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Warning, what you're about to witness
can be dangerous.
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Attempting it can result in death.
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Don't try this at home.
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On this episode of Believe.
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It's driving me crazy. I want to know
how you did it.
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I've been inspired by the movie Lord of
Illusions.
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I want those swords to fall inches away
from me. Sounds to me a lot like Russian
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roulette. I'd be applied to the ultimate
table of death.
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There are almost too many variables.
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Pull it.
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I'm done. I'm done.
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If I'm successful, I will reveal my
prediction.
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And if I'm not, things went horribly
wrong.
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Take your hand off five.
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Chris Angel, believe.
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What don't you like?
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TV,
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is that okay?
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Check it out.
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What I want you to do is I want you to
think of
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Something that you're fearful of.
Something that you don't like.
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Imagine that right now, okay?
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Easy. You got it? Yep. Okay, good.
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Mice. Mice.
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I'm a little off.
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I'm a little off because I got a mouth.
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Write down something that you don't
like. Something that, you know...
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that you're fearful of, you know, that
makes you nervous, that bugs you.
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You know what I mean?
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Write something down. Go ahead.
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Write it down.
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Write it down.
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I want you to see there's nothing in the
bag whatsoever.
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Completely empty.
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Write it down. Write it down. Good.
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Good. I want you to pull that up. And I
want you just to drop it right here.
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Just drop it right into the bag. Right
over there. Just drop it into your bag.
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Let go of it. Let go of it. What did you
write down?
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Crickets. Crickets.
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Crickets.
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What the f***?
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You should have wrote down money.
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Hey, Chris. Horror films are a great
example of how images can affect your
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and tap your greatest fears.
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Clive Barker directed Hellraiser and
Lord of Illusions. And I just had a
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conversation with Clive that challenged
me to attempt a death -defying test of
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my own ability to make the ultimate
prediction.
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Check this out.
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I'll just let it speak for itself.
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Lord of Illusions is a fantastic
meditation.
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on magic.
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Nowhere in my wildest dreams that one
day there would be a body demonstration
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that took this whole idea of magic into
the real world.
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It just didn't occur to me that anybody
would ever be able to do that.
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Well, there is somebody. There's Chris
Angel. He's our Lord of Illusions.
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Now, let me explain the genesis of where
this is all coming from. Now,
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when the movie came out, I saw one scene
that just was this very strong,
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powerful tableau.
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Swords hanging and essentially this
round pentagram.
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And it was the magician, the main
character, laying on it. And these
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falling, actually penetrating his
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body, impaling him right into his
shoulder. It was crazy.
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But I talked to Clive about this, and
he's never given permission to bring any
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of his things to life. And he said,
Chris, I'd love to see you do it.
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I figured let's go to a place that would
have, you know, literally thousands of
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people outside.
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that would be able to view this at any
angle. They would be able to shoot it on
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their phones. Are we talking about an
arena, a public square, a desert?
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What are we looking at here? I'm looking
at anything that can hold lots of
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people that want to come and do this
completely for real.
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How can I take this and maybe create a
scenario that I'm avoiding getting hit
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with the swords?
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It's a prediction.
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If I am wrong, There will be a sword
that will literally impel me.
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What are you predicting? And how are you
predicting? I'm predicting the sequence
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of the swords dropping.
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You have basically the audience yell out
the numbers.
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You predicted what order they would say
they're going to fall in. All right.
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You've got that prediction.
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If I have somebody yell out six numbers,
I'll know the sequence of that. And
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I'll know right away if I nailed it or
not. Now, if I nailed it.
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I'm golden, right?
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Yeah, but what if your sequence of
numbers is wrong? But then I influence.
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Then I use the power of influence.
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But then that's my out. But you're
dealing with real people. No, but that
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out. With a card trick, it's wrong, it's
wrong. No big deal. With this, it's
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wrong. You've got a sword going through
your heart. Totally different. It's like
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the ultimate table of death.
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I'm thinking all the swords are razor
sharp. And I want those swords to fall.
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inches away from me. Depending on how
high it is, we're going to get it to
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hard and fast too.
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I'm here to learn from Chris, but the
one thing I'm learning right now is that
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he may be in over his head on this one.
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We got to take into consideration
because it's outside, wind, right?
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Okay, and what about safety?
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We need a hospital close by.
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No, you just get a paramedic. No, we
need a surgeon on set.
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I'm serious.
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I'm going to make a prediction and then
influence people to make sure my
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prediction is correct.
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Jesse's job is to do the research to be
sure that we're duplicating exactly what
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Clive did in Lord of Illusions. And John
and Doug need to build the system and
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keep me alive.
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Alright guys, are we good? Great.
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This demonstration features six
suspended swords.
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One death sword will be aimed at Chris's
heart.
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Random spectators will determine the
order the swords will fall.
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This will predict the order two days
prior to the demonstration and must be
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correct to avoid being impaled to the
heart.
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Category of magic, mentalism.
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Can I see somebody? Yeah, definitely.
We'll grab down for you.
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This is nice.
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We've been tracked as a crowd. Yeah.
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You don't mind helping me, do you? No,
not at all.
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All of you have to make a deal with me
right now, even though you don't know
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You remain focused and keeping your
sword rigid and straight.
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Don't let go.
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Deal? Deal.
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Okay.
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I need a girl.
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Which one of you three want to help me?
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Not me.
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Hi, dear. You want to help me?
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What's your name?
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Tara. Tara?
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Okay, you're going to come right over
here, huh?
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Come over here, all right?
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And you're going to help me, dude. Come
over here, man.
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Put your hands out like this.
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She might fall back to you. Can you
catch her? Yeah. Can you do that? No
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problem. Okay. Dog to spot.
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Make sure as well. You're just going to
relax, okay? If you don't fall back,
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it's okay.
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If you feel you want to fall back,
you're safe.
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This is all based in trust. Even though
we're all strangers, we're going to
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trust each other. Is that correct,
everybody? Yes?
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Yes.
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Just completely relax. Forget about
where you are. Just breathe in through
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nose.
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Now through your mouth.
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It's completely relaxed itself.
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It's relaxed itself.
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It's completely relaxed itself.
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Bring her up and bring her around.
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Just like this. Guys, keep your swords.
Everybody keep your swords nice and
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rigid. Keep your swords.
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Nice and rigid. Nice and rigid.
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Nice and rigid.
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Whoa.
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Everybody hold.
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Everybody hold.
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Oh, gosh.
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Whoa.
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Relax yourself. Relax.
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Just break down the order of illusions
for me. He's going to predict the order
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the swords are going to fall.
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And he's going to have them tied in a
very specific order.
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He knows exactly in his mind which rope
is going to be last. And that one is
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going to be tied to the heart sword.
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It's the popcorn girl.
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Hi. Hey, Chris.
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Nice to see you. Nice to see you.
Kristen. Hi.
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Kristen is an amazing magician.
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I'm actually grooming her to join my
live touring show, Whimsical.
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One day, she'll get her own shot. But
right now, as my apprentice, it's her
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to watch and learn. Colonel, show us the
goods. The colonels.
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00:11:22,341 --> 00:11:26,559
Yeah, I'm going to show you. They have
the best colonels here. All right.
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Look at it. Look at this.
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It's just beautiful specimens right over
here. Take a good look at that.
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As a matter of fact.
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I want an eight blast of that.
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I don't have a stove.
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Yeah, uh -huh. I don't have a stove. No,
this is great because we're going to do
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something for you. Okay. Watch.
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Pick a kernel. You pick a kernel. You're
the popcorn girl. Pick a kernel, any
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kernel. Any kernel. Right there, watch.
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I want you to see this.
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This kernel is going up my nose. Oh,
Chris.
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Oh, yeah.
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It may not have any flavor.
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Kristen, that's really disgusting.
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What are you doing?
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Watch her.
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Is she moving?
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Oh.
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Not.
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That.
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Oh, wow.
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Got the table.
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All right. This has the logo on it where
the swords are going to be and the pins
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that hold his body into place. Okay.
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With Lord of Illusions, Chris plans to
make a prediction so he's not stabbed
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through the heart with a death sword.
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My job is to make sure the swords are
completely accurate when they fall.
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The rig is a 16 -foot truss system.
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Each sword will be connected to a rope
that passes through a pulley.
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One, two, three.
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Go ahead up.
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00:13:00,520 --> 00:13:06,239
We should do something to keep that line
up. It looks like this, and it'll
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actually fall straighter here.
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Okay, up.
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That's perfect.
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00:13:14,380 --> 00:13:15,430
That's perfect.
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When Chris attempts this demonstration,
he'll be lying flat on his back on a
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table of death.
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00:13:21,220 --> 00:13:25,739
There's not a whole lot that's safe
about dropping six 30 -pound swords
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human body.
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But we'll do whatever we can here at the
Magic Factory to limit the margin of
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error.
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00:13:33,810 --> 00:13:40,790
I always get asked to do magic,
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and I never know what I'm going to do
until I'm in the moment. Hi.
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How are you? Good. All right, let's try
something.
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00:13:49,050 --> 00:13:52,090
I want you to touch a chip, any chip
you'd like.
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00:13:52,091 --> 00:13:54,469
Aren't the chips awesome, by the way?
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They are.
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Touch a chip.
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00:13:59,550 --> 00:14:01,230
Okay, put it in my hand.
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00:14:01,231 --> 00:14:04,729
I want you to see this side of the chip
and the other side of the chip.
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00:14:04,730 --> 00:14:11,449
All right, now this is what we're going
to do. I want you to name for me a
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00:14:11,450 --> 00:14:13,190
figure, a celebrity.
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00:14:14,370 --> 00:14:18,409
It could be somebody dead or alive. It
could be Mother Teresa or I don't care.
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00:14:18,410 --> 00:14:22,850
want you to name for me the first thing.
Trust your instincts.
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00:14:23,870 --> 00:14:24,920
Who?
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00:14:24,960 --> 00:14:26,580
What are you thinking of? Tell me.
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00:14:29,380 --> 00:14:30,800
Jesus. Jesus.
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00:14:31,000 --> 00:14:32,050
Yeah, it worked.
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Okay.
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I want you to watch this.
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I want you to allow that image in your
mind of Jesus.
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00:14:38,260 --> 00:14:42,999
I want you to visualize what you think
Jesus looks like, what's been depicted
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Jesus. I want it to burn in your mind,
to burn in your mind.
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Watch.
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Oh, my God.
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I brought the chips out I know that they
were not like special chips.
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It was so cool.
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00:15:32,821 --> 00:15:36,519
The face on the chip, it wasn't there
before. It was just playing. He showed
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both sides.
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Oh, my God. No way.
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That face on the chip, it was real. I
screamed.
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I was like, you know. Oh, my gosh. It
was amazing.
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00:15:49,740 --> 00:15:54,779
My demonstration based on Clyde Barker's
movie, Lord of Illusions, is only 12
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days away.
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00:15:56,330 --> 00:16:00,430
And right now, I want to see how far
along John and Doug are with
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I need to be sure that what was in that
movie and
245
00:16:08,970 --> 00:16:12,690
what's in my mind has translated here to
the magic factory.
246
00:16:15,790 --> 00:16:21,649
If the wind is five miles an hour, how
does that affect the dynamics of the
247
00:16:21,650 --> 00:16:22,700
sword falling?
248
00:16:22,780 --> 00:16:23,830
It will blow them.
249
00:16:24,000 --> 00:16:25,520
That's our only concern.
250
00:16:25,760 --> 00:16:30,499
Well, that's the concern of Mother
Nature. How do you put that into the
251
00:16:30,500 --> 00:16:31,550
equation?
252
00:16:32,000 --> 00:16:33,420
I don't know if we can.
253
00:16:33,421 --> 00:16:36,819
The variables keep stacking up against
Chris when it comes to this
254
00:16:36,820 --> 00:16:40,730
demonstration. Spiro better factor this
in when he's locking in the location.
255
00:16:40,900 --> 00:16:42,280
Here's the other thing, too.
256
00:16:42,480 --> 00:16:46,819
There's no movement. You know, these
help keep you registered to the table so
257
00:16:46,820 --> 00:16:51,239
that you don't get hit. But if one of
these does drop cord, you can't, you
258
00:16:51,240 --> 00:16:52,290
have time to move.
259
00:16:53,070 --> 00:16:54,410
Blow some big -ass fans.
260
00:16:54,770 --> 00:16:59,169
And test the wind that you're generating
from the fan, and then see how it
261
00:16:59,170 --> 00:17:00,220
affects that.
262
00:17:00,230 --> 00:17:03,910
The wind in Vegas can be unpredictable,
especially at night.
263
00:17:04,190 --> 00:17:08,969
We've got to get Spiro to find a
location that can protect us from the
264
00:17:08,970 --> 00:17:10,710
don't need another layer of danger.
265
00:17:11,069 --> 00:17:12,689
How much do they weigh at Thorpe?
266
00:17:13,280 --> 00:17:17,318
These are probably a good 25, 30 pounds.
And we've had to add weight, and we
267
00:17:17,319 --> 00:17:20,759
might even add more. Well, the more
weight you add, the safer it makes it as
268
00:17:20,760 --> 00:17:23,838
as the wind, but then it makes it more
dangerous because then it's going to go
269
00:17:23,839 --> 00:17:24,559
through you.
270
00:17:24,560 --> 00:17:25,900
Everything has a price.
271
00:17:26,280 --> 00:17:28,690
Chris's life is really on the line with
this one.
272
00:17:28,691 --> 00:17:31,079
It feels like there are almost too many
variables.
273
00:17:31,080 --> 00:17:35,980
Exactly. If I'm wrong with my prediction
and I get hurt, that's one thing, okay?
274
00:17:36,040 --> 00:17:39,720
I accept that. But if I'm right and I
get hurt, then I'll be pissed.
275
00:17:40,830 --> 00:17:45,329
I mean, there are so many factors that
are going into it that it can really get
276
00:17:45,330 --> 00:17:46,109
messed up.
277
00:17:46,110 --> 00:17:49,409
You know, when you're doing stunts in a
movie, there are people that have gotten
278
00:17:49,410 --> 00:17:53,169
killed. Look at Brandon Lee, you know.
That was the scene that was set up. You
279
00:17:53,170 --> 00:17:58,369
know, it was prop and the prop killed
him. This is something from a movie, but
280
00:17:58,370 --> 00:18:02,830
I'm really doing in a real environment,
in one take.
281
00:18:03,250 --> 00:18:05,490
So we can't have variables.
282
00:18:05,711 --> 00:18:12,399
I'm going to give it the option to
change your mind. If not, I'm through.
283
00:18:12,400 --> 00:18:13,450
Do it.
284
00:18:14,060 --> 00:18:15,340
I'm done. I'm done.
285
00:18:20,500 --> 00:18:24,459
Magic is a mental game, whether it's an
illusion, an escape, or trying to
286
00:18:24,460 --> 00:18:25,840
influence somebody's mind.
287
00:18:26,620 --> 00:18:30,879
Eli Roth directed Cabin Fever and
Hostile and is a master of horror and
288
00:18:30,880 --> 00:18:31,930
in his own right.
289
00:18:32,380 --> 00:18:37,019
Tonight, I'll see if he can identify
whether I'm actually making a prediction
290
00:18:37,020 --> 00:18:38,070
if I'm not.
291
00:18:38,380 --> 00:18:42,839
You know, you have a twisted mind
because of what you do. It tells me a
292
00:18:42,840 --> 00:18:47,359
I wanted to try something with your
mind, and check it out. I have some
293
00:18:47,360 --> 00:18:49,020
with different colors.
294
00:18:49,240 --> 00:18:54,119
I want you to see we have a blue one, we
have a green one, and we have a red
295
00:18:54,120 --> 00:18:54,939
one, okay?
296
00:18:54,940 --> 00:18:59,779
Now, I want you just to think of one,
but tell me when you have one, but don't
297
00:18:59,780 --> 00:19:01,640
let me influence you in any way, okay?
298
00:19:02,200 --> 00:19:03,800
Do you have a color in your mind?
299
00:19:03,801 --> 00:19:05,269
I do.
300
00:19:05,270 --> 00:19:08,460
What is the color that you're thinking
of? I'm thinking of blue.
301
00:19:08,461 --> 00:19:11,049
Blue. Now, I want you to see, it's very
interesting.
302
00:19:11,050 --> 00:19:14,730
You could have picked red, right? You
could have picked green.
303
00:19:15,110 --> 00:19:19,889
But you picked blue. And I, honestly, I
have not asked you to pick blue. This is
304
00:19:19,890 --> 00:19:21,750
not set up in any way. Is that true?
305
00:19:21,751 --> 00:19:25,329
That's completely true. And obviously,
people would think because it's me, I'm
306
00:19:25,330 --> 00:19:26,849
going to pick red because of blood.
307
00:19:26,850 --> 00:19:30,589
So, I wanted to pick what was, you know,
the not obvious color. But no, there's
308
00:19:30,590 --> 00:19:32,730
absolutely no influence whatsoever.
309
00:19:32,731 --> 00:19:34,269
Well, this is what's crazy. Crazy.
310
00:19:34,270 --> 00:19:38,129
Let me show you. I want you to turn over
the blue card because I knew you were
311
00:19:38,130 --> 00:19:41,969
going to pick the blue card. I felt it
before I met you. And I wrote something
312
00:19:41,970 --> 00:19:46,230
on that one card and only that card.
Check it out. Turn over the blue card.
313
00:19:47,650 --> 00:19:48,700
Look at what it says.
314
00:19:50,850 --> 00:19:52,610
You will choose this blue card.
315
00:19:59,800 --> 00:20:03,639
It's hard to freak me out, but I'm
genuinely stumped. It's driving me
316
00:20:03,640 --> 00:20:06,959
want to know how you did it. It's all
about the presentation. And you know
317
00:20:06,960 --> 00:20:09,799
about movies, right? Of course. It's all
how you set the person up
318
00:20:09,800 --> 00:20:11,120
psychologically, right?
319
00:20:11,540 --> 00:20:14,380
Basically, you have three different
outs.
320
00:20:14,600 --> 00:20:21,579
In other words, no matter what card they
select, you have three different ways
321
00:20:21,580 --> 00:20:23,520
to have the same conclusion.
322
00:20:23,840 --> 00:20:27,500
So you pick blue on the back of the blue
card. I wrote that.
323
00:20:28,200 --> 00:20:29,250
Right there.
324
00:20:29,340 --> 00:20:35,599
If you would have selected green inside
the envelope, I had a prediction
325
00:20:35,600 --> 00:20:39,799
written. So I would have never showed
this. You would have said green. I would
326
00:20:39,800 --> 00:20:42,390
have said inside the envelope, I have a
prediction.
327
00:20:42,520 --> 00:20:43,570
Look what it says.
328
00:20:43,740 --> 00:20:49,439
You will choose the green card. Yes.
Now, if you didn't pick the green and
329
00:20:49,440 --> 00:20:51,720
selected the red, I would have said.
330
00:20:52,520 --> 00:20:57,320
Isn't it very interesting? I wrote one
thing and only one thing on the
331
00:20:57,380 --> 00:21:03,159
Turn it over and bam, you will choose
the red card right over there. It's as
332
00:21:03,160 --> 00:21:04,300
simple as that.
333
00:21:05,980 --> 00:21:08,200
That was awesome. That's a great track.
334
00:21:14,440 --> 00:21:20,739
How many miles per hour on the day of is
it going to take for us to cancel this
335
00:21:20,740 --> 00:21:21,790
thing?
336
00:21:21,850 --> 00:21:27,609
I'm going to blow air 5 miles an hour,
10 miles an hour, 15, to see what the
337
00:21:27,610 --> 00:21:31,529
effects are on the blades. Because the
thing we don't want is once these things
338
00:21:31,530 --> 00:21:35,569
erupt, if they veer at all, and we drop
them, we're going to fall out of the
339
00:21:35,570 --> 00:21:38,810
zone. And I'm going to spear them, and
we can't have that.
340
00:21:39,050 --> 00:21:43,189
Chris was inspired by Clive Barker's
movie, Lord of Illusion, to create the
341
00:21:43,190 --> 00:21:45,010
ultimate game of Russian roulette.
342
00:21:45,011 --> 00:21:49,989
Chris will predict the order of the
sword that random audience members will
343
00:21:49,990 --> 00:21:53,040
choose. to avoid being impaled through
the heart.
344
00:21:58,080 --> 00:22:00,920
I'm getting about 10 miles an hour right
there.
345
00:22:02,420 --> 00:22:04,860
See how much closer that got to the
table?
346
00:22:05,580 --> 00:22:11,699
About 15 miles an hour wind speed. I can
tell you right now, I'm not going for
347
00:22:11,700 --> 00:22:14,160
that. If I drop this, I'm going to skew
him.
348
00:22:14,161 --> 00:22:17,379
We're definitely going to need to find a
location that protects us from the
349
00:22:17,380 --> 00:22:21,709
wind. I'm recording information to help
Spiro on his scout with Banaszczak. Pray
350
00:22:21,710 --> 00:22:24,290
for zero win. That's what I want. Zero
win. Okay.
351
00:22:26,861 --> 00:22:34,289
So, look, I think this will work here.
All right. I mean, the awesome thing is,
352
00:22:34,290 --> 00:22:37,069
look at all these people. I know. I
know. This is awesome. You don't have to
353
00:22:37,070 --> 00:22:38,329
worry about wrangling anybody.
354
00:22:38,330 --> 00:22:41,389
We're going to have this trust system.
We're going to set it up. We need a good
355
00:22:41,390 --> 00:22:46,329
23 feet across either way from here. How
much wind can we go with if we have to
356
00:22:46,330 --> 00:22:47,380
go with any?
357
00:22:47,550 --> 00:22:48,750
Five miles an hour tops.
358
00:22:49,110 --> 00:22:51,330
Is it about 2 .3?
359
00:22:51,530 --> 00:22:52,670
Yeah. So this is perfect.
360
00:22:52,671 --> 00:22:56,229
It's sort of an enclosure, too. Think
about it. Let's lock it down and let's
361
00:22:56,230 --> 00:22:57,280
it.
362
00:22:57,361 --> 00:23:03,649
I think we've gotten all the friction
out of the lines. They're all falling
363
00:23:03,650 --> 00:23:04,700
pretty good.
364
00:23:04,910 --> 00:23:08,709
I just want to run through this one more
time and see that we're all cool. All
365
00:23:08,710 --> 00:23:10,700
right. So we're going to take the
plates.
366
00:23:10,790 --> 00:23:12,110
It goes around with them.
367
00:23:12,780 --> 00:23:17,039
They're all picked random, and then they
just... I'm just going to pick a number
368
00:23:17,040 --> 00:23:18,620
here. Up here.
369
00:23:19,740 --> 00:23:20,790
There.
370
00:23:21,740 --> 00:23:24,720
All right, first one. He's laying on the
table.
371
00:23:24,940 --> 00:23:26,320
All right, so first one here.
372
00:23:26,500 --> 00:23:27,720
Hold it. Ready.
373
00:23:29,760 --> 00:23:30,810
Uh -oh.
374
00:23:31,140 --> 00:23:33,640
That sword locked up. That's not good.
375
00:23:33,920 --> 00:23:37,350
What's happening here is one of the
ropes is getting caught up in its
376
00:23:37,380 --> 00:23:39,980
It's easy enough to fix by entangling
them.
377
00:23:39,981 --> 00:23:44,219
But we've got to make sure that all the
snags are worked out before showtime.
378
00:23:44,220 --> 00:23:47,080
All right, so I'm going to go one first.
Ready and go.
379
00:23:49,520 --> 00:23:50,570
Go.
380
00:23:50,571 --> 00:23:54,599
In this case, the death sword was number
one and would have killed Chris.
381
00:23:54,600 --> 00:23:58,080
So it's vital that Chris makes the
correct prediction or he's dead.
382
00:23:58,560 --> 00:24:00,420
The only X factor is the wind.
383
00:24:00,760 --> 00:24:03,280
If it's too windy, any sword could kill
him.
384
00:24:03,660 --> 00:24:08,239
We've got the systems to respond. You
pull a line, a sword falls down.
385
00:24:08,240 --> 00:24:09,760
order it's going to be in.
386
00:24:10,270 --> 00:24:13,750
that's decided by, you know, do you call
it fate?
387
00:24:14,390 --> 00:24:17,390
I mean, there's no prayer there.
388
00:24:23,890 --> 00:24:27,190
And how are you deciding which one is
going to be the death sort?
389
00:24:27,430 --> 00:24:32,130
Is it the last one that's left? My
premonition is that it's going to be
390
00:24:32,570 --> 00:24:36,909
And at the end, if I'm feeling like
whoever is helping me from the audience
391
00:24:36,910 --> 00:24:40,330
like, you know, I feel that might not be
correct.
392
00:24:40,331 --> 00:24:43,449
I'm going to give it the option. You
want to change your mind?
393
00:24:43,450 --> 00:24:44,500
Yeah.
394
00:24:45,530 --> 00:24:50,089
As someone who has performed mentalism
for 20 plus years, I'm really concerned
395
00:24:50,090 --> 00:24:53,829
about the amount of opportunities that
Chris has introduced for something to go
396
00:24:53,830 --> 00:24:54,880
wrong.
397
00:24:59,050 --> 00:25:01,150
Are we going? Yes, I'm doing this. Go.
398
00:25:02,190 --> 00:25:06,289
I have the confidence in my ability, but
I don't have the confidence in these
399
00:25:06,290 --> 00:25:09,790
pulleys. The rope is constantly getting
snagged in them.
400
00:25:10,190 --> 00:25:17,049
Pull number one. I want you to go to
number
401
00:25:17,050 --> 00:25:18,100
two.
402
00:25:18,730 --> 00:25:21,790
Are we really doing this? Yes, I'm doing
this. Go.
403
00:25:22,030 --> 00:25:25,670
Do you feel that that's correct? Should
you change your mind?
404
00:25:26,490 --> 00:25:27,610
I don't. Bandit check.
405
00:25:28,330 --> 00:25:29,380
I'm not doing it.
406
00:25:30,520 --> 00:25:32,360
Yeah, I, yeah, okay.
407
00:25:32,720 --> 00:25:35,910
You sure you shouldn't change your mind?
Yeah. You feel it? Yeah.
408
00:25:35,911 --> 00:25:40,119
Kristen's been on the magic team for
about a year. Chris knows Kristen much
409
00:25:40,120 --> 00:25:41,759
better than she even knows herself.
410
00:25:41,760 --> 00:25:45,059
So much so that he's going to be able to
influence her without even realizing
411
00:25:45,060 --> 00:25:49,320
it. And that experience is going to make
her a much better mentalist. Good.
412
00:25:49,680 --> 00:25:50,730
Do it.
413
00:25:53,660 --> 00:25:54,900
I'm done. I'm done.
414
00:25:54,901 --> 00:25:58,179
If he wants someone to pull the next
lever, he's going to have to find
415
00:25:58,180 --> 00:25:59,230
else to do it.
416
00:26:01,520 --> 00:26:02,570
Coming up.
417
00:26:03,320 --> 00:26:06,740
If I'm successful, I will reveal my
prediction.
418
00:26:07,340 --> 00:26:08,780
And if I'm not,
419
00:26:09,860 --> 00:26:11,600
things went horribly wrong.
420
00:26:14,280 --> 00:26:16,640
Okay. That's it, right? That's it, good?
421
00:26:18,220 --> 00:26:19,270
Yeah.
422
00:26:21,160 --> 00:26:24,140
It's a great day for dropping swords.
423
00:26:24,820 --> 00:26:25,870
Yeah, man.
424
00:26:36,080 --> 00:26:40,179
I'm formulating my prediction because
ultimately it's not my team that's under
425
00:26:40,180 --> 00:26:40,899
the swords.
426
00:26:40,900 --> 00:26:43,540
It's my life on the line with Lord of
Illusions.
427
00:26:52,000 --> 00:26:56,759
With Lord of Illusions, I must predict
the order the swords will fall. But
428
00:26:56,760 --> 00:26:59,590
now, I'm going to practice my method on
total strangers.
429
00:27:06,250 --> 00:27:07,300
What's up, guys?
430
00:27:07,910 --> 00:27:09,030
Gals, how are you?
431
00:27:09,330 --> 00:27:13,389
I want to try something with you because
I'm going to be doing a demonstration
432
00:27:13,390 --> 00:27:17,089
that literally puts my life on the line.
And before I do that, I'm just trying
433
00:27:17,090 --> 00:27:21,169
to put myself through a series of tests
because what my whole thing is is about
434
00:27:21,170 --> 00:27:25,849
studying human behavior, mannerism, how
you're playing the game. That tells me a
435
00:27:25,850 --> 00:27:29,549
lot about your individuality. Now, I've
never met any of you before. Is that
436
00:27:29,550 --> 00:27:30,790
true? Honestly.
437
00:27:31,090 --> 00:27:32,140
Okay.
438
00:27:32,141 --> 00:27:33,229
What's your name?
439
00:27:33,230 --> 00:27:34,990
Angel. Angel. What's up, man?
440
00:27:35,800 --> 00:27:37,980
I knew I was going to meet you. Come
over here.
441
00:27:39,440 --> 00:27:42,810
You're going to watch it. You're going
to be the witness, all right?
442
00:27:42,920 --> 00:27:46,939
I have a letter over here that I just
wrote while I was watching you play the
443
00:27:46,940 --> 00:27:50,719
game. You can hold on to the letter.
Just keep it in your hand. Keep it like
444
00:27:50,720 --> 00:27:52,239
this so everybody can see it, okay?
445
00:27:52,240 --> 00:27:53,560
Not planned, am I correct?
446
00:27:53,851 --> 00:27:55,759
All right.
447
00:27:55,760 --> 00:28:02,320
So all of you are going to use your
right hand to write any letter you want.
448
00:28:03,270 --> 00:28:04,320
on your left hand.
449
00:28:04,430 --> 00:28:07,890
When you're done, close your fist and
turn back around.
450
00:28:08,350 --> 00:28:09,400
Do it now, please.
451
00:28:09,570 --> 00:28:10,670
Any letter you like.
452
00:28:10,671 --> 00:28:11,929
Any letter.
453
00:28:11,930 --> 00:28:15,849
Write it really large, your fingers
facing up. Write it large, as large as
454
00:28:15,850 --> 00:28:16,900
possibly can.
455
00:28:16,901 --> 00:28:21,089
Good. You changed your mind, didn't you?
You were going with something else and
456
00:28:21,090 --> 00:28:22,140
you changed it?
457
00:28:23,050 --> 00:28:25,820
You did. Don't lie to me, man. I know
what you're thinking.
458
00:28:26,240 --> 00:28:29,759
Honestly, I had a vision of this, and
this is what I'm going off of. As a
459
00:28:29,760 --> 00:28:33,599
of fact, let's go with what I feel. If
you want to change the position you're
460
00:28:33,600 --> 00:28:34,820
in, do it now.
461
00:28:35,580 --> 00:28:37,820
Wherever you want to go, just go there
now.
462
00:28:40,380 --> 00:28:42,610
You can stay where you are. It doesn't
matter.
463
00:28:42,900 --> 00:28:45,550
Has everything been completely fair and
at random?
464
00:28:46,400 --> 00:28:51,160
Good. I want you each to take a left
hand, keep it closed, and bring it
465
00:28:51,240 --> 00:28:53,360
I want you to touch each left hand.
466
00:28:54,679 --> 00:28:56,460
So make a line. Take your hand.
467
00:28:56,660 --> 00:29:00,420
Put your hand out. Touch your hand.
Create a line. Come closer. Come closer.
468
00:29:00,600 --> 00:29:01,650
Come closer.
469
00:29:01,651 --> 00:29:02,699
Come closer.
470
00:29:02,700 --> 00:29:03,800
Just create a line.
471
00:29:04,580 --> 00:29:05,940
Okay? Good.
472
00:29:06,640 --> 00:29:08,580
Now, keep it just like that.
473
00:29:09,000 --> 00:29:12,380
I wrote something down. I want you to
see.
474
00:29:12,860 --> 00:29:17,099
I have not. You held it the entire time,
right? Check it out. I'm going to read
475
00:29:17,100 --> 00:29:21,880
you what I wrote. I wrote, when I said
letter, I was talking about.
476
00:29:22,350 --> 00:29:27,369
What is in this letter, each letter will
form the word
477
00:29:27,370 --> 00:29:30,150
believe.
478
00:29:31,310 --> 00:29:32,360
Right there.
479
00:29:34,430 --> 00:29:40,169
I want you to open up your hand first,
then your hand, then your hand, then
480
00:29:40,170 --> 00:29:42,050
hand. Go, go, go, go.
481
00:29:44,450 --> 00:29:48,190
Now turn your hands around and look at
me. What the hell?
482
00:29:48,390 --> 00:29:50,570
No way.
483
00:29:54,739 --> 00:29:59,299
I really almost switched. I was going to
write a different letter. And then I
484
00:29:59,300 --> 00:30:02,130
decided to go with an E. The craziest
thing I've ever seen.
485
00:30:02,220 --> 00:30:05,080
Easily. That was real. That messed me
up.
486
00:30:13,240 --> 00:30:19,399
If something happens with Chris,
seriously, people, move out of the way
487
00:30:19,400 --> 00:30:20,720
him get to him immediately.
488
00:30:30,820 --> 00:30:34,920
When people hear Chris is performing,
they show up in the thousands.
489
00:30:38,680 --> 00:30:42,300
Ladies and gentlemen, I welcome you to
Lord of Illusions.
490
00:30:55,150 --> 00:31:01,689
For first off, a lady to help me out
with this. Now, I'm looking around for a
491
00:31:01,690 --> 00:31:02,740
woman.
492
00:31:03,630 --> 00:31:04,680
How about you?
493
00:31:04,850 --> 00:31:05,970
What is your name?
494
00:31:06,270 --> 00:31:10,330
Barbara. Barbara, can you come over on
this side? Can we get Barbara over here?
495
00:31:10,331 --> 00:31:13,569
You're going to help me. Give a nice
round of applause for Barbara, ladies
496
00:31:13,570 --> 00:31:14,620
gentlemen.
497
00:31:14,750 --> 00:31:15,800
Yes.
498
00:31:16,090 --> 00:31:18,970
Now, Barbara, have we ever met before?
499
00:31:19,290 --> 00:31:24,319
No. And that is the God's honest truth,
ladies and gentlemen. I have not met her
500
00:31:24,320 --> 00:31:25,780
in my entire life.
501
00:31:25,980 --> 00:31:31,479
We have a chest right over here, ladies
and gentlemen. That chest contains a
502
00:31:31,480 --> 00:31:37,920
premonition that I had days ago. About
six numbers in a specific sequence.
503
00:31:38,020 --> 00:31:42,140
And I placed it in that chest. The key
for the chest is in my pocket.
504
00:31:43,360 --> 00:31:46,660
If I'm successful, I will reveal my
prediction.
505
00:31:47,400 --> 00:31:48,780
And if I'm not...
506
00:31:49,840 --> 00:31:51,580
Things went horribly wrong.
507
00:31:55,980 --> 00:32:02,519
Barbara will release each of those pins,
releasing this sword and hopefully not
508
00:32:02,520 --> 00:32:04,840
penetrating my heart.
509
00:32:06,760 --> 00:32:11,379
Chris made his prediction two days ago
as to the order of the swords and which
510
00:32:11,380 --> 00:32:14,330
sword would be the death sword, the last
sword to be pulled.
511
00:32:14,331 --> 00:32:17,499
Barbara's going to take that ball and
she's going to toss it. it out there to
512
00:32:17,500 --> 00:32:21,079
you. Each person who catches the ball
will choose one number between one and
513
00:32:21,080 --> 00:32:24,480
six, and that will determine the order
of how the swords fall.
514
00:32:24,700 --> 00:32:26,100
Now take that ball.
515
00:32:26,300 --> 00:32:27,740
Give it a nice toss, Barbara.
516
00:32:28,420 --> 00:32:33,780
Sir, I want you to yell out a number for
me between one and six. Three. Three.
517
00:32:33,900 --> 00:32:38,659
Okay. We are going to place it on the
pin rail. We will put number three right
518
00:32:38,660 --> 00:32:39,710
there.
519
00:32:40,000 --> 00:32:45,759
So that would be the first line, but now
it's going to be the third line. Do we
520
00:32:45,760 --> 00:32:47,440
all understand? stand each other.
521
00:32:47,650 --> 00:32:52,049
Now, sir, I want you to take that ball
and you toss it completely at random. If
522
00:32:52,050 --> 00:32:57,570
you catch it, sir, yell out a number
between one and six, but do not pick
523
00:32:59,790 --> 00:33:00,840
Sir,
524
00:33:00,841 --> 00:33:05,189
give it a nice far touch so people at
home see that this is not the end. Right
525
00:33:05,190 --> 00:33:12,070
over here, sir, I want you to yell out a
number, either one, six, four, or two.
526
00:33:13,190 --> 00:33:15,550
Sir, take that ball and toss it.
527
00:33:16,110 --> 00:33:17,730
At random, doesn't matter where.
528
00:33:17,990 --> 00:33:22,090
Sir, yell out a number for me, either
two, six, or one.
529
00:33:22,790 --> 00:33:23,950
Six. Six.
530
00:33:24,550 --> 00:33:28,829
Now we have three, five, four, six. Now
toss it as far as you can. Nice far
531
00:33:28,830 --> 00:33:32,809
toss. There it is. There it is. Get it,
girl. There she is. Did you pick a
532
00:33:32,810 --> 00:33:33,509
number yet?
533
00:33:33,510 --> 00:33:36,110
No. It's one or two. Which one would you
like?
534
00:33:37,030 --> 00:33:43,010
One. So by default, we only have one
number left, so we'll place that last.
535
00:33:43,850 --> 00:33:48,450
So whatever happens, you are not
responsible for it. Okay, thank you.
536
00:34:11,010 --> 00:34:13,210
Coming up. Take your hand off five.
537
00:34:26,139 --> 00:34:27,189
Wow,
538
00:34:28,751 --> 00:34:35,419
you see the swords moving, ladies and
gentlemen? That is the win. That is what
539
00:34:35,420 --> 00:34:36,470
I'm concerned about.
540
00:34:37,239 --> 00:34:39,769
Barbara, take your finger and put it on
number one.
541
00:34:41,040 --> 00:34:42,090
Got it.
542
00:34:42,580 --> 00:34:43,870
Barbara. Yeah.
543
00:34:45,610 --> 00:34:48,740
Pull that pin out, number one, and drop
it to the floor. Do it now.
544
00:34:51,090 --> 00:34:52,140
I did.
545
00:34:55,409 --> 00:34:58,430
We don't know if it barely caught or if
it's really jammed.
546
00:34:58,850 --> 00:35:01,740
It may be a hairpin trigger that could
go off at any moment.
547
00:35:04,430 --> 00:35:05,480
I don't like this.
548
00:35:06,010 --> 00:35:07,150
I don't like this at all.
549
00:35:07,570 --> 00:35:11,360
This is exactly what happened in the run
-through when the rope got snagged.
550
00:35:11,600 --> 00:35:13,660
But this time, Chris was underneath it.
551
00:35:13,661 --> 00:35:17,139
The worst thing that could happen to me,
if that sword could get kinked up like
552
00:35:17,140 --> 00:35:22,019
that, and then it comes down, and then
it just comes down, stops, it swings,
553
00:35:22,020 --> 00:35:23,070
then it releases.
554
00:35:26,640 --> 00:35:33,419
This is one stunt, you do not want
anything, and I mean anything to go
555
00:35:33,420 --> 00:35:36,900
even a situation like this, because it's
just not good.
556
00:35:37,320 --> 00:35:41,110
And it's getting windier. Look at the
swords, how they're shaking right now.
557
00:35:44,010 --> 00:35:48,169
The jacketing on the rope is stuck on
the pulley again. So now we've got to
558
00:35:48,170 --> 00:35:52,649
in there, fix the rope, lubricate the
pulley before the crowd starts to
559
00:35:52,650 --> 00:35:54,270
or Chris has his second thoughts.
560
00:35:54,330 --> 00:35:55,410
You don't have to do it.
561
00:35:55,590 --> 00:35:56,640
No, I got to do it.
562
00:36:02,650 --> 00:36:06,770
Now that the guys have fixed the
rigging, it's up to Chris to regain his
563
00:36:11,630 --> 00:36:13,550
Put your finger on number one.
564
00:36:15,910 --> 00:36:16,960
Got it.
565
00:36:17,250 --> 00:36:19,850
Barbara, pull one. Pull it and drop it
on the ground.
566
00:36:24,290 --> 00:36:26,210
Barbara, put your finger on number two.
567
00:36:26,890 --> 00:36:27,940
Got it.
568
00:36:28,830 --> 00:36:29,880
Barbara.
569
00:36:30,650 --> 00:36:32,590
Yes. Pull number two now.
570
00:36:38,030 --> 00:36:40,680
Barbara, go to number three. Put your
finger on three.
571
00:36:49,770 --> 00:36:51,510
This is really scary watching this.
572
00:36:53,590 --> 00:36:55,570
Barbara, put your finger on number four.
573
00:36:55,950 --> 00:37:00,310
As we do this, the odds get more in the
favor of me getting stabbed.
574
00:37:03,570 --> 00:37:04,770
Pull it, Barbara. Four.
575
00:37:08,030 --> 00:37:10,330
Barbara, there are two swords above me.
576
00:37:11,190 --> 00:37:12,670
There's five and six.
577
00:37:13,390 --> 00:37:17,929
I want you to take your finger, and I
want you just to touch the top of the
578
00:37:17,930 --> 00:37:18,980
of five.
579
00:37:21,260 --> 00:37:22,310
Now touch six.
580
00:37:23,180 --> 00:37:24,230
Got it.
581
00:37:24,340 --> 00:37:26,750
Listen to your inner voice. I trust you,
Barbara.
582
00:37:26,940 --> 00:37:28,140
Do you believe in faith?
583
00:37:28,540 --> 00:37:29,590
Yes, I do.
584
00:37:29,660 --> 00:37:33,420
You can change your mind. What are you
feeling, five or six, Barbara?
585
00:37:33,660 --> 00:37:34,710
I feel six.
586
00:37:35,260 --> 00:37:36,360
Six? Yes.
587
00:37:37,940 --> 00:37:39,620
Do you really feel that, Barbara?
588
00:37:39,621 --> 00:37:40,579
I feel it.
589
00:37:40,580 --> 00:37:43,479
Typically, people don't change their
minds, but I'm going to have to go with
590
00:37:43,480 --> 00:37:46,080
you, Barbara. Take your hand off five.
Take it.
591
00:38:09,710 --> 00:38:14,149
When the death sword fell, I'm like,
what the hell happened? We tested this
592
00:38:14,150 --> 00:38:15,200
thing.
593
00:38:17,690 --> 00:38:23,750
Give me a microphone.
594
00:38:24,870 --> 00:38:28,510
Ladies and gentlemen, let me show you my
prediction.
595
00:38:29,030 --> 00:38:30,770
Bring down the chest for me, please.
596
00:38:31,650 --> 00:38:34,780
Bring it all the way down. I want you to
see this honestly, folks.
597
00:38:38,480 --> 00:38:39,680
is still right, Barbara.
598
00:38:39,681 --> 00:38:42,759
I'm going to open it up right now. Look,
I want you to see everybody that this
599
00:38:42,760 --> 00:38:43,810
is completely fair.
600
00:38:43,811 --> 00:38:47,539
Now, Barbara, I'm going to reach inside.
I'm going to grab the prediction and
601
00:38:47,540 --> 00:38:51,059
you are going to carry it right over
there to those numbers. Come right over
602
00:38:51,060 --> 00:38:52,099
here.
603
00:38:52,100 --> 00:38:53,620
And I want you to open it up.
604
00:38:54,000 --> 00:38:55,420
We have the first number.
605
00:38:55,740 --> 00:38:56,790
We have three.
606
00:38:57,320 --> 00:39:00,930
And I want you to show here. I want you
to hold the mic. Let me show everybody.
607
00:39:02,691 --> 00:39:09,639
Ladies and gentlemen, check this out.
Our number was what? Three, five, four,
608
00:39:09,640 --> 00:39:10,800
six, one, two.
609
00:39:11,320 --> 00:39:17,320
We have three right there. First
position, three. Then we have a five,
610
00:39:17,660 --> 00:39:19,140
six, one, two.
611
00:39:35,400 --> 00:39:38,290
master at cheating death. He's done it
time and time again.
612
00:39:38,360 --> 00:39:42,879
There's always an X factor, and there's
always that day when your number will
613
00:39:42,880 --> 00:39:43,930
come up.
614
00:39:49,440 --> 00:39:53,459
The only way I can call last night's
demonstration a success is because I'm
615
00:39:53,460 --> 00:39:56,880
alive. Otherwise, it was a complete and
utter disaster.
616
00:39:57,740 --> 00:40:01,040
There was only 20 seconds between life
and death.
617
00:40:04,990 --> 00:40:09,290
I'm doing my job and then somebody else
hasn't done the due diligence.
618
00:40:09,670 --> 00:40:13,370
That's inexcusable. We shouldn't be in
this situation anymore.
619
00:40:15,150 --> 00:40:17,450
Seriously. That was scary.
620
00:40:17,500 --> 00:40:22,050
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