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Previously on "The Hunting Party"...
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It's called the Pit.
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It's home to the most dangerous
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and violent criminals in history,
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all of whom the world
believes are dead,
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or at least it was until the blast hit.
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How many inmates got out?
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The exact number is unclear,
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but you're here, Agent Henderson,
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- to help us catch 'em.
- How is Sam?
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Adopting her was
the best thing I ever did.
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- Dr. Dulles.
- Hi, Dad.
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Right after Odell received
his mysterious phone call
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warning him about the blast,
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he drove to this storage facility.
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What the hell are we looking at?
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The one in blue are the
satellite coordinates for the Pit.
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[dramatic music]
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[truck rumbles]
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[Cypress Hill's "Insane in the Brain"]
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♪ Damn, I feel like the Son of Sam ♪
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♪ Don't make me wreck, hectic ♪
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♪ Next get the chair got me
going like General Electric ♪
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♪ And the lights are blinking,
I'm thinking ♪
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♪ It's all over
when I go out drinking ♪
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♪ Oh, making my mind slow
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- Make it quick.
- Thanks for stopping.
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♪ Bro, I got to maintain
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♪ 'Cause a [...] like me
is going insane ♪
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♪ Insane in the membrane
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♪ Insane in the brain
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♪ Insane in the membrane
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[cd skipping]
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[distorted hip-hop music]
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♪
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♪
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♪ Insane in the brain
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♪ Insane in the membrane
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[grunts]
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[crowbar thudding]
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[ominous music]
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♪
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[Cypress Hill's "Insane in the Brain"]
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♪ Insane in the brain
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♪ Do my [...] undercover
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♪ Now it's time for the blubber ♪
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♪ Blabber, to watch
that belly get fatter ♪
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♪ Fat boy on a diet, don't try it ♪
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♪ I'll jack your ass
like a looter in a riot ♪
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♪ My [...] fat, like a sumo
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♪ Slamming that ass
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♪ Leaving your face in the grass ♪
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♪ You know I don't take
a do low lightly ♪
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♪ Punks just jealous 'cause
they can't outwrite me ♪
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♪ Or kick that style, wicked, wild ♪
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♪ Happy face [...]
never seen me smile ♪
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♪ Rip that mainframe, I'll explain ♪
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[gasps]
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♪ A [...] like me is going insane ♪
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[humming melody]
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[solemn orchestral music]
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♪
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[deep rumble]
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Come on.
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[deep rumbling]
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♪
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- [sighs]
- You're gonna die tonight.
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[exhales]
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[phone ringing]
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♪
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[phone chirps and clicks]
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[line trilling]
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Mom, what's going on?
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- Hey, honey.
- Hey, why can't you video?
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- Uh, 'cause I gotta work.
- So?
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I still want to see your face.
Why are you being so sketch?
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- Did you get bangs?
- [chuckles]
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- Do they look awful?
- I did not get bangs.
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It's just been a week, OK?
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Things at the casino
have just been crazy.
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[phone rumbles]
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- Can I call you back, actually?
- Whatever.
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Later, Bex.
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[phone clicks]
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- Hey, what's up?
- Hey, I got an update.
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I sent a friend of mine the coordinates
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that we found in Odell's storage unit.
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What kind of friend?
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The kind that works
in counterintelligence.
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Let's see what we find
in the satellite images
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he comes back with, but until then...
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I need you to play nice with Odell.
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Just pretend everything is normal.
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You mean pretend
that he hasn't been secretly
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in contact with
my daughter behind my back?
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- They're just birthday cards.
- [scoffs]
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From my daughter to the man who may
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or may not have blown up the Pit.
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I understand, but if you
confront Odell right now,
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he'll know that we're onto him,
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and he'll start covering his tracks.
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If it was your daughter,
would you wait?
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[knocking]
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No, but you're going to have to,
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'cause we just got a hit.
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[tense music]
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[indistinct radio chatter]
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Hey, we got a live one.
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Morales, put it up.
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[monitor beeps]
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- Morning.
- Good morning.
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Facial recognition flagged
an escapee in the background
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of an Instagram post.
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Roy Barber, outside of Eugene, Oregon.
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The Couples Killer.
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We might have studied him at Quantico.
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Might be the first time a selfie's done
some good in the world.
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Roy Barber,
born to Lou and Lois Barber.
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He was raised on an isolated pecan farm
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near the Florida-Georgia line
until, at 14,
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his father killed his mother
in a murder-suicide.
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After bouncing around various
juvenile detention centers,
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Barber moved to Orlando in 1988,
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where he started making
a living as a caricature artist
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- outside of amusement parks.
- Ew.
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Starting in '93, Barber terrorized
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the roads of Florida and
Georgia for nearly a decade,
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hiding out at rest stops
waiting for his ideal prey,
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romantic partners.
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He murdered 16 people,
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one couple every 10 to 14 months,
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leaving no trace of his victims except
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for their blood-drenched vehicles.
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Finally, in 2001,
a hunting dog caught a scent
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in the marshlands near Orlando.
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Local authorities were able
to recover the skeletal remains
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of Harry Caldwell.
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He and his wife Bridget had
disappeared six months earlier.
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It was this discovery
that cracked the case
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and ultimately led to Roy's arrest.
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But it wound up
being a massive PR disaster
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- for the local cops.
- Why?
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Because Barber had graduated
from being a caricature artist
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to a police sketch artist.
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He was working with all
the cops who just happened
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to be investigating his case.
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He was working with the cops?
That is cocky as hell.
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It's also a great education
on how to escape detection.
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- Get yourselves to Oregon.
- Yes, sir.
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♪
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[plane whooshing]
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Growing up, it was, uh,
just me and my mom
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and my dad on our farm.
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My mom and I, we would work the farm,
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you know, do the chores. Long hours.
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You know, it wasn't too bad.
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My dad, he was a drinker, you know?
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Not a pleasant man, a violent man.
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And one year, well, he lost his way.
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Human beings are solitary creatures.
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You know, we're meant to live alone,
die alone,
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not suffer the company of others.
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[chuckles] You'd be surprised
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the things people say when
they know the end is near.
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It can be enlightening to test
a relationship to its limits.
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♪
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Mom. [laughs]
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How about you just give us
the bullet points, huh?
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Yeah, why not?
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Uh, the profiler who wrote
the case study
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on Barber diagnosed him
as a textbook schizoid
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with full-blown sociopathy.
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And for those of us
without psychology degrees?
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Schizoid personality disorder
refers to someone
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with little to no interest or ability
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to form relationships with others.
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So it is of no surprise here
that our friend Barber
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lived alone, had no
close friends or family,
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and his sole interest was his art.
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And killing. Can't forget the killing.
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So the guy doesn't like to socialize.
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Trust me, I get it.
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But wouldn't it be easier
to just be a hermit?
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Why bother murdering couples?
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Because after being raised
by some, you know,
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less-than-stellar parents,
he became absolutely
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fascinated with love.
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He wasn't on my cell block,
but the other guards
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had a nickname for him.
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They called him the Happy Camper.
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I mean, according to his file,
he was the ideal prisoner.
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He was well-behaved, cooperative.
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So if isolation is his thing,
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the Pit is basically the Ritz-Carlton.
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The question is, now that he's out,
where does he go?
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[Frank and Nancy Sinatra's
"Somethin' Stupid"]
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♪ I know I stand in line
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♪ Until you think you have the time ♪
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♪ To spend an evening with me ♪
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♪
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♪ And if we go someplace to dance ♪
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♪ I know that there's a chance ♪
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♪ You won't be leaving with me ♪
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♪
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♪ Then afterwards, we drop into ♪
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♪ A quiet little place
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♪ And have a drink or two
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♪
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♪ And then I go
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[knocks]
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♪ And spoil it all
by saying something stupid ♪
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♪ Like I love you
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[chuckles]
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00:08:44,943 --> 00:08:45,998
You.
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00:08:46,023 --> 00:08:48,193
[tense music]
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00:08:48,194 --> 00:08:51,639
But you're... you're dead.
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00:08:53,630 --> 00:08:55,810
Aren't you going to invite me in?
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Hon, who is it?
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00:08:58,830 --> 00:09:01,908
[breathing heavily]
220
00:09:01,909 --> 00:09:07,783
♪
221
00:09:07,784 --> 00:09:09,924
Crystal, go back inside.
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00:09:10,950 --> 00:09:13,369
Buddy, you got a problem?
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00:09:14,008 --> 00:09:17,055
♪
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00:09:17,056 --> 00:09:18,750
I do now.
225
00:09:19,876 --> 00:09:22,170
John, run!
226
00:09:22,755 --> 00:09:25,757
[dramatic music]
227
00:09:25,758 --> 00:09:32,722
♪
228
00:09:40,772 --> 00:09:43,730
[indistinct radio chatter]
229
00:09:43,731 --> 00:09:46,515
[tense music]
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00:09:47,379 --> 00:09:49,355
- What do they know so far?
- Not much.
231
00:09:49,380 --> 00:09:51,339
We intercepted the neighbor's 911
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00:09:51,340 --> 00:09:54,159
that describes Barber.
Cops are grasping at straws.
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00:09:54,535 --> 00:09:56,630
Got us 15 minutes,
then we have to hand it
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00:09:56,631 --> 00:09:58,096
- back over to the locals.
- OK.
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00:09:58,097 --> 00:10:00,473
What are we this time,
Homeland Security? DEA?
236
00:10:00,474 --> 00:10:03,294
Secret Service.
Governor lives a mile away.
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00:10:04,030 --> 00:10:11,079
♪
238
00:10:11,080 --> 00:10:13,611
[exhales sharply]
239
00:10:13,612 --> 00:10:16,656
John and Crystal Resnick,
married May 10th, 2015,
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00:10:16,657 --> 00:10:19,701
Eugene, Oregon. No kids, both retired.
241
00:10:19,702 --> 00:10:21,577
No warrants or outstanding litigation.
242
00:10:21,578 --> 00:10:23,918
Roy could have killed them
twice with a beating like that.
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00:10:23,919 --> 00:10:26,041
Well, he hasn't lost
his flair for overdoing it.
244
00:10:26,139 --> 00:10:27,610
Where's the wife?
245
00:10:27,836 --> 00:10:34,800
♪
246
00:10:37,981 --> 00:10:40,417
This couple is older
than Roy's usual victims.
247
00:10:40,442 --> 00:10:43,944
- That's new.
- Sure, and he's older too.
248
00:10:43,972 --> 00:10:47,254
Maybe he thought a younger couple
would put up too much of a fight.
249
00:10:50,114 --> 00:10:51,634
Somebody's awful quiet.
250
00:10:53,218 --> 00:10:56,055
Roy always chose his victims at random.
251
00:10:56,572 --> 00:10:58,573
The method was planned,
but the targets weren't.
252
00:10:58,574 --> 00:10:59,907
This feels like the opposite.
253
00:10:59,908 --> 00:11:01,894
He chose these victims...
254
00:11:03,228 --> 00:11:05,163
but then he improvised the kill.
255
00:11:05,164 --> 00:11:08,125
Improvised murder weapons
implies impulsivity.
256
00:11:09,281 --> 00:11:11,612
- Huh.
- I've been reading up.
257
00:11:12,613 --> 00:11:14,448
So why did he choose this couple?
258
00:11:14,657 --> 00:11:15,965
Do you think he knew them?
259
00:11:15,966 --> 00:11:17,951
I mean, the guy had zero friends.
260
00:11:18,100 --> 00:11:19,239
Criminal associates?
261
00:11:19,264 --> 00:11:21,268
As far as we know, Roy was a lone wolf.
262
00:11:21,293 --> 00:11:22,008
[line trilling]
263
00:11:22,033 --> 00:11:23,582
Odell, it's Bex.
264
00:11:25,851 --> 00:11:27,143
What do you got?
265
00:11:27,144 --> 00:11:29,729
So this wasn't random.
Roy Barber chose these vics.
266
00:11:29,730 --> 00:11:32,356
Can we get a deep dive
on John and Crystal Resnick?
267
00:11:32,357 --> 00:11:34,108
- Odell.
- Hold on, hold on.
268
00:11:34,109 --> 00:11:35,397
We just got something.
269
00:11:35,422 --> 00:11:37,237
Neighbor's camera caught
the car Roy was driving.
270
00:11:37,238 --> 00:11:39,113
A blue Ford Escape, Idaho plates,
271
00:11:39,114 --> 00:11:41,200
registered to a Wendy Hosmer
out of Twin Falls.
272
00:11:41,433 --> 00:11:42,992
Not reported stolen yet.
273
00:11:42,993 --> 00:11:45,495
Sir, the car popped on
a plate scanner 30 minutes ago.
274
00:11:45,496 --> 00:11:47,163
- Where?
- Stand by.
275
00:11:47,164 --> 00:11:48,816
Tracking it now.
276
00:11:49,104 --> 00:11:50,943
The car's at the
Portland train station.
277
00:11:50,968 --> 00:11:53,002
So he has a car,
but he's taking the train?
278
00:11:53,003 --> 00:11:54,504
He just committed a double homicide.
279
00:11:54,505 --> 00:11:56,005
- He's ditching the car.
- Get there.
280
00:11:56,006 --> 00:11:57,006
We're on our way.
281
00:11:57,007 --> 00:11:58,633
And keep looking for
connections between John
282
00:11:58,634 --> 00:11:59,884
and Crystal and Roy.
283
00:11:59,885 --> 00:12:01,345
We need to know where he's going.
284
00:12:01,594 --> 00:12:07,164
♪
285
00:12:07,165 --> 00:12:11,690
[train whistle blares]
286
00:12:11,691 --> 00:12:13,344
Attention Portland passengers traveling
287
00:12:13,345 --> 00:12:15,316
to Sacramento, your train
will be arriving
288
00:12:15,317 --> 00:12:16,984
on track one in six minutes...
289
00:12:16,985 --> 00:12:18,152
How you doing?
290
00:12:18,153 --> 00:12:19,738
One-way to San Francisco, please.
291
00:12:20,886 --> 00:12:22,783
Sorry, no Amex.
292
00:12:22,850 --> 00:12:24,059
Seriously?
293
00:12:25,310 --> 00:12:27,229
Fine. Whatever.
294
00:12:27,771 --> 00:12:29,982
Driver's license or state ID?
295
00:12:30,524 --> 00:12:32,208
You want my birth certificate too?
296
00:12:32,209 --> 00:12:35,821
Government ID is required
for all interstate rail travel.
297
00:12:36,542 --> 00:12:39,196
♪
298
00:12:39,197 --> 00:12:40,415
[keyboard clacking]
299
00:12:40,416 --> 00:12:47,553
♪
300
00:12:47,698 --> 00:12:48,751
Next.
301
00:12:49,718 --> 00:12:51,587
[phone rumbles]
302
00:12:52,121 --> 00:12:54,313
[indistinct chatter]
303
00:12:54,314 --> 00:12:56,649
- I can't talk right now.
- I don't care.
304
00:12:56,650 --> 00:12:58,901
Hassani is pulling
keyhole satellite images
305
00:12:58,902 --> 00:13:01,571
of six silos. One of them is Silo 12.
306
00:13:01,572 --> 00:13:04,657
- How does he know about 12?
- I have no idea.
307
00:13:04,658 --> 00:13:06,450
He knows something about the blast.
308
00:13:06,451 --> 00:13:08,369
Find out what. [knocking]
309
00:13:08,370 --> 00:13:09,746
I gotta go.
310
00:13:12,357 --> 00:13:14,485
Sir, you got to see this.
311
00:13:16,887 --> 00:13:18,280
How is this possible?
312
00:13:18,697 --> 00:13:19,673
[phone rings]
313
00:13:19,674 --> 00:13:21,090
Hey, we just landed. What's up?
314
00:13:21,091 --> 00:13:22,009
You were right.
315
00:13:22,010 --> 00:13:23,535
There's something else going on.
316
00:13:23,994 --> 00:13:26,413
We pulled info on Crystal Resnick,
317
00:13:26,789 --> 00:13:28,707
and there is no Crystal Resnick.
318
00:13:28,732 --> 00:13:30,558
According to our records,
she doesn't exist
319
00:13:30,559 --> 00:13:32,018
prior to 2001.
320
00:13:32,019 --> 00:13:33,769
What is she, some kind of con artist?
321
00:13:33,770 --> 00:13:35,271
This has government prints all over it.
322
00:13:35,272 --> 00:13:37,189
It looks like witness protection.
323
00:13:37,190 --> 00:13:39,650
Maybe she was a witness for
the prosecution in Roy's case,
324
00:13:39,651 --> 00:13:41,235
and this is payback
for testifying against him.
325
00:13:41,236 --> 00:13:42,236
Why would she need WITSEC?
326
00:13:42,237 --> 00:13:44,155
Roy confessed to the killings
the day he was caught.
327
00:13:44,156 --> 00:13:45,281
Who was she before '01?
328
00:13:45,282 --> 00:13:47,074
- Still digging.
- Dig faster.
329
00:13:47,075 --> 00:13:48,519
We're on our way.
330
00:13:48,832 --> 00:13:51,703
[train horn blares]
331
00:13:51,704 --> 00:13:53,998
[siren blaring]
332
00:13:53,999 --> 00:13:55,317
There it is.
333
00:13:55,526 --> 00:13:57,069
[tires screech]
334
00:13:57,280 --> 00:13:58,889
[suspenseful music]
335
00:13:58,914 --> 00:14:00,322
He's still in there.
336
00:14:01,174 --> 00:14:08,012
♪
337
00:14:08,013 --> 00:14:09,680
Roy Barber, this is the FBI.
338
00:14:09,681 --> 00:14:11,557
Step out of the car with
your hands open and raised.
339
00:14:11,558 --> 00:14:12,892
This is your only warning.
340
00:14:12,893 --> 00:14:15,128
Get out of the car, or we'll open fire.
341
00:14:15,153 --> 00:14:19,667
♪
342
00:14:19,692 --> 00:14:20,676
Go.
343
00:14:21,051 --> 00:14:23,561
♪
344
00:14:23,562 --> 00:14:25,597
- Shane, cover me.
- Moving.
345
00:14:27,099 --> 00:14:28,350
Got you.
346
00:14:28,817 --> 00:14:36,260
♪
347
00:14:36,319 --> 00:14:38,485
It's not him. It's not him!
348
00:14:39,118 --> 00:14:40,670
We need a medic over here.
349
00:14:40,671 --> 00:14:42,114
Call an ambulance.
350
00:14:42,698 --> 00:14:44,340
We need EMS immediately.
351
00:14:44,341 --> 00:14:46,133
- Portland train station.
- Bex.
352
00:14:46,134 --> 00:14:48,052
Roy's not here.
He ditched the car and left a body.
353
00:14:48,053 --> 00:14:50,638
This one's still breathing.
Oliver, are you listening?
354
00:14:50,639 --> 00:14:52,057
Yeah, I heard you.
355
00:14:52,156 --> 00:14:54,126
- But there's something else.
- What happened?
356
00:14:54,626 --> 00:14:56,727
We tracked down
Crystal Resnick's real name.
357
00:14:56,728 --> 00:14:58,463
It's Bridget Caldwell.
358
00:14:58,881 --> 00:14:59,981
Wait, isn't that...
359
00:14:59,982 --> 00:15:01,899
She's one of Roy's original victims.
360
00:15:01,900 --> 00:15:04,386
The file says he killed her
two decades ago.
361
00:15:04,560 --> 00:15:06,301
♪
362
00:15:10,252 --> 00:15:12,185
[siren whooping]
363
00:15:12,435 --> 00:15:13,937
[tires screech]
364
00:15:14,647 --> 00:15:17,332
Roy Barber killed
Bridget Caldwell 24 years ago.
365
00:15:17,333 --> 00:15:18,583
How is this possible?
366
00:15:18,584 --> 00:15:19,986
We're trying to figure that out.
367
00:15:20,119 --> 00:15:22,178
Her husband's body was
the only one they found.
368
00:15:22,179 --> 00:15:23,638
Hers was never recovered.
369
00:15:23,639 --> 00:15:25,056
What's the working theory? She escaped?
370
00:15:25,057 --> 00:15:26,391
But why not go to the authorities?
371
00:15:26,392 --> 00:15:28,476
She knew that he was
arrested and convicted.
372
00:15:28,477 --> 00:15:30,003
Not to mention executed.
373
00:15:30,004 --> 00:15:31,021
No time for theories.
374
00:15:31,022 --> 00:15:33,398
We need to find Barber
before he hurts anyone else.
375
00:15:33,399 --> 00:15:34,634
I'm on it.
376
00:15:34,659 --> 00:15:37,094
[keyboards clacking]
377
00:15:38,534 --> 00:15:41,948
[tense music]
378
00:15:41,949 --> 00:15:43,617
Pull up CCTV of the ticket booths
379
00:15:43,618 --> 00:15:44,977
for the last two hours.
380
00:15:45,561 --> 00:15:49,122
♪
381
00:15:49,123 --> 00:15:50,775
There he is. Play it.
382
00:15:51,526 --> 00:15:54,362
- And there's Roy behind him.
- But why attack the guy?
383
00:15:54,524 --> 00:15:56,489
Dead men don't have valid ID.
384
00:15:56,739 --> 00:15:59,132
He nearly killed this guy
for a train ticket?
385
00:15:59,133 --> 00:16:00,508
Wrong place, wrong time.
386
00:16:00,509 --> 00:16:03,746
Question is, where was the suit going?
387
00:16:03,895 --> 00:16:09,378
♪
388
00:16:09,445 --> 00:16:12,015
[train rattling]
389
00:16:12,040 --> 00:16:14,006
[train horn blares]
390
00:16:14,729 --> 00:16:17,731
[ominous music]
391
00:16:17,762 --> 00:16:24,943
♪
392
00:16:28,195 --> 00:16:29,288
Hey, what you got?
393
00:16:29,289 --> 00:16:31,458
Roy Barber is on
the 1:00 to San Francisco.
394
00:16:31,459 --> 00:16:33,634
- Cameras on those trains?
- Negative.
395
00:16:33,635 --> 00:16:34,833
We need to stop that train.
396
00:16:34,834 --> 00:16:36,336
The moment we do, Barber
will know something is up,
397
00:16:36,337 --> 00:16:37,712
- and he'll bolt.
- OK.
398
00:16:37,713 --> 00:16:39,510
What about USTrak security?
399
00:16:39,511 --> 00:16:41,359
I'm not getting some rent-a-cop killed.
400
00:16:41,384 --> 00:16:44,303
If you leave now, you can catch
up to the train at the Redding station.
401
00:16:44,648 --> 00:16:47,737
[train rattling]
402
00:16:47,738 --> 00:16:49,434
♪
403
00:16:49,435 --> 00:16:50,725
OK, ready?
404
00:16:50,726 --> 00:16:54,171
One, two, and...
405
00:16:54,964 --> 00:16:56,132
B!
406
00:16:56,465 --> 00:16:57,883
That's a letter, bud.
407
00:16:58,217 --> 00:17:00,361
[cereal clatters] Sorry.
408
00:17:00,577 --> 00:17:03,666
[tense music]
409
00:17:03,667 --> 00:17:06,538
♪
410
00:17:06,539 --> 00:17:07,742
Come on, buddy.
411
00:17:07,743 --> 00:17:09,812
Let's go find Mom before
she thinks we're lost, huh?
412
00:17:10,737 --> 00:17:17,743
♪
413
00:17:17,768 --> 00:17:19,405
Tickets, folks.
414
00:17:19,746 --> 00:17:22,139
♪
415
00:17:22,164 --> 00:17:24,295
[plane whooshes]
416
00:17:24,296 --> 00:17:26,954
I don't see how anyone walks
away from something like that.
417
00:17:27,330 --> 00:17:29,723
Bridget Caldwell
survives this nightmare,
418
00:17:29,724 --> 00:17:31,912
becomes Crystal Resnick, and then lives
419
00:17:31,913 --> 00:17:33,184
some kind of normal life?
420
00:17:33,185 --> 00:17:34,602
Maybe she didn't want the attention.
421
00:17:34,603 --> 00:17:36,229
A lot of victims don't come forward.
422
00:17:36,230 --> 00:17:38,633
They do if they've been
through something like that.
423
00:17:39,224 --> 00:17:40,877
♪
424
00:17:40,878 --> 00:17:43,528
Roy Barber obsessed over
his victims in the Pit.
425
00:17:43,529 --> 00:17:46,072
He would draw them over
and over and over again.
426
00:17:46,073 --> 00:17:47,782
I mean, this kind of
fantastic indulgence
427
00:17:47,783 --> 00:17:49,492
is normal in hedonistic killers,
428
00:17:49,493 --> 00:17:51,562
but there's something more here.
429
00:17:52,897 --> 00:17:54,815
He's immortalizing them.
430
00:17:56,261 --> 00:18:02,005
♪
431
00:18:02,006 --> 00:18:03,282
Ticket, sir.
432
00:18:04,241 --> 00:18:11,430
♪
433
00:18:11,822 --> 00:18:14,768
It's dry skin, you know?
434
00:18:14,769 --> 00:18:16,462
Cracks sometimes.
435
00:18:16,827 --> 00:18:19,655
♪
436
00:18:19,656 --> 00:18:21,265
[scanner chirps]
437
00:18:21,266 --> 00:18:25,269
♪
438
00:18:25,270 --> 00:18:27,489
[train whistle blares]
439
00:18:27,490 --> 00:18:28,933
Hey, look at this.
440
00:18:29,326 --> 00:18:31,868
Roy drew all of his victims
hundreds of times.
441
00:18:31,869 --> 00:18:34,705
Over the years,
some of the subjects would age.
442
00:18:34,814 --> 00:18:36,080
Others wouldn't.
443
00:18:36,081 --> 00:18:37,582
Is there some kind of pattern?
444
00:18:37,583 --> 00:18:39,125
None of the men age.
445
00:18:39,126 --> 00:18:41,946
The women, they all do.
446
00:18:43,197 --> 00:18:46,200
Well, that's creepy as hell.
Why would he do that?
447
00:18:46,868 --> 00:18:49,161
Because Roy knew the women
weren't actually dead.
448
00:18:49,599 --> 00:18:51,679
So you're saying all
these women are still alive?
449
00:18:51,680 --> 00:18:53,080
There's no way they all escaped.
450
00:18:53,081 --> 00:18:54,016
No.
451
00:18:54,017 --> 00:18:56,961
So Barber let them go in exchange
for what, their silence?
452
00:18:58,216 --> 00:19:01,398
What if the women were in
on all of the murders?
453
00:19:02,133 --> 00:19:03,699
♪ Insane in the membrane
454
00:19:03,700 --> 00:19:05,353
[crowbar thudding]
455
00:19:05,354 --> 00:19:07,442
[Cypress Hill's "Insane in the Brain"]
456
00:19:07,443 --> 00:19:10,010
[exhales]
457
00:19:10,011 --> 00:19:11,600
What do we do now?
458
00:19:12,184 --> 00:19:15,745
Roy gets rid of the husbands,
frames it as a double homicide.
459
00:19:15,746 --> 00:19:17,497
Why not just hire
a good old-fashioned hitman?
460
00:19:17,498 --> 00:19:19,290
Because these women know
that if their husband
461
00:19:19,291 --> 00:19:20,583
randomly gets murdered,
462
00:19:20,584 --> 00:19:22,194
they are the number one suspect.
463
00:19:22,445 --> 00:19:24,754
But you don't need an alibi
if everyone thinks you're dead.
464
00:19:24,755 --> 00:19:27,027
Right, and Roy's crime scenes
left no room for survivors.
465
00:19:27,028 --> 00:19:28,680
I mean, no one would
have suspected a thing.
466
00:19:28,681 --> 00:19:29,968
Wait, hang on. Slow down.
467
00:19:29,969 --> 00:19:32,720
We have no evidence that any
of the other women survived.
468
00:19:32,721 --> 00:19:34,999
And even if they did,
even if they were in on it,
469
00:19:35,291 --> 00:19:36,863
how would they go about finding
470
00:19:36,864 --> 00:19:38,351
brand-new identities for themselves?
471
00:19:38,352 --> 00:19:39,253
Roy.
472
00:19:39,355 --> 00:19:41,020
He worked at police stations for years.
473
00:19:41,021 --> 00:19:42,480
He knew the cracks in the system.
474
00:19:42,481 --> 00:19:43,749
He knew the blind spots.
475
00:19:43,774 --> 00:19:45,468
He knew how to cover his tracks.
476
00:19:45,493 --> 00:19:46,943
[train rattling]
477
00:19:46,944 --> 00:19:49,263
[train horn blares]
478
00:19:49,513 --> 00:19:56,797
♪
479
00:20:08,983 --> 00:20:12,116
[breathing rapidly]
480
00:20:16,940 --> 00:20:19,335
Attention travelers,
please be reminded,
481
00:20:19,336 --> 00:20:21,044
that parking at the Mt. Shasta station
482
00:20:21,045 --> 00:20:23,004
is limited to designated areas.
483
00:20:23,005 --> 00:20:24,314
[Billie Eilish's "Bury a Friend"]
484
00:20:24,315 --> 00:20:26,185
♪ What do you want from me? ♪
485
00:20:26,186 --> 00:20:28,144
♪ Why don't you run from me?
486
00:20:28,145 --> 00:20:29,623
♪ What are you wondering?
487
00:20:29,624 --> 00:20:32,063
- Hey, what's up?
- Roy Barber just got off the train.
488
00:20:32,088 --> 00:20:34,006
- Where?
- Mt. Shasta.
489
00:20:34,007 --> 00:20:35,257
I'll tell the pilots.
490
00:20:35,258 --> 00:20:36,717
What the hell is in Mt. Shasta?
491
00:20:36,718 --> 00:20:39,162
Not what. Who.
492
00:20:39,682 --> 00:20:42,891
♪ Come here - ♪ Say it, spit it out
493
00:20:43,192 --> 00:20:45,393
♪ What is it exactly you're paying? ♪
494
00:20:45,394 --> 00:20:47,316
♪ Is the amount cleaning you out? ♪
495
00:20:47,317 --> 00:20:49,014
♪ Am I satisfactory?
496
00:20:49,015 --> 00:20:50,398
♪ Today I'm thinking about
497
00:20:51,132 --> 00:20:52,483
♪ The things that are deadly
498
00:20:52,484 --> 00:20:53,775
That doesn't make any sense.
499
00:20:53,776 --> 00:20:55,194
Why would any of these women ask
500
00:20:55,195 --> 00:20:57,472
a police sketch artist for
help killing their husbands?
501
00:20:57,931 --> 00:21:00,365
What if Barber was the one
that initiated contact?
502
00:21:00,366 --> 00:21:02,114
His pathology was shaped on the fact
503
00:21:02,115 --> 00:21:04,246
that his abusive father
murdered his mother,
504
00:21:04,247 --> 00:21:06,705
so what if he saw these women
as a surrogate for her?
505
00:21:06,706 --> 00:21:09,041
He can't save her life,
so he decides to save theirs.
506
00:21:09,042 --> 00:21:10,709
There's no evidence
that any of these women
507
00:21:10,710 --> 00:21:12,337
were in abusive relationships.
508
00:21:12,635 --> 00:21:15,732
Guys, in the year before
Bridget Caldwell's death,
509
00:21:15,757 --> 00:21:18,842
her husband was arrested for
drunk and disorderly three times.
510
00:21:18,843 --> 00:21:20,302
She bailed him out each time.
511
00:21:20,303 --> 00:21:22,743
Roy worked at that police
station for a decade.
512
00:21:22,744 --> 00:21:24,484
He would have crossed paths
with Bridget Caldwell,
513
00:21:24,485 --> 00:21:26,225
and through the prism of his childhood,
514
00:21:26,226 --> 00:21:28,670
he would have seen her as
someone that needed saving.
515
00:21:29,003 --> 00:21:31,146
- Nice work, Morales.
- Here's another one.
516
00:21:31,147 --> 00:21:33,649
Six months before Kyle
and Trisha Franklin's death,
517
00:21:33,650 --> 00:21:36,794
they were both brought into the
Tampa Police Station for petty larceny,
518
00:21:36,819 --> 00:21:39,112
but were released
before charges were ever filed.
519
00:21:39,113 --> 00:21:41,281
OK, so that's two women
in messy marriages
520
00:21:41,282 --> 00:21:43,084
that would have jumped
at the chance to start over,
521
00:21:43,109 --> 00:21:45,244
even if that means
killing their own husbands.
522
00:21:45,245 --> 00:21:48,038
There's just no way
that a schizoid personality
523
00:21:48,039 --> 00:21:52,026
with little to no social skills
would approach these women.
524
00:21:53,035 --> 00:21:54,878
Unless the original profile is wrong.
525
00:21:54,879 --> 00:21:56,865
What if he's not a true schizoid?
526
00:21:57,532 --> 00:21:59,508
In those interviews,
he talks about himself
527
00:21:59,509 --> 00:22:01,218
as if he was alone,
but he was always working
528
00:22:01,219 --> 00:22:02,971
on the farm with his mother.
529
00:22:03,455 --> 00:22:06,583
She was the only person
he actually cared about.
530
00:22:07,375 --> 00:22:10,186
So what if he thought that
he was freeing these women,
531
00:22:10,645 --> 00:22:14,466
from their lives, from their marriages?
532
00:22:14,709 --> 00:22:18,190
♪
533
00:22:18,261 --> 00:22:20,013
What do we do now?
534
00:22:20,805 --> 00:22:22,765
Well, we talked about this.
535
00:22:23,867 --> 00:22:25,260
[blade clicks]
536
00:22:25,285 --> 00:22:28,746
They need to find blood
from the both of you.
537
00:22:30,420 --> 00:22:32,442
♪ I wanna end me
538
00:22:32,553 --> 00:22:34,960
♪ I wanna, I wanna, I wanna
539
00:22:34,961 --> 00:22:37,113
And then you'll make me disappear?
540
00:22:38,955 --> 00:22:40,966
♪ What do you want from me? ♪
541
00:22:40,967 --> 00:22:42,843
♪ When we all fall asleep
542
00:22:42,844 --> 00:22:44,412
♪ Where do we go?
543
00:22:44,652 --> 00:22:47,349
Morales, gather the last known images
544
00:22:47,350 --> 00:22:48,640
of Barber's other female victims,
545
00:22:48,641 --> 00:22:50,392
put them through the Bureau's
predictive aging program,
546
00:22:50,393 --> 00:22:52,269
and then have our analysts
run the aged photos
547
00:22:52,270 --> 00:22:53,812
through a facial recognition database.
548
00:22:53,813 --> 00:22:54,938
Roger that.
549
00:22:54,939 --> 00:22:57,403
You know, Roy always claimed
the solitude of the Pit
550
00:22:57,404 --> 00:22:58,796
was what made him so happy,
551
00:22:58,797 --> 00:23:00,667
but I'm starting to think
that he was so content
552
00:23:00,668 --> 00:23:02,680
'cause he knew he had us all fooled.
553
00:23:04,193 --> 00:23:05,600
We land in five.
554
00:23:06,643 --> 00:23:09,369
[doors squeaks, clicks]
555
00:23:09,370 --> 00:23:10,939
Hi, honey.
556
00:23:11,984 --> 00:23:13,816
Wow, it smells great in here.
557
00:23:15,030 --> 00:23:16,361
Hi.
558
00:23:16,771 --> 00:23:19,296
[ominous music]
559
00:23:19,297 --> 00:23:21,407
Can you taste this for salt?
560
00:23:22,158 --> 00:23:23,618
Who the hell are you?
561
00:23:23,865 --> 00:23:25,344
An old friend of Linda's.
562
00:23:25,345 --> 00:23:27,121
[chuckles] Who the hell are you?
563
00:23:28,740 --> 00:23:30,458
I'm Linda's husband.
564
00:23:30,749 --> 00:23:34,882
♪
565
00:23:34,907 --> 00:23:36,965
Yeah, I'm so sorry to hear that.
566
00:23:37,315 --> 00:23:39,968
♪
567
00:23:40,616 --> 00:23:41,653
Bex...
568
00:23:42,103 --> 00:23:44,556
I just got those satellite images
back from my friend.
569
00:23:46,018 --> 00:23:47,824
These are the six coordinates,
570
00:23:47,825 --> 00:23:50,144
Including the rescue efforts
at the Pit.
571
00:23:51,813 --> 00:23:54,831
This is where Silo 12 is located.
572
00:23:54,832 --> 00:23:56,276
You see that shadow?
573
00:23:56,898 --> 00:23:58,502
That photo's been doctored.
574
00:23:58,503 --> 00:24:00,045
Do you know the
security clearance you need
575
00:24:00,046 --> 00:24:02,048
to doctor raw keyhole satellite images?
576
00:24:02,164 --> 00:24:04,367
And why doctor this and not the Pit?
577
00:24:05,243 --> 00:24:07,245
What's more top secret than the Pit?
578
00:24:07,787 --> 00:24:09,763
I don't know, but whatever is out there
579
00:24:09,764 --> 00:24:11,890
is important enough
to erase from every database
580
00:24:11,891 --> 00:24:13,209
on the planet.
581
00:24:14,612 --> 00:24:16,436
Sir, we got a thousand
possible matches,
582
00:24:16,437 --> 00:24:18,256
but only one in Mt. Shasta.
583
00:24:19,841 --> 00:24:21,551
Linda Agosti.
584
00:24:23,052 --> 00:24:24,903
Also known as Trisha Franklin,
585
00:24:24,904 --> 00:24:26,514
Roy's second victim.
586
00:24:27,407 --> 00:24:29,669
That's where he's going. Nice work.
587
00:24:29,670 --> 00:24:31,060
Tell the team.
588
00:24:31,335 --> 00:24:34,293
[tense music]
589
00:24:34,675 --> 00:24:36,407
♪
590
00:24:36,432 --> 00:24:39,444
Ger-bear, are you home?
591
00:24:39,653 --> 00:24:41,088
♪
592
00:24:41,810 --> 00:24:44,382
There you are. How was tennis?
593
00:24:44,753 --> 00:24:50,323
♪
594
00:24:51,247 --> 00:24:53,916
[water sloshing]
595
00:24:53,941 --> 00:24:56,810
♪
596
00:24:56,811 --> 00:24:59,505
Linda, Linda, Linda.
597
00:25:00,089 --> 00:25:02,508
You just never learn, do you?
598
00:25:03,134 --> 00:25:04,260
How?
599
00:25:05,178 --> 00:25:08,723
Honey, how do you know this man?
600
00:25:09,303 --> 00:25:11,826
♪
601
00:25:12,020 --> 00:25:14,035
Why are you here?
602
00:25:14,036 --> 00:25:16,147
To teach you a lesson.
603
00:25:17,065 --> 00:25:18,650
Again.
604
00:25:18,893 --> 00:25:20,852
♪
605
00:25:25,174 --> 00:25:26,342
[cork pops]
606
00:25:28,093 --> 00:25:29,637
Picture this.
607
00:25:30,179 --> 00:25:31,889
22-year-old Linda.
608
00:25:32,431 --> 00:25:35,809
Back then, she was Trisha.
609
00:25:36,727 --> 00:25:38,645
Depressed, lost.
610
00:25:39,233 --> 00:25:42,874
But she meets a handsome
charmer of a guy named Kyle,
611
00:25:43,026 --> 00:25:45,903
and she thinks he's
a solution to all her problems.
612
00:25:47,029 --> 00:25:49,740
My mom was the same way
when she met my dad.
613
00:25:50,921 --> 00:25:52,618
It's a tale as old as time.
614
00:25:52,910 --> 00:25:55,162
But Kyle's got problems, too...
615
00:25:55,317 --> 00:25:58,207
debt, unfaithfulness.
616
00:25:58,999 --> 00:26:02,044
Their marriage was troubled.
617
00:26:02,909 --> 00:26:06,965
One night, those two
end up at the station,
618
00:26:07,507 --> 00:26:10,318
and I could see how trapped she was.
619
00:26:10,319 --> 00:26:11,887
What did you say to me?
620
00:26:13,013 --> 00:26:15,724
[together] - I want to be free.
- I want to be free.
621
00:26:17,426 --> 00:26:19,285
And I said I could help you.
622
00:26:19,286 --> 00:26:21,912
[tense music]
623
00:26:21,913 --> 00:26:23,315
What are you saying?
624
00:26:24,259 --> 00:26:25,984
Linda, what did you do?
625
00:26:27,740 --> 00:26:30,530
[engine rumbling]
626
00:26:31,135 --> 00:26:32,965
Husband's name is Gerald.
627
00:26:32,966 --> 00:26:35,217
Retired exec. Worked at Avon.
628
00:26:35,218 --> 00:26:37,554
Let's hope Gerry can fight
better than her first hubby.
629
00:26:38,174 --> 00:26:40,853
[tires squeal]
630
00:26:47,760 --> 00:26:50,275
Your story, it... it can't be real.
631
00:26:50,372 --> 00:26:53,261
Well, it's as real
as that scar on her arm.
632
00:26:54,835 --> 00:26:56,848
What did you tell him,
how you got that?
633
00:26:57,140 --> 00:26:58,892
Pilates injury?
634
00:27:01,103 --> 00:27:02,787
A surgical scar.
635
00:27:02,788 --> 00:27:04,777
[laughs]
636
00:27:06,476 --> 00:27:08,026
I'm sorry.
637
00:27:09,403 --> 00:27:11,530
Did you ki...
638
00:27:12,948 --> 00:27:15,257
Kill her first husband? No.
639
00:27:15,258 --> 00:27:18,578
[laughs] I did that for her.
640
00:27:20,247 --> 00:27:24,100
Yeah, Kyle was a cancer
eating her alive.
641
00:27:24,101 --> 00:27:25,811
I saw that she needed help,
642
00:27:26,962 --> 00:27:29,506
saw where that path would lead her.
643
00:27:30,841 --> 00:27:32,634
She needed to start over.
644
00:27:33,885 --> 00:27:37,014
She needed the second chance
that nobody gave my mother.
645
00:27:38,223 --> 00:27:41,059
Poor Linda didn't learn
her lesson, did she?
646
00:27:41,560 --> 00:27:44,771
Because then she went and fell for you.
647
00:27:45,564 --> 00:27:48,025
Gerald isn't Kyle.
648
00:27:48,703 --> 00:27:51,069
[sniffles] I'm happy now.
649
00:27:51,784 --> 00:27:53,447
I don't need your help.
650
00:27:54,698 --> 00:27:57,242
Yes, Trisha, you do.
651
00:27:58,657 --> 00:28:00,832
Why doesn't anybody ever learn?
652
00:28:00,833 --> 00:28:03,165
Look, there's 10 grand in my safe.
653
00:28:04,166 --> 00:28:06,058
Take the watches and the jewelry too.
654
00:28:06,059 --> 00:28:08,603
- [gun slams]
- Watches and jewelry?
655
00:28:08,839 --> 00:28:11,021
Are you even listening to me?
656
00:28:11,022 --> 00:28:13,775
Please, don't hurt us.
657
00:28:14,151 --> 00:28:15,776
No! Don't touch her!
658
00:28:15,777 --> 00:28:16,970
[grunts]
659
00:28:18,221 --> 00:28:20,766
Well, I guess we have
to try this again.
660
00:28:21,224 --> 00:28:22,463
[door slams]
661
00:28:22,464 --> 00:28:25,422
[suspenseful music]
662
00:28:25,423 --> 00:28:32,604
♪
663
00:28:34,476 --> 00:28:36,156
Kitchen's clear!
664
00:28:36,181 --> 00:28:39,748
♪
665
00:28:39,935 --> 00:28:42,079
- There's nothing upstairs.
- We're too late.
666
00:28:42,662 --> 00:28:44,289
What'd you find?
667
00:28:44,442 --> 00:28:46,269
♪
668
00:28:47,602 --> 00:28:49,211
[line trilling]
669
00:28:49,236 --> 00:28:50,854
- Hey, Morales.
- Talk to me.
670
00:28:50,855 --> 00:28:53,147
Barber is on the move,
and he's taking them with him.
671
00:28:53,148 --> 00:28:54,982
I need a location on
Linda's silver Mercedes.
672
00:28:54,983 --> 00:28:56,151
On it.
673
00:28:57,107 --> 00:29:04,331
♪
674
00:29:09,923 --> 00:29:11,534
[grunts]
675
00:29:13,316 --> 00:29:14,839
- All right, come on.
- Where's Gerald?
676
00:29:14,864 --> 00:29:15,837
- Let's go.
- [whimpering]
677
00:29:15,838 --> 00:29:16,863
Come on.
678
00:29:20,158 --> 00:29:22,135
[whimpers] Where's Gerald?
679
00:29:22,393 --> 00:29:25,134
[breathing heavily]
680
00:29:25,135 --> 00:29:28,137
[ominous music]
681
00:29:28,138 --> 00:29:29,312
♪
682
00:29:29,313 --> 00:29:31,314
[engine rumbling]
683
00:29:31,315 --> 00:29:35,144
♪
684
00:29:35,145 --> 00:29:36,424
Stand by.
685
00:29:36,967 --> 00:29:39,151
Long straight, then left.
686
00:29:39,152 --> 00:29:40,403
You're almost there.
687
00:29:42,935 --> 00:29:46,017
You know, I'm not a bad person.
688
00:29:46,518 --> 00:29:50,372
I believe in second chances
and forgiveness.
689
00:29:50,441 --> 00:29:57,490
♪
690
00:29:57,515 --> 00:29:59,573
[gasps] Oh, my God.
691
00:30:00,115 --> 00:30:02,659
- Gerald!
- [groaning]
692
00:30:04,619 --> 00:30:08,498
But forgiveness must be earned.
693
00:30:10,083 --> 00:30:12,586
[ropes creaking]
694
00:30:12,752 --> 00:30:16,011
[engine roaring]
695
00:30:16,012 --> 00:30:18,440
♪
696
00:30:18,441 --> 00:30:22,053
Now, last time, I did it for you.
697
00:30:23,722 --> 00:30:25,724
But this time...
698
00:30:27,809 --> 00:30:29,895
you get to do it yourself.
699
00:30:31,506 --> 00:30:33,463
[tires screech]
700
00:30:33,464 --> 00:30:39,991
♪
701
00:30:39,992 --> 00:30:41,406
The trunk is empty.
702
00:30:41,740 --> 00:30:43,533
Where the hell are they?
703
00:30:46,192 --> 00:30:52,545
♪
704
00:30:52,570 --> 00:30:56,338
Set yourself free.
705
00:30:57,401 --> 00:31:00,149
♪
706
00:31:00,150 --> 00:31:02,802
- Do it!
- Don't do this, baby.
707
00:31:04,012 --> 00:31:05,639
I'm sorry.
708
00:31:06,556 --> 00:31:08,016
[gun clicks]
709
00:31:08,214 --> 00:31:11,285
♪
710
00:31:11,286 --> 00:31:12,286
[gun clicks]
711
00:31:12,287 --> 00:31:13,590
[gasps] Oh, no.
712
00:31:13,591 --> 00:31:15,247
[gun clicking]
713
00:31:15,248 --> 00:31:17,067
[sobs] No.
714
00:31:19,277 --> 00:31:22,447
- [sobbing]
- [grunts]
715
00:31:22,773 --> 00:31:28,010
♪
716
00:31:28,011 --> 00:31:30,121
You're breaking my heart here.
717
00:31:32,457 --> 00:31:34,251
Please! Please!
718
00:31:35,353 --> 00:31:36,640
No!
719
00:31:40,065 --> 00:31:42,980
[suspenseful music]
720
00:31:43,261 --> 00:31:45,349
♪
721
00:31:45,824 --> 00:31:47,042
No!
722
00:31:47,170 --> 00:31:48,736
♪
723
00:31:48,737 --> 00:31:50,267
Please.
724
00:31:50,565 --> 00:31:54,662
♪
725
00:31:54,663 --> 00:31:56,373
Don't do this.
726
00:31:56,940 --> 00:31:58,692
Please, no!
727
00:32:00,877 --> 00:32:02,853
Put the gun down, Roy!
728
00:32:02,854 --> 00:32:04,298
[gunshots]
729
00:32:04,541 --> 00:32:06,425
[gunfire]
730
00:32:12,923 --> 00:32:14,366
Trisha, get down!
731
00:32:14,799 --> 00:32:15,851
Cover me.
732
00:32:16,248 --> 00:32:18,895
[gunfire]
733
00:32:20,940 --> 00:32:22,889
[grunts]
734
00:32:24,331 --> 00:32:26,544
- Barber, it's over!
- Stay down.
735
00:32:26,545 --> 00:32:28,405
No one else needs to die!
736
00:32:29,072 --> 00:32:31,366
I'm not afraid to die!
737
00:32:31,742 --> 00:32:34,286
I've done it before! [gunshot]
738
00:32:34,786 --> 00:32:37,581
Toss the gun, Roy! Come on.
739
00:32:37,789 --> 00:32:40,224
- You love prison.
- Go to hell!
740
00:32:40,225 --> 00:32:41,490
[gunshot]
741
00:32:41,491 --> 00:32:46,190
♪
742
00:32:46,191 --> 00:32:48,675
Come on, Roy. You're not a bad guy.
743
00:32:49,118 --> 00:32:51,887
I know you were just
trying to help people.
744
00:32:54,017 --> 00:32:56,391
Roy, you're just misunderstood.
745
00:32:57,809 --> 00:32:59,102
No!
746
00:33:00,228 --> 00:33:02,439
I'm not a bad guy!
747
00:33:02,773 --> 00:33:07,126
♪
748
00:33:07,127 --> 00:33:08,711
I'm a protector!
749
00:33:08,712 --> 00:33:10,546
- Roy.
- [gunshot]
750
00:33:10,547 --> 00:33:12,043
[body thuds]
751
00:33:14,568 --> 00:33:16,870
[groaning]
752
00:33:20,947 --> 00:33:22,225
Thank God.
753
00:33:22,663 --> 00:33:24,252
He was going to kill me.
754
00:33:25,212 --> 00:33:27,547
Funny, I thought
he killed you years ago.
755
00:33:30,639 --> 00:33:33,345
[groaning, panting]
756
00:33:35,222 --> 00:33:36,697
Where are we going?
757
00:33:36,698 --> 00:33:37,990
To talk about the six other women
758
00:33:37,991 --> 00:33:39,893
who had you kill their husbands.
759
00:33:41,029 --> 00:33:43,987
[tense music]
760
00:33:43,988 --> 00:33:49,602
♪
761
00:33:49,603 --> 00:33:51,321
[door thuds]
762
00:33:52,114 --> 00:33:53,657
How's the arm?
763
00:33:54,782 --> 00:33:56,410
[chuckles]
764
00:33:59,961 --> 00:34:02,092
Oh, Roy.
765
00:34:02,093 --> 00:34:04,443
Yeah, as flattering as that is,
766
00:34:04,444 --> 00:34:06,183
that's not the list I asked for, is it?
767
00:34:06,184 --> 00:34:08,490
No, I wanted all six names.
768
00:34:08,491 --> 00:34:11,273
These women are guilty
of first-degree murder.
769
00:34:11,274 --> 00:34:12,108
Hmm.
770
00:34:12,109 --> 00:34:15,846
Second chances are so rare, I think.
771
00:34:16,179 --> 00:34:18,281
Why would I spoil that for them?
772
00:34:18,723 --> 00:34:21,226
You know, we went through
your drawings at the Pit.
773
00:34:21,518 --> 00:34:23,286
- Yeah?
- Yeah, all of them.
774
00:34:23,311 --> 00:34:26,121
They were very intimate and delicate.
775
00:34:26,122 --> 00:34:28,554
It was a hard contrast
from the brutality
776
00:34:28,555 --> 00:34:30,251
of your crime scenes.
It was impressive.
777
00:34:30,252 --> 00:34:32,514
Yeah, well, when you care
about something,
778
00:34:32,515 --> 00:34:35,907
- you put care into it.
- Right, right.
779
00:34:36,084 --> 00:34:39,521
Except that you put evidence
of your crimes out there
780
00:34:39,522 --> 00:34:41,567
for anyone paying attention
to see, so that's...
781
00:34:41,568 --> 00:34:45,614
that's more pride.
That's less care, you know?
782
00:34:45,615 --> 00:34:47,442
But I mean, why not be proud?
783
00:34:47,627 --> 00:34:49,618
You, you fooled everyone, didn't you?
784
00:34:49,619 --> 00:34:52,491
You made sure that nobody would
go looking for those girls,
785
00:34:52,492 --> 00:34:54,449
because you did such a convincing job
786
00:34:54,450 --> 00:34:56,970
of making sure they looked dead.
787
00:34:57,192 --> 00:35:00,197
Yeah, you waved your sketches
under the noses of the doctors
788
00:35:00,198 --> 00:35:02,370
you were working with,
and they would just call it
789
00:35:02,664 --> 00:35:06,271
criminal reverie or victim attachment.
790
00:35:06,680 --> 00:35:10,400
Yeah, never seeing it
for what it actually was,
791
00:35:11,485 --> 00:35:12,903
a confession.
792
00:35:13,653 --> 00:35:15,547
[chuckles]
793
00:35:15,602 --> 00:35:17,590
You've gone decades
without talking about it,
794
00:35:17,591 --> 00:35:20,994
though, so why start now, right?
795
00:35:21,564 --> 00:35:23,429
Why not just let those girls go live
796
00:35:23,430 --> 00:35:25,848
the lives that you gave them?
797
00:35:25,849 --> 00:35:28,642
I mean, I get it, Roy. I understand.
798
00:35:28,643 --> 00:35:31,061
If I were the one that freed
them from their partners, I...
799
00:35:31,062 --> 00:35:32,981
I wouldn't drop a dime on them, either.
800
00:35:33,184 --> 00:35:36,066
No, I mean, this is your life's work.
801
00:35:36,067 --> 00:35:39,538
This is the biggest item
on your savior résumé.
802
00:35:39,539 --> 00:35:41,322
It's the one thing that
kept you going at the Pit,
803
00:35:41,323 --> 00:35:43,642
and it's the one thing
that'll keep you going
804
00:35:43,891 --> 00:35:45,393
when we send you back.
805
00:35:45,432 --> 00:35:47,077
[laughter]
806
00:35:47,078 --> 00:35:48,480
Right.
807
00:35:48,722 --> 00:35:50,706
It's just... it's tricky, though,
808
00:35:50,707 --> 00:35:53,876
because we literally have no leverage.
809
00:35:53,877 --> 00:35:55,461
I mean, what could we
possibly do to you
810
00:35:55,462 --> 00:35:58,208
that hasn't already been done?
We could arrest you.
811
00:35:58,209 --> 00:36:00,133
Check. We could kill you.
812
00:36:00,298 --> 00:36:01,259
Check.
813
00:36:01,260 --> 00:36:03,886
Uh, we could lock you up
in total isolation
814
00:36:03,887 --> 00:36:05,679
- for the rest of your life.
- Check.
815
00:36:05,680 --> 00:36:07,165
[chuckles] Exactly.
816
00:36:07,916 --> 00:36:09,834
Well. [clicks tongue]
817
00:36:10,585 --> 00:36:13,588
It's just too bad that it's
all a load of crap, isn't it?
818
00:36:15,298 --> 00:36:16,299
What?
819
00:36:16,800 --> 00:36:19,052
You're not a savior, are you?
820
00:36:19,230 --> 00:36:22,097
You didn't free any of those women.
821
00:36:23,056 --> 00:36:25,866
In fact, they used you
822
00:36:25,867 --> 00:36:27,644
to kill their husbands.
823
00:36:29,565 --> 00:36:33,480
And the one person that
actually needed you to save her
824
00:36:33,505 --> 00:36:36,669
was your mother,
but you couldn't do it,
825
00:36:36,670 --> 00:36:38,712
- could you?
- Stop it.
826
00:36:38,713 --> 00:36:42,339
Because you were too weak.
You were too small.
827
00:36:42,340 --> 00:36:44,135
- You just...
- Stop!
828
00:36:44,803 --> 00:36:47,304
I did free them,
829
00:36:47,305 --> 00:36:50,959
and some are still free.
830
00:36:51,275 --> 00:36:56,323
♪
831
00:36:56,777 --> 00:36:59,301
You went and visited them, didn't you?
832
00:36:59,759 --> 00:37:01,052
The other women.
833
00:37:01,303 --> 00:37:03,972
Crystal wasn't the first one
you tracked down.
834
00:37:04,973 --> 00:37:07,032
Blue Ford Escape, Idaho plates,
835
00:37:07,033 --> 00:37:09,105
registered to a Wendy Hosmer
out of Twin Falls.
836
00:37:09,106 --> 00:37:10,812
Not reported stolen yet.
837
00:37:11,152 --> 00:37:13,747
The Ford, it wasn't reported stolen
838
00:37:13,748 --> 00:37:15,207
because you never stole it.
839
00:37:15,208 --> 00:37:16,708
No, Wendy Hosmer gave it to you
840
00:37:16,709 --> 00:37:18,941
because she was one
of yours, wasn't she?
841
00:37:18,942 --> 00:37:23,076
♪
842
00:37:23,077 --> 00:37:24,174
[door clicks]
843
00:37:24,175 --> 00:37:27,471
[soft dramatic music]
844
00:37:27,472 --> 00:37:32,520
♪
845
00:37:33,043 --> 00:37:34,043
Thanks, Roy.
846
00:37:34,044 --> 00:37:41,182
♪
847
00:37:42,705 --> 00:37:45,098
[engine rumbles]
848
00:37:45,099 --> 00:37:46,969
[whistle blows]
849
00:37:46,970 --> 00:37:48,657
[indistinct TV chatter]
850
00:37:48,658 --> 00:37:51,019
Come on, come on, come on.
851
00:37:51,561 --> 00:37:53,313
He's about to get ejected.
852
00:37:54,040 --> 00:37:55,706
- This isn't live?
- Mm-mm.
853
00:37:55,707 --> 00:37:57,124
Why are we watching this, then?
854
00:37:57,125 --> 00:37:59,319
- Because it's on.
- [laughs]
855
00:38:00,236 --> 00:38:03,990
We got her, and you were right.
856
00:38:05,116 --> 00:38:07,816
Wendy Hosmer, formerly known
as Amanda Lewis,
857
00:38:07,817 --> 00:38:10,889
assumed to have been murdered
by Roy Barber in 1995.
858
00:38:11,255 --> 00:38:13,039
He went to her home three days ago,
859
00:38:13,040 --> 00:38:15,302
- and she gave him her car.
- One down.
860
00:38:15,303 --> 00:38:17,245
All right. That's a good start.
861
00:38:17,270 --> 00:38:18,435
It's more than a start.
862
00:38:18,436 --> 00:38:20,568
I accessed her computer,
and surprise, surprise,
863
00:38:20,569 --> 00:38:22,918
our sketchy friend Roy searched
all the names of the women
864
00:38:22,919 --> 00:38:24,067
he worked with in the past.
865
00:38:24,068 --> 00:38:26,278
- We got them all?
- Yeah.
866
00:38:26,279 --> 00:38:27,430
[chuckles]
867
00:38:27,806 --> 00:38:28,973
Cool.
868
00:38:29,182 --> 00:38:30,949
Hey, maybe they'll all
make friends in prison.
869
00:38:30,950 --> 00:38:33,103
- [laughs]
- Great work, everybody.
870
00:38:33,625 --> 00:38:36,830
Hey, uh, my techs are starving.
Can we pass some of this out?
871
00:38:36,831 --> 00:38:38,499
- But the game.
- But the techs.
872
00:38:38,500 --> 00:38:39,761
Ugh. Take a piece.
873
00:38:39,762 --> 00:38:41,293
- OK.
- Nice.
874
00:38:41,294 --> 00:38:42,753
This one's got a bite out of it.
875
00:38:42,754 --> 00:38:44,338
That's all right. It's still good.
876
00:38:44,339 --> 00:38:46,241
- Hey, pal.
- Hey, man.
877
00:38:48,118 --> 00:38:49,369
This is an old game.
878
00:38:49,953 --> 00:38:53,340
- Why are you watching this?
- Uh, no, I don't know anymore.
879
00:38:53,341 --> 00:38:54,516
[TV remote clicks]
880
00:38:56,866 --> 00:39:00,713
You know, I gotta say, watching you
today piecing this whole thing together,
881
00:39:01,881 --> 00:39:03,633
it felt like old times.
882
00:39:05,677 --> 00:39:07,220
You haven't lost a step.
883
00:39:11,881 --> 00:39:12,909
What?
884
00:39:14,278 --> 00:39:16,604
I don't know. All this, the job.
885
00:39:17,605 --> 00:39:20,290
I still haven't told Sam
what I'm doing.
886
00:39:20,291 --> 00:39:22,318
- Are you going to?
- I don't know.
887
00:39:22,735 --> 00:39:24,988
- How's she doing?
- She's good.
888
00:39:25,572 --> 00:39:27,631
She... she graduated high school.
889
00:39:27,632 --> 00:39:28,867
She's in college now.
890
00:39:30,702 --> 00:39:32,454
You already knew that though.
891
00:39:34,433 --> 00:39:36,916
You said it when I first
saw you at the hospital.
892
00:39:37,820 --> 00:39:39,169
[chuckles]
893
00:39:41,215 --> 00:39:42,688
Yeah, she, uh...
894
00:39:42,689 --> 00:39:45,049
she still sends me
a birthday card every year,
895
00:39:45,583 --> 00:39:47,580
to my place in DC. I don't...
896
00:39:48,257 --> 00:39:50,263
get a lot of cards anymore.
897
00:39:52,041 --> 00:39:53,966
I assumed you knew.
I wasn't trying to...
898
00:39:53,967 --> 00:39:55,076
It's OK.
899
00:39:56,571 --> 00:39:58,813
Everyone should get a card
on their birthday,
900
00:39:59,233 --> 00:40:01,566
or a cupcake.
901
00:40:02,323 --> 00:40:04,499
[chuckles]
902
00:40:05,661 --> 00:40:08,199
Listen, whatever you decide
to tell Sam,
903
00:40:09,824 --> 00:40:11,826
this is what you're good at...
904
00:40:13,682 --> 00:40:14,936
...you know?
905
00:40:16,645 --> 00:40:18,099
See you in a bit.
906
00:40:19,819 --> 00:40:24,387
♪
907
00:40:24,388 --> 00:40:27,347
[phone ringing]
908
00:40:27,348 --> 00:40:33,113
♪
909
00:40:33,114 --> 00:40:35,157
There's your face. I missed that.
910
00:40:35,158 --> 00:40:37,487
I know. I missed yours too.
911
00:40:37,488 --> 00:40:39,354
Wait. Where are you?
912
00:40:40,021 --> 00:40:41,981
I am in Wyoming.
913
00:40:42,190 --> 00:40:44,583
I took some time off from the casino
914
00:40:44,584 --> 00:40:47,987
because the FBI needed my help.
915
00:40:48,279 --> 00:40:52,008
Oh, are you sure
that's such a good idea?
916
00:40:52,155 --> 00:40:54,287
♪
917
00:40:54,288 --> 00:40:56,829
Yeah. No, this is where I should be.
918
00:40:57,413 --> 00:40:59,749
I know. I'm living proof.
919
00:41:01,486 --> 00:41:03,227
[chuckles]
920
00:41:03,252 --> 00:41:05,993
♪
921
00:41:06,242 --> 00:41:08,441
[phone beeps]
922
00:41:08,594 --> 00:41:10,999
I hope you're calling
to congratulate me
923
00:41:11,000 --> 00:41:12,611
on another job well done.
924
00:41:12,612 --> 00:41:14,363
I'm calling to ask you, what the hell
925
00:41:14,364 --> 00:41:17,032
- do you think you're doing?
- It's been a long day.
926
00:41:17,033 --> 00:41:18,528
Can we skip the guessing part?
927
00:41:18,529 --> 00:41:20,410
Do you have any idea
how many alarm bells
928
00:41:20,411 --> 00:41:22,010
started ringing when you had your guy
929
00:41:22,011 --> 00:41:23,731
pull those satellite images?
930
00:41:24,148 --> 00:41:27,084
Your job is to ensure the recapture
931
00:41:27,085 --> 00:41:29,795
of any and all
escaped inmates from the Pit.
932
00:41:29,796 --> 00:41:31,588
What is out there?
933
00:41:31,589 --> 00:41:33,382
I'm going to phrase this
as simply as I can,
934
00:41:33,383 --> 00:41:34,716
Agent Hassani.
935
00:41:34,717 --> 00:41:37,579
Some secrets are better left buried.
936
00:41:37,624 --> 00:41:39,320
♪
937
00:41:39,345 --> 00:41:41,249
[phone beeps]
938
00:41:45,461 --> 00:41:46,853
It's done.
939
00:41:46,854 --> 00:41:49,603
♪
940
00:41:49,604 --> 00:41:51,817
In my experience, a political solution
941
00:41:51,818 --> 00:41:53,886
is always better than a military one.
942
00:41:54,349 --> 00:41:56,611
♪
943
00:41:56,818 --> 00:41:58,529
Less cleanup afterwards.
944
00:41:58,629 --> 00:42:01,569
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