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What you're about to witness will be
dangerous, a template for resulting
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Don't try this at home.
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On this episode of Believe.
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Now!
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You see that?
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I want to show the world how you make
multiple elephants literally vanish.
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Houdini vanished one elephant. That was
it. I want to do more than one.
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It's a bit.
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You're going to be fine.
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Our life has turned into utter hell.
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Chris Angel believes.
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I have some fans coming by my house. I
brought them here to blow their mind.
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We've never met before. Isn't that true?
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True. But I'm going to attempt to drive
completely blind.
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Oh, Lord.
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This sonic is going to be the vehicle.
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of my choice to try to do something like
this. Now I'm going to ask you to go
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into the car and inspect it to make sure
there's nothing in there that could
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possibly aid me in any way.
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To ensure 100 % blindness, I'll tape
coins over my eyes. I'll place a
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on top of that and a hood over that that
will be completely taped up. Is that
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fair, ladies?
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Yes.
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This is the driver's side of the door.
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You can hear us really good, right,
Chris?
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Huh? Good to go, right?
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Yeah.
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Oh,
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my God, there's a gate.
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Oh.
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Oh, my God.
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Oh, my God.
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Oh, my God.
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Oh, my God.
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Oh, my God.
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Oh, my God.
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Oh, my God. Oh, my God. Oh, my God. Oh,
my God. Oh, my God.
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Oh, my God.
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Oh, my God. Oh, my God. Oh, my God.
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So far, so good. But this is a scary
ass.
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Slow down because there's a red light.
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I got to call Banachek. Call Banachek.
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Calling Banachek.
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We got to do this first.
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Oh, my God.
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Hello?
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Banachek. Hey, how are you?
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This is really, really difficult.
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He's doing okay, but it's a lot of
traffic out here.
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Bye. Bye. How much further do I have for
the left door? You got a long way.
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Oh, my God. You got a divider on your
left. Okay.
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Oh, my God. Is this sign coming up yet?
We're by the sign. We're by the sign.
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Oh, my God.
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Oh, my God. Oh, God, oh, God, oh, God,
oh, God. We're getting ready to turn
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the left door now. We'll go straight.
Oh, you made it home, Chris. Hallelujah.
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Try to pull this off of my face.
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Just get it right from here. You want me
to get it? Yeah.
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Okay. I want you to see.
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Look at my skin.
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Oh, my God.
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Oh,
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my God.
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And you can see the coin right there.
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I'd rather Chris cut me in half than let
him drive me blindfolded again, okay?
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Cut my ass in half.
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Chris was amazing.
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That's all I can say.
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Thank you all so very much.
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Hey, Chris, what's up, man? Oh, hey,
baby.
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My approach has always been to take
classic demonstrations and think about
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to present them in modern day. I want to
show the world for the very first time
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how you meet.
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multiple elephants literally vanish.
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Houdini did one elephant on stage in a
controlled environment.
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What would fool people back then, the
early 1900s, does not fool people today.
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Absolutely. He had a box. Right. It was
a big venue, like a Roman -style
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amphitheater. What they did is these
four guys would roll this box out.
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And the elephant would come on stage and
walk inside of the box. And then they
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would turn the box and you'd look inside
of the box and the box was empty.
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And then 20 guys would roll the box.
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That's traditional magic. I want to just
kind of blow up tradition. I want to
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take this from the theater and bring it.
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outside i want to do it in an area
that's open there's no way to hide the
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elephant surrounded by a human chain i
want people to literally connect their
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hands together maybe even fasten their
hands together like rope or tie them
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zip ties or even maybe even handcuffs
what would be the purpose of having
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people like that well to obviously show
that the elephants are not going out the
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side or the back just random people
random people Usually your audience is
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in front of you, maybe some on the
sides, usually never behind what's going
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which makes this demonstration almost
impossible.
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How do we cover these elephants to make
them disappear?
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We want to have multiple layers of proof
that the elephants can't go anywhere.
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If we use something that has...
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The ability to completely surround 360
degrees the elephant, so that's layer
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number one. It has to go up quick and
come down quick. But are we worried
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like, the elephants maybe getting scared
and stampeding or something like that?
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That's an excellent point, Jesse. You
know, here we are with a crowd of
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spectators. If this elephant decides to
go off on the deep end, you know,
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there's no way to stop it.
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You know, accidents do happen with
animals and magic acts.
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Let's get some baby elephants here for
some rehearsals.
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Chris, I can guarantee two to three
elephants.
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Please don't screw this up, all right?
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Trust me, I got you on this.
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He's exuding a little too much
confidence. It makes me uncomfortable
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screwed up some of these other
demonstrations, and this demonstration,
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no room for error.
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We're going to make 40 ,000 pounds of
elephants.
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Pooh! Gone.
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All right. I'm going to be right now.
Gone.
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See you later, guys.
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This demonstration features a herd of
elephants, a human chain. In an outdoor
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location, Chris will attempt to make the
elephants disappear with a 360 -degree
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view. Category of magic, vanish.
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Hi. Hi. How are you? Good, how are you?
Could you do me a favor? Yeah. Go and
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pick.
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Any stuffed animals that you like that
you think are me, okay?
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Dog and a bear.
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All right, cool. This bear right there.
And let's see what he gets me. I hope
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it's a cat.
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Put them down on the ground anywhere you
want.
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Okay. I want you to point to any animal
you like.
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The dog, okay?
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Before I do this, sure you want the dog?
You can change your mind.
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No, I'm good with that.
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Which one? The elephant?
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Yeah. Okay. Here, you hold on to the
dog.
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Hold on to the cat.
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The polar bear, since that goes with
your outfit there.
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The elephant just started walking
around, and it would fall over.
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It was amazing.
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It was mind -blowing.
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It doesn't have batteries.
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Does it have batteries?
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Can you open it up? Here, come take a
look.
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Take a look. You want one?
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All the stuffing just started flying out
of this stuffed animal
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that was walking around two seconds ago.
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I've been grooming Kristen for some
time, but now it's time to catch her off
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guard and test her ability.
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See if she can handle the pressure. What
do we see?
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This is a routine that I've had for a
long time. I'm just, thank you, Doug.
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I knew the time would come when Chris
would say, bring it.
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And the time is now, which is kind of
overwhelming. How long is the routine?
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I've got a minute. Do we have music? Not
with this right now. All right, but I
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think you're going to put something
together for me to watch.
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The routine, right, because we're going
to redress it with everything else.
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Okay, let's see.
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Okay, I'm not trying to be rude or
anything.
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Okay. But that's not what I had in mind.
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It's not just a ring routine. They make
them fly.
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I make them fly later in the routine.
Make them fly. Do they float?
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I mean, they float.
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If I can just finish the routine, I
mean.
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If you can make them fly, like.
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Well, yeah, I mean, then I would go, you
know, into something here.
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The problem is, it's what you expect
from a beautiful blonde doing magic. You
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told me you wanted to be provocative,
right?
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That's not provocative.
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You in a cocktail dress is not
provocative.
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You doing something that people don't
expect, then people will take note. What
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want to do is propose an opportunity for
you. I'm putting together a limited
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engagement over at the Luxor. Uh -huh.
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It's called Magic Jam.
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I'd like to see you do something in that
show, something that's going to reign
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the bar.
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Expect the unexpected from Kristen. I
feel ready emotionally.
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I think. This is a big test for you, but
I believe you can meet the challenge.
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Thank you. Okay? Okay.
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Thanks. Going up. I want you to go
through the movement.
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Drop the gun!
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Drop the gun!
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Up. Stay.
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Stay. Sit down.
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Good boy. Give me a high five.
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Good boy. Stay. Come on. Up. Good boy.
Up.
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Up. Yeah!
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Let's go.
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I am so stoked. We're going to play our
game again.
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Come on, Osa.
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Come on.
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Come here.
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Have a seat.
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Sit. Sit.
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Good boy.
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All right, let me tell them what we're
going to do, all right, Oso?
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We play a little game. It's a staring
game. You should try it with your pet at
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home. You see who will flinch first or
who will remain frozen.
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Let me try it.
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You beat me again.
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You're too good at this, Oso.
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Like a freaking statue.
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But better yet, you're like a picture.
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What you see is not always what you get.
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Perspective is an amazing technique
that, if employed properly, might be a
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method for my L .S. advantage.
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Chris wants a big area.
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Chris has had a lot of wild ideas.
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You know, like Houdini has banished one
elephant. He wants to banish a herd of
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elephants.
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Audience here.
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There's a lot to be figured out. You
know, how many people are there going to
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be? Where are they going to be standing
in relationship to the elephant? How
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many elephants are there going to be? We
got the elephant in this area here,
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herd of elephants.
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And then big people.
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Where can we find a large enough venue?
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for us to do this demonstration.
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Where'd you get those? These are from my
personal collection.
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Chris wants to be able to do this in the
round. And from a magic perspective,
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that's very difficult.
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Normally you have, this is the front
view and that's your only view.
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Let's go with like a fabric, something,
you know, that's going to be really big.
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So we need to have something that's
lightweight. It's easy to handle.
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This demonstration is a monumental
undertaking in terms of the size of the
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fabrication, the scale of the illusion,
and the number of people it's going to
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take to pull it off.
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How hard do you think it would be to
take a pencil eraser and punch it right
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through a bill?
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Try it.
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This don't work at all. Can't do it. I
don't know.
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I'm trying.
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I want you to see what we're going to do
here. I'm going to take the pencil.
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I'm just going to bring it straight
down, just like so. I want you to see
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it's completely fair. As a matter of
fact, take a look.
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Bottom. See that?
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Now watch. This is what's going to
happen.
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You see that? It goes right through.
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See that? Right through.
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Now check it out. I want you to see 360
degrees.
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It literally goes.
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See that? See that? Completely goes
through.
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Completely fair.
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Now, you can actually see the other side
as well. I want you to see that. Look
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at that.
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Now, the hard part, the hard part is
actually moving the whole. Watch. It's
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moving the whole. Watch.
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Yes!
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You see that? Yes!
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Why?
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00:16:52,550 --> 00:16:56,269
And you can actually examine everything.
Take it all out. Take it out for
242
00:16:56,270 --> 00:16:57,320
yourself.
243
00:17:02,510 --> 00:17:04,190
You ready to go?
244
00:17:04,470 --> 00:17:08,489
Yeah. I've been grooming Kristen for
some time now. I believe she will be
245
00:17:08,490 --> 00:17:12,909
amazing in my live touring show,
Whimsical. But before I can commit to
246
00:17:12,910 --> 00:17:16,170
going to put her in my live show at the
Luxor.
247
00:17:16,670 --> 00:17:20,629
And see how she can handle that type of
pressure. So, you want me to take you
248
00:17:20,630 --> 00:17:22,509
through it first? Yeah, yeah, let's go.
249
00:17:22,510 --> 00:17:26,828
Chris has challenged me to prove myself
with two of the most challenging and
250
00:17:26,829 --> 00:17:29,179
physically intense pieces in his entire
show.
251
00:17:31,830 --> 00:17:33,150
You can bring me up, Eric.
252
00:17:33,151 --> 00:17:34,409
Clear to go out?
253
00:17:34,410 --> 00:17:38,409
You know, the straitjacket is very
dangerous, but a lot of it's mental. A
254
00:17:38,410 --> 00:17:39,229
it's in my head.
255
00:17:39,230 --> 00:17:44,070
And what I do is I turn myself just a
couple, gently.
256
00:17:44,880 --> 00:17:46,320
To get me facing the audience.
257
00:17:46,600 --> 00:17:51,760
So the next thing is, for me, it's all
about this movement, which is the core.
258
00:17:52,100 --> 00:17:54,000
Get yourself going.
259
00:17:57,460 --> 00:17:59,740
Now if I want to stop, look how quick I
stop.
260
00:18:00,300 --> 00:18:01,350
See that?
261
00:18:01,640 --> 00:18:06,199
I've hung upside down, but I have never
hung upside down by my ankles five
262
00:18:06,200 --> 00:18:08,720
stories over an audience. That I have
never done.
263
00:18:08,920 --> 00:18:12,499
Here we go. That's just before I can...
Just relax. You tell us when you're
264
00:18:12,500 --> 00:18:13,550
ready.
265
00:18:16,110 --> 00:18:17,160
Okay. Here we go.
266
00:18:24,570 --> 00:18:29,429
You've got to be in the moment, focus on
what's going on, and get comfortable
267
00:18:29,430 --> 00:18:31,210
with the environment.
268
00:18:31,211 --> 00:18:35,009
If she does that, she'll be fine. I want
you to imagine you have the straight
269
00:18:35,010 --> 00:18:39,069
jacket on, and I want you to go through
the movement as if the straight jacket's
270
00:18:39,070 --> 00:18:41,420
invisible. I want to see what you're
going to do.
271
00:18:41,430 --> 00:18:42,480
What?
272
00:18:43,210 --> 00:18:44,260
Stop, stop, stop.
273
00:18:44,261 --> 00:18:48,009
If she's freaking out thinking about
what's going to happen, she will never
274
00:18:48,010 --> 00:18:49,270
able to pull this shit off.
275
00:18:49,271 --> 00:18:54,929
I'm doing the most dangerous stuff I've
ever done. I'm doing the most physically
276
00:18:54,930 --> 00:18:59,250
and mentally demanding stuff I've ever
done. This is a really big deal for me.
277
00:18:59,490 --> 00:19:02,829
Well, dude, it's one more time. No
freaking out. I'm going to put the
278
00:19:02,830 --> 00:19:06,730
you. Chris has this vision of the way
the straight jacket is supposed to look,
279
00:19:06,790 --> 00:19:10,749
the way it's supposed to go. I'm really
concerned about not being able to live
280
00:19:10,750 --> 00:19:11,800
up to that vision.
281
00:19:12,310 --> 00:19:16,009
Think about what you see in your mind.
Let the whole thing play out for
282
00:19:16,010 --> 00:19:17,470
yourself. Am I good? Am I good?
283
00:19:17,471 --> 00:19:20,489
You're good. Just breathe. You're not
breathing. In through your nose, out
284
00:19:20,490 --> 00:19:23,409
through your mouth. Don't hold your
breath. You all right? Yeah. Okay, so
285
00:19:23,410 --> 00:19:26,709
you're going to be there. Oh, wow. And
now they're going to say, are you ready?
286
00:19:26,710 --> 00:19:28,310
Yes. Okay, go.
287
00:19:29,610 --> 00:19:30,690
Oh, whoa.
288
00:19:32,370 --> 00:19:33,420
Breathe.
289
00:19:34,050 --> 00:19:35,230
Come on.
290
00:19:35,770 --> 00:19:37,510
You're not using gravity, Kristen.
291
00:19:39,150 --> 00:19:41,920
You're doing both arms at the same time.
Do one arm first.
292
00:19:42,030 --> 00:19:44,320
Okay. You're going to choke yourself
that way.
293
00:19:44,321 --> 00:19:45,449
You okay?
294
00:19:45,450 --> 00:19:46,500
Yeah.
295
00:19:46,630 --> 00:19:48,110
Yeah. There you go.
296
00:19:48,350 --> 00:19:49,400
Come, come, come.
297
00:19:49,510 --> 00:19:50,590
Don't drop the jacket.
298
00:19:50,591 --> 00:19:53,849
Good, good. Come on. You're there.
You're there. You're there. You're
299
00:19:53,850 --> 00:19:55,850
You're there. Come on. Yes.
300
00:19:56,970 --> 00:19:58,020
Yes.
301
00:19:58,690 --> 00:19:59,740
Okay.
302
00:20:00,070 --> 00:20:01,230
Drop her. Drop me.
303
00:20:01,750 --> 00:20:06,230
You got to keep your arms like this.
Stop moving around like a fish. Good
304
00:20:06,750 --> 00:20:08,010
Yeah, nice job.
305
00:20:09,070 --> 00:20:13,450
Here is a wonderful thing that you can
use to your advantage.
306
00:20:13,750 --> 00:20:18,589
It can allow you to be much more in the
moment, much more focused, and able to
307
00:20:18,590 --> 00:20:20,630
problem solve when things are wrong.
308
00:20:20,631 --> 00:20:22,589
You're freaking out. I think you did
good.
309
00:20:22,590 --> 00:20:28,250
I think how great this will be, you
representing women in magic.
310
00:20:28,470 --> 00:20:34,070
You're doing something and dominating
what most men can't do.
311
00:20:34,570 --> 00:20:37,530
Right? Yeah. That's what it's about. And
I know you can do it.
312
00:20:37,730 --> 00:20:38,780
Yeah. Okay?
313
00:20:39,170 --> 00:20:43,569
Coming up. If the elephants aren't in
those enclosures, I don't think we can
314
00:20:43,570 --> 00:20:44,369
have an audience.
315
00:20:44,370 --> 00:20:47,590
Our life has turned into utter hell.
Yeah.
316
00:20:48,801 --> 00:20:50,249
For
317
00:20:50,250 --> 00:20:57,330
me,
318
00:20:57,390 --> 00:20:58,610
it's all about process.
319
00:20:59,390 --> 00:21:02,770
When people watch me do a demonstration,
they have no clue.
320
00:21:03,390 --> 00:21:04,440
The process.
321
00:21:05,490 --> 00:21:11,249
Wow. A lot of these things that began 20
years, 25 years ago are the actual
322
00:21:11,250 --> 00:21:13,730
demonstrations that I do and believe.
323
00:21:14,170 --> 00:21:18,929
I think that's great. I got John Farrell
20 years ago to work for me for free
324
00:21:18,930 --> 00:21:20,230
based on a dream.
325
00:21:20,710 --> 00:21:25,289
I discovered at a very early age, I
think I was about 16 years old, when I
326
00:21:25,290 --> 00:21:30,689
up with some illusion concepts that I
just had built. I rushed into it. We
327
00:21:30,690 --> 00:21:32,330
money and it didn't work.
328
00:21:33,280 --> 00:21:36,520
So I came up with a system. For me, it's
a process.
329
00:21:36,720 --> 00:21:42,539
The first step is to take what's in my
mind, doodle it out, have John create a
330
00:21:42,540 --> 00:21:46,579
tableau of what that thing looks like.
Then we move on to a model, which is
331
00:21:46,580 --> 00:21:51,559
typically about 12 inches in size, and
we look at it and see if it physically
332
00:21:51,560 --> 00:21:52,559
will work.
333
00:21:52,560 --> 00:21:57,219
When we're happy with that, then we move
on to what I call a garbage bag test, a
334
00:21:57,220 --> 00:22:00,780
full life model, even though it's put
together with spit and glue.
335
00:22:01,320 --> 00:22:06,239
and literally do it out of cardboard,
duct tape, and staple gun to put this
336
00:22:06,240 --> 00:22:11,419
together and see, is it the right
proportion? And will it function within
337
00:22:11,420 --> 00:22:15,090
movement and techniques that I'm
employing? When we're happy with that
338
00:22:15,300 --> 00:22:17,960
then we move on to the prototype.
339
00:22:18,320 --> 00:22:23,319
And once I'm happy with it, then we'll
actually finish it into a working
340
00:22:23,320 --> 00:22:28,559
demonstration. And that process could
take a year, and in some cases could
341
00:22:28,560 --> 00:22:29,610
15 years.
342
00:22:30,300 --> 00:22:35,420
Take the birth machine, for example. We
built a PVC tube model of it.
343
00:22:35,421 --> 00:22:38,919
Literally, in my mom's house, I had a
little laboratory there.
344
00:22:38,920 --> 00:22:44,539
And we probably built three versions of
it. And one of which, the last one, is
345
00:22:44,540 --> 00:22:46,680
in my live show, Believe, at the Luxor.
346
00:22:50,100 --> 00:22:56,720
Which I perform ten times a week.
347
00:22:57,160 --> 00:23:00,110
46 weeks a year, and I'll be doing it
for the next five years.
348
00:23:00,951 --> 00:23:07,699
Is the guy cool? We can rehearse with
him? Yeah, yeah, yeah, absolutely.
349
00:23:07,700 --> 00:23:11,199
Chris wants to rehearse with Baby
Elephants. So I've been making phone
350
00:23:11,200 --> 00:23:14,060
working my connections, and I got the
next best date.
351
00:23:14,400 --> 00:23:17,830
Check it out, huh? Come on, look at
them. Look how cute they look, huh?
352
00:23:18,680 --> 00:23:22,419
Zero's in the think tank, and he's so
confident. I can get Baby Elephants. I
353
00:23:22,420 --> 00:23:23,470
get Baby Elephants.
354
00:23:23,580 --> 00:23:24,680
And then he brings me...
355
00:23:25,520 --> 00:23:28,110
Donkeys. You were supposed to get me
baby elephants.
356
00:23:28,360 --> 00:23:29,860
You got me two donkeys.
357
00:23:30,060 --> 00:23:31,140
What is he, a jackass?
358
00:23:31,141 --> 00:23:32,279
Come on.
359
00:23:32,280 --> 00:23:34,020
Take him back to the trailer. Come on.
360
00:23:34,260 --> 00:23:35,310
Come on.
361
00:23:37,900 --> 00:23:39,540
You're going to roll yourself in.
362
00:23:39,541 --> 00:23:40,699
So now.
363
00:23:40,700 --> 00:23:43,999
That was not a. Okay, cool. So I've
rolled in. You're going to roll. You're
364
00:23:44,000 --> 00:23:46,859
going to roll in. So you're like, if
you're over there, your hands come in
365
00:23:46,860 --> 00:23:49,599
Right. And you just, you know, roll
yourself. Okay. Flip it over. Chris
366
00:23:49,600 --> 00:23:51,100
challenged me to prove myself.
367
00:23:52,020 --> 00:23:56,299
and I'm still feeling a little nervous
about the metamorphosis. The
368
00:23:56,300 --> 00:24:02,479
is not an easy feat, and this box of
fire certainly is not either. Your legs
369
00:24:02,480 --> 00:24:06,480
will be up in the air. Now they'll
disconnect you over here, okay?
370
00:24:06,820 --> 00:24:10,070
If she wants to be on my live tour
Wednesday, she's got to deliver.
371
00:24:10,071 --> 00:24:13,599
Now you're going to lift up. You're
going to get your mask and your goggles.
372
00:24:13,600 --> 00:24:17,640
Right, and this is hard right there. I
say, come on, boys. They get the lid on.
373
00:24:19,080 --> 00:24:21,370
Now you know what you have to do. Think
about it.
374
00:24:21,600 --> 00:24:26,019
But I have yet to put all of the pieces
together, and that's what I'm kind of
375
00:24:26,020 --> 00:24:29,519
nervous about because there's no way for
me to practice that until I'm in the
376
00:24:29,520 --> 00:24:30,780
theater in front of Chris.
377
00:24:30,781 --> 00:24:32,459
Okay, how are you feeling, Kristen?
378
00:24:32,460 --> 00:24:35,260
Okay. Well, now we're ready for the
pyro. What? Cool.
379
00:24:35,740 --> 00:24:39,280
So I'm a little nervous about how all of
that's going to come together.
380
00:24:40,379 --> 00:24:41,600
Now it's going to stop.
381
00:24:42,000 --> 00:24:45,010
Now you're going to do your, wait for it
to stop, to come down.
382
00:24:45,460 --> 00:24:46,580
Boom, boom.
383
00:24:46,820 --> 00:24:48,020
And you're going to walk.
384
00:24:48,021 --> 00:24:50,719
Right, but you're not going to stay here
because you have a wall of fire on your
385
00:24:50,720 --> 00:24:53,679
hand. Where do I go? Is this my mark
here? No, your mark is as far as you can
386
00:24:53,680 --> 00:24:55,480
go. Over here.
387
00:24:56,080 --> 00:24:59,859
You don't want to be, you will feel
this, the amount of heat that comes from
388
00:24:59,860 --> 00:25:01,959
this wall of fire right over here is
intense.
389
00:25:01,960 --> 00:25:05,630
In magic, people's demonstrations are
definitely prized possessions.
390
00:25:05,820 --> 00:25:09,380
And for someone to give you that
demonstration,
391
00:25:10,170 --> 00:25:12,870
is the biggest gift that you can give
someone.
392
00:25:12,871 --> 00:25:15,129
Pyro's going to go off. You're going to
stay still.
393
00:25:15,130 --> 00:25:16,570
Pyro, pop, pop, pop, pop, pop.
394
00:25:18,730 --> 00:25:20,850
This is his baby. This is his life.
395
00:25:21,070 --> 00:25:23,730
And I'm now getting to perform that?
396
00:25:24,070 --> 00:25:25,210
Like, that's insane.
397
00:25:25,211 --> 00:25:26,769
Everybody good?
398
00:25:26,770 --> 00:25:28,030
Okay, here we go.
399
00:25:32,110 --> 00:25:33,870
That pyro, it blows.
400
00:25:34,110 --> 00:25:36,640
Like, there's a reason Chris is wearing
a gas mask.
401
00:25:36,790 --> 00:25:38,090
That is intense heat.
402
00:25:40,639 --> 00:25:44,200
I thought she'd be overwhelmed by all
the pyrotechnics.
403
00:25:46,940 --> 00:25:49,100
But she did great. She was focused.
404
00:25:49,101 --> 00:25:50,439
Good job, everybody.
405
00:25:50,440 --> 00:25:51,490
Good job.
406
00:25:51,491 --> 00:25:55,639
The straight jacket, on the other hand,
is another story. She's got to step up
407
00:25:55,640 --> 00:25:59,339
her game with the straight jacket and be
able to perform both in front of an
408
00:25:59,340 --> 00:26:03,860
audience if she wants to be part of my
live tour Wednesday. Great job, Kristen.
409
00:26:04,120 --> 00:26:06,350
Thank you. Very good job. Good job,
everybody.
410
00:26:10,941 --> 00:26:17,789
This is something that I have never seen
anybody do. I mean, Houdini vanished
411
00:26:17,790 --> 00:26:18,870
one elephant, right?
412
00:26:19,210 --> 00:26:20,430
And that was it.
413
00:26:20,630 --> 00:26:22,500
I want to do more than one. I don't
care.
414
00:26:22,890 --> 00:26:24,390
Three would be better than two.
415
00:26:24,770 --> 00:26:26,330
Chris is pretty upset right now.
416
00:26:26,331 --> 00:26:29,949
Spiro can't seem to find a herd of
elephants for this vanish. He found two.
417
00:26:29,950 --> 00:26:33,309
They're all the way down in Florida. And
now that location is becoming a problem
418
00:26:33,310 --> 00:26:33,949
as well.
419
00:26:33,950 --> 00:26:37,970
We need to have people holding hands,
handcuffed to each other. It's fine,
420
00:26:38,130 --> 00:26:41,980
Those people will have to be around the
barricades, outside the barricades.
421
00:26:42,110 --> 00:26:46,770
The state of Florida won't let you have
elephants, like, outside of this place?
422
00:26:46,950 --> 00:26:51,809
They need a barricade between the public
and the elephants. You've heard all the
423
00:26:51,810 --> 00:26:56,349
disasters and all the things that have
happened with elephants, right? Most of
424
00:26:56,350 --> 00:26:57,850
them have happened in Florida.
425
00:26:57,930 --> 00:26:59,850
What are the barricade requirements?
426
00:27:00,130 --> 00:27:04,129
If the elephants aren't in those
enclosures, I don't think we can have an
427
00:27:04,130 --> 00:27:07,929
audience. I mean, it's just the law of
the state. I don't give a shit. How we
428
00:27:07,930 --> 00:27:10,569
it, whatever we have to do. I just don't
want to go through this when we go
429
00:27:10,570 --> 00:27:15,789
there and it's like, you know, we don't
have a huge, crazy, unbelievable, holy
430
00:27:15,790 --> 00:27:17,270
factor. Okay.
431
00:27:17,271 --> 00:27:19,949
I don't know why. Spiro, why don't you
tell us?
432
00:27:19,950 --> 00:27:23,050
Our life has turned into utter hell.
433
00:27:23,270 --> 00:27:24,320
Yeah.
434
00:27:26,030 --> 00:27:27,080
Coming up.
435
00:27:27,081 --> 00:27:28,589
You ready?
436
00:27:28,590 --> 00:27:29,640
It's a bit.
437
00:27:29,730 --> 00:27:31,350
Kristen, are you ready?
438
00:27:31,551 --> 00:27:35,879
Tyrell's going to go off. You're going
to bait Phil.
439
00:27:35,880 --> 00:27:37,219
Tyrell, pop, pop, pop, pop, pop.
440
00:27:37,220 --> 00:27:40,899
Honestly, one of my biggest concerns
with the metamorphosis is my hair
441
00:27:40,900 --> 00:27:41,950
on fire.
442
00:27:42,160 --> 00:27:44,150
It's a curtain of fire. It's a lot of
fire.
443
00:27:44,380 --> 00:27:45,430
I have a lot of hair.
444
00:27:59,600 --> 00:28:01,770
I was so focused on just finding
elephants.
445
00:28:01,771 --> 00:28:05,449
that when I finally found some in
Florida, I didn't consider all the
446
00:28:05,450 --> 00:28:07,860
And now, that's coming back to bite me
in the ass.
447
00:28:08,370 --> 00:28:11,470
But I found two more in California, and
it's a lot closer.
448
00:28:11,730 --> 00:28:13,840
Dini made one elephant disappear in
1917.
449
00:28:13,841 --> 00:28:16,909
Chris wants to make a whole herd of
elephants disappear.
450
00:28:16,910 --> 00:28:20,100
And I'd love to use this place. You
think that would be possible?
451
00:28:20,110 --> 00:28:21,160
Unfortunately, no.
452
00:28:21,390 --> 00:28:22,440
Time is ticking.
453
00:28:22,610 --> 00:28:26,270
Somehow, I have to find more elephants
in a location that can handle it.
454
00:28:34,161 --> 00:28:41,429
Whenever you're working with animals,
whether it's the scale of an elephant or
455
00:28:41,430 --> 00:28:46,189
something really, really tiny, it's
always a challenge to manipulate them.
456
00:28:46,190 --> 00:28:52,529
any cracker that you like, or you can
grab an almond, whatever you want. Just
457
00:28:52,530 --> 00:28:53,610
take one out right now.
458
00:28:55,210 --> 00:28:56,260
Place it down.
459
00:28:57,890 --> 00:29:01,200
I want you to watch this carefully. I'm
going to do it really slowly.
460
00:29:43,200 --> 00:29:44,840
Oh, my God.
461
00:29:47,060 --> 00:29:48,380
Oh, my God.
462
00:29:49,580 --> 00:29:50,660
Where'd it go?
463
00:30:14,030 --> 00:30:19,889
have everything over i'm like shaking
and completely freaked out i
464
00:30:19,890 --> 00:30:27,429
know
465
00:30:27,430 --> 00:30:31,529
it's an overwhelming moment right you're
like 22 years old and you're in this
466
00:30:31,530 --> 00:30:36,689
amazing scenario yeah but have fun with
it and think ahead and be focused and
467
00:30:36,690 --> 00:30:42,189
breathe breathe breathe I've given
Kristen a challenge. Now it comes down
468
00:30:42,190 --> 00:30:46,350
this moment. Can she rise to the
occasion and meet that challenge?
469
00:30:46,351 --> 00:30:47,649
You ready?
470
00:30:47,650 --> 00:30:48,700
This is it.
471
00:30:48,710 --> 00:30:50,390
You're going to be fine. All right?
472
00:30:50,690 --> 00:30:51,740
Do a good job.
473
00:30:52,210 --> 00:30:53,260
Take focus.
474
00:30:53,261 --> 00:30:55,649
Take a breath. You're going to be great.
Okay?
475
00:30:55,650 --> 00:30:56,700
Okay.
476
00:31:05,840 --> 00:31:10,619
The young lady that is about to perform
for you has a lot of determination, a
477
00:31:10,620 --> 00:31:14,659
lot of passion, and a lot of talent. So
folks, give her a lot of love. Her name
478
00:31:14,660 --> 00:31:15,710
is Chris.
479
00:32:46,760 --> 00:32:49,650
Kristen did an amazing job. I mean, you
heard the audience.
480
00:32:50,400 --> 00:32:51,620
Wasn't that fantastic?
481
00:32:52,320 --> 00:32:56,980
If you look at this as a first test for
Kristen, she exceeded my expectations.
482
00:32:57,400 --> 00:33:01,959
I'm so proud of you. And I think that
she has a bright future if she stays on
483
00:33:01,960 --> 00:33:02,879
this path.
484
00:33:02,880 --> 00:33:07,739
It goes to show you that when you
believe in a dream, that truly anything
485
00:33:07,740 --> 00:33:11,380
possible. Thank you so much, folks. God
bless you all. Good night!
486
00:33:12,680 --> 00:33:16,350
That was just really meaningful that
Chris believes in me to this extent.
487
00:33:24,110 --> 00:33:27,929
I think that I can really be my own
worst critic, and I think that I can be
488
00:33:27,930 --> 00:33:31,929
hard on myself. And the fact that Chris
is like, Kristen, you have this, is like
489
00:33:31,930 --> 00:33:34,650
the biggest confidence boost there is.
490
00:33:35,310 --> 00:33:37,950
You did it. You did it. Good job. Told
you. Awesome.
491
00:33:38,670 --> 00:33:39,720
Coming up.
492
00:34:02,681 --> 00:34:09,109
I don't know how he did it, but you've
got to give props to Spiro, man. He came
493
00:34:09,110 --> 00:34:13,010
through in a big way. He secured four
elephants from the Shrine Circuit.
494
00:34:13,409 --> 00:34:17,270
He also secured the 50 -yard line at
Missouri State University.
495
00:34:17,271 --> 00:34:21,689
Now, the thing about Bo is he is one of
the largest elephants. You haven't seen
496
00:34:21,690 --> 00:34:23,250
him really yet. He's big. He's big.
497
00:34:23,469 --> 00:34:27,169
Not only was Spiro able to pull off
finding a herd of elephants for us in
498
00:34:27,170 --> 00:34:30,968
Missouri, he's actually found one of the
largest elephants in North America.
499
00:34:30,969 --> 00:34:32,229
Well, there's two accounts on him.
500
00:34:32,230 --> 00:34:33,178
All right.
501
00:34:33,179 --> 00:34:36,738
Now that I'm actually here and
everything's fallen into place, it's
502
00:34:36,739 --> 00:34:40,379
Chris is actually going to pull this one
off. He's not going to vanish just one
503
00:34:40,380 --> 00:34:44,839
elephant, but he's actually going to
outdo Houdini and vanish a herd of
504
00:34:44,840 --> 00:34:45,799
elephants.
505
00:34:45,800 --> 00:34:49,979
Not on stage like Houdini did. Chris is
going to do it out in a football field.
506
00:34:49,980 --> 00:34:53,379
He's going to do that herd of elephants
with a group of people surrounding it
507
00:34:53,380 --> 00:34:54,430
the entire time.
508
00:34:55,120 --> 00:34:58,920
Ready? We got all of the elements. Now
it's time for me to meet the challenge.
509
00:36:04,110 --> 00:36:08,949
As you can see completely around you, we
have four elephants literally in the
510
00:36:08,950 --> 00:36:13,890
middle of the playing field, completely
in the round, 360 degrees.
511
00:36:14,370 --> 00:36:20,130
I've also asked for 40 people so that we
can create, for the very first time,
512
00:36:20,150 --> 00:36:27,089
ladies and gentlemen, a human chain that
will be handcuffed around three of the
513
00:36:27,090 --> 00:36:29,430
sides, creating another layer.
514
00:36:32,691 --> 00:36:39,439
Attach it to your left hand. Head on
that side over there. Attach it to your
515
00:36:39,440 --> 00:36:40,099
left hand.
516
00:36:40,100 --> 00:36:46,480
We have Banachek, Nathan, John that are
handcuffing everybody to each other.
517
00:36:47,640 --> 00:36:49,020
Left hand out. Okay.
518
00:36:49,660 --> 00:36:54,439
So we're going to create literally a
human chain around three sides of the
519
00:36:54,440 --> 00:36:55,490
elephant.
520
00:36:55,540 --> 00:36:59,520
Vanishing a herd of elephants is one
thing, but handcuffing people around
521
00:36:59,580 --> 00:37:01,040
that's extremely dangerous.
522
00:37:02,540 --> 00:37:05,520
You know, we have Kristen who is part of
our...
523
00:37:06,109 --> 00:37:08,219
Excellent. Thank you. And I have a
surprise.
524
00:37:08,220 --> 00:37:11,249
Kristen, are you here? You're right
there. I have a surprise for you.
525
00:37:11,250 --> 00:37:16,649
I asked Larry, the trainer, and you can
ride one of the elephants while we
526
00:37:16,650 --> 00:37:17,870
handcuff them right now.
527
00:37:17,871 --> 00:37:20,029
Yes, which one do you want to go on?
528
00:37:20,030 --> 00:37:24,049
Is it okay? Can I go on both? You've got
to be careful getting up there. Are you
529
00:37:24,050 --> 00:37:27,600
serious? Yes, be very careful. Go ahead,
Larry, whenever you're ready.
530
00:37:27,650 --> 00:37:28,700
Okay.
531
00:37:30,050 --> 00:37:31,100
Oh!
532
00:37:43,031 --> 00:37:50,199
You're going to wave to the audience,
but you have to wave above your head.
533
00:37:50,200 --> 00:37:51,250
Okay. Okay.
534
00:37:51,440 --> 00:37:54,680
Okay. We have our human chain complete.
Is that true?
535
00:39:56,850 --> 00:40:03,629
I'm literally in the University of
Missouri State doing my
536
00:40:03,630 --> 00:40:09,129
thing, and then I find out that my
friend, Tony Orlando, happens to be here
537
00:40:09,130 --> 00:40:11,690
watching. I've worked with Papa Phil.
538
00:40:11,691 --> 00:40:14,999
Doug Henning, magicians in general,
illusionists amaze me.
539
00:40:15,000 --> 00:40:18,339
I've got to be honest with you, okay?
I've never come across anything like
540
00:40:18,340 --> 00:40:22,010
You're an amazing talent, but you're
really in the category by yourself.
541
00:40:22,180 --> 00:40:23,760
Wow. Well, thank you so much.
542
00:40:23,810 --> 00:40:28,360
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