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1
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Bill.
2
00:00:10,540 --> 00:00:11,540
Bill.
3
00:00:12,680 --> 00:00:13,680
Bill.
4
00:00:15,020 --> 00:00:16,100
Tax refund?
5
00:00:17,300 --> 00:00:18,840
That figure's wrong address.
6
00:00:20,760 --> 00:00:21,820
Hey, Harriet.
7
00:00:22,420 --> 00:00:23,420
Oh.
8
00:00:25,200 --> 00:00:26,200
Tough day?
9
00:00:26,640 --> 00:00:29,460
Yeah, I finally caught up with that
computer thief.
10
00:00:29,960 --> 00:00:32,920
He's been using his boss's name to order
extra equipment.
11
00:00:33,260 --> 00:00:36,580
Well, at least you finally caught him.
Oh, by the way, how's that new assistant
12
00:00:36,580 --> 00:00:37,529
working out?
13
00:00:37,530 --> 00:00:38,530
Not so good.
14
00:00:38,950 --> 00:00:40,170
He's a computer thief.
15
00:00:42,690 --> 00:00:45,850
I heard someone come in. I thought it
might be my date.
16
00:00:47,810 --> 00:00:48,810
Date?
17
00:00:49,850 --> 00:00:52,590
Well, come on then. Sit down and tell us
about it.
18
00:00:53,830 --> 00:00:56,150
So, who's your date?
19
00:00:57,190 --> 00:00:58,190
Fletcher Thomas.
20
00:00:58,390 --> 00:00:59,710
Ooh, he's handsome.
21
00:01:00,030 --> 00:01:02,550
Honey, he is a major hook.
22
00:01:04,459 --> 00:01:08,080
He's taking me out to dinner, and then
we're going dancing. And after that?
23
00:01:08,380 --> 00:01:10,880
Well, now, there may not be any after
that.
24
00:01:11,380 --> 00:01:15,100
When men mumble with mamas, they drop
like flies.
25
00:01:20,300 --> 00:01:23,240
Uh -oh. Please, don't mention it to
Carl.
26
00:01:23,620 --> 00:01:28,460
Every time I get interested in a man,
Carl has a hissy fit.
27
00:01:31,320 --> 00:01:32,480
Hello, Estelle.
28
00:01:32,960 --> 00:01:34,820
You look absolutely beautiful.
29
00:01:35,480 --> 00:01:39,400
Fletcher, if you're trying to sweet
-talk me, good start.
30
00:01:41,820 --> 00:01:44,260
A rose for a rose. Oh.
31
00:01:46,700 --> 00:01:48,140
Don't wait up, honey.
32
00:02:02,800 --> 00:02:08,860
It's a rare condition this day and age
to read any good news on the newspaper
33
00:02:08,860 --> 00:02:12,600
page. Love and tradition of the grand
design.
34
00:02:12,840 --> 00:02:16,300
Some people say it's even harder to
find.
35
00:02:17,360 --> 00:02:23,300
Well, there must be some magic glue
inside these gentle walls.
36
00:02:24,680 --> 00:02:28,200
All I see is a tower of dreams.
37
00:02:28,560 --> 00:02:31,520
Real love bursting out of every scene.
38
00:02:36,060 --> 00:02:39,900
We're going to fill our house with
happiness.
39
00:02:41,780 --> 00:02:46,660
But we'll smother the blues with
deadness.
40
00:02:50,120 --> 00:02:56,320
There's room for you, room for me, for
gentle hearts and opportunity.
41
00:03:01,800 --> 00:03:04,700
It's the bigger love of the family.
42
00:03:19,660 --> 00:03:20,660
Night, Mom.
43
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Night. Have a great... Great color.
44
00:03:25,060 --> 00:03:26,060
Uh -huh.
45
00:03:26,120 --> 00:03:27,120
Gotta study.
46
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Yep. School dance next week at night.
47
00:03:29,910 --> 00:03:33,810
School dance?
48
00:03:34,290 --> 00:03:36,430
Yeah, Sadie Hawkins Day. Girls ask boys.
49
00:03:36,710 --> 00:03:37,750
I'm going to ask Greg Hudson.
50
00:03:38,030 --> 00:03:39,490
Have I met him? No.
51
00:03:39,790 --> 00:03:42,550
But picture a Greek guy with his own
moped.
52
00:03:44,210 --> 00:03:47,190
Well, just make sure Mr. Apollo has you
home before 11.
53
00:03:48,230 --> 00:03:51,550
11? When are you going to realize I'm
becoming a mature woman?
54
00:03:53,470 --> 00:03:56,490
When you can get through breakfast
without spitting Cheerios at your
55
00:04:01,000 --> 00:04:02,940
Hey, is that that new nightgown I bought
you?
56
00:04:03,580 --> 00:04:05,360
Yes. Let me see you model it.
57
00:05:10,890 --> 00:05:11,890
What do you want?
58
00:05:12,090 --> 00:05:13,750
Only to serve you, m 'lady.
59
00:05:15,870 --> 00:05:21,610
What do you
60
00:05:21,610 --> 00:05:28,410
want? Oh, I thought you might
61
00:05:28,410 --> 00:05:30,250
like to ask me to the Sadie Hawkins Day
dance.
62
00:05:31,350 --> 00:05:32,350
Steve, listen.
63
00:05:32,630 --> 00:05:35,830
I was gonna wait for you to call. Then I
realized that would be like waiting for
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00:05:35,830 --> 00:05:37,370
Dan Quayle to appear on Jeopardy.
65
00:06:11,470 --> 00:06:12,730
you and Greg have a good time.
66
00:06:13,010 --> 00:06:16,650
Tell you what, you go ahead and ask Greg
to eat their little cricket Hudson.
67
00:06:17,930 --> 00:06:21,370
But if he turns you down, a decision
which could only be the result of
68
00:06:21,370 --> 00:06:25,150
inbreeding, I'll be there waiting with
the old horse trailer.
69
00:06:25,410 --> 00:06:26,530
Deal? Deal.
70
00:06:37,490 --> 00:06:40,090
Hey, what you gonna do, Willie? I'm
gonna trash Urquhart's locker.
71
00:06:40,540 --> 00:06:41,540
Why you gonna do that, Willie?
72
00:06:43,240 --> 00:06:44,240
Because it's Tuesday.
73
00:06:45,200 --> 00:06:46,200
Again?
74
00:07:19,400 --> 00:07:20,480
Not me, potato face.
75
00:08:07,020 --> 00:08:09,260
small talk. Would you like to go with me
to the city hall because they dance?
76
00:08:14,240 --> 00:08:15,420
I can't, Laura.
77
00:08:15,700 --> 00:08:18,020
I mean, I'd like to, but I... No, you
don't have to explain. I understand.
78
00:08:18,420 --> 00:08:19,720
No, no, no, no. Wait, you don't
understand.
79
00:08:22,480 --> 00:08:23,480
Good grief, man.
80
00:08:23,620 --> 00:08:25,300
Have you just taken leave of your
senses?
81
00:08:26,900 --> 00:08:29,820
You were just asked out by the most
wonderful woman in the world.
82
00:08:30,300 --> 00:08:31,540
Would you keep your voice down?
83
00:08:32,120 --> 00:08:34,480
I'd like to go with Laura, but Willie
won't let me.
84
00:08:35,220 --> 00:08:36,220
Buckner?
85
00:08:36,250 --> 00:08:37,330
The locker looter?
86
00:08:39,210 --> 00:08:43,490
Yeah. He told Laura he wanted her to ask
him to the dance. She said no.
87
00:08:44,110 --> 00:08:48,730
That's my feisty filly. Yeah. He really
is getting back at her. He put out word
88
00:08:48,730 --> 00:08:51,950
that any guy who goes to the dance with
Laura will end up breathing through his
89
00:08:51,950 --> 00:08:52,950
ears.
90
00:08:53,710 --> 00:08:56,270
He wants you to go to the dance alone?
91
00:08:57,170 --> 00:08:59,250
Worse. He wants you to go with you.
92
00:09:58,570 --> 00:09:59,630
You are dead meat.
93
00:10:29,320 --> 00:10:35,420
both want to finish yeah i want you i
want you no
94
00:10:35,420 --> 00:10:42,300
saturday silver's gym in the ring with
proper supervision i'll be there
95
00:10:42,300 --> 00:10:44,720
coach but i got 10 bucks says that urkel
won't show
96
00:11:24,400 --> 00:11:25,400
through with this.
97
00:12:04,430 --> 00:12:05,430
a fighting style.
98
00:12:08,510 --> 00:12:09,510
Steve.
99
00:12:09,770 --> 00:12:10,770
Steve.
100
00:12:11,090 --> 00:12:12,090
Steve.
101
00:12:12,510 --> 00:12:14,970
Huh? That's not a fighting style.
102
00:12:15,570 --> 00:12:16,710
That's a plea for help.
103
00:12:17,430 --> 00:12:18,790
Don't tease me, Carl.
104
00:12:19,470 --> 00:12:20,510
All right, I'll try.
105
00:12:21,230 --> 00:12:26,350
But, Steve, I strongly suggest that you
consider a different strategy.
106
00:12:26,870 --> 00:12:29,350
Instead of trying to hit your opponent,
run from him.
107
00:12:30,150 --> 00:12:33,110
Ah, sort of like an Urkel Shuffle.
Right.
108
00:12:39,530 --> 00:12:41,830
Boxer's most important punch is the jab.
109
00:12:42,050 --> 00:12:44,610
It's a quick, straight blow to your
opponent's face.
110
00:12:45,030 --> 00:12:46,030
Now, let's see your jab.
111
00:12:52,210 --> 00:12:53,210
How's that?
112
00:12:53,750 --> 00:12:54,750
Fine, fine.
113
00:12:56,010 --> 00:12:57,730
Just next time, wait till I'm ready.
114
00:12:58,770 --> 00:12:59,870
Sorry, big guy.
115
00:13:00,110 --> 00:13:02,130
Now, another good punch is the left
hook.
116
00:13:02,370 --> 00:13:06,030
The arm travels in a circular motion,
hopefully connecting with your
117
00:13:06,030 --> 00:13:07,970
chin. And it's a real good punch to
have.
118
00:13:08,330 --> 00:13:10,030
Especially if the other guy's just using
his jab.
119
00:13:13,970 --> 00:13:15,050
Sorry, reflex.
120
00:13:19,230 --> 00:13:23,470
Another good punch to have is the right
cross.
121
00:13:24,090 --> 00:13:25,490
It's a power move.
122
00:13:25,830 --> 00:13:27,510
A knock you out punch.
123
00:13:28,930 --> 00:13:33,150
Now when you see an opening, your right
hand comes across your left hand with
124
00:13:33,150 --> 00:13:34,950
all your weight behind it. Like this.
125
00:13:36,080 --> 00:13:38,440
You don't want to overuse your right
cross. You want to save that for the
126
00:13:38,440 --> 00:13:39,439
perfect moment.
127
00:13:39,440 --> 00:13:42,020
Most of the time, you'll be relying on
your left hook and your jab.
128
00:13:49,440 --> 00:13:50,720
That's enough for the day, Steve.
129
00:13:57,660 --> 00:14:02,380
Still, when we finished that mumbo and
everybody applauded, I was so proud, I
130
00:14:02,380 --> 00:14:03,820
thought I'd bust a gun.
131
00:14:04,910 --> 00:14:08,630
Be honest, Fletcher. They applauded
because you split your pants.
132
00:14:11,690 --> 00:14:14,710
Oh, Fletcher, I had a wonderful time.
133
00:14:14,930 --> 00:14:15,849
Me too.
134
00:14:15,850 --> 00:14:16,809
Good night.
135
00:14:16,810 --> 00:14:17,810
Good night.
136
00:14:43,530 --> 00:14:45,970
Stella's son. She told me an awful lot
about you.
137
00:14:46,310 --> 00:14:47,310
Oh, really?
138
00:14:47,450 --> 00:14:48,409
That's funny.
139
00:14:48,410 --> 00:14:50,010
She hasn't mentioned a thing about you.
140
00:14:50,970 --> 00:14:53,010
By the way, I'm a cop.
141
00:14:55,270 --> 00:14:56,270
That's nice.
142
00:14:56,330 --> 00:15:01,570
Well, good night again, Estelle. Good
night, Fletcher. And thanks again for a
143
00:15:01,570 --> 00:15:05,270
wonderful, lovely evening. The pleasure
was all mine.
144
00:15:12,270 --> 00:15:13,370
Pleasure? What pleasure?
145
00:15:13,790 --> 00:15:15,210
Don't start with me, Carl.
146
00:15:16,710 --> 00:15:19,210
Mama, you were kissing that man.
147
00:15:19,450 --> 00:15:20,450
So?
148
00:15:20,570 --> 00:15:21,830
Well, you're my mother.
149
00:15:22,050 --> 00:15:23,510
Moms aren't supposed to do that stuff.
150
00:15:24,450 --> 00:15:26,950
If mothers didn't do that stuff, you
wouldn't be here.
151
00:15:30,730 --> 00:15:34,570
But, but... I think I'm getting a
headache.
152
00:15:36,950 --> 00:15:37,950
Carl, honey.
153
00:15:39,510 --> 00:15:40,570
Fletcher's a good man.
154
00:15:41,900 --> 00:15:44,640
He enjoys my company and I enjoy his.
155
00:15:45,900 --> 00:15:47,320
That's good, Mama. Really good.
156
00:15:47,700 --> 00:15:48,760
I'm happy for you.
157
00:15:49,080 --> 00:15:50,320
Bless you, sweetheart.
158
00:15:53,380 --> 00:15:54,380
Fletcher Thomas.
159
00:15:54,720 --> 00:15:55,880
You sure that's his real name?
160
00:15:56,640 --> 00:15:57,640
Yeah.
161
00:15:57,900 --> 00:15:58,940
I'll run a make on him.
162
00:16:51,720 --> 00:16:52,720
Really touched.
163
00:20:39,210 --> 00:20:40,830
You want me to go to the dance with you?
I'd like to.
164
00:20:41,670 --> 00:20:43,910
Thanks, Greg, but I've decided to go
with my champion.
165
00:20:45,850 --> 00:20:48,150
Steve, will you go with me to the Sadie
Hawkins Day Dance?
12293
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