All language subtitles for Moesha s04e15 I Love Moesha

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,870 --> 00:00:03,750 Me, me, me, me, me, me, me. 2 00:00:04,010 --> 00:00:08,310 The great thing about CPQ breaking up is that now there's an opener for me. 3 00:00:09,330 --> 00:00:15,050 CPM has a nice ring to it. But first things first, even the great ones need 4 00:00:15,050 --> 00:00:16,050 work on their voices. 5 00:00:16,510 --> 00:00:19,390 Leontine Prey, Aretha Franklin, Foxy Brown. 6 00:00:19,950 --> 00:00:22,770 So I thought I'd tune up my instrument before the group's audition. 7 00:00:23,830 --> 00:00:25,770 Don't break me. 8 00:00:29,310 --> 00:00:30,310 See? 9 00:00:31,630 --> 00:00:32,710 The queen of soul can't do that. 10 00:01:15,470 --> 00:01:19,470 to let me in the group uh -uh somebody gonna show up well whether they show up 11 00:01:19,470 --> 00:01:22,450 or not you only have five more minutes to hold your auditions because i have a 12 00:01:22,450 --> 00:01:28,670 business to run uh did you even post the audition notices i resent that kim do 13 00:01:28,670 --> 00:01:32,010 you think i was too solo as to sabotage the group just because i want to be a 14 00:01:32,010 --> 00:01:38,950 part of it in a word yes come on you guys please i'm good now i've 15 00:01:38,950 --> 00:01:40,680 been practicing and I have dance moves and everything. 16 00:01:41,040 --> 00:01:44,100 Oh, whoa, whoa, whoa. Hold it, Twinkle Toes, okay? You're not stepping on my 17 00:01:44,100 --> 00:01:45,059 dance moves. 18 00:01:45,060 --> 00:01:46,160 No pun intended. 19 00:01:48,060 --> 00:01:50,260 Yo, am I too late for the audition? No! 20 00:01:50,780 --> 00:01:54,160 You don't even have to audition. You're already in the group. 21 00:01:55,140 --> 00:01:57,800 Please, not. We don't know what Antonio can do. 22 00:01:58,100 --> 00:02:00,980 Well, we know what you can do, so he has to be better. 23 00:02:04,660 --> 00:02:06,720 Antonio, what do you have to offer this group? 24 00:02:07,350 --> 00:02:09,770 Well, you know, besides my smoldering good looks. 25 00:02:10,009 --> 00:02:11,009 Next. 26 00:02:12,090 --> 00:02:14,610 Okay, okay, I can sing, dance, and rap. 27 00:02:14,890 --> 00:02:16,570 But can you juggle chainsaws? 28 00:02:17,010 --> 00:02:20,090 Huh? And you call yourself a performer. 29 00:02:22,030 --> 00:02:23,630 Anyway, man, show us what you got planned. 30 00:02:23,850 --> 00:02:24,850 Okay, okay, I'll check this out. 31 00:02:25,890 --> 00:02:26,859 Yo, Mommy. 32 00:02:26,860 --> 00:02:29,400 This unconditional vibe that I'm pushing up to you is an artistic love that 33 00:02:29,400 --> 00:02:32,560 could be nothing but true. The brown skin, crenshaw, Latin's painting the 34 00:02:32,600 --> 00:02:34,680 No, I'm not Picasso. I'm better known as Antonio. 35 00:02:35,140 --> 00:02:38,660 I'm almighty with the brush in my hand. I'm laying murals more detailed than the 36 00:02:38,660 --> 00:02:41,700 one -eared man. I'm spraying, arranging. I'm simply just displaying. 37 00:02:42,220 --> 00:02:44,380 Do I need to repeat myself? Do you understand what I'm saying? 38 00:02:49,220 --> 00:02:50,940 He's pretty and good. 39 00:02:52,240 --> 00:02:53,240 Well? 40 00:02:54,890 --> 00:02:56,450 Looks like you got your first groupie. 41 00:02:57,550 --> 00:02:59,510 If he plays his cards right. 42 00:03:01,330 --> 00:03:02,330 Pardon? 43 00:03:06,830 --> 00:03:09,310 Did you see what type of element he's attracted? 44 00:03:09,670 --> 00:03:12,230 Do you really want him in the group? Oh, God, yes. 45 00:03:14,210 --> 00:03:17,610 Come on, you guys. I'm saying, with me, you get a manager and a performer. 46 00:03:17,810 --> 00:03:20,430 That's two for one. We're not looking for a bargain. 47 00:03:21,130 --> 00:03:24,550 Tony Obed, congratulations. Welcome to the group, baby. All right, Blanche. 48 00:03:24,760 --> 00:03:25,820 Please let me in the group. 49 00:03:27,560 --> 00:03:29,400 Snap out of it, Mo. You can't sing. 50 00:03:31,480 --> 00:03:33,860 Right, all right. But you know I can dance like Janet. 51 00:03:34,140 --> 00:03:35,380 Yup. Reno. 52 00:03:44,320 --> 00:03:47,400 Come on, Ricky. Let me be in the show. 53 00:03:48,220 --> 00:03:50,040 Lucy, the answer is no. 54 00:03:52,010 --> 00:03:54,990 If you let me perform with you, I'll never have to be in your show again. 55 00:04:00,030 --> 00:04:05,110 Now that's somebody who understands my pain. 56 00:04:06,150 --> 00:04:07,150 Lucy. 57 00:04:08,170 --> 00:04:09,770 Lucy, I'm home. 58 00:04:31,600 --> 00:04:34,960 been doing today? Only what a good wife should, honey. I cooked clean, watched 59 00:04:34,960 --> 00:04:37,700 Oprah, and I found the cutest new sheets for our twin beds. 60 00:04:41,000 --> 00:04:42,580 Don't talk like that around the boy. 61 00:04:43,340 --> 00:04:45,200 I'm not ready to explain such things to him. 62 00:04:46,600 --> 00:04:47,720 You're right, dear. 63 00:04:48,560 --> 00:04:49,740 What are you guys talking about? 64 00:04:50,040 --> 00:04:51,540 Mommy and Daddy talk, sweetie. 65 00:04:51,960 --> 00:04:53,760 Do Uncle Fred and Aunt Ethel ever talk? 66 00:04:54,360 --> 00:04:56,600 No, honey. At Fred's age, he only talks to himself. 67 00:05:01,230 --> 00:05:02,250 Fred and Ethel. I invited them over. 68 00:05:03,450 --> 00:05:06,570 So, Ricky, what's the big news? 69 00:05:06,850 --> 00:05:07,850 Big news? 70 00:05:07,890 --> 00:05:09,530 Honey, you didn't mention any big news. 71 00:05:09,810 --> 00:05:11,450 Well, I wanted to tell everyone at once. 72 00:05:11,670 --> 00:05:12,990 Oh, come on, Rick. Spill the beans. 73 00:05:13,210 --> 00:05:17,330 Okay. Well, there's going to be a big Broadway star review at the Tropicana 74 00:05:17,330 --> 00:05:19,350 week. And, of course, you know who the star is going to be. 75 00:05:20,090 --> 00:05:22,130 The artist formerly known as Cab Calloway? 76 00:05:23,670 --> 00:05:25,730 Very funny. You're just trying to get my sheep. 77 00:05:26,910 --> 00:05:27,910 That's goat, honey. 78 00:05:28,070 --> 00:05:29,070 Oh, forget it. 79 00:05:32,490 --> 00:05:35,590 My manager, Sally, and his big producer, Mr. Jeffries, came up with the idea. 80 00:05:35,810 --> 00:05:38,410 They've invited a lot of network executives to check out the show. 81 00:05:40,090 --> 00:05:41,250 You're going to be on TV? 82 00:05:41,690 --> 00:05:43,350 I might even get my own show. 83 00:05:44,110 --> 00:05:45,150 Oh, honey! 84 00:05:45,770 --> 00:05:48,430 Oh, wow, I may have to break down and buy a TV set. 85 00:05:48,690 --> 00:05:50,830 Oh, you're so cheap, you haven't even bought a radio yet. 86 00:05:51,070 --> 00:05:53,470 Well, I should. I can barely compete with all the noise coming from your big 87 00:05:53,470 --> 00:05:54,970 mouth. Big mouth? 88 00:05:55,250 --> 00:05:57,670 Why, you old geezer, you're sleeping on the couch tonight. 89 00:05:57,890 --> 00:05:58,869 Oh, is that a promise? 90 00:05:58,870 --> 00:05:59,870 All right. 91 00:06:02,479 --> 00:06:04,660 You won't need a TV because you'll be on it. 92 00:06:05,040 --> 00:06:08,580 Mr. Jeffries is holding open auditions tomorrow, and I told him about your 93 00:06:08,580 --> 00:06:11,160 vaudeville act. Oh, that's well of you, Ricky. 94 00:06:11,540 --> 00:06:13,120 Hey, Dad, I want to be in the show. 95 00:06:13,360 --> 00:06:17,180 Well, I'm sure Mr. Jeffries won my audition, a cute little boy with a drum. 96 00:06:17,400 --> 00:06:18,279 You be. 97 00:06:18,280 --> 00:06:23,040 Oh, this is so great. My husband is going to be the star of his own TV show, 98 00:06:23,040 --> 00:06:25,340 the four of us are going to audition. So what should I do, sing and dance? 99 00:06:25,780 --> 00:06:26,880 No, sit and watch. 100 00:06:33,420 --> 00:06:34,840 and show business done mix. 101 00:06:35,780 --> 00:06:38,060 Yeah, Lucy Briggs, right. You only make a fool of yourself. 102 00:06:38,360 --> 00:06:40,160 Well, you're the expert on that. 103 00:06:42,000 --> 00:06:46,220 Sweetie. I know Fred sounds cruel, but the old coot's only looking out for your 104 00:06:46,220 --> 00:06:47,220 feeling. 105 00:06:47,420 --> 00:06:48,420 Sure. 106 00:07:50,320 --> 00:07:53,520 Why, they're the epitome of good old -fashioned American entertainment. 107 00:07:53,880 --> 00:07:58,100 Now, put them together with Ricky here, and I think we've got a hit. Oh, and 108 00:07:58,100 --> 00:08:01,620 don't forget about little Ricky. I mean, who doesn't love a cute little boy with 109 00:08:01,620 --> 00:08:02,780 a drum? True, true. 110 00:08:03,000 --> 00:08:04,720 Talent runs in my family. Yes. 111 00:08:05,720 --> 00:08:07,380 And then there's Mrs. 112 00:08:07,600 --> 00:08:08,600 Ricardo. 113 00:08:10,240 --> 00:08:13,360 Well, Mr. Jeffries, talent ran away from that side of my family. 114 00:08:14,000 --> 00:08:17,480 Oh, no, no, now don't get me wrong, Ricardo. She's spunky. I like her. 115 00:08:19,330 --> 00:08:22,250 Unfortunately, Lucy may be the worst singer I've ever heard. 116 00:08:22,510 --> 00:08:24,150 Yeah, the worst. Absolute worst. 117 00:08:25,870 --> 00:08:28,350 All right, now. We're ready for the dance auditions. 118 00:08:29,530 --> 00:08:31,690 Oh, and wait until you see this girl. 119 00:08:32,049 --> 00:08:34,429 Lola Valvoom. She's going to knock your stress off. 120 00:08:35,650 --> 00:08:39,390 All right, now, ladies. I'm your choreographer, Miss Gina. And I'm going 121 00:08:39,390 --> 00:08:41,090 you... Excuse me. 122 00:08:42,030 --> 00:08:43,030 Excuse me. 123 00:08:44,130 --> 00:08:45,130 Thank you. 124 00:08:45,990 --> 00:08:48,630 I'm going to quickly show you what it is we're going to do. So, please. 125 00:08:49,450 --> 00:08:50,450 Pay attention. 126 00:08:50,650 --> 00:08:51,650 All right. 127 00:08:53,410 --> 00:08:56,070 Eartha. Eartha. Through the curtain. 128 00:08:56,310 --> 00:08:57,310 Through the curtain. 129 00:08:58,630 --> 00:08:59,690 Feel it, huh? 130 00:09:00,350 --> 00:09:01,350 And turn. 131 00:09:02,230 --> 00:09:03,230 Serve it up. 132 00:09:04,470 --> 00:09:05,490 Heaven, earth. 133 00:09:05,850 --> 00:09:06,850 Ha! 134 00:09:08,030 --> 00:09:09,590 Wow, that looks harsh. 135 00:09:10,170 --> 00:09:11,610 Do not speak to Lola. 136 00:09:13,510 --> 00:09:15,530 All right, all right. Are there any questions? 137 00:09:17,610 --> 00:09:18,830 as Eartha go through the curtain. 138 00:09:21,050 --> 00:09:23,050 Enough of this foolishness. 139 00:09:23,330 --> 00:09:24,810 Lola is ready now. 140 00:10:29,520 --> 00:10:32,320 we can keep you all. Yep. But, unfortunately, we can't. No. 141 00:10:33,800 --> 00:10:39,000 So, if Gina taps you on the shoulder, please stay. Stay. Everybody else, 142 00:10:39,000 --> 00:10:40,160 hiring at the post office. 143 00:10:40,480 --> 00:10:42,020 Ah, the post office. 144 00:10:42,620 --> 00:10:49,320 All right, let's see what we've got here. And, uh, well, 145 00:10:49,500 --> 00:10:53,020 you and you. 146 00:10:54,740 --> 00:10:56,560 You and, of course, you two. 147 00:11:00,590 --> 00:11:01,590 Oh, what the heck? 148 00:11:02,350 --> 00:11:05,550 Did you hear that, Lucy? We're in. Yeah, yeah, that's nice, kid. 149 00:11:06,590 --> 00:11:07,610 Congratulations, Lola. 150 00:11:08,090 --> 00:11:09,090 You're the lead. 151 00:11:10,070 --> 00:11:11,470 Was there ever any doubt? 152 00:11:13,010 --> 00:11:15,550 Oh, uh, by the way, I need a bigger dressing room. 153 00:11:18,410 --> 00:11:19,349 That's it. 154 00:11:19,350 --> 00:11:20,350 Thank you, everybody. 155 00:11:22,650 --> 00:11:25,810 Excuse me, Gina, but I do believe you forgot to tap me on the shoulder. 156 00:11:26,010 --> 00:11:27,010 Oh, I'm sorry. 157 00:11:28,570 --> 00:11:29,570 Oh. 158 00:11:30,069 --> 00:11:31,230 You didn't make the cut. 159 00:11:32,070 --> 00:11:33,070 Goodnight. 160 00:12:13,390 --> 00:12:14,390 What was that for? 161 00:12:14,550 --> 00:12:15,830 No reason. I love you. 162 00:12:18,010 --> 00:12:19,270 And I love you, too. 163 00:12:19,830 --> 00:12:20,830 How much? 164 00:12:22,510 --> 00:12:23,510 More than anything. 165 00:12:28,330 --> 00:12:32,270 Do you love me enough to climb the highest mountain or swim the deepest 166 00:12:34,010 --> 00:12:35,010 Mm -hmm. 167 00:12:37,330 --> 00:12:39,410 So you love me enough to do anything, huh? 168 00:12:41,530 --> 00:12:44,860 Yep. Anything but try to convince Mr. Jeffries to put you in the show. 169 00:12:45,900 --> 00:12:47,400 Oh, Ricky. 170 00:12:47,860 --> 00:12:51,220 No. You're the star of the show. They'll listen to you. 171 00:12:53,360 --> 00:12:54,360 That's what they did. 172 00:12:54,520 --> 00:12:55,520 Aw. 173 00:13:41,070 --> 00:13:43,250 I think we just stumbled onto the next great duo. 174 00:13:43,650 --> 00:13:45,790 I'm talking larger than a stair. 175 00:13:46,150 --> 00:13:47,150 Hepburn and Tracy. 176 00:13:47,530 --> 00:13:48,810 Malcolm and Eddie. 177 00:14:16,360 --> 00:14:19,140 Lola gets into the dance, the passion takes over. 178 00:14:19,500 --> 00:14:22,280 No, no, no, no, no, no. That's okay, Lola. 179 00:14:23,200 --> 00:14:25,520 It only makes the dance more satisfying for the audience. 180 00:14:26,740 --> 00:14:27,800 Only the audience? 181 00:14:28,840 --> 00:14:31,500 Well, then Lola must try harder. 182 00:14:40,180 --> 00:14:42,100 That Lola's one hot tomato, ain't she? 183 00:14:42,340 --> 00:14:44,980 She's one unbelievable dancer. I mean, did you see those moves? 184 00:14:45,770 --> 00:14:48,350 Last time I saw moves that quick, they involved Ethel in a cheeseburger. 185 00:14:52,150 --> 00:14:54,770 Jeepers, Miss Lola. You're the greatest dancer in the world. 186 00:14:55,050 --> 00:14:57,630 Thank you, cute little boy with the drum. 187 00:14:58,110 --> 00:14:59,890 Lola appreciates your adulation. 188 00:15:00,690 --> 00:15:02,270 Now come with me, son of Ricky. 189 00:15:02,470 --> 00:15:05,470 Lola will get you a nice frosty glass of Ovaltine. 190 00:15:05,850 --> 00:15:06,850 Now that's dope. 191 00:15:12,270 --> 00:15:14,090 Look at her with that wiggly walk. 192 00:15:14,330 --> 00:15:15,590 I tell you, she's awful. 193 00:15:18,420 --> 00:15:23,520 Well, Ethel, let me tell you just how friendly she really is. 194 00:15:28,260 --> 00:15:29,260 Crown me. 195 00:15:30,780 --> 00:15:31,780 Somebody's at the door. 196 00:15:35,260 --> 00:15:36,260 I'll get it. 197 00:15:40,800 --> 00:15:44,160 Oh, Lucy, we need to talk. Why? 198 00:15:44,360 --> 00:15:47,220 Shouldn't the big TV star be rehearsing for a big show tomorrow? 199 00:15:47,660 --> 00:15:51,420 The one that I'm not coming to? Well, if you don't come, you might lose your 200 00:15:51,420 --> 00:15:52,420 husband. 201 00:15:52,640 --> 00:15:56,640 What are you talking about, Ethel? It's that hussy, Lola Vavoon. She is the hots 202 00:15:56,640 --> 00:15:57,599 for Ricky. 203 00:15:57,600 --> 00:16:02,600 Oh, did Lola tell you that? She didn't have to. She's been clinging to him like 204 00:16:02,600 --> 00:16:03,860 Fred clings to a quarter. 205 00:16:06,160 --> 00:16:08,360 Ethel, are you sure that Lola's after my Ricky? 206 00:16:08,620 --> 00:16:09,620 Sure shooting. 207 00:16:10,040 --> 00:16:14,280 Gina told me the floozy is the man -eater, and Ricky's the main course. 208 00:16:18,320 --> 00:16:24,400 to have to put that Lola on a diet what do you mean we you and I 209 00:17:44,409 --> 00:17:45,830 Lola, you've got a visitor. 210 00:17:46,230 --> 00:17:49,650 Who would dare to visit Lola as she prepares for the dance? 211 00:18:35,080 --> 00:18:36,140 Are you ready? Yeah. 212 00:18:37,000 --> 00:18:40,220 I mean, Lola's ready. 213 00:18:42,780 --> 00:18:43,780 Mr. 214 00:18:44,900 --> 00:18:45,900 Jack, please. 215 00:20:35,110 --> 00:20:36,290 Oh, you can say that again. 216 00:20:38,130 --> 00:20:39,710 That's what I call a happy ending. 15965

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