Original subtitles

Legrand.

We'll spend every weekend together.

Saturdays we'll go to the movies.

And Sundays I'll take you to the zoo.

Mommy, can I have Dr. King Kong's suit?

Danny, Mommy is not going to live here with you and Daddy anymore.

You understand?

Yes, but will you buy me a King Kong suit?

What, sweetie?

Pierre's not my friend anymore.

No, why?

Because he's an idiot.

Is mommy home?

No, no, but she's coming home on Sunday.

How many days until Sunday?

Four.

Thanks, buddy.

Do you have a cough, sweetie?

Yes.

Danny, it's time to go to bed.

One minute.

No, no, not one minute more.

Oh, my gosh.

10 o 'clock.

10 o 'clock?

Bad.

Lights out. Quick.

Go.

Hello,

darling. I must talk to you. Come to my office tomorrow at... Let's make it

11. You don't think...

Free -thinking people must respect the... All right, feel that.

Go on, feel that foot.

Hello, Doc. Hey, what are you celebrating?

It's one -one for the boss. He's got a cold. A cold?

I'm not going into a room with a man who has a cold.

Don't be ridiculous.

Come in. I'm not a man.

I'm a producer.

Keep your

hand. It'll make me nervous.

Okay, okay.

What about it?

You read it?

You like it or not?

What's so funny?

It's not funny.

If it had been a comedy, I wouldn't have called you.

Where'd you find this?

I bought it.

Julian, you having tax problems again? You don't like it?

Yeah, yeah. It used to be my favorite line, but that's all it is.

It's a theme.

It's a theme for a very exciting movie.

A theme?

Since when are you interested in themes?

Well, it's decided.

In December.

I want to shoot in December.

Julian, Julian.

I know a place in Lausanne.

It's peaceful.

Clean air. Great food. You'll read a lot. In three months, this will all seem

like a bad dream.

You really must meet Malcolm.

Malcolm? Director.

English. Oh, oh.

I hate English directors.

He's... He's very young.

Oh, even worse. There's nothing more horrible than a young English director.

Don't tell me he's a genius, went to Oxford, directed a Guinness commercial.

I haven't been to Oxford, actually, Mr. Gillis.

Dan doesn't like it.

Dan didn't say that.

Dan just thinks one line's a bit thin for a movie.

Wasn't too thin for your novel.

Kids, you're losing me.

Take a look at the quotation in front of this book.

Where'd you find that? It's out of print.

My sister found it at a bookiness.

What is it, Wendy?

He cried again.

I'm old Peter from Peter Pan by J .M. Barrie. Well, did I just buy

Peter Pan? What's going on here?

Don't worry.

Just bought an idea.

Do you like the book?

I'm here, aren't I?

Yeah.

Malcolm specifically asked for you. Say, is this a crime story?

No, no, not exactly.

He asked for your script, though.

But it's the author of the book that I'm interested in.

I'm sorry, he's dead.

How?

Succumbed to the law of the zeros.

Don't believe it.

Yeah, I'll take that.

Thanks, thanks, thanks.

I think I have one at home.

Or two.

Yeah, but this one's annotated.

So, everything's all right then?

You ever get on with it?

I haven't said yes yet.

Are you free tomorrow at five?

That depends.

I'm afraid Malcolm's sold.

Oh, you did it for a ticket?

No, it won lots of prizes.

Well, well, I'll be there.

Where is it?

Studio Renoir.

Hello, sir.

Mrs. Kaufman is looking for me.

She's in the back, sir.

So, what do you advise me to do?

It's the occasion of your life.

On the one hand, it's nice to go back to America, but three months is too much.

I don't know if we'll be able to bear the separation.

Pardon? I'm asking you.

Oh, no.

Not again.

Am I interrupting anything?

No, no, no. Claude was just going. His session's over.

Well, sit, sit. It is indeed to know each other, Claude Béton, Daniel Gilles,

Félix. Écoute.

J 'aurais un autre billet pour ton ami.

Oui,

demain. Don't be.

Goodbye. Goodbye.

Nice to meet you.

He's in love.

Poor guy.

Oh, go ahead. I'm all ears.

Can I ask you a question?

Mm -hmm.

Why do you always wear high heels?

Well, I hope you didn't come here just to say that to me. Only that. I had to

know.

Well, I've heard so much about how difficult it is to walk in them that I'm

wreaking my revenge on all those women who can walk around on their own two

feet.

Okay.

You're my heroine.

So do you want to talk about personal things first or business?

Everything's personal.

Everything's business.

Marianne business?

You know?

We talked.

Was she called?

Why?

To talk.

About you.

How exciting.

Do you want her back?

I don't know.

Will this affect your work?

Certainly.

I don't think you should do this Legrand project.

Oh, he already got it?

Right before lunch.

And?

Well, I said I wouldn't talk to him until I talked to you.

Well...

I think he snapped.

He wants to do an art film.

Sounds like a midlife crisis.

Yeah, he's got a director, some English wunderkind named Green, Malcolm Green.

Maybe you can check him out.

Well, we'll see if LeGrand's serious first.

How about if I ask for double your normal fee?

How are you thinking?

I need the commission.

How's your love life?

Same old thing, you know.

Every night I hop on my broomstick and I fly through the bedroom window of some

beautiful young man and I have my evil way with him.

Hey, I never said you were a witch. Danny did.

Same thing.

I sleep with my window open.

This is art.

I don't know what it means, and I don't care.

But this is art.

Saying it makes me think of Kubrick and Benoît Saint -Chandelot.

You see, really, I was aiming for something like Disney.

What? You know, Walt, Mickey, Grumpy, Dumbo.

Okay, okay.

Fellas, uh... I go, because I'm sure you'll have important things to talk

And me, I'm just the writer.

I'll make you agree.

Give Marilyn a call.

Fantastic. The fantastic thing will be my fee. Give her a call.

Uh, you going my way?

Oh, Jesus, don't tell me you're one of these directors that doesn't drive.

Hey, who was that girl in the short?

Oh, my sister.

Oh, the reader.

And Legrand, have you known him for a while?

Three months.

We met in Cairns.

Listen, Malcolm, let's get something straight from the start. I don't like

directors.

Well, neither do I.

That's why we chose you. We knew you'd tell your uncles.

Always refer to yourself as we, Malcolm.

Are you the Dauphin?

Until tomorrow.

Okay, about three, huh?

Mm -hmm.

He lived in an oldish building that looked kind of

collapsible.

Did you have a bad dream? You got your daddy here.

Okay. Shh, shh, shh.

I think you're still asleep.

Okay, okay.

You got your daddy here, sweetie.

I think you're having a bad dream.

Huh?

It's good.

Sorry, Marianne. Danny's asking for you.

No? Just that. What do you want me to do?

Marianne, I mean... Mommy, are you coming?

Are you coming? I want you to... Marianne.

Hello?

You're going to school tomorrow morning.

No, baby.

When I get home, you'll come with me.

For now, it's not possible. You'll come with your dad.

This is the big boy's house now.

You said it, pal.

Hey, hey. You sure you're not sleepy today? You don't want a vacation?

No, no.

Really? Really sure.

Really sure.

Bye -bye. Bye -bye.

and my producer aren't exactly seeing eye to eye.

Don't worry, I'll sort it out.

We'll see each other at three at my place.

Okay.

If he calls again, I'm out.

Don't put him through till tomorrow morning.

Late. Don't give me a chance to speak to Catherine. No, no, the thing to do is

to say she's been kidnapped and nobody wants to pay the ransom.

So what's the problem?

Oh, you didn't get that message?

What? No, no.

There's no problem.

What do you mean?

LeGrand called back.

I know.

We have an unconditional surrender.

The man's caved.

He's agreed to everything. He doesn't even want to discuss it anymore.

He's crazy, isn't he?

Oh, well, he said he'd sort it out, and he did.

Who?

Green.

I have some information on him. He's done a couple of rock videos in London.

Apart from the famous short.

Oh, which I saw yesterday.

Did you like it?

Hmm, not bad for a short.

Don, don't do this film.

What?

Listen, I've had people on the phone this morning from Delon's office. They

you to adapt another novel.

Yeah, but why shouldn't we do this?

I don't know. I just have a bad feeling about it.

What, now we're going to turn down a project because you've got a bad feeling

about it?

The mad monkey came down from the tree and became the hunter.

The plain monkey stayed in the branches.

You know?

Eating banana.

Mm -hmm.

Well,

that's it.

That's all you got?

What more do we need?

Oh, a few pages of, uh... coherent thought, uh, treatment.

You know, a script isn't, uh... Yeah, but it's not a James Bond movie.

I love James Bond movies. Dr. No from Russia with Love, Goldfinger. Those are

great movies.

Yeah, well, I've never seen them.

I suppose you haven't.

Okay, Malcolm.

Listen.

You know, you very dramatically presented me with a line from Peter Pan,

for me refers to the tragedy of growing up, right?

Yeah.

So maybe...

We can come up with a theme for The Mad Monkey, a theme for the movie.

Yeah, but it's not a question of theme.

The movie's like a dream.

Oh, but that's our title, isn't it?

The Dream of the Mad Monkey.

I love it.

Mm -hmm.

Do you mind if I make a call?

No.

It's kind of private.

There's another phone down there.

To the right, just by the kitchen, through the iron gate.

And you miss me.

But I'll call you back if you leave a message after the tone.

Hi,

Marilyn. It's Danny Boy. Listen, I'm here with Norman Bate.

It's a loony bin. It's a loony bin.

Get me out of this deal. Return the money. Call the Grand.

I'm going home now. Goodbye.

Oh, oh, oh. And call...

To Lon's office. Tell him I'll do the novel. I haven't read it yet, but I'll

it.

Um, Daniel Giddes, my fit for Jenny.

Do you have a light?

You old enough to smoke?

So it's your fault I'm here.

Uh, I told him it was you who found the book.

Uh, yeah, I'm Portobello Wright.

Oh, I take it everywhere.

I think you're very clever.

It's very flattering, if I go.

Is it?

What, do you live here?

I live with my brother.

I'm all the family he's got.

He's all mine, aren't you?

I work well.

Nobody else, not even in England?

No.

We grew up in a children's home together in London.

I got my first job, she came with me.

Sleep now. Just calm down.

I didn't know you were here.

What, uh... What's going on?

I'm so confused.

Do you know where I've really gone?

No.

You're going to hate me.

Dishonor.

Oh, don't you want to?

You say first.

But you already know.

What if I can't? What are you going to do?

I'll call you back if you leave a message after the tone coming up. Now.

Marilyn. Hi.

It's Dan.

I'm sorry to call you so late.

Listen, it's important. Don't call LeGrand.

I changed my mind. I think... I think I found a way

to make the Malcolm Green story work.

Okay.

Talk to you later. Bye.

So, for the next several days, I went over to Malcolm Green's place.

And you know, every afternoon, no matter how bright and sunny it had been, it

would deluge with rain, like it was building up for the flood.

So that's how I see the opening of the movie. There's a boy, and he's sent out

with his skyscraper, and he's about to jump.

The city's at his feet, and he knows he's about to die. Yeah.

But who's the boy?

One of Peter Pan's lost boys.

Yeah. Yeah.

Yeah, I like that.

Yeah.

Because you're an egomaniac.

How does it end?

He jumps.

He jumps. And the story is one big flashback.

So he kills himself?

Yeah, he does.

Actually, I don't think that. I just see him jumping.

That's good just ends with him flying through the air. Yeah

Jenny, huh?

So, we haven't got much room, have we?

What are you talking about? We've got the opening, we've got the ending.

And we've got the title.

Yeah, yeah, yeah. Sure we do.

Don't tell me.

Please.

Okay.

So after a few more sessions like that, we went over to Legrand's villa.

To tell him the story of the movie he was going to produce.

And the anguish mounts. Okay, the impact seems inevitable.

It is.

When he reaches the ground, the little angel opens his eyes and wakes up.

It's all been a nightmare.

Now the audience can relax and leave the cinema happy because nothing like that

ever happened to their children.

That boy is the sacred law of cinema.

Well, maybe, but that doesn't interest me. What doesn't interest you?

The public.

That's your concern, not mine.

The public is your problem, too.

You know what kind of film I want to make.

All you have to do is say whether you're interested or not. But don't ever tell

me what I've got to do.

Do you want to produce this film, yes or no?

Well, then say it.

Again. All right.

Then there's no more that needs to be said.

Listen, Malcolm.

I'm like a girl.

If you want to fuck me, be nice.

I'm going to the loo.

Down, down there.

Did you see that?

Yeah, yeah, but why?

Why are you letting yourself be pushed around by a complete beginner?

Strategy, then.

With these boys, you have to build up their ego, give them their wings, to see

they can do anything.

You don't want to tell me?

Then you've got to help me. I need a script I can take to the bank.

Julian, you should have taken my advice about the clinic in Lausanne.

After that meeting, I holed up in my apartment for a couple of weeks.

Hey,

come here, Danny.

Here. You were right for a little bit.

Okay.

Turn around. Go.

Go.

Sorry.

Sorry.

It's okay. It's okay.

I didn't look at my watch. I just worked and slept, worked, slept.

And one day, I had a dream.

Legrand didn't want to produce the movie.

He'd left his wife, and he'd just gotten remarried to two women.

Malcolm and Jenny went back to London.

And they got married to each other.

And they adopted a child.

Me, I wasn't in the dream.

Maybe I just didn't exist.

One day, I went over to Malcolm Green's, thinking to leave his house with the

final draft of the script.

But he wanted me to rewrite the whole thing and start to finish.

Can't do this.

Why not?

Because if you're gilding the lily is why.

What does that mean?

It means you're being self -indulgent.

Well, I'm the director.

Well, direct on the set.

I'm off before your brother appears and we get even further apart.

Sometimes my brother expresses himself rather badly.

Well, I think we may have reached a genuine impasse.

You know, he really respects you.

He's got a funny way of showing it.

Do you want some more coffee?

I'm pouring you a new cup.

Your hands are cold.

Don't be afraid of me.

Have your good boy do that for the favor.

Naturally, I finished the script the way Malcolm wanted.

How could I not?

I was outnumbered.

Closer.

Yeah.

Well, whoever you are, you better be good looking.

Who else?

Oh, God.

I woke you up.

Oh, I'm really sorry.

Are you here as a friend or as a client?

Friend, friend, of course.

Come in.

No, no, I should, I should, I should go. This is too stupid. Look at this, 5 a

.m.

No, no, no, no. Go back to sleep and tomorrow it'll all seem like a dream.

You'll call me up and say, Dan, were you at my house at 5 a .m.? I'll say, no.

Daniel, will you come in? I'm getting pneumonia.

Okay, okay.

I could cook you bread.

No, maybe?

I don't think so.

No, really?

I'm telling you, it's the most important meal of the day.

I'm hysterical, aren't I? I'm like over -revved.

Something, I'm sorry, you're on a valium, do you?

You know the French consume more tranquilizers than any other nation?

I'm English.

Yep, you've got an American job.

Gee.

You look lovely without makeup.

One day we're going to have a little chat about the boyish charm of yours.

Oh, really?

Just like that?

That hair over your eye like that.

Got those bedroom -y eyes.

Did it go there then?

Where, the bedroom?

Right now.

Let's get you back.

Thank you, God. You might have, like... I just wanted to check her a little bit.

I'm... I'll be good.

I'll be real good. Don't worry about that.

You tell me, okay? I'm real easy about these things, I guess.

I'd take your boots off.

But it'd be awkward.

No, no.

You've done too much already.

Dan, did you do something you shouldn't?

an important appointment.

And I would never have such an opportunity again.

How do I raise the money for it? Just tell me that.

I don't know. Like always, I guess.

With this script?

A novice director?

And no stars?

You're completely mad.

Find a star.

A star? There is no road for a star in this crap.

Hey.

Get Marion Duran.

I'll bet she'd be delighted to go for something quirky like this. You know,

down, she's kind of offbeat.

Deep down, no doubt.

And we know somebody who could convince her.

You'd do that for me? Me? No, no, no, no.

For Le Duran, I'm like a coat she wore three seasons ago. No, no.

You should get Malcolm.

He convinced you, which should have been much harder.

Okay. I'll be more Malcolm Green.

I'm going to call Malcolm, but to tell him to go to hell.

I'm sick to death of hate film.

This time I'm serious.

I've said it's over, and I mean it.

Malcolm.

Yes, I've read it.

Honestly, I just can't set up a film like this.

No, it's impossible.

I can't.

about to drive away when, without knowing why, I just switched the engine

and waited.

Don't do that. Don't do that, honey. You can't play with Daddy's razor,

sweetheart.

Okay?

I know, I know.

Don't do that. Promise me you won't play with Daddy's razor, okay?

Okay.

I talked to Legrand.

He, um, told me about your idea for Marion Duran.

Well, you know Legrand.

Yes, I do.

Well, from what I hear, you know her very well.

Anyway, well, you see, uh, Legrand wouldn't dare suggest it to her and,

Well, I don't know her, so... Well, Marion Duran is with Art Media.

I know who her agent is.

You know, we both know that sending her this script just on its own, nothing

else, there isn't a chance.

None at all.

You know, what we really need is someone to talk to her, someone to convince

her.

Well, I'll give you her telephone number.

No, don't be a fool. I want you to speak to her, don't I?

So you won't help me?

Yeah, I understand.

Hey, has LeGrand given you a contract yet?

No, not yet.

What do you want?

Jenny? Did you ship a contract?

I had spread the net.

I took a shower.

I made some coffee.

And I waited.

In less than an hour.

I've been expecting you.

Really? Yes, yes. Don't you always turn up when your brother has a problem?

We have to talk.

You just want to talk?

You were with Malcolm when he met Legrand, right?

Yes.

So you're the lure.

I always cost myself.

So you went to bed with him right away? Or did you even, like, pretend to get to

know him at first?

I guess not. Make him coffee?

Or is it just, you know, I'm a whore?

Hello, I'm Jenny the Whore.

I don't go to bed with him.

I don't go to bed with him because he doesn't want to.

I suck him.

It's all he wants.

After he comes in my mouth, he tells me the film will never be made.

That Malcolm's a cretin and I'm an idiot.

And then it's all over.

A few days go by and he calls again.

Away we go.

And you think I want what he wants.

Is that why you're here?

I know what you want.

But you don't want that. You know what I want.

Can't sleep

Are you

frightened?

Want a glass of milk?

I read your script.

Legrand sent it to me, along with a check for the rest of the money he owes

He's furious.

What do you think?

It's beautiful.

Really?

It's childlike.

Sad, useless, and beautiful.

Useless? What does that mean? Is that a compliment?

In my book, it is.

May I give you a kiss?

You may.

No, you shouldn't have done that. That's bad luck.

Does he still talk about me as if I were the Wicked Witch of the West?

He talks less and less every day.

Get over it.

If you had a son, would you feel guilty?

If I were you, yes.

Children shouldn't have children.

No, no, no, I'm being serious.

What do you want me to say to you?

Give me a child and I'll tell you.

Can you have children?

Imagine that I can.

So tell me, are you guys really going to shoot that porno movie you sent me? Or

are you just jacking me off? Because, you know, I have another movie in Italy

that I adore.

Oh, well, I thought you liked porno movies.

No, no.

We're shooting in six weeks, and I wrote it with you in mind. You can't let me

down.

That's so sweet.

Oh, it's true.

But the director, is he gay?

No, no.

No, he's straight and young, very good -looking.

And, you know, he feels just like I do. There'd be no point in making a movie

without you.

No, please.

No? Really?

Really? You're such a liar.

I just spent the afternoon in Marion Duran's trailer. Now you've got to talk

her. The thing depends on her decision.

I can't go.

You don't want to make the movie, huh?

Jenny's been home for three days.

You know, she could telephone tonight or come home.

Oh, Jenny's a big girl now, right?

I've never let her down.

How's she going to feel if the movie falls through and it's her fault?

Three days.

I've never done it before.

Okay, okay. Hey, hey.

Listen, I'll stay here. I'll wait here, okay?

Come on.

Time to go.

Okay? Why don't you change, then? I mean, do I smell?

Oh, lovely. She'll love you. Really.

Really. Come on.

Wait, wait, wait. I mean, what should I say?

Let her decide.

Jenny calls.

Or comes back, I'll be there.

Yeah. Yeah, really.

Okay.

Yeah.

Oh, no,

pas besoin.

Madame Marianne l 'a déjà fait.

Vous en savez?

I hope it's not serious.

When are you coming back?

I don't know.

At my age, I don't need to see certain things.

And Danny?

He's asleep.

She's with him.

Oh.

It could be because I'm feeling remote.

He's pretending.

Donnie.

He's pretending to be asleep.

Because I'm here.

Malcolm's been looking for you for three days.

What's been doing?

I'm sorry, Dad.

For what?

We couldn't do things any other way.

We who?

Malcolm and I.

Tomorrow after.

Right, baby?

A few weeks had gone by.

The shoot had begun.

And nobody needed me.

And I felt useless.

As usual, except this time, more useless than ever.

Excuse me.

I'm sorry. Is she working in the film?

Who?

Jenny Green?

Yeah, I think so, but nobody knows exactly what she does.

How long are you going to be away?

Dan, the boy won't be coming back here.

What?

He's coming to live with me.

Why?

He asked me.

Today? No, no, two weeks ago.

He asked Connor to call me.

What about football practice, Danny?

No, no, merci.

We have a few more minutes.

Everything's going really well, isn't it?

It is.

I've never seen my brother, sir. And you?

Are you happy?

He's completely different.

You know everybody says so. Jenny, Jenny.

There's some things that I think we should talk about. Do you want to suck

Catch me if you can. Wait a minute.

How are you feeling?

How do you think I feel?

They've stopped the phone.

They've pulled the plug.

Where's Jenny?

She's just disappeared. No one knows where.

I want to see her.

You will.

She's talking to somebody.

It's a little late for that, isn't it?

This isn't the first time she's flipped away.

This isn't the first time she's flipped away.

How do you know?

You slept a lot.

We've given you sedatives.

You're going to be all right.

They can stop the film. Where's Jenny? Who was the last person to see her?

The Grand.

That idiot knows nothing.

The only thing that isn't a load of crap is the script.

Done a fine job. You should publish it. Have you informed the police?

Yes.

Nothing.

Phoned all the hospitals.

Nothing.

Jenny?

Oh, Artie.

Yeah, I did phone you.

I was wondering if you'd seen Jenny. I thought she may have got a plane and

flown down.

Oh, yeah, of course.

Oh, no, I'll let you know as soon as I know anything.

OK, thanks.

She's nowhere.

Just disappeared.

I'll be back straight away.

Hang on a minute.

Did you get her into this?

Tell the truth.

Tell the truth!

She began.

She began.

I didn't want to lose her.

always part of the deal.

Jenny does what she wants.

Malcolm, you're pimping your sister for a movie.

And I'm telling you that she's in charge.

I don't know where she is.

How long have you known him?

Since you

lived in London?

Yes.

Well, let me take a stab at the story.

There was once a beautiful witch named Marilyn who lived in London.

One day she discovered her own little Tinkerbell and Peter Pan.

And together they did many strange and dangerous

things.

The witch ran away to Paris.

Now it seems Peter wanted to make a picture about...

A monkey and powder that makes you dream and the secret games.

But he needed somebody to put it all down because Peter Pan couldn't write.

he and Tink found the beautiful witch again

in Paris who said, well,

I have a little friend named Danny. Let me finish.

Yeah, you said, I think he's your guy.

He's a real lost boy, and he has a friend named Legrand, and, uh, who's got

lot of money, and they both love little girls. Shut up.

You sound ridiculous.

Jesus, Jesus.

I guess you guys played me like a violin.

Well, you were only too happy to be played.

We should take her to see a doctor.

Well, you do what you want. I don't care.

You don't care what happens to her?

No, I don't care.

Because?

She's 16 and I'm 30.

What?

Because you're in love with her and not with me.

How do you know who I'm in love with?

You should have put your arms around me.

What a surprise.

What are

you

doing here? What do you want?

Where is she?

Is that why you come?

What do you want me to say?

She's a crazy girl.

You did what?

She wanted to get the movie back on track.

She came to my house in the country.

She disappeared into the bathroom.

After a while, I went in to check on her, but she was dead.

Where'd you take her? I left her in a ditch by the road.

Then I went back, but the body wasn't really gone.

I collapsed on the bed, but I dreamed about Jenny.

One day, two surprises arrived in the mail.

Some work for the BBC.

Polishing dialogue for an Anglo -French production.

And a postcard from somewhere

in England.

Dear Dan, my parents are real happy to see me.

I'm well.

Should have put my arms around you.

No.

Hi.

Do you remember me, Mr. Gillis?

No, I don't. I attended you at the hospital.

Oh, yes, yes.

Yeah, yeah, of course.

My name is Ariane.

Ariane.

Do you mind if I sit with you?

Oh, no, no.

Please.

I hate eating alone.

It might have been because she was working in a hospital.

Probably it was just fate.

Whichever. I asked her where bodies found in the street ended up, if

there's no way of identifying them, or nobody claims them.

Oh, I know.

I need to know for a script that I'm writing.

Oh, I see.

It was then that she told me about a place I hadn't heard about.

A building in the Place Cambron.

It's somewhere in Place Cambron.

There are lots of tales told about that place.

The medical students do their practicals on the bodies that are not clean.

The courses...

to keep them from decomposing.

And then put in the tub.

Put where?

Down in the cellars of the building.

There is a vast glass pool.

So they say.

And it's filled with phenic acid.

So, yes, do you want to go?

Okay, then.

What the...

YouTube at once.

Hey Jean -Paul, no dark humor.

Jean -Paul,

Jean -Paul, you're filming half of what we won, I'm not telling your wife that

you fucked with this one. Stop, stop your bullshit.

Ah, I see that your little wife is sucked by the big girls.

Hey, hey, hey, stop.

Hey, look at this.

No, it's nothing. You're the only one. You're the only one who can see the

little lady.

Excuse me, I can't really... I can't really... It's not over yet.

It's not over yet.

It's not over yet. It's not over yet. It's not over yet.

It's not over yet.

It's not over yet. It's not over yet.

It's not over yet.

It's not over yet.

It's not over yet.

Be careful, the stairs are dangerous.

Paul, the first one who stopped before me is going crazy.

Thank you.

Two seconds.

You can even say three.

Petit, petit, petit.

Allez, viens petit.

Tu vas être encore tard à l 'école.

Allez, ne te fais pas prier.

To have this, you have to have the cuts, that's what I'm telling you.

Who was it?

A woman I knew.

Were you looking for her?

What about you?

You were looking for somebody?

I married Jenny a few days before Christmas.

Nobody showed up.

But then she was a tough kid who would have expected nothing

less.

Monsieur, il y a une dame qui vous attend en bas.

Une dame? Dites -lui de monter.

Elle ne peut pas.

You couldn't carry me to the bathroom, could you?

I simply must have a pee.

You're not a witch.

You're a siren.

needed to see.