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What you're about to witness can be
dangerous.
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00:00:03,590 --> 00:00:05,310
Attempting it can result in death.
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00:00:05,610 --> 00:00:06,830
Don't try this at home.
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00:00:08,530 --> 00:00:10,330
On this episode of Believe.
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00:00:10,710 --> 00:00:11,930
Great to see you. Come on in.
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00:00:12,130 --> 00:00:13,130
It's an honor.
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00:00:14,630 --> 00:00:18,230
One million dollars.
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Transform it into a bird.
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I want to be the first person to escape
from a medieval torture device while
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suspended high in the air above a pit of
hungry alligators. You slip, you're
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done. That's it. What the f*** am I
thinking?
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00:00:33,170 --> 00:00:37,750
If I don't do this fast enough, I have
all of that weight bared on my neck. If
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00:00:37,750 --> 00:00:38,750
fall in there, I'm done.
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If you fall in there, there is nothing
that anybody can possibly do to get you
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00:00:44,950 --> 00:00:45,950
out.
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Chris Angel, Believe.
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I don't think you've been back here
before, have you? I don't think so.
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Well, Chris is going to be thrilled to
see you. Right this way. I've been
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performing Believe for five years, and
you never know who's going to walk
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through the door. Thank you so very
much. Thank you so much.
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Great to see you. Come on in.
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Come on in.
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Wow. People don't know that you are a
big magic buff. Yes, I am. Yeah.
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I'm going to do something real simple
because I know you've got limited time,
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and I appreciate you doing it.
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I didn't know if I could use your cell
phone, but I'm looking for a phone to
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show you something. Personal phone? Yes.
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Great. Okay. Thank you. I'm freaking
nervous. I never get nervous either.
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we go. Check this out.
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Chris, this is amazing.
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Thank you.
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Enjoy that? Too much.
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This is too much. Here's a little bit
more.
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Watch the phone.
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Check it out.
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We're going to take it to another level
right now with a picture.
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Drop the phone into the pitcher.
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If you just put your hand out like this,
you're going to hold on to the pitcher.
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I want everybody to see that you can
just turn just like that. Great.
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Keep your finger right above so your
plate doesn't fall.
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Take the phone and take the phone. This
is incredible.
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You want to see one last thing?
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Sure. Hold it in your right hand between
your thumb and index finger for me.
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All right. Like this? Yeah, just
perfect.
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Now check this out. Watch.
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It looks like you have a phone call.
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It's a message.
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Well, maybe I can't say that.
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Well, thank you so much.
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Thank you.
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Always. Amazing is my favorite word for
you. Oh, well, it's an honor. And I'm so
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delighted that you chose to come see me.
Thank you so very much. I wouldn't have
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it any other way.
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Be good, Chris. All right. We'll see you
always.
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All right.
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Magic has been my life since I was six
years old. I sleep, breathe, and dream
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it. Hey man, how are you? How are you?
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I'm always excited to present new
challenges to my team.
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We got a lot to talk about guys,
alright, and gal.
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We are going to be doing something in
this demonstration that I've never done,
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nor has anybody ever done.
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I saw a picture that was very engaging
to me.
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This image is like, you know, this
medieval torture device that Clevador,
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Houdini's rival, his nemesis, back in
the day, early 1900s,
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devised this torture device to escape,
to one -up Houdini, except
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no one ever got out of this thing. That
looks painful.
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It looks insane.
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And the concept is that you have to pick
your way out.
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I think I can maybe be the first person
to do this.
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So my question is this, because it looks
complicated and complex. How many locks
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are you thinking to have on this thing?
The original one, I believe, had two.
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One on this side and then one down by
the right side of the foot.
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It's like being hog pot, but being held
up in the air. I was working in Mexico
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City and they had an exhibition of
medieval torture devices.
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And I think we can take and kind of
tweak that and go in that direction.
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Dark wood and steel and metal, and it
was really kind of creepy. I think it's
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just a device. We just show people how
I'm doing it. I'm picking my way out.
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Chris has been picking lots since he was
12 years old, so picking one or two
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lots normally wouldn't be a challenge.
But picking multiple lots while hanging
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from the head and neck would definitely
put those skills and Chris's ability to
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focus and withstand pain to the test.
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Maybe I can hang over something again,
raising up the stakes.
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You know, because how do you get out of
that? Do you release your hands?
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But then, like, what do you grab onto?
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So why not fall into something that
would kill me?
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Like spikes? That's too magic -y.
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Sharks? That's dangerous.
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What if it's, like, lions or tigers? I
think we do something, like, crazy.
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We should do something like an
alligator.
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Alligator.
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Alligators have a bite force of over 3
,000 pounds.
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That's more than any animal in the whole
world.
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Now, if Chris wants to perform this
escape over something dangerous that'll
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him, alligators are the perfect choice.
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Because, like, sharks, when you put chum
and everything, they go crazy. You
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become human chum.
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I think that's the idea. I think that's
actually a great idea. If maybe we pour
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some type of blood, I don't know what
they feed them.
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But we're talking about...
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Alligators, dude. We're not talking
about... Yeah, and what are we talking
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with everything else that we're doing?
Yeah, I know. Everything. This is
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I mean, you slip. You're done.
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That's it.
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I mean, why are we making mountains of
oil?
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Until we know what the issues are, why
are we making issues out of anything?
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Let's relax, take a deep breath, and
figure it out.
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What we got to do is two things.
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We got to make up a mock -up. Just
something I can get into to see, number
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is that physically possible to be
hanging there for any duration of time
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can physically pick my way out?
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and how many locks that will be.
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Secondly, very important, talking about
alligators, none of us are an expert
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alligator. We need to bring in an expert
consultant.
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And we've got to figure out where we're
going to find all of these alligators. I
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know, but that's... Let me see you. Let
me see you, man. Spiro.
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Here you go. All right, guys. All right.
This demonstration features a medieval
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torture device, ankle restraints,
multiple padlocks.
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Chris will be suspended from a crane
over a pit of alligators.
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Category of magic, escape.
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Hey,
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how are you? Oh my God, how are you?
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That's the one that just worked. That's
the witch.
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I was wishing that I was going to meet
you all right now.
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I had a vision of this.
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Do you mind if I try something with you
right now? I'm always, you know, kind of
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chilling and trying things with just
people. You're throwing pennies in
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Do you have any quarters? Do you have
any quarters?
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00:09:07,650 --> 00:09:08,650
Who has a quarter?
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00:09:08,770 --> 00:09:12,190
Anybody? You have a quarter? Is it all
right if I reach in there? I want you to
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00:09:12,190 --> 00:09:16,910
see at home what's in there. Look, we
have a penny, a couple pennies, a dime,
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00:09:16,990 --> 00:09:20,130
and a quarter. You know what? I'm going
to go big. I'm going to take the
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00:09:20,130 --> 00:09:21,130
quarter, okay?
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Now check it out.
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And anybody have a pen?
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A pen.
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You have a pencil, okay.
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An artist?
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Something like that. Yeah?
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Cool.
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Check this out.
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I want you to see that you can actually
see on both sides.
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Completely goes right through the
quarter.
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Now, do me a favor. Come here, man.
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Come here. I want you to pull your shirt
out. Just pull it out with both your
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hands, just like that.
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Now, look, this is where it gets really,
really kind of trippy. Not only does
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the pencil go through the quarter, but
watch.
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When we take it out, look, look, look,
look. Here, take that. Take it.
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Take that.
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Watch.
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You see that? Watch the hole. Watch the
hole. Watch the hole.
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Watch the hole. It's going to mend
itself.
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I don't know how he did it. It just went
right back together. It was no TV magic
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or whatever you guys want to call it. It
was real.
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You know what? Make a wish with it.
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Oh, my God.
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Coming up.
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If I phone it, I'm done.
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That's really crazy.
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To be suspended above a bunch of
alligators. I could totally see myself
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something like this.
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Really? Can you find yourself doing
something like that? Wait, what's that?
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don't think you would want to do that.
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If he gets that caught in his neck,
that's going to freaking hurt him. I
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know. Chris has a wild idea to attempt
an escape where he'll be locked in a
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medieval torture device, covered in
blood, and dangled from a crane over a
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of alligators. Now, the backside, we're
just going to keep this. That just stays
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in there?
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Exactly.
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We don't know if this is too far for him
to reach.
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You've got to try and get all the way
over here. It's really too impossible.
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John's designed the stockade based on
the only reference photo we have, and
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built it out of solid mahogany. It'll be
heavy, but our goal is to be as
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historically accurate as possible.
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You know, from here to here, it's tough,
but if he's able to do that, maybe.
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It's about custom fitting it.
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Yeah, we don't want it that high, Doug.
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A little lower? We want to go more for
the straight squat. When he's in, he's
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going to tend to want to do this.
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Yeah, there's going to be a lot of
pressure on it.
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All of your weight on this next arcade
is here.
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It's literally choking you.
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I hope they have this.
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What is it?
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I want to know, this feathered face
thing.
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Oh, what? It's a type of bird mask.
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I first met Kristen at Lance Burton's
house after she won the National Junior
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Magic Competition.
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I'm grooming Kristen to perform in my
brand new live tour, Whimsical.
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But first, you have to understand the
process.
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There's no difference between street and
stage.
192
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Hi, how are you today? All right.
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00:13:22,440 --> 00:13:27,200
Good. How are you? Good. What can I help
you find today? I am looking for and
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heard that you had like a bird face or
something.
195
00:13:30,840 --> 00:13:34,380
Sure. All of our masks are going to be
right in this area. These are all of our
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00:13:34,380 --> 00:13:36,260
Venetian half masks. Oh, I see.
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00:13:37,390 --> 00:13:39,230
Do you have that white one?
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00:13:39,490 --> 00:13:40,590
Uh -huh. It's cool.
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00:13:40,890 --> 00:13:43,370
Looks good. If it was like a full face.
200
00:13:43,770 --> 00:13:46,350
Okay. Do you have it like in a full
face? I don't have one in stock. I can
201
00:13:46,350 --> 00:13:48,370
definitely custom order one. You can?
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00:13:48,590 --> 00:13:50,590
Can I see that one? Yeah, for sure.
203
00:13:50,950 --> 00:13:53,890
Real quick. Yeah, this one's really
cool. No, this one I was thinking for
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00:13:53,890 --> 00:13:56,050
Belize show. What? You know, have a
mask, boom.
205
00:13:56,670 --> 00:14:00,430
And then I could transform it into a
bird just like that. Just like that.
206
00:14:00,510 --> 00:14:02,190
just like that. That's awesome.
207
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And I handed him the mask, and it turned
into a bird right in front of my eyes.
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00:14:08,010 --> 00:14:09,390
You just never know what's going to
happen.
209
00:14:13,130 --> 00:14:16,090
I pulled some crazy locations out of my
ass working for Critic.
210
00:14:16,440 --> 00:14:19,920
But a pit of hungry alligators is not
something anyone's going to find here in
211
00:14:19,920 --> 00:14:22,760
Las Vegas. Look at the alligator farm
here.
212
00:14:23,280 --> 00:14:26,600
Is that where all the alligators are?
Right in that pit there.
213
00:14:26,840 --> 00:14:30,320
But we got this cool guy. His name is
Jeremy. He's like the alligator handler.
214
00:14:30,420 --> 00:14:33,480
He's like one of the best handlers in
the country.
215
00:14:33,820 --> 00:14:37,100
Usually it's Bureau running around last
minute, but I got to hand it to him.
216
00:14:37,180 --> 00:14:38,380
He's already got his job done.
217
00:14:38,860 --> 00:14:40,380
I don't even have the padlocks yet.
218
00:14:40,700 --> 00:14:41,700
All right, dude. All right.
219
00:14:42,160 --> 00:14:46,500
This place that I found in Florida has
250 alligators and enough space for the
220
00:14:46,500 --> 00:14:48,580
crane where Chris is going to suspend
himself from.
221
00:14:48,960 --> 00:14:52,900
Unfortunately, the only time they can
accommodate us is in two weeks. And
222
00:14:52,900 --> 00:14:56,360
going to light a fire under John and
Doug to dial in and test their medieval
223
00:14:56,360 --> 00:14:57,360
poacher device.
224
00:14:59,460 --> 00:15:01,500
Hi. Good, how are you? How are you?
225
00:15:01,960 --> 00:15:04,600
Awesome. You got your cookies? Yeah.
226
00:15:05,260 --> 00:15:09,940
Not only is Jesse an amazing researcher,
but he definitely knows his food.
227
00:15:11,400 --> 00:15:12,400
Hi, how are you?
228
00:15:12,800 --> 00:15:13,800
What's up? Hi.
229
00:15:14,420 --> 00:15:16,980
Oh, thank you. Thank you. Thank you so
much.
230
00:15:17,220 --> 00:15:19,020
Very kind of you. Thank you. Where are
you from?
231
00:15:19,280 --> 00:15:20,980
We're from England. Hi, nice to meet
you.
232
00:15:21,200 --> 00:15:22,200
Hi, how are you?
233
00:15:22,700 --> 00:15:24,080
Can you show us something?
234
00:15:25,260 --> 00:15:27,640
I can make a cookie disappear.
235
00:15:28,060 --> 00:15:32,800
There you go. Okay, Jeff. Whenever I'm
out, people always want to see me do
236
00:15:32,800 --> 00:15:35,500
something. So I do my best to deliver.
237
00:15:36,180 --> 00:15:37,440
All right, I'm going to try something.
238
00:15:37,660 --> 00:15:39,640
I'm going to try something. All right,
let's try something.
239
00:15:40,280 --> 00:15:43,240
I'm going to try something with your
salt and your pepper, all right? So what
240
00:15:43,240 --> 00:15:45,520
we're going to do, and just real quick,
pause.
241
00:15:53,460 --> 00:15:56,040
Okay, I take the salt and pepper and
integrate it.
242
00:15:56,940 --> 00:15:58,620
About 50 -50 each, yeah?
243
00:15:59,740 --> 00:16:04,260
The crazy thing is when I mix it all
together like this, now, if your girl
244
00:16:04,260 --> 00:16:07,940
doesn't like salt, You don't have to be
here with a tweezer all freaking night
245
00:16:07,940 --> 00:16:10,520
trying to pick each grain of pepper out,
yes?
246
00:16:11,780 --> 00:16:14,860
But you can see it's all integrated. Is
that fair?
247
00:16:15,760 --> 00:16:16,980
It's good to me. It's fair.
248
00:16:18,700 --> 00:16:21,460
All right. I have an interesting
concept.
249
00:16:22,080 --> 00:16:24,380
Instead of doing it physically, can I do
it mentally?
250
00:16:25,240 --> 00:16:30,140
I want you to take your right hand and
just open it up. Just open it up, and
251
00:16:30,140 --> 00:16:33,880
you're going to place it literally right
on top of the pile like this. Good.
252
00:16:34,500 --> 00:16:35,439
Now watch.
253
00:16:35,440 --> 00:16:36,820
You're going to feel your hand get warm.
254
00:16:37,060 --> 00:16:38,580
Tell me when you feel your hand get
warm.
255
00:16:38,900 --> 00:16:39,900
It's getting warm now.
256
00:16:40,600 --> 00:16:41,640
It's getting warm.
257
00:16:43,780 --> 00:16:44,780
Watch.
258
00:16:48,780 --> 00:16:49,860
No way.
259
00:16:52,340 --> 00:16:54,520
Now, move your hand.
260
00:16:56,360 --> 00:16:59,300
Look, look, look, look.
261
00:17:00,400 --> 00:17:03,760
There's the sapper, and there's the dog.
262
00:17:04,380 --> 00:17:06,380
I got to run. Thank you so much. Come
on.
263
00:17:06,619 --> 00:17:07,619
We got to go.
264
00:17:08,200 --> 00:17:09,200
I got a cookie.
265
00:17:09,400 --> 00:17:10,640
Cool. Cheers.
266
00:17:11,660 --> 00:17:14,980
He got my hand, put it on top, and my
hand got really warm.
267
00:17:15,440 --> 00:17:19,420
I don't know how it happened, but the
pepper came through the table. It just
268
00:17:19,420 --> 00:17:20,420
went right through.
269
00:17:20,440 --> 00:17:23,280
I was like right there. I don't know how
he did it.
270
00:17:23,660 --> 00:17:27,079
Most magicians don't want you to see
behind them. You know, you're on stage
271
00:17:27,079 --> 00:17:30,380
they don't want you to see certain
angles. But he was right there. You
272
00:17:30,380 --> 00:17:34,040
everything. There was nothing to hide.
It was right there. Pure magic.
273
00:17:34,540 --> 00:17:35,540
Like, amazing.
274
00:17:36,180 --> 00:17:37,139
Coming up.
275
00:17:37,140 --> 00:17:41,180
I have to whip through this as quickly
as possible. Or I'll hang myself.
276
00:17:51,400 --> 00:17:53,880
As an 11 -year -old kid, Houdini worked
for a locksmith.
277
00:17:54,300 --> 00:17:58,800
That's how he was able to acquire the
skill set to be able to escape many of
278
00:17:58,800 --> 00:18:00,380
demonstrations he did later in life.
279
00:18:00,720 --> 00:18:05,200
I'm going to give you a very beginner's
crash course, okay?
280
00:18:05,640 --> 00:18:09,400
Jesse just picked up the locks from the
hardware store that I'll be using for my
281
00:18:09,400 --> 00:18:14,160
escape. I know he has an interest in
understanding how to pick a lock, so I'm
282
00:18:14,160 --> 00:18:18,560
going to share a basic method with him.
Every lock has a series of pins.
283
00:18:19,110 --> 00:18:22,670
When you put a key in there, it pops the
pins up. But when you're working with a
284
00:18:22,670 --> 00:18:27,210
pick in the beginning form, you need
something to create leverage and torque
285
00:18:27,210 --> 00:18:30,830
that you can constantly keep pressure on
the pins that you're pushing up.
286
00:18:31,250 --> 00:18:34,490
Now, if you notice, I put this little
leverage, a little wrench, if you will,
287
00:18:34,570 --> 00:18:36,870
toward the bottom. I take my pick.
288
00:18:37,510 --> 00:18:39,510
You see the little point there, this
little curve?
289
00:18:39,710 --> 00:18:43,130
Yeah. What I'm going to do is I'm going
to take that, and I'm going to take each
290
00:18:43,130 --> 00:18:45,690
pin that's in this lock, and I'm going
to push it down.
291
00:18:49,320 --> 00:18:54,620
Put some pressure with my little wrench
here, creating torque so that the pins
292
00:18:54,620 --> 00:18:58,200
don't fall back down. Now look, I just
did it. You see, now you can spin this
293
00:18:58,200 --> 00:19:03,240
open like this, and the lock will open
right up. Whoa, that's awesome. Just
294
00:19:03,240 --> 00:19:08,960
that. What's complicated is I'm not
going to be able to have two hands free
295
00:19:09,000 --> 00:19:12,660
you know, to have my little wrench. And
it's basically, I have to create
296
00:19:12,660 --> 00:19:18,400
leverage and pick my way through each
pin at the same time using one tool.
297
00:19:19,000 --> 00:19:23,480
So if I don't do this fast enough, I
have all of that weight being bared on
298
00:19:23,480 --> 00:19:25,980
neck, on my chin.
299
00:19:26,180 --> 00:19:29,640
And so I have to whip through this as
quickly as possible.
300
00:19:29,960 --> 00:19:31,880
Wow. I'll hang myself.
301
00:19:32,160 --> 00:19:33,160
Yeah, I'll hang myself.
302
00:19:33,380 --> 00:19:38,400
So good luck and see if you can pick
that and see how long it takes you.
303
00:19:42,620 --> 00:19:44,640
They're just going to get a hinge on the
backside.
304
00:19:44,980 --> 00:19:48,560
Hinge on the backside. And a half spin
in this lock in the front.
305
00:19:48,970 --> 00:19:52,890
But for the fitting, because we don't
know if this is too far for him to
306
00:19:52,990 --> 00:19:56,710
Prince has challenged himself to escape
from a medieval torture device that
307
00:19:56,710 --> 00:20:00,370
Houdini's rival, Clevedore, designed as
a way to one -up Houdini.
308
00:20:01,490 --> 00:20:06,030
The other part of this equation is this
guy. The question is, when he has these
309
00:20:06,030 --> 00:20:08,650
in here, it's massively heavy.
310
00:20:09,090 --> 00:20:11,490
It's ridiculous. It may be a big
problem.
311
00:20:12,440 --> 00:20:16,500
The build for this demonstration is
complex to begin with, and it doesn't
312
00:20:16,500 --> 00:20:20,640
that Spiro has backed us into a date
less than two weeks away in Florida. You
313
00:20:20,640 --> 00:20:25,040
know, normally we'd have four weeks to
develop an escape like this, so we'll
314
00:20:25,040 --> 00:20:28,060
need to fast -track production without
compromising Chris's safety.
315
00:20:28,440 --> 00:20:29,620
Here he comes now.
316
00:20:29,860 --> 00:20:30,860
Hi.
317
00:20:31,160 --> 00:20:32,119
How are you?
318
00:20:32,120 --> 00:20:35,700
Good, man. How's it going? I know John
and Doug haven't had a lot of time to
319
00:20:35,700 --> 00:20:39,960
really work out the stockade, but it's
putting me in a tough situation because
320
00:20:39,960 --> 00:20:40,980
need to rehearse the thing.
321
00:20:41,280 --> 00:20:42,660
before it needs to ship to Florida.
322
00:20:50,140 --> 00:20:51,440
So how does that lock work?
323
00:20:51,940 --> 00:20:55,860
We're going to drill a hole and put a
lock in right here. The lock over here?
324
00:20:56,560 --> 00:20:59,400
And the whole chain.
325
00:20:59,860 --> 00:21:01,680
You can't push me back because I'm going
to fall.
326
00:21:08,080 --> 00:21:12,120
Seeing Chris in this thing for the first
time as his friend, I know it's kind of
327
00:21:12,120 --> 00:21:14,840
sadistic, but from a design standpoint,
it's beautiful.
328
00:21:15,440 --> 00:21:22,320
I want this escape to really depict that
photo of Clevador.
329
00:21:22,540 --> 00:21:26,800
Now that I'm in this thing, I see how
incredibly stressful it is on the body
330
00:21:26,800 --> 00:21:29,980
why Clevador failed and why Houdini
never even attempted it.
331
00:21:30,180 --> 00:21:34,700
Now, can you reach your left wrist with
your right hand right now?
332
00:21:36,800 --> 00:21:37,800
Come down.
333
00:21:38,060 --> 00:21:39,060
Come down. Down.
334
00:21:44,400 --> 00:21:45,460
Stop. Stop, stop, stop.
335
00:21:46,160 --> 00:21:49,080
The most pain is right here. I don't
know. Your thighs.
336
00:21:49,860 --> 00:21:51,640
He's carrying a lot of load here, too.
337
00:21:52,220 --> 00:21:53,220
Well, I think it is.
338
00:21:53,520 --> 00:21:54,439
Yeah.
339
00:21:54,440 --> 00:21:56,600
Mouthpiece. I'm going to bite down on my
teeth.
340
00:21:57,700 --> 00:22:00,520
You've got to, at one point, let go with
one of your hands.
341
00:22:01,440 --> 00:22:04,640
How do I get my hand out? You've got to
pick this lock.
342
00:22:04,940 --> 00:22:08,880
No, he doesn't pick that lock. It's the
hasp. It's the hasp. It's the hasp right
343
00:22:08,880 --> 00:22:14,180
here. You are prying the hasp loose so
all the screws and bolts come out, and
344
00:22:14,180 --> 00:22:16,700
the lock is still there for the first
look.
345
00:22:17,180 --> 00:22:18,760
And it's a one -handed pick.
346
00:22:19,080 --> 00:22:20,740
I think I've got to pick it.
347
00:22:21,100 --> 00:22:24,200
But then you pick this one, and then you
pick that one. No, I'm going to pick
348
00:22:24,200 --> 00:22:25,860
them all. And then you pick this one and
this one.
349
00:22:26,280 --> 00:22:27,380
You're going to have to pick them all.
350
00:22:28,110 --> 00:22:32,570
To make the demonstration even more
challenging for himself, Chris has taken
351
00:22:32,570 --> 00:22:37,290
Clevador's original two -lock
configuration and upped the ante to
352
00:22:37,670 --> 00:22:39,190
People are going to think, oh, that's
fake.
353
00:22:39,410 --> 00:22:43,450
But if I'm showing that I'm just picking
it like I normally do in this crazy
354
00:22:43,450 --> 00:22:49,870
balance, holding my weight scenario,
then it really is a challenge for me, a
355
00:22:49,870 --> 00:22:51,330
challenge that I've never attempted.
356
00:22:51,630 --> 00:22:56,270
This demonstration is challenging my
physical condition, and I just hope.
357
00:22:56,730 --> 00:23:00,110
that I can escape before I'm choked out.
All right, let's go.
358
00:23:04,430 --> 00:23:05,510
Hey, how are you?
359
00:23:05,750 --> 00:23:07,850
I'm good, thank you. Good. How are you?
360
00:23:08,250 --> 00:23:09,250
Hi. Hi.
361
00:23:09,470 --> 00:23:13,530
How are you? The Magic Factory is
normally not open to the public. Come
362
00:23:13,810 --> 00:23:17,930
But we've got some contest winners here
whose prize was a tour of the factory.
363
00:23:18,010 --> 00:23:19,010
Come on over.
364
00:23:20,790 --> 00:23:23,390
I need somebody to go behind me, okay?
365
00:23:23,630 --> 00:23:24,910
I want you to see a stare.
366
00:23:25,980 --> 00:23:29,640
As a student of human behavior, it gives
me the opportunity not only to blow
367
00:23:29,640 --> 00:23:33,860
people's minds, but to bring out the
wonderment when they see something they
368
00:23:33,860 --> 00:23:34,860
can't comprehend.
369
00:24:42,219 --> 00:24:47,680
In my first attempt, I learned that this
is painful.
370
00:24:48,000 --> 00:24:49,100
It's difficult.
371
00:24:49,340 --> 00:24:50,340
It's uncomfortable.
372
00:24:51,040 --> 00:24:54,340
and it puts a tremendous amount of
torque on my body and my neck.
373
00:25:00,140 --> 00:25:06,980
With the
374
00:25:06,980 --> 00:25:10,640
amount of stress and pain caused by
hanging like this, I have to figure out
375
00:25:10,640 --> 00:25:15,180
I'm going to escape five locks over a
pit of 250 alligators.
376
00:25:16,740 --> 00:25:18,120
I just hope I can do it.
377
00:25:31,020 --> 00:25:34,820
Well, fortunately for Chris, he's in the
best physical condition of his life,
378
00:25:34,960 --> 00:25:37,920
which should at least give him a
fighting chance at success.
379
00:25:38,920 --> 00:25:43,060
That's it. The alligators try to jump up
until you pull up like that. And now we
380
00:25:43,060 --> 00:25:44,980
bring you around and we swing you to the
ground.
381
00:25:46,100 --> 00:25:47,220
Coming up.
382
00:25:53,120 --> 00:25:59,440
If you fall in there, there is nothing
that anybody can possibly do to get you
383
00:25:59,440 --> 00:26:00,440
out.
384
00:26:06,060 --> 00:26:09,780
Chris wanted me to try to, I really want
to learn how to pick this lock and he
385
00:26:09,780 --> 00:26:12,080
said to try and I'm so close.
386
00:26:12,840 --> 00:26:13,840
We're going.
387
00:26:14,760 --> 00:26:15,760
Right now.
388
00:26:24,760 --> 00:26:28,700
In three days, I'm going to attempt a
demonstration in Florida that no one has
389
00:26:28,700 --> 00:26:31,660
accomplished and no one has attempted in
a hundred years.
390
00:26:32,190 --> 00:26:35,950
I'm going to be up against the clock
then, but right now I got to test my
391
00:26:35,950 --> 00:26:39,950
ability to perform under pressure. I
wanted to create a challenge for myself
392
00:26:39,950 --> 00:26:44,470
put my talent literally on the line and
have some consequences if I was wrong.
393
00:26:45,110 --> 00:26:48,350
Now, I know you don't know what you will
win if I am wrong.
394
00:26:50,750 --> 00:26:53,810
One million dollars.
395
00:26:56,010 --> 00:26:59,450
One million dollars right here.
396
00:26:59,710 --> 00:27:04,300
You will gain a million dollars. If I am
wrong, I will give you the opportunity
397
00:27:04,300 --> 00:27:10,580
to hide this $100 ,000 in any bag you'd
like.
398
00:27:11,240 --> 00:27:14,720
I'll have three minutes to find this
$100 ,000.
399
00:27:15,200 --> 00:27:19,560
If I don't do it in three minutes with
the art of Hellstromism, which is the
400
00:27:19,560 --> 00:27:24,340
of muscle reading, then you'll get $1
million cash.
401
00:27:25,060 --> 00:27:28,800
I'm going to go in that corner over
there. I will be completely blind with
402
00:27:28,800 --> 00:27:30,220
hands. You'll cover up my eyes.
403
00:27:30,700 --> 00:27:34,380
And one person is going to hide this
money.
404
00:27:34,700 --> 00:27:38,300
And you're standing in front of me,
looking at me like you can use a million
405
00:27:38,300 --> 00:27:40,160
dollars. Can you use a million dollars?
406
00:27:40,560 --> 00:27:41,680
I can. Very much so.
407
00:27:42,120 --> 00:27:46,960
You are going to be my challenge.
408
00:27:47,960 --> 00:27:48,960
What is your name?
409
00:27:51,860 --> 00:27:52,860
Now,
410
00:27:53,420 --> 00:27:55,680
honestly, have we ever met before? No.
411
00:27:56,520 --> 00:28:01,400
The term muscle reading goes back to the
1870s to describe the work of mentalist
412
00:28:01,400 --> 00:28:02,720
J. Randall Brown.
413
00:28:02,940 --> 00:28:06,600
I don't think Brown had a million
dollars on the line, but I'm definitely
414
00:28:06,600 --> 00:28:08,000
putting my skills to the test.
415
00:28:09,020 --> 00:28:10,420
You have that $100 ,000?
416
00:28:10,900 --> 00:28:13,760
I do. Take it and hide it now.
417
00:28:14,120 --> 00:28:17,940
Okay. Wherever you like, don't talk to
me. I don't want to know where you are.
418
00:28:17,940 --> 00:28:20,120
don't want to get a sense of what part
of the story you're in.
419
00:28:20,420 --> 00:28:25,100
$1 million on the line if I don't find
that money.
420
00:28:25,690 --> 00:28:27,270
In three minutes.
421
00:28:28,670 --> 00:28:30,330
Shay, please let me know when you're
back.
422
00:28:34,930 --> 00:28:37,350
I'm back. Are you happy with where you
put the money?
423
00:28:37,670 --> 00:28:40,710
Yeah. So you hid it in a place you don't
believe I'll find it, yeah?
424
00:28:40,970 --> 00:28:44,330
Yeah. Good. All right, you can remove
your hands. Why don't you see my eyes
425
00:28:44,330 --> 00:28:45,069
still closed?
426
00:28:45,070 --> 00:28:46,830
Now, Shay, come to my right, please.
427
00:28:47,130 --> 00:28:50,470
Take your right hand and touch my wrist.
Hold on to my wrist.
428
00:28:50,700 --> 00:28:53,600
Take your left hand, grab my shoulder.
No matter where I move, you're going to
429
00:28:53,600 --> 00:28:55,440
follow me, no matter how fast or how
slow.
430
00:28:55,640 --> 00:29:00,440
You're going to follow me. I'm going to
try to determine where that money is by
431
00:29:00,440 --> 00:29:01,960
how you react to my movement.
432
00:29:02,180 --> 00:29:06,100
Okay. Start the time now.
433
00:29:08,020 --> 00:29:13,540
For me, it's about always keeping in
tune mentally, physically.
434
00:29:14,060 --> 00:29:18,620
Everything is controlled upstairs, and
the mental drives the physical. It tells
435
00:29:18,620 --> 00:29:19,640
your body what to do.
436
00:29:20,250 --> 00:29:26,210
In the alligator escape, I really got to
be as sharp as I possibly can, and
437
00:29:26,210 --> 00:29:31,390
that's going to require me just making
sure my chops are up to speed.
438
00:29:33,550 --> 00:29:34,550
What's the time?
439
00:29:34,870 --> 00:29:35,870
2 .13.
440
00:29:40,490 --> 00:29:44,510
2 .30.
441
00:29:48,830 --> 00:29:49,830
What is it?
442
00:30:20,419 --> 00:30:24,280
I've never been around that much money
before. It didn't really hit me until
443
00:30:24,280 --> 00:30:28,500
timer. went down for the three minutes.
And I was like, oh my goodness, this is
444
00:30:28,500 --> 00:30:30,220
real. My heart was racing.
445
00:30:30,420 --> 00:30:31,299
I was sweating.
446
00:30:31,300 --> 00:30:34,580
I was just kind of in shock. I could
have been a millionaire today.
447
00:30:35,240 --> 00:30:39,080
This million dollars goes back to the
bank.
448
00:30:39,480 --> 00:30:40,940
Thank you so much, everybody.
449
00:30:42,700 --> 00:30:44,300
And we're off to Florida.
450
00:30:55,050 --> 00:30:56,050
It could be a tight squeeze.
451
00:30:56,270 --> 00:30:57,410
It could be a really tight squeeze.
452
00:30:58,010 --> 00:30:59,750
It's going to have to come like right
through here.
453
00:30:59,990 --> 00:31:01,050
Come straight at me.
454
00:31:01,410 --> 00:31:02,410
It's freaking tight.
455
00:31:03,070 --> 00:31:06,790
Spiro was the first one to say, okay, I
got my job done. Let's all pack up and
456
00:31:06,790 --> 00:31:07,790
go to Florida.
457
00:31:07,930 --> 00:31:10,430
No, no, no, no, no. Back, back, back,
back, back, back, back, back.
458
00:31:10,670 --> 00:31:13,850
Well, now that we're here, it's looking
like the crane we need to suspend Chris
459
00:31:13,850 --> 00:31:16,170
from might not even be able to make its
way inside of the location.
460
00:31:16,630 --> 00:31:17,810
Hold it, hold it, hold it.
461
00:31:18,130 --> 00:31:19,130
Holy.
462
00:31:19,470 --> 00:31:20,570
It's going to hit right here.
463
00:31:22,300 --> 00:31:24,980
I hate to say it, but this is typical
Spiro.
464
00:31:25,220 --> 00:31:28,400
I think you're going to have to back up
again. It would have been good to figure
465
00:31:28,400 --> 00:31:31,980
this out before we got here, but right
now, we've got to get this handled
466
00:31:31,980 --> 00:31:34,040
together before Chris gets wind of it.
467
00:31:39,380 --> 00:31:44,600
This is Jeremy, the alligator handler.
I'm 24 hours away from the
468
00:31:44,940 --> 00:31:49,060
My team is attaching the torture device
to the crane that I'll be hanging from.
469
00:31:49,390 --> 00:31:51,930
The first thing I want to do is get my
eyes on these alligators.
470
00:31:54,090 --> 00:31:55,090
Wow.
471
00:31:55,290 --> 00:31:56,290
That's incredible.
472
00:31:56,330 --> 00:32:00,110
Pushing the limits is what makes Chris
Chris. But this isn't making a dove
473
00:32:00,110 --> 00:32:02,510
appear from a mask. There's no illusion
of this escape.
474
00:32:02,770 --> 00:32:04,070
And if he falls, he dies.
475
00:32:05,170 --> 00:32:09,530
I come up with this stuff when I'm in my
shower, in my car, in my house. And
476
00:32:09,530 --> 00:32:14,510
then we get together and we talk about
it. And then I'm here and I'm like, what
477
00:32:14,510 --> 00:32:15,510
the f*** am I thinking?
478
00:32:15,890 --> 00:32:17,950
I was all for alligators in the
beginning.
479
00:32:18,520 --> 00:32:21,920
I know they'll definitely excite the
crowd. But now that I see them up close,
480
00:32:22,140 --> 00:32:24,280
it's clear that it's a life and death
situation.
481
00:32:24,900 --> 00:32:26,160
Will it be a quick death?
482
00:32:26,800 --> 00:32:28,720
It's going to be a painful one.
483
00:32:28,940 --> 00:32:31,020
It won't be quick? How long will it take
them to kill me?
484
00:32:32,000 --> 00:32:33,320
Depends on where they get you.
485
00:32:33,800 --> 00:32:39,880
Because if they get you in the head and
they can't spin anything off, they're
486
00:32:39,880 --> 00:32:42,660
going to sit there and bite and crush
and push down.
487
00:32:44,320 --> 00:32:49,860
Right. There's no way to sugarcoat this.
If you fall in there, there is nothing
488
00:32:49,860 --> 00:32:53,540
that anybody can possibly do to get you
out.
489
00:32:53,800 --> 00:32:56,960
Hopefully I won't have to worry about
that. If my team has done their job
490
00:32:56,960 --> 00:33:01,600
correctly. And I can escape before I get
suffocated. You're eight feet from here
491
00:33:01,600 --> 00:33:02,600
to your fingertips.
492
00:33:02,940 --> 00:33:03,940
Hold on a second, guys.
493
00:33:05,290 --> 00:33:07,610
You're going to make this how high one
more time? 20 feet.
494
00:33:08,050 --> 00:33:10,810
Subtract how many feet? 8 feet.
495
00:33:11,050 --> 00:33:14,690
That's 12 feet from the ground. He's
saying that he has a 13 -foot alligator.
496
00:33:15,550 --> 00:33:19,350
How many feet do we want from his
fingertip to the ground?
497
00:33:19,650 --> 00:33:24,130
You've got to remember that they can go
up the whole length. So you have a 12
498
00:33:24,130 --> 00:33:25,190
-foot alligator.
499
00:33:25,530 --> 00:33:30,370
So 20 feet is where we want to be then.
You want to be up 20 feet? You guys need
500
00:33:30,370 --> 00:33:31,450
to figure this all out, seriously.
501
00:33:31,690 --> 00:33:32,790
That's what we're doing.
502
00:33:33,450 --> 00:33:35,730
That's what the... We're doing right
now, okay?
503
00:33:36,270 --> 00:33:39,210
Spiro's problem is he doesn't worry
about the most important details.
504
00:33:39,530 --> 00:33:43,650
And if he'd done his job right, he would
have known how big the alligators are.
505
00:33:44,570 --> 00:33:47,470
He's giving us the information we're
facing. No, I know. I understand.
506
00:33:47,730 --> 00:33:51,030
This is the time that we're doing all of
this. All right.
507
00:33:51,410 --> 00:33:55,170
Are you spot welding this, Tuggy? No.
That's not spot welding. Those are weld
508
00:33:55,170 --> 00:33:58,430
welds. Don't you go across the whole
thing? You don't have to go across the
509
00:33:58,430 --> 00:34:01,570
whole thing. Why don't you go across the
whole thing? That's why there's double
510
00:34:01,570 --> 00:34:06,370
the money. You realize if I phone it,
I'm done. No, no. I'm done. There ain't
511
00:34:06,370 --> 00:34:07,089
coming back.
512
00:34:07,090 --> 00:34:07,889
We don't want.
513
00:34:07,890 --> 00:34:10,570
That's the last thing. I'm just
explaining to you. Just think bells.
514
00:34:10,989 --> 00:34:12,929
I'm finito. That goes without saying.
515
00:34:14,070 --> 00:34:15,489
Supposed to be my mom on Saturday.
516
00:34:29,420 --> 00:34:34,400
I like a death -defying stunt. Criss
Angel, the magician of the century. I'm
517
00:34:34,400 --> 00:34:38,199
CBS4's Gabby Quachman out at the
Everglades Alligator Park where
518
00:34:38,199 --> 00:34:41,920
Criss Angel will get shackled into this
contraption here. Criss Angel.
519
00:34:42,300 --> 00:34:43,920
Death -defying stunt.
520
00:34:44,800 --> 00:34:48,659
It is amazing to me how magic can go so
wrong even when you know what you're
521
00:34:48,659 --> 00:34:49,659
doing.
522
00:34:53,460 --> 00:34:57,139
I can't believe the amount of cars down
the street as I freak a mile long.
523
00:34:59,600 --> 00:35:00,538
Good luck.
524
00:35:00,540 --> 00:35:01,540
Thank you.
525
00:35:02,380 --> 00:35:06,900
Chris is here in Florida to prove to
himself and to the world that he can
526
00:35:06,900 --> 00:35:10,460
execute and escape Houdini's rival,
Cleveland, or fail that, and Houdini
527
00:35:10,460 --> 00:35:11,460
wouldn't even attempt.
528
00:35:11,680 --> 00:35:16,380
All his body weight will be supported by
his head and his neck, and we figure he
529
00:35:16,380 --> 00:35:19,460
has just about five minutes to escape
before he's rendered unconscious.
530
00:35:41,040 --> 00:35:43,440
is the coming together of weeks of
preparation.
531
00:35:44,020 --> 00:35:48,340
The pressure on my shoulders to deliver
is overwhelming, but it's something I
532
00:35:48,340 --> 00:35:49,340
gotta do.
533
00:35:59,640 --> 00:36:01,320
We're good and locked on this one.
534
00:36:09,260 --> 00:36:13,340
The bucket hanging above Chris's head
will drip rat blood at a constant flow
535
00:36:13,340 --> 00:36:14,580
excite the alligators below.
536
00:36:15,140 --> 00:36:16,860
All right, we're going to get messy.
537
00:39:52,360 --> 00:39:54,480
Defeating Houdini's rival has been a
real team effort.
538
00:39:54,740 --> 00:39:59,120
But as much work as it's been getting
here and as painful as it was, I can't
539
00:39:59,120 --> 00:40:00,320
imagine doing anything else.
540
00:40:03,960 --> 00:40:06,660
All right, Chris, is this a good spot
right now?
541
00:40:11,200 --> 00:40:13,140
Now where do I go? Stay right there.
542
00:40:13,380 --> 00:40:15,100
And what, let go? Just let go.
45549
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