All language subtitles for Daktari s01e11 Return Of The Killer 2

We were on a field trip, a long way from
the compound, tracking a wounded

leopard to immobilize and heal.

We had no way of knowing that Harp and
Meadows, two desperate escape convicts,

were in the area, with plans of their
own that were to threaten us all.

Roy, that looks like a road over there,
about 100 yards. It might be easy if we

took the road. No, we've got to keep
clear of the roads.

Patrols from the prison will be out.

You can't go much further like this.
We've got to. We've got to get to a

compound. What?

Because there's a doctor there.

Dr. Marsh Tracy.

Maybe the doc won't do the operation.

Or he'll do it.

Well, how about after?

He might tell the police.

He might tell the police we were there.

Yeah.

Yeah, he might.

If he was still alive.

They stole our jeep and took over the
compound at gunpoint.

Meadows knew that without an immediate
operation, he would die.

I was miles away.

Paula had to reach me.

But how?

Clarence, of course.

She sent him out to find me.

What's that around his neck?

It's a walkie -talkie.

Well, something must be wrong with the
compound.

Oh, dear.

Please don't ask any questions.

Roy Meadows is here with another man.

Yes, Roy Meadows.

Now, they've stolen your car.

And they have guns.

Meadows is wounded.

I have to operate on him.

You have to tell me how.

You better tell her good, Tracy.

My buddy's right here with a gun that
fires bullets, not hypodermic darts.

Look, Meadows, she's not a doctor. You
can't expect her to perform an

I can and I do, Tracy.

She better do this operation.

If she doesn't, I'll personally finish
her.

Meadows, supposing the operation
isn't... Then my buddy, my buddy Harp

it, Tracy.

Look. If I don't come out of this
operation alive, neither will she.

You understand me?

Yes, Meadows.

We understand each other.

Nothing.

Like looking for a needle in a haystack.

Those two escaped convicts have got to
surface sometime.

They're going to need food, water, and
medicine.

Medicine? That's right.

One of the root compound might be a
logical place for them to head.

Yeah.

Let's drop in on Doc, please.

Ready for the operation.

All right, Pullum. Here we go.

Now, are all the instruments laid out?

Yes.

Anesthetic?

Ready.

Inject.

While the injection is taking effect,
describe the nature of the wound.

The bullet went into the left shoulder.

In the middle of an area, I guess you'd
call it Delta Idias.

Good girl.

Now tell me, is the bullet still there?

Yes.

Well, Paula, you're going to have to
take it out.

I can't. I can't. I can't do it.

Yes, you can, Paula. You're going to
have to go in and take that bullet out.

Paula, he must be asleep. He's asleep by
now, is he?

Yes, he's asleep.

Scalpel.

Transverse incision, one and one half
inches.

Paula, don't hesitate.

You won't hurt him. Now go ahead and
cut.

Are your hemostats ready?

Ready.

All right, clamp one on each end of the
blood vessel.

How are you doing, Paula?

Oh, I'm still here.

Good girl.

All right, Paula, get the probe.

Dr. Tracy!

Clark's at the hospital.

Commissioner Headley must be here.

Dr. Harry?

Police here.

Could we see you for a moment?

Hi, Paula. Here comes the interesting
part.

Now, insert the probe in the incision
and feel for the bullet.

Now, don't worry. You'll find it.

Paula?

Paula, do you hear me?

Paula!

You hear some voices calling in the
background?

Yeah, I think I heard something, too.

Okay.

Not one word. Don't you even make a
sign.

Don't you even make a funny move with
your eyebrow.

And you just remember one thing. I'm
right here.

And she's here.

Now you get out there and talk to them,
Hedley.

Dr. Harry?

Police here.

Could we see you for a moment?

Commissioner, I saw your team.

Dr. Tracy's out in the bush somewhere.

There's nothing that could be going on
down there. I don't know.

All we can do is wait till they call
back.

If they call back.

Paula's just in the middle of an
operation.

I'm lending her a little moral support.

Paula? Doing an operation?

Yes. I'm one of the beasts.

You're a doctor already?

Yes, time flies, you know.

Anything I can do for you?

Judy, I wouldn't do that if I were you.
Not under the circumstances.

Judy, be a good girl. Stop that.

What was that all about?

These chimpanzees, uh, scatterbrained,
you know.

Well, I just wanted to warn the doctor.

Two blokes escaped yesterday.

Yes, I know. I got it over my radio.

Well, they're armed and dangerous. And
one of them's wounded.

Wounded, eh?

Good show.

Jolly well serves them right.

Well, we'll be moving along.

We're bound to get them sometime.

I'll tell Dr. Tracy you called.

Cheerio, chaps.

Those two could be hiding around the
compound.

Let's poke around a bit before we leave.

Judy. Is that you, Judy?

Now listen, Judy.

Here's the key.

Take the key, Judy.

See it, Judy?

Down here, Judy.

Can't you reach the lock, Judy?

Okay, then get something to stand on.

Put the key in the lock.

It's no use, Judy.

It's the wrong key.

It won't work.

Yes, we're still here.

Judy, you'll need some help.

Get one of the animals to help you.

Maybe together you can do something to
attract someone's attention.

Good luck, little lady.

Okay, Doc, talk.

Paula, what's happening? Are you all
right? No questions, Doc. Just talk.

What next, Dad?

Paula, do you have the probe?

No.

I do believe she put that elephant there
on purpose.

I've heard some strange stories about
this place.

But this beats all.

Sergeant, she's trying to tell us
something.

What?

I do believe she wants us to go the
other way.

Well, what have we got to lose?

We sure aren't about to buzz that
elephant off that bridge.

Okay, Tim, we'll try it your way.

The operation's still going on.

I got it!

Oh, Dad, I got the bullet. I don't know
how I did it, but I did it. Look, I got

it. I got it.

Good girl.

Paula, maybe you better take a rest now,
huh?

Oh, no, let's go on. What do I do next?

Okay.

Put in the sulfur powder.

Look, Paula, do you have those sutures
ready as I explained?

How do I do that?

Just a hamstitch, honey, a simple
hamstitch.

Like in a ham.

Got a broken bone.

All right, easy does it, Paula. One
thing at a time. We'll get to the bone

minute.

She's found something.

She's pointing to her left.

The commissioner said that Jim's a
scatterbrain.

Okay, now what?

Get a mirror, put it to his mouth, and
give me the respiration rate.

One.

Two.

Three.

Four.

Five.

Okay, Paula, he's doing fine.

Now apply the splints, firmly.

Be sure and bandage snugly.

Hold on.

Meadows should be coming around in about
ten minutes.

Ask the doc when we can get out of here.

Dad, will Meadows have to rest long?

Not at all.

Sodium pentothal leaves no after
effects.

Hey, Marsh, look.

No after effect either.

That's been quite a day.

Hold on. As soon as Meadows comes to,
get those men out of there.

But be careful, honey. Be very careful.

We'll call you back in ten minutes.

Come on, Clarence. Let's go.

What's she doing?

She's found some tire tracks.

Pat said you could leave as soon as you
were awake. Well, that's nice of him.

While you were out, Roy, the cops were
here. Cops? Yeah, they're looking for

Well, we can handle the cops.

All those animals out there, I don't
know.

They should be awake by now.

Paula?

Paula, can you hear me?

Yes, Dad, I hear you.

Paula, is Meadows awake?

He's awake, and he seems to be all
right.

Paula,

what's going on?

We don't need that dog anymore.

Hold it.

Lock him up.

Her too?

No. I told you, Meadow, there aren't any
empty cages.

Oh, we'll find some, won't we,
Commissioner?

Don't look it up.

We have full house.

Over

here.

Come on.

sore throat.

Let him catch pneumonia for all I care.

All right, in you go.

Come on.

Oh, Hercules, meet the committee.

Oh,

Duke.

Welcome to the zoo.

Roy, we better get out of here. Where's
the chimp? He ran out through the door

when the cops were here. I couldn't get
a clean shot at him. Well, that leaves

us only one hostage.

You.

Roy, I don't trust that chimp. She's got
a dishonest look, and she's smart, too.

Come on, we'd better get out of here.

All right, let's go.

Well, you first, little lady.

Me?

Yes, you. You know all the roads out of
this reserve.

What are we going to do with her? We'll
decide about that when we get across the

border. Come on.

Cross the border with Paula, will you?

That'll just compound kidnapping to your
list of crimes.

Did you hear that?

Well, he's given you fair warning.

Kidnapping, indeed.

But it's crime, did you realize that?

You could go to prison.

Just a second, Meadows.

Now, look here.

Paula's patched you up. She's fulfilled
her part of the bargain. Let her go.

Leave the women here. Take me instead.

Good show, Commissioner.

Simply splendid.

Thank you, my dear. I know the road
hereabouts just as well as Paula.

If you're insistent on taking someone,
take me, but leave the girl!

If things get rough, the authorities
might consider you expendable,

Commissioner.

But they won't chase us quite so hard
when they know the girl's life is at

stake.

Will they?

Does that mean you're going to kill me?

Well, that all depends on how things go,
little lady.

All depends.

Relax, my dear.

You might just as well think it.

We're part of a zoo.

But, my dear Mrs. Crosby, that child is
in grave danger, and I'm the only one

capable of saving her, and I'm changed!

Now, that's not entirely true,
Commissioner.

There is another who is capable of
extricating that dear girl.

But, Ma, she's miles away, and... I'm
thinking of Judy.

She's free, you know.

By Jove, Mrs. Crosby, so she is!

So she is!

Hercules, I love you!

What's he doing now?

Well,

Judy, I thought you might have something
to do with this. Hi, Doctor. What's all

this about? I'll explain later.

Just get me to Ameri -Compound fast.

I'll send back for you as soon as I can.

Might as well get comfortable, too.

This could be a long wait.

That's it, Dr. Livingston. You're
learning.

We make a charge.

Oh, but that chimp put her up to it,
Roy. I told you she had a dishonest

Now what are we going to do?

Move that animal.

Move an elephant?

She'll do what you say. Come on.

What's she saying to that elephant?

Are you kidding? What's she going to say
to an elephant?

Now let's get out of here. There's some
other roads out of this reserve, aren't

there? Yes.

Well, you show us. Well, go back the way
you came.

Might not be big enough for elephants,
little lady, but it's big enough for

people.

No tricks.

No tricks?

There's a side road halfway up that
hill.

Commissioner?

Commissioner?

Commissioner!

What is it, Mrs. Fosby?

Nothing, my dear, nothing.

I just wanted to be sure you were still
in there.

Where else?

Rather lonely in here, isn't it?

Rather.

Sorry I can't join you.

Oh, of course.

There, just for a moment, when I didn't
see you, I thought that... What?

Oh, you thought that the bear was...
Ridiculous! He's quite charming,

What do you say you shake the ants out
and we'll get back?

Okay, but it's a long walk.

You wanted to see Africa.

Yes, but with my eyes, not my feet.

Come on.

Come on, Clarence.

Take us back to the compound, huh?

Commissioner, you know to keep our
spirits up.

I'm hardly in the mood for song.

Yes, I know, Claude, I know.

I share your concern.

But if I know Paula, she and her animals
will be all right.

Well, I hope you're right. I'd never
forgive myself if anything had... Oh,

blinking bear's leaning on me.

Well, speak to him gently but firmly.

Oh, yes, of course, gently, but firmly.
Affection training.

Lean the other way, Hercules, please.

Lean the other way!

But we must keep up our own spirit, you
know. Music does that.

Yes, I suppose it might help. I know
just the songs.

It's one that I sing in musicals before
I took up my operatic career.

Which way?

To the right.

That'll take us right back where we
started. I don't trust her anymore, and

trust that chimp.

Well, trust me or not, two miles up that
road, there's a side road.

And eventually, it'll take you to the
border.

Why? There's an elephant behind us.

Mm -hmm.

She's lonely, but she likes everyone.

I thought you said she wasn't sane.

Well, she isn't sane, but she's sweet
and she wouldn't hurt a fly, really.

Would you, baby?

Yeah, that's exactly what I need is an
elephant to like me. Oh, she'd like you

all right.

As long as you don't hurt her.

Or hurt me.

Yeah. Harp turn right.

What is it, Daphne?

I've fallen in love quite a lot.

Good heavens.

Have you fallen in love, too?

Do you love me?

They're the most adorable things I've
ever seen.

How are you coming with Hercules?

Hercules might be adorable, too, if you
only realize he weighs 600 pounds.

Oh, do let me sing that song again.

I'm really quite tainted with it, huh?

Ready? Yes.

Come talk of Alexander.

© BF -WATCH

TV 2021

Just one thing, Daphne.

What? What have we got to sing about?

Well, are you all right? Yes.

So far, she's all right.

Tell the men to throw their guns down
the road.

They're holding my daughter in there at
gunpoint.

Yeah, I guess we better do as they say.

Thanks.

Judy, drop it!

Judy, drop the gun!

Judy, do as she says.

Drop it.

That's right, Chimp. Play it smart.

Hark! Let's make sure they're not going
anyplace.

All right, Doc. Get over there where I
can watch.

There might be somebody come along in a
couple of days.

Oh, you can walk.

You shoot, you'll charge.

I shoot like an ant.

Look, I'm warning you.

You in the car!

Put your hands up and get out!

Good girl.

Well,

it's been quite a day.

Well, I told you there was nothing to
worry about, Dad. That's right. You said

you were a big girl now.

A very big girl.

your help, Doctor.

Oh, don't thank me. Thank Lydia,
Clarence, and Judy.

Well, we'll have your car back to you in
a few hours, just as soon as we get

those blokes back where they belong.
Right.

Cheerio. Ready. Bye.

Good luck, Dettles.

I'll need it.

Well, as Headley would say, scales of
justice are again in balance.

the key, Judy.

Judy, get the key, dear.

Come over here, Judy.

Yes, that's right. Now, put the key in.

Put it in, Judy. Put it in.

Look, Commissioner.

I think we've been rescued.

I told you she'd be back home.

I told you Judy wouldn't forget.

Oh, good girl. Now, turn it.

Turn it, dear.

Now, go get the Commissioner.

Right there. Right over there. Oh, Judy,
you are a good girl.

Paula! Paula!

My dear child!

Thank goodness you're safe!

Ed Lee, what happened to your voice?

Oh, Hercule's got a sore throat. Now
I've caught it.

What about those two convicts?

Safely off to prison. I'm glad to say
that everything is back to normal.

We must get back to our scene lessons,
Paula dear. Now, let's see.

Where were we?

Oh, dear, no.

Yes,

ma 'am.

That's a brave doctor.

What are you afraid of?

Well, when it comes to Do Re Mi's, Mrs.
Fusby, I...

I guess you could call me a chicken
doctor.

Oh, boy.

Hey, it sure was good seeing the police
go by with those two killers, huh?

That sure was.

Hey, where is everybody?

I don't know.

Oh, there they are.

Mrs. Fusby and Friends.

Hey,

look, Lydia doesn't like it any better.