:53:26,699 --> 00:53:31,439
this for me that Sadie Thompson is on
1130
00:53:28,619 --> 00:53:34,260
her way to Hell Top This has gone far
1131
00:53:31,440 --> 00:53:36,059
enough oh no it hasn't gone far enough
1132
00:53:34,260 --> 00:53:37,440
you've been telling me what's wrong with
1133
00:53:36,059 --> 00:53:39,660
me now I'm gonna tell you what's wrong
1134
00:53:37,440 --> 00:53:41,880
with you you'll keep yelling at me to be
1135
00:53:39,659 --> 00:53:43,259
punished to go back and suffer how do
1136
00:53:41,880 --> 00:53:44,700
you know what I've suffered you don't
1137
00:53:43,260 --> 00:53:46,440
know you don't care and you don't even
1138
00:53:44,699 --> 00:53:50,299
ask and you call yourself a Christian
1139
00:53:46,440 --> 00:53:50,300
why another my miserable
1140
00:53:50,719 --> 00:53:58,098
you know you're big enough alone you're
1141
00:53:54,179 --> 00:53:58,098
starting the power to hang me all right
1142
00:53:58,519 --> 00:54:03,119
man be down to you trespass against us
1143
00:54:01,619 --> 00:54:05,039
the Catholic Church which was very
1144
00:54:03,119 --> 00:54:06,900
powerful in those days and all these
1145
00:54:05,039 --> 00:54:09,058
other decency groups are complaining
1146
00:54:06,900 --> 00:54:10,980
about the movies and so uh the studios
1147
00:54:09,059 --> 00:54:12,119
are really caught in in a vice here
1148
00:54:10,980 --> 00:54:14,400
because they want to make money
1149
00:54:12,119 --> 00:54:16,260
especially during the Depression when
1150
00:54:14,400 --> 00:54:17,940
many of the studios including Paramount
1151
00:54:16,260 --> 00:54:19,140
either went into receivership or came
1152
00:54:17,940 --> 00:54:23,280
darn close
1153
00:54:19,139 --> 00:54:26,039
Cecil's just had to change a few details
1154
00:54:23,280 --> 00:54:29,579
we couldn't have women being strangled
1155
00:54:26,039 --> 00:54:32,880
in the bedroom so often you know
1156
00:54:29,579 --> 00:54:35,180
in 1931 Gene Harlow appears in the Iron
1157
00:54:32,880 --> 00:54:35,180
Man
1158
00:54:35,460 --> 00:54:40,740
Now isn't that better
1159
00:54:37,940 --> 00:54:42,659
the story of a manipulative girl who
1160
00:54:40,739 --> 00:54:45,058
returns to her husband only when he
1161
00:54:42,659 --> 00:54:46,558
becomes a champion in the ring well you
1162
00:54:45,059 --> 00:54:49,019
don't have to worry the kid's been
1163
00:54:46,559 --> 00:54:51,359
knocking him over lately oh I read every
1164
00:54:49,019 --> 00:54:54,480
word of it
1165
00:54:51,358 --> 00:54:56,098
because all I had eyes for
1166
00:54:54,480 --> 00:54:56,940
well you've been following his doings
1167
00:54:56,099 --> 00:55:00,559
huh
1168
00:54:56,940 --> 00:55:00,559
I thought you'd be interested
1169
00:55:00,780 --> 00:55:05,340
her and her lover almost ruin him but
1170
00:55:03,659 --> 00:55:06,899
they destroy themselves in the end
1171
00:55:05,340 --> 00:55:08,940
[Music]
1172
00:55:06,900 --> 00:55:11,480
so what do you think I'm gonna do to
1173
00:55:08,940 --> 00:55:11,480
support you
1174
00:55:13,980 --> 00:55:17,519
that's me
1175
00:55:15,358 --> 00:55:18,779
I'm gonna hold the bag am I well you
1176
00:55:17,519 --> 00:55:21,960
started this or they're causing my wife
1177
00:55:18,780 --> 00:55:24,000
oh quit your crime we're in a geminist
1178
00:55:21,960 --> 00:55:27,300
every man for himself
1179
00:55:24,000 --> 00:55:29,639
Gene Harlow was terrifically desirable
1180
00:55:27,300 --> 00:55:31,200
because
1181
00:55:29,639 --> 00:55:35,000
she
1182
00:55:31,199 --> 00:55:37,799
had a kind of quality of abandon
1183
00:55:35,000 --> 00:55:40,260
really unrestricted
1184
00:55:37,800 --> 00:55:43,500
she was Reckless
1185
00:55:40,260 --> 00:55:45,420
obviously indicated by the fact that she
1186
00:55:43,500 --> 00:55:48,659
did not favor
1187
00:55:45,420 --> 00:55:50,579
underwear famously
1188
00:55:48,659 --> 00:55:53,460
although her Talent is clearly
1189
00:55:50,579 --> 00:55:56,400
undiminished and her public appeal still
1190
00:55:53,460 --> 00:56:00,599
strong Clara Beau retires at the age of
1191
00:55:56,400 --> 00:56:03,000
28. she states later on a sex symbol is
1192
00:56:00,599 --> 00:56:06,920
a heavy load to carry when one is tired
1193
00:56:03,000 --> 00:56:06,920
hurt and bewildered
1194
00:56:07,139 --> 00:56:12,358
Marlena Dietrich has become one of the
1195
00:56:09,599 --> 00:56:14,818
most powerful women in Hollywood
1196
00:56:12,358 --> 00:56:17,219
Dietrich became a star so quickly
1197
00:56:14,818 --> 00:56:20,659
because there was something in her that
1198
00:56:17,219 --> 00:56:22,739
people wanted in Garbo and didn't find
1199
00:56:20,659 --> 00:56:26,399
self-mocking humor could do you more
1200
00:56:22,739 --> 00:56:28,858
good what makes you think I'm nervous
1201
00:56:26,400 --> 00:56:33,180
one thing your hands are trembling
1202
00:56:28,858 --> 00:56:35,699
that's because you touched me duck
1203
00:56:33,179 --> 00:56:38,759
in Joseph Von sternberg's Shanghai
1204
00:56:35,699 --> 00:56:41,519
Express she plays the Exotic Shanghai
1205
00:56:38,760 --> 00:56:45,500
Lily a mysterious call girl who has
1206
00:56:41,519 --> 00:56:48,358
become entangled in political espionage
1207
00:56:45,500 --> 00:56:51,300
in Shanghai Express people come to her
1208
00:56:48,358 --> 00:56:52,019
in such time as you should grow weary on
1209
00:56:51,300 --> 00:56:55,019
me
1210
00:56:52,019 --> 00:56:56,400
I'm weary of you now the warlord even
1211
00:56:55,019 --> 00:56:58,858
has to come to her
1212
00:56:56,400 --> 00:57:01,500
to negotiate with her even though she's
1213
00:56:58,858 --> 00:57:03,719
held captive she has a power over him
1214
00:57:01,500 --> 00:57:06,358
don't touch me
1215
00:57:03,719 --> 00:57:09,118
Dietrich and Von Sternberg are a perfect
1216
00:57:06,358 --> 00:57:10,679
match for each other both off and on the
1217
00:57:09,119 --> 00:57:13,858
screen
1218
00:57:10,679 --> 00:57:16,500
she writes I am his product all of his
1219
00:57:13,858 --> 00:57:18,598
making and I am fascinated by that face
1220
00:57:16,500 --> 00:57:21,480
up there on the screen and look forward
1221
00:57:18,599 --> 00:57:24,740
to the rushes each day to see what I his
1222
00:57:21,480 --> 00:57:24,740
creature will look like
1223
00:57:25,019 --> 00:57:29,280
dietrich's love and respect for Von
1224
00:57:27,239 --> 00:57:30,539
Sternberg does not deter her Carefree
1225
00:57:29,280 --> 00:57:33,599
lifestyle
1226
00:57:30,539 --> 00:57:35,699
she simply cannot be monogamous
1227
00:57:33,599 --> 00:57:37,619
a lot of people could claim they could
1228
00:57:35,699 --> 00:57:41,279
create their own rules
1229
00:57:37,619 --> 00:57:43,619
Dietrich did create
1230
00:57:41,280 --> 00:57:46,260
rules this woman is not only insatiable
1231
00:57:43,619 --> 00:57:48,599
she's calling the shots
1232
00:57:46,260 --> 00:57:51,480
don't forget we traveled with my father
1233
00:57:48,599 --> 00:57:54,180
and his mistress you know and she she
1234
00:57:51,480 --> 00:57:56,760
traveled with her lover
1235
00:57:54,179 --> 00:57:58,500
most of my dear friends came from my
1236
00:57:56,760 --> 00:58:02,220
mother's lovers
1237
00:57:58,500 --> 00:58:04,679
I had a lot of strange fathers some of
1238
00:58:02,219 --> 00:58:06,779
them were women some of them
1239
00:58:04,679 --> 00:58:08,460
when people say to me how's your father
1240
00:58:06,780 --> 00:58:10,740
I usually say well which father would
1241
00:58:08,460 --> 00:58:13,740
you like me to talk about
1242
00:58:10,739 --> 00:58:15,659
May West finally crosses over from the
1243
00:58:13,739 --> 00:58:17,879
stage to the screen
1244
00:58:15,659 --> 00:58:19,980
she is bright and outspoken on the
1245
00:58:17,880 --> 00:58:22,200
subject of sex
1246
00:58:19,980 --> 00:58:23,760
Dietrich finds her refreshing and is
1247
00:58:22,199 --> 00:58:25,019
delighted to have her on the Paramount
1248
00:58:23,760 --> 00:58:28,140
lot
1249
00:58:25,019 --> 00:58:31,559
Marlena and may recognized each other as
1250
00:58:28,139 --> 00:58:34,318
really liberated women both on the
1251
00:58:31,559 --> 00:58:37,319
screen and in their personal life
1252
00:58:34,318 --> 00:58:40,079
she got some flowers some roses she says
1253
00:58:37,318 --> 00:58:43,558
you know I think this diet broad is hot
1254
00:58:40,079 --> 00:58:47,160
for me even though Dietrich was bisexual
1255
00:58:43,559 --> 00:58:49,319
I don't think Miss West was if she was
1256
00:58:47,159 --> 00:58:50,759
it would have to be an awful masculine
1257
00:58:49,318 --> 00:58:53,279
moment
1258
00:58:50,760 --> 00:58:56,760
Paramount contemplates what to do with
1259
00:58:53,280 --> 00:59:00,960
this dangerous yet profitable actress
1260
00:58:56,760 --> 00:59:04,619
for me we had a man named Luigi loraski
1261
00:59:00,960 --> 00:59:07,519
and one of Luigi's jobs was to Shepherd
1262
00:59:04,619 --> 00:59:10,798
May through her pictures
1263
00:59:07,519 --> 00:59:13,019
and Luigi would go to call Mae's at it
1264
00:59:10,798 --> 00:59:16,259
again and she'd be doing something
1265
00:59:13,019 --> 00:59:18,420
either in action with voice or in her
1266
00:59:16,260 --> 00:59:20,579
body movements and he said may you can't
1267
00:59:18,420 --> 00:59:22,260
do that and this he said okay I won't do
1268
00:59:20,579 --> 00:59:26,818
that but you can't stop me from doing
1269
00:59:22,260 --> 00:59:29,339
this come up again anytime I shall
1270
00:59:26,818 --> 00:59:32,358
then I hope you will be alone
1271
00:59:29,338 --> 00:59:32,358
so do I
1272
00:59:34,619 --> 00:59:40,920
have warm dark and handsome
1273
00:59:38,480 --> 00:59:43,559
May decides to bring her greatest
1274
00:59:40,920 --> 00:59:45,780
achievement on stage to life upon the
1275
00:59:43,559 --> 00:59:47,700
screen from her stage creation of
1276
00:59:45,780 --> 00:59:49,980
Diamond Lil
1277
00:59:47,699 --> 00:59:53,578
it was no cinch putting Lil into films
1278
00:59:49,980 --> 00:59:54,719
male immense the sensors you know no
1279
00:59:53,579 --> 00:59:56,640
rough stuff
1280
00:59:54,719 --> 00:59:57,719
that it's hard to be funny when you have
1281
00:59:56,639 --> 01:00:01,019
to be clean
1282
00:59:57,719 --> 01:00:02,818
come on Paul tell your fortune
1283
01:00:01,019 --> 01:00:05,519
you can be had
1284
01:00:02,818 --> 01:00:07,858
the censor Jeffrey Sherlock said we
1285
01:00:05,519 --> 01:00:10,318
weren't used to having sex kidding so
1286
01:00:07,858 --> 01:00:12,058
the Minutemen I find you making love to
1287
01:00:10,318 --> 01:00:14,039
another woman you expect to be doing
1288
01:00:12,059 --> 01:00:16,140
well boy with a gift like that should be
1289
01:00:14,039 --> 01:00:18,119
working at it
1290
01:00:16,139 --> 01:00:20,039
said oh I recall being with Those
1291
01:00:18,119 --> 01:00:21,900
sensors in the projection booth and they
1292
01:00:20,039 --> 01:00:23,460
were laughing and of course then after
1293
01:00:21,900 --> 01:00:25,559
the screen was over well we had to cut
1294
01:00:23,460 --> 01:00:28,559
this maybe to cut this one to cut this
1295
01:00:25,559 --> 01:00:30,298
in the papers church people preach
1296
01:00:28,559 --> 01:00:31,500
against Mae West on Sunday but then
1297
01:00:30,298 --> 01:00:32,519
Monday and Tuesday night they're in the
1298
01:00:31,500 --> 01:00:33,659
theater laughing along with everybody
1299
01:00:32,519 --> 01:00:36,239
else
1300
01:00:33,659 --> 01:00:37,558
William Randolph Hearst attacks May West
1301
01:00:36,239 --> 01:00:40,019
in the Press
1302
01:00:37,559 --> 01:00:43,140
he States isn't it about time that
1303
01:00:40,019 --> 01:00:47,219
Congress did something about May West
1304
01:00:43,139 --> 01:00:51,558
any form of censorship would Inspire her
1305
01:00:47,219 --> 01:00:51,558
all the more to subvert it
1306
01:00:54,480 --> 01:00:59,099
she could
1307
01:00:55,920 --> 01:01:03,900
make reading the phone book a suggestive
1308
01:00:59,099 --> 01:01:05,818
activity so they might censor
1309
01:01:03,900 --> 01:01:09,119
her plots
1310
01:01:05,818 --> 01:01:12,119
or her dialogue but they couldn't really
1311
01:01:09,119 --> 01:01:13,798
censor her personality very well
1312
01:01:12,119 --> 01:01:16,079
sorry you think more of your diamonds
1313
01:01:13,798 --> 01:01:17,338
than you do of your soul I'm sorry you
1314
01:01:16,079 --> 01:01:19,920
think more of my soul and you're doing
1315
01:01:17,338 --> 01:01:23,159
my diamonds
1316
01:01:19,920 --> 01:01:26,039
maybe I ain't got no soul
1317
01:01:23,159 --> 01:01:27,779
her sexual frankness alarms the forces
1318
01:01:26,039 --> 01:01:30,119
of reaction
1319
01:01:27,780 --> 01:01:32,400
the Catholic Legion of decency is formed
1320
01:01:30,119 --> 01:01:35,059
in 1933.
1321
01:01:32,400 --> 01:01:40,019
its aim is to stop all forms of
1322
01:01:35,059 --> 01:01:45,059
incitement to moral depravity in movies
1323
01:01:40,019 --> 01:01:46,619
in 1933 it really took a grass roots
1324
01:01:45,059 --> 01:01:49,798
movement and that's namely the Catholics
1325
01:01:46,619 --> 01:01:51,838
to form an organization the Bishops
1326
01:01:49,798 --> 01:01:54,659
went into the pulpit and said
1327
01:01:51,838 --> 01:01:56,279
you can't go to any movies this week
1328
01:01:54,659 --> 01:01:58,219
underpaint of sin
1329
01:01:56,280 --> 01:02:01,619
mortal sin
1330
01:01:58,219 --> 01:02:03,779
prohibition is lifted in December 1933
1331
01:02:01,619 --> 01:02:06,318
and the country no longer has to hide
1332
01:02:03,780 --> 01:02:06,319
its thirst
1333
01:02:06,539 --> 01:02:11,338
six months later the movie studios
1334
01:02:08,940 --> 01:02:13,559
finally acquiesced to censorship
1335
01:02:11,338 --> 01:02:16,019
they could not afford a boycott LED from
1336
01:02:13,559 --> 01:02:19,260
America's pulpits
1337
01:02:16,019 --> 01:02:21,420
it all came together one big boom that
1338
01:02:19,260 --> 01:02:22,799
fell on Hollywood in July 1st 34 when
1339
01:02:21,420 --> 01:02:25,980
they had to sign this
1340
01:02:22,798 --> 01:02:29,358
production code Administration agreement
1341
01:02:25,980 --> 01:02:32,818
like with another way of amongst them
1342
01:02:29,358 --> 01:02:34,699
tamping down on creativity these are the
1343
01:02:32,818 --> 01:02:38,699
onflow Silicon
1344
01:02:34,699 --> 01:02:42,139
in waves like one after another
1345
01:02:38,699 --> 01:02:44,779
a filmmaker does not want censorship
1346
01:02:42,139 --> 01:02:46,798
filmmaker wants to be free
1347
01:02:44,780 --> 01:02:49,380
to create
1348
01:02:46,798 --> 01:02:50,880
and tell a certain kind of a story but I
1349
01:02:49,380 --> 01:02:52,798
think the filmmaker should have the
1350
01:02:50,880 --> 01:02:54,838
right to make the film that that he or
1351
01:02:52,798 --> 01:02:57,539
she wants to make
1352
01:02:54,838 --> 01:02:59,838
one last film gets through before the ax
1353
01:02:57,539 --> 01:02:59,838
Falls
1354
01:03:00,599 --> 01:03:06,960
of human bondage is the story of a cruel
1355
01:03:03,358 --> 01:03:09,598
woman who seduces a man uses him up and
1356
01:03:06,960 --> 01:03:11,400
ruins his life
1357
01:03:09,599 --> 01:03:13,798
a human bondage was made in a period
1358
01:03:11,400 --> 01:03:16,139
which was the spring in 1934 when there
1359
01:03:13,798 --> 01:03:19,019
still was no really enforceable code
1360
01:03:16,139 --> 01:03:22,098
there was a code but it had no teeth you
1361
01:03:19,019 --> 01:03:22,099
disgust me
1362
01:03:24,119 --> 01:03:29,220
me
1363
01:03:26,338 --> 01:03:31,818
I disgust you
1364
01:03:29,219 --> 01:03:31,818
you
1365
01:03:32,039 --> 01:03:36,179
are too fine
1366
01:03:34,199 --> 01:03:37,739
you won't have none of me but you'll sit
1367
01:03:36,179 --> 01:03:40,919
here all night looking at your naked
1368
01:03:37,739 --> 01:03:42,239
females Mildred you cared you dirty
1369
01:03:40,920 --> 01:03:44,700
swine
1370
01:03:42,239 --> 01:03:46,858
I never cared for you not once I was
1371
01:03:44,699 --> 01:03:49,679
always making a fool of you you're bored
1372
01:03:46,858 --> 01:03:51,838
me stiff I hated you it made me sick
1373
01:03:49,679 --> 01:03:53,759
when I had to let you kiss me I only did
1374
01:03:51,838 --> 01:03:55,798
it because y'all begged me you hounded
1375
01:03:53,760 --> 01:03:57,960
me you drove me crazy
1376
01:03:55,798 --> 01:04:01,440
after you kissed me I always used to
1377
01:03:57,960 --> 01:04:03,900
wipe my mouth wipe my mouth for example
1378
01:04:01,440 --> 01:04:07,260
they changed the Fatal illness of the
1379
01:04:03,900 --> 01:04:08,539
Betty Davis character from syphilis to
1380
01:04:07,260 --> 01:04:10,680
probably
1381
01:04:08,539 --> 01:04:13,558
tuberculosis you can't really tell what
1382
01:04:10,679 --> 01:04:15,598
it is she's dying of
1383
01:04:13,559 --> 01:04:18,359
well this is what you might call the
1384
01:04:15,599 --> 01:04:19,559
irony of tape the censorship-minded
1385
01:04:18,358 --> 01:04:20,880
people say thank God we had the
1386
01:04:19,559 --> 01:04:23,460
production code to clean up Hollywood
1387
01:04:20,880 --> 01:04:24,900
but the production code was probably one
1388
01:04:23,460 --> 01:04:27,298
of the worst things that happened to
1389
01:04:24,900 --> 01:04:30,298
Hollywood and that most of the classic
1390
01:04:27,298 --> 01:04:32,639
movies of that era were classic in spite
1391
01:04:30,298 --> 01:04:34,440
of the code not because of it
1392
01:04:32,639 --> 01:04:36,480
John Gilbert's own path of
1393
01:04:34,440 --> 01:04:39,900
self-destruction has led him past the
1394
01:04:36,480 --> 01:04:44,818
point of redemption for his career
1395
01:04:39,900 --> 01:04:47,400
alcoholism and dies in January 1936.
1396
01:04:44,818 --> 01:04:50,039
I had created a whole Fantasy Life of
1397
01:04:47,400 --> 01:04:51,960
growing up with him I had this great
1398
01:04:50,039 --> 01:04:54,838
feeling of security that I'd never had
1399
01:04:51,960 --> 01:04:58,500
and then boom it was over
1400
01:04:54,838 --> 01:05:02,420
a sex symbol's Prime is limited
1401
01:04:58,500 --> 01:05:02,420
some disappear into the Shadows
1402
01:05:02,818 --> 01:05:06,900
While others continue to wear the mask
1403
01:05:05,039 --> 01:05:09,779
of a goddess
1404
01:05:06,900 --> 01:05:12,780
May West is Unapologetic
1405
01:05:09,780 --> 01:05:14,940
faced two first films were out of
1406
01:05:12,780 --> 01:05:18,000
circulation for 30 years
1407
01:05:14,940 --> 01:05:20,400
ultimately it's good to break down
1408
01:05:18,000 --> 01:05:24,190
barriers at whatever cost even if it's a
1409
01:05:20,400 --> 01:05:25,858
lengthy backlash kill ultimately prevail
1410
01:05:24,190 --> 01:05:28,559
[Music]
1411
01:05:25,858 --> 01:05:30,598
Estates I freely chose the life that I
1412
01:05:28,559 --> 01:05:32,819
led because I was convinced that a woman
1413
01:05:30,599 --> 01:05:34,559
has as much right as a man to live the
1414
01:05:32,818 --> 01:05:36,119
way she does if she does know actual
1415
01:05:34,559 --> 01:05:38,760
harm to society
1416
01:05:36,119 --> 01:05:41,579
what few people realize is that my work
1417
01:05:38,760 --> 01:05:43,559
has had a deliberate plan and purpose
1418
01:05:41,579 --> 01:05:45,480
you had to be eternally youthful
1419
01:05:43,559 --> 01:05:47,400
internally beautiful
1420
01:05:45,480 --> 01:05:49,079
you see there are more than a few gray
1421
01:05:47,400 --> 01:05:51,059
hairs and there are more than a few
1422
01:05:49,079 --> 01:05:52,798
lines and if you've smoked a hundred
1423
01:05:51,059 --> 01:05:53,640
thousand cigarettes that's going to show
1424
01:05:52,798 --> 01:05:55,739
it
1425
01:05:53,639 --> 01:05:57,000
over and over again the people who
1426
01:05:55,739 --> 01:05:58,979
wander through life never really
1427
01:05:57,000 --> 01:06:01,619
realizing that they have absolutely
1428
01:05:58,980 --> 01:06:03,599
nothing to do with their faith
1429
01:06:01,619 --> 01:06:06,838
but when your mind you look back you'll
1430
01:06:03,599 --> 01:06:09,119
see it you really have no control
1431
01:06:06,838 --> 01:06:11,039
Clarabelle reflects on her Heyday in
1432
01:06:09,119 --> 01:06:14,280
Hollywood
1433
01:06:11,039 --> 01:06:17,099
had individuality she says we did as we
1434
01:06:14,280 --> 01:06:19,380
pleased we dressed the way we wanted
1435
01:06:17,099 --> 01:06:23,720
today they're sensible and end up with
1436
01:06:19,380 --> 01:06:23,720
Better Health but we had more fun
1437
01:06:24,239 --> 01:06:28,979
Dietrich takes a different approach
1438
01:06:26,880 --> 01:06:33,180
there is a lack of dignity to stardom
1439
01:06:28,980 --> 01:06:35,599
she states I was an actress I made films
1440
01:06:33,179 --> 01:06:35,598
finish
1441
01:06:36,599 --> 01:06:40,920
film fades it disintegrates
1442
01:06:39,480 --> 01:06:44,940
[Music]
1443
01:06:40,920 --> 01:06:47,159
sometimes it is restored and preserved
1444
01:06:44,940 --> 01:06:49,619
decades later some of these films can
1445
01:06:47,159 --> 01:06:52,798
once again be seen as they were made
1446
01:06:49,619 --> 01:06:55,079
now and hopefully for all time
1447
01:06:52,798 --> 01:06:57,119
the beauty of it
1448
01:06:55,079 --> 01:07:01,140
we forget it
1449
01:06:57,119 --> 01:07:04,740
they throw it in a trash bin
1450
01:07:01,139 --> 01:07:07,558
that was beautiful acting
1451
01:07:04,739 --> 01:07:10,259
later in life Gloria Swanson searched
1452
01:07:07,559 --> 01:07:12,059
for her lost films
1453
01:07:10,260 --> 01:07:14,160
she states
1454
01:07:12,059 --> 01:07:16,559
I would love to see them again and know
1455
01:07:14,159 --> 01:07:18,960
that they are not lost forever
1456
01:07:16,559 --> 01:07:20,210
that after all was supposed to be the
1457
01:07:18,960 --> 01:07:21,720
great virtue of pictures
1458
01:07:20,210 --> 01:07:24,690
[Music]
1459
01:07:21,719 --> 01:07:29,519
that they would last forever
1460
01:07:24,690 --> 01:07:33,358
[Music]
1461
01:07:29,519 --> 01:07:36,900
I love your loving arms they hold a
1462
01:07:33,358 --> 01:07:39,858
world of Jaws a place to Nestle when I
1463
01:07:36,900 --> 01:07:39,858
am lost
1464
01:07:40,460 --> 01:07:48,659
his chair oh what a happy bear want to
1465
01:07:45,298 --> 01:07:52,619
rest happiness seems to bless my little
1466
01:07:48,659 --> 01:07:55,798
honey I love you more each day when
1467
01:07:52,619 --> 01:07:57,090
years have passed away you'll find my
1468
01:07:55,798 --> 01:07:59,400
love belongs
1469
01:07:57,090 --> 01:08:03,000
[Music]
1470
01:07:59,400 --> 01:08:07,019
and when the world seems wrong I know
1471
01:08:03,000 --> 01:08:09,380
that I belong right in my honey loving
1472
01:08:07,019 --> 01:08:09,380
on
1473
01:08:10,619 --> 01:08:17,100
why oh why oh why be good when he and
1474
01:08:13,500 --> 01:08:19,560
bad is so Sublime after all before the
1475
01:08:17,100 --> 01:08:23,338
fall where we really having such a good
1476
01:08:19,560 --> 01:08:25,560
time why oh why oh why be good when the
1477
01:08:23,338 --> 01:08:27,838
opposite is so much fun it makes me
1478
01:08:25,560 --> 01:08:30,539
prone to turn it down
1479
01:08:27,838 --> 01:08:42,439
the devil's got me on the Run
1480
01:08:30,539 --> 01:08:45,778
[Music]
1481
01:08:42,439 --> 01:08:49,079
why why oh why be good when immorality
1482
01:08:45,779 --> 01:08:52,440
is just so swell I can't say no so off I
1483
01:08:49,079 --> 01:08:57,059
go I'm going straight to help me please
1484
01:08:52,439 --> 01:08:57,059
I'm falling falling
1485
01:08:59,179 --> 01:09:05,010
you never want to do the things
1486
01:09:01,869 --> 01:09:05,010
[Music]
1487
01:09:09,239 --> 01:09:19,798
[Music]
1488
01:09:16,798 --> 01:09:19,798
foreign
1489
01:09:24,579 --> 01:09:53,769
[Music]
103969
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