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1
00:00:01,080 --> 00:00:07,937
We simply must be brave, mustn't we?
Heaven knows it'll be hard. It'll be
2
00:00:07,961 --> 00:00:12,177
beastly. But we're strong
people, Tony. You and.
3
00:00:12,201 --> 00:00:19,936
I. And what we feel for each other,
it'll endure. It will endure.
4
00:00:19,960 --> 00:00:24,977
So I shall stay in my shop,
5
00:00:25,001 --> 00:00:29,697
you and yours. And all I ask
is that you don't grow to
6
00:00:29,721 --> 00:00:33,617
hate me. How could I hate
you, Madeline? You mean
7
00:00:33,641 --> 00:00:40,417
everything to me. What
the hell was that?
8
00:00:40,441 --> 00:00:45,018
Billy, what was that? Just a
car backfiring, I think, miss.
9
00:00:45,042 --> 00:00:48,778
That sounded like a pistol. It
didn't sound like already pistol.
10
00:00:48,802 --> 00:00:52,818
You alright my bet. Yeah, I'm
fine. I think I'm just a bit tired.
11
00:00:52,842 --> 00:00:57,217
Of course, darling. You must be. Tell
you what, how about a proper dinner
12
00:00:57,241 --> 00:01:00,418
after this like we
used to before the war?
13
00:01:00,442 --> 00:01:05,618
Oh, yeah. That would be wonderful.
None of this canteen muk. No offense.
14
00:01:05,642 --> 00:01:09,458
Sandra, are you okay? Yes. Yes,
Jesse. I'm fine. Don't fast.
15
00:01:09,482 --> 00:01:14,240
How was my pout at the end? Was it?
I could do with a dab, actually.
16
00:01:14,441 --> 00:01:19,457
M only wears victory red. Besame,
please. Can we just stop faffing and get
17
00:01:19,481 --> 00:01:22,657
on with it? Mary, thank
you. Yes, we do. Right.
18
00:01:22,681 --> 00:01:28,176
Right. At Astra Paraspera,
we must have bodies.
19
00:01:28,200 --> 00:01:33,777
Still, stop it. I've got
to concentrate. Have quiet.
20
00:01:33,801 --> 00:01:37,937
Love Lawn in London.
Scene 28. Take three.
21
00:01:37,961 --> 00:01:43,617
Action. We simply must
be brave, mustn't we?
22
00:01:43,641 --> 00:01:47,536
Heaven knows it'll be
hard. It'll be feasty.
23
00:01:47,560 --> 00:01:54,161
I was strong for my future.
24
00:01:57,721 --> 00:02:01,121
Oh my.
25
00:02:01,481 --> 00:02:08,817
And this is on his bedroom wall. Rose
red and rolled gold. I said to him,
26
00:02:08,841 --> 00:02:14,976
Stewart, Stew, I said, you are just like
this paper. You're so strong and modern.
27
00:02:15,000 --> 00:02:19,440
He handled this very role.
28
00:02:19,641 --> 00:02:23,857
Can I touch it? Uh,
29
00:02:23,881 --> 00:02:31,360
I shouldn't really, but um Well,
since your extras in my cake shop,
30
00:02:37,080 --> 00:02:42,657
this is the last thing he sees when he
gets into bed. Yes. And the first thing
31
00:02:42,681 --> 00:02:48,197
he sees when he gets up in the morning
and his hair's all disarranged.
32
00:02:48,221 --> 00:02:50,000
It's 14 shillings.
33
00:02:53,161 --> 00:02:57,696
Tell you what, it's a
bit irregular, but um
34
00:02:57,720 --> 00:03:03,056
I could let you have a sample for well
six pence, say, and then you could keep
35
00:03:03,080 --> 00:03:07,518
a little reminder of
him wherever you go.
36
00:03:07,542 --> 00:03:09,681
Oh, yes.
37
00:03:26,121 --> 00:03:27,937
Keep change. Thank you,
38
00:03:27,961 --> 00:03:33,418
Mr. Book. Didn't expect a welcoming
committee. I thought I'd better prepare
39
00:03:33,442 --> 00:03:37,738
you for what? There have been some
changes since you went away on your long
40
00:03:37,762 --> 00:03:42,498
errand, Jack. Oh, by the way, it's old
Belra's first folio. What do they say?
41
00:03:42,522 --> 00:03:44,737
Is it genuine? As his teeth.
42
00:03:44,761 --> 00:03:48,000
Oh dear.
43
00:03:50,761 --> 00:03:53,696
What the hell? Close.
44
00:03:53,720 --> 00:03:59,616
Hollywood. Or rather, the nearest
England can get to it. Yes, Jack. We're
45
00:03:59,640 --> 00:04:04,097
going to be in pictures. All
right, then. Let's hear it whenever
46
00:04:04,121 --> 00:04:09,856
you're ready. Life and death.
The whole world is here
47
00:04:09,880 --> 00:04:17,040
in this little patch of London
town. You going to do it like that?
48
00:04:17,961 --> 00:04:21,858
Life and death. The whole
world here in this little.
49
00:04:21,882 --> 00:04:27,377
No, I think we'll just lose the line.
I'm already worried about the mustache.
50
00:04:27,401 --> 00:04:30,778
You'll be smashing in
the background there.
51
00:04:30,802 --> 00:04:34,736
Let's take 10. 10 minutes
all 10 minutes. Billy.
52
00:04:34,760 --> 00:04:38,097
Narina. Rather jumpy
this morning, isn't she?
53
00:04:38,121 --> 00:04:41,537
Our dear Sandra. We worked
on hours in the picture
54
00:04:41,561 --> 00:04:45,178
business. Narina. Oh, don't
I know it. And it must be so
55
00:04:45,202 --> 00:04:49,137
hard to keep that from telling
on the faces of your stars.
56
00:04:49,161 --> 00:04:54,016
If you'll excuse me. Just the
exteriors are being done here.
57
00:04:54,040 --> 00:04:58,937
You understand? The rest is at Lady
Hurst. That's the studios. You see, I
58
00:04:58,961 --> 00:05:03,538
know all the jargon. Who's in
it? Morning, Mr. B. Good morning.
59
00:05:03,562 --> 00:05:06,418
Stuart Howard. Yes, ma'am.
60
00:05:06,442 --> 00:05:11,498
I like him. He must pass me by entirely,
I'm afraid. He plays the hero. The
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00:05:11,522 --> 00:05:15,698
idealistic young bookshop owner in love
with the girl next door. Did you never
62
00:05:15,722 --> 00:05:20,098
see him in that submarine picture? He
went mad and try to throttle everyone. I
63
00:05:20,122 --> 00:05:22,698
mean, it was proper
sweaty. A lash.
64
00:05:22,722 --> 00:05:26,978
Well, who else? Patience. You've
literally arrived halfway through this
65
00:05:27,002 --> 00:05:33,698
picture, and you've yet to set eyes on
our leading lady, who's also Stuart's
66
00:05:33,722 --> 00:05:36,458
fianceé. Is real life
fiance. Sandra there.
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00:05:36,482 --> 00:05:42,098
She's using my room. They can candered
my thing so she can do her mascara, sip
68
00:05:42,122 --> 00:05:47,618
her, vishi water, whatever it is these
people do. I had a cigarette card of her
69
00:05:47,642 --> 00:05:50,417
before the war, of course. Ah,
70
00:05:50,441 --> 00:05:54,097
Mr. Book. Ah, you're getting
too much in your way, I
71
00:05:54,121 --> 00:05:57,057
trust. Not at all.
Certainly an education.
72
00:05:57,081 --> 00:06:02,257
Larry Olivier calls film an anemic
little medium and such a crashing snob.
73
00:06:02,281 --> 00:06:07,296
For he today would shed his blood with
me shall be my brother. Be he so vile.
74
00:06:07,320 --> 00:06:11,298
Cherish when they gave him the
Oscar. Jack, this is Mr. Mckendrich.
75
00:06:11,322 --> 00:06:14,258
Delighted. Oh, and here's
Nora. The gang's all
76
00:06:14,282 --> 00:06:16,337
here. So, you're the director
77
00:06:16,361 --> 00:06:19,818
and the writer. I thought
you'd be older with a monle
78
00:06:19,842 --> 00:06:23,698
and a writing court. Must believe
everything you read in the
79
00:06:23,722 --> 00:06:27,058
film magazines, young
lady. I've seen you before.
80
00:06:27,082 --> 00:06:30,218
Mr. Mckendendrick had a lot of
green penguins from us last summer.
81
00:06:30,242 --> 00:06:33,136
Oh yeah, you look
different. It's the shorts.
82
00:06:33,160 --> 00:06:37,098
I'm not wearing shorts. That's
why you look different. Yes, you
83
00:06:37,122 --> 00:06:40,178
a very busy bee. As I recall, you're
always running about the place, weren't
84
00:06:40,202 --> 00:06:43,296
you, Mr. McGinry?
Jesse. Jesse.
85
00:06:43,320 --> 00:06:47,617
Ah, hello, Narina. In search of
material for your next article.
86
00:06:47,641 --> 00:06:52,320
Always. Well, the
bins around the back.
87
00:06:52,521 --> 00:06:56,177
Aren't you going to introduce
me? This is Mr. book from.
88
00:06:56,201 --> 00:07:00,817
Oh, the apostrophe man.
They subbed your sign.
89
00:07:00,841 --> 00:07:05,857
I'm trying not to look. Would you by
any chance be a member of His Majesty's.
90
00:07:05,881 --> 00:07:08,977
Press? Nina Bean,
picture goer. If you have
91
00:07:09,001 --> 00:07:15,440
juicy tits, my door is open.
I'll bear that in mind.
92
00:07:20,361 --> 00:07:26,121
Fingers, but they're not
real. Don't break a tooth.
93
00:07:35,081 --> 00:07:39,377
It's lovely. And he has this
94
00:07:39,401 --> 00:07:46,976
from his ceiling all the way
down to his skirting boards.
95
00:07:47,000 --> 00:07:50,736
Does he talk about her fianceé?
96
00:07:50,760 --> 00:07:54,898
Does he say, "I don't like her
anymore. She's too old for me."
97
00:07:54,922 --> 00:07:58,178
No. Does he say she's
so old it's like
98
00:07:58,202 --> 00:08:02,257
kissing a leg of mutton? No. She's
only 45. Thank you very much.
99
00:08:02,281 --> 00:08:07,138
He says he was very excited about Love
Lawn in London from the moment he saw
100
00:08:07,162 --> 00:08:12,497
the script. And he's very excited about
married life. Though he also adds, "One"
101
00:08:12,521 --> 00:08:18,818
"must keep an open mind because who
knows what fate may throw you away." Hear
102
00:08:18,842 --> 00:08:26,320
that, Barbara? Heavens
go it back. Barbara
103
00:08:27,001 --> 00:08:32,881
home is the hunter. Oh my god.
104
00:08:44,121 --> 00:08:47,121
Heat.
105
00:09:02,361 --> 00:09:05,361
Heat.
106
00:09:17,481 --> 00:09:20,481
Hey,
107
00:09:30,841 --> 00:09:33,841
hey, hey.
108
00:09:50,281 --> 00:09:53,281
Uniform.
109
00:09:54,281 --> 00:09:57,281
Inspector,
110
00:09:57,321 --> 00:10:03,058
is this a sad one, Morris? Well, cuz
I've been up all night with the razor
111
00:10:03,082 --> 00:10:06,577
blade case. So, all right,
let's have it. Film struck
112
00:10:06,601 --> 00:10:11,537
girl extra dead on the counter. It's
suspicious. I've shut down filming for
113
00:10:11,561 --> 00:10:15,218
the time being. Have the
parents been informed?
114
00:10:15,242 --> 00:10:20,497
Yes, sir. Uh, she and her family didn't
get on. Her friend said that's why she
115
00:10:20,521 --> 00:10:23,520
spent so much time
at the uh pictures.
116
00:10:25,001 --> 00:10:29,297
Inspector book.
117
00:10:29,321 --> 00:10:34,080
We are at home to
death, it seems.
118
00:10:34,281 --> 00:10:38,321
Oh, they're upstairs.
119
00:10:47,561 --> 00:10:52,496
Royal appointment. What are
they keeping from us, Stuart?
120
00:10:52,520 --> 00:10:59,857
All this waiting is making me tired.
Perhaps one should have a mask made.
121
00:10:59,881 --> 00:11:06,417
A mask? The
permanent RT smile.
122
00:11:06,441 --> 00:11:14,441
They can do wonders with makeup. Now
have Boris Carlo's number if you'd like.
123
00:11:16,841 --> 00:11:24,841
Dearest Miss Dare, you don't know me,
but I'm your most devoted admirer.
124
00:11:26,200 --> 00:11:30,176
I wonder what they'll
think. Loveorn in London.
125
00:11:30,200 --> 00:11:32,097
Who? Them.
126
00:11:32,121 --> 00:11:35,936
They'll buy it. They love
us, don't they? Both of us.
127
00:11:35,960 --> 00:11:40,321
They'll throw bottles
at the screen.
128
00:11:45,080 --> 00:11:49,297
Do you know what they shouted
at the test of brief encounter?
129
00:11:49,321 --> 00:11:54,817
Why doesn't she just kiss him?
Only they didn't say kiss.
130
00:11:54,941 --> 00:12:00,036
Relax, darling. There'll be another
smash by the nation's most blissfully
131
00:12:00,060 --> 00:12:07,637
engaged couple. Remember? And
what a long engagement it's been.
132
00:12:07,661 --> 00:12:12,277
Oh god, I can't wait to be back at the
studio. Haven't you enjoyed a little
133
00:12:12,301 --> 00:12:15,518
field trip? If we're back
at Lady House, it gets
134
00:12:15,542 --> 00:12:19,878
that dreadful narina bean out
of my air. The studio has gates.
135
00:12:19,902 --> 00:12:25,478
Fire breather of picturegoer. You
know when you lift a stone or a
136
00:12:25,502 --> 00:12:31,238
branch and suddenly all these ghastly,
filthy, damp little monstrosities are
137
00:12:31,262 --> 00:12:36,597
exposed to the daylight, scrabbling back
into the shadows. Well, beneath them are
138
00:12:36,621 --> 00:12:41,958
even worse filthy, damp
little monstrosities.
139
00:12:41,982 --> 00:12:46,437
And under there is Narina be
sure been rather sweet to me.
140
00:12:46,461 --> 00:12:49,397
Mhm. Well,
141
00:12:49,421 --> 00:12:52,677
we got good news for
her, don't we? Do we?
142
00:12:52,701 --> 00:12:54,958
Deliveries. Oh,
143
00:12:54,982 --> 00:12:59,378
our new three picture
deal. Picture go exclusive.
144
00:12:59,402 --> 00:13:00,901
Well,
145
00:13:01,341 --> 00:13:08,661
what do you want? Barley sugar boy.
I'm afraid there's been an accident.
146
00:13:18,221 --> 00:13:23,476
The contents of a handbag.
Melancholy, isn't it? Evidence of a
147
00:13:23,500 --> 00:13:28,500
little life spilled
on the floor.
148
00:13:30,701 --> 00:13:36,757
Oh, what's this? You kiss
your excess lipstick onto your
149
00:13:36,781 --> 00:13:40,276
favorite star. I
am takes all sorts.
150
00:13:40,300 --> 00:13:44,596
This interests me. May I? Mhm.
151
00:13:44,620 --> 00:13:51,077
Very carefully rammed.
Tenderly, I'd say.
152
00:13:51,101 --> 00:13:56,036
Well, they are still on the rationale.
They look expensive. There are only
153
00:13:56,060 --> 00:13:58,276
coppers in this
purse. Troty. Yes.
154
00:13:58,300 --> 00:14:04,677
Did they have money, these girls?
Very little. So they didn't buy them.
155
00:14:04,701 --> 00:14:09,396
I didn't notice the production
reviving fancy confectionary.
156
00:14:09,420 --> 00:14:14,517
No, the ferns bring them. Letters
and presents. Sad little things
157
00:14:14,541 --> 00:14:20,197
they've knitted. They're left through
there. Billy brings them up to them.
158
00:14:20,221 --> 00:14:25,781
Actually, he had a box of
chocolates with him just now.
159
00:14:26,781 --> 00:14:31,476
Puncture mark. Barbara was
breathless. Troty. Yes.
160
00:14:31,500 --> 00:14:35,141
Yes. And twitchy
161
00:14:35,740 --> 00:14:41,860
strictly. Oh, hell's bells.
162
00:14:49,581 --> 00:14:53,557
Poor girl. Someone's
been at these.
163
00:14:53,581 --> 00:14:58,438
Oh, darling. You shouldn't You
You don't know where they've been.
164
00:14:58,462 --> 00:15:00,998
Stop it. It's poison. Don't
be absurd. They're by royal
165
00:15:01,022 --> 00:15:04,438
appointment. I'm afraid it's true, sir.
You You You didn't have any, did you,
166
00:15:04,462 --> 00:15:06,478
mister? Oh, uh, no. No.
167
00:15:06,502 --> 00:15:11,157
What about you, Mr. Howard? No. Not
good. Have you ever received chocolates
168
00:15:11,181 --> 00:15:14,338
like this before, mister? Uh,
yes. All the time. My fans know
169
00:15:14,362 --> 00:15:17,377
they're my favorite,
but I never eat them.
170
00:15:17,401 --> 00:15:22,138
It seems reasonable to assume then
that you were the intended victim.
171
00:15:22,162 --> 00:15:26,218
Intended victim? What does
he mean, intended victim?
172
00:15:26,242 --> 00:15:31,138
We're investigating the death of Barbara
Malcolm. Yes, that unfortunate young
173
00:15:31,162 --> 00:15:32,736
woman. Yes.
174
00:15:32,760 --> 00:15:38,496
Oh my god. I have been sent some strange
things in my time, but I would anyone
175
00:15:38,520 --> 00:15:42,778
want to kill me? Billy, who
gave you these chocolates?
176
00:15:42,802 --> 00:15:48,098
Nobody. They were just with the usual
mail. I always have to deal with it.
177
00:15:48,122 --> 00:15:51,658
Well, anyone could have got at them. And
Barbara and her friend presumably did.
178
00:15:51,682 --> 00:15:54,818
Jesus Christ. We could have both died.
What were you thinking about bringing
179
00:15:54,842 --> 00:15:57,218
that muck up here? Sorry,
Mr. Howard, but you told me to
180
00:15:57,242 --> 00:15:59,936
bring Don't answer me back.
181
00:15:59,960 --> 00:16:04,320
Going need to find
myself a new assistant.
182
00:16:05,561 --> 00:16:10,577
You all right, my love? It's a
brutal question, mister, but I'm
183
00:16:10,601 --> 00:16:14,897
afraid it must be asked. Do you
have any idea who might want to
184
00:16:14,921 --> 00:16:18,257
kill you? Can't this wait?
185
00:16:18,281 --> 00:16:24,097
Yes, of course. He'd excuse us. Sir,
out. I need to remind you that this
186
00:16:24,121 --> 00:16:30,721
is an official murder investigation.
Don't talk to the press.
187
00:16:48,601 --> 00:16:54,817
There once was an actress called Dare
whose allure was exceedingly rare. Her
188
00:16:54,841 --> 00:17:00,337
chocolates were spiked with strictening,
not nice. But it was Barbara that ate
189
00:17:00,361 --> 00:17:06,097
them. Not fair. I hope we
did the right thing letting
190
00:17:06,121 --> 00:17:09,056
those people into the
lane. Why did she?
191
00:17:09,080 --> 00:17:13,936
I'm afraid it was money. Yes,
my love. Those little pieces of
192
00:17:13,960 --> 00:17:17,618
paper that keep us out of
the small claims courts.
193
00:17:17,642 --> 00:17:19,857
How much? 20 guineies
194
00:17:19,881 --> 00:17:22,097
per week per DM
195
00:17:22,121 --> 00:17:26,081
for 10 DMs.
196
00:17:27,800 --> 00:17:33,058
The devil's going on out there? Bobby's
swimming about like the cup final.
197
00:17:33,082 --> 00:17:36,258
Ah, Mrs. Goodwin. Yes.
I'm afraid there's been an
198
00:17:36,282 --> 00:17:39,937
accident. Oh. Oh, nothing
to do with Sandra Dare.
199
00:17:39,961 --> 00:17:43,858
I hope. I heard she was in the
neighborhood. Oh, so that's why we're
200
00:17:43,882 --> 00:17:45,978
here. Always been a fan.
201
00:17:46,002 --> 00:17:49,657
They don't want to hear about
your juvenile antics, woman.
202
00:17:49,681 --> 00:17:53,018
Miss Dale is perfectly sound, I'm happy
to say. The scarlet pimpanel you heard
203
00:17:53,042 --> 00:17:56,017
from us last time, wasn't
it? I trust you enjoy it.
204
00:17:56,041 --> 00:17:59,777
Oh, very much. I
promised you the sequel.
205
00:17:59,801 --> 00:18:02,818
I'm teeing off at
quarter 2. Sorry.
206
00:18:02,842 --> 00:18:04,738
Thinking I will repay.
207
00:18:04,762 --> 00:18:07,578
What? That's the
sequel to The Scarlet.
208
00:18:07,602 --> 00:18:09,937
Pimpanel. Jack. Oh. Um,
209
00:18:09,961 --> 00:18:14,657
underneath Hardy Perennials, the
biography of Danton and the stack of
210
00:18:14,681 --> 00:18:18,658
unpaid bills. Got anything
on uh how to cook?
211
00:18:18,682 --> 00:18:23,776
I beg your pardon. That's what she
needs. Can hardly boil a ruddy egg.
212
00:18:23,800 --> 00:18:26,737
How are your feet?
Oh, how much better.
213
00:18:26,761 --> 00:18:31,040
Oh, I'll wait in the car.
214
00:18:31,321 --> 00:18:36,817
Ah, that's just a bob. Oh, and I put
this to one side, too. Uh, on the house.
215
00:18:36,841 --> 00:18:41,776
What is it? Oh, just a little play.
Ipsson, A Doll's House. It's about a
216
00:18:41,800 --> 00:18:47,521
woman who realizes she's
rather trapped, unfulfilled.
217
00:18:47,561 --> 00:18:51,776
Thought you might find it
enlightening. Thank you,
218
00:18:51,800 --> 00:18:54,800
Serio.
219
00:18:56,841 --> 00:19:00,177
How's business been? Booming.
220
00:19:00,201 --> 00:19:04,417
Goodbye to Bullin. All the Steuart
Howard fans are mad for it.
221
00:19:04,441 --> 00:19:10,561
Is he in the film version?
That's what I'm telling them.
222
00:19:10,841 --> 00:19:15,617
I uh better unpack. Oh, Jack,
be a darling and fetch my bag
223
00:19:15,641 --> 00:19:22,016
from my room, would you? It's the
green one with the amber class.
224
00:19:22,040 --> 00:19:25,040
Right.
225
00:21:03,081 --> 00:21:06,578
You really think someone
tried to kill me?
226
00:21:06,602 --> 00:21:11,217
It really looks that way. Good God.
At least we'll be back at Lady.
227
00:21:11,241 --> 00:21:15,258
Hurst tonight. You sure
you're okay to shoot?
228
00:21:15,282 --> 00:21:20,256
Have to be, won't I? Dear dream,
silly me. My memory. Sandra, are you
229
00:21:20,280 --> 00:21:27,537
ready? Ready? My exclusive. Oh,
excuse me. Um, I promised an
230
00:21:27,561 --> 00:21:33,697
interview, Harold. Um, Marina,
I can give you two minutes.
231
00:21:33,721 --> 00:21:40,481
Necessary evil. I suppose one
must feed the machine. Mr.
232
00:21:40,761 --> 00:21:45,841
Ah, finally.
233
00:21:47,260 --> 00:21:51,637
If you piece of kite, you know
my motto. If nothing nice to
234
00:21:51,661 --> 00:21:58,756
say, come and sit by me. And
here you are, sitting by me.
235
00:21:58,780 --> 00:22:02,517
Ah, yes, but I do have
something nice to say. Narina.
236
00:22:02,541 --> 00:22:10,037
Oh, Love Lawn in London is the
first of a new three picture deal.
237
00:22:10,061 --> 00:22:14,597
A deal Stuart and I have signed
on for. Isn't that marvelous?
238
00:22:14,621 --> 00:22:18,437
Marvelous. And you're
shooting interiors at Lady.
239
00:22:18,461 --> 00:22:23,797
House, aren't you? Not exactly
MGM, is it? Ped. Oh, it'll
240
00:22:23,821 --> 00:22:27,797
do nicely. You know the
place though, don't you?
241
00:22:27,821 --> 00:22:33,518
Made plenty of pictures there in the
past. Like the one where you played the
242
00:22:33,542 --> 00:22:35,877
simple crafter's daughter
who married a duke.
243
00:22:35,901 --> 00:22:39,558
Yes. And the one where
you played a simple
244
00:22:39,582 --> 00:22:43,877
fisherman's daughter who
married a dude magnet.
245
00:22:43,901 --> 00:22:49,158
Yes. I always forget what dude is. It's
a kind of fiber. People make bags with
246
00:22:49,182 --> 00:22:53,278
it. What's the first
film you made there,
247
00:22:53,302 --> 00:23:00,756
Sandra? At Lady Hurst.
H um I don't know. Uh
248
00:23:00,780 --> 00:23:05,478
springtime for Mary, I think. Oh,
about a simple blacksmith's daughter
249
00:23:05,502 --> 00:23:08,661
who married. All right.
250
00:23:08,780 --> 00:23:13,797
I think it was quite a bit before
that. Do you know our readers would be
251
00:23:13,821 --> 00:23:19,637
fascinated to learn that not all Sandra
Dear's pictures were talking pictures?
252
00:23:19,761 --> 00:23:26,057
I love those old inter titles.
Came the dawn and all that.
253
00:23:26,081 --> 00:23:31,897
Or I can check the date later. Dear Dre,
that is your real name, isn't it? The
254
00:23:31,921 --> 00:23:38,297
one you used to go by. Dear
Pedock, perhaps you should
255
00:23:38,321 --> 00:23:43,017
concentrate on the
present Narina. Where?
256
00:23:43,041 --> 00:23:47,480
Someone is trying to kill me.
257
00:23:57,360 --> 00:24:02,658
Jesse and I are taking Sandra for
supper. Try to take her mind off things.
258
00:24:02,682 --> 00:24:06,457
If that's not inappropriate
under the circumstances.
259
00:24:06,481 --> 00:24:10,698
Well, one must eat. Where
are you going? Wheelers?
260
00:24:10,722 --> 00:24:14,038
No, Camille's on the
Strand. Good choice.
261
00:24:14,062 --> 00:24:15,801
Don't have the oysters.
262
00:24:16,081 --> 00:24:20,377
I saw them taking that girl away.
I assumed it was an accident.
263
00:24:20,401 --> 00:24:23,497
Poison chocolates. Really?
264
00:24:23,521 --> 00:24:29,576
And they were intended for me. And that
poor sad girl intercepted them. Oh god,
265
00:24:29,600 --> 00:24:35,576
how's that for an exclusive?
Tragic. And what an angle.
266
00:24:35,600 --> 00:24:40,697
Oh, sorry. That was
crash of me. But still,
267
00:24:40,721 --> 00:24:44,937
what an angle. Well,
there's your story, Narina.
268
00:24:44,961 --> 00:24:49,258
Are you ready, darling? Oh,
yeah. I was just leaving.
269
00:24:49,282 --> 00:24:53,096
Congratulations on the
new contract, Stuart.
270
00:24:53,120 --> 00:24:56,360
Thank you.
271
00:24:56,641 --> 00:25:03,561
Much to chew on. Always
lovely to see you.
272
00:25:04,721 --> 00:25:09,657
Bust the Lady Hursties in 5
minutes. 5 minutes everyone.
273
00:25:09,681 --> 00:25:13,880
What are you waiting
for? The last post.
274
00:25:13,921 --> 00:25:18,297
Mr. Masterson son, what a
pleasure to see you again.
275
00:25:18,321 --> 00:25:25,721
Lena Bane looking lovely as
ever. What can I do for you?
276
00:25:29,921 --> 00:25:34,360
Here we go. Guitar.
277
00:25:38,821 --> 00:25:43,597
We met through um picture goer. Me
and Barbara, I mean there's lots of
278
00:25:43,621 --> 00:25:47,838
correspondents. You see, like
minded folk finding each other.
279
00:25:47,862 --> 00:25:52,157
Some aren't to their fans. Some
and the other big names, too.
280
00:25:52,181 --> 00:25:57,558
There's a hairdresser I know
who's putting on James Mason.
281
00:25:57,582 --> 00:26:03,718
But you know, Stuart was our favorite.
That's why we Why we chose to get jobs
282
00:26:03,742 --> 00:26:08,316
as extras to get close? You're
doing very well, my dear.
283
00:26:08,340 --> 00:26:12,621
You admit to taking
the chocolates?
284
00:26:13,700 --> 00:26:17,196
Yeah. I'm awfully
sorry. We just couldn't
285
00:26:17,220 --> 00:26:22,637
resist them. We saw them there on the
table in the bookshop. And I mean,
286
00:26:22,661 --> 00:26:27,757
chocks, come on. It's been
years. They were through there.
287
00:26:27,781 --> 00:26:34,141
Yeah, just through there.
What did you do with the note?
288
00:26:35,141 --> 00:26:38,556
Note? Well, there was
obviously an enclosure
289
00:26:38,580 --> 00:26:43,117
of some kind. It's not there
now. What did you do with it?
290
00:26:43,141 --> 00:26:48,781
I I I I didn't see any note.
291
00:26:51,301 --> 00:26:55,661
It was over there.
Look on the table.
292
00:26:55,861 --> 00:26:59,517
It's funny how easy it
is to get close to them.
293
00:26:59,541 --> 00:27:05,081
Sally Gray once brushed past me in
the powder room at the Walsingham.
294
00:27:05,106 --> 00:27:12,037
You opened the box. Maybe the card
fell out. Do you have back issues?
295
00:27:13,861 --> 00:27:16,157
Picture girl. I
mean, of course.
296
00:27:16,181 --> 00:27:22,941
January 35 onwards. Would you be so
good as to let us have them? Of course.
297
00:27:27,541 --> 00:27:31,421
I know that look.
298
00:27:35,381 --> 00:27:40,381
Oh, dog. You a naughty boy.
299
00:27:40,580 --> 00:27:44,157
This succession.
300
00:27:44,181 --> 00:27:49,917
Well, I wouldn't say session, sir.
He gives you full pay for that.
301
00:27:49,941 --> 00:27:56,717
He does. He really can't. You're
sure he knows about that? Yeah,
302
00:27:56,741 --> 00:28:01,278
he does know where we are. Thank
you, Miss Bruce. You've been most
303
00:28:01,302 --> 00:28:05,277
helpful. Uh uh, Constable.
304
00:28:05,301 --> 00:28:08,541
Thank you.
305
00:28:14,661 --> 00:28:17,661
Well,
306
00:28:18,100 --> 00:28:23,597
oh Stuart, oh Stewart, my love, there's
so much I want to say to you. From that
307
00:28:23,621 --> 00:28:29,357
moment on the submarine, I knew your
look of concentration, your strength, we
308
00:28:29,381 --> 00:28:35,757
were destined to love each other.
Ship of shame. Good picture, that one.
309
00:28:35,781 --> 00:28:39,661
They were meant for him.
310
00:28:39,861 --> 00:28:46,076
We imagine we control our passions, but
they direct us to the stars. We strive
311
00:28:46,100 --> 00:28:51,117
despite adversity. They drive ordinary
people to extraordinary actions like
312
00:28:51,141 --> 00:28:55,997
like injecting strict mean
into strawberry creams.
313
00:28:56,021 --> 00:29:01,837
So Stuart, my own best darling, I
implore you not to try. Follow your
314
00:29:01,861 --> 00:29:07,917
heart. Break off your engagement and we
can be together, you and I, my sweetest
315
00:29:07,941 --> 00:29:15,941
boy, in life or in the cold, cold tomb
of death. And if one proves impossible,
316
00:29:16,100 --> 00:29:21,037
I'll take the other joyously. Well,
that seems pretty clear. If the
317
00:29:21,061 --> 00:29:25,598
writer can't have him, nobody can.
So, we're looking for a film fanatic.
318
00:29:25,622 --> 00:29:30,358
Fanatic being the word. That
would be the obvious explanation.
319
00:29:30,382 --> 00:29:35,580
All right, then. Bring me up to speed.
What do we know about this film, Mil?
320
00:29:35,781 --> 00:29:39,676
Stuart Howard, proof that
smoldering Latin looks
321
00:29:39,700 --> 00:29:43,117
sometimes occur
spontaneously in Burman's.
322
00:29:43,141 --> 00:29:47,997
He and Sandra have bound their careers
together, the nation's sweethearts.
323
00:29:48,021 --> 00:29:54,078
But hope can know the truth of it. He's
an actor and he's young and ruthless and
324
00:29:54,102 --> 00:29:59,278
rather over rewarded and appears to be
hopelessly in love with someone else.
325
00:29:59,302 --> 00:30:01,037
Who? Himself.
326
00:30:01,061 --> 00:30:05,718
Then there's the Honorable Jesse
Mckendrich. He lived in rooms on the
327
00:30:05,742 --> 00:30:09,398
lane last year just for a few weeks.
Rich boy slumbing it for the summer.
328
00:30:09,422 --> 00:30:12,422
Ran up and down like a billy goat. He
was always pounding the streets in his
329
00:30:12,581 --> 00:30:16,038
cells. Left when it got
cold, ran straight back
330
00:30:16,062 --> 00:30:20,118
to daddy's place in Wiltshire, I
think. I'm sure I looked it up.
331
00:30:20,142 --> 00:30:24,797
And then we must presume wrote his
script on the private lives of the
332
00:30:24,821 --> 00:30:26,918
proletariat. Thank you
so much for joining.
333
00:30:26,942 --> 00:30:30,518
Good neighbor, was he? Didn't
pay much attention to be honest.
334
00:30:30,542 --> 00:30:34,238
I find that hard to believe. Well,
he was obviously taking notes on
335
00:30:34,262 --> 00:30:37,518
how to run a bookshop. And Miss
Dash, she had a rich husband
336
00:30:37,542 --> 00:30:41,318
who died, didn't she? Italian national.
Is that why they went to the States?
337
00:30:41,342 --> 00:30:45,158
Well, if they'd stayed, he'd have been
interned as an enemy alien, so I suppose
338
00:30:45,182 --> 00:30:49,038
they preferred the California sunshine.
That's made me think rather better of
339
00:30:49,062 --> 00:30:52,558
her. I thought she was just
running away from the bombs.
340
00:30:52,582 --> 00:30:54,618
What about Billy? Clapper boy.
341
00:30:54,642 --> 00:30:59,258
Positions, please. And from
the look of it, Stuart Howard's
342
00:30:59,282 --> 00:31:04,538
now exhipping boy. Doesn't seem to be
much love lost there. They pose a lot,
343
00:31:04,562 --> 00:31:09,976
don't they, these film stars? Why
is he marrying her? Do you think to
344
00:31:10,000 --> 00:31:13,641
shows she's still here?
345
00:31:16,720 --> 00:31:20,377
Thank you. Uh to show she
knows what the audience
346
00:31:20,401 --> 00:31:25,576
wants. Stuart Howard's just arrived at
the top, ain't he? Sergeant's been there
347
00:31:25,600 --> 00:31:29,336
for years, but she can only
stay there for so long.
348
00:31:29,360 --> 00:31:33,561
Very perceptive of you, Jack.
349
00:31:33,681 --> 00:31:39,336
What a brutal business this is. It
captures people in time, then they
350
00:31:39,360 --> 00:31:42,360
change,
351
00:31:42,480 --> 00:31:47,818
and it mocks them for it. Right.
I'm going to get on to the film
352
00:31:47,842 --> 00:31:52,698
security people. See if anyone saw who
dropped the chocolates off. What will
353
00:31:52,722 --> 00:31:56,617
you do now? Jack and I
are taking this note to
354
00:31:56,641 --> 00:31:59,641
dinner.
355
00:32:20,961 --> 00:32:24,681
Is that what I mean?
356
00:32:30,480 --> 00:32:35,801
Jesus Christ. Me? You.
357
00:32:36,081 --> 00:32:39,976
You have no idea how
draining it is, Mr. Book.
358
00:32:40,000 --> 00:32:44,137
Glad handing. Scribbling
one's autograph. Failing to
359
00:32:44,161 --> 00:32:49,178
recognize someone whom you apparently
met at a village fate 10 years ago. And
360
00:32:49,202 --> 00:32:53,818
the smiling. Great god. The smiling.
This is simply the next step. They can
361
00:32:53,842 --> 00:32:58,360
only love one so much. And there's
only one way to go from there.
362
00:33:04,980 --> 00:33:09,718
Can I bloody well eat after that?
Well, a crazed fan is only the most
363
00:33:09,742 --> 00:33:13,958
obvious theory, but we don't
like to be obvious, do we, Jack?
364
00:33:13,982 --> 00:33:18,278
What? Oh, uh, no. No, we don't. So,
if I might repurpose the inspector's
365
00:33:18,302 --> 00:33:21,917
earlier question, can you think of
anyone who might want to kill you, Mr.
366
00:33:21,941 --> 00:33:24,157
Howard? Take your ready pick.
367
00:33:24,181 --> 00:33:29,998
There's quite a lot of angry ladies out
there, not to mention their husbands.
368
00:33:30,022 --> 00:33:34,918
Several road tailor, producers,
directors, writers, my ex-agent, my
369
00:33:34,942 --> 00:33:39,277
exx-agent, uncle Tom Conway
and all. What about prison?
370
00:33:39,301 --> 00:33:42,958
What? You started to eat
your dinner with your
371
00:33:42,982 --> 00:33:46,237
spoon. Ah, old habits.
372
00:33:46,261 --> 00:33:52,076
Dead giveaway.
Takes one to no one.
373
00:33:52,100 --> 00:33:58,558
I was younger than you. Nothing too
terrible. But I shouldn't like it to get
374
00:33:58,582 --> 00:34:04,060
into the popular press,
Mr. Book. I should think not.
375
00:34:04,741 --> 00:34:08,077
Where'd they get you
for? I went for a drive.
376
00:34:08,101 --> 00:34:11,756
Where? Through a fer's
window in Mayfair. You
377
00:34:11,780 --> 00:34:17,658
went to the bank to make a withdrawal.
With a stocking over your face?
378
00:34:17,682 --> 00:34:19,500
Yeah. My mother's.
379
00:34:19,540 --> 00:34:23,837
I'm a Burmany boy, Jack.
Rough as a sailor's ass
380
00:34:23,861 --> 00:34:27,901
despite all of this.
381
00:34:28,340 --> 00:34:33,277
Do you think it could have something
to do with that? The prison?
382
00:34:33,301 --> 00:34:37,358
Well, as you've indicated, it's a wide
field. Tell you what, why not take on
383
00:34:37,382 --> 00:34:39,638
young Jack here as
your new factom? Huh?
384
00:34:39,662 --> 00:34:42,638
No harm in having a strapping young
fellow like him hanging around. And you
385
00:34:42,662 --> 00:34:46,398
are looking for a new assistant. Yeah,
I can't. I've already got a job at
386
00:34:46,422 --> 00:34:49,237
the bookshop. I'm sure I can
spare you for a few days.
387
00:34:49,261 --> 00:34:51,517
And you know how Nola
loves to help out. Well,
388
00:34:51,541 --> 00:34:54,798
spend it. Yes, it's a
good idea. You know, Mr.
389
00:34:54,822 --> 00:35:00,158
Book, you should all come to Lady Hurst.
Help us get the details right and uh
390
00:35:00,182 --> 00:35:04,898
keep an eye on things. We'll be
delighted. Thank you for these.
391
00:35:04,922 --> 00:35:06,701
I'm a film star.
392
00:35:08,181 --> 00:35:12,077
You all right? Yeah.
393
00:35:12,101 --> 00:35:16,397
Oh, wouldn't I be? I'll leave
you to it then. Let me know
394
00:35:16,421 --> 00:35:21,277
if anything interesting turns up. Oh,
be careful. There is a killer on the
395
00:35:21,301 --> 00:35:24,957
loose. Good night.
396
00:35:24,981 --> 00:35:31,421
Good night. Yes, sir.
What's your poison?
397
00:35:43,540 --> 00:35:47,981
Varsity sporting review.
398
00:35:49,141 --> 00:35:52,621
There you are.
399
00:36:21,461 --> 00:36:26,157
What's this? Come on. It's
usually around now that
400
00:36:26,181 --> 00:36:29,821
you dain to share.
401
00:36:30,821 --> 00:36:35,837
Three things then. Who would benefit
from Lavlon in London collapsing? What
402
00:36:35,861 --> 00:36:39,918
was missing from that box of chocolates
was lying there with all the other fan
403
00:36:39,942 --> 00:36:41,798
mail. But no envelope.
404
00:36:41,822 --> 00:36:47,117
Top of the class, Mrs. Book. So
unless the envelope was disposed of,
405
00:36:47,141 --> 00:36:50,558
the chocolates didn't arrive by post.
So anyone on the film set could have put
406
00:36:50,582 --> 00:36:54,078
it there. Precisely. And
finally, the chocolate
407
00:36:54,102 --> 00:36:58,237
method, haphazard though it was, has
been tried and failed, which means
408
00:36:58,261 --> 00:37:01,997
whoever's behind this is going
to try again. What are you
409
00:37:02,021 --> 00:37:05,038
going to do? We're invited
to the film studios
410
00:37:05,062 --> 00:37:09,516
tomorrow. And Jack has a new
job. The Stuart Howard stand in.
411
00:37:09,540 --> 00:37:13,500
When are we going to tell him?
412
00:37:13,540 --> 00:37:18,637
Not yet. Shall I read?
413
00:37:18,661 --> 00:37:22,717
Well, I know how you enjoy
it, so I'll humor you.
414
00:37:22,741 --> 00:37:26,141
But then.
415
00:37:28,901 --> 00:37:34,717
Oh, there it is. Been ftting
about that since we moved my
416
00:37:34,741 --> 00:37:40,957
stuff to accommodate the stars.
Then fret not, dear. And recall our
417
00:37:40,981 --> 00:37:44,461
solemn pack
418
00:37:49,461 --> 00:37:56,077
of fancy. I've seen some
D in my time, but this
419
00:37:56,101 --> 00:38:00,476
so dirty, so shady.
420
00:38:00,500 --> 00:38:06,941
The pansies in my
garden abhore the shade.
421
00:38:07,301 --> 00:38:14,476
Right, sir. It is sir. Is
it? Let's find you on my
422
00:38:14,500 --> 00:38:21,277
list. Name, occupation,
marital status.
423
00:38:21,301 --> 00:38:25,357
Engaged. Who are you?
424
00:38:25,381 --> 00:38:31,278
Medical officer stro with Perry. Troty
to my friends. Late for the Gary Baldi.
425
00:38:31,302 --> 00:38:35,518
Brigade. And I don't mean the biscuits.
I can pull out shrapnel. I can strip it
426
00:38:35,542 --> 00:38:38,638
to shanker in under two seconds. And I
want to pull it south of the erbo, which
427
00:38:38,662 --> 00:38:43,517
I wouldn't recommend even to you,
Sergeant. And I never ever leave a man
428
00:38:43,541 --> 00:38:46,478
behind. He's sitting
there. And I'm getting
429
00:38:46,502 --> 00:38:51,918
married to him next Saturday. And the
chief constable's daughter is one of our
430
00:38:51,942 --> 00:38:56,458
bridesmaids. So if I were you, I'd just
admit the error right away and cross him
431
00:38:56,482 --> 00:38:58,780
off your list. What say you?
432
00:39:04,101 --> 00:39:08,077
Saturday all right for
you? Forecast is good.
433
00:39:08,101 --> 00:39:11,741
Quite all right. True
434
00:39:14,901 --> 00:39:17,901
me.
435
00:39:18,341 --> 00:39:21,341
Uh-oh.
436
00:39:21,381 --> 00:39:27,037
Where would I be without you? I think
we both know the answer to that,
437
00:39:27,061 --> 00:39:30,301
my love.
438
00:39:32,500 --> 00:39:37,277
Anyway, you were going to read.
439
00:39:37,301 --> 00:39:40,540
Of course.
440
00:40:04,341 --> 00:40:10,236
She's noticed you. Yeah,
they always noticed me. Girls
441
00:40:10,260 --> 00:40:14,158
doesn't mean anything. It's like
when kids point a dogs in the
442
00:40:14,182 --> 00:40:16,118
street and say, "Dog?" Yeah.
443
00:40:16,142 --> 00:40:19,757
Well, you getting married soon, sir.
They've seen it in a column by Lena.
444
00:40:19,781 --> 00:40:22,718
Bean. But let me tell
you something, Jack.
445
00:40:22,742 --> 00:40:24,918
I've never gone down
at one knee to anyone.
446
00:40:24,942 --> 00:40:27,918
Sandra, what the question
ended? I can imagine that.
447
00:40:27,942 --> 00:40:32,238
Most of the questions are
from a business manager.
448
00:40:32,262 --> 00:40:36,637
Oh, so you've got
an arrangement then.
449
00:40:36,661 --> 00:40:42,038
Shouldn't drink so much, should I? Yes,
an arrangement. But we all have those,
450
00:40:42,062 --> 00:40:46,158
don't we? You have one with Book. Book
has one with Mrs. Book if we're talking
451
00:40:46,182 --> 00:40:50,301
about unusual marriages. Why' you
say Book's marriage is unusual?
452
00:40:50,421 --> 00:40:53,677
You'll like him book. How?
453
00:40:53,701 --> 00:40:59,101
Cuz you read. Just
go on, read, mate.
454
00:41:00,341 --> 00:41:04,381
Well, um,
455
00:41:04,661 --> 00:41:09,838
you keep coming here cuz you think this
is the sort of place that film stars go,
456
00:41:09,862 --> 00:41:15,318
but here's the thing. You don't like
it here. You hate it. And you hate that
457
00:41:15,342 --> 00:41:19,037
drink, too. It's like
a pudding from the war.
458
00:41:19,061 --> 00:41:24,558
So, you're thinking, "How can I be the
chap I was?" You know, before I knew
459
00:41:24,582 --> 00:41:28,318
that the camera loved me, which is a
terrible thing to know. It's all cracked
460
00:41:28,342 --> 00:41:31,518
up to be. Can you believe that?
Yeah, I wouldn't mind a bit of it.
461
00:41:31,542 --> 00:41:35,658
Careful what you wish for, son. Got
someone sending me poison in the post.
462
00:41:35,682 --> 00:41:37,181
Remember,
463
00:41:37,221 --> 00:41:43,597
I was a bit stuck when I met Sandra.
Type cast, not officer material. They
464
00:41:43,621 --> 00:41:48,557
said it was a problem. Kid. Sandra
changed that. She pulled strings,
465
00:41:48,581 --> 00:41:53,516
whispered in ears. Producers started
casting us as lovers. We were lovers by
466
00:41:53,540 --> 00:41:57,357
then, of course. Do
you love her now?
467
00:41:57,381 --> 00:42:01,421
Well, I don't hate her.
468
00:42:02,581 --> 00:42:04,637
You want to be your own man?
469
00:42:04,661 --> 00:42:09,398
Of course I do. But it's impossible,
isn't it? We're a pair like Hope and
470
00:42:09,422 --> 00:42:12,438
Crosby, Fred and Ginger,
Garbo and Gilbert.
471
00:42:12,462 --> 00:42:18,118
Except he left, didn't he? What? John
Gilbert didn't survive when the torpies
472
00:42:18,142 --> 00:42:23,037
came. Yeah. So it's all
an act then. You and her
473
00:42:23,061 --> 00:42:27,117
golden couple. All an act as
much an artifice as Stuart
474
00:42:27,141 --> 00:42:30,621
Howard himself.
475
00:42:30,740 --> 00:42:36,317
Film is for dreamers. You see Jack when
you sit there in the dark has to be
476
00:42:36,341 --> 00:42:43,117
space for you up there in that kiss.
No scenes in the moonlight standing by
477
00:42:43,141 --> 00:42:48,398
the rail of a ship. You just read in
the fan mags that the screen lovers have
478
00:42:48,422 --> 00:42:52,637
broken off the engagement. Can't
stand to be in a room together
479
00:42:52,661 --> 00:42:57,020
and there's no space to dream.
480
00:44:37,941 --> 00:44:43,917
Scene 49, take eight and
481
00:44:43,941 --> 00:44:47,677
action. It was then I
knew we had fallen in love
482
00:44:47,701 --> 00:44:53,117
from the pages of a book. But was that
love strong enough to thrive out in the
483
00:44:53,141 --> 00:44:58,157
teeming world? Uh, can we um try it
again without him reading in? I can do
484
00:44:58,181 --> 00:45:04,141
it in time. Yes,
of course. Reset.
485
00:45:05,301 --> 00:45:09,437
Rolling. Sundra and
486
00:45:09,461 --> 00:45:12,461
action.
487
00:45:20,981 --> 00:45:27,117
I'm so sorry, Jesse. Uh, can I beg?
10 minutes. Siggy will sort me out.
488
00:45:27,141 --> 00:45:31,357
Cut it there.
Cutting it there.
489
00:45:31,381 --> 00:45:36,301
10 minutes old. Back at five.
490
00:45:36,981 --> 00:45:41,981
Is that coffee,
sir? No. Thank you.
491
00:46:18,260 --> 00:46:21,341
Come along.
492
00:47:18,500 --> 00:47:25,020
Eric Pival Banks. She's
she's been married before.
493
00:47:43,381 --> 00:47:48,637
Good morning.
You're up early. Oh,
494
00:47:48,661 --> 00:47:52,461
I thought you might want a tea.
495
00:48:12,581 --> 00:48:17,661
Hey kid, you want
to be in pictures?
496
00:48:19,861 --> 00:48:22,637
Your name's not on
the list. Who are you?
497
00:48:22,661 --> 00:48:26,198
We're antiquarian book
sellers. Isn't it obvious?
498
00:48:26,222 --> 00:48:30,956
And I know we're being extra vigilant,
Jerry Love, but bear with me.
499
00:48:30,980 --> 00:48:34,141
All right.
500
00:49:00,181 --> 00:49:04,038
What's this? The address
of Barbara Markham's
501
00:49:04,062 --> 00:49:06,476
parents. I'll go visit them.
502
00:49:06,500 --> 00:49:11,516
No, no. There's the inquest first.
Just write them a kind letter.
503
00:49:11,540 --> 00:49:15,677
I will. Thanks, Book.
504
00:49:15,701 --> 00:49:21,181
You boys in for the biggest
surprise of your lives.
505
00:49:21,701 --> 00:49:28,797
Keep going. Better this
way. More dramatic.
506
00:49:28,821 --> 00:49:34,701
Jordi, can I get some
lights on, please? Yes.
507
00:49:39,621 --> 00:49:44,236
Amazing. It's absurd.
508
00:49:44,260 --> 00:49:49,516
Ridiculous, bizarre
exaggeration of reality.
509
00:49:49,540 --> 00:49:54,317
It is wonderful. What a
thrillingly peculiar life you
510
00:49:54,341 --> 00:49:58,317
lead, Mr. Howard. It's
an imitation of life.
511
00:49:58,341 --> 00:50:02,557
Dog's blanket, but no dog.
512
00:50:02,581 --> 00:50:08,077
Is dog cast yet? Yeah. Not
much cop. No screen presence.
513
00:50:08,101 --> 00:50:15,061
Think of a good
replacement. Yeah, I can.
514
00:50:17,381 --> 00:50:22,877
Cans of cash. Your Tony's a
better book seller than I am.
515
00:50:22,901 --> 00:50:29,117
It's fake. I like everything in here.
Well, I'm glad you had a chance to look
516
00:50:29,141 --> 00:50:33,198
before the hordes arrived. Let's get
some breakfast. Canteen's in the next
517
00:50:33,222 --> 00:50:36,621
block. Aon McDuff.
518
00:50:42,181 --> 00:50:45,037
It's just past the
dressing rooms.
519
00:50:45,061 --> 00:50:50,078
Do you know what you're doing next? Or
another Robin Hood remake? I mean, I've
520
00:50:50,102 --> 00:50:53,901
got the pins, right?
Oh my god. What?
521
00:50:58,901 --> 00:51:02,540
It's one of the extras.
522
00:51:11,221 --> 00:51:17,260
No, I think not.
523
00:51:17,941 --> 00:51:21,740
It's Nina Bean.
524
00:51:30,181 --> 00:51:34,540
The girl with the poison pen.
525
00:52:10,101 --> 00:52:13,101
Yeah.
526
00:52:15,061 --> 00:52:18,061
Yeah.
47861
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