All language subtitles for kill the jockey

[guitar music:
"Let's smoke a cigarette", Piero]

♪ Let's smoke a cigarette ♪

♪ So we can talk ♪

♪ Let's have a drink ♪

♪ We have a lot to talk about ♪

♪ Talk, talk,
We have a lot to talk about ♪

♪ Talk, talk,
We have a lot to talk about ♪

♪ Life doesn't pass in vain ♪

♪ The hours hurt, they go by ♪

♪ All the love that we had ♪

♪ We can't kill him ♪

Remo!

[man 1] Manfredini!

♪ Kill, kill,
We can't kill him ♪

Hey, man, leave him alone!

♪ The night is silent ♪

♪ Water is also sea ♪

♪ Let's remember our things ♪

♪ It's also good to cry ♪

[ends the song] [music]

Let's go!

[man 1] Okay.

That's it.

[man 1] I got in the car.

You have to take responsibility.

[man 2] You can't disappear
all the time.

[starts the car]

[salesman]
Today's program!

Competitors and rides!
In the magazine La Rosa!

La Rosa! The magazine!

Today's program!

Here's the magazine!
The racing magazine!

It's the program!
Manfredini, just an old man!

[salesman] "The spicy one" has arrived!
It's number one!

[race announcer in the distance]

[race announcer closer]

[indistinct conversations]

[employee] Go ahead!

[employee] Ready!

[in the distance,
announcements over the loudspeaker]

[indistinct conversations]

[announcements, conversations
and a radio, all superimposed]

[man] Tower!

[classical music plays
on a portable radio]

[program continues
on the radio]

Ready!

[music in the stands]

[whip squeaking against the ceiling]

[each blow sounds
like a musical note]

[whistles and shouts
in the stands]

[race announcement
over loudspeaker]

[announcements over loudspeaker]

[loudspeaker]
Remo Manfredini!

He takes his place in the starting gates...

[whispers] They didn't want to leave,
but I spoke to them

and they are going to leave.

Let's go with one, two,
three,

four, five, six,
seven, eight,

nine, ten...

[starter] We arrange the six,

the head of the seven,
the hand of the eight...

Are you okay there?

[horses neighing]

[starter] Come on!

[indistinct shouts]

[man] Move, fourteen, move!

[electronic music:
"No disguise", Virus]

[electronic music continues]

♪ Sometimes I go ♪

♪ Where evil reigns ♪

♪ It's my place ♪

♪ I arrive without a costume ♪

♪ For a minute ♪

♪ I abandon the tailcoat ♪

♪ And I undress ♪

♪ In the spiritual ♪

♪ To love ♪

♪ As if ♪

♪ Liar and nudist ♪

♪ I'm going by taxi
Savoy Hotel ♪

♪ And we danced ♪

♪ And I don't know anymore ♪

♪ If it's today, yesterday ♪

♪ Or tomorrow ♪

♪ Uh, oh, oh, oh ♪

♪ Oh, uh, oh
Uh, oh, oh, oh ♪

[electronic music continues]

[electronic music ends]

[tango plays
as ambient music]

[barely whimpering]

We are here to toast
the victory April.

Honestly, babe,

I have nothing but words
of gratitude and admiration.

[man 1] Especially,
if your chicken doesn't come out of the gates.

I wanted to talk about that too.

The day of the grand prize is coming
and we have to take measures.

We all know
where Remo comes from.

[boss]
Terrible things happened to him.

[boss] Too painful
to remember.

[boss]
And yet he reached the top.

[man 1] The best school
is misfortune.

[boss] Having a gift
is a blessing.

Now,

What good are miracles,

sensitivity,

if along the way
you lose your mind?

You know how much I admire
your lack of interest in material things.

Your contempt for success.

[boss] But we know
of your uncontrollable longing

for disaster.

[boss] And here,
we all want to help you.

Because it is at the worst time

when you can heal
internally.

It is now.

You can't run with those farts.

He always ran the same.

But before he won.

They say you're taking
horse drugs.

[boss sighs]

Beyond the details,

we're putting the business at risk.

We have to turn the page.

Evolve.
That's what life is all about.

And I can tell you this here
because we're among friends.

[man 1]
Say that the girl is ours.

Otherwise, we'd be lost.

The horse is yours.

Why are you playing the artist,
Manfredini?

[man 1] What's wrong?

Don't you want to see your child born?

Well,

we don't tell you
how to run your affairs either.

It's not the same.

You're racing my horses.

And you're the one who's racing them, king.

All the attention will be on us.

And there's doping for jockeys and horses.

They do it to everyone,
without exception.

[man 1] A horse is arriving
from Japan.

It cost us a million,
plus transfers.

You have to win.

And why don't they give it to me?

[boss] We should,

but people
want to see Manfredini.

You want to see Manfredini.

[man 2]
In Japan they run backwards.

It's a mess for horses
to turn in the other direction.

You're going to have to run sober,
champ.

[boss] We'll prepare
a box for you at the stud.

We want you to sleep there
and we can take care of you.

And you, babe,

what are we going to do?

[boss] You can't run
much longer pregnant.

Maybe I'll get rid of you.

Don't even think about it.

Give it to me.

Windshield beacons.

[finger-tapping,
windshield ticking]

I'll leave you the key, babe.

If you need anything,
we'll bring it to you.

Don't leave here.

And the bathroom?

[horses neighing]

[train horn in the distance]

[dogs barking]

[man]
You were with the baby, weren't you?

You are complicit
in that situation.

I'm warning you.

Don't you realize?

She's been with that baby for seven years.

[man] How does she do it?

The good times are over, Remo.

I'm telling you because I'm your friend.

[man]
If you don't win, they'll kill you.

Better.

[horse neighs]

[train horn in the distance]

Wow!

Enrique is right.

They're not going to do anything to me.

I'll make them money.

I make them earn money.

You are a junkie.

[Remo] Why don't you want to
have children with me?

Because we wouldn't be
good parents.

[April]
Besides, I want to keep running.

What do I have to do
to make you love me again?

[April] Die and be born again.

[baby's heartbeat]

[horse neighs]

Okay.

I'm pissing myself.

Make me a little fountain.

You don't deserve it.

Bring me the bucket.

[bottle pops]

[box door opens]

[turbines whirring]

[flight attendant announces in Japanese]

[indistinct announcements]

[galloping]

[tango playing in the distance]

[knocking on the door]

Your food, Manfredini!

Mishima has arrived, Remo.

- Who is Mishima?
- The Japanese one.

[screams] Did you hear?

We have to wait
for him to get over his anxiety.

[a tango plays in the distance]

[loudspeaker]
The most important test!

The grand prize
Irineo Leguizamo...!

[announcement
and indistinct conversations]

Is something wrong?

Remo is not in a position to run.

[boss] Why?

Because he doesn't look good.

Did he take anything?

No.

That's why.

You run your race.

And win.

[indistinct conversations]

[door slamming]

Are you anxious?

Huh?

[boss] You're anxious.

No.

Better.

Because we have to win.

[baby whimpers]

[cymbal crashes]

[electronic music:
"Stil", Acid Arab]

[boss] You are
like children to me.

You know that, right?

[electronic music continues]

[loudspeaker announcements overlay]

[singing in Turkish]

[electronic music continues]

[device whistling]

[phone blowing] [device]

Remo, you can't go out.

[they continue singing in Turkish]

[electronic music continues]

Ready!

[Remo snorts]

[electronic music continues]

Pray to the Virgin.

[electronic music continues]

[electronic music continues]

[bell rings on the track]

[overlapping announcements over loudspeaker]

[starter] Seven, eight...

...eleven, twelve,

thirteen, fourteen
and fifteen...

[starter] Let's go!

[electronic music continues]

[race report
on television]

[electronic music continues]

...with Mishima, the Japanese,
up front,

tonight,
the king is Manfredini.

Manfredini leaves alone.

[electronic music continues]

[music ends]

[heart monitor beeps]

Life is beautiful.

Even if it's in a hospital.

[heart monitor beeps]

I knew him when he was little.

He was a good kid.

He once sprained his ankle
for not stepping on an ant.

[sings] ♪ It happens to me ♪

♪ The same as you ♪

♪ I feel alone ♪

♪ The same as you... ♪

Sir?

Who authorized him to enter?

God.

He can't be here anyway.

No?

No.

We have no record
of recovery

from such a violent contusion.

In any case, it is important
that you are by his side

to stimulate him.

Especially to talk to him.
That may help.

[doctor]
If we are lucky and she wakes up,

we will have to address the after-effects
with specific treatments.

What kind of after-effects?

We cannot anticipate them.

In the MRI,
we noticed

an area of the cortex
that appears white,

which corresponds to the area
in which

the cognitive functioning
of the brain is processed.

What does that mean?

[doctor] We don't know yet.

I mean, they don't know anything.

Not much more
than what I'm telling you.

But I have to be honest with you.

His injuries
are not compatible with life.

[heart monitor beeps]

[slow bass music
and bandoneon]

["Angel Introduction",
Astor Piazzola]

[indistinct conversations]

[bandoneon music continues]

[conversations [indistinct]

[birds sing]

[several men offer
illegal currency exchange]

[bandoneon music continues]

[man emits a bird-like
whistle]

[church bells]

[traffic noise]

[the suitcase's wheels vibrate loudly]

[soft music]

[man] Excuse me!

[sad saxophone music]

[woman speaks softly]

Edema, many, many,
many problems.

Gonorrhea, hemorrhoids,
hepatitis A, B, C,

herpes, hernia,

meningitis, menopause, myopia,

measles, tuberculosis,

severe deep vein thrombosis.

[indistinct voices
on television]

[military band in the distance]

[military march]

[volume of march lowered]

[high-pitched whistling]

[sirens [police officers
and traffic noise]

[vibrating sounds]

[cell phone ringing]

[calls again]

[calls a third time]

[continues calling]

[another [call]

[engine starts]

[ignition alarm]

[thud]

[loud traffic noise]

[police] We are driving
this identikit.

Usually,
the person appears within 72 hours.

After that time,
the scenario is more complicated.

Here is what we gathered.

We were able to follow
part of his journey,

but at one point we lost him.

[police] Here he leaves the hospital.

[police]
He stole clothes and a wallet.

A case has been opened for theft.

He has the right to leave, but
by taking other people's belongings

he is committing a crime.

His behavior is erratic.

It's probably because of the blow.

He seems lost
in time and space.

He appears in one place,
then in another...

It's quite strange.

When is the last time he is
seen?

This is from this morning.

[police]
Urinating in public.

That is also
a contravention.

[police] Do you
have any psychiatric problems?

You have many problems.

[boss] They are witnesses
that I chose a long time ago

a spiritual path.

Of contemplation.

But reality always
appears,

and it fucks up our lives.

I thought about it a lot today,

and I came to a conclusion.

We have to go back to violence.

[baby crying]

I never liked using force,

but it seems to be the only way.

The rest is just letting yourself be caught.

And I've already been caught a lot
in this life.

I'll turn off the light
and bring it to you.

[man 1]
I understand that you're feeling bad, Ruben,

but let's not act hastily.

He's going to turn up.

He might already be dead.

[Rubén] If he's dead,
they'll bring him back anyway.

Now, if I find out
that you killed him,

we're going to have a problem.

Great.

[Ruben] Did you hear?

[slow music of double bass and flute]

[slow music continues]

[indistinct conversations]

[slow music continues]

[a child cries]

[the [crying]

[slow music continues]

[music ends]

[Enrique] Crazy!

You look gorgeous!

How did you find me?

Have I never been here?

[Enrique] No!

[closes the door]

[Enrique] It's a miracle
that you're alive.

You made a mess.

[cries]

[Enrique] Sirena is on fire.

She has the whole gang looking for you.

Look what she did to me,
and I didn't do anything.

You have to disappear.

Have a drink.

[Enrique] Are you not drinking now?

You didn't have to drink before!

Now drink!

[man shouts] Long live the Fatherland!

[screams]

[assistant] Cut!

[applause]

[woman on megaphone]
One more, please!

Everyone get back to first.

Take it with blanks, boys.

Watch out!

Get me a gun.

You're gonna need it.

I'll be back tomorrow.

[Enrique] Remo!

How did you find me?

I don't know.

[bolero:
"Sabor a nada", Palito Ortega]

♪ What's happening to us, life, ♪

♪ Lately ♪

♪ We'll see each other now ♪

♪ Indifferent ♪

♪ And that love ♪

♪ That burned us until yesterday ♪

♪ Today, boredom ♪

♪ Tell me, ♪

♪ What ♪

♪ What's happening to us, life, ♪

[the same bolero plays
at a very low volume]

What a mess, huh?

Relax, everything will be okay.

Life is perfect.

Do you think so?

[girl] Yes, my love,

don't make such a big deal out of it.

Daughter, don't bother people.

I was explaining to him.

[subway door alarm]

[announcement] Next station,
Carabobo.

[the jockey] And how are you?

[April] Very well.

It's going to be a girl.

Who?

The baby.

How do you know?

I know.

I was looking for Remo
and I found you.

Look, a little bird!

[opens subway door]

[door alarm]

[street noises]

I'll kill him and leave.
It's the last thing I do.

Besides, I haven't been able to sleep well for days,

and every time I kill someone,
I sleep like a baby.

I never sleep like a baby.

Just like Remo,
we can't kill him.

[police sirens]

You'll see how I can do it.

First we have to find him.

At this point,
I don't even recognize the streets.

Not even the faces.
They're all the same.

You're right, Sirena,

Nobody is nobody.

[man] I'm not Luis,
you're not Fanego...

I'm Fanego.

I don't know who you are.

[Luis] You were born.

Your mom named you Fanego,
but that doesn't mean anything.

[Fanego]
For me, it means a lot.

[dog barks]

Mom!

Mom!

Mom, don't go.

Get out of here, you old whore,
cocksucker, rag-licker!

Degenerate!

[man] And you all go
in the house, you fucking assholes!

What do you have to do following
that old cunt?

Damn it,
get in the house!

[police sirens]

[indistinct screams]

[traffic noise]

[baby babbles]

[Luis] We combed the whole city.

Comb it again.

I'm not driving anymore.

[Rubén] - Oh, no?
- No.

We're going to find him.

[man] It's not good
to handle your emotions like that.

I want to embalm him.

[Ruben] Baby?

[baby babbles]

We're leaving.

[Ruben] Come on, come in.

[baby babbles]

They get like that over time.

Sit down, darling.

What's going on with you?

Why did they break into my house?

Remo screwed up a lot.

[April] And you?

All I did
was take care of him,

and save him

from all the messes there were and will be.

[Rubén] If not, I would already be in prison.

Or dead.

I'm going to tell you a story.

[baby babbles]

[Rubén sighs]

[Rubén]
There was a jockey who was

racing in the underground races.

He ran under the name
"Dolores."

He would arrive,

he would bet on himself,

and win all day.

One day,
he was confronted by a strange,

mysterious-looking guy.

It seems that Dolores
had done something terrible.

Very terrible.

But right there
was another man,

with a good heart,

who intervened,

who sponsored him
and brought him to run in the lights.

[Rubén] They lived a very
beautiful love story, the two of them.

[slow piano music]

[announcements over loudspeaker]

[slow cello music]

[lamp vibrates
and faucet drips]

[silence]

[lamp vibrates
and a faucet drips]

[silence]

[lamp vibrates
and a faucet drips]

[silence]

[very strong vibration]

[lamp vibrates
and a faucet drips] [tap]

[the race is broadcast
on television]

[whispers] Princess...

[whispers] Listen.

[dramatic choral music]

[music turns up]

[music ends
with a high-pitched whistle]

[whispers] The invisible orchestra.

[whistling continues]

What happened?

- Let's go somewhere else.
- Why?

There are a lot of people.

Nobody will recognize you.

[TV broadcast of the race continues]

That's how it is.

You die and someone else takes your place.

Do you think I'm here?

[Enrique] Nobody is here,
but we are alive.

Otherwise, they wouldn't want to kill us.

I brought you this.

[Enrique] I give it to you.

For the joy and money
you made me earn.

[Enrique] It's not the best,
but it's what I got.

Try it, just in case.

I also put some sausages in there.

[Enrique] You're really skinny!

Listen carefully,

Do whatever you want with the gun,
but don't kill yourself.

Why?

[Enrique] Because it's that trap.

If it were that easy,
I would have already done it.

Everyone would have done it.

Remember to check it.

Nice gun!

[pharmacist] - ...generic...
- Do you know if it makes you sleepy?

[pharmacist] I shouldn't...

[thump]

[instrumental music: Donizetti,
"Una furtiva lágrima"]

[Fanego]
What are you doing, watermelon head?

[instrumental music continues]

We missed you, Remito!

Where did you go?

You had us
with Jesus in our mouths!

How could you abandon us like that!

And your pregnant wife!

[Fanego] The bitch is competitive.

She just wants to win.

Pija and win.

[man] He's depressed, Sirena.

He wants to see you.

He spends his time at auctions
looking at horses for you.

He doesn't know what to do anymore.

[Fanego] I explained to him
that the dead don't run.

[Enrico Caruso sings]

You're dirty.

Come on,
we'll take a bath together.

I don't want to.

[Fanego] Yes, you do.

[gunshot]

[gunshots and screams]

[Enrico Caruso
holds a high note]

[song ends]

[auctioneer speaks very lightly]
One hundred and twenty!

Fifty, seventy...

One hundred and fifty thousand there.

One hundred and fifty, seventy,
two hundred and twenty!

Two hundred thousand dollars!
Two hundred thousand!

Two twenty, fifty, seventy,

Three hundred, three hundred...

Three hundred thousand!

This horse is worth six times more.

Three hundred thousand,
fifty, seventy...

eighty, four hundred!

Four hundred,
four hundred twenty, twenty...

thirty, forty, forty,
fifty, seventy, eighty,

ninety, five hundred!

Five hundred and twenty, fifty,
seventy, six hundred!

Six hundred!
Six hundred thousand up there!

Six hundred thousand!
Six hundred thousand dollars!

Six hundred thousand!
Six hundred thousand dollars!

Six hundred thousand dollars!

Six hundred thousand!

Six hundred thousand!
One, two, it was!

Six hundred thousand dollars!
No more offers!

Twenty, twenty for another,
fifty, seventy,

seventy, eighty, seven hundred!

You pernicious little doll!

You're really getting on my nerves.

Seven hundred thousand dollars!

Seven hundred thousand!

I missed you so much.

[auctioneer] Seven hundred thousand!

Seven hundred thousand dollars!

I came to finish.

[auctioneer]
Seven hundred thousand and I'm selling! I'm done!

Seven hundred thousand dollars!

And what are you going to do?

Start a family?

[auctioneer]
Seven hundred and I'm selling!

Seven hundred thousand
and I sold, plus one!

Seven hundred thousand
and I'm selling, plus two!

And the baby?

[auctioneer] Seven hundred and twenty,

fifty, seventy,
eight hundred!

They took it from me.

[Rubén] Because of all this mess
that was created.

Can you believe it?

You left me all alone.

It was easy for you
because you had other stories.

[the auctioneer continues announcing
the bids]

So many things were left
unfinished!

[Ruben]
You never gave me an explanation.

[auctioneer] Nine hundred!

Nine hundred and ten,
twenty, thirty, forty,

forty, fifty, seventy,
eighty, one million!

One million dollars!
Attention!

I want to be alone with you.

Let's go somewhere else.

[auctioneer continues announcing]

We're fine here.

[auctioneer]
Two million dollars!

[auctioneer] The Governor is leaving
for two million!

[auctioneer, shouting]
Two million dollars!

Stupid!

[high-pitched whistle]

[bolero: "You came, when
I least expected you", Leo Dan]

♪ You came just
when I least expected you ♪

♪ And you left without saying
not even goodbye ♪

♪ I realized that without you, ♪

♪ I couldn't be anyone ♪

♪ If you're missing, my love,
what's the point of living? ♪

[a woman moans]

♪ What's wrong, sweetheart? ♪

♪ What things love has! ♪

♪ I didn't want to fall in love ♪

♪ Surprisingly like this ♪

Dolores!

♪ Now you must forgive me ♪

♪ For my love ♪

♪ That it's you ♪

[melodic music continues]

A lot has happened
since you left.

♪ Lara lara lara la ♪

I'm sorry I didn't learn to love.

Nobody learned to love.

You did.

[music ends]

We're going to have a little girl.

I'm fatherless and motherless.

[melodic music]

Don't worry about it.

I don't care
what you've done.

No matter how terrible it is.

[music: "The same as you",
Palito Ortega]

♪ It happens to me... ♪

I'm going to turn myself in.

♪ I feel alone ♪

No.

♪ The same as you ♪

You said I had to die
and be born again.

♪ I spend the night waiting ♪

♪ The same as you ♪

[loud doorbell]

You will get everything back
when you are released.

[bell]

[silence]

[Dolores] Six thousand years ago,
horses lived in freedom,

undomesticated.

The encounter
between horse and man

changed history
more than any other invention.

A month-long journey
became a day-long one.

Then, the horseshoe,
the bit, the saddle,

elements to manipulate
the animal in war,

so that it responds better
to the attack,

but, above all, to the escape.

In the food chain,

every animal is prey.

[Dolores] In turn, it is given
a gift to survive.

The horse's gift
is speed.

It escaped
from all its predators,

except man.

Nobody wants
to be caught by the lion.

And yet,

we are always going
to meet it.

[prisoner 1] And how do you know that?

Because the girl was a jockey.

Dolores is a legend.

She was number one.

[door buzzing]

[classical music: "Lacrimosa",
Wolfgang Amadeus Mozart]

[Dolores] How are your things?

[Abril] Good.

Ana helps me a lot.

What an angel!

"Anna" means
"the one who acts with compassion."

How nice!

[classical music continues]

I swear I'm doing
everything I can to get you out.

Don't worry.

It's important
to be alone for a while.

I'm afraid we'll become
two strangers.

That's never going to happen.

[classical music continues]

Sorry.

[classical music continues]

[door buzzing]

[classical music continues]

[guard] Lola!

[music ends]

[guard]
The director wants to see you.

Now?

Yes, now. Come down!

I was busy.

Come down anyway.

[director] Have a seat.

[chair creaking]

[classical music:
"Una furtiva lágrima"]

[director] Dear Lola,

lunch was made to eat,

not to give subliminal messages to the inmates.

What is this
talk of escape, of escapes?

I was telling you
the origin of the saddle.

I know the story.

I have horses too.

And I admire your career.

Or Remo's.

[director] They say you shouldn't
know your idols.

How curious!

Because, now that I know you,
you're a different person.

It often happens.

I understand that you trained
in underground races.

According to the Greeks,
when souls are reincarnated,

they have to drink water
from the river of forgetfulness.

This way they forget their past lives

and can start a new one.

Freely.

Oh, Lola, how divine you are!

Shall I tell you?

Let's see if you remember anything.

There is a select group of people,

very serious,

who organize meetings

in the shadows.

They are without an audience.

Are they without?

Hm?

Are they sin?

[director] I don't understand.

Me neither.

Can I continue?

For your pig.

[director] As I was saying,

We left at dawn,

It's still going to be dark,

And we'll be back in the afternoon,
God willing.

With the bread under our arm.

What do you think?

I don't know.

Do you have any doubts?

Think of it as a job opportunity.

[director] You tell me
what you want in return.

Whatever you need.

I don't know what you're talking about.

[Dolores sings]
♪ It happens to me ♪

♪ The same as you ♪

♪ Nobody waits for me ♪

♪ The same as you ♪

♪ Why do you keep denying it ♪

♪ The love I'm looking for ♪

♪ The same as you ♪

The ideal thing is to cut your hair in
the sign of Leo and the crescent moon.

[Dolores] It grows divinely.

To keep these light,
you're going to put on lemon,

you're going to go out to the patio,

let the sun hit you.

You know, pigeon?

[prisoner] I hope my wife
likes it.

You are your lady.

Sign?

You must be a Gemini.
Geminis are terrible.

I wouldn't want to be
in your shoes.

You don't know your ascendant either?

Italian.

Oh, what love!

You?

I don't know.

I gave birth to myself.

[recording] This call
is coming from a prison.

If you accept, press one.

If not, hang up urgently.

[Dolores] - Hello, love.
- Hello.

I'm glad
that they're looking after you,

and that you've made good friends.

How lucky that the director
likes racing, isn't it?

Listen to him.

They tell me that, if everything goes well,
you'll be able to be there for the birth.

I don't want to go back.

You have to go.

Dolores,

It's important that you go.

[someone whistles
"Same as you"]

[continues whistling the song]

Lolita!

Are you ready?

[electric guitar music]

[woman] There's a big house
in the middle of nowhere.

A burglar
slowly opens the door.

And when he enters,

he sees that it's all empty.

He came in looking for something of value,

but when he saw that there was nothing,

He relaxes.

Suddenly, in a corner,
he sees an old man, sitting.

He looks at him and says:

"Hello, old man."

The old man says:

"Hello."

The old man realizes
that he is a thief,

but since he has nothing
to steal from him,

he is calm.

The thief passes

and sits down with the old man.

They start talking
about life.

They drink coffee and become friends.

One has nothing to gain.

And the other
has nothing to lose.

[guitar music continues]

[music ends]

[motorcycle engine]

I'm going to lock you in a box,

so we can all stay calm.

The time has come.

[rooster crows]

[pop music: "Trigal", Sandro]

♪ Trigal ♪

♪ Where my hands expand ♪

♪ They are compressed and snatched away ♪

♪ The color of your wheat field ♪

♪ Wheat field ♪

♪ Oh, wheat field ♪

♪ Give me the wheat field of your loves ♪

♪ To soothe old pains ♪

♪ With the bread from your wheat field ♪

♪ If your wheat field is already mine ♪

♪ If your wheat field is already mine ♪

♪ If your wheat field is already mine ♪

♪ Your wheat field is mine now ♪

[music ends]

The boss doubled the bet.

Shall we bet again?

[guard] Are you okay?

Go bet.
I'm staying.

[slow xylophone music]

[heartbeat]

[slow guitar and xylophone music continues]

[revving engine]

[horse neighs]

[revs engine]

[heavy rock music]

[heavy rock music continues]

[heavy rock music continues]

[music ends]

[engine running]

Shall we play it again?

But let's save a part, something.

[guard]
Don't be a coward, he's going to win.

Hello.

[guard] Good afternoon.

And the rider?

He's resting.

[man] Sure.

I'd like to see him.

He'll have to wait.

Okay.

[director]
Everything okay, boys?

The gentleman wants to see the jockey.

What do you need?

[man]
Nothing, we're waiting.

And who are you?

I don't know.

And who are you?

Who are you, young man?

And you?

[man] Who is it?

Nobody knows.

[director] Remo!

There's someone who wants to see you!

[director] He doesn't know who it is.

[baby crying]

[baby crying]

[high-pitched whistling]

Hi, Lola.

[melodic music: "A kiss
and a flower", Nino Bravo]

♪ I will leave my land for you ♪

♪ I will leave my fields and go away ♪

♪ Far from here ♪

♪ I will cross the garden crying ♪

♪ And with your memories I will leave ♪

♪ Far from here ♪

♪ I will live during the day ♪

♪ Thinking of your smiles ♪

♪ At night the stars
will accompany me ♪

♪ You will be like a light ♪

♪ Let it light my way ♪

♪ I'm leaving, but I swear to you ♪

♪ I'll be back tomorrow ♪

♪ When I leave,
a kiss and a flower ♪

♪ An "I love you",
a caress and a "goodbye" ♪

♪ It's light baggage ♪

♪ For such a long journey ♪

♪ The sorrows weigh
on the heart ♪

♪ Beyond the sea
There will be a place ♪

♪ Where the sun
shines brighter every morning ♪

♪ They will forge my destiny ♪

♪ The stones of the road ♪

♪ What is dear to us ♪

♪ Always left behind ♪

[song continues]