All language subtitles for Hitchcock s02e21 Beast In View

Good evening.

The prevalence of mashes in our streets
and parks has brought about this

charming device.

It looks like a lady's compact, but it
is really much more than that.

When m 'lady is accosted by some
undesirable party, she simply takes this

as though to powder her nose.

However, when she opens this...

Before you can say Jack the Ripper, a
cloud of tear gas is sprayed in the

villain's face.

Perhaps this lacks some of the
excitement that went with wielding the

-fashioned hat pin, but it is most
effective.

Furthermore, it actually contained a
mirror and powder so that you can

up before the police arrive.

That's odd.

I should be weeping by now.

No wonder. It wasn't tear gas after all.
This one uses mustard gas.

While we wait for developments, you may
pass the time by watching tonight's

narrative. It is about a young woman
named Helen Clabo, who is the object of

some mysterious threats.

But first we have another device.

which can bring tears to the eyes of the
more fastidious. A television

commercial.

Yes.

Yes.

Of course I know who this is.

Dorothy, stop bothering me.

Yes, Dorothy.

Please leave me alone.

Well, now, what would compel you to say
a thing like that? That's not true. You

know better than that.

What? Yes,

of course I received it.

It was waiting for me when I got in.

Yes, yes, I read it.

Yes.

Yes.

Listen, Dorothy, don't threaten me,
please. Hello?

You certainly should have called me long
before this.

Probably.

I just didn't think it was very serious
until she phoned today and started to

threaten me.

What time did she call?

A little after I got in from the office.

I couldn't hear anything on the other
end of the phone for a while.

And then I could hear her breathing.

And then she said, Hello, Helen.

Do you know who this is?

Of course I knew who it was.

Dorothy's been cultivating that accent
until it's as sweet as that sugar there.

Want to try one?

Fast energy.

No, thank you.

She said that she read that article
about my father dying and my gaining all

the inheritance.

If I didn't share it with her, something
bad was going to happen to me.

You know, I don't know how she got a
hold of my private phone number.

I'm going to change it, though, first
thing in the morning. And, oh, there's

letter.

a dream about you last night. You were
dying.

I've read it many times.

Oh.

Came in this envelope?

Yep. Jack Tirole, a photographer?

Well, Dorothy used to model when we were
in high school.

My father always thought she was pretty
enough to have been a professional

model.

I don't know whether she ever did
anything about that. She may have,

always... was rather unpredictable.

In what way?

Her behavior was always unexpected, very
erratic, almost psychotic.

Like that nursery rhyme, you know, the
one with the schizophrenic underlining,

when she was good, she was very, very
good, and when she was bad, she was

horrid.

She had an undercurrent of violence.

Always acts of fits of rage. The last
time I saw her, she was in a rage.

When was that?

You remember that she was going to marry
my brother Douglas?

Oh, yes. What happened there? I never
really wanted to go into it before, but

the date was all set, and then a day
before the wedding, I discovered that

had taken what amounted to a great deal
of money from my family.

So I told my father, and I told Douglas.

Of course, she denied it. She said that
I lied, and she screamed and yelled, and

she threw things. She picked up a letter
opener.

I could have sworn she was going to stab
me.

And then she did this entire reversal in
her behavior.

She broke down and she cried.

It's really very interesting.

You know, I told a friend of mine about
it at the time, a psychiatrist.

And she said that she had all of the
symptoms of a real psychosis.

Excuse me.

And you want me to find her?

Oh, yes.

Well, I think it's a good idea. I think
somebody should speak to her.

She should be warned.

I don't want to open up a whole thing
with the police. I just want you to find

her and tell her to leave me alone.

I have an old address on her. I don't
know whether she'd still be living there

or not.

I'll take it and check. I might find a
forwarding address or something.

Oh, and while you're at it, put down the
number of your private phone, will you?

I wouldn't have it changed if I were
you.

Just don't answer it. If I want you,
well, I'll ring once and hang up and

I'll ring again.

The first thing tomorrow morning, I'll
go down to Tarola's studio, see if I can

find if there's some connection between
him and Dorothy Johnson.

Then I'll check this old address, and
I'll call you right after.

All right? All right.

Thank you. Good night.

Good night. How's the wife?

Oh, she's as sassy as ever.

And the kids?

Don't mention it. They're all three down
with the mumps. Oh, boy, I don't know.

I don't think I should be here. I may be
contagious.

It's all right. I've had them.

Send them my love.

Good, I will.

Good night. Are you going to be all
right? Oh, yeah.

Don't worry.

I'll find her and everything will be
taken care of. Thank you, Paul.

Oh.

Keep the chain from the door.

Okay. Good night.

Good night.

That is nice. That is nice.

In fact, that is perfect. There's just
one little tiny adjustment here. Just

me lower this. Oh, oh, oh, oh.

Oh, is that nice?

That is really nice.

Okay, now let's try one, baby. You want
to try one?

Let's try a little one. Now, you just
hold there.

Let me get ready. Don't lose it. Don't
lose it. Keep what you got going for

That's a big... Oh, that's nice. That's
nice. Now, watch the cat.

Now, look at me. Look at me, baby. Look
at me. Look at me. Look at me. Now,

lower your shoulder.

Lower, lower.

Look the other way. That's right. Oh,
that's nice. That's right. Hold it. Hold

it.

Ah! Oh, that was lovely.

Tommy, will you get that?

Tommy, will you get that?

Okay, let's try one more. You want to
try one more? One more, nice. Come on.

Mr.

Tirola. Nope.

Tell whoever it is I'm busy right now.
He's busy right now. Want to wait?

Ask him if he wants to wait.

I'll wait.

How about some coffee? Offering you
coffee.

No, thanks.

Okay, baby.

Relax now.

I think we got it. You ready, Connie?

Yeah. All right, you're next right after
coffee. Now offer me coffee.

How about some coffee, Ronnie?

It's just coffee routine. If she wants
some coffee, I'll offer her coffee. Not

faster, baby. Faster.

You go on. I'll get there in the spring.

Won't we, Snow?

Mr. Tirola. Oh, yeah. I'm Paul
Blackshear. Oh, yeah. You're a good

you got any pictures?

I'm a lawyer.

Oh, I'm sorry. I'd like to ask you a
couple of questions, if it's okay.

You've heard of the tortoise and the
hare?

Yeah, it's okay.

Do you know a Dorothy Johnson?

Dorothy Johnson?

Obviously, I've rung a bell.

Is she a friend of yours?

No, I don't know her. I'm just trying to
find her.

Well, if you do find her, will you tell
Miss Johnson to leave me alone?

Hello, I'm Tucker Dowd. Hi.

Hi, how are you? Robin Rapp. Paul
Blackshear. And this is Snow.

Hello, Snow. Tommy Tompkins here. Hi. If
someone would unpin me, I'd get out of

the merchandise.

Oh, you mean me?

Mm -hmm. Oh, here, I'll do it. I'll do
it. Just turn around. Do you know where

could find this Dorothy Johnson?

Well, I know where she ought to be, on
the funny farm.

She came in here first last, uh, oh,
last Wednesday, right?

Right. Ow!

Oh, I'm sorry.

I mean, she didn't ring the bell. She
barged right in here, and she demanded

that I take her picture. So I told her
she'd have to wait.

Then the next thing I know, she had her
lipstick out, and she was drawing all

over the wall.

Really?

So I yelled at her, and then she started
throwing things. She threw a pot.

There was dirt everywhere.

She may have broken my second and third
toe. I don't know. I haven't had a

chance to go to a doctor yet.

Hey, listen, by the way, if you find her
and I decide to sue, will you handle my

case? You didn't happen to take her
picture, did you? I did not. I certainly

not. I told her that in the first place
she didn't have enough money to get me

to photograph her. And then she said,
oh, no, she knew somebody very rich who

was going to give her all the money she
wanted.

So she wouldn't leave.

So finally I told her I was going to
call the police.

And then, for no reason at all, she goes
over to my desk and she starts taking

my stationery out and stuffing it in her
purse.

So I just chased her out.

With a broom and shaking his fist.

Hey, where was I? Well, you're after
pizza or something. You know how you

Oh, and then, and then the phone call
started.

I mean, the phone would ring. I'd pick
it up. Hello?

There'd be nobody there. Hang up.

Phone would ring again. I'd pick it up.
Hello? Nobody there. I'd hang up.

This went on, I can't tell you how many
times. And finally, the phone rang, and

I picked it up. Hello?

And then this voice.

Hello, Mr. Tirola? You are... And then
she began with the most unbelievable

series of names that you ever heard in
your life. Then, to top it all off, she

threatens to come back just as soon as
she gets enough money.

Now, if you find this girl, will you
tell her to stop calling and to leave me

alone? Absolutely, absolutely.

Oh, say, do you mind if I use your phone
before I go?

Well, is it a local call?

You can be sure it is.

Oh, well, go ahead.

Well, come on, Tommy. We gotta get to
work. Okay, off to the islands.

Did you find out anything? Do you know
where she is?

No. Any calls?

There was one.

It rang about a half an hour. I didn't
answer it, though.

Paul, somebody is... What is it, Ellen?

Slipped something under my door. I was
lying down. Just a moment. Let me open

up.

Helen, what is it?

It's a drawing.

Paul, it's a bad drawing of me.

Dead.

Who is there?

Helen, what is it?

There's somebody outside my door.

Somebody's standing there.

Who's there?

I want to go away, Helen.

I came clear over here to visit you.

Now you let me in.

I want to visit.

Let me in!

Helen Clavel is a liar!

I have not been phoning her at the
Vicente Hotel, and I've not been

it around there.

She has always hated me with such a
vengeance.

Doesn't she have anything better to do
than to sit around weaving webs and

making up lies?

Have you got a cigarette?

Maya, my mama don't keep any around.

You know what Helen's label is?

Spoiled rich.

I wish I did have her money.

Spoiled rich.

You ever heard of Jack Ferola?

Why, has he ever heard of me?

I said you were in his studio last
Wednesday.

And?

And I've been phoning him ever since.

It's the last one.

I'm sorry I can't offer you any, but...
Hair of the dog.

You know what I mean?

Mr. Black Sheep. Black Sheer.

I know.

Jack Tirola is a very good photographer.

And I did phone him several years ago.

I wanted him to take my wedding picture.

But I never phoned him back.

There was nothing to take a picture of.
Thanks to Helen.

Would you like to see something, Mr. Baa
Baa Black Sheep?

You know, this thing cost my mama almost
four months' salary.

Turned her hair gray.

Some mornings I just put it on for the
fun of it and stumble around.

Helen Clavo's the reason why this dress
never walked down the aisle with me in

it. She couldn't stand it that I was
gonna be Mrs.

Douglas Clavo. So she went to work, lady
spotted that she is, and she

manufactured a lie that killed his love.

Oh, I... I could have been caught with
another man. Douglas would have forgiven

me that.

But the fact that I stole money... Oh,
money is so important

to those Clavos.

I hate Helen Clavo.

And I hate her mother, and I hate her
brother.

I liked her father because he was always
nice to me.

That added fuel to the fire, let me tell
you.

Now, I'm not feeling very well this
morning, Mr.

Black Sheep.

I have what is commonly known as a
hangover.

And all of these questions...

These lies with the question marks at
the end of them are making my head hurt

awful.

I just... I just don't want to talk
about it anymore.

But there won't be any trouble, Miss
Johnson, if you'll just leave my client

alone.

Oh, there won't? No.

Now, you get out of here, Mr.

Blacksheath, before I lose my temper.
And you tell Helen Clavel that she

stop... telling them lies about me, or
I'll give her something to lie about.

Bring us some ice, dear.

Well, how are you?

Fine.

Helen here? Not yet.

But I've never known that girl to be on
time.

Can't depend on cats like she does and
ever be on time.

Did you see the Johnson girl's mother?

Yes, I did, and I also saw the Johnson
girl.

You found her. How clever.

I hope you made it very clear to her
that she is to leave Helen alone.

I made it very clear. Oh, it's out of
the question, that kind of behavior.

She denied everything. Of course she
denied everything.

You know, I think Helen may be right.

The girl is disturbed.

I could have told you that when she used
to spend the weekends here as Helen's

guest. When Douglas started courting
her.

I did tell Douglas' father.

But he said it was all my imagination.

That she was a good girl.

How's the Johnson girl looking?

Not well.

Always said that wouldn't last.

Beauty is only skin deep.

Pretty is as pretty does.

a minute till I put you on the speaker.

It's Helen.

You're late.

Oh, I'm sorry.

I, uh, I fell asleep reading Balzac.

Is Paul there yet?

Hello. You know, I don't think I've
spoken on the phone without speaking on

phone before. I just got it the other
day.

I saw Dorothy Johnson, Helen.

I went to that old address you gave me
and there was a forwarding address.

Downtown, another one out to the beach,
and then another one back into town and

another one will eventually find her.
She's living with her mother.

What did she have to say?

She denied everything.

She said that you're lying. To be
expected, wasn't it? I can't be too sure

I really got through to her. She was
paralyzed with a hangover. She was

unpleasant, hysterical, ordered me out
of the house.

Just put it on the bar. We'll make our
own.

What?

I was talking to Margie, dear.

If you hurry, you'll have time for a
drink.

Are you going to stay for dinner, Paul?

Of course he is.

Well, I'm going to have to if you hang
me up here much longer.

Well, I'll just have to put on my shoes
and I'll get a cab. I'll be right over.

Bye. Bye.

Ding. Busted.

What's the matter?

Turn your head, Paul. I'm about to
cheat.

Go make us a drink.

The usual.

What do you want?

lying on the table.

I want to talk to you.

Go on, Helen.

I have to talk to you. Go on.

Lady, I can't go. That's a stoplight.

That is wrong. That is the third time
you've been absolutely wrong. Now try to

get it right.

Now look, I've got it right here. Two
cheeseburgers with everything. An order

fries, beer, and a kosher pickle, right?

Right. Now that is right. We're making
an awful lot of noise, Tommy. You coming

with me?

I'm going with Tommy, Jack.

You need two people to carry two
cheeseburgers with everything. We'll be

about half an hour. That's when the
deli's all made.

Maybe I should have gone along to carry
the french fries.

Never heard of such a thing in my entire
life.

Two people.

Did you forget something?

Did you forget part of the order?

Robin? Is that you?

Who is it?

It's Dorothy Johnson.

It's who?

Dorothy Johnson.

I have the money now, Mr. Tirola.

Now, look, Miss Johnson, I'm not going
to take your picture.

Will you please just be a good girl and
go away before I call the police?

What's the matter with you? Can't you
read?

Get out of here, will you? Get out!

A few of our viewers

wrote in telling us that they feel the
station break is the high... point of

evening.

We shall now hear from one of those
viewers.

There you are.

That's all right, I've got him.

It only takes 30, 40 minutes, Paul, to
get here, even in the five o 'clock

traffic. Helen's always late, but she's
never this late. Well, let's give her

another 15 minutes.

She may have stopped to get you a
bouquet of flowers, who knows?

Helen's never brought me flowers in her
life.

I'll tell you what, I think I'd better
phone Molly.

Tell her I'm going to be even later and
see how the kids are.

Use the phone in the hall.

All right.

Hello?

Yes? Yes?

Into the park. She thought she could
lose me in the park.

In the tree.

little cucumber on the other side at the
end of the path.

You should have seen her ugly face when
she saw me.

Where is Helen?

Is that you, Mr. Blotcher?

Yes, where is she?

Would you care to repeat that question
again, please?

Where is she?

That's the third time you've asked me
that question.

You know, she's not as bright as you
think she is, Mrs. Claude.

Where are you, Dorothy? Not as bright as
you've always been.

roller studio and see what I can find
out.

I'll use the hall phone and try the
hotel again.

Right.

is in the dark room and has asked not to
be disturbed.

May I take a message?

Never mind.

I'm going over there.

Here's your dinner, Jackie. Here's your
dinner, Jackie.

Stop it.

Stop it.

Robin. Robin.

Something's burning.

Hey, something's burning.

Stop it. No cooling.

It's a coffee pot.

Coffee boiled is coffee spoiled.

Come on, we're not waiting.

We're going to eat.

What is it?

It's a $20 bill.

What's that?

How long were you away from the studio?

Well, it wasn't very long. I don't know
how long it was. It was 15 or 20

minutes. There's the man who was asking
for it. What's happened?

Your name, please?

Paul Blackshear. I told you it was
something like that.

You have business here, Mr. Blackshear?
Yes, I want to see Jack Tirola. I'm

afraid that's impossible.

Jack Tirola is dead.

What? You know anything about this?

No.

Shot through the heart about two hours
ago.

You were here this morning, Mr.
Blackshear, asking about a woman named

Johnson. That's right.

You know where she is? No, I'm trying to
find her. I have a client named Helen

Clairvaux. She was threatened by this
Johnson woman.

Like Carolla. And Helen is missing.

What? That's right. She was supposed to
show up at her mother's apartment this

afternoon and never made it. Just
disappeared.

However... The Johnson woman phoned
there, said she had seen Helen and

had taken some money from her, something
like that.

That's about all she said, except for
the fact that she said she'd been here

patrol the studio again. But she killed
him. I didn't know what to make of it,

but I thought the best thing would be to
come here. Now, obviously, my client is

in great danger. Where does she live?

At the Vicente Hotel.

Call her. Call just before I came down
here. Call again. I'll tell you what,

I'll try the hotel desk. Maybe they've
heard from her.

Front desk.

No, no, Mr. Blackshear. Miss Clairvaux
has not returned.

Well, I certainly will take a message.

No. No, I have it, sir.

Well, yes, I understand that it's
urgent.

I will, sir.

Goodbye.

Oh, Miss Clairvaux, I have several
messages for you.

Your mother called three times, and she
wants you to phone her immediately.

Your lawyer called four times and says
it's urgent that you reach him at this

number. Thank you very much. You're
welcome, miss.

Hello. Mrs. Clavo?

Yes. You know who this is?

Yes. Guess where I am.

You guess.

I don't know.

I'm with your brilliant, ugly daughter,
Helen, at her hotel.

Room 425.

Let me talk to Helen. Helen has
something to say to you, Mrs. Clavo.

Something she should have said a long
time ago.

Helen, this is your mama on the phone.

I dialed for you.

Now you come on.

You tell her what you told me here.

Now you talk.

Mother?

Helen.

Mother, Dorothy didn't steal that money
from Father's wallet. I lied about that.

I couldn't stand for her to marry
Douglas.

I hated her because Daddy loved her
better than me.

I stole that money and I put it in her
purse. Can you forgive me, Mama?

Mama, she's got a gun.

Did you hear that, Mrs. Clavo?

Ain't she a bad girl to tell such
terrible lies?

Terrible, terrible lies.

You can't forgive her for that.

Yes?

Yes, Mrs. Clavo?

Yes. Yes.

Dorothy Johnson has Helen at the Vicente
Hotel and she's got a gun. Let's go.

Helen?

Helen?

I'm sorry.

Helen's busy.

She can't see anyone right now.

She has a visitor.

Miss Johnson, this is Paul Blackshear.
Please go away and leave us alone.

This is none of your business.

It's not your bow, is it, Helen?

I didn't know anyone that cute would
ever pay any attention to anyone as ugly

you.

Now, you just stay right there. You're
not going anywhere.

You're a bad girl, Helen.

Open up, Miss Johnson.

This is the police.

Get those people back. Helen! Leave us
alone!

Paul, go away, please.

It's all your fault. You've always been
jealous of me.

Paul, she killed Tarola.

Shut up!

Take my picture. I wasn't pretty enough.

Tyrone is just a shadow now.

Miss Johnson.

Leave us alone.

You tell them to leave us alone or I'll
kill you.

Tell them.

Leave us alone, please.

I called the hospital if that's any
help, mister.

Who is this?

This is Dorothy Johnson.

What? She is in there alone.

Alone.

I came up in the elevator with her. I
wanted to talk to her.

And then she took out that gun and she
told me to wait at the end of the hall.

She went inside and locked the door.

And then I heard my voice.

Her using my voice.

I don't understand.

Some sort of split personality.

Yes.

But my voice?

It's possible in rare cases of
schizophrenia for people who imitate

voices. Particularly the voice of
someone that they've always wanted to

Poor Helen.

All this time you thought I was calling
her.

It was yourself.

I can't.

She has a gun. She may hurt me.

She told me to stand still.

Fight back, Helen.

Stand up to her.

Don't listen to them.

Tell them to go away.

Let me talk to her.

Helen? Paul?

Yes?

Helen, listen to me.

Dorothy Johnson is out here with me.

You understand?

Dorothy Johnson is out here in the hall.

How can I be out there when I'm in here?

Your boyfriend...

is so silly, Helen.

You're not Dorothy.

You're Helen.

Your boyfriend is crazy, Helen.

He'd have to be to like you.

Don't say that.

You like me, don't you?

Yes, I like you very much, Helen.

You see?

Miss Johnson, say something to her.

Helen?

Helen, guess who this is?

It's Dotty, Helen.

Dumb Dotty, you taught how to multiply?

Two times two is four.

I told a terrible lie.

I'm sorry.

I'm sorry. Can you forgive me?

You can't forgive me.

Nobody can forgive me.

Never.

Never.

I forgive you, Helen.

I understand.

I forgive you. Do you hear me?

I forgive you. Please, Helen.

Open that door.

No, you're not Dorothy.

Dorothy was pretty. Dorothy Johnson was
the prettiest girl my daddy ever saw.

He liked her hair in a ponytail.

See my ponytail?

Helen. No!

Don't call me that. I'm not her.

Yes. No!

Dorothy,

leave me alone.

It's not your turn, Helen.

Just because you're rich, you think you
can take extra turns.

Money doesn't buy everything, Helen.

Money can't buy you a pretty face.

Our pretty hair like mine is.

Our pretty ears.

Our pretty noses. Our noses. Our noses.
Our noses.

Pretty is as pretty does.

And look at you, Helen.

You're a mess.

You look beautiful.

Oh, you really are lovely, Dorothy.

Why don't you fix your hair like Dorothy
fixes hers, Helen? Doesn't it look

nice? Daddy likes your ponytail.

It's nice.

I wish she could be more like Dottie.

I wish she could be more like Dottie.

Come on, Dorothy.

Concentrate. Start again.

Two times two is four.

Four times four.

Yes. No doubt about it, Dorothy Johnson
could be a professional model.

Don't bother me now, Helen.

Well, I'm sorry, Miss Johnson. I am very
busy right now. You'll just have to

wait.

Hello.

Do you know who this is?

Of course I know who this is, Dorothy.

The money. That was a lie, Mrs. Claude.

I hate Helen for telling that lie.

You tell her I hate her.

And that I intend to make her pay for
what she did. Thought you could get away

from me this time, didn't you?

Will you just please be a good girl and
go away?

Thank you.

Next week when I return, I shall have
another device.

Until then, I'm sure that heaven will
protect the working girl.