Original subtitles

That a bomb had fallen there.

And that living in there was forbidden!

And there too, do you see? And there.

Everyone knew it. Everyone had been warned.

But if they want to do it 'at the end of the whores...

...but too bad for them.

Where are they going, Your Excellency? In Naples, 280 bombings, 280...

Have they already visited you?

-Were you at home when it collapsed? -I was going out...

...and then it all fell apart.

-But does it hurt somewhere? -No.

Feeling dizzy? Raise your arms.

-Down again. Does it hurt here? -No.

-Ah! What are you doing? -Excuse me.

-What is your name? -Celestina.

And you have to light a candle to the Madonna, Celesti'.

You're lucky.

-Do you have your parents? -No.

No one else?

My sister, but she lives in New York.

Then there's Aunt Amelia. He was with me when everything fell apart.

-What is this aunt's last name? -Capece. Amelia Capece.

Aunt Amelia.

-I'm Celestina. -He can't hear you.

-Doctor, doctor! -Wait for me here, huh?

And what are you doing here? You can't stand it.

I was in there with my aunt.

Suddenly he opened his eyes and started screaming.

And now I've been here for two hours.

I'm not a little worried.

What's your aunt's name?

-Capece. Amelia Capece. -Wait a minute.

Gaetano, what's up? A certain Amelia Capece at your place?

They took her away. She's dead.

Can I go now?

Celestial.

-Is it Zi' Amelia? -She's dead.

Oh, Jesus, Joseph, Saint Anne and Mary. And you must...

Light a candle to the Madonna.

Yes. Oh, I swear.

Here. This was from Aunt Amelia.

But those stinkers they took everything.

This was the most important thing.

In New York.

Blessed now!

The hot pizzella!

Eat now and pay in a week!

-Good evening Maruzzella, is everything okay? -Don Vince', good evening.

And pay in a week! Come!

Eat now and pay in a week!

-Give me some with tomato sauce. -Do you have the money?

I'm eating now and I'll pay in a week!

Piccire', This applies to those who have money.

I can give you the maronna of Pompeii.

'The maronna of Pompeii, little one'? I already have seven of them at home.

No money, no pizza.

Hot pizza! Come on!

Eat now and pay in a week!

Carmine!

Carmine!

Don't bullshit me.

You've lost your customer. This is the truth!

And you don't even have a package 'and cigarettes yes' managed to come.

You have to tell me why should I share with you.

-Because we are in partnership. -Ah, are we in partnership?

I work for three and eat for one.

This is the last time, eh.

And now go away.

Celestina.

Celestina.

-Carmine... -I heard about the house.

-Your aunt Amelia? -She's dead.

How did she die!?

And now what are you doing?

-I decided to come and stay with you. -Ah, have you decided?

Look Celesti' that these are hard times.

But I can help, I can work.

I know how to sell cigarettes, even those made of sawdust.

And above all, you know that I am the better when I pass you the cards

when you play decks.

Yes, but when the military were there Americans things were different.

Your sister Agnes, She was the lucky one.

He found the American and she left.

You saw a jar of beans like this? -Yes.

-But was that all that remained? -Yes.

-Excuse me. -Oh well, it doesn't matter.

I wasn't even that hungry anyway.

I mean... a little, but it doesn't matter.

Now let's sleep because it's getting late.

He never wrote to me again.

-But who? -Agnese. She hasn't written to me again.

It means he's fine. Now let's sleep.

Let me talk, okay?

-May Saint Lucy protect you. How are you? -Very well, and you?

-We want a stick. -Shut up.

Good, good.

We came to you to ask you

if you could give us a cue of Americans. -On credit.

A bunch of American girls on credit I don't even give it to my brother.

What is this? Don't you trust me?

Shut up! By this evening we bring you the money.

Iatevenne, and.

Let's do it this way. We play it in bundles.

If you win... we work free for you all day.

A one-off match.

But why do you want me to be a fool?

It's toast, eh?

And then let's do it like this.

I'll give you six packs of cigarettes to you and you must also say thank you.

But if I come in tonight don't bring me the money...

...I'm coming to find you.

But six packages they're not even enough for her.

And how do I earn my day?

And that's your problem. Either this or nothing.

Do you want these six packages?

And give them to me.

And thanks, eh.

'See, I'm coming closer.'

The cathedral square it's the best place.

Don't go too low on the price...

...and tries to sell all packages.

-Otherwise we'll lose out. -Oh. Be careful.

See you tonight at the port.

-Hey, Carmine! -Is there anything new?

As always, there are few foreigners.

There was no arrival here except that American ship.

I keep the American ones.

The Americans are coming!

-I have the American ones, I have the American ones. -Fuck you!

Oh, they're mine! Bring the money here! Do you understand? Yatevenne!

But shut up!

I don't really understand this.

I'm coming, doctor. At your disposal.

Doctor, slowly, slowly, eh.

Doctor, we got hurt. Please, slowly.

Give it to me, doctor. Slowly, slowly.

As you wish. Doctor, what do you want to do?

-Do you want to eat? -No.

-Do you want to drink? -No.

I understand. Ladies?

-Girls? -No.

Okay, I'm available. What do you want to do?

The cook. I cook. Victory.

-A New York. -Ah, New York! New York!

Ok. We leave tonight. Leaving tonight.

-Away tonight? -Ah-ha. But I have to sell...

Oh, I understand. Do you want to sell?

Doctor, what's in there?

Doctor, what is it? What is it? A cat?

And why, doctor? But don't worry, though.

Those in Naples... Jaguars are a big seller.

Let's do something. I'm selling it. And you give me some money.

-Carmine. -George.

-Sir, do you have something for me? -But you want to leave!

These are mine!

Leave me something.

♪ Oh, oh, oh... ♪ Together!

♪ Oh, oh, oh... ♪

To offer something for the cantata.

-Money? -Money for the singer.

Oh, thank you.

Gentlemen, something too for us who danced.

The whole neighborhood!

But go away!

Please, this way.

Piccere', do you want a plate? Hot pasta and beans?

And you can see you're not hungry!

George, you have to pay me.

This bastard owes me money. He owes me the money, this bastard!

-You have to give me the money. -How are you?

I spent the whole day behind that beast!

And who's going to pay me? You!

But fuck you!

This stinking man drank all the things he drank.

I managed to sell just chillo the fucking cat

and lame 'na lira m'ha dato. -A cat?

'An African cat with spots.

But I don't pretend to be a fool.

You're not going to New York without having paid Carmine.

Celesti, don't even bother. Come on, get down!

What are you going to do?

-I'm going to get my money. Get down! -And I'm coming with you.

Oh my goodness, I've been in trouble.

-But can you at least row? -No.

Give me a hand, yeah, quick!

Hold on tight, I'll be right back.

Carmine!

Commissioner.

I'm responsible for everything.

There is the purser on board Domenico Garofalo,

you can rest assured that there are no illegal immigrants.

Nobody escapes Garofalo, commissioner.

And then you won't mind if we let's do our little tour anyway.

-Real? -You are...

...above your ship.

Celestina.

-Carmine. -What are you doing here?

A delicacy.

First class guests downstairs they're still finishing dinner.

-A little discretion. -Nooo. And don't worry.

Is the boat there?

The wind blew it away.

You two go aft. You go forward. Force.

And now what do we do?

Let's go to America, Carminie. Jamme in New York, at Agnese's.

What are you talking about? Which America?

There's not even a whiff of illegal immigrants.

And I'm happy for you, Garofalo.

-Good evening, Commissioner. -Good evening.

Say hello to the lady for me.

We're leaving, Celesti.

We really left.

I was dreaming that I was eating myself a nice plate of macaroni.

Let's hope.

Eh, me too.

I'm going to see if I can find anything.

Never! Never once.

A moment of peace...

...on this ship.

Thank you.

'I'm a fucking drunkard!'

But when ever!

With permission.

Sorry to bother you, gentlemen, but unfortunately...

...we need to do another check. Oh, I know. I know.

Luca! Lu'! Are you trying to eat something, okay?

'A little bread and cheese.

Worry because it will be short.

Gentlemen, thank you again. For your patience.

Sorry to bother you. Let's go.

Thank you.

I had a bad look at it.

I only found this.

Eat, eat.

Everything is fine?

I have to take a breath of fresh air.

You're white, you idiot.

As soon as it gets dark... we go out.

When there's no one there.

Don't worry, though.

I'll take you to see the sea...

...up...

...and I'll take you to see the stars too.

Go slowly, watch your head.

Shh!

Breathe, breathe.

Don't make noise.

Feel that beautiful air.

What a lovely breeze there is.

These stars.

I'm thicker than those in Naples.

Who knows what the stars are like in New York.

And who are you? Where are you going?

-Come here! Where are you going? -Leave me alone! You're hurting my arm!

Stop it!

Ah! Damn it! Damn! Help!

Damn, you idiot! Stand still!

Follow me.

You have to give me the money.

You are shit. I'm just having my own spoon.

What do we do

who doesn't pay the ticket?

We drank...

We throw them into the sea.

Do you know it's illegal or not?

Even starving to death is illegal.

Capita', the house where he lived Celestina collapsed.

His aunt Amelia died.

Celestina a bed to sleep in he doesn't have it.

There's no money for food.

But tell me, please... what are we doing in Naples?

But when the Americans were there there was a lot of work.

But now they're gone and in Naples there are many of us.

There are too many of us. The little girl couldn't stand it any longer.

She was alone. She's a good girl, you know.

And a good little girl must remain.

I'll take care of her.

Don't worry.

Did you bring this man ashore?

Yes.

Did he sell anything?

Something alive?

Of illegal?

Hey, did you hear the captain? What is he asking you?

I understand, I understand.

Did he sell anything?

You helped him to sell something?

Guy!

Guy.

Do it with us. And we'll be good to you.

You just say "yes."

And then...

...what are we waiting for?

The Monastery of Santa Chiara he liked it.

But Giggino's pizza is even better.

No, we've always been together.

He didn't want anything to come.

Thank you.

...we give them to the police and then you'll see.

Come on, get up here in the cup. This is yours, come on!

-What did he say? -Nothing.

Nothing, he didn't say anything. Go.

Guy, look, I understand.

Be careful!

Come on, come here.

Died.

Don't worry.

No, no, nothing. Playing cards. Nothing.

-Celestina. -Carmine.

Potatoes, George. We need more potatoes.

I told you to stay in the dormitory.

We need more potatoes.

Ok, ok, ok.

Shit!

Shit!

They seem different to me.

And even the smell of the sea is different.

I think we're almost there.

Are you happy, huh?

I'm happy yes, I'm happy.

But I feel like when we went to Posillipo

to dive. Do you remember?

How? I remember but...

...what does it have to do with it?

I feel like I did when I was there.

In lace in lace to the rock and I looked down.

It was too tall.

But it was there now.

I could only do one thing.

Jump.

She is Teresa Esposito.

Carminie'.

Come state?

Luca is getting worse and worse and I can't even tell anyone

because they are repatriating us.

And we can't go back to Naples.

We even sold the bed to come to America.

For medicines we can help you.

We have a lot of friends in the infirmary.

Take these.

You helped me.

And now we'll help you.

-Capita'. -What do you want?

Luca Esposito is ill. He needs medicine.

'A pot is sin' to put 'a word?

That poor man.

He died this morning at dawn.

From Teresa.

Teresa!

Has anyone seen Teresa?

Teresa! Teresa!

Teresa!

They almost made it.

-And us? -Don't worry.

Now that we're arriving in America we made something up.

I'm not going back to Naples. A cup for my life.

But what is it?

How beautiful she is. But who is she?

It looks like the maronna from Pompeii.

That doesn't look like it at all!

Then he also holds his face penalized.

Carmine, we don't have that here.

Ah, now it begins again.

Madam, please do us a favor. To make us stay in America

and find Agnese.

I'll stick a big big wax on you.

Jamucinne in coppa 'o ponte. Jamme. Let's see better.

It looks like a castle with many towers.

Oh my god, how beautiful she is!

Ellis Island. Italian passengers get off here.

Ellis Island.

Prepare your luggage and documents.

And we don't have the documents.

Take your things. And go with George.

-But we have to go down. -Yes, yes. And now he'll take care of it.

I've never seen you.

Okay, come on! Hurry up! Come on, come on, come on!

And what is here?

-We have to go to New York. -I know. I know, I know. Okay.

When you open...

Cow. Cow, cow.

Thank you, George. Grazie.

-Money. -Ok.

-Silence. -Silence.

And what do we do?

And what do we do?

Let's eat an orange.

Do you like orange?

-But what is it? -'The earthquake!

-Keep the oranges. -But what's happening?

I don't know, I don't know.

I do not know.

Everything's fine. You can come.

America.

Give me Agnese's address.

Sir. Sorry, sir. Where? Where is it?

But what Africa, sir! Naples.

Italy.

Sir, but perhaps we don't understand each other.

We're the ones who want to know addo' sta 'sto posto.

Where? Addo' sta?

Thank you, sir. Jamucinne, Celesti'. Thank you.

-That's the one over there. -But it's a shop.

And maybe above there is the apartment.

Cow, cow!

Who's the boss here?

Good morning. We are looking for this woman.

Do you know?

Yes, Italians. Do you know her or not?

Her name is Agnese Scognamiglio.

Agnese Scognamiglio.

Thank you.

Jamucinne.

Carmine, you're really stupid! Agnese doesn't even have my husband's name.

It is true!

Do you know John Milkins?

Milkins?

An Italian woman came...

she's leaving.

Wait here.

Here everyone is called John Milkins.

Oh mama!

What if we eat something?

We have George's money anyway.

And then we think how to find Agnese.

With a full stomach we think better, right?

Miss. Gentlemen, gentlemen.

This one here, thanks.

Oh!

But can't you hear us? Miss!

-Sign! -No, no. I'm very sorry.

We want this one with chocolate. Chocolate.

Chocolate, thank you.

We have money, money.

Come... "no Italians"? We have the money.

-You can... -But why? We're not sick!

Oh, my dear!

Celestina, over here!

Carmine.

Celestina.

Carmine!

Carmine.

Celestina! Oh, Celestina!

Excuse me, did you see a little girl?

Where are you, Celesti?

But how was the weather? Good?

We only had a thunderstorm there off the coast of Nantucket.

Everything OK.

Excuse me. You understand?

-But where are we? -In New York. Don't you know?

-And why does he speak Italian? -Because I'm from Caserta.

Circular, circular that the procession is passing by.

Another, Another. The procession is passing by.

Gentlemen, guys, the procession!

Don Genna', how are you? A procession is passing by.

I recommend it. 'The procession,

'a procession, gentlemen!

A procession is passing by.

Beautiful San Gennaro, Save me, little girl.

Let me find Celestina.

Saint Genna'!

Guy, what happened to you?

-But do you know Garofalo? -This is Little Italy.

Everyone in Garofalo knows him.

Sir, please... you have to help me.

I didn't understand a word.

We said goodbye to Don Garofalo.

-Where? -Here, Garo'.

We gave each other a little milk. He fell asleep like a stone.

Cow.

Celestina... Celestina is lost.

Could you help me, please?

Maronna, these things.

What did we buy you?

Yes, sir, they're beautiful but...

...I feel a little strange.

Instead, yes indeed. A beautiful little girl

now I'm clean and combed. Let's eat.

Do you like spaghetti?

-Here you go. -Yes, sir. Thank you.

-Do you want some more sauce? -No, no. That's fine.

So a little cheese?

-No, no. I like them without for... -No, it's better with cheese.

Here you go. Eat.

Thank you, sir.

Is there anything new?

Relax. It's not like here. Here...

...things are well organized.

That Celestina's sister

it's called exactly Agnese Scognamiglio, is it true?

Oh, sure. And what kind of fool am I?

But at the address he gave us they don't know her.

I've informed myself. I have a friend in the police.

I know a little bit of everyone here.

And Agnes...

...I know where it is.

Carminie'.

I so we can talk to each other I had to ask for several favors.

They told him you arrived.

But she...

Now you will see it.

We have to sit here and we can't touch it.

-Not even to hug her? -No.

Not even to hug her.

Where is this little girl?

Why did she come here too?

She was exhausted.

What have you done?

Chillo strunz' he promised me he would marry me.

"If I don't marry you, you have the right to kill me with my gun."

He told me.

I was in love, Carminie'.

You know that it is a promise to us.

I dreamed of being able to change your life with this.

I really wanted it well.

That he had come back to get me

and take me to America with it.

And I waited.

I waited.

But that never came.

I sold all my things to arrive in New York.

And when I arrived...

...I discovered that 'o piezze 'e merda was married...

...and he lived with his wife and he even hit.

I shot.

If I could go back...

...I would do it again.

But why?

But why? Have they always gotten away with it?

You did good.

-Repentant. How do you say repentant? -But what do I know?

I don't understand, do we have to pay?

-Italian? -Yes.

My grandfather was Italian.

-Do you want to see? -Yes, but I don't have any money.

She doesn't have any money.

Thank you.

The port of this city became the most important logistics center

of the war in Italy.

Clean the turnip! Yes, yes. It really is Napul', Napul'.

You see, sir. My house was right behind there.

Jesus Jesus, they made a movie about it!

Look there, look! This is Ciro. The Fakir. My goodness, how good he is!

No one knows how to do this better.

Right there, mom kept the shop 'and slippers before walls'.

E chillo...

And he looks like Gennarino.

No, no, but that's it. It's Gennaro himself.

Who knows if he knows that ended up in a movie!

What is written here?

Why is this photo? What about the newspaper?

Agnese, my sister. Why is this a problem with the newspaper?

Come on, Tom. Last chance!

But I'm out of chocolate.

But if you want bread, butter and jam...

No, sir, thank you. The cake is fine.

Eat, eat, you have to grow.

Thank you.

If you talk I don't hear anything.

And I think I had...

A great idea.

Joe Agrillo.

Oh, Jesus! It's true!

But how did I do it? Not to think of it before? Joe Agrillo!

-And who is he? -Who is it?

Joe Agrillo, that's the director of Liberty,

from... from the Italian community.

Me and that... me and Joe are... He's a great friend of mine.

And we make him write an ad for Celestina.

Do you understand? I'm a...

Genius! You are a genius! That's perfect! That's exactly what we needed.

New York Mayoral Candidate Vincent Pettinieri is a democrat.

We are like this. Because they are convenient for us. the votes from the Italians.

Attention! Attention! Who do we have here?

There is this girl, This girl is Italian.

Her name is Agnese. They want to condemn her.

Everybody is talking about it. Everyone's talking about this fact.

But here...

...that her sister, her sister, she was left alone.

Piccirilla, ten years, ten years.

And the sea passes...

...to be with his sister and live...

...a New York.

What's happened?

What happens?

...her only hope, 'his only hope...

...risks getting caught the death penalty, the death penalty.

No, this story is beautiful. It's going to drive everyone crazy.

They will go crazy! It drives everyone crazy.

If Vincent takes this story for his election campaign

and manages to save the girl Italian... we played bingo.

We found Celestina!

Sure, sure. Of course, dear, but...

...even if we don't find it...

...la storia... still works.

It works the same.

Director, they found a little girl from Naples.

Bravo! Very good!

Bravo! I want the best photographers on site.

For the article, Ridge! A car soon!

You go with them. Oh, bring a doctor with you!

No police for now, Please note. No police.

Joe Agrillo here. Vinnie!

It's a moment! What the hell!

Can you hear me, little one?

-Carmine. -Celestials!

But what did you do?

-Agnes. -No, don't worry.

Now I'm here with you.

Vincent is really enthusiastic about the idea.

And now it has begun with the judiciary.

Let's make committees with the press conference.

If he succeeds to prevent Agnese from being condemned

the entire Italian community she's all on his side.

-Ah, is the little girl alive? -Yes, yes.

It's very weak though.

Here it is! Take a shot! What the hell are you doing? Shoot!

As he gets into the ambulance! Come on!

Now, now! Ambulance! Come on!

We have to make people cry. All America must mourn!

We're on the front pages of all the newspapers.

Did you see?

They say that tomorrow in Celestina they let her out.

Yes, he is recovering now.

Today I saw her much better.

I have to talk to you.

To you and Celestina.

Celestina!

Did they go to sleep?

Yes.

They're really two good guys.

They make me happy.

So you still like the idea?

Dome'.

you have to tell me the truth.

Aren't you just doing it for me?

You remember the first thing that I promised you

when did we get married?

Only that...

...we're not just kids anymore.

Are you sure? It will be more tiring especially for you.

This is not the hard work.

And then if the eternal father he didn't want to help us,

So we helped each other. In another way.

-When are you going to tell him? -Tomorrow.

Oh my Maronna!

-Already? -What do you want?

Dome', so' creature.

It's a finger. That's bleeding.

If I'm not mistaken, this is the first one lunch we all have together.

It is true?

And let's hope it is...

...the first of many others.

Salute!

-Salute! -Salute!

Salute!

-It's good though. -Well.

It seems to me that things they are starting to put themselves in

pretty good, right?

Of liberation for Agnese

even among Americans.

Vincent, the mayoral candidate, he managed to get five Italians

among the members of the jury.

The fact that it's here...

-Do you want two more meatballs? -No, no. Thank you, sir.

They're very good, but it's okay like this.

And did you like the room? Where did we put you?

It's beautiful. Thank you, sir. I feel like I'm in a hotel.

This is what we wanted to talk to you about.

And however it ends this process,

we need to start to think about the future.

Living alone in New York It's not easy.

As you can see, this house It's too big for the two of us alone.

When we bought it we thought to have children and then...

...the children didn't come.

-It's a very nice house. -Thank you.

And make me get caught.

How much did you pay for a house? Is New York that big?

Not a little, boy.

Not a little.

there's room for everyone.

You could live a normal life.

With housework.

I would like.

But I don't think we kept the money to rent a room

inside such a beautiful house.

He wanted to say just the right thing.

Nuje amma always wanted 'i creature.

Are you saying that you think of...?

Adopt us?

And how did you come up with this idea?

You two are good guys. And we don't have children.

We have one that's even too big.

Let's get started to make you a little old.

I think it's one thing which is convenient for everyone.

I don't know.

I don't know.

But what do we know about fathers?

Yours is gone when you were holding three months.

I don't even have mine known.

You can imagine if I wanted one. Second hand.

Fathers are annoying people.

As long as you're a kid... ciccirici ciccirici.

But when you grow up...

...they always tell you who which is good and which is bad.

Tomorrow is Agnese's trial. May Our Lady help us!

Your Madonna of Pompeii they call it the Statue of Liberty.

Freedom...

Then instead of a torch

they had to put it there a wad of money in hand.

It made me feel safe.

I was no longer afraid.

A promise of love it's a serious thing.

And I spent all day at the wash house I imagined myself as his wife

a New York co' due creature.

Beautiful, blondes like that.

I sold myself everything I kept...

...to buy a ticket to New York.

And also a beautiful red flowered dress come piaceva to that.

Loud squeal

it was that of a general store.

But I found it myself.

Villa where he lived with his wife.

you to shoot myself with my gun."

That's what he told me.

So, I went to buy a gun

I went back to his house.

And beat her.

I did it what he told me.

And it stayed there.

Muta.

I'm the one who called the police.

-Free Agnese! -Free Agnese!

< Free Agnese!

I don't care.

Kill me...

...because my life is over anyway.

Free Agnese!

< Free Agnese!

Are you scared?

-I'm not afraid. -Well.

So... can you tell us what you felt?

When you found out that your sister

could he have been sentenced to death?

What do you want to know?

My sister is the only thing that I care about in the world.

And you want to kill her.

What can I tell you?

You talked about us foreigners

and it came to mind There is a Neapolitan proverb that says:

"You are not a stranger, yes, only poor."

Who is rich... he is not a foreigner anywhere.

I finished.

Clear.

Beautiful. But now we need the documents. For the children.

♪ I need to talk to you. ♪ ♪ Me too. ♪

♪ I need to talk to you of what Garofalo said. ♪

♪ Me too. Amen. ♪

From man to man...

...Celestina told me that you don't like the idea of adoption.

What is it? Don't you like my family?

It's not that.

It's like I had something in my head. You have treated us well.

You helped us.

But I can't do it just to see like a father.

I do not know.

So let's do this... since you don't know.

Let's let chance decide.

We play it in bundles.

If you win, nothing will happen. And stay at my house,

You pay my rent. Then we'll see.

If I win... you get adopted together with Celestina.

You want to play with me?

-In bunches? -Guy.

I was playing since before you were born.

I would like to be part of it of a family.

Live a normal life without having to more hide, escape.

To keep a house where I can sleep.

But you want to continue to live like this, day by day.

But what are you saying?

You want to stay forever I'm sorry!

I know you you don't like families.

That you want to live alone, that you don't need anyone.

It is not true! I grew up alone.

But in your opinion a family isn't that… what do I want when I grow up?

But it has to be my family.

And why?

What sins should I do? A difficult thing.

But you know that you don't care the line of fortune?

But why, sir, this line? Where should luck be?

Via.

Vito, hurry up, okay! It's about to begin, come on.

Domenico Garofalo.

Carmine from Napoli!

-Bravo! -Ok, ok, ok.

Seven of Coins.

But in your opinion a family isn't that… what do I want when I grow up?

But it has to be my family.

And if Garofalo adopts us... we become relatives. Brother and sister.

And what do I do then? Am I marrying my sister?

Shut up, you can make it happen for me. A nice cold beer?

It's up to you.

Subtitles by SKY ITALIA