All language subtitles for Hitchcock 1959 - Startime S01E27 - Incident at a Corner.eng

Wait a minute.

Wait a minute.

I'm so sorry, Mr. Medwick. I didn't
realize you meant me to stop. I'm

late. You saw my sign, Mrs., uh, Mrs...
Mrs. Malcolm Tolley. I'm afraid I'm

holding up the whole meeting since I do
happen to be the president.

Well, I'll have to report you to the
police department.

Well, I hope you'll remember that you
had not stepped off the curb.

Well, I...

He's here to protect the children, not
the teachers.

The children aren't out.

Officious old man.

She's president of the Parent Safety
Council, didn't you know? Well, she

have stopped.

Wait a minute.

Wait a minute.

I'm so sorry, Mr. Mendwick. I didn't
realize you meant me to stop. I'm

late. You saw my sign, Mrs., uh, Mrs...
Mrs.

Malcolm Tolley. I'm afraid I'm holding
up the whole meeting since I do happen

be the president.

Well, I'll have to report you to the
police department.

Well, I hope you'll remember that you
had not stepped off the curb.

Well, I...

He's not here to protect the teachers,
is he?

The children aren't out.

Vicious old man.

She's president of the Parent Safety
Council, didn't you know?

Well, she should have stopped.

Wait a minute.

I'm so sorry, Mr. Mendwick. I didn't
realize you meant me to stop.

I'm terribly late.

You know my sign, Mrs., uh, Mrs... Mrs.

Malcolm Tolley. I'm afraid I'm holding
up the whole meeting since I do happen

be the president.

Well, I'll have to report you to the
police department.

Well, I hope you'll remember that you
had not stepped off the curb.

Well, I... Well, he's not here to
protect the teachers, is he?

The children aren't out.

A vicious old man.

She's president of the Parent Safety
Council, didn't you know? Well, she

have stopped.

Hey, pretty nice, huh? What do you say?

I'm not going to move in this house.

That's old Mr. Medwick from Kansas City
out there on the corner.

And I tell you, he knows me.

And I'm not going to move into Newtown
and have to get all that old stuff

up at me again. I'm just not.

Oh, that was years ago, honey. He won't
know you.

Don't kid yourself.

He never missed a single picture in the
papers.

And there must have been a million of
them. Forget it. I want to forget it.

trying to forget it. That's why I'm not
going to move in this house, Harry.

With that old guy...

Well, it's a pretty good buy, this
house. We're all set. The furniture's

tomorrow. Not me.

I'm not going to go through that again.

You want me to get rid of the house?
That costs money. Why don't you just

away from him?

He must be the guy for the school kids.
Didn't you see that every day?

You might as well get rid of the house,
Harry, because I'm not going to live

here.

What if I get rid of the old guy?

Sure. You're going to get rid of him.

Oh, Granddad.

Happy birthday again. Where have you
been?

Getting a haircut. Where's your grandma?
She's fussing away in the kitchen as

usual. We'll be through here in a
minute. That's okay. I better go get

up.

Now, don't you see it?

Well, AB is equal to CD.

Yes, Ron. Why?

Okay to walk in?

Remember the construction.

Pat?

Am I early?

No, we're a little late this afternoon.

We'll just be a few minutes.

Oh, um, Pat, this is Ron Tolley. Ron,
this is Mr. Lawrence, my fiancé. Hi. Hi,

Ron. Will you excuse us?

Um, uh, grandmother's in the kitchen.
Oh, no, no.

I'll, uh, read a book.

Now, A, B is equal to C, D, because that
was given here.

Now... Uh, wait a minute.

That makes it 180 degrees.

Yes, yes. Now, what about this angle?
Here.

For you, Ron.

How's teacher?

He did fine.

Where's the birthday kid?

He's been cleaning up for his party.

This lad Tully doesn't dig geometry,
huh?

I bet he could read a football diagram.

He just needs a little kind
encouragement.

So do I.

Yes, Ron.

Now... My mom says I should pay you up.

She says she owes you six dollars.

All right, Ron. Thank you very much. I'm
not coming anymore.

Why not?

Well, that's all I know, is that's what
she said.

Well, Ron, did you tell her that you
felt ready for the finals?

Do you?

Well, I didn't tell her anything.

That's all I know, is that's what she
said.

Well, so long, Miss Medwick.

I wish you luck.

Thanks a lot.

She got fired.

It's nothing, honey. Everybody gets
fired now and then. Oh, I know, but I

understand it.

I think I'll call her. No, don't call
her. She could have asked for you. Just

forget about it. I know, but I think
there's some misunderstanding.

Well, gee, golly, how are you?

Hi, Jane. Hello. I love that.

Pauline? Jeffrey?

Where's Mother?

Right here. Hello, everybody.

Hello, Miss Medwick. Let's leave these
right there.

It's nice to see you all.

What smells so good?

Mother, can I help you? Oh, no, dear.
Everything's in order.

Happy birthday, Dad Medwick.

How are you feeling, Dad?

Oh, about a day older than I did
yesterday, just like everybody else.

I brought a little something for the
occasion, sir. Oh, say now. That was

nice of you.

Dad, uh...

The usual. I didn't know what you
wanted. You buy something for yourself.

That's mighty fine, thanks.

And many happy returns.

See the tie that Janie gave me?

Hey, that's nice.

Lovely.

Dinner will be ready in 15 minutes.

Jeffrey, will you serve the sherry?
Certainly, Mother. Pat, would you like a

little glass of sherry?

Yes, I think I would. Here, let me have
a snack. I haven't. You got

it?

No, the number didn't answer.

Something wrong, Janie?

Nothing serious, Granddad. She just gets
fired, that's all.

Fired? Who fired you, Jane?

I left one of my tutoring jobs. The
mother called up and... Who called up?

This is Malcolm Tolley.

Tolley? That's Security First Bank.

I suppose so.

Ronald and I were getting along very
well, I thought.

Well, why did she fire you, Jane? Well,
that's what I don't know, Uncle Jeffrey.

Tolley, eh?

Bet you I know why.

What's up, sir?

Well, I had a bit of a run in this
afternoon with Mrs. Malcolm Tolley, her

her big convertible. Oh, Grandpa, that
couldn't possibly have anything to do

with this.

I'll get it.

Why don't you tell her?

Miss Medwick, is your grandfather in?
Yes, of course. Grandpa, I'll tell her

see you.

Well, uh... I'll see you in just a
moment.

Oh, Mrs. Medwick.

We're having a glass of sherry before
dinner, Mr. Taylor. Would you come in

join us? No, no, thank you very much.

Just a little business.

Can we talk outside?

Certainly. Excuse us.

We're having a sort of a family party.

I've got a rather unpleasant duty.

Well? I've had a complaint.

That so?

I've got to let you go.

What do you mean?

I can't keep you on.

Now, I'm not saying I believe this
personally, you understand.

I've got a duty and I've got to do it.

I thought the best thing to do was stop
by here and give it to you right to your

face. Well, what's the trouble?

Well, it's kind of hard to know how to
put it.

But I've had a complaint that you're a
little too fond of the kids, of the

little girls.

Now, I'm not saying that's true, mind
you.

But if there's one thing we insist on
with the crossing guard, it's a good

background. So when I get a complaint
like this, I... It's not... Do you

that?

Whether I believe it has nothing to do
with it.

But I can't take any risks with the
children. None whatsoever.

So I have no other choice.

Who told you? Who complained?

Someone wrote a note to the PTA
president, Miss Parker.

She got together with Rigsby, the
principal, and there were a couple of

They got all riled up.

I have no choice.

It isn't true.

Well, if it isn't true, I'm glad to hear
that.

Maybe there's some way it can be
straightened out.

But in the meantime, you're going to
have to stay away from the school.

I hope you understand that.

How do I straighten it out? Can you tell
me that?

I don't know.

The only thing I know is that I've done
the only thing I could do under the

circumstances. The best way I know how.

Goodbye, Medwick.

Taylor had to fire you.

He doesn't believe this any more than I
do.

But here's what I think.

I think this may be a good break.

A what?

Now, wait a minute.

Dad, you don't have to work for a
living. You're not getting any younger.

The thing is this, for a long time now,
Pauline and I have wanted you to break

up this place.

Now, wait a minute, Ma. Hear me out.

Isn't it wise to take advantage of this
opportunity?

Janie's going to be married at the end
of this month. And frankly, when she

moves out, I don't like the idea of you
being alone in this place.

Why don't you come to us, Dad?

Ma, right now.

Isn't true, you know.

Oh, for Pete's sake, I know that.

It's just some crank.

But what's the point of letting it upset
you?

This is not going to be an open scandal.

You just quit, see, and come to us.

I wanted you where I can keep an eye on
you. So is Pauline.

And, Maude, it's high time you took
things a little easier.

It's too much for Paulie.

Not at all.

Why, we've wanted you for a long time.

You see?

Now, how about it, Dad?

Up to your mother.

But it's such a big step, dear. We can
manage. We don't need much.

You know it's not true, Elsa.

What, dear?

That. About me.

Well, of course it's not true, James.
It's too silly to give any attention.

And losing that little job's not
important.

Not really.

Isn't anybody hungry at all?

I don't feel like eating any supper
right now.

If you'll all excuse me, I think I'll go
lie down for a while. Yes, of course,

Granddad. You do just as you please.

We've got to get them away.

We've got to get them thinking about
something else.

I know this is short notice, Pauline,
but we can do it. We can.

I'm sure it's the right thing.

Are you, Jane?

Well, I think Uncle Jeffrey's being very
thoughtful and Aunt Pauline is being

nice. But it's not... I've got to go in
there. I can't bear to see them alone.

What did Taylor tell you?

He was on the spot.

Head of the PTA, principal of the
school, both coming to him. You are

talk to them.

Well, I think we should make some kind
of a dignified denial.

About what?

Well, about this thing with Dad.

By whom?

By us, naturally.

What about a reversal about this false
accusation by them?

They can't.

You mean you see their point of view?

They have a public responsibility.

The school, the police, have even one
child in... Wait a minute, wait a

You mean you don't believe him, your own
father?

Well, of course I do, but that's not the
point. That's got to be the point. No,

no. The schools can't and won't take
chances where kids are concerned.

They wouldn't be taking any chances.
Your father isn't that kind of man. The

risk doesn't exist.

Well, you get this through your head.

I'm trying to save this situation in the
best possible way.

Jane, what do you think we should do
about this?

I don't know what we should do, Pat.

Well, I say we can't afford to let it go
one inch further.

Pat, what's the matter with you?

Anything we try is going to make it
worse.

When a nasty thing like this spreads
around town, it's going to be worse for

Dad. It'll be worse for all of us.

Listen, it's no punishment, you know,
for them to live with us in perfect

security. Security.

What do I have to say to you?

You start a fuss and this thing gets
publicity, boy, we have had it.

For Mom, Dad, Jane, you, Pauline,
myself.

Be nice for my kids.

You know, Dad doesn't need that job.

Part -time, poor pay.

The job doesn't mean a thing.

You think not.

Well, he's not in need of money.

Who's talking about money?

The man is old. The job isn't his whole
life. He's alive.

Pat, it just breaks my heart.

The man is 68 today. What of it?

I say he's alive. He counts.

And he doesn't have to go through this.

Now, don't get excited. Why not? I am
excited.

I say that any man, young or old or rich
or poor, when he's faced with a lie

about himself, has got to get excited.

Now, you believe him and I believe him,
so somebody has got to be lying.

We don't even know where the lie comes
from.

There's got to be some inquiry.

Oh, no.

No, no, no. Now, you stay out of this. I
say it's not worth it.

Is that so?

Well, tell me, when does a man's
honorable name become worthless?

When he's 68?

67?

When? Oh, now, don't be foolish.

I'll handle this.

You know, you're not family.

That's true.

Wait a minute.

I'm family.

And I think Pat's right. I think we have
to fight a lie.

But you can't win.

Your idea is to have the old man swallow
the disgrace for the sake of peace and

quiet? No, all I'm trying to tell you...
You're trying to tell us that Grandpa

should be condemned without a trial.

Oh, listen, theoretically, I agree with
you.

But, Janie, will you do me a favor? Will
you stop being so young?

Just for a moment, listen to me. You're
going to lose your teaching job.

My business is going to be affected.

And so is Pat's.

This is going to be nasty talk.

And on top of all that, Dad will never
be reinstated. You can't win.

Now, please, don't make this any worse
than it is. It depends upon what you

think is worse.

We have to try.

We have to approve of ourselves.

At least we can win that much.

Come on, Pat.

I don't feel like talking anymore right
now.

The trouble is, Mr. Medwick, this thing
has got to be fought, so we'd better

talk. We've got to get to the bottom of
this ridiculous charge, find out who

wrote that note and why.

You don't have to take this kind of
stuff.

Of course not.

You say it isn't true?

Okay, then we fight.

Well, I was figuring on fighting.

While I've been lying here, I figured
out who was back of this whole thing.

Mrs. Tolley.

Tolley? You want to give me a hand, Pat?
You're a bit younger in the legs than I

am, and this is going to take a lot of
trotting around as far as I can see.

Come on. We better figure where to
start.

Because it's a lie.

I hadn't realized, Miss Medwick, that
you're related.

I am sorry.

This is Mrs. Parker, president of our
PTA.

I thought you'd want to talk to her
also.

Yes, of course. I'm glad she's here.

We've come to ask about these surprising
accusations.

My grandfather denies it.

Naturally. But it's hardly likely that a
situation like this should arise out of

nowhere. You must think of it as an
illness, my dear.

Please.

I'll tell you what I can.

A note was left in a car at the curb
yesterday addressed to the president of

PTA. Mrs. Parker, of course, showed it
to me at once. We naturally spoke to

Chief Taylor.

I see.

What was in the note?

Madam, Medwick is a vicious old man.

Better get him away from the kids,
especially the little girls.

Signed, Interested.

And on the strength of this alone, you
fired the man?

Not this alone.

In fact, two of our mothers more or less
corroborate it.

I'm sorry.

Who were they?

Don't you see? If this is an anonymous
note, we have to find out what these

women are saying.

The school deplores.

Parents you know are quite naturally
very excitable.

We had rather hoped... If you had hoped
that we would give up this thing by

default, you're wrong.

People who write lying anonymous notes
can't be allowed to win.

Win? Yes, win.

Succeed in getting a man fired from a
job he was doing honorably and well.

I see your point, but you must also see
mine. Any breath of this sort of thing

is intolerable.

So is injustice.

What is it you want of me?

What we want of you eventually is Mr.
Medwick cleared and re -employed.

I assure you, if you're going to
interview parents and cause them to

excited as they will become, there will
be no chance of Mr.

Medwick's re -employment.

Would there be any chance of his re
-employment if we didn't investigate?

Those names, please.

Mrs. Sidney Sinden, Mrs. Malcolm Tolley.

Tolley?

Mrs. Parker, how did you get the note?

Why, Mrs. Tolley gave it to little Mary
Jane Ryder, one of our fifth graders.

She brought it into the school.

Tolley.

It was left in Mrs. Tolley's car.

Why?

Was she ever present at the PTA?

No, no, no. She's present at our safety
council.

Yes.

You've heard that Mrs. Tolley and Mr.
Medwick had a run -in.

I don't listen to gossip.

If you're implying that a woman of Mrs.
Tolley's character... What is her

character? Don't you know who she is?

Her husband owns a bank. Does that give
her character? Pat, please.

I hope you won't upset those parents.

It'll make it very difficult.

Do I understand, Mr. Rigsby, that you
feel that a cloud of unresolved doubt,

long as very few people are upset about
it, is better than the truth?

Let us have the truth by all means.

But I warn you not to talk to those
little girls without the parents'

permission. Then how do you think... I
understand.

We'll only talk to Mr. Beatty for now.
We hope to see you on our staff this

fall, Miss Medwick. Good day.

Good day. It is an illness, you know.
You must think of it that way.

Did you hear Mr. Medwick say he was
going to report her? Yes, yes, he did

so. But it had nothing to do with me. I
live around the corner. I was just

coming back to my class. Yes, of course.
We're just trying to find out what

happened.

Mrs. Toll was very angry, wasn't she?

Well, she didn't like it, I suppose.

Did she speak to you?

A few words, nothing.

Well, did you see her give the child the
note? No, no, that was when after

school let out. That was later on. Now,
please, I don't know anything about it.

If you'll excuse me, my fifth grade
is... She's one of the Mary Jane Ryder.

Yes, the last row, the girl with the red
ribbon.

Oh, Pat, please, we promise.

Not about this child, we didn't.

Hi. Hi.

You Mary Jane?

Mm -hmm.

Do you remember yesterday when Mrs.
Tolley handed you a note?

Sure. Where did she get it, do you know?

She didn't tell me.

Did you see her writing anything?

Yes, I did. With a silver pencil.

You can't, sir. Please, not the
children. Absolutely not.

Thank you, honey.

Mrs. Torley was writing?

Is that what she said?

Yes.

Listen, Mrs. Torley said that Mr.
Medwick was a vicious old man.

She wrote the note. Is that what you
think?

A vicious old man?

Are you sure?

Did you see the note?

No, no. What did it say?

Has nothing to do with you remember I

don't

believe it I can't believe it. Mrs.
Tolley wouldn't... Her name is all over

She finds, finds, mind you, a note in
her car, and in that note is the very

word she used to Beatty.

Vicious.

I don't know, Mrs.

Tolley, but it's sickening.

Yes.

Yes, it is for me.

If it's about that old man, I'm not
going to talk about it. I'm afraid

have to.

You have a daughter?

Yes, I do.

And I'm not going to talk about it. And
I'm not going to let her talk about it.

I don't want her to even think about it.
And I'm going to have to ask you to go

away. Look, we've got to know what
you've been saying about Mr. Medwick.

Well, you have no right to come into my
home.

Sidney!

What's the trouble?

It's about that old man.

We've come to find out just what your
wife has said against Mr. Medwick.

I understand that they got rid of him.

What we want to know is why.

Why? Exactly what is your complaint?

You know good and well what the
complaint is.

A man like that has no business anywhere
near a child.

Did your daughter complain to you?

May we speak to her?

Well, you may certainly not.

She's not going to get any bad dreams or
emotional setback out of this filthy

business. What filthy business?

When, for instance, did you hear about
the note?

Well, Mrs. Parker called me.

Well, such a thing.

Absolutely horrible.

I see.

It was after you heard about the note
you questioned your little girl?

Well, of course I questioned her.

My Betty.

Her beautiful... Her beautiful hair.

Oh, Sid.

That's about enough.

Good day.

I'm sorry, Dr. Sinden, but this is
ridiculous.

It is, huh? Yes, it is.

That note is a lie.

The old man's got this hanging over his
head, and you won't even tell us what

your complaint is.

He ought to be horse -whipped. Please.

Dr. Sinden, can't we talk about this
more calmly?

Your wife is obviously pretty.

She's a bit on the erotic side, and
she's jumped to a conclusion.

Now listen to me.

You're ruining a man for no cause.

No cause, huh? Dr. Sinden, I understand
how you feel about the child.

I guess it must be pretty disgusting to
have to think about a thing like this

right in your family.

You refuse to let us see the child?

I sure do.

But I'll tell you this much.

The old man put his paws on her hair.

Do you know Mr.

Medwick?

I don't want to know him.

You can't say I'm neurotic. I'm not the
only one.

There's Mrs. Tolley.

When I called her, she said she'd speak
to her Joanne.

Well, she called me back, and it was so.

And her son Ron was in that old man's
house at that very minute, and she

couldn't stand that.

She didn't want him near any such
dreadful people.

Now that you have my wife in a state,
will you leave?

We'd be glad to.

Listen, Jane, I don't know all their
names or who their fathers are.

I'm there to keep the whole kit and
caboodle of them from getting killed in

streets.

Oh, I may have touched your hair. I grab
them any way I can when they disobey

and there's a car coming.

He's a pretty tough old rooster.

Whose way do you want to try this time?

Let me do it. I'm all right.

How do you do, Miss Medwick?

Oh. Mrs. Tolley, I'd like you to meet my
fiancé, Patrick Lawrence.

How do you do?

Won't you sit down?

Thank you.

We've come to ask your help.

Oh, if there's anything I can do.

Yes, well, it's about my grandfather.

I see.

We're very upset.

Oh, I'm sure you are.

So, if you could just tell us whatever
you can.

What is it I could tell you, my dear?

Well, uh, first of all, about Joanne.

Mrs. Sinden had called you.

Yes, yes, she had.

I questioned Joanne, of course.

It does seem that she and many of her
friends have, well, disliked Mr. Medwick

for some time.

Disliked? I wonder if we could talk to
Joanne.

Oh, no, I don't think that would be
desirable.

We must be so careful, mustn't we? And
she can't, of course, tell you anything

specific. When I pressed her, she burst
into tears, poor baby.

It was on this basis that you took your
son out of my grandfather's house, lest

he be contaminated.

Oh, my dear.

You must try and understand a mother's
reaction.

It was no reflection, really, on you.

Yes, I quite understand.

I only wish you'd had the courage to
tell me what it was you were reacting

Have you spoken to Mabel Sinden?

Yes. She's very high -strung and
hysterical, isn't she?

Indeed.

You're not being very specific either,
are you?

You know of the existence of a note.

Where did you get that note, Mrs.
Tolley?

I found it lying in the seat of my car,
Mr. Lawrence, when I came out of my

meeting.

Did you know that the word vicious was
applied to Mr. Medwick in that note?

Who was it? Do you remember talking to a
young man on the corner?

You were, um, very angry.

Well, I'm afraid I was annoyed.

I was, of course, sorry that I failed to
notice the stop sign, but I do think a

warning would have been quite enough.

You were annoyed enough to use the word
vicious?

No.

We're trying to find out who wrote that
note.

I have no idea.

What were you carrying in your hands?

Oh, my cards.

I make notes about my meetings on little
cards.

Did you write that note?

Are you calling me a liar?

I don't think I care to hear any more.

How do you explain that a word you used
was in that note?

I used no word, and I'm not required to
explain anything.

You're rude and impossible.

Mrs. Finden's evidence is worthless.

Will you please leave?

What's going on here?

Oh, Malcolm, these people came here,
accused me. My name is Lawrence.

This is Jane Medwick. We came about the
crossing guard.

Well? We want to know if your wife wrote
that anonymous note.

Did you ask her? Yes. Did she tell you?

I didn't write that note. I found it. I
told them. Okay, that's enough.

If we tell you the crossing guard did no
wrong, is that enough?

How come almost all of this comes
through your wife? She was pretty mad at

old man, you know. I think you better
try and calm down a bit, young friend.

Then you can't explain.

Oh, please, Pat.

We're trying to get at the truth.

Why don't you listen to it then?

Mrs. Tolley said she didn't write the
note.

Okay, that's it.

Mr. Medwick tells us he did no wrong.
That should be it, but it isn't.

What are you getting at?

I'm getting at a lie about a man.

There is such a thing as a lawsuit for
defamation of character by malicious and

false accusation causing anguish of mind
and loss of employment.

Who are you going to sue?

Whoever wrote that note.

Go ahead.

It's a pretty remarkable coincidence
that a word used by your wife was in

note.

What's this?

Oh, it's not so. I told him.

Boots go two ways.

Try it.

We may do that.

We may have to.

Oh, what's the matter, Molly?

Oh, nothing for you to worry about,
dear.

It's that Jane Medwick.

Came here. Oh, she did?

I had the audacity to say that I started
this story about the old man.

It's just making me sick. Well, what did
Dad say?

Oh, your father.

He's right, I suppose.

He says that if I hadn't gone through
the stop sign in the first place, I

wouldn't be in this trouble.

Well, I suppose I'm exaggerating.

Never mind.

Oh, don't worry.

You know I'm not a liar.

I know you're on my side.

Look, Pat, you want this straight, don't
you, from the legal viewpoint?

But why not?

Because you've got nothing.

I wouldn't touch it, sorry.

Well, what do I need?

Proof. Well, what kind of proof? The
woman, Tolly, was seen holding a note.

Now, the child's testimony on that isn't
going to be very potent.

Anyhow, the woman explained what... The
child's testimony against Medwick has

been damned potent, and we can't get
near the children.

Now, why can't we make this Mrs. Tolly
prove that she didn't write the note?

She doesn't need any proof.

What are you saying?

You're on the wrong side of public
opinion.

What?

Nobody's going to stand for any monkey
business around the school children, so

you've got the public solid against you
from the start.

Look, I'm telling you, this man is okay.

Some joker, probably this tallie woman,
wrote a lying note about him.

I'm not willing to concede that you can
ruin a man's life with a lie.

It's been done.

That doesn't concern me.

If you could just bring me proof, even
then it wouldn't be easy.

I'm not asking that it be easy.

I'm only asking that it be possible.

Do you realize that Malcolm Tolley could
rip your little printing business stem

from stern if you put his wife on a spot
like this? Yes, so?

Wouldn't touch it.

Oh.

I see. You're in business, too.

Pat, you've come here for advice. I'm
giving it to you.

You want me to con you into a hopeless
mess?

Public opinion, huh?

What about the newspapers?

Wouldn't touch it with a ten -foot
proverbial.

And listen, the old coot could be
guilty, you know. And then where are

Just leave it, Pat.

I'm sorry, miss.

Excuse me, I forgot the name.

My name is Medwick.

Maybe your Uncle Jeffrey was right.

We've done something wrong, Pat.

Somewhere along the line, we've gotten
up on the wrong track, and I don't know

where. Honey, you're exhausted.

I'll take you home, and then maybe I'll
try a couple of things.

Can we fight again tomorrow?

Sure we can.

Sure we can.

I understand you threatened Malcolm
Tolley's wife with a lawsuit this

I guess so.

I really think you and Jane have behaved
like a pair of silly children.

Is that so?

Well, how would you grown -ups have
behaved?

An empty threat is pretty childish.

There'll be no more talk about suing
around here.

I should say that's up to you, sir.

I know it. I think you ought to sue.
Whoever started this wicked story

to be sued.

You're thinking, Pat, that we're afraid
of Malcolm Tolley.

You're wrong.

If I felt there were any chance of
pinning this on Mrs. Tolley, I'd be

delighted. What I resent is having to
back down.

Well, here's what I want to do.

I want that note in the police
laboratory.

I want to talk to all the children in
the school, maybe at assembly.

I want to ring doorbells on that street.
I want witnesses, testimony, facts.

Pat, I understand you went to see my
doctor.

Yes.

What for?

Well, Grandpa, it isn't that Pat didn't
believe you.

It's just that we wanted to find out if
there was any way to prove by science

that you aren't... Well, that you
couldn't... Was there?

It appears to me a lot of people don't
believe in me.

And ain't a -going to.

I went downtown today.

Doctor Mann's got a newsstand.

Said he could give me about five or six
hours a day. It's not a bad deal.

You're giving up?

I've swallowed down considerable and
lived beyond it, son.

I can't see why I have to go to a doctor
to find out what kind I am.

You young folks had a try. I figure I
got to make my own plans.

Don't make a lot of difference what a
lot of fool women are saying.

Grandpa, it does matter.

Don't start bawling again, Janie.

You young folks trying to help me out,
and I appreciate it.

like a very nice kind of work, James.

And you wouldn't be out of doors when
the rains start.

No. It's up to him. No. You said so
yourself. If this is the way he wants

If I said that, I was wrong.

Security? A question of security?

Right.

The group is going to be good and
secure, huh?

The school children spared the risk, so
all is well.

These people protected the young. Sure
they did.

And I can go out tomorrow and write a
little note with a nicely chosen line

about anyone.

For a whim.

I can ruin Dr.

Sinton. I can chop down Mrs. Parker. I
can even pull the Tully's castle down.

Just with a lie. And who's going to stop
me? The law? Science? The victims

themselves?

Who's going to stop me?

This is security?

I can cast you all beyond the social
pale with a pencil and a piece of paper.

Security?

I say if we give up, there is the risk,
and if you are being reckless, and if

you're going to tell me it's none of my
business, don't try.

It is my business.

Let it go this time.

No, we don't dare.

Ron, will you please come out? I want to
talk to you.

Ron, believe me, you don't understand.

Listen, Miss Medwick, you better get out
of the way.

No, I want to talk to you. You better
let me out.

No. Okay.

Ron.

You're sure that's all, darling?

The bleeding stopped.

But you can't... Sit still.

Holly will be here any minute.

We'll see.

Now we're going to see. He's coming
running now that his precious brat's in

trouble. Well, she wouldn't get out of
the way.

Sit still.

Well, she can't go around calling my
mother a liar.

Best you shut up and sit still.

Well, I'm not going to run away.

That's right, you won't.

Now, if you can hold this, dear.

It feels much better, thank you.

Janie, if he's hurt you bad... No, no,
Dad, no, no. Take it easy. I'm handling

this.

What were you doing here?

They were telling lies about Mom.

You weren't doing anything. Oh, Ronnie.
What did you intend?

I don't know.

He was outside the house looking through
that window there.

Janie, let them see.

That's what your son did to a woman.
Now, you did that.

She was in the way.

I knocked her down, I guess.

But I didn't mean to.

Now, what was in your mind?

About these lies.

Somebody wrote a lying note about my
father.

Now, if Mrs.

Tolley will admit and quash that lie...
She can't do that. She didn't write the

note. All right. I thought maybe we
could straighten this thing out, but,

okay. I'll call the police and turn the
boy in. Oh, no, please.

Do it. Be quiet, Mary.

If this boy has done something illegal,
then go ahead. Call the police.

That was a wicked lie about James.
You've got to take it back.

But I... She can't take back what she
never wrote or said.

Your son has done something that he had
no business doing.

This thing can get into court, you know.

And then we'll see what else comes out.

We have excellent reason to believe that
Mrs. Tolley did write that note.

It'll be very interesting to get this
all out for an airing.

Meanwhile, the boy may end up in jail.

My son will have to stand up to whatever
he did.

And if you want to air the rest of it,
let's air it.

Mrs. Tolley did not write that note, and
you cannot make her say she did by

blackmail or any other method. Now, we
won't stand for this, Tolly. You can't

send a teenager around to beat up on
young women. You can't make my wife into

liar. All right, then we'll leave this
up to a judge to decide about your son's

method. Now, wait a minute. You'll all
just have to wait a minute, because I

will not testify before any judge in any
court or any place against your son,

Mr. Tolly.

Jane, do you realize what you're saying?
I don't know why he came here or what

he had planned or if he had a plan.

But the truth is, if he hurt me, it's as
he said. I wouldn't get out of his way.

He wanted to leave and...

And I wanted to talk to him. So he
pushed me.

But he didn't come here with the purpose
of hurting me, and I won't say that he

did. Are you sticking up for that
hoodlum? If that's the truth, she has to

it.

Thank you, Miss Medrick.

You're very fair.

Please now be fair to me, too.

I would never have done a thing like
that to your grandfather.

I did think he was officious, but
believe me, please.

What did you say?

What?

That last word, did you say officious?

Why, yes.

Did you say that to the teacher, Beatty?

Why, I guess so.

Would you spell it, please?

O -F -F -I -C -I -O -U -S.

But he heard you wrong. He thought you
said vicious.

V -I -C -I -O -U -S.

Could Beatty have written that note?

Who is he? Where is he?

We'll go see him.

Let's go.

James. Now, mother, I'm not sick, and
I'm not tired. I'm not even upset. Ron,

this is your mother. You're holding a
lot of faith in your mother. And this

time, I'm going along, too.

Mr.

Beatty? Yeah?

We'd like to ask you some questions. I'm
Malcolm Tolley.

Oh, well, certainly.

When Mrs. Tolley spoke to you yesterday,
you said she used the word vicious.

Will you spell it, please?

Spell?

Why, B -I -C -I -O -U -S.

Is this a spelling bee?

What was the whole sentence?

Not sentence, a vicious old man, all she
said.

What does that word mean to you?

Look, I don't know what you people want.
Do you dislike Mr.

Medwick? I don't dislike anybody.

You wrote that note and put it in her
car.

I never did anything of the kind. I
never went near that car. Are you trying

blame me for this?

Look, there were other people around
when it happened.

They thought, they thought just as well
as I did. Maybe one of them wrote the

note. Why don't you try to find them?

Wait a minute.

That red and white car there.

I remember now it drove up just before
Mrs. Tolley.

It parked beside that vacant house and a
man and woman got out. The woman

hurried into the house, but the man just
stood there staring.

What was he staring at?

I haven't any idea.

There you are. He must have seen what
happened. Maybe he even saw who put the

note in the car.

But you don't care. You want to believe
I wrote it. If you did, we'll prove it.

Good evening, ma 'am.

We're some of your neighbors.

Would like to ask you a few questions.

Mrs. Crane. Mrs. Crane.

Well, we're not settled. I hope you'll
excuse... Well, come on in.

Thank you. Harry?

We'd like to know if you happen to see a
little incident on the corner

yesterday.

Say, isn't that Georgia Clooney from
Kansas City?

Oh, I said it. You were going to get rid
of him. And now he works right in the

house. You've got to get rid of him.
Going to get rid of him, eh, Mr. Crane?

Maybe you sent a little note to the
president of the PTA.

What note?

Please, Mr. Medwick, please don't say
anything about me. I just can't stand

anymore. Harry was only trying to...
Shut up, stupid.

You put that note into the convertible.
You thought that the driver was the

president of the PTA.

Yeah, well, now, listen, now, wait a
minute. Sure, I knew she was the

She said so.

And now she said herself he was a
vicious old man.

That does it.

Lil' Georgie Clooney.

Now, what do you know?

I didn't tell him to do that.

I only want to live here.

What was the matter, Georgie?

Do you think I'd spread that old story
around to hurt you?

You should have just come to me and said
hello.

Oh, you had to get rid of him.

Now, look, I don't want any trouble.

You've got trouble.

Little Georgie Clooney. Just imagine.

Mr. Medwick, what did Georgie do?

Yeah.

I don't want this spread around now.

Not a word.

Well, she was just a kid, about 16 years
old.

No folks, living alone in a rooming
house riding with the people. So I was

interested. I guess everybody was.

Well, sir, this Georgie was doing a
burlesque act in a roadhouse.

Somebody raised a fuss. Oh, they raised
a hullabaloo. There were pictures in the

paper and... Oh, I guess they never ran
a picture of the act she actually did

do.

Georgie Clooney, just a crazy, mixed -up
16 -year -old kid.

Never did know what became of her.

Is that it?

Only 16 years old, and she's been
haunted all her life.

Come on, I'll drive you home.

I guess he's all right.

And after a long, hard day, and none of
it had to be.

Just two cents worth of honest goodwill
and... That's the way it goes, dear.

With these kind of people.

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