All language subtitles for diffrent_strokes_s04e10_the_squatter

with an atrium or a courtyard for an
Indian museum.

What do you think of that, Chief?

There's only one thing I don't like
about that idea.

What's that?

That I didn't think of it.

That was terrific, Dad.

Great idea.

Hey, Dad, you must be the one who put
the pow in powwow.

What do you say, Cliff?

What about the cost of adding the
museum? That's not covered by our

Well, my company will pick up the tab
for that. It's deductible.

Think about it, Cliff. Either way,
you're going to get your office

And for settling in a potentially
explosive situation without violence,

might even get a commendation.

And you'll have three kids who really
think you're the greatest.

Well, that's an offer I can't refuse.

Okay, Chief, it's a deal. All right!

Well,

I guess you can call off your people and
your hunger strike now, Chief.

Yes. As the wise man once said, there's
a time to fast and a time to gorge. Who

is the wise man?

Me.

Well, what are we waiting for?

Let's get in that kitchen and start
gorging.

The world don't move to the beat of just
one drum. What might be right for you

may not be right for some. A man is
born. He's a man of ease.

Then along come two.

They got nothing but the genes.

But they got different strokes of
things.

Different strokes of things.

Different strokes of the world.
Different strokes of the world.

Now the world don't move to the beat of
just one drum. What might be right for

you may not be right for some.

One man is born, he's a man of means.

Then along come two, they got nothing
but the genes. But they got different

strokes to take, different strokes to
take, different strokes to move the

Everybody's got a special kind of story.

Everybody finds a way to shine.

It don't matter that you got not a lot.

So what? I'll have theirs, you'll have
yours, and I'll have mine.

And together we'll be fine for the day.

Different strokes to move the world.
Different strokes to move the world.

Here we go.

Come on, baby.

Six. One.

You owe me $2 ,000 rent, turkey.

Thanks a lot, Scrooge.

Well, that wipes me out.

Give me a bottle of Ripple and I'm ready
for Skid Row.

That makes two of us, Arnold. I'll see
you in the flop house.

Gee, Willis, you sure are lucky at
Monopoly.

What do you mean lucky?

Well, then Dylan just comes nacho to me.

So does kissing yourself in the mirror.

Hi, kids.

Hey, Dad.

Oh, and it's freezing out there. You
know, it's starting to snow.

For a minute there, I thought you had a
bad case of dandruff.

I don't know. I thought you had to have
hair to have dandruff.

Who's winning?

Well, it's creamed us again.

Hey, what can I say?

Even when I was a baby, I was a high
roller in my little stroller.

I guess you're just a chip off the old
block.

Yeah, except the block is white and the
chip is black.

You know, Dad, I made a fortune.

But I could have made more money if I
owned condominiums instead of houses.

That is right, Willis.

Is that what the big bread is?

Not just the bread, the whole bakery.

Matter of fact, our company is just
starting now to tear down an old

house. We're going to put up some
beautiful new condominiums, which the

needs very badly.

Oh, that's a great idea, Dad. The city
ought to give you a medal.

Oh, let's not go overboard. A small
parade would do.

Money will never change you. You never
get any funnier.

But he'll get richer from all those
condos he's putting up.

Terrific! Dad, you make it, I'll show
you how to spend it.

Would you guys like to see a sketch of
what the new 36 -story building's going

to look like? Yeah, sure, Dad.

Good, because I was going to show it to
you anyway.

Be right back. Okay.

You guys want to play another game of
Monopoly? On one condition.

What's that?

That you go directly to jail and stay
there.

I'll get it.

Oh, hello.

Is this the Philip Drummond residence?

Yes, it is.

Well, my name is Mrs. Martinson, and
it's very important that I speak to Mr.

Drummond. Is he home?

Sure, come on in.

Oh, thank you. It's freezing outside.

Hi, I'm his daughter, Kimberly.

And these are my brothers, Willis and
Arnold.

where the big financial wizard lives.

I guess you've heard about me.

Well, just as I expected.

Wall to wall rich.

You could hold a war in this place.

Don't think we haven't.

Uh, Mrs. Martinson, why don't you have a
seat and I'll go get my father.

Yes. Tell the executioner he has
company.

The executioner?

That's what we call him.

Who's we?

The tenants he threw out into the
street.

New York's answer to the boat people.

Dad would never do a mean thing like
that.

Our dad never gets mean. Except when I
polish my shoes with his electric

toothbrush.

Oh, you're adorable.

Oh, Mrs. Martinson, there must be some
mistake about my father.

No, dear. There's no mistake.

Your father is tearing down our building
and I got thrown out.

Instead of an apartment with a view of
the street, I've got a street with a

of the apartment.

Oh, I see. We have company.

Uh, yes, Dad. This is Mrs. Martinson.
She used to live in that apartment

building you're tearing down.

Oh, very nice to meet you.

I guess you want first crack at one of
those new condominiums.

No, I want first crack at your head.

I beg your pardon? She says she's got no
place to live because you gave her the

old heave -ho.

Dad, you wouldn't heave her ho, would
you?

Well, I don't understand that. We didn't
throw anybody out. As I'm sure you

know, we offered every tenant first
choice if they want to buy one of the

condominiums. What are you, a comedian?

Where would I get $200 ,000?

$200 ,000?

And up. With up, you get a bathroom.

Now, Mrs. Martinson, I'm sure you'll
agree that in Manhattan today, that

represents a very fair price.

Sure. Our dad's not in business to lose
money, you know.

Listen to him, son of executioner.

Gee, Dad, isn't there anything you can
do to help?

Yeah, come on, Dad.

You're taking all the fun out of being
rich.

Mrs. Martinson, I understand your
situation. I really do.

But our company's done everything we can
do.

Oh, sure you have.

No, no, no, it's true. We even hired a
rental agent to help you tenants get

relocated. She only found one apartment
that I could afford.

Why didn't you take it?

Because she took it herself.

How come it's so hard to find an
apartment?

Because people like your father are not
building rentals anymore.

Just condominiums.

So they can make a fast buck. Look, I am
very sympathetic to your problem.

But I would just like to know how you
expect me to help you, madam.

Madam? If I were a madam, I could afford
two condominiums.

Oh, I'm very sorry, children. I didn't
mean to use that kind of language in

front of you. Oh, that's okay. We've
heard worse words than that. Yeah, we

cable television.

Now, Mr. Martinson, how about your
relocation allowance? We gave every

generous amount of money to help them
move.

I used up all the allowance.

This isn't the good old days when a
dollar was worth 50 cents.

Well, I wish I could help you, but I'm
afraid I'm not a real estate agent.

So I'd appreciate it if you'd leave now.

Would you mind doing that, please?

Please, he says.

Attila the Hun with manners.

All right.

I'll go.

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Will you guys stop looking at me like
that?

I am still the same father you were
crazy about Christmas morning, you know.

Look, Dad, I know you can't be
responsible for everybody.

But I really feel sorry for her.

Yeah, me too, Daddy. She seems so
desperate.

Dad, if you have to knock down a
building, why don't you leave hers alone

knock down my school?

What do you think you're doing?

I'm moving in.

What? You can't do that.

Oh, yes, I can.

I've got no more money. And until you
find me a place to live, I am staying

right here.

As long as I need a roof over my head,
it just may as well be one with a

chandelier.

Well, this is preposterous.

Kids, you can start calling me Aunt
Bernice.

Hi, Aunt Bernice.

Don't call this weird woman your aunt.

Your aunt's a different weird woman.

And I'm not about to take an attendant.

Oh, don't worry, Mr. Drummond. I won't
steal your towels.

And I don't snore, and I don't walk in
my sleep.

That's good, Dad, because I won't bump
into her when I'm running to the

bathroom.

I can't take in every stranger that
comes through the door.

But you took me and Arlen, and we were
strangers.

We were even stranger than this lady.

Oh, Dad, she has no place to go, and you
said it is freezing out there.

Well, I'd really like to help you, Mrs.
Martinson. I'll tell you what. I'll foot

the bill for your motel for the next few
nights. Oh, no. No way. No more motels.

I want a home.

Even if it is only for one night.

Come on. Let her stay just tonight, Dad.

Please, Dad.

For us, Daddy.

Give me a break, Daddy.

Well, all right.

You can stay tonight.

But you've got to leave first thing in
the morning. And no fuss.

Now do I look like the kind of woman who
would make a fuss?

Just stopped by to say goodnight, kid.
Night, Dad. Night, Dad.

Hey, hey, hey, hey, hey. What is the
matter here?

Well, we were just talking about Mrs.
Martinson.

We really feel sorry for her, Daddy.

Dad, if being in your business means
kicking people out of their homes...

I don't know if I want to take it over
someday.

Well, it's your overreacting to this
thing.

Yeah, but making money in Monopoly is
one thing. But it's different when real

people don't have the money to pay the
rent.

After tonight, what's going to happen to
that poor, helpless woman?

Everything is going according to plan,
Doreen.

Yeah.

Stand by for the fireworks tomorrow. I'm
really going to fuck it to them.

I think I'm sexy.

Come on, sugar, let me know.

Hey, if you really need me, just... The
chocolate chips everybody wants. Chips

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Gee, I wonder how late you'll sleep.

Why don't you ask her?

Morning, Anthony.

Good morning.

We didn't mean to wake you up.

Oh, you didn't wake me.

I was just lying here thinking.

You know, you look pretty good in the
morning.

Thank you.

Poor woman your age.

I spoke too soon.

Would you like some breakfast?

Oh, no, thank you, Kimberly.

I don't want to take any of your
father's food. That's very sweet, but I

my own.

Seven grain cereal, a bowl, and bran.

Good morning, everybody.

Good morning, Dad. Good morning, Daddy.

I want to make some powdered milk.

What do you charge for water?

Mrs. Martinson, you're really more than
welcome to eat breakfast with us. Yes,

and you don't have to worry about the
tipping.

No, thanks.

Maybe tomorrow.

What?

Tomorrow?

Now, wait a minute.

Last night you said you'd be leaving
today.

Well, last night I was homeless and
desperate.

This morning I have a lovely couch on
Park Avenue.

Oh, no, you don't.

Now, you promised that if I let you stay
overnight, you'd leave first thing this

morning. Now, you've gone back on your
word. I want you out of here and right

now. Oh, boy, you're all hard, aren't
you?

Next thing, you'll be calling the
police.

Well, why don't you do that?

Why don't you go ahead? Call the police.
Dial it. It's 911.

All right, that's just what I'll do.

You don't think I'll do it, do you?

I'm picking up the phone.

I'm dialing.

Hello, operator, get me the police,
please.

They'll be answering in a second, and
they'll come and take you to jail.

Well, at least there I can afford the
rent.

I think he means it, Mrs. Martinson.
Yeah, you don't want to get busted.

All right, you give me no choice.

Hello?

Is this the police department?

Well, I think you guys are doing a great
job.

No guts, huh?

All right.

I will call the police myself.

Why would you do that?

You'll find out.

Let me speak to Doreen.

I thought you were calling the police.
Who's Doreen?

You'll find out.

Doreen, I'm at the executioner's house.

Call the police and activate plan B.

What's plan B?

You'll find out.

Hold it!

Hold it!

One at a time.

Lady, would you please let go of the
banister?

No, I'm not moving.

See, look, I don't understand this. You
called the police yourself. Now, why do

you fight them?

Because I'm not moving.

Lady, be reasonable.

You can't walk into somebody's house and
decide to live there.

Please let go of the banister. Uh -huh,
uh -huh. Police brutality, huh? Go

ahead, go ahead. Subdue me with a
chokehold. Lady, lady, I haven't touched

You see how unreasonable she is? No, I
don't care what you do to me, but I am

not budging.

Now I'm budging.

That's got to be plan B. What's plan B?

You'll find out.

You don't mind.

This is still my house.

Or at least it was till you showed up.

Are you Mr. Drummond? Yes.

Aren't you the guy that does television
interviews, Tom Wallace?

That's how I sign my alimony checks.

That's him.

That's the guy that always smiles while
he insults you.

I see I have another fan.

Tom, Tom, I'm Bernice Martinson, and
that's him.

You must be the executioner.

And you must be more careful what you
call me.

Are you going to do one of your
penetrating, in -depth interviews with

Oh, I get it now. You're trying to set
me up.

Sure, you want this whole thing on
television.

Police help millionaire throw penniless
woman into street where it's freezing

and snowing.

I like that. I'll use it.

You're not going to make a scapegoat out
of me, Wallace.

Mrs. Martinson, I'm afraid you have to
leave right now.

Violence against the elderly. You see
that? Get a shot of that, Tom. Are you

getting a shot of this? Get a shot.

All right, let's start taping. Mrs.
Martinson, if you'll come back here with

Felicia, roll tape.

Wait a minute. Wait, I haven't given you
permission to do this. Look, you take

your crew and your camera and you get
out of here. Mr. Drummond, I'd like to

you a few questions. Turn that thing
off.

You refuse to be interviewed?

Oh, I know what your interviews are
like. I've seen them. I'll end up

like a villain.

Well, let me just ask you one simple
question.

Yeah, what?

What are you trying to hide?

You see, you're doing it already. Turn
that thing off.

Oh, sure. You're afraid you'll be
exposed.

No, he isn't. Go ahead, Dad.

Expose yourself.

All right, Mr. Drummond, we've already
got you on tape refusing to be

interviewed. Now, do you want that to go
out on national television, or do you

want a chance to tell your side of the
story, too?

Oh, boy. You got me between a rock and a
hard place.

All right.

I'll do it. But you've got to be fair
and objective.

Moi?

No, I mean it. If you don't promise to
be fair and objective, I won't do it.

got it. Okay.

Well,

I guess you don't need us anymore.

Mrs. Martinson, if you'll come sit at
this end of the couch, please. And

children, if you'll gather around.

Gee, I wish I would have known I was
going to be on television.

I would have fixed my makeup.

I need a voice level, Tom.

You're gorgeous, you're sexy, and you're
underpaid.

Beautiful, Tom.

Here's rolling.

You're on, Tom.

Mondo Condo. The world of condominiums.

This morning, we're in the home of
Philip Drummond, a wealthy building

as you can see by this luxurious home.

And this is Bernice Martinson.

A penniless victim who was evicted from
her tiny apartment by this man whom she

calls the executioner.

You call that fair and objective?

Oh, I'm sorry about that. Would you
prefer slumlord?

That was very sneaky, Mr. Wallace.

Sneaky, but a good one.

Now, can I tell my side of it, Tom? I
haven't told my side yet.

This is the beginning of something like
family feud.

Except I don't think... My dad is going
to kiss anybody.

All right, Mr. Drummond, how do you see
this issue?

Okay, it's very simple.

This woman used to live in an old eight
-story apartment building.

Now, we're going to tear that down and
build a lovely new 36 -story building.

I see.

You kicked her out to make a fast buck.

Not at all. The people of the city need
housing.

The new building will accommodate ten
times the number of people that the old

building did.

And you're building luxury condominiums.

Well, yeah, what do you expect me to
build? Luxury tenements?

How about putting up some housing that
people can afford?

Mr. Drummond, you cannot understand what
it is like to try to live on a fixed

income today.

My husband rested, though.

Thought that his pension was going to be
enough for both of us.

But he was wrong.

When he was sick, the medical bills just
wiped us out.

Oh, we lived in that apartment for many
years, and we were so happy there.

You have a wonderful family, Mr.
Drummond, and all I have are memories.

But unfortunately, I can't live on
those.

Inflation is a killer.

I know people who are eating cat food.

Cat food, Mr. Drummond.

No, thank you.

So it's the same old question.

What's it going to be?

People or profits?

Mrs. Martinson, I am very touched by
what I've just heard.

I guess when you're in a business like
mine, you're kind of on a treadmill,

trying to keep stockholders happy by
showing a profit, trying to... Help out

community.

So it just boils down to numbers and
statistics.

You hope you're doing the right thing.

But it's all too easy to lose sight of
the fact that there are people behind

those statistics.

Then you're not going to tear down the
building.

Well, I'm afraid I have to do that.

What are you talking about, Dad?

Let me finish.

I couldn't stop this building project
now even if I wanted to.

Everything is in motion.

But I promise you this, Mrs. Martinson.

You will have an apartment and with
monthly payments that you can afford.

But I don't want to live in Libya.

No, I mean one of the new condominiums.

Dad, she just told you she can't afford
it.

Oh, yes, she can if I have to give her a
mortgage for a hundred years.

And if I know you.

You'll be around to make the last
payment.

All right, Dad.

Oh, imagine.

Me, a homeowner.

Oh.

She just kissed the executioner.

You're wonderful, Daddy. I'm so proud
you're my daddy.

Me too, Dad.

But what about the next building you
knock down?

What's going to happen to those people?

Well, I wish I had a simple answer to
that, Willis.

Maybe when you kids grow up and take
over the business, you'll find a

to that.

We'll try, partner.

We sure will, partner.

Speak for yourselves.

I don't think I want all those business
headaches.

I think I'll take my pension early, like
when I'm 12.

Oh, this is so beautiful.

Did you get it all on tape, Tom?

Did I get it all on tape?

Mrs. Martinson, when that little red
light on the camera goes on, why isn't

little red light on?

I got so carried away, I forgot to hit
the switch again, Tom.

Sorry. Well, how much did you get?

Up until where the kid says, what you
talking about, Dad?

Man, he sure talks funny.

Now the world don't move to the beat of
just one drum. What might be right for

you may not be right for some. For many
a boy needs a better beat.

Then along comes two.

They have nothing but the genes that
they got.

Different strokes to make.

Different strokes to make.

Different strokes to move the world. If
it doesn't take.

Different strokes to move the world.

You know, Ma, I usually don't complain
about your food, but this meatloaf

wouldn't cut it as dog food.

Uh, Eddie, that's tuna loaf.

All right, cat food.

Well, don't worry about it. You'll never
have to eat it again.

Am I gonna die?

No, I got Simone to come back as the
chef.

That lunatic? Why?

Because I need her, and she's good for
business. Besides, I got her seeing a

therapist, and it's working.

Malcolm, you know how thrilled I am to
be back at your side.

However, I will not work under
fluorescent lights. They are sucking the

nutrients of my vegetables. I feel like
I've betrayed my artichokes and lied to

my broccoli.

Must have been one of them discount
therapists.

They just won't leave you alone while
you sit inside your home.

a genius, man. Check it.

Half the menu was written in French.

Look at this. Used to get $1 .99 when it
was a pancake, charge $8 and call it a

crate.

Guess having a lunatic on the payroll
comes in handy.