All language subtitles for Criss Angel BeLIEve s01e05 Alligator Torture Escape

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (SoranĂ®)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,790 --> 00:00:03,070 What you're about to witness can be dangerous. 2 00:00:03,590 --> 00:00:05,310 Attempting it can result in death. 3 00:00:05,610 --> 00:00:06,830 Don't try this at home. 4 00:00:08,530 --> 00:00:10,330 On this episode of Believe. 5 00:00:10,710 --> 00:00:11,930 Great to see you. Come on in. 6 00:00:12,130 --> 00:00:13,130 It's an honor. 7 00:00:14,630 --> 00:00:18,230 One million dollars. 8 00:00:18,930 --> 00:00:20,270 Transform it into a bird. 9 00:00:22,730 --> 00:00:26,690 I want to be the first person to escape from a medieval torture device while 10 00:00:26,690 --> 00:00:30,610 suspended high in the air above a pit of hungry alligators. You slip, you're 11 00:00:30,610 --> 00:00:32,729 done. That's it. What the f*** am I thinking? 12 00:00:33,170 --> 00:00:37,750 If I don't do this fast enough, I have all of that weight bared on my neck. If 13 00:00:37,750 --> 00:00:38,750 fall in there, I'm done. 14 00:00:38,770 --> 00:00:44,950 If you fall in there, there is nothing that anybody can possibly do to get you 15 00:00:44,950 --> 00:00:45,950 out. 16 00:01:15,180 --> 00:01:16,420 Chris Angel, Believe. 17 00:01:18,320 --> 00:01:21,500 I don't think you've been back here before, have you? I don't think so. 18 00:01:21,700 --> 00:01:24,440 Well, Chris is going to be thrilled to see you. Right this way. I've been 19 00:01:24,440 --> 00:01:28,000 performing Believe for five years, and you never know who's going to walk 20 00:01:28,000 --> 00:01:30,960 through the door. Thank you so very much. Thank you so much. 21 00:01:31,440 --> 00:01:32,740 Great to see you. Come on in. 22 00:01:32,940 --> 00:01:33,699 Come on in. 23 00:01:33,700 --> 00:01:38,460 Wow. People don't know that you are a big magic buff. Yes, I am. Yeah. 24 00:01:38,820 --> 00:01:41,240 I'm going to do something real simple because I know you've got limited time, 25 00:01:41,340 --> 00:01:42,680 and I appreciate you doing it. 26 00:01:43,080 --> 00:01:47,080 I didn't know if I could use your cell phone, but I'm looking for a phone to 27 00:01:47,080 --> 00:01:48,800 show you something. Personal phone? Yes. 28 00:01:50,100 --> 00:01:56,680 Great. Okay. Thank you. I'm freaking nervous. I never get nervous either. 29 00:01:56,680 --> 00:01:58,140 we go. Check this out. 30 00:02:24,130 --> 00:02:25,130 Chris, this is amazing. 31 00:02:26,430 --> 00:02:27,430 Thank you. 32 00:02:32,950 --> 00:02:34,430 Enjoy that? Too much. 33 00:02:34,690 --> 00:02:36,190 This is too much. Here's a little bit more. 34 00:02:36,670 --> 00:02:37,670 Watch the phone. 35 00:02:46,350 --> 00:02:47,350 Check it out. 36 00:02:48,350 --> 00:02:51,250 We're going to take it to another level right now with a picture. 37 00:02:52,540 --> 00:02:53,900 Drop the phone into the pitcher. 38 00:02:54,500 --> 00:02:57,780 If you just put your hand out like this, you're going to hold on to the pitcher. 39 00:02:57,960 --> 00:03:01,020 I want everybody to see that you can just turn just like that. Great. 40 00:03:03,700 --> 00:03:06,680 Keep your finger right above so your plate doesn't fall. 41 00:03:40,640 --> 00:03:42,640 Take the phone and take the phone. This is incredible. 42 00:03:46,840 --> 00:03:48,140 You want to see one last thing? 43 00:03:48,420 --> 00:03:52,320 Sure. Hold it in your right hand between your thumb and index finger for me. 44 00:03:52,740 --> 00:03:54,860 All right. Like this? Yeah, just perfect. 45 00:03:55,480 --> 00:03:56,700 Now check this out. Watch. 46 00:04:17,480 --> 00:04:18,720 It looks like you have a phone call. 47 00:04:19,320 --> 00:04:20,320 It's a message. 48 00:04:22,040 --> 00:04:23,200 Well, maybe I can't say that. 49 00:04:25,640 --> 00:04:26,920 Well, thank you so much. 50 00:04:27,480 --> 00:04:28,480 Thank you. 51 00:04:28,540 --> 00:04:34,460 Always. Amazing is my favorite word for you. Oh, well, it's an honor. And I'm so 52 00:04:34,460 --> 00:04:38,220 delighted that you chose to come see me. Thank you so very much. I wouldn't have 53 00:04:38,220 --> 00:04:39,220 it any other way. 54 00:04:39,540 --> 00:04:41,120 Be good, Chris. All right. We'll see you always. 55 00:04:41,440 --> 00:04:42,440 All right. 56 00:04:51,930 --> 00:04:56,110 Magic has been my life since I was six years old. I sleep, breathe, and dream 57 00:04:56,110 --> 00:04:58,070 it. Hey man, how are you? How are you? 58 00:04:59,470 --> 00:05:02,150 I'm always excited to present new challenges to my team. 59 00:05:02,350 --> 00:05:04,730 We got a lot to talk about guys, alright, and gal. 60 00:05:05,210 --> 00:05:10,270 We are going to be doing something in this demonstration that I've never done, 61 00:05:10,410 --> 00:05:11,810 nor has anybody ever done. 62 00:05:12,090 --> 00:05:15,690 I saw a picture that was very engaging to me. 63 00:05:16,060 --> 00:05:21,020 This image is like, you know, this medieval torture device that Clevador, 64 00:05:21,340 --> 00:05:27,100 Houdini's rival, his nemesis, back in the day, early 1900s, 65 00:05:27,100 --> 00:05:34,020 devised this torture device to escape, to one -up Houdini, except 66 00:05:34,020 --> 00:05:36,840 no one ever got out of this thing. That looks painful. 67 00:05:37,180 --> 00:05:38,800 It looks insane. 68 00:05:39,180 --> 00:05:41,780 And the concept is that you have to pick your way out. 69 00:05:42,000 --> 00:05:44,480 I think I can maybe be the first person to do this. 70 00:05:44,940 --> 00:05:49,440 So my question is this, because it looks complicated and complex. How many locks 71 00:05:49,440 --> 00:05:54,200 are you thinking to have on this thing? The original one, I believe, had two. 72 00:05:54,320 --> 00:05:57,660 One on this side and then one down by the right side of the foot. 73 00:05:58,080 --> 00:06:02,860 It's like being hog pot, but being held up in the air. I was working in Mexico 74 00:06:02,860 --> 00:06:06,220 City and they had an exhibition of medieval torture devices. 75 00:06:06,640 --> 00:06:10,040 And I think we can take and kind of tweak that and go in that direction. 76 00:06:11,020 --> 00:06:15,400 Dark wood and steel and metal, and it was really kind of creepy. I think it's 77 00:06:15,400 --> 00:06:20,800 just a device. We just show people how I'm doing it. I'm picking my way out. 78 00:06:21,040 --> 00:06:24,520 Chris has been picking lots since he was 12 years old, so picking one or two 79 00:06:24,520 --> 00:06:28,200 lots normally wouldn't be a challenge. But picking multiple lots while hanging 80 00:06:28,200 --> 00:06:32,240 from the head and neck would definitely put those skills and Chris's ability to 81 00:06:32,240 --> 00:06:34,680 focus and withstand pain to the test. 82 00:06:34,960 --> 00:06:39,220 Maybe I can hang over something again, raising up the stakes. 83 00:06:39,950 --> 00:06:44,290 You know, because how do you get out of that? Do you release your hands? 84 00:06:44,750 --> 00:06:46,630 But then, like, what do you grab onto? 85 00:06:47,310 --> 00:06:51,090 So why not fall into something that would kill me? 86 00:06:53,570 --> 00:06:55,910 Like spikes? That's too magic -y. 87 00:06:56,470 --> 00:06:57,710 Sharks? That's dangerous. 88 00:06:58,070 --> 00:07:01,490 What if it's, like, lions or tigers? I think we do something, like, crazy. 89 00:07:02,010 --> 00:07:04,130 We should do something like an alligator. 90 00:07:05,190 --> 00:07:06,190 Alligator. 91 00:07:06,890 --> 00:07:09,390 Alligators have a bite force of over 3 ,000 pounds. 92 00:07:09,630 --> 00:07:11,710 That's more than any animal in the whole world. 93 00:07:12,050 --> 00:07:15,410 Now, if Chris wants to perform this escape over something dangerous that'll 94 00:07:15,410 --> 00:07:17,310 him, alligators are the perfect choice. 95 00:07:17,850 --> 00:07:20,590 Because, like, sharks, when you put chum and everything, they go crazy. You 96 00:07:20,590 --> 00:07:21,950 become human chum. 97 00:07:22,630 --> 00:07:27,630 I think that's the idea. I think that's actually a great idea. If maybe we pour 98 00:07:27,630 --> 00:07:30,770 some type of blood, I don't know what they feed them. 99 00:07:30,970 --> 00:07:31,970 But we're talking about... 100 00:07:32,409 --> 00:07:35,230 Alligators, dude. We're not talking about... Yeah, and what are we talking 101 00:07:35,230 --> 00:07:37,910 with everything else that we're doing? Yeah, I know. Everything. This is 102 00:07:37,910 --> 00:07:39,070 I mean, you slip. You're done. 103 00:07:39,290 --> 00:07:40,229 That's it. 104 00:07:40,230 --> 00:07:41,950 I mean, why are we making mountains of oil? 105 00:07:42,230 --> 00:07:45,850 Until we know what the issues are, why are we making issues out of anything? 106 00:07:45,910 --> 00:07:49,090 Let's relax, take a deep breath, and figure it out. 107 00:07:49,570 --> 00:07:50,790 What we got to do is two things. 108 00:07:51,030 --> 00:07:55,390 We got to make up a mock -up. Just something I can get into to see, number 109 00:07:55,410 --> 00:07:59,670 is that physically possible to be hanging there for any duration of time 110 00:07:59,670 --> 00:08:01,010 can physically pick my way out? 111 00:08:01,340 --> 00:08:02,460 and how many locks that will be. 112 00:08:03,100 --> 00:08:07,640 Secondly, very important, talking about alligators, none of us are an expert 113 00:08:07,640 --> 00:08:10,180 alligator. We need to bring in an expert consultant. 114 00:08:10,640 --> 00:08:13,660 And we've got to figure out where we're going to find all of these alligators. I 115 00:08:13,660 --> 00:08:16,160 know, but that's... Let me see you. Let me see you, man. Spiro. 116 00:08:16,460 --> 00:08:21,900 Here you go. All right, guys. All right. This demonstration features a medieval 117 00:08:21,900 --> 00:08:26,000 torture device, ankle restraints, multiple padlocks. 118 00:08:26,800 --> 00:08:29,700 Chris will be suspended from a crane over a pit of alligators. 119 00:08:30,460 --> 00:08:32,140 Category of magic, escape. 120 00:08:41,600 --> 00:08:42,600 Hey, 121 00:08:45,500 --> 00:08:47,920 how are you? Oh my God, how are you? 122 00:08:49,660 --> 00:08:51,720 That's the one that just worked. That's the witch. 123 00:08:52,280 --> 00:08:56,100 I was wishing that I was going to meet you all right now. 124 00:08:56,460 --> 00:08:57,880 I had a vision of this. 125 00:08:58,710 --> 00:09:02,490 Do you mind if I try something with you right now? I'm always, you know, kind of 126 00:09:02,490 --> 00:09:05,710 chilling and trying things with just people. You're throwing pennies in 127 00:09:05,730 --> 00:09:07,150 Do you have any quarters? Do you have any quarters? 128 00:09:07,650 --> 00:09:08,650 Who has a quarter? 129 00:09:08,770 --> 00:09:12,190 Anybody? You have a quarter? Is it all right if I reach in there? I want you to 130 00:09:12,190 --> 00:09:16,910 see at home what's in there. Look, we have a penny, a couple pennies, a dime, 131 00:09:16,990 --> 00:09:20,130 and a quarter. You know what? I'm going to go big. I'm going to take the 132 00:09:20,130 --> 00:09:21,130 quarter, okay? 133 00:09:21,350 --> 00:09:22,350 Now check it out. 134 00:09:22,610 --> 00:09:24,130 And anybody have a pen? 135 00:09:24,330 --> 00:09:25,309 A pen. 136 00:09:25,310 --> 00:09:26,610 You have a pencil, okay. 137 00:09:27,450 --> 00:09:28,450 An artist? 138 00:09:28,710 --> 00:09:30,070 Something like that. Yeah? 139 00:09:30,650 --> 00:09:31,650 Cool. 140 00:09:32,110 --> 00:09:33,230 Check this out. 141 00:09:59,709 --> 00:10:05,270 I want you to see that you can actually see on both sides. 142 00:10:05,890 --> 00:10:09,690 Completely goes right through the quarter. 143 00:10:09,910 --> 00:10:11,150 Now, do me a favor. Come here, man. 144 00:10:11,650 --> 00:10:14,350 Come here. I want you to pull your shirt out. Just pull it out with both your 145 00:10:14,350 --> 00:10:15,410 hands, just like that. 146 00:10:15,630 --> 00:10:19,550 Now, look, this is where it gets really, really kind of trippy. Not only does 147 00:10:19,550 --> 00:10:21,530 the pencil go through the quarter, but watch. 148 00:10:21,840 --> 00:10:24,820 When we take it out, look, look, look, look. Here, take that. Take it. 149 00:10:25,040 --> 00:10:26,039 Take that. 150 00:10:26,040 --> 00:10:27,040 Watch. 151 00:10:27,960 --> 00:10:30,480 You see that? Watch the hole. Watch the hole. Watch the hole. 152 00:10:31,040 --> 00:10:32,660 Watch the hole. It's going to mend itself. 153 00:10:47,340 --> 00:10:50,840 I don't know how he did it. It just went right back together. It was no TV magic 154 00:10:50,840 --> 00:10:52,920 or whatever you guys want to call it. It was real. 155 00:10:53,220 --> 00:10:54,760 You know what? Make a wish with it. 156 00:10:57,020 --> 00:10:58,340 Oh, my God. 157 00:11:01,240 --> 00:11:02,240 Coming up. 158 00:11:03,440 --> 00:11:05,320 If I phone it, I'm done. 159 00:11:07,920 --> 00:11:08,920 That's really crazy. 160 00:11:09,080 --> 00:11:12,660 To be suspended above a bunch of alligators. I could totally see myself 161 00:11:12,660 --> 00:11:13,660 something like this. 162 00:11:13,780 --> 00:11:17,180 Really? Can you find yourself doing something like that? Wait, what's that? 163 00:11:17,180 --> 00:11:22,740 don't think you would want to do that. 164 00:11:47,470 --> 00:11:50,670 If he gets that caught in his neck, that's going to freaking hurt him. I 165 00:11:50,670 --> 00:11:56,370 know. Chris has a wild idea to attempt an escape where he'll be locked in a 166 00:11:56,370 --> 00:12:02,530 medieval torture device, covered in blood, and dangled from a crane over a 167 00:12:02,530 --> 00:12:06,310 of alligators. Now, the backside, we're just going to keep this. That just stays 168 00:12:06,310 --> 00:12:07,310 in there? 169 00:12:07,390 --> 00:12:08,390 Exactly. 170 00:12:09,790 --> 00:12:12,130 We don't know if this is too far for him to reach. 171 00:12:12,650 --> 00:12:16,850 You've got to try and get all the way over here. It's really too impossible. 172 00:12:17,410 --> 00:12:21,750 John's designed the stockade based on the only reference photo we have, and 173 00:12:21,750 --> 00:12:26,110 built it out of solid mahogany. It'll be heavy, but our goal is to be as 174 00:12:26,110 --> 00:12:28,210 historically accurate as possible. 175 00:12:28,470 --> 00:12:32,490 You know, from here to here, it's tough, but if he's able to do that, maybe. 176 00:12:33,370 --> 00:12:35,130 It's about custom fitting it. 177 00:12:36,770 --> 00:12:38,210 Yeah, we don't want it that high, Doug. 178 00:12:38,450 --> 00:12:43,070 A little lower? We want to go more for the straight squat. When he's in, he's 179 00:12:43,070 --> 00:12:44,370 going to tend to want to do this. 180 00:12:44,790 --> 00:12:46,650 Yeah, there's going to be a lot of pressure on it. 181 00:12:46,920 --> 00:12:51,120 All of your weight on this next arcade is here. 182 00:12:51,660 --> 00:12:53,520 It's literally choking you. 183 00:12:57,880 --> 00:12:59,200 I hope they have this. 184 00:12:59,520 --> 00:13:00,520 What is it? 185 00:13:00,580 --> 00:13:02,180 I want to know, this feathered face thing. 186 00:13:02,400 --> 00:13:04,200 Oh, what? It's a type of bird mask. 187 00:13:04,620 --> 00:13:08,700 I first met Kristen at Lance Burton's house after she won the National Junior 188 00:13:08,700 --> 00:13:09,700 Magic Competition. 189 00:13:11,380 --> 00:13:14,900 I'm grooming Kristen to perform in my brand new live tour, Whimsical. 190 00:13:15,440 --> 00:13:16,960 But first, you have to understand the process. 191 00:13:17,480 --> 00:13:20,100 There's no difference between street and stage. 192 00:13:20,480 --> 00:13:22,200 Hi, how are you today? All right. 193 00:13:22,440 --> 00:13:27,200 Good. How are you? Good. What can I help you find today? I am looking for and 194 00:13:27,200 --> 00:13:30,580 heard that you had like a bird face or something. 195 00:13:30,840 --> 00:13:34,380 Sure. All of our masks are going to be right in this area. These are all of our 196 00:13:34,380 --> 00:13:36,260 Venetian half masks. Oh, I see. 197 00:13:37,390 --> 00:13:39,230 Do you have that white one? 198 00:13:39,490 --> 00:13:40,590 Uh -huh. It's cool. 199 00:13:40,890 --> 00:13:43,370 Looks good. If it was like a full face. 200 00:13:43,770 --> 00:13:46,350 Okay. Do you have it like in a full face? I don't have one in stock. I can 201 00:13:46,350 --> 00:13:48,370 definitely custom order one. You can? 202 00:13:48,590 --> 00:13:50,590 Can I see that one? Yeah, for sure. 203 00:13:50,950 --> 00:13:53,890 Real quick. Yeah, this one's really cool. No, this one I was thinking for 204 00:13:53,890 --> 00:13:56,050 Belize show. What? You know, have a mask, boom. 205 00:13:56,670 --> 00:14:00,430 And then I could transform it into a bird just like that. Just like that. 206 00:14:00,510 --> 00:14:02,190 just like that. That's awesome. 207 00:14:03,010 --> 00:14:07,850 And I handed him the mask, and it turned into a bird right in front of my eyes. 208 00:14:08,010 --> 00:14:09,390 You just never know what's going to happen. 209 00:14:13,130 --> 00:14:16,090 I pulled some crazy locations out of my ass working for Critic. 210 00:14:16,440 --> 00:14:19,920 But a pit of hungry alligators is not something anyone's going to find here in 211 00:14:19,920 --> 00:14:22,760 Las Vegas. Look at the alligator farm here. 212 00:14:23,280 --> 00:14:26,600 Is that where all the alligators are? Right in that pit there. 213 00:14:26,840 --> 00:14:30,320 But we got this cool guy. His name is Jeremy. He's like the alligator handler. 214 00:14:30,420 --> 00:14:33,480 He's like one of the best handlers in the country. 215 00:14:33,820 --> 00:14:37,100 Usually it's Bureau running around last minute, but I got to hand it to him. 216 00:14:37,180 --> 00:14:38,380 He's already got his job done. 217 00:14:38,860 --> 00:14:40,380 I don't even have the padlocks yet. 218 00:14:40,700 --> 00:14:41,700 All right, dude. All right. 219 00:14:42,160 --> 00:14:46,500 This place that I found in Florida has 250 alligators and enough space for the 220 00:14:46,500 --> 00:14:48,580 crane where Chris is going to suspend himself from. 221 00:14:48,960 --> 00:14:52,900 Unfortunately, the only time they can accommodate us is in two weeks. And 222 00:14:52,900 --> 00:14:56,360 going to light a fire under John and Doug to dial in and test their medieval 223 00:14:56,360 --> 00:14:57,360 poacher device. 224 00:14:59,460 --> 00:15:01,500 Hi. Good, how are you? How are you? 225 00:15:01,960 --> 00:15:04,600 Awesome. You got your cookies? Yeah. 226 00:15:05,260 --> 00:15:09,940 Not only is Jesse an amazing researcher, but he definitely knows his food. 227 00:15:11,400 --> 00:15:12,400 Hi, how are you? 228 00:15:12,800 --> 00:15:13,800 What's up? Hi. 229 00:15:14,420 --> 00:15:16,980 Oh, thank you. Thank you. Thank you so much. 230 00:15:17,220 --> 00:15:19,020 Very kind of you. Thank you. Where are you from? 231 00:15:19,280 --> 00:15:20,980 We're from England. Hi, nice to meet you. 232 00:15:21,200 --> 00:15:22,200 Hi, how are you? 233 00:15:22,700 --> 00:15:24,080 Can you show us something? 234 00:15:25,260 --> 00:15:27,640 I can make a cookie disappear. 235 00:15:28,060 --> 00:15:32,800 There you go. Okay, Jeff. Whenever I'm out, people always want to see me do 236 00:15:32,800 --> 00:15:35,500 something. So I do my best to deliver. 237 00:15:36,180 --> 00:15:37,440 All right, I'm going to try something. 238 00:15:37,660 --> 00:15:39,640 I'm going to try something. All right, let's try something. 239 00:15:40,280 --> 00:15:43,240 I'm going to try something with your salt and your pepper, all right? So what 240 00:15:43,240 --> 00:15:45,520 we're going to do, and just real quick, pause. 241 00:15:53,460 --> 00:15:56,040 Okay, I take the salt and pepper and integrate it. 242 00:15:56,940 --> 00:15:58,620 About 50 -50 each, yeah? 243 00:15:59,740 --> 00:16:04,260 The crazy thing is when I mix it all together like this, now, if your girl 244 00:16:04,260 --> 00:16:07,940 doesn't like salt, You don't have to be here with a tweezer all freaking night 245 00:16:07,940 --> 00:16:10,520 trying to pick each grain of pepper out, yes? 246 00:16:11,780 --> 00:16:14,860 But you can see it's all integrated. Is that fair? 247 00:16:15,760 --> 00:16:16,980 It's good to me. It's fair. 248 00:16:18,700 --> 00:16:21,460 All right. I have an interesting concept. 249 00:16:22,080 --> 00:16:24,380 Instead of doing it physically, can I do it mentally? 250 00:16:25,240 --> 00:16:30,140 I want you to take your right hand and just open it up. Just open it up, and 251 00:16:30,140 --> 00:16:33,880 you're going to place it literally right on top of the pile like this. Good. 252 00:16:34,500 --> 00:16:35,439 Now watch. 253 00:16:35,440 --> 00:16:36,820 You're going to feel your hand get warm. 254 00:16:37,060 --> 00:16:38,580 Tell me when you feel your hand get warm. 255 00:16:38,900 --> 00:16:39,900 It's getting warm now. 256 00:16:40,600 --> 00:16:41,640 It's getting warm. 257 00:16:43,780 --> 00:16:44,780 Watch. 258 00:16:48,780 --> 00:16:49,860 No way. 259 00:16:52,340 --> 00:16:54,520 Now, move your hand. 260 00:16:56,360 --> 00:16:59,300 Look, look, look, look. 261 00:17:00,400 --> 00:17:03,760 There's the sapper, and there's the dog. 262 00:17:04,380 --> 00:17:06,380 I got to run. Thank you so much. Come on. 263 00:17:06,619 --> 00:17:07,619 We got to go. 264 00:17:08,200 --> 00:17:09,200 I got a cookie. 265 00:17:09,400 --> 00:17:10,640 Cool. Cheers. 266 00:17:11,660 --> 00:17:14,980 He got my hand, put it on top, and my hand got really warm. 267 00:17:15,440 --> 00:17:19,420 I don't know how it happened, but the pepper came through the table. It just 268 00:17:19,420 --> 00:17:20,420 went right through. 269 00:17:20,440 --> 00:17:23,280 I was like right there. I don't know how he did it. 270 00:17:23,660 --> 00:17:27,079 Most magicians don't want you to see behind them. You know, you're on stage 271 00:17:27,079 --> 00:17:30,380 they don't want you to see certain angles. But he was right there. You 272 00:17:30,380 --> 00:17:34,040 everything. There was nothing to hide. It was right there. Pure magic. 273 00:17:34,540 --> 00:17:35,540 Like, amazing. 274 00:17:36,180 --> 00:17:37,139 Coming up. 275 00:17:37,140 --> 00:17:41,180 I have to whip through this as quickly as possible. Or I'll hang myself. 276 00:17:51,400 --> 00:17:53,880 As an 11 -year -old kid, Houdini worked for a locksmith. 277 00:17:54,300 --> 00:17:58,800 That's how he was able to acquire the skill set to be able to escape many of 278 00:17:58,800 --> 00:18:00,380 demonstrations he did later in life. 279 00:18:00,720 --> 00:18:05,200 I'm going to give you a very beginner's crash course, okay? 280 00:18:05,640 --> 00:18:09,400 Jesse just picked up the locks from the hardware store that I'll be using for my 281 00:18:09,400 --> 00:18:14,160 escape. I know he has an interest in understanding how to pick a lock, so I'm 282 00:18:14,160 --> 00:18:18,560 going to share a basic method with him. Every lock has a series of pins. 283 00:18:19,110 --> 00:18:22,670 When you put a key in there, it pops the pins up. But when you're working with a 284 00:18:22,670 --> 00:18:27,210 pick in the beginning form, you need something to create leverage and torque 285 00:18:27,210 --> 00:18:30,830 that you can constantly keep pressure on the pins that you're pushing up. 286 00:18:31,250 --> 00:18:34,490 Now, if you notice, I put this little leverage, a little wrench, if you will, 287 00:18:34,570 --> 00:18:36,870 toward the bottom. I take my pick. 288 00:18:37,510 --> 00:18:39,510 You see the little point there, this little curve? 289 00:18:39,710 --> 00:18:43,130 Yeah. What I'm going to do is I'm going to take that, and I'm going to take each 290 00:18:43,130 --> 00:18:45,690 pin that's in this lock, and I'm going to push it down. 291 00:18:49,320 --> 00:18:54,620 Put some pressure with my little wrench here, creating torque so that the pins 292 00:18:54,620 --> 00:18:58,200 don't fall back down. Now look, I just did it. You see, now you can spin this 293 00:18:58,200 --> 00:19:03,240 open like this, and the lock will open right up. Whoa, that's awesome. Just 294 00:19:03,240 --> 00:19:08,960 that. What's complicated is I'm not going to be able to have two hands free 295 00:19:09,000 --> 00:19:12,660 you know, to have my little wrench. And it's basically, I have to create 296 00:19:12,660 --> 00:19:18,400 leverage and pick my way through each pin at the same time using one tool. 297 00:19:19,000 --> 00:19:23,480 So if I don't do this fast enough, I have all of that weight being bared on 298 00:19:23,480 --> 00:19:25,980 neck, on my chin. 299 00:19:26,180 --> 00:19:29,640 And so I have to whip through this as quickly as possible. 300 00:19:29,960 --> 00:19:31,880 Wow. I'll hang myself. 301 00:19:32,160 --> 00:19:33,160 Yeah, I'll hang myself. 302 00:19:33,380 --> 00:19:38,400 So good luck and see if you can pick that and see how long it takes you. 303 00:19:42,620 --> 00:19:44,640 They're just going to get a hinge on the backside. 304 00:19:44,980 --> 00:19:48,560 Hinge on the backside. And a half spin in this lock in the front. 305 00:19:48,970 --> 00:19:52,890 But for the fitting, because we don't know if this is too far for him to 306 00:19:52,990 --> 00:19:56,710 Prince has challenged himself to escape from a medieval torture device that 307 00:19:56,710 --> 00:20:00,370 Houdini's rival, Clevedore, designed as a way to one -up Houdini. 308 00:20:01,490 --> 00:20:06,030 The other part of this equation is this guy. The question is, when he has these 309 00:20:06,030 --> 00:20:08,650 in here, it's massively heavy. 310 00:20:09,090 --> 00:20:11,490 It's ridiculous. It may be a big problem. 311 00:20:12,440 --> 00:20:16,500 The build for this demonstration is complex to begin with, and it doesn't 312 00:20:16,500 --> 00:20:20,640 that Spiro has backed us into a date less than two weeks away in Florida. You 313 00:20:20,640 --> 00:20:25,040 know, normally we'd have four weeks to develop an escape like this, so we'll 314 00:20:25,040 --> 00:20:28,060 need to fast -track production without compromising Chris's safety. 315 00:20:28,440 --> 00:20:29,620 Here he comes now. 316 00:20:29,860 --> 00:20:30,860 Hi. 317 00:20:31,160 --> 00:20:32,119 How are you? 318 00:20:32,120 --> 00:20:35,700 Good, man. How's it going? I know John and Doug haven't had a lot of time to 319 00:20:35,700 --> 00:20:39,960 really work out the stockade, but it's putting me in a tough situation because 320 00:20:39,960 --> 00:20:40,980 need to rehearse the thing. 321 00:20:41,280 --> 00:20:42,660 before it needs to ship to Florida. 322 00:20:50,140 --> 00:20:51,440 So how does that lock work? 323 00:20:51,940 --> 00:20:55,860 We're going to drill a hole and put a lock in right here. The lock over here? 324 00:20:56,560 --> 00:20:59,400 And the whole chain. 325 00:20:59,860 --> 00:21:01,680 You can't push me back because I'm going to fall. 326 00:21:08,080 --> 00:21:12,120 Seeing Chris in this thing for the first time as his friend, I know it's kind of 327 00:21:12,120 --> 00:21:14,840 sadistic, but from a design standpoint, it's beautiful. 328 00:21:15,440 --> 00:21:22,320 I want this escape to really depict that photo of Clevador. 329 00:21:22,540 --> 00:21:26,800 Now that I'm in this thing, I see how incredibly stressful it is on the body 330 00:21:26,800 --> 00:21:29,980 why Clevador failed and why Houdini never even attempted it. 331 00:21:30,180 --> 00:21:34,700 Now, can you reach your left wrist with your right hand right now? 332 00:21:36,800 --> 00:21:37,800 Come down. 333 00:21:38,060 --> 00:21:39,060 Come down. Down. 334 00:21:44,400 --> 00:21:45,460 Stop. Stop, stop, stop. 335 00:21:46,160 --> 00:21:49,080 The most pain is right here. I don't know. Your thighs. 336 00:21:49,860 --> 00:21:51,640 He's carrying a lot of load here, too. 337 00:21:52,220 --> 00:21:53,220 Well, I think it is. 338 00:21:53,520 --> 00:21:54,439 Yeah. 339 00:21:54,440 --> 00:21:56,600 Mouthpiece. I'm going to bite down on my teeth. 340 00:21:57,700 --> 00:22:00,520 You've got to, at one point, let go with one of your hands. 341 00:22:01,440 --> 00:22:04,640 How do I get my hand out? You've got to pick this lock. 342 00:22:04,940 --> 00:22:08,880 No, he doesn't pick that lock. It's the hasp. It's the hasp. It's the hasp right 343 00:22:08,880 --> 00:22:14,180 here. You are prying the hasp loose so all the screws and bolts come out, and 344 00:22:14,180 --> 00:22:16,700 the lock is still there for the first look. 345 00:22:17,180 --> 00:22:18,760 And it's a one -handed pick. 346 00:22:19,080 --> 00:22:20,740 I think I've got to pick it. 347 00:22:21,100 --> 00:22:24,200 But then you pick this one, and then you pick that one. No, I'm going to pick 348 00:22:24,200 --> 00:22:25,860 them all. And then you pick this one and this one. 349 00:22:26,280 --> 00:22:27,380 You're going to have to pick them all. 350 00:22:28,110 --> 00:22:32,570 To make the demonstration even more challenging for himself, Chris has taken 351 00:22:32,570 --> 00:22:37,290 Clevador's original two -lock configuration and upped the ante to 352 00:22:37,670 --> 00:22:39,190 People are going to think, oh, that's fake. 353 00:22:39,410 --> 00:22:43,450 But if I'm showing that I'm just picking it like I normally do in this crazy 354 00:22:43,450 --> 00:22:49,870 balance, holding my weight scenario, then it really is a challenge for me, a 355 00:22:49,870 --> 00:22:51,330 challenge that I've never attempted. 356 00:22:51,630 --> 00:22:56,270 This demonstration is challenging my physical condition, and I just hope. 357 00:22:56,730 --> 00:23:00,110 that I can escape before I'm choked out. All right, let's go. 358 00:23:04,430 --> 00:23:05,510 Hey, how are you? 359 00:23:05,750 --> 00:23:07,850 I'm good, thank you. Good. How are you? 360 00:23:08,250 --> 00:23:09,250 Hi. Hi. 361 00:23:09,470 --> 00:23:13,530 How are you? The Magic Factory is normally not open to the public. Come 362 00:23:13,810 --> 00:23:17,930 But we've got some contest winners here whose prize was a tour of the factory. 363 00:23:18,010 --> 00:23:19,010 Come on over. 364 00:23:20,790 --> 00:23:23,390 I need somebody to go behind me, okay? 365 00:23:23,630 --> 00:23:24,910 I want you to see a stare. 366 00:23:25,980 --> 00:23:29,640 As a student of human behavior, it gives me the opportunity not only to blow 367 00:23:29,640 --> 00:23:33,860 people's minds, but to bring out the wonderment when they see something they 368 00:23:33,860 --> 00:23:34,860 can't comprehend. 369 00:24:42,219 --> 00:24:47,680 In my first attempt, I learned that this is painful. 370 00:24:48,000 --> 00:24:49,100 It's difficult. 371 00:24:49,340 --> 00:24:50,340 It's uncomfortable. 372 00:24:51,040 --> 00:24:54,340 and it puts a tremendous amount of torque on my body and my neck. 373 00:25:00,140 --> 00:25:06,980 With the 374 00:25:06,980 --> 00:25:10,640 amount of stress and pain caused by hanging like this, I have to figure out 375 00:25:10,640 --> 00:25:15,180 I'm going to escape five locks over a pit of 250 alligators. 376 00:25:16,740 --> 00:25:18,120 I just hope I can do it. 377 00:25:31,020 --> 00:25:34,820 Well, fortunately for Chris, he's in the best physical condition of his life, 378 00:25:34,960 --> 00:25:37,920 which should at least give him a fighting chance at success. 379 00:25:38,920 --> 00:25:43,060 That's it. The alligators try to jump up until you pull up like that. And now we 380 00:25:43,060 --> 00:25:44,980 bring you around and we swing you to the ground. 381 00:25:46,100 --> 00:25:47,220 Coming up. 382 00:25:53,120 --> 00:25:59,440 If you fall in there, there is nothing that anybody can possibly do to get you 383 00:25:59,440 --> 00:26:00,440 out. 384 00:26:06,060 --> 00:26:09,780 Chris wanted me to try to, I really want to learn how to pick this lock and he 385 00:26:09,780 --> 00:26:12,080 said to try and I'm so close. 386 00:26:12,840 --> 00:26:13,840 We're going. 387 00:26:14,760 --> 00:26:15,760 Right now. 388 00:26:24,760 --> 00:26:28,700 In three days, I'm going to attempt a demonstration in Florida that no one has 389 00:26:28,700 --> 00:26:31,660 accomplished and no one has attempted in a hundred years. 390 00:26:32,190 --> 00:26:35,950 I'm going to be up against the clock then, but right now I got to test my 391 00:26:35,950 --> 00:26:39,950 ability to perform under pressure. I wanted to create a challenge for myself 392 00:26:39,950 --> 00:26:44,470 put my talent literally on the line and have some consequences if I was wrong. 393 00:26:45,110 --> 00:26:48,350 Now, I know you don't know what you will win if I am wrong. 394 00:26:50,750 --> 00:26:53,810 One million dollars. 395 00:26:56,010 --> 00:26:59,450 One million dollars right here. 396 00:26:59,710 --> 00:27:04,300 You will gain a million dollars. If I am wrong, I will give you the opportunity 397 00:27:04,300 --> 00:27:10,580 to hide this $100 ,000 in any bag you'd like. 398 00:27:11,240 --> 00:27:14,720 I'll have three minutes to find this $100 ,000. 399 00:27:15,200 --> 00:27:19,560 If I don't do it in three minutes with the art of Hellstromism, which is the 400 00:27:19,560 --> 00:27:24,340 of muscle reading, then you'll get $1 million cash. 401 00:27:25,060 --> 00:27:28,800 I'm going to go in that corner over there. I will be completely blind with 402 00:27:28,800 --> 00:27:30,220 hands. You'll cover up my eyes. 403 00:27:30,700 --> 00:27:34,380 And one person is going to hide this money. 404 00:27:34,700 --> 00:27:38,300 And you're standing in front of me, looking at me like you can use a million 405 00:27:38,300 --> 00:27:40,160 dollars. Can you use a million dollars? 406 00:27:40,560 --> 00:27:41,680 I can. Very much so. 407 00:27:42,120 --> 00:27:46,960 You are going to be my challenge. 408 00:27:47,960 --> 00:27:48,960 What is your name? 409 00:27:51,860 --> 00:27:52,860 Now, 410 00:27:53,420 --> 00:27:55,680 honestly, have we ever met before? No. 411 00:27:56,520 --> 00:28:01,400 The term muscle reading goes back to the 1870s to describe the work of mentalist 412 00:28:01,400 --> 00:28:02,720 J. Randall Brown. 413 00:28:02,940 --> 00:28:06,600 I don't think Brown had a million dollars on the line, but I'm definitely 414 00:28:06,600 --> 00:28:08,000 putting my skills to the test. 415 00:28:09,020 --> 00:28:10,420 You have that $100 ,000? 416 00:28:10,900 --> 00:28:13,760 I do. Take it and hide it now. 417 00:28:14,120 --> 00:28:17,940 Okay. Wherever you like, don't talk to me. I don't want to know where you are. 418 00:28:17,940 --> 00:28:20,120 don't want to get a sense of what part of the story you're in. 419 00:28:20,420 --> 00:28:25,100 $1 million on the line if I don't find that money. 420 00:28:25,690 --> 00:28:27,270 In three minutes. 421 00:28:28,670 --> 00:28:30,330 Shay, please let me know when you're back. 422 00:28:34,930 --> 00:28:37,350 I'm back. Are you happy with where you put the money? 423 00:28:37,670 --> 00:28:40,710 Yeah. So you hid it in a place you don't believe I'll find it, yeah? 424 00:28:40,970 --> 00:28:44,330 Yeah. Good. All right, you can remove your hands. Why don't you see my eyes 425 00:28:44,330 --> 00:28:45,069 still closed? 426 00:28:45,070 --> 00:28:46,830 Now, Shay, come to my right, please. 427 00:28:47,130 --> 00:28:50,470 Take your right hand and touch my wrist. Hold on to my wrist. 428 00:28:50,700 --> 00:28:53,600 Take your left hand, grab my shoulder. No matter where I move, you're going to 429 00:28:53,600 --> 00:28:55,440 follow me, no matter how fast or how slow. 430 00:28:55,640 --> 00:29:00,440 You're going to follow me. I'm going to try to determine where that money is by 431 00:29:00,440 --> 00:29:01,960 how you react to my movement. 432 00:29:02,180 --> 00:29:06,100 Okay. Start the time now. 433 00:29:08,020 --> 00:29:13,540 For me, it's about always keeping in tune mentally, physically. 434 00:29:14,060 --> 00:29:18,620 Everything is controlled upstairs, and the mental drives the physical. It tells 435 00:29:18,620 --> 00:29:19,640 your body what to do. 436 00:29:20,250 --> 00:29:26,210 In the alligator escape, I really got to be as sharp as I possibly can, and 437 00:29:26,210 --> 00:29:31,390 that's going to require me just making sure my chops are up to speed. 438 00:29:33,550 --> 00:29:34,550 What's the time? 439 00:29:34,870 --> 00:29:35,870 2 .13. 440 00:29:40,490 --> 00:29:44,510 2 .30. 441 00:29:48,830 --> 00:29:49,830 What is it? 442 00:30:20,419 --> 00:30:24,280 I've never been around that much money before. It didn't really hit me until 443 00:30:24,280 --> 00:30:28,500 timer. went down for the three minutes. And I was like, oh my goodness, this is 444 00:30:28,500 --> 00:30:30,220 real. My heart was racing. 445 00:30:30,420 --> 00:30:31,299 I was sweating. 446 00:30:31,300 --> 00:30:34,580 I was just kind of in shock. I could have been a millionaire today. 447 00:30:35,240 --> 00:30:39,080 This million dollars goes back to the bank. 448 00:30:39,480 --> 00:30:40,940 Thank you so much, everybody. 449 00:30:42,700 --> 00:30:44,300 And we're off to Florida. 450 00:30:55,050 --> 00:30:56,050 It could be a tight squeeze. 451 00:30:56,270 --> 00:30:57,410 It could be a really tight squeeze. 452 00:30:58,010 --> 00:30:59,750 It's going to have to come like right through here. 453 00:30:59,990 --> 00:31:01,050 Come straight at me. 454 00:31:01,410 --> 00:31:02,410 It's freaking tight. 455 00:31:03,070 --> 00:31:06,790 Spiro was the first one to say, okay, I got my job done. Let's all pack up and 456 00:31:06,790 --> 00:31:07,790 go to Florida. 457 00:31:07,930 --> 00:31:10,430 No, no, no, no, no. Back, back, back, back, back, back, back, back. 458 00:31:10,670 --> 00:31:13,850 Well, now that we're here, it's looking like the crane we need to suspend Chris 459 00:31:13,850 --> 00:31:16,170 from might not even be able to make its way inside of the location. 460 00:31:16,630 --> 00:31:17,810 Hold it, hold it, hold it. 461 00:31:18,130 --> 00:31:19,130 Holy. 462 00:31:19,470 --> 00:31:20,570 It's going to hit right here. 463 00:31:22,300 --> 00:31:24,980 I hate to say it, but this is typical Spiro. 464 00:31:25,220 --> 00:31:28,400 I think you're going to have to back up again. It would have been good to figure 465 00:31:28,400 --> 00:31:31,980 this out before we got here, but right now, we've got to get this handled 466 00:31:31,980 --> 00:31:34,040 together before Chris gets wind of it. 467 00:31:39,380 --> 00:31:44,600 This is Jeremy, the alligator handler. I'm 24 hours away from the 468 00:31:44,940 --> 00:31:49,060 My team is attaching the torture device to the crane that I'll be hanging from. 469 00:31:49,390 --> 00:31:51,930 The first thing I want to do is get my eyes on these alligators. 470 00:31:54,090 --> 00:31:55,090 Wow. 471 00:31:55,290 --> 00:31:56,290 That's incredible. 472 00:31:56,330 --> 00:32:00,110 Pushing the limits is what makes Chris Chris. But this isn't making a dove 473 00:32:00,110 --> 00:32:02,510 appear from a mask. There's no illusion of this escape. 474 00:32:02,770 --> 00:32:04,070 And if he falls, he dies. 475 00:32:05,170 --> 00:32:09,530 I come up with this stuff when I'm in my shower, in my car, in my house. And 476 00:32:09,530 --> 00:32:14,510 then we get together and we talk about it. And then I'm here and I'm like, what 477 00:32:14,510 --> 00:32:15,510 the f*** am I thinking? 478 00:32:15,890 --> 00:32:17,950 I was all for alligators in the beginning. 479 00:32:18,520 --> 00:32:21,920 I know they'll definitely excite the crowd. But now that I see them up close, 480 00:32:22,140 --> 00:32:24,280 it's clear that it's a life and death situation. 481 00:32:24,900 --> 00:32:26,160 Will it be a quick death? 482 00:32:26,800 --> 00:32:28,720 It's going to be a painful one. 483 00:32:28,940 --> 00:32:31,020 It won't be quick? How long will it take them to kill me? 484 00:32:32,000 --> 00:32:33,320 Depends on where they get you. 485 00:32:33,800 --> 00:32:39,880 Because if they get you in the head and they can't spin anything off, they're 486 00:32:39,880 --> 00:32:42,660 going to sit there and bite and crush and push down. 487 00:32:44,320 --> 00:32:49,860 Right. There's no way to sugarcoat this. If you fall in there, there is nothing 488 00:32:49,860 --> 00:32:53,540 that anybody can possibly do to get you out. 489 00:32:53,800 --> 00:32:56,960 Hopefully I won't have to worry about that. If my team has done their job 490 00:32:56,960 --> 00:33:01,600 correctly. And I can escape before I get suffocated. You're eight feet from here 491 00:33:01,600 --> 00:33:02,600 to your fingertips. 492 00:33:02,940 --> 00:33:03,940 Hold on a second, guys. 493 00:33:05,290 --> 00:33:07,610 You're going to make this how high one more time? 20 feet. 494 00:33:08,050 --> 00:33:10,810 Subtract how many feet? 8 feet. 495 00:33:11,050 --> 00:33:14,690 That's 12 feet from the ground. He's saying that he has a 13 -foot alligator. 496 00:33:15,550 --> 00:33:19,350 How many feet do we want from his fingertip to the ground? 497 00:33:19,650 --> 00:33:24,130 You've got to remember that they can go up the whole length. So you have a 12 498 00:33:24,130 --> 00:33:25,190 -foot alligator. 499 00:33:25,530 --> 00:33:30,370 So 20 feet is where we want to be then. You want to be up 20 feet? You guys need 500 00:33:30,370 --> 00:33:31,450 to figure this all out, seriously. 501 00:33:31,690 --> 00:33:32,790 That's what we're doing. 502 00:33:33,450 --> 00:33:35,730 That's what the... We're doing right now, okay? 503 00:33:36,270 --> 00:33:39,210 Spiro's problem is he doesn't worry about the most important details. 504 00:33:39,530 --> 00:33:43,650 And if he'd done his job right, he would have known how big the alligators are. 505 00:33:44,570 --> 00:33:47,470 He's giving us the information we're facing. No, I know. I understand. 506 00:33:47,730 --> 00:33:51,030 This is the time that we're doing all of this. All right. 507 00:33:51,410 --> 00:33:55,170 Are you spot welding this, Tuggy? No. That's not spot welding. Those are weld 508 00:33:55,170 --> 00:33:58,430 welds. Don't you go across the whole thing? You don't have to go across the 509 00:33:58,430 --> 00:34:01,570 whole thing. Why don't you go across the whole thing? That's why there's double 510 00:34:01,570 --> 00:34:06,370 the money. You realize if I phone it, I'm done. No, no. I'm done. There ain't 511 00:34:06,370 --> 00:34:07,089 coming back. 512 00:34:07,090 --> 00:34:07,889 We don't want. 513 00:34:07,890 --> 00:34:10,570 That's the last thing. I'm just explaining to you. Just think bells. 514 00:34:10,989 --> 00:34:12,929 I'm finito. That goes without saying. 515 00:34:14,070 --> 00:34:15,489 Supposed to be my mom on Saturday. 516 00:34:29,420 --> 00:34:34,400 I like a death -defying stunt. Criss Angel, the magician of the century. I'm 517 00:34:34,400 --> 00:34:38,199 CBS4's Gabby Quachman out at the Everglades Alligator Park where 518 00:34:38,199 --> 00:34:41,920 Criss Angel will get shackled into this contraption here. Criss Angel. 519 00:34:42,300 --> 00:34:43,920 Death -defying stunt. 520 00:34:44,800 --> 00:34:48,659 It is amazing to me how magic can go so wrong even when you know what you're 521 00:34:48,659 --> 00:34:49,659 doing. 522 00:34:53,460 --> 00:34:57,139 I can't believe the amount of cars down the street as I freak a mile long. 523 00:34:59,600 --> 00:35:00,538 Good luck. 524 00:35:00,540 --> 00:35:01,540 Thank you. 525 00:35:02,380 --> 00:35:06,900 Chris is here in Florida to prove to himself and to the world that he can 526 00:35:06,900 --> 00:35:10,460 execute and escape Houdini's rival, Cleveland, or fail that, and Houdini 527 00:35:10,460 --> 00:35:11,460 wouldn't even attempt. 528 00:35:11,680 --> 00:35:16,380 All his body weight will be supported by his head and his neck, and we figure he 529 00:35:16,380 --> 00:35:19,460 has just about five minutes to escape before he's rendered unconscious. 530 00:35:41,040 --> 00:35:43,440 is the coming together of weeks of preparation. 531 00:35:44,020 --> 00:35:48,340 The pressure on my shoulders to deliver is overwhelming, but it's something I 532 00:35:48,340 --> 00:35:49,340 gotta do. 533 00:35:59,640 --> 00:36:01,320 We're good and locked on this one. 534 00:36:09,260 --> 00:36:13,340 The bucket hanging above Chris's head will drip rat blood at a constant flow 535 00:36:13,340 --> 00:36:14,580 excite the alligators below. 536 00:36:15,140 --> 00:36:16,860 All right, we're going to get messy. 537 00:39:52,360 --> 00:39:54,480 Defeating Houdini's rival has been a real team effort. 538 00:39:54,740 --> 00:39:59,120 But as much work as it's been getting here and as painful as it was, I can't 539 00:39:59,120 --> 00:40:00,320 imagine doing anything else. 540 00:40:03,960 --> 00:40:06,660 All right, Chris, is this a good spot right now? 541 00:40:11,200 --> 00:40:13,140 Now where do I go? Stay right there. 542 00:40:13,380 --> 00:40:15,100 And what, let go? Just let go. 45549

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.