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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,580 --> 00:00:05,180 What you're about to witness will be dangerous, a template for resulting 2 00:00:05,440 --> 00:00:06,700 Don't try this at home. 3 00:00:08,460 --> 00:00:10,280 On this episode of Believe. 4 00:00:13,300 --> 00:00:14,300 Now! 5 00:00:17,000 --> 00:00:18,000 You see that? 6 00:00:18,720 --> 00:00:24,780 I want to show the world how you make multiple elephants literally vanish. 7 00:00:25,240 --> 00:00:28,800 Houdini vanished one elephant. That was it. I want to do more than one. 8 00:00:29,230 --> 00:00:29,929 It's a bit. 9 00:00:29,930 --> 00:00:30,930 You're going to be fine. 10 00:00:32,270 --> 00:00:35,010 Our life has turned into utter hell. 11 00:01:16,080 --> 00:01:17,260 Chris Angel believes. 12 00:01:23,140 --> 00:01:27,560 I have some fans coming by my house. I brought them here to blow their mind. 13 00:01:27,900 --> 00:01:29,920 We've never met before. Isn't that true? 14 00:01:30,120 --> 00:01:34,980 True. But I'm going to attempt to drive completely blind. 15 00:01:35,360 --> 00:01:36,360 Oh, Lord. 16 00:01:36,620 --> 00:01:42,680 This sonic is going to be the vehicle. 17 00:01:43,390 --> 00:01:46,810 of my choice to try to do something like this. Now I'm going to ask you to go 18 00:01:46,810 --> 00:01:52,210 into the car and inspect it to make sure there's nothing in there that could 19 00:01:52,210 --> 00:01:54,470 possibly aid me in any way. 20 00:01:54,870 --> 00:02:00,890 To ensure 100 % blindness, I'll tape coins over my eyes. I'll place a 21 00:02:00,890 --> 00:02:06,190 on top of that and a hood over that that will be completely taped up. Is that 22 00:02:06,190 --> 00:02:06,829 fair, ladies? 23 00:02:06,830 --> 00:02:07,729 Yes. 24 00:02:07,730 --> 00:02:09,850 This is the driver's side of the door. 25 00:02:11,460 --> 00:02:13,280 You can hear us really good, right, Chris? 26 00:02:13,660 --> 00:02:15,540 Huh? Good to go, right? 27 00:02:15,840 --> 00:02:16,840 Yeah. 28 00:02:18,600 --> 00:02:19,600 Oh, 29 00:02:19,780 --> 00:02:20,759 my God, there's a gate. 30 00:02:20,760 --> 00:02:21,760 Oh. 31 00:02:22,200 --> 00:02:23,200 Oh, my God. 32 00:02:23,900 --> 00:02:24,900 Oh, my God. 33 00:02:26,380 --> 00:02:27,380 Oh, my God. 34 00:02:28,560 --> 00:02:29,560 Oh, my God. 35 00:02:31,320 --> 00:02:32,360 Oh, my God. 36 00:02:35,260 --> 00:02:36,260 Oh, my God. 37 00:02:36,400 --> 00:02:37,800 Oh, my God. Oh, my God. Oh, my God. Oh, my God. Oh, my God. 38 00:02:38,700 --> 00:02:39,700 Oh, my God. 39 00:02:40,160 --> 00:02:41,160 Oh, my God. Oh, my God. Oh, my God. 40 00:02:52,320 --> 00:02:55,800 So far, so good. But this is a scary ass. 41 00:02:56,300 --> 00:02:58,340 Slow down because there's a red light. 42 00:02:59,940 --> 00:03:05,020 I got to call Banachek. Call Banachek. 43 00:03:06,180 --> 00:03:07,280 Calling Banachek. 44 00:03:07,500 --> 00:03:08,780 We got to do this first. 45 00:03:10,340 --> 00:03:11,700 Oh, my God. 46 00:03:13,520 --> 00:03:14,520 Hello? 47 00:03:15,440 --> 00:03:17,340 Banachek. Hey, how are you? 48 00:03:17,600 --> 00:03:19,880 This is really, really difficult. 49 00:03:20,540 --> 00:03:23,380 He's doing okay, but it's a lot of traffic out here. 50 00:03:25,440 --> 00:03:29,580 Bye. Bye. How much further do I have for the left door? You got a long way. 51 00:03:29,860 --> 00:03:31,880 Oh, my God. You got a divider on your left. Okay. 52 00:03:32,960 --> 00:03:37,600 Oh, my God. Is this sign coming up yet? We're by the sign. We're by the sign. 53 00:03:37,920 --> 00:03:38,920 Oh, my God. 54 00:03:40,200 --> 00:03:44,120 Oh, my God. Oh, God, oh, God, oh, God, oh, God. We're getting ready to turn 55 00:03:44,120 --> 00:03:47,120 the left door now. We'll go straight. Oh, you made it home, Chris. Hallelujah. 56 00:04:15,880 --> 00:04:17,760 Try to pull this off of my face. 57 00:04:18,000 --> 00:04:20,300 Just get it right from here. You want me to get it? Yeah. 58 00:04:22,680 --> 00:04:23,820 Okay. I want you to see. 59 00:04:24,620 --> 00:04:25,840 Look at my skin. 60 00:04:26,340 --> 00:04:28,440 Oh, my God. 61 00:04:28,960 --> 00:04:29,960 Oh, 62 00:04:30,300 --> 00:04:31,540 my God. 63 00:04:32,160 --> 00:04:35,540 And you can see the coin right there. 64 00:04:39,260 --> 00:04:44,100 I'd rather Chris cut me in half than let him drive me blindfolded again, okay? 65 00:04:44,160 --> 00:04:45,300 Cut my ass in half. 66 00:04:45,660 --> 00:04:46,660 Chris was amazing. 67 00:04:46,760 --> 00:04:47,860 That's all I can say. 68 00:04:48,580 --> 00:04:50,620 Thank you all so very much. 69 00:04:58,200 --> 00:05:01,300 Hey, Chris, what's up, man? Oh, hey, baby. 70 00:05:01,540 --> 00:05:06,580 My approach has always been to take classic demonstrations and think about 71 00:05:06,580 --> 00:05:11,780 to present them in modern day. I want to show the world for the very first time 72 00:05:11,780 --> 00:05:12,780 how you meet. 73 00:05:12,920 --> 00:05:15,800 multiple elephants literally vanish. 74 00:05:16,300 --> 00:05:20,140 Houdini did one elephant on stage in a controlled environment. 75 00:05:20,440 --> 00:05:25,140 What would fool people back then, the early 1900s, does not fool people today. 76 00:05:25,460 --> 00:05:29,680 Absolutely. He had a box. Right. It was a big venue, like a Roman -style 77 00:05:29,680 --> 00:05:34,520 amphitheater. What they did is these four guys would roll this box out. 78 00:05:35,070 --> 00:05:38,730 And the elephant would come on stage and walk inside of the box. And then they 79 00:05:38,730 --> 00:05:42,170 would turn the box and you'd look inside of the box and the box was empty. 80 00:05:42,650 --> 00:05:45,130 And then 20 guys would roll the box. 81 00:05:46,210 --> 00:05:51,130 That's traditional magic. I want to just kind of blow up tradition. I want to 82 00:05:51,130 --> 00:05:53,430 take this from the theater and bring it. 83 00:05:53,690 --> 00:05:58,830 outside i want to do it in an area that's open there's no way to hide the 84 00:05:58,830 --> 00:06:04,750 elephant surrounded by a human chain i want people to literally connect their 85 00:06:04,750 --> 00:06:09,990 hands together maybe even fasten their hands together like rope or tie them 86 00:06:09,990 --> 00:06:14,830 zip ties or even maybe even handcuffs what would be the purpose of having 87 00:06:14,830 --> 00:06:18,530 people like that well to obviously show that the elephants are not going out the 88 00:06:18,530 --> 00:06:23,700 side or the back just random people random people Usually your audience is 89 00:06:23,700 --> 00:06:28,420 in front of you, maybe some on the sides, usually never behind what's going 90 00:06:28,580 --> 00:06:31,260 which makes this demonstration almost impossible. 91 00:06:31,980 --> 00:06:35,160 How do we cover these elephants to make them disappear? 92 00:06:35,400 --> 00:06:41,800 We want to have multiple layers of proof that the elephants can't go anywhere. 93 00:06:41,940 --> 00:06:44,320 If we use something that has... 94 00:06:44,720 --> 00:06:49,140 The ability to completely surround 360 degrees the elephant, so that's layer 95 00:06:49,140 --> 00:06:52,320 number one. It has to go up quick and come down quick. But are we worried 96 00:06:52,380 --> 00:06:56,540 like, the elephants maybe getting scared and stampeding or something like that? 97 00:06:56,540 --> 00:07:00,120 That's an excellent point, Jesse. You know, here we are with a crowd of 98 00:07:00,120 --> 00:07:05,340 spectators. If this elephant decides to go off on the deep end, you know, 99 00:07:05,360 --> 00:07:06,360 there's no way to stop it. 100 00:07:09,920 --> 00:07:13,740 You know, accidents do happen with animals and magic acts. 101 00:07:14,080 --> 00:07:16,580 Let's get some baby elephants here for some rehearsals. 102 00:07:16,880 --> 00:07:19,360 Chris, I can guarantee two to three elephants. 103 00:07:20,220 --> 00:07:21,600 Please don't screw this up, all right? 104 00:07:22,420 --> 00:07:23,420 Trust me, I got you on this. 105 00:07:24,000 --> 00:07:28,100 He's exuding a little too much confidence. It makes me uncomfortable 106 00:07:28,100 --> 00:07:32,200 screwed up some of these other demonstrations, and this demonstration, 107 00:07:32,200 --> 00:07:33,820 no room for error. 108 00:07:34,160 --> 00:07:38,220 We're going to make 40 ,000 pounds of elephants. 109 00:07:38,890 --> 00:07:39,809 Pooh! Gone. 110 00:07:39,810 --> 00:07:42,130 All right. I'm going to be right now. Gone. 111 00:07:42,370 --> 00:07:43,370 See you later, guys. 112 00:07:43,510 --> 00:07:47,790 This demonstration features a herd of elephants, a human chain. In an outdoor 113 00:07:47,790 --> 00:07:52,230 location, Chris will attempt to make the elephants disappear with a 360 -degree 114 00:07:52,230 --> 00:07:54,750 view. Category of magic, vanish. 115 00:08:03,430 --> 00:08:07,430 Hi. Hi. How are you? Good, how are you? Could you do me a favor? Yeah. Go and 116 00:08:07,430 --> 00:08:08,430 pick. 117 00:08:08,760 --> 00:08:12,980 Any stuffed animals that you like that you think are me, okay? 118 00:08:14,480 --> 00:08:16,140 Dog and a bear. 119 00:08:16,880 --> 00:08:21,240 All right, cool. This bear right there. And let's see what he gets me. I hope 120 00:08:21,240 --> 00:08:22,240 it's a cat. 121 00:08:25,560 --> 00:08:27,640 Put them down on the ground anywhere you want. 122 00:08:30,160 --> 00:08:34,100 Okay. I want you to point to any animal you like. 123 00:08:35,179 --> 00:08:36,780 The dog, okay? 124 00:08:38,569 --> 00:08:41,890 Before I do this, sure you want the dog? You can change your mind. 125 00:08:42,470 --> 00:08:43,590 No, I'm good with that. 126 00:08:44,230 --> 00:08:45,730 Which one? The elephant? 127 00:08:45,990 --> 00:08:48,050 Yeah. Okay. Here, you hold on to the dog. 128 00:08:49,050 --> 00:08:50,130 Hold on to the cat. 129 00:08:51,210 --> 00:08:54,230 The polar bear, since that goes with your outfit there. 130 00:09:46,090 --> 00:09:48,750 The elephant just started walking around, and it would fall over. 131 00:09:55,670 --> 00:09:56,770 It was amazing. 132 00:09:57,130 --> 00:09:58,810 It was mind -blowing. 133 00:10:17,970 --> 00:10:19,230 It doesn't have batteries. 134 00:10:19,710 --> 00:10:20,850 Does it have batteries? 135 00:10:22,430 --> 00:10:24,870 Can you open it up? Here, come take a look. 136 00:10:25,310 --> 00:10:26,470 Take a look. You want one? 137 00:10:29,570 --> 00:10:36,390 All the stuffing just started flying out of this stuffed animal 138 00:10:36,390 --> 00:10:38,430 that was walking around two seconds ago. 139 00:10:54,859 --> 00:10:58,840 I've been grooming Kristen for some time, but now it's time to catch her off 140 00:10:58,840 --> 00:11:00,240 guard and test her ability. 141 00:11:00,480 --> 00:11:02,900 See if she can handle the pressure. What do we see? 142 00:11:03,360 --> 00:11:07,960 This is a routine that I've had for a long time. I'm just, thank you, Doug. 143 00:11:08,940 --> 00:11:13,200 I knew the time would come when Chris would say, bring it. 144 00:11:13,620 --> 00:11:19,400 And the time is now, which is kind of overwhelming. How long is the routine? 145 00:11:19,800 --> 00:11:22,880 I've got a minute. Do we have music? Not with this right now. All right, but I 146 00:11:22,880 --> 00:11:24,420 think you're going to put something together for me to watch. 147 00:11:24,880 --> 00:11:28,680 The routine, right, because we're going to redress it with everything else. 148 00:11:29,380 --> 00:11:30,380 Okay, let's see. 149 00:11:38,200 --> 00:11:40,640 Okay, I'm not trying to be rude or anything. 150 00:11:41,780 --> 00:11:44,700 Okay. But that's not what I had in mind. 151 00:11:45,100 --> 00:11:47,680 It's not just a ring routine. They make them fly. 152 00:11:48,280 --> 00:11:51,300 I make them fly later in the routine. Make them fly. Do they float? 153 00:11:52,200 --> 00:11:53,340 I mean, they float. 154 00:11:53,880 --> 00:11:56,280 If I can just finish the routine, I mean. 155 00:11:56,560 --> 00:11:57,940 If you can make them fly, like. 156 00:11:58,200 --> 00:12:01,480 Well, yeah, I mean, then I would go, you know, into something here. 157 00:12:01,980 --> 00:12:08,660 The problem is, it's what you expect from a beautiful blonde doing magic. You 158 00:12:08,660 --> 00:12:10,620 told me you wanted to be provocative, right? 159 00:12:11,120 --> 00:12:12,120 That's not provocative. 160 00:12:12,760 --> 00:12:14,760 You in a cocktail dress is not provocative. 161 00:12:15,360 --> 00:12:21,380 You doing something that people don't expect, then people will take note. What 162 00:12:21,380 --> 00:12:26,600 want to do is propose an opportunity for you. I'm putting together a limited 163 00:12:26,600 --> 00:12:29,920 engagement over at the Luxor. Uh -huh. 164 00:12:30,240 --> 00:12:31,740 It's called Magic Jam. 165 00:12:32,560 --> 00:12:38,840 I'd like to see you do something in that show, something that's going to reign 166 00:12:38,840 --> 00:12:39,719 the bar. 167 00:12:39,720 --> 00:12:43,660 Expect the unexpected from Kristen. I feel ready emotionally. 168 00:12:44,830 --> 00:12:48,890 I think. This is a big test for you, but I believe you can meet the challenge. 169 00:12:49,390 --> 00:12:50,790 Thank you. Okay? Okay. 170 00:12:51,330 --> 00:12:55,270 Thanks. Going up. I want you to go through the movement. 171 00:12:56,550 --> 00:12:57,550 Drop the gun! 172 00:12:57,790 --> 00:12:58,790 Drop the gun! 173 00:12:59,690 --> 00:13:01,110 Up. Stay. 174 00:13:01,550 --> 00:13:02,570 Stay. Sit down. 175 00:13:02,810 --> 00:13:04,310 Good boy. Give me a high five. 176 00:13:05,450 --> 00:13:09,530 Good boy. Stay. Come on. Up. Good boy. Up. 177 00:13:11,850 --> 00:13:13,290 Up. Yeah! 178 00:13:34,150 --> 00:13:34,689 Let's go. 179 00:13:34,690 --> 00:13:36,550 I am so stoked. We're going to play our game again. 180 00:13:36,790 --> 00:13:37,790 Come on, Osa. 181 00:13:37,870 --> 00:13:38,709 Come on. 182 00:13:38,710 --> 00:13:39,710 Come here. 183 00:13:40,110 --> 00:13:41,110 Have a seat. 184 00:13:41,270 --> 00:13:42,610 Sit. Sit. 185 00:13:43,000 --> 00:13:43,939 Good boy. 186 00:13:43,940 --> 00:13:45,980 All right, let me tell them what we're going to do, all right, Oso? 187 00:13:46,840 --> 00:13:50,600 We play a little game. It's a staring game. You should try it with your pet at 188 00:13:50,600 --> 00:13:54,820 home. You see who will flinch first or who will remain frozen. 189 00:13:56,520 --> 00:13:57,520 Let me try it. 190 00:14:04,060 --> 00:14:05,200 You beat me again. 191 00:14:07,020 --> 00:14:08,300 You're too good at this, Oso. 192 00:14:10,300 --> 00:14:11,540 Like a freaking statue. 193 00:14:14,410 --> 00:14:17,210 But better yet, you're like a picture. 194 00:14:22,810 --> 00:14:24,650 What you see is not always what you get. 195 00:14:25,430 --> 00:14:29,910 Perspective is an amazing technique that, if employed properly, might be a 196 00:14:29,910 --> 00:14:31,490 method for my L .S. advantage. 197 00:14:40,040 --> 00:14:41,320 Chris wants a big area. 198 00:14:41,580 --> 00:14:43,440 Chris has had a lot of wild ideas. 199 00:14:43,660 --> 00:14:47,940 You know, like Houdini has banished one elephant. He wants to banish a herd of 200 00:14:47,940 --> 00:14:48,940 elephants. 201 00:14:49,020 --> 00:14:50,020 Audience here. 202 00:14:50,040 --> 00:14:53,500 There's a lot to be figured out. You know, how many people are there going to 203 00:14:53,500 --> 00:14:57,160 be? Where are they going to be standing in relationship to the elephant? How 204 00:14:57,160 --> 00:15:01,060 many elephants are there going to be? We got the elephant in this area here, 205 00:15:01,160 --> 00:15:02,119 herd of elephants. 206 00:15:02,120 --> 00:15:04,360 And then big people. 207 00:15:04,960 --> 00:15:06,960 Where can we find a large enough venue? 208 00:15:07,550 --> 00:15:09,350 for us to do this demonstration. 209 00:15:09,850 --> 00:15:12,070 Where'd you get those? These are from my personal collection. 210 00:15:12,290 --> 00:15:14,890 Chris wants to be able to do this in the round. And from a magic perspective, 211 00:15:15,110 --> 00:15:16,110 that's very difficult. 212 00:15:16,490 --> 00:15:21,430 Normally you have, this is the front view and that's your only view. 213 00:15:21,830 --> 00:15:25,190 Let's go with like a fabric, something, you know, that's going to be really big. 214 00:15:25,250 --> 00:15:28,090 So we need to have something that's lightweight. It's easy to handle. 215 00:15:28,620 --> 00:15:33,320 This demonstration is a monumental undertaking in terms of the size of the 216 00:15:33,320 --> 00:15:36,600 fabrication, the scale of the illusion, and the number of people it's going to 217 00:15:36,600 --> 00:15:37,600 take to pull it off. 218 00:15:44,000 --> 00:15:48,520 How hard do you think it would be to take a pencil eraser and punch it right 219 00:15:48,520 --> 00:15:49,520 through a bill? 220 00:15:49,780 --> 00:15:50,699 Try it. 221 00:15:50,700 --> 00:15:53,500 This don't work at all. Can't do it. I don't know. 222 00:15:54,509 --> 00:15:55,509 I'm trying. 223 00:15:55,910 --> 00:15:58,790 I want you to see what we're going to do here. I'm going to take the pencil. 224 00:15:59,190 --> 00:16:03,130 I'm just going to bring it straight down, just like so. I want you to see 225 00:16:03,130 --> 00:16:05,010 it's completely fair. As a matter of fact, take a look. 226 00:16:06,250 --> 00:16:07,250 Bottom. See that? 227 00:16:07,570 --> 00:16:09,150 Now watch. This is what's going to happen. 228 00:16:12,070 --> 00:16:13,630 You see that? It goes right through. 229 00:16:14,530 --> 00:16:15,530 See that? Right through. 230 00:16:15,770 --> 00:16:18,190 Now check it out. I want you to see 360 degrees. 231 00:16:18,570 --> 00:16:20,130 It literally goes. 232 00:16:20,510 --> 00:16:22,770 See that? See that? Completely goes through. 233 00:16:23,230 --> 00:16:24,230 Completely fair. 234 00:16:24,290 --> 00:16:27,270 Now, you can actually see the other side as well. I want you to see that. Look 235 00:16:27,270 --> 00:16:28,270 at that. 236 00:16:29,370 --> 00:16:34,410 Now, the hard part, the hard part is actually moving the whole. Watch. It's 237 00:16:34,410 --> 00:16:35,730 moving the whole. Watch. 238 00:16:39,410 --> 00:16:40,410 Yes! 239 00:16:42,090 --> 00:16:43,950 You see that? Yes! 240 00:16:46,210 --> 00:16:47,210 Why? 241 00:16:52,550 --> 00:16:56,270 And you can actually examine everything. Take it all out. Take it out for 242 00:16:56,270 --> 00:16:57,270 yourself. 243 00:17:02,510 --> 00:17:04,190 You ready to go? 244 00:17:04,470 --> 00:17:08,490 Yeah. I've been grooming Kristen for some time now. I believe she will be 245 00:17:08,490 --> 00:17:12,910 amazing in my live touring show, Whimsical. But before I can commit to 246 00:17:12,910 --> 00:17:16,170 going to put her in my live show at the Luxor. 247 00:17:16,670 --> 00:17:20,630 And see how she can handle that type of pressure. So, you want me to take you 248 00:17:20,630 --> 00:17:22,290 through it first? Yeah, yeah, let's go. 249 00:17:22,510 --> 00:17:26,829 Chris has challenged me to prove myself with two of the most challenging and 250 00:17:26,829 --> 00:17:29,170 physically intense pieces in his entire show. 251 00:17:31,830 --> 00:17:33,150 You can bring me up, Eric. 252 00:17:33,410 --> 00:17:34,409 Clear to go out? 253 00:17:34,410 --> 00:17:38,410 You know, the straitjacket is very dangerous, but a lot of it's mental. A 254 00:17:38,410 --> 00:17:39,229 it's in my head. 255 00:17:39,230 --> 00:17:44,070 And what I do is I turn myself just a couple, gently. 256 00:17:44,880 --> 00:17:46,200 To get me facing the audience. 257 00:17:46,600 --> 00:17:51,760 So the next thing is, for me, it's all about this movement, which is the core. 258 00:17:52,100 --> 00:17:54,000 Get yourself going. 259 00:17:57,460 --> 00:17:59,740 Now if I want to stop, look how quick I stop. 260 00:18:00,300 --> 00:18:01,300 See that? 261 00:18:01,640 --> 00:18:06,200 I've hung upside down, but I have never hung upside down by my ankles five 262 00:18:06,200 --> 00:18:08,720 stories over an audience. That I have never done. 263 00:18:08,920 --> 00:18:12,500 Here we go. That's just before I can... Just relax. You tell us when you're 264 00:18:12,500 --> 00:18:13,500 ready. 265 00:18:16,110 --> 00:18:17,110 Okay. Here we go. 266 00:18:24,570 --> 00:18:29,430 You've got to be in the moment, focus on what's going on, and get comfortable 267 00:18:29,430 --> 00:18:31,210 with the environment. 268 00:18:32,050 --> 00:18:35,010 If she does that, she'll be fine. I want you to imagine you have the straight 269 00:18:35,010 --> 00:18:39,070 jacket on, and I want you to go through the movement as if the straight jacket's 270 00:18:39,070 --> 00:18:40,630 invisible. I want to see what you're going to do. 271 00:18:41,430 --> 00:18:42,430 What? 272 00:18:43,210 --> 00:18:44,230 Stop, stop, stop. 273 00:18:44,510 --> 00:18:48,010 If she's freaking out thinking about what's going to happen, she will never 274 00:18:48,010 --> 00:18:49,010 able to pull this shit off. 275 00:18:51,870 --> 00:18:54,930 I'm doing the most dangerous stuff I've ever done. I'm doing the most physically 276 00:18:54,930 --> 00:18:59,250 and mentally demanding stuff I've ever done. This is a really big deal for me. 277 00:18:59,490 --> 00:19:02,830 Well, dude, it's one more time. No freaking out. I'm going to put the 278 00:19:02,830 --> 00:19:06,730 you. Chris has this vision of the way the straight jacket is supposed to look, 279 00:19:06,790 --> 00:19:10,750 the way it's supposed to go. I'm really concerned about not being able to live 280 00:19:10,750 --> 00:19:11,750 up to that vision. 281 00:19:12,310 --> 00:19:16,010 Think about what you see in your mind. Let the whole thing play out for 282 00:19:16,010 --> 00:19:17,470 yourself. Am I good? Am I good? 283 00:19:17,770 --> 00:19:20,490 You're good. Just breathe. You're not breathing. In through your nose, out 284 00:19:20,490 --> 00:19:23,410 through your mouth. Don't hold your breath. You all right? Yeah. Okay, so 285 00:19:23,410 --> 00:19:26,150 you're going to be there. Oh, wow. And now they're going to say, are you ready? 286 00:19:26,710 --> 00:19:28,310 Yes. Okay, go. 287 00:19:29,610 --> 00:19:30,690 Oh, whoa. 288 00:19:32,370 --> 00:19:33,370 Breathe. 289 00:19:34,050 --> 00:19:35,230 Come on. 290 00:19:35,770 --> 00:19:37,230 You're not using gravity, Kristen. 291 00:19:39,150 --> 00:19:41,810 You're doing both arms at the same time. Do one arm first. 292 00:19:42,030 --> 00:19:44,010 Okay. You're going to choke yourself that way. 293 00:19:44,470 --> 00:19:45,449 You okay? 294 00:19:45,450 --> 00:19:46,450 Yeah. 295 00:19:46,630 --> 00:19:48,110 Yeah. There you go. 296 00:19:48,350 --> 00:19:49,350 Come, come, come. 297 00:19:49,510 --> 00:19:50,570 Don't drop the jacket. 298 00:19:51,050 --> 00:19:53,650 Good, good. Come on. You're there. You're there. You're there. You're 299 00:19:53,850 --> 00:19:55,850 You're there. Come on. Yes. 300 00:19:56,970 --> 00:19:57,970 Yes. 301 00:19:58,690 --> 00:19:59,690 Okay. 302 00:20:00,070 --> 00:20:01,230 Drop her. Drop me. 303 00:20:01,750 --> 00:20:06,230 You got to keep your arms like this. Stop moving around like a fish. Good 304 00:20:06,750 --> 00:20:08,010 Yeah, nice job. 305 00:20:09,070 --> 00:20:13,450 Here is a wonderful thing that you can use to your advantage. 306 00:20:13,750 --> 00:20:18,590 It can allow you to be much more in the moment, much more focused, and able to 307 00:20:18,590 --> 00:20:20,630 problem solve when things are wrong. 308 00:20:20,950 --> 00:20:22,370 You're freaking out. I think you did good. 309 00:20:22,590 --> 00:20:28,250 I think how great this will be, you representing women in magic. 310 00:20:28,470 --> 00:20:34,070 You're doing something and dominating what most men can't do. 311 00:20:34,570 --> 00:20:37,530 Right? Yeah. That's what it's about. And I know you can do it. 312 00:20:37,730 --> 00:20:38,730 Yeah. Okay? 313 00:20:39,170 --> 00:20:43,570 Coming up. If the elephants aren't in those enclosures, I don't think we can 314 00:20:43,570 --> 00:20:44,369 have an audience. 315 00:20:44,370 --> 00:20:47,590 Our life has turned into utter hell. Yeah. 316 00:20:49,850 --> 00:20:50,250 For 317 00:20:50,250 --> 00:20:57,330 me, 318 00:20:57,390 --> 00:20:58,610 it's all about process. 319 00:20:59,390 --> 00:21:02,770 When people watch me do a demonstration, they have no clue. 320 00:21:03,390 --> 00:21:04,390 The process. 321 00:21:05,490 --> 00:21:11,250 Wow. A lot of these things that began 20 years, 25 years ago are the actual 322 00:21:11,250 --> 00:21:13,730 demonstrations that I do and believe. 323 00:21:14,170 --> 00:21:18,930 I think that's great. I got John Farrell 20 years ago to work for me for free 324 00:21:18,930 --> 00:21:20,230 based on a dream. 325 00:21:20,710 --> 00:21:25,290 I discovered at a very early age, I think I was about 16 years old, when I 326 00:21:25,290 --> 00:21:30,690 up with some illusion concepts that I just had built. I rushed into it. We 327 00:21:30,690 --> 00:21:32,330 money and it didn't work. 328 00:21:33,280 --> 00:21:36,520 So I came up with a system. For me, it's a process. 329 00:21:36,720 --> 00:21:42,540 The first step is to take what's in my mind, doodle it out, have John create a 330 00:21:42,540 --> 00:21:46,580 tableau of what that thing looks like. Then we move on to a model, which is 331 00:21:46,580 --> 00:21:51,560 typically about 12 inches in size, and we look at it and see if it physically 332 00:21:51,560 --> 00:21:52,559 will work. 333 00:21:52,560 --> 00:21:57,220 When we're happy with that, then we move on to what I call a garbage bag test, a 334 00:21:57,220 --> 00:22:00,780 full life model, even though it's put together with spit and glue. 335 00:22:01,320 --> 00:22:06,240 and literally do it out of cardboard, duct tape, and staple gun to put this 336 00:22:06,240 --> 00:22:11,420 together and see, is it the right proportion? And will it function within 337 00:22:11,420 --> 00:22:15,060 movement and techniques that I'm employing? When we're happy with that 338 00:22:15,300 --> 00:22:17,960 then we move on to the prototype. 339 00:22:18,320 --> 00:22:23,320 And once I'm happy with it, then we'll actually finish it into a working 340 00:22:23,320 --> 00:22:28,560 demonstration. And that process could take a year, and in some cases could 341 00:22:28,560 --> 00:22:29,560 15 years. 342 00:22:30,300 --> 00:22:35,420 Take the birth machine, for example. We built a PVC tube model of it. 343 00:22:35,900 --> 00:22:38,620 Literally, in my mom's house, I had a little laboratory there. 344 00:22:38,920 --> 00:22:44,540 And we probably built three versions of it. And one of which, the last one, is 345 00:22:44,540 --> 00:22:46,680 in my live show, Believe, at the Luxor. 346 00:22:50,100 --> 00:22:56,720 Which I perform ten times a week. 347 00:22:57,160 --> 00:22:59,820 46 weeks a year, and I'll be doing it for the next five years. 348 00:23:04,560 --> 00:23:07,260 Is the guy cool? We can rehearse with him? Yeah, yeah, yeah, absolutely. 349 00:23:07,700 --> 00:23:10,920 Chris wants to rehearse with Baby Elephants. So I've been making phone 350 00:23:11,200 --> 00:23:14,060 working my connections, and I got the next best date. 351 00:23:14,400 --> 00:23:16,460 Check it out, huh? Come on, look at them. Look how cute they look, huh? 352 00:23:18,680 --> 00:23:22,420 Zero's in the think tank, and he's so confident. I can get Baby Elephants. I 353 00:23:22,420 --> 00:23:23,420 get Baby Elephants. 354 00:23:23,580 --> 00:23:24,680 And then he brings me... 355 00:23:25,520 --> 00:23:28,020 Donkeys. You were supposed to get me baby elephants. 356 00:23:28,360 --> 00:23:29,860 You got me two donkeys. 357 00:23:30,060 --> 00:23:31,120 What is he, a jackass? 358 00:23:31,620 --> 00:23:32,279 Come on. 359 00:23:32,280 --> 00:23:33,540 Take him back to the trailer. Come on. 360 00:23:34,260 --> 00:23:35,260 Come on. 361 00:23:37,900 --> 00:23:39,540 You're going to roll yourself in. 362 00:23:39,880 --> 00:23:40,699 So now. 363 00:23:40,700 --> 00:23:44,000 That was not a. Okay, cool. So I've rolled in. You're going to roll. You're 364 00:23:44,000 --> 00:23:46,760 going to roll in. So you're like, if you're over there, your hands come in 365 00:23:46,860 --> 00:23:49,600 Right. And you just, you know, roll yourself. Okay. Flip it over. Chris 366 00:23:49,600 --> 00:23:51,080 challenged me to prove myself. 367 00:23:52,020 --> 00:23:56,300 and I'm still feeling a little nervous about the metamorphosis. The 368 00:23:56,300 --> 00:24:02,480 is not an easy feat, and this box of fire certainly is not either. Your legs 369 00:24:02,480 --> 00:24:06,480 will be up in the air. Now they'll disconnect you over here, okay? 370 00:24:06,820 --> 00:24:10,040 If she wants to be on my live tour Wednesday, she's got to deliver. 371 00:24:10,540 --> 00:24:13,340 Now you're going to lift up. You're going to get your mask and your goggles. 372 00:24:13,600 --> 00:24:17,640 Right, and this is hard right there. I say, come on, boys. They get the lid on. 373 00:24:19,080 --> 00:24:21,080 Now you know what you have to do. Think about it. 374 00:24:21,600 --> 00:24:26,020 But I have yet to put all of the pieces together, and that's what I'm kind of 375 00:24:26,020 --> 00:24:29,520 nervous about because there's no way for me to practice that until I'm in the 376 00:24:29,520 --> 00:24:30,520 theater in front of Chris. 377 00:24:30,840 --> 00:24:32,140 Okay, how are you feeling, Kristen? 378 00:24:32,460 --> 00:24:35,260 Okay. Well, now we're ready for the pyro. What? Cool. 379 00:24:35,740 --> 00:24:39,280 So I'm a little nervous about how all of that's going to come together. 380 00:24:40,379 --> 00:24:41,600 Now it's going to stop. 381 00:24:42,000 --> 00:24:44,980 Now you're going to do your, wait for it to stop, to come down. 382 00:24:45,460 --> 00:24:46,580 Boom, boom. 383 00:24:46,820 --> 00:24:47,820 And you're going to walk. 384 00:24:48,180 --> 00:24:50,720 Right, but you're not going to stay here because you have a wall of fire on your 385 00:24:50,720 --> 00:24:53,680 hand. Where do I go? Is this my mark here? No, your mark is as far as you can 386 00:24:53,680 --> 00:24:55,480 go. Over here. 387 00:24:56,080 --> 00:24:59,860 You don't want to be, you will feel this, the amount of heat that comes from 388 00:24:59,860 --> 00:25:01,600 this wall of fire right over here is intense. 389 00:25:01,960 --> 00:25:05,460 In magic, people's demonstrations are definitely prized possessions. 390 00:25:05,820 --> 00:25:09,380 And for someone to give you that demonstration, 391 00:25:10,170 --> 00:25:12,870 is the biggest gift that you can give someone. 392 00:25:13,270 --> 00:25:14,890 Pyro's going to go off. You're going to stay still. 393 00:25:15,130 --> 00:25:16,390 Pyro, pop, pop, pop, pop, pop. 394 00:25:18,730 --> 00:25:20,850 This is his baby. This is his life. 395 00:25:21,070 --> 00:25:23,730 And I'm now getting to perform that? 396 00:25:24,070 --> 00:25:25,210 Like, that's insane. 397 00:25:25,770 --> 00:25:26,769 Everybody good? 398 00:25:26,770 --> 00:25:28,030 Okay, here we go. 399 00:25:32,110 --> 00:25:33,870 That pyro, it blows. 400 00:25:34,110 --> 00:25:36,530 Like, there's a reason Chris is wearing a gas mask. 401 00:25:36,790 --> 00:25:38,090 That is intense heat. 402 00:25:40,639 --> 00:25:44,200 I thought she'd be overwhelmed by all the pyrotechnics. 403 00:25:46,940 --> 00:25:49,100 But she did great. She was focused. 404 00:25:49,400 --> 00:25:50,400 Good job, everybody. 405 00:25:50,440 --> 00:25:51,440 Good job. 406 00:25:52,020 --> 00:25:55,640 The straight jacket, on the other hand, is another story. She's got to step up 407 00:25:55,640 --> 00:25:59,340 her game with the straight jacket and be able to perform both in front of an 408 00:25:59,340 --> 00:26:03,860 audience if she wants to be part of my live tour Wednesday. Great job, Kristen. 409 00:26:04,120 --> 00:26:06,040 Thank you. Very good job. Good job, everybody. 410 00:26:14,790 --> 00:26:17,790 This is something that I have never seen anybody do. I mean, Houdini vanished 411 00:26:17,790 --> 00:26:18,850 one elephant, right? 412 00:26:19,210 --> 00:26:20,430 And that was it. 413 00:26:20,630 --> 00:26:22,490 I want to do more than one. I don't care. 414 00:26:22,890 --> 00:26:24,330 Three would be better than two. 415 00:26:24,770 --> 00:26:26,150 Chris is pretty upset right now. 416 00:26:26,410 --> 00:26:29,830 Spiro can't seem to find a herd of elephants for this vanish. He found two. 417 00:26:29,950 --> 00:26:33,310 They're all the way down in Florida. And now that location is becoming a problem 418 00:26:33,310 --> 00:26:33,949 as well. 419 00:26:33,950 --> 00:26:37,970 We need to have people holding hands, handcuffed to each other. It's fine, 420 00:26:38,130 --> 00:26:41,390 Those people will have to be around the barricades, outside the barricades. 421 00:26:42,110 --> 00:26:46,770 The state of Florida won't let you have elephants, like, outside of this place? 422 00:26:46,950 --> 00:26:51,810 They need a barricade between the public and the elephants. You've heard all the 423 00:26:51,810 --> 00:26:56,350 disasters and all the things that have happened with elephants, right? Most of 424 00:26:56,350 --> 00:26:57,350 them have happened in Florida. 425 00:26:57,930 --> 00:26:59,510 What are the barricade requirements? 426 00:27:00,130 --> 00:27:04,130 If the elephants aren't in those enclosures, I don't think we can have an 427 00:27:04,130 --> 00:27:07,930 audience. I mean, it's just the law of the state. I don't give a shit. How we 428 00:27:07,930 --> 00:27:10,570 it, whatever we have to do. I just don't want to go through this when we go 429 00:27:10,570 --> 00:27:15,790 there and it's like, you know, we don't have a huge, crazy, unbelievable, holy 430 00:27:15,790 --> 00:27:17,270 factor. Okay. 431 00:27:17,790 --> 00:27:19,710 I don't know why. Spiro, why don't you tell us? 432 00:27:19,950 --> 00:27:23,050 Our life has turned into utter hell. 433 00:27:23,270 --> 00:27:24,270 Yeah. 434 00:27:26,030 --> 00:27:27,030 Coming up. 435 00:27:27,570 --> 00:27:28,570 You ready? 436 00:27:28,590 --> 00:27:29,590 It's a bit. 437 00:27:29,730 --> 00:27:31,350 Kristen, are you ready? 438 00:27:34,080 --> 00:27:35,540 Tyrell's going to go off. You're going to bait Phil. 439 00:27:35,880 --> 00:27:37,020 Tyrell, pop, pop, pop, pop, pop. 440 00:27:37,220 --> 00:27:40,900 Honestly, one of my biggest concerns with the metamorphosis is my hair 441 00:27:40,900 --> 00:27:41,900 on fire. 442 00:27:42,160 --> 00:27:44,120 It's a curtain of fire. It's a lot of fire. 443 00:27:44,380 --> 00:27:45,380 I have a lot of hair. 444 00:27:59,600 --> 00:28:01,680 I was so focused on just finding elephants. 445 00:28:02,190 --> 00:28:05,210 that when I finally found some in Florida, I didn't consider all the 446 00:28:05,450 --> 00:28:07,770 And now, that's coming back to bite me in the ass. 447 00:28:08,370 --> 00:28:11,470 But I found two more in California, and it's a lot closer. 448 00:28:11,730 --> 00:28:13,730 Dini made one elephant disappear in 1917. 449 00:28:14,390 --> 00:28:16,650 Chris wants to make a whole herd of elephants disappear. 450 00:28:16,910 --> 00:28:19,570 And I'd love to use this place. You think that would be possible? 451 00:28:20,110 --> 00:28:21,110 Unfortunately, no. 452 00:28:21,390 --> 00:28:22,390 Time is ticking. 453 00:28:22,610 --> 00:28:26,270 Somehow, I have to find more elephants in a location that can handle it. 454 00:28:38,190 --> 00:28:41,430 Whenever you're working with animals, whether it's the scale of an elephant or 455 00:28:41,430 --> 00:28:46,190 something really, really tiny, it's always a challenge to manipulate them. 456 00:28:46,190 --> 00:28:52,530 any cracker that you like, or you can grab an almond, whatever you want. Just 457 00:28:52,530 --> 00:28:53,550 take one out right now. 458 00:28:55,210 --> 00:28:56,210 Place it down. 459 00:28:57,890 --> 00:29:00,250 I want you to watch this carefully. I'm going to do it really slowly. 460 00:29:43,200 --> 00:29:44,840 Oh, my God. 461 00:29:47,060 --> 00:29:48,380 Oh, my God. 462 00:29:49,580 --> 00:29:50,660 Where'd it go? 463 00:30:14,030 --> 00:30:19,890 have everything over i'm like shaking and completely freaked out i 464 00:30:19,890 --> 00:30:27,430 know 465 00:30:27,430 --> 00:30:31,530 it's an overwhelming moment right you're like 22 years old and you're in this 466 00:30:31,530 --> 00:30:36,690 amazing scenario yeah but have fun with it and think ahead and be focused and 467 00:30:36,690 --> 00:30:42,190 breathe breathe breathe I've given Kristen a challenge. Now it comes down 468 00:30:42,190 --> 00:30:46,350 this moment. Can she rise to the occasion and meet that challenge? 469 00:30:46,770 --> 00:30:47,649 You ready? 470 00:30:47,650 --> 00:30:48,650 This is it. 471 00:30:48,710 --> 00:30:50,390 You're going to be fine. All right? 472 00:30:50,690 --> 00:30:51,690 Do a good job. 473 00:30:52,210 --> 00:30:53,230 Take focus. 474 00:30:53,470 --> 00:30:55,370 Take a breath. You're going to be great. Okay? 475 00:30:55,650 --> 00:30:56,650 Okay. 476 00:31:05,840 --> 00:31:10,620 The young lady that is about to perform for you has a lot of determination, a 477 00:31:10,620 --> 00:31:14,660 lot of passion, and a lot of talent. So folks, give her a lot of love. Her name 478 00:31:14,660 --> 00:31:15,660 is Chris. 479 00:32:46,760 --> 00:32:49,280 Kristen did an amazing job. I mean, you heard the audience. 480 00:32:50,400 --> 00:32:51,620 Wasn't that fantastic? 481 00:32:52,320 --> 00:32:56,980 If you look at this as a first test for Kristen, she exceeded my expectations. 482 00:32:57,400 --> 00:33:01,960 I'm so proud of you. And I think that she has a bright future if she stays on 483 00:33:01,960 --> 00:33:02,879 this path. 484 00:33:02,880 --> 00:33:07,740 It goes to show you that when you believe in a dream, that truly anything 485 00:33:07,740 --> 00:33:11,380 possible. Thank you so much, folks. God bless you all. Good night! 486 00:33:12,680 --> 00:33:15,740 That was just really meaningful that Chris believes in me to this extent. 487 00:33:24,110 --> 00:33:27,930 I think that I can really be my own worst critic, and I think that I can be 488 00:33:27,930 --> 00:33:31,930 hard on myself. And the fact that Chris is like, Kristen, you have this, is like 489 00:33:31,930 --> 00:33:34,650 the biggest confidence boost there is. 490 00:33:35,310 --> 00:33:37,950 You did it. You did it. Good job. Told you. Awesome. 491 00:33:38,670 --> 00:33:39,670 Coming up. 492 00:34:06,410 --> 00:34:09,110 I don't know how he did it, but you've got to give props to Spiro, man. He came 493 00:34:09,110 --> 00:34:13,010 through in a big way. He secured four elephants from the Shrine Circuit. 494 00:34:13,409 --> 00:34:17,270 He also secured the 50 -yard line at Missouri State University. 495 00:34:17,929 --> 00:34:21,690 Now, the thing about Bo is he is one of the largest elephants. You haven't seen 496 00:34:21,690 --> 00:34:23,230 him really yet. He's big. He's big. 497 00:34:23,469 --> 00:34:27,170 Not only was Spiro able to pull off finding a herd of elephants for us in 498 00:34:27,170 --> 00:34:30,630 Missouri, he's actually found one of the largest elephants in North America. 499 00:34:30,969 --> 00:34:31,989 Well, there's two accounts on him. 500 00:34:32,230 --> 00:34:33,178 All right. 501 00:34:33,179 --> 00:34:36,739 Now that I'm actually here and everything's fallen into place, it's 502 00:34:36,739 --> 00:34:40,380 Chris is actually going to pull this one off. He's not going to vanish just one 503 00:34:40,380 --> 00:34:44,840 elephant, but he's actually going to outdo Houdini and vanish a herd of 504 00:34:44,840 --> 00:34:45,799 elephants. 505 00:34:45,800 --> 00:34:49,980 Not on stage like Houdini did. Chris is going to do it out in a football field. 506 00:34:49,980 --> 00:34:53,380 He's going to do that herd of elephants with a group of people surrounding it 507 00:34:53,380 --> 00:34:54,380 the entire time. 508 00:34:55,120 --> 00:34:58,920 Ready? We got all of the elements. Now it's time for me to meet the challenge. 509 00:36:04,110 --> 00:36:08,950 As you can see completely around you, we have four elephants literally in the 510 00:36:08,950 --> 00:36:13,890 middle of the playing field, completely in the round, 360 degrees. 511 00:36:14,370 --> 00:36:20,130 I've also asked for 40 people so that we can create, for the very first time, 512 00:36:20,150 --> 00:36:27,090 ladies and gentlemen, a human chain that will be handcuffed around three of the 513 00:36:27,090 --> 00:36:29,430 sides, creating another layer. 514 00:36:36,300 --> 00:36:39,440 Attach it to your left hand. Head on that side over there. Attach it to your 515 00:36:39,440 --> 00:36:40,098 left hand. 516 00:36:40,100 --> 00:36:46,480 We have Banachek, Nathan, John that are handcuffing everybody to each other. 517 00:36:47,640 --> 00:36:49,020 Left hand out. Okay. 518 00:36:49,660 --> 00:36:54,440 So we're going to create literally a human chain around three sides of the 519 00:36:54,440 --> 00:36:55,440 elephant. 520 00:36:55,540 --> 00:36:59,520 Vanishing a herd of elephants is one thing, but handcuffing people around 521 00:36:59,580 --> 00:37:01,040 that's extremely dangerous. 522 00:37:02,540 --> 00:37:05,520 You know, we have Kristen who is part of our... 523 00:37:06,109 --> 00:37:08,110 Excellent. Thank you. And I have a surprise. 524 00:37:08,430 --> 00:37:10,970 Kristen, are you here? You're right there. I have a surprise for you. 525 00:37:11,250 --> 00:37:16,650 I asked Larry, the trainer, and you can ride one of the elephants while we 526 00:37:16,650 --> 00:37:17,870 handcuff them right now. 527 00:37:18,370 --> 00:37:19,690 Yes, which one do you want to go on? 528 00:37:20,030 --> 00:37:24,050 Is it okay? Can I go on both? You've got to be careful getting up there. Are you 529 00:37:24,050 --> 00:37:26,750 serious? Yes, be very careful. Go ahead, Larry, whenever you're ready. 530 00:37:27,650 --> 00:37:28,650 Okay. 531 00:37:30,050 --> 00:37:31,050 Oh! 532 00:37:46,700 --> 00:37:49,940 You're going to wave to the audience, but you have to wave above your head. 533 00:37:50,200 --> 00:37:51,220 Okay. Okay. 534 00:37:51,440 --> 00:37:54,680 Okay. We have our human chain complete. Is that true? 535 00:39:56,850 --> 00:40:03,630 I'm literally in the University of Missouri State doing my 536 00:40:03,630 --> 00:40:09,130 thing, and then I find out that my friend, Tony Orlando, happens to be here 537 00:40:09,130 --> 00:40:11,690 watching. I've worked with Papa Phil. 538 00:40:12,140 --> 00:40:14,740 Doug Henning, magicians in general, illusionists amaze me. 539 00:40:15,000 --> 00:40:18,120 I've got to be honest with you, okay? I've never come across anything like 540 00:40:18,340 --> 00:40:21,840 You're an amazing talent, but you're really in the category by yourself. 541 00:40:22,180 --> 00:40:23,760 Wow. Well, thank you so much. 43717

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