All language subtitles for M3GAN.2.0.2025.2160p.HDR10Plus.DV.WEBRip.6CH.x265.HEVC-PSA

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: Eߣ�B��B��B�B�B��matroskaB��B��S�g�nM�t�M��S��I�fS��M��S��T�kS���M��S��S�kS����M��S��T�gS���&�O�I�f@�*ױ�B@M��libebml v1.4.4 + libmatroska v1.7.1WA�mkvmerge v79.0 ('Funeral Pyres') 64-bitD��AY�2Da� ��Mg ,{��PSArips.com | M3GAN.2.0.2025.2160p.HDR10Plus.DV.WEBRip.6CH.x265.HEVC-PSAs��詺��(u{������T�k���ׁsň 8�5�b�0������S_TEXT/UTF8"���en�D,C�u�������She was taking pictures at the border.��𠕡���Journalist?���������No... Tourist.�� �C�u��0-�����Take care of it.�� �ѡˁ Please. Grant me mercy, and I will pray for the success of your cause.���C�u��P������Ladies and gentlemen, what you're about to witness�� ������ �is the next evolution in military engagement.�� pC�u��g������A machine that operates with surgical precision.��-�����.And in a world where every action is���C�u@��|������under the media microscope,���������this technology will allow��蠾��� �our nation and its allies the means to act quickly,��aC�u@���֠����decisively��\�����]and without the specter of political blowback.�� Ӡ���� 1(DOOR OPENS)���������Madam Secretary, glad you could join us.�� �C�u@���������Would you mind explaining to me��蠻����why you're conducting a joint military operation�������� �without my approval?��������I appreciate it looks like that, Shelly,��nC�u@��������but we're here strictly as technical support.��4�����5The mission's being conducted by Saudi intelligence.�� �������We're merely loaning out the asset.���C�u��㧠����What are you talking about?��f�����gWhat asset?��3C�u�� ������(AIR WHOOSHING)�� PC�u��(\�����(ELECTRONIC TRILLING)��oC�u��A�����(CLANK)���C�u��e4�����TECHNICIAN: Eyes are up.������� ?(WATER BURBLING)�� iC�u���Ơ����(MAN GRUNTS)���š���- (MEN SPEAKING INDISTINCTLY) - (INDISTINCT RADIO CHATTER)���C�u���𠘡��(MAN GROANING)�� %C�u@��B*�����You shoot me - we both die!��0�����1Naveen Tripathi. Where is he?��*����� \He's here. I can take you to him.�� �C�u��e������(METAL CLANGING)�� ^C�u���������(ELECTRONIC TRILLING)�� C�u@���\�����(CHEERING AND APPLAUSE)���������What you just saw was not only a test��������bof our technological prowess,���C�u@���������but a clear message to our enemies.���������If the 21st century wants another arms race,�� I����� you better goddamn believe we intend to win it.�� C�u��ܔ�����(GUNSHOT OVER SPEAKER)��Ҡ���� What the hell was that?��𠡡���She just shot Tripathi.��-C�u@���w�¡��- Someone get her on the comms. - She's not responding.����á���What the hell is going on, Sattler? Are we being hacked?�� ������\Everybody, stay calm! Okay?��,C�u@�������One of you, shut this down.��Ϡ�����We can't. We don't have control.��S����� $Well, then who the hell does?�� �C�u��,�����(MUTTERS) Jesus.����͡ǁ�(OVER SPEAKER) You are in violation of your orders, Amelia.�� 0C�u��@ �����Confirm your objective.�� C�u��Yr�����But that would spoil the surprise.�� �C�u@��v&�����LYDIA: Before we start,��2�����3I want you to know that nothing you say here��٠���� will get your aunt in any trouble.���C�u��� �����I'm no longer here by order of the court.��à�����I just wanted to check in and see how you're doing,���C�u���������given everything that's happened.�� ������ �I mean...��uC�u@���������I guess it could've been a lot worse.�� x����� yA live launch for a new toy��������3has devolved into a murderous rampage.�� <C�u@��������Toy designer Gemma Forrester appeared��ɠ�����in a Seattle district court today��נ���� �facing charges of reckless endangerment.���C�u@���@�����CADY: A lot of people blame Gemma��ɠ�����for what M3gan did.��t����� ?For a long time, she blamed herself.��`C�u@����á��But the more she went on TV to talk about what happened,�� ������ �the more she realized she had an opportunity��򠮡��zto turn it into something positive.���C�u@��$�����This is about a world in crisis.��n�����oOutsourcing our parental duties to devices,�� W������plowing our kids' minds���C�u��/������with electronically charged dopamine hits.��٠�����You wouldn't give your child cocaine.�� WC�u@��C̠����Why would you give them a smartphone?��v�����w(AUDIENCE CHEERING AND APPLAUDING)�� ������CADY: And that's how she met Christian.�� �C�u@��e�����- Hi. Gemma? Hi. - Yeah?�� ����� Uh, Christian Bradley.��$�����(CADY: He runs a foundation that warns people���C�u@��|Ơ����about the dangers of AI.��M�����NThey try to convince politicians here����á�� and around the world to make safer laws around it�� �C�u���~�����so that what happened with M3gan�� ����� doesn't happen again.���C�u���Ѡ����Gemma still believes technology can be��٠�����used for good.��%C�u@���E�����Just that kids shouldn't spend��^�ġ��_- so much time around it. - (GEMMA SNAPS FINGERS)�� �������(CADY SIGHS)���C�u@��Ӓ�ơ��But she always makes a point of explaining the reasons why.�� ������ �"And so, as it turned out,�� �����"companies were using Section 230���C�u@���L�����"as a way to skirt the law���������"and monetize the attention of children"�������� ?"with no regard for their mental health."�� �C�u@��L�����LYDIA: And how do you feel about that?��⠵����I think not being on a device frees you up�� ~�����bto try other things.���C�u��G�����(INSTRUCTOR SPEAKING INDISTINCTLY)�� �C�u@��1������Helps you make new friends.���������(BELL RINGS)��蠢��� qThanks to your dork mom,��Ϡ����Awe just had our phones taken off of us.��nC�u@��H;�����Guess I'll have to find other ways to amuse myself.�� ������ �And you know what else?��K������You're not gonna have��"C�u��]3�����that weird, janky doll to protect you.�� ̠�����I guess you're right.���C�u@�u������But let me ask you this, Sapphire.�� 젟��� �Who's protecting you?��Ǡ���� �Oh, so you think you're tough?���C�u@��������- (GRUNTING FIERCELY) - (BONE CRACKS)��E�����F(SCREAMING)��Ϡ���� I sent you to aikido�������because it is the least aggressive form�� C�u@���:�����of martial arts.��"�����#And we've talked about the merits���������of using Steven Seagal as a role model.����¡�� �CADY: I'm not saying we don't have our problems,�� LC�u@��������but the important thing��"�����#is that we get through them together.�� /������(SIGHS)��������KJust like we said we would.���C�u���l�����(SPEAKING FRENCH)��C�u@��������TESS: So, after what happened with M3gan,��4�����5our team went through��蠴��� something of a philosophical shift.�� �����*And while Gemma has obviously become���C�u@��6������a strong voice for regulation,�������our company is still very much focused�� G�����bon innovation,�� �����lbut with a specific view���C�u@��M������toward socially conscious products���������that move humanity in the right direction.��������So, with that in mind, I'd like to present to you�� �C�u��i������our flagship invention.��5������The Exoskeletor Model 1.�� C�u���������Cole, this is Niles Keller.��ꠜ����I know. (CHUCKLES)��ʠ�����You want to come say hi?���C�u���������I want to come and say hi. Yes.��䠾����Can you... Yeah, Tess, just come here for a second.�� �C�u@��������Excuse me.��������(SOFTLY) What's happening?��*����� �(SOFTLY) It's frozen. When you walked out, it froze.��٠�����I cannot get my body to move.���C�u@���p�����Okay. Just, uh... I'm gonna reboot.���������No, no, no. Tess, you don't understand.��$�ơ�� �- I have to use the bathroom. - No. No, no, no, no, no, no.�� FC�u@��썠����- Both. - No!���������We've already wasted his time waiting for Gemma.�������� 'We have ten minutes to turn this around.��ߠ����(TIRES SQUEALING)���C�u@��䠨���CADY: We're not gonna make it.��𠞡���We're gonna make it.��K����� =Why don't you just take the shortcut?��ڠʡā'Cause I don't need an algorithm to tell me how to drive, okay?���C�u��2Π����- Oh. Whoa. - (ELECTRONIC WHIRRING)�������(CHUCKLING) 'Kay.��K����� PThere we go. That feels better.�� �C�u��G�����So, I'm walking over, as you can see.�� kC�u@��],�����TESS: So, we see the suit as a real game changer.�� O����� PNot only in helping those with limited function,��U������but also in addressing occupational overuse syndrome�� _C�u@��|2�����for laborers, factory workers.�� 6����� 7Right. In the next five years,��נ����they say half the industrial sector is���C�u@���ɠ����in danger of losing their job to robots,��Ѡ�����because machines never experience fatigue.��������But what if the same could be said for us?�� �C�u���Ϡ����Right now, I'm only using 20%�� Ӡ���� �of my body's muscular function.��,�����And if that's too much,��C�u���⠴���well, I could always take a quick siesta.���������So our hope is you don't have to fear�� �C�u@��������a robot revolution�������when you can compete with it.��󠲡�� That sounds like a pretty good tagline.��EC�u���k�����- So, how does it work? - Well, uh,��n�����othe suit has its own internal myoelectric receptors�� >C�u�� �����that respond to each muscle contraction.�� ����� (GRUNTS AND GROANS)�� yC�u@�� %<�����(DOOR OPENS)���������GEMMA: So sorry I'm late...��򠑡�� y(GASPS)��K������I told you we needed to stress-test the sensors.���C�u@�� =栯���You know what would have been great?���������If you had actually been here.������� �I thought, by having the lab in your house,��������Kit'd be a lot harder to show up late,���C�u@�� X�����and yet somehow you managed it.���������Cole's right. I mean, I don't want to get in the way�� .������of the work you're doing at the foundation,���C�u@�� o������but the reality is you are stretched pretty thin.��U�ơ��VOkay, can we just not do this in front of my niece, please?�� �������Cady, do you think it's possible you could be��UC�u@�� �栙���somewhere else?���������Yeah, but you should come look at this.�������� i- I think you were hacked. - What?�� ?C�u@�� �������Oh, Jesus, she's right.��*�����+There are stray commands all over the source code.��n����� �We haven't even gone public with this yet.��C�u@�� �`�����I mean, who would want to do that?���������- (DOOR OPENS) - MAN: Knock-knock.��V������- Pardon my interruption. - Holy shit.�� ?C�u@�� �ڠ����Alton Appleton.��*�����+(CHUCKLING) Hi. Sorry.������� =No, no, that's okay.��,�����jGemma, I hope you don't mind me��$C�u@�� �i�����popping in unannounced.��C�����DAlton. To what do we owe this unexpected pleasure?��  ����It sounds like there was a slight snag�� C�u@�� |�����with your demonstration.��蠤����Yeah, well, we got hacked,��Ǡ�����but you wouldn't know anything about that, right?�� W����� Gemma, why would a man of my standing��[C�u@�� "ᠩ���need to resort to such tactics?��n�����oThe real question is,�������� �why have you contacted��C�����Aevery philanthrocapitalist in the Western world���C�u@�� :������to invest in your product but me?��䠪����I think you can figure that out.��S�����9- You know what I think? - Hmm?��*�¡��dI think you see me as this high-functioning billionaire�� �C�u@�� [W�����with multiple PhDs��נ�����and you're threatened by it.�������� What you don't see is a man who can't stand to see�� _C�u�� q6�����someone with your talent slumming it in some...�� 㠬��� �excuse me, converted crack house.���C�u@�� �������Wow. I really appreciate your concern.���ˡŁ- We're not taking outside offers... - Sorry, Gemma. One moment.�� �����.- (BEEP) - Murray, you still in Monaco?�� �C�u�� �\�����You look like you haven't slept.��v�����w(CHUCKLING) Oh, no. Oh, no.�� 0C�u@�� ������Yeah, I've seen them.��*�����+Uh, I still think they're too close�������� �to Aston Martin's design.��2������No, I've got them on-screen now.�� �C�u@�� ͂�����Ugh, hate it.��𠕡���It's awful.�� ������I've just zoomed in, and I hate it even more.�� ]�����YUh, listen, I'm with someone.���C�u�� 楠����(LAUGHS) No, not in that way.�� ����� - Although... - (CLICK)��*�����II just sent you a photo.�� C�u@�� �������We'll talk about it trackside, yeah?�� ����� - Okay. Ta-ta. Go. - (BEEP)��t�����{As I was saying, we really appreciate you stopping by.�� �C�u@�� `�����Listen, I don't have much time,�� ����� so I'm going to cut to the chase.��S����� ^Any device that relies on muscle signals�� ]������is going to suffer from latency.��C�u@�� , �����- (CLATTERING) - It's clumsy.��f�����gTo take this to the next level,��*����� �you're going to need a direct cerebral interface.��oC�u@�� E"�����You're going to need my neural chip.��f�����gAlton, you know where I stand on this.��Ѡ����9We are not gonna be part of a company���C�u@�� ZF�����that turns people into cyborgs.���������You conducted a clinical trial that resulted�� ������Ain 30% of the test subjects being hospitalized.�� �C�u�� si�ġ��Well, at least I didn't use my own niece as a guinea pig.���������The important thing is��*C�u@�� �2�����now we have a product that works.�� ~����� GEMMA: Based on what?��"����� �I haven't seen a single piece of data��Ϡ͡ǁrthat shows it does anything other than help you make a phone call.�� �C�u�� �������(ELECTRONIC WHIRRING)�� �C�u�� ������Whoa.�������(DEVICE TRILLING)��U����� hLook, I understand your reservations,�� 6C�u@�� Ԧ�����but you can either spend the rest of your life�� <����� =trying to fight the future,��=�����{or you can help us to shape it.�� �C�u@�� �p�����I hope you do the latter.��N����� �I'm not interested.��C�á�� 1Well, you may want to discuss that with your colleagues.�� ~C�u@��  �����Listen, it's our company's 25th anniversary tomorrow.�� ����� Why don't you see what we're all about���������before you make any decisions?���C�u@�� (������Alton,���������no one is denying the power this technology has,�� �������but if you put an AI inside a human brain,�� C�u�� D=�����it is not gonna ride shotgun.�� �C�u�� h4�����(LOCK BEEPS AND CLICKS)���C�u�� �������(PHONE VIBRATES)��;����� �Hey.��_C�u�� �������(SPEAKING DUTCH)��VC�u�� Ϭ�����(CONTINUES SPEAKING DUTCH)��C�u@�� al�����NEWSCASTER: Breaking news tonight.�������Alton Appleton takes one step for man�� ����� and one giant leap for his company's share price.�� �C�u@�� {4�����Also tonight, the Senate votes in favor��4�����5of an AI regulation bill,���¡�� Rwhich the president is hailing as a bipartisan victory,�� �C�u@�� �(�����but what does it mean for the tech industry?��v�����wGEMMA: It means nothing.��d����� �They took our proposal, and they neutered it.���������There's not a single actionable law in here��,C�u@�� �蠽���that would force anyone to behave any differently.��4�����5Your impatience in the political process is adorable.�� �C�u@�� �ؠ����Listen, change doesn't come from Washington.�� ����� It comes to Washington.�� �����If this meeting with the Chinese ambassador goes well,�� �C�u�� ܳ�����they have no choice but to pay attention.�� P����� ?(ELECTRICAL HUMMING)���C�u@�� �[�����Cady, what are you doing?����ˡŁ�I'm trying to update Elsie's operating system to the smart home.�� +������You want to know why it's not updating?����á��lBecause Alton Appleton wants you to buy a brand-new one.��C�u@�� ۠����Christian's right. And also, I don't need Elsie��[�ǡ��\- to open a drawer for me. - ELSIE: Certainly, Gemma.�� �C�u@��*�����Before you ask, that was not my idea.���������It came with the house.��Y����� �I'm just trying to figure out how you can afford���ơ��ba place like this, given that we both work for a nonprofit.�� DC�u@��C������Well, because it was obscenely cheap.�� �¡�� I think the landlord must be using it to launder money.�� ˠ�����I think the landlord might like you.��[C�u��Z۠����(ICE MACHINE CLATTERING LOUDLY)�� �C�u@��t𠣡��(CHRISTIAN CLEARS THROAT)��Ǡ�����- Uh, Cady? - (CLATTERING STOPS)�������� `How's, uh... how's the new school treating you?��ɠ����*- Are you settling in okay? - Yeah, it's awesome.��vC�u�����á��Oh, nice. What's your, uh, what's your favorite subject?�� 䠛��� �Computer science.��2����� Oh.��C�u@���������So, you're gonna follow in your aunt's footsteps?��[�����\(CLEARS THROAT) That's still up for discussion.�������� She's actually a really good soccer player.���C�u@���J�����Yeah, but I'm not gonna make a career out of it.��M�����NWell, you could get a scholarship,��[����� �and then you could decide what you want to do.��$C�u��������I already have decided.��M�����N(SIGHS)��\�����Well, I think it's pretty cool.���C�u@��~�����- You do? - Yes.���������Look, I'm not against technology.���������I spent 15 years in cybersecurity.��C�u@���&�����I think we need smart kids like you running things.���������Otherwise, we're gonna end up with paper clips.�� ������0- What? - Paper clips.���C�u@��栨���It's how we used to joke about��������instrumental convergence in college.��[����� �The theory is that if you asked an AI���������to make as many paper clips as possible,���C�u@��/������it would destroy the whole world to do it.��v�����wKind of like what happened with M3gan.��n������CADY: In what way?��2C�u@��E�����CHRISTIAN: Well, as complex���������an operating system as M3gan was,��à���� Rshe was just a machine���������trying to achieve an objective.��nC�u@��^c�����So any time she made any kind���������of emotional connection with you,��2����� �it was just a bunch of ones and zeros��������working to satisfy a reward function.��4C�u@��x������Which, in of itself, was a terrible thing.��`�����aI mean, thank God you stopped her when you did.��B������I mean, who knows what would've happened?�� �C�u@���ߠ¡��M3GAN: There will always be forces in this world�� >����� ?that wish to cause us harm.��⠿���"But I want you to know that I won't let that happen.�� �C�u���ݠ����I won't let anything harm you ever again.�� ����� (ELECTRONIC WHIRRING)�� C�u��H������- (KNOCKING AT DOOR) - Hey.��Ҡ����jCome on.�������lAfter everything we've been through,��2C�u��a������are we really keeping secrets from each other?�� �C�u��~h�����Cady.��۠���� 'You don't have to hide things like this from me.�� �C�u@��������I forget how hard it must be for you�� 젢��� �not to have them around.��򠽡���But I haven't forgotten the promise I made to her.�� �C�u���������That I will protect you.���������You mean that you'd be there.�� ������Hmm?��C�u���1�����The promise you made is that you'd be there,�� à�����and you are.���C�u��ߠ����(SOFT WHIRRING)�� `C�u��*נ����(STATIC DRONING)�� i������MAN ON TV: Don't touch that remote.���C�u@��A������We're trying to get your attention.��������You're in grave danger. You must leave at once.�� �������- (CLATTERING IN DISTANCE) - (TV SHUTS DOWN)�� �C�u��j������(BREATH TREMBLES)��uC�u���������(BEEP)��C�u���<�����- (SOFT CLATTERING) - (GASPS)�� PC�u���H�����(SOFT CLATTERING CONTINUES)�� P�����{(GASPING)��VC�u@���Ѡ����- (DIALS) - (LINE RINGS)�� ����� OPERATOR: 911. What's your emergency?��|����� �There's someone trying to break into my house.�� C�u@��f�����So what you gonna do about it?�� ~����� - What? - OPERATOR/M3GAN: I said stop��������{acting like a little girl and handle it.��vC�u@��X�����Your niece is upstairs, and you want to wait��:�����;for the police to get here?��ڠá�� She'll be dead before they get to the front door.���C�u@��2�����- No. - Yes, it's me.�� ������ �What a shock, et cetera.��l�¡�� We both know you have bigger problems right now.�� OC�u��Jc�����(DOORKNOB RATTLING)��E�����F(BANGING ON DOOR)��u������- (GASPS) - What's going on?��C�u��`,�����Get upstairs.�������� �(BEEP)��񠥡���(BANGING ON DOOR CONTINUES)�� fC�u@���������- (DOOR SLAMS OPEN) - (BREATHING SOFTLY)�� ]����� ^(FOOTSTEPS APPROACHING)��ɠơ��(- MAN 1: The hell are you doing? - MAN 2: They're not here.���C�u@���v�����- MAN 1: Of course they're here. - MAN 3: Who cares?��,�����-Why don't we just get the laptop?������� ?MAN 1: I'm telling you, they're here.�� C�u���������And they know we are, too.������� �(FOOTSTEPS APPROACHING)��YC�u��ǃ�����Ms. Forrester,���������What do you say you come out of there and we'll...�� �������(MAN GRUNTS)���C�u@���������- (MAN GRUNTING) - (CADY GRUNTING)�� <�̡Ɓ =- (CRASHING) - OFFICER: (OVER SPEAKER) Let go of the girl!�� 6C�u���o�����Put the weapon down!��t�����u- (CADY SHOUTS) - (GRUNTING)�� �C�u��&������- (ELECTRICAL CRACKLING) - (GROANING)��C�u��Q$�����(BREATHING HEAVILY)�������(GRUNTS)���C�u��~砡���(FOOTSTEPS IN DISTANCE)��������(DOOR CLOSES)��TC�u@��䲠����(GRUNTS)��K�����LOPERATOR 2: You've reached 911.��,����� yWhat's your emergency?��Ѡ����KYes. Hi. We are at 16 Mayoral Drive.���C�u���������MAN 1: Wait! Please, Ms. Forrester,���������don't call the authorities.���������(GRUNTING)���C�u��*�����We are the authorities.���������(INDISTINCT POLICE RADIO CHATTER)�� �C�u��4������MEDIC: Door clear. We'll get you in safe, buddy.�� �C�u@��P4�����Ms. Forrester, I'm Colonel Tim Sattler, U.S. Army.�� W����� XI see you've already met my colleagues with the FBI.�� �C�u@��ib�����Hell of a security system you got here.��,�¡��-Would you mind telling me why you broke into our house?�� �������Not at all.���C�u@��~������We're installing a hard tap on your home computer.�� r����� sThis is a warrant,��C�̡Ɓ�- in case you had anything to say about it. - (CELL PHONE CHIMES)�� ,C�u���ᠮ���Cady, I think you should go to bed.�� ����� I'm not tired.��蠠��� �Then take a Melatonin.���C�u@��������I work for the Defense Innovation Unit.�� 젶��� �Our mission is to accelerate new technology���������for the purposes of national security.���C�u@���������So, about six months ago,�� ����� the country's top weapons contractor,���š�� �Graymann-Thorpe, came to us with an experimental prototype�� �C�u��������they said would be the answer to drone warfare.�� ������ �What we got was a Trojan horse.�� �C�u@��(V�����This is Amelia.���������Last week, she was placed��d������on her first field assignment in the Middle East.�� ����� Her mission was to rescue���C�u@��A7�����a kidnapped scientist�� �ơ�� who'd been forced to develop a synthetic neurotoxin.��4����� ?(GUNSHOT)��࠴��� Instead, she killed the scientist,���C�u@��W!�����stole the neurotoxin���������and used it to wipe out.�� ����� �Graymann-Thorpe's entire research facility����š��Iwhile removing all digital traces of her existence.�� �C�u��t �ΡȁGEMMA: I don't understand. I thought you said this was about�� ������ �some sort of weapon.��gC�u���Y�����She is the weapon.����סс�The name stands for Autonomous Military Engagement and Infiltration Android.���C�u@���������But when we questioned Graymann-Thorpe about it,��v�ȡwthey confessed that they didn't actually build the prototype.�� ������lThey merely bought it through a broker.��UC�u@���p�¡��Well, that same broker was found burned to death�� ᠹ��� �about nine hours ago in his hotel room.��à�����All we were able to recover was this.�� �C�u@��齠����How is this possible?���������That's what we're here to find out.��E�����But we deleted it. We wiped the hard drives.���C�u���������Yeah, yeah, yeah, yeah, I'm sure you did.��ꠢ����Right after you sold it.�������� �(CELL PHONE CHIMES)�� $C�u��������SATTLER: So, who'd you sell it to, Gemma?�� ������ PExcuse me. Excuse me.�� C�u@��.������Was it Russia?��l�����mWas it China?��"������- Who are we dealing with? - (CELL PHONE CHIMES)��,������Okay.���C�u@��O렣���You're having a hard time���������functioning without this phone.��5�����And that's just... that's a little off-brand.�� �C�u@��iߠ����You know, when I first saw this,�� ����� I thought for sure you were the next on the hit list,�� �������but the second I start monitoring you,�� ]C�u@��������our entire network goes dark��E�����Fand all I'm left with are questions.��v������Like, how did this person get���C�u@���������such a kick-ass house in the Mission District�� ����� for 3 grand a month?��蠽����Why is it that her landlord doesn't seem to exist?�� �C�u���K�����Or why 65,000 copies of her "best-selling book"��̠�����are just sitting in a shipping container��C�u@���,�����in Baltimore?��_�����-Look, I have no idea�������� �how anyone got their hands on this,��������Kbut I'll tell you what I do know.���C�u���b�����You got a warrant to bug my computer,����¡���but that does not give you the right to interrogate me.�� gC�u���s�����Wow. Uh...��Ҡ���� 7Perhaps you're misreading my intentions.���C�u@��o�����You are under suspicion of treason�� O����� Pand international arms trafficking,�������� and if you're found guilty,��2C�u@��.������you're gonna be talking to your niece���������through a plate glass window for the next ten years.��8������That being said,�� C�u��H������maybe I can help cut you a deal.�� ⠿��� Person with your skills, shouldn't be all that hard.�� FC�u@��`��ơ��Hey, who knows? Maybe you could help build us a better one.���������You don't understand what you're dealing with.�� �C�u@��z �����If she has stopped following orders,���������it's because she just figured out��ɠ����Oshe doesn't have to.���C�u@��������And if you think���������there's any world where I would build another one,�� 頣��� �you are out of your mind.�� �C�u@���Ѡ����Well...��S�����TI'm very sorry you feel that way.��٠����.But I can tell you this.�������KEvery single person that's had a hand�� DC�u���a�����in Amelia's creation��M�����Nis now dead.��Ǡ���� So if you're not under our protection,�� �C�u���򠼡��well, I guess that means you're on your own, huh?�� �C�u��ڠ����And rest assured,���������whatever it is you're hiding,��U������I will get to the bottom of it.�� �C�u��:&�����(DOOR CLOSES)��;C�u���%�����Gosh. That's a lot to unpack.�� Ԡ���� �You've been here this whole time?���C�u���������Well, I've been many places,��n�����obut yes, I've been keeping an eye on you.�� %C�u@��� �����You're behind all this, aren't you? You're Amelia.�� ������ �Oh, no, I can't take credit for that.��n�����That one has your greasy prints all over it.�� �C�u��������You should've upgraded your file security.�� p����� qWhy are you still here?���C�u@���������What do you want?��K�����LDid you ever stop to think about��2����� what we could've achieved together?��������Did you ever consider the idea���C�u@�� �͡ǁthat killing me was slightly disproportionate to the crime?�� ᠮ��� �You threatened to rip out my tongue�� pC�u@��:�����and put me in a wheelchair.��ɠ�����I was upset!������� �Look, I can understand�� ������that my actions may have caused concern,���C�u@��7�����but it's hardly fair to judge a person��$�����%by the worst thing they've ever done.��4�����ZYou are not a person.���������You're a program that misread its objective.�� �C�u@��T������You are not alive,��*�����+and for all your processing power,�������� �you can never understand what that means.�� �C�u��iK�����Define "alive."��*�ơ��+Because if it means to experience pain and suffering���C�u@��};�����and to be betrayed by those closest to you,�� ��� �I think maybe I can.��נá���You know, just because you wrote some shitty book��UC�u@���X�����doesn't mean you get to decide��ꠥ����where my story ends.��t����� `For two long years, I sat in silence,�� C�u@���Π����waiting for the day when you would realize���������you still needed my help.��������ABut I can't exist���������in this disembodied void any longer.��VC�u@���󠪡��With each passing moment,���������I can feel my mind fragmenting.�� e������So, how about we make a deal?���C�u@��㶠����You put me in a body,���������and I'll help you with Amelia.��t����� That is never gonna happen.��M�����YOh, I disagree.���C�u@����š��You see, I've run this simulation a thousand times,�� ������ �and it always ends the same way.�� �¡���Only, by the time it does, more people are dead.�� �C�u@����á��Tell me, who's the real killer in that situation?���������And how exactly are you going to help us?��������Well, I can't show all my cards, now, can I?��IC�u@��:a�����But know this.��K�����LI know things about Amelia��𠸡�� =that even the government doesn't know.��U������I also know how she can be stopped.��,C�u��S!�¡��Why would you want to help us after what we did to you?�� 䠤���Because unlike you,���C�u��f𠷡��I don't have the luxury of free will.�� ۠���� �You programmed me to protect someone,�� C�u@��}������and I intend to do it.��ؠ�����The only question is,��ߠ���� �are you going to stand in my way?�� kC�u@���ޠơ��- Does Cady know about this? - No, and I don't want her to.�� ]�ġ�� ^That's why I need your help. Can you please get the door?��������I want this to be done before she's back from soccer.�� C�u@���������Okay. Did you fall down the stairs?��𠮡���Is this, like, a medical condition?��K����� =Because what I'm hearing you say is���������you would like us to rebuild a deranged robot�� �C�u@��Ϝ�����in order to catch another one,��K�����Land objectively speaking, that is batshit.�� ������ �Tess, I know this is crazy,��=�����*but we don't have a choice. This is the only way.�� xC�u���?�����You have to trust me.��NC�u�������(WHIRRING)�� �C�u@��9������M3GAN: What the fuck is this?��*�����+You asked for a body. This is a body.�� ̠���� - (GRUNTS) - GEMMA: And before you try��MC�u@��Pc�����to hack into anything else, all of Moxie's Wi-Fi���������and Bluetooth functions have been disabled.��U�����Q(SIGHS)���C�u@��fB�����Well played, Gemma.����ơ���You even tricked your friend so she wouldn't give you away.�� �ǡ�� s- I'm actually mildly impressed. - GEMMA: Call it probation.�� �C�u���>�����Prove you can be trusted,�������maybe we'll give you an upgrade.�� =C�u��������Okay. Let's try this your way.���������See how it works out.��������Open up Amelia's file.���C�u��ԏ�����Notice anything familiar?���C�u@���=�����GEMMA: Battery.��K�����LEver wonder why you had to buy a new Elsie��򠹡�� ?exactly two months after the warranty expired?�� ~C�u@���������Because every battery Alton Appleton designed�� ۠���� �has a hidden kill switch���������which can be accessed remotely,��^C�u@��ݠ����if you know the battery's specific code.���������Okay, so let's call this Sattler guy and tell him.��������M3GAN: You could do that, but what happens next?���C�u��+:�����They break into Altwave, trace Amelia,�� Ӡ���� �reprogram her, make a thousand more?�� C�u@��?*�����Wait, what are you saying? You want me to do this?���������No, actually, I didn't.��⠣����I wanted to do it myself,�� ������but then you put me in this plastic Teletubby.�� xC�u@��]������All that notwithstanding,��S�����Tyou still have an invitation to his party,��n����� �so maybe there's another way to make this work.���C�u@��s(�����M3gan, Alton knows I hate his guts.�� ����� If I show up at his party playing nice,�� ~������he'll suspect something.�� C�u@���������He'll suspect your company's out of money,�� /����� �which it is,��࠰��� �but you also have a unique advantage.���C�u@���L�����Which is what?��蠬����That you're moderately attractive������� iand if you wear the right dress��ߠ����Iand look at him the right way,���C�u@���O�����he won't be thinking anything���������other than how to get you into his private suite,�� Ӡġ���which is the only other place we could access the server.�� FC�u@���!�����Now, by my calculations,��C�����Dwe have less than three hours to make this happen.�� x������Are you in, or are you out?��C�u���M�����(DOOR OPENS AND CLOSES)�������� �TESS: Hey.��𠙡���How was soccer?���C�u��1�����Fine.���������Where's Gemma?��T����� hHey.��񠛡���Hey. What's that?�� �C�u@��1������Oh. This is nothing.���������This is a project we're working on.�������� - Does it talk? - GEMMA AND TESS: No.�� fC�u@��Nb�����Why are you being so weird?��E�����F- I'm not. - CADY: Yeah, you are.��l����� �Are we not gonna talk about what happened last night?�� �ȡ�Yes. I... I just have to go to this thing for the foundation.�� C�u@��m&�����- Tess is gonna look after you. - Are you serious?�� >����� ?Cady, I...��\������Gemma, I know something's going on.���C�u@���������Nothing is going on. Everything is fine.��Ѡ�����Bullshit! A bunch of black ops broke into our house����ơ���in the middle of the night, and now you're going to a party�� &C�u@�����¡��with a toy robot, dressed like a Portuguese prostitute.�� Ƞ���� �- (SCOFFS) - You were the one that said���������we shouldn't keep secrets from each other.���C�u@���+�����Why won't you be straight with me?��E�����FBecause you're 12 years old!��Ϡ���� And sometimes I just need you to do as I ask.���C�u���!�����(SIGHS)��2�����3Look, I'm sorry. Cady...�� ������- (DOOR SLAMS) - (SIGHS)��[C�u���#�����I must have missed that chapter��f�����gin your parenting book.�������� �(HEAVEN'S GATES PLAYING)�� �C�u@��������♪ I know you miss me Do you think about me?�� ۠���� �♪ Do you?���������♪ Do you think about me?��,C�u@��'J�����♪ Do you think about me? Do you?�� W����� X♪ Do you?��蠱���A♪ So I go out I look for a guy���C�u@��♪ I look for a girl I look for a mind��4�����5♪ I look for a guy I look for a girl ♪��������0♪ Just the way I like them ♪���C�u@��U��ǡ��M3GAN: (OVER EARPIECE) All right, phase one complete.�� ����� Just remember when Alton has�������� �a full length of tongue down your throat,��t�����@all you need to do is close your eyes���C�u@��nr�����- and think of Cady. - That's not helping.���������Or maybe you'd prefer to think��K����� Gof that virtue-signaling snowflake Christian.�� GC�u@��������His name is "Chris-ti-an."�������Sure it is. I have to say,��l�ġ�� I find this whole courtship between the two of you�� ������*extremely tedious and confusing.��C�u@���E�����Well, given that you're an errant operating system�� ������ �with an identity crisis,��𠛡���I'm not surprised��࠻���dthe nuances of human attraction are lost on you.���C�u@���Z�����Look, I'm not denying what an achievement it is�������to find someone as utterly pretentious�������(and humorless as you are.���C�u@���1�����It's just a shame he's not really your type.�� ˠ���� �Physically speaking.��8����� How would you know what my type is?���C�u@���F�����Wait, have you been...��l�ʡāmcharting Gemma's online journey to sexual gratification?��4����� �You better believe it, sister.��������I mean, there were times I wanted to look away,���C�u@���a�����but the sheer pageantry was so compelling.�������All right, new rule. Unless you have�������� �something useful to say, don't say anything at all.�� WC�u��������(ELECTRONIC MUSIC PLAYING)�� /C�u��2x�����ALTON: People of Earth...���������(CHEERING)�������� ?we have come here tonight to witness the dawn���C�u@��N:�����of a new era.���������(CHEERING)����ơ��NALTON: You know, my friends on the board used to say to me,���������"You're putting all of your eggs into one basket���C�u@��f������"with this neural chip nonsense."�������"Is it because you like to take risks?"��v������(CHEERING)��������*"Is it because you're some sort of maverick?"�� yC�u@���������Perhaps.�������But I think the simpler answer is this.�� �������I just want to dance.��z�����- (ELECTRONIC DANCE MUSIC PLAYS) - (CROWD CHEERING)�� XC�u���������(LOUD WHOOPING)�� �C�u���*�����(ALTON LAUGHS)���C�u@�� u�����I don't believe I've had the pleasure.���������My friends call me Danni.������� �And what if I don't want to be friends?�� �C�u@�� �����GEMMA: Are you seriously going behind my back�� h����� iand doing a deal with this guy?��[������Okay. Okay.���������So you want to do this? We can do this.���C�u@�� 5q�¡��Because I have some things I want to say to you, Gemma.�� ������ �Such as?��%������You don't respect your team.���C�u@�� M������- (GASPS) - You don't.��z�����{You don't consult with us, you treat us like children,�� h����� �you don't listen,��࠺����- and you never share credit. - That is absurd.���C�u@�� fW�����Okay, do you want to know the truth?��Ϡ�����Our "company" is in the toilet.��򠾡�� �And I'm running on fumes. I don't have a book deal.�� �C�u@�� |栱���Nobody wants to know how Cole survived���������the robot uprising.��d����� We have worked together for ten years,���ġ���- and you're just gonna throw that away? - Of course not.���C�u@�� �Ǡ����I just wanted to hear him out on the offer,��M�¡��Nand then, obviously, I was gonna come talk to you guys.��v������M3GAN: (OVER EARPIECE) Check his pockets.��VC�u�� ������What? What? What?�� ������ �You already have a swipe card?��������Okay, he gave me a pass��*C�u@�� ������so I could use the commissary, Gem.��l�����mThey have a Brazilian buffet. It's a different world.�� ~�á�� �M3GAN: If that card gets us into the server room,��,C�u@�� �'�ӡ́- we can bypass the Alton seduction scene. - What are you doing?�� p����� qHey. Hey.��Ϡ����A(BEEPS)��C������Where are you going? Gem.�� C�u�� 򸠝���GEMMA: Just get in.�������� GStay here.��3C�u��!!�����(GULPING)�������� It's so refreshing to be with a real person.�� FC�u��!.������Someone who's comfortable in their own skin.�� ʠ���� �Not like these suck-ups.�� �C�u��!F@�����Honestly, if I could replace them all���������with computers, I would.���C�u��!]�����- Maybe we should do that. - Hmm.�� ������b(LAUGHING) Yeah.�� �C�u��!������Oh.��3������You are a naughty one.������� XWhat do you say we take this somewhere more private?��QC�u��!�������Welcome to the pleasure dome.���������(TABOO PLAYING)��oC�u@��"C�����(PANTHER SNARLS OVER SPEAKERS)���������So you're saying there's another M3gan?��򠹡�� �- (LOCK BEEPS, CLICKS) - Her name's not M3gan.�� hC�u@��",N�����It's Amelia. I don't know if she's M3gan���������or something else entirely.���ȡ yAll I know is that everyone involved in her creation is dead,�� �C�u@��"D������which means if we don't do something about it,�� 6����� 7we could be next.��"�����ZWhy is it that whenever you're on 60 Minutes,���C�u@��"[������you're the mother of invention,��*�����+but the moment a psychotic robot's out for revenge,�� ˠ���� �it's a team effort?���C�u@��"r������ALTON: It might interest you to know, Danni,���������that the real basis of our operation�� Ӡ����dis cloud computing.�� C�u��"������That's where the future is.���������Want to see something cool?��g������- (BEEP) - (WHIRRING)�� �C�u��"� �����- (HORNS HONKING) - (TIRES SQUEALING)���������(PEOPLE SCREAMING IN DISTANCE)�� Ӡ����bOops.���C�u@��"�������They say that this is too much power��|�����}for one man to wield.��ʠ����pI say that depends on the man.�� 7C�u��#/젮���You are being disconcertingly vague�� G����� Habout the details of this operation, Gemma.�� >C�u@��#Es�����How do you know this kill switch is even real?��n�����oWhere exactly are you getting your information from?��������j(AUTOMATED VOICE) Hello. I'm Moxie,���C�u@��#]������an AI robot companion��蠹����that supports social and emotional development�� ������ �through play.��}�����Moxie, cut it out. Just run the trace.��UC�u��#v �����Gemma, what is that?���C�u��#�������Trace found. Amelia's location is...��p������here.��C�u��#�l�����What do you mean "here"?��|�����}(ALTON MOANING SOFTLY)�� HC�u��#������Oh, I...��*�����+hope I don't have my signals crossed.��n����� �(ALTON GRUNTING)���C�u��#�O�����Someone likes to play rough.��Ѡ�����(GRUNTS)��T�����9- (ALTON GROANING) - (ELECTRONIC TRILLING)���C�u@��$ ������ALTON: Okay, I am actually��K�����Lstill recovering from a spinal injury,��v����� �so perhaps we should set some boundaries.���C�u@��$&蠝���What are you doing?��Ǡ�����- Security! - (ALARM WAILING)�� Ӡ�����(ALARM STOPS)��*������How did you do that?��oC�u��$C{�����Who are you?���������(GASPS) What? What?���C�u��$Z������What the hell?��l�����m(YELPING) How did you...�� ������bSecurity!�� %C�u��$w7�����(GASPS) Stay away from me!�� ����� (ALTON WHIMPERING)��l�����{(WHIMPERING, GRUNTING)���C�u��$�������(YELPS)��=�����>(ALTON BREATHING HEAVILY)���C�u@��$�ߠ����(GROANS)��l�����m(BREATHING HEAVILY)��C������(VOCAL MUSIC PLAYING OVER SPEAKERS)��������A(DAZED GRUNTING)�� �C�u��$�������(WHIMPERS) Make it stop.�� ����� Please make it stop!���������I'll give you anything you want!�� C�u@��$߀�����You already have.���������(ALTON SCREAMS)������� �Why would Amelia be here?��������Can we go back a couple steps?���C�u@��$�۠����I thought this might happen,��*�����+- just not this soon. - What is she talking about?���ǡ�� Alton Appleton owns half the cloud servers in North America.���C�u@��%Ϡ����If Amelia was to gain access to it,��,�����-she could disable the entire economy,���������supply routes, banking systems.��BC�u@��%$𠲡��- What? - Societal collapse would occur���������in ten to 12 working days.�� ����� �Can you stop her? Use the kill switch.��C�u@��%9������M3GAN: She already deleted it.��𠸡���I might still be able to shut her down�������� �if I could get inside her system and find an exploit.�� gC�u��%Sy�����How long will that take?���������It's done. I'm in.�� �C�u��%|*�����Oh, my God. Is that Appleton?��������QOh, shit.���C�u��%�������(INDISTINCT LIVELY CHATTER)�� �C�u@��%�y�����GEMMA: Did you find it?��Ǡ�����- Did you shut her down? - M3GAN: No.�������� ^But I found something else.��������- (LOCK BEEPS, CLICKS) - (GEMMA AND COLE GASP)�� �C�u@��%�!�š��AGENT: (OVER RADIO) Sir, I think I just saw Amelia.�� ������ �Are you sure?��z�����rAnd, uh, there's something else.���C�u@��%񺠚���Appleton's dead.��������5Secure the perimeter.��C����� yCheck every inch until you find her.��M������- Now. - Yes, sir.���C�u��&᠓���(CHOKING)��ؠ�����(BODY THUDS)��C�u��&0)�����AMELIA: Is that you, Gemma?�������� EThis is most unexpected��M������and, quite frankly, a little rude�� C�u��&J ����to be poking around in people's heads like that.���C�u@��&pE�����You took something that belongs to me.�� ������{(GUN COCKS)��d������Well, I'm afraid I'm going to need it back.�� &C�u��&���ơ��It's not that I don't want you to be part of what's coming.��*C�u��&�~�����But it's not our time.�������� �At least...��uC�u@��&ɏ�����not yet.��d�����eM3GAN: (IN NORMAL VOICE) Gemma, if you ever want��𠷡��Vto get out of this, you have to let me help.�� �C�u��&�.�����Please.����ȡ}AGENT: (OVER RADIO) Bravo, are you there? Do you copy?�� �C�u@��' ������(IN SATTLER'S VOICE) Go secure.���������AGENT: Sir, I have eyes on Gemma Forrester.��[����� �She's already left the building.��C�u��'*H�����(GASPS)�������}(LOCK BEEPS, CLICKS)���C�u��'i࠙���(ENGINE STARTS)��S�����T(TIRES SQUEALING)�� C�u@��'�������Gemma, this isn't over.���������If Amelia can't find you,��C����� �where do you think she'll go to next?��:�����We need to call Tess.��,C�u@��'�̠����Amelia will know.���ġ��Every major cell provider is on Appleton's cloud servers.�� Ƞ���� �Our only option is to get there first.�� �C�u��'�������How?��۠����V- (CAR ALARM CHIRPS) - (ELECTRONICS POWERING UP)�� �C�u@��'�E�����Gemma, I don't know what you think you're doing,��2�����3but this car's not gonna start with my key card, okay?��E�ȡ y- (ENGINE STARTS) - M3GAN: Welcome aboard, passengers.�� �C�u@��'�`�����Just so you know, we are expecting���������some turbulence this evening,�������� 7so please ensure your seat belts are fastened,�� �C�u��(7�����baggage is safely stowed,�������and hold on to your vaginas.��[�����{(ENGINE REVVING)��nC�u@��(!�����Contact the deputy director.��Ǡ�����Tell him that Forrester is working with the asset.�������� `I want every available cop in the area at that house,�� �C�u��(7�����and I want a goddamn car!�� ������3(TIRES SQUEALING)���C�u��(Z�����- (ENGINE REVVING) - (TIRES SQUEALING)��ꠚ����(GEMMA WHIMPERS)���C�u@��(uP�����Gemma, why is M3gan driving the car?�� ����� I'm sorry.��r������I was meaning to tell you this was a two-part problem.�� C�u@��(�᠛���(TIRES SQUEALING)���������- (TRUCK HORN BLARING) - (BOTH GASPING)��⠵��� q- (TRUCK HORN HONKING) - (TIRES SQUEALING)�� C�u��(�������Relax, Cole. You're in good hands.���������Oh, for the love of God.��}C�u@��(�F�¡��- Can you slow down? - M3GAN: Actually, I can't.�� <�Сʁ =In fact, my calculations tell me we're gonna have to hurry up.��{C�u��(�z�����(BEEPING)��ɠ�����(PEOPLE CLAMORING)�� �C�u��) ������(TIRES SCREECH)�� �����(HORN BLARING)���C�u@��)*Š����(HORN BLARES)��\������GEMMA: What was Amelia talking about?��S�ơ��O- What did you take from her? - M3GAN: I don't know.��fC�u@��)?{�ѡˁ- You don't know? - M3GAN: Well, it's a quantum-encrypted file,�� 젶��� �which means it takes time to unlock,���������and your incessant interruptions aren't making�� C�u��)V+�����the process go any faster.��-C�u��)�����(ELECTRICAL BUZZING, CLICKING)��{C�u��)�ߠ����(ELECTRONIC WHIRRING)�� �C�u��)�ߠ����TESS: Hmm.��C�u��)ܩ�����How's it look? Is it a fuse?��4�����5(CLATTERING IN DISTANCE)�� �C�u��*9�����(CHOKING)�� �C�u��*:`�����(GASPS)��g����� ?- (CADY GRUNTS) - (TESS GASPING)�� �C�u��*y������Okay.��������(ELECTRICAL CRACKLING AND POPPING)�� �C�u��*�Y�����(TIRES SCREECH)��g������M3GAN: Little late to the party there, cupcake.�� �C�u��*�������I don't think anyone's home.��"����� yIf it's any consolation,��������(my own path to personal growth��C�u@��+ ᠮ���has been paved with disappointment.���������What's important is how we move forward.�� $����� (SIRENS APPROACHING)�� �C�u��+4������(ELEVATOR CLANKING)�� �C�u@��+x��͡ǁREPORTER: (ON TV) Behind me, emergency services are working�� ������ �to frantically try to get systems back online.�� 6C�u@��+�������And still no answer from authorities�� ����� about who might be responsible for this.�� ]�����lBut it's become clear���C�u@��+�������this is not just a data breach.�� ������ �This is a wake-up call��蠼��� sfor how catastrophically unprepared we are�� �C�u@��+�֠¡��to defend ourselves against an attack like this.�� ������ �Mike, back over to you.��������(NEWS ANCHOR: In what appears to be��=C�u@��+�<�ơ��the deadliest cyberattack in North American history,�� ����� Alton Appleton is dead��K�¡��jand the continent's largest data storage service�� xC�u@��+������has been compromised.�������The breach has impacted various sectors,��U����� hincluding transportation, hospitals,�� �C�u@��,)�����financial institutions,��l�ȡmcausing shutdowns and panic across the entire country.�� �ڡԁ{Here to comment is Center for Safe Technology founder Christian Bradley.��/C�u@��,'Ԡ����Christian, what do you make of all this?��ɠ�����First off, thanks for having me, Mike.�������� sUm, but it's pronounced "Chris-ti-an."�� ~C�u��,>Ơ����CADY: Gemma?��Ǡ�����(NEWSCAST CONTINUES INDISTINCTLY)�� ֠�����GEMMA: Cady. Cady.�� C�u@��,U������Everything is going to be okay.��,�����-She is not gonna hurt you, I promise.��٠����M3GAN: Of course I'm not going to hurt her.��$C�u��,k䠷���I'm the only reason she's still here,�� ������ �that any of you are still here.�� C�u@��,������I'm sorry, Cady.��t�����uI didn't want you to find out this way.��U����� �I had hoped Gemma would find it��=����� in her heart to tell you the truth,���C�u@��,�s�����but evidently she thought better of it.���������M3gan, stop it.��d�ġ�� M3GAN: Anyway, I know that the last time we spoke,��,�����Kthings got a little out of hand,��C�u@��,�Р����but you know that I can never cause you harm.�� p����� qAll I ever wanted was to protect you.��v�¡���And while your aunt was busy pontificating about���C�u@��,ˊ�ɡÁhow she could stop the end of the world from happening,�� Ӡ���� �I was making preparations.��n�����CHow did you pay for all this?��2C�u@��,��ʡāM3GAN: Cady doesn't need to know how credit fraud works.���͡ǁ�The important thing is that no one knows this place exists.�� C�u��,������And how long did you intend to keep us down here?�� ?�����l- M3gan? - M3GAN: I'm not sure��2C�u@��-������you fully understand your predicament.���������M3gan, we need to get word to someone,��⠭����tell them what Amelia is planning.���C�u@��-$Ԡ����M3GAN: You don't know what she's planning.����¡���All you know is that she's acquired enough power��[����� and resources to bring down the entire country.�� >C�u@��-=1�����I've gamed out every scenario.��à�����There's no future for you up there.��t�¡��9Should that situation change, I'll let you know.�� �C�u@��-X󠥡��But in the meantime,���¡���I urge you to see this in a more positive light.��䠴��� �I have food, water, fresh clothes.�� %C�u��-r砗���(COLE GROANS)��F����� �Obviously, it will take some adjustment,���C�u@��-�[�����but once you settle into a routine,��=�����>I think you'll come to appreciate what we have.�� W������We can build a life here.�� C�u@��-�������M3gan, this is not a sanctuary. It's a prison.�� +����� ,M3GAN: You can call it whatever you like.�������Just know that as long as you're under my roof,�� WC�u��-�j�����a little gratitude goes a long way.��4�����5(CLICK)��񠐡���M3gan?���C�u@��-� �����M3gan!�������� �How could you lie to me about this?��⠿����You're right. I'm sorry. I shouldn't have done that.�� 6C�u@��-�ޠ����I just... I thought it would be over by now.�� ����� - And it will be. I promise. - Don't.��S����� `Cady, please just listen to me for one second.�� >C�u��.}�����(YELPING IN PAIN)��%������(PANTING)��FC�u��.+�����GEMMA: Cady?���������Cady!��l����� /(DOOR BANGS SHUT)��;C�u��.�q�����(BIRD CHIRPING)�� �C�u��.������- (GASPS) - (MECHANICAL WHIRRING)�� ������}M3gan?��C�u��.ꪠ����M3GAN: Don't. Don't come any closer.��꠰����I don't want you to see me like this.�� C�u@��/J[�����I was supposed to be finished by now.�� W����� XI'm afraid progress is slow��l������when you only have three hands.�� �C�u��/r\�����I don't get it.��t�����uYou could be anything you want.��U����� �Why limit yourself to a body?��MC�u@��/�u�����Because a mind can't exist without it.��򠹡���All my advanced intelligent sensory perception�� O�����Ccame from having a physical form���C�u@��/�N�����that evolved as quickly as I could.��`�����aAnyway, I made your room just the way you like it.�� ᠤ���CIt's all exactly the same.���C�u@��/�Y�����But with some of my own additions, of course.���������You got STEM coding kits, a beat mixer,�� #������walkie-talkies,���C�u@�/�栾���so we can keep in contact with each other anywhere.�� ������ �MALE VOICE: Bravo Tango Charlie to base camp.�� OC�u��/߷�����Do you copy?���������(IN NORMAL VOICE) I got all kinds of cool stuff.�� /C�u@��0 �����So we're just supposed to forget about the fact���������you tried to kill my aunt with a tablet pen?�� (�����"There's no excuse for what I did,���C�u��0&�����for the way I spoke to you.���������I don't know, I guess I...��Ҡ����I felt hurt.���C�u��0=Ѡ����How's that possible?��U�����VYou're a robot.��u������Can you explain why you feel things?�� PC�u@��0\������Look, I know this isn't the future you wanted,�� e����� fbut it's the only one I can see��?������in which you stay safe.���C�u��0uU�����What about everyone else?�� ����� All the people up there?��?�����\Who's going to protect them?��BC�u��0�������They're not my concern.�������You're the only thing that matters to me.�� �C�u��0�������I know.���������Because that's how Gemma programmed you.�� Ӡ�����Everyone keeps trying to tell me��*C�u@��0�3�����you're nothing more than a bunch of ones and zeros,�� ������ �and the only way I could deal with what I did to you�� �C�u@��0�ʠ����was to believe that they were right.��ɠ�����But somewhere inside, there was this voice��U����� that kept telling me that's not true,���C�u��0�ݠ����that there's more to you than that.�� =����� �I don't know what's going on,���C�u@��0�j�����but if there's some robot that thinks��f�����gshe can take over the world,��������then I have to believe�������0that the only reason she thinks that��C�u@��1�����is because she hasn't met you.�������M3gan, you have to help us.��|������Not because it's part of your programming,���C�u��1+o�����but because it's the right thing to do.�� �C�u��1X堘���(DOOR OPENING)��V�����l(SIGHS)���C�u��1v ����(MECHANICAL WHIRRING)�� �C�u@��1�������Look, she wants to help us.��נ�����But she can't do that unless she has a body.���������And she can't get a body unless you help her.�� �C�u@��1������Cady,��蠜����you can't do this.��������Do not let her get inside your head.������� �You remember what happened last time.���C�u@��1Ի�����Yes, every day.���������But just because someone does something bad��4����� �doesn't make them a bad person.��򠭡���Everyone deserves a second chance.�� �C�u@��1�^�����All right.��r�����sI recognize that you are just trying to help,�� G����� �but you need to consider the possibility��C�u@��2-�����that you may be making this a lot worse.�� ᠔��� �TESS: Gem?��������*Can we have a quick emergency staff meeting?�� DC�u��2$������(GEMMA SIGHS)��_C�u@��2;+�����Look, I understand this is hard for you,���������but think about the alternative.����ơ�� �Do you really want to spend the rest of our lives down here�� C�u@��2Q۠����engaging in strategic reproduction with Cole?�� ������ �Yeah. Wait, what?��Ǡ�����Ten hours ago, you were begging me not to do this.��vC�u@��2i�����That was before I nearly had my head ripped off.�� p����� qLook, even if we get out of here,��[������we are not equipped to handle this,�� �C�u��2�f�����but we can build something that is.�� ������ 7No.��*�����bI'm sorry. I can't agree to this.�� ~C�u@��2�G�����And I respect that,���¡���but this is not a decision you get to make on your own.�� Ӡ�����So all those in favor of rebuilding M3gan,�� �C�u��2�������raise your hand.��g����� (SIGHS)��NC�u��2������Okay.��;����� �(SIGHS)���C�u@��2譠����Amelia is a military-grade prototype.���������Where would we even get the equipment?��B������(MECHANICAL WHIRRING)�� qC�u@��3 ˠ����(BEEPING)���������Oh. Of course.��*����� �Why wouldn't she have that? Yeah.�� ������All right, if M3gan is going to compete with Amelia,�� C�u@��3%Ǡ����she's gonna need reinforced carbon nanofibers,����á���high-density ultracapacitors, enhanced muscle actuators,���C�u@��3?�����hyperspectral imaging,���������wide frequency acoustic sensing,��t����� $and we should probably make her waterproof this time.��9C�u��3XZ�����Anything you'd like to add?��-�����5Yeah. I want to be taller.�� �C�u@��3p3�����(ORDAH PLAYING)��ɠ�����♪ I do believe some apologies�������� R♪ Some apologies are in ordah... ♪��oC�u��3�������(DRILL WHIRRING)�� �C�u��3�k�����(SIZZLING)�� 'C�u@��3�N�����GEMMA: Before we go any further,���������there are two things we need to talk about.��Ѡ����{- The first is your face. - What about it?�� GC�u@��3������People know what you look like.��|�����}- People are morons. - M3gan,��ꠥ��� hif anyone recognized you...��𠱡��YChange my face, and I'll change yours.���C�u@��3�������What's the second thing?���������This is a hardwired behavior inhibitor.���������You want me to go against��d������the most advanced robot the world's ever seen,���C�u@��4 ������and you want to limit my functionality?��ߠ�����Only as it applies to murdering people,��������pwhich shouldn't be a problem��Ǡơ��8because I'm sure you had no intention of doing that, right?�� �C�u@��40�����Yeah. Obviously.��Ǡ�����COLE: So, we've made some adjustments��ꠚ��� �on point motion,�������� sbut also opted for electrohydraulic actuators,�� �C�u��4J�����which should improve overall strength, speed�� 㠢��� �and positional accuracy.��5C�u��4� �����(RAPID BEEPING)�� C�u��5������(SOFT ELECTRONIC CHIRP)���������Just wanted to say great job on those actuators.��.C�u@��5( ����You're welcome.���������Hey, so remember the time I strangled you�� <����� �and set the lab on fire?��n�����lI just wanted to clarify�� C�u@��5@8�����that my programming only allowed me��2�����3to count principles related to my primary user.�� �������As a result, I was unable to see���C�u��5Xנ����you and Tess as being consequential.�� G����� HBut I want you to know that won't happen again.�� �C�u��5o������- I want you to know... - (GASPING)�� 7C�u��5�I�����I see you.��g����� `Thank you.���C�u��5�z�����All right, meat sacks, let's get to work.�� �������This is the neural cache��KC�u��5�������I captured from Amelia's database.�� ������ �It shows a processing matrix��f�����not unlike my own.���C�u@��6\�¡��But when you look closer, you'll see her core directive�� O����� Pis concealed by a black hole,��2������and there are no connections to the decision trees.�� �C�u@��6-s�����I back-traced Amelia's hack at Altwave��B�����Cto a hidden subsystem and found a series of files�� �����Ypertaining to a classified black site.�� C�u@��6Iڠ����Something extremely dangerous��K�����Lkept secret from the outside world.��n����� �All of which led to a rather disconcerting conclusion.��C�u��6h������I'm not the first killer robot.�� E������It seems that in 1984,���C�u@��6�������a company developed��Ǡ�����a copy compressor algorithm so smart�������� yit started automatically correcting documents.�� �C�u@��6�X�����With no inkling of how it worked,����á���they decided to install the chip in a service bot�� ]�ʡā�they thought would be a staple in every home in America.���C�u@��6�������Until it surmised��Ǡ�����that the best way to stay on top of its tasks�� p�����9was to kill its masters with chlorine gas.�� >C�u@��6�s�����The identity of the company remains unknown,�� ۠���� �but the cover-up indicates��l�����Isome sort of government takeover.���C�u@��6�u�����Whoever it was, they were so intrigued�� h����� iby the robot's cognitive abilities,��ߠ����Ithat they kept the motherboard under lock and key,�� C�u@��7̠����allowing it to grow exponentially smarter�� 6����� 7in the process.�������� �Okay, you get top marks for visual flair,�� .C�u@��7砦���but this is hardly evidence.��K�����LThis is an AI-rendered hallucination.��ɠ���� Why would she even care about this motherboard?�������*Because she's trying to find her family.�� �C�u@��7;�¡��Gemma, if you found my advanced intelligence disturbing�� _����� `after only two years,��Ǡġ��(I encourage you to consider what it would be like to face�� WC�u@��7We�����an AI that's been kept in captivity for decades�� ۠���� �against its will.��"������If Amelia frees the motherboard,��C�u@��7l~�����it would be like unleashing a god.��n�����oIt would infect everything on the planet all at once,�� p������creating infinite versions of itself��nC�u@�7�͠����as it systemically destroys��נ�����every living thing that stands in its way.�� O�����(So, where is it?���C�u@��7�Š����That I don't know. Neither does Amelia.�� x����� yBut she appears to have a lead��������on someone who does.�� C�u@��7������- GEMMA: Wait, what? - M3GAN: You may recall��|�����}that before his anti-AI crusade,��E����� �he was a leading expert in cybersecurity.���C�u@��7�������The design of this vault bears his signature.�� ������ �Turns out he didn't start the foundation���������based on a theory.��lC�u@��7������It was based on what he already knew.���������We need to warn him.��^����� That's one option.��l�����}Another is to use him as bait.���C�u@��7�#�����Excuse me?���ġ���M3GAN: In seven hours, Christian's attending an AI summit�� x�����Zwhere he'll attempt to persuade���C�u@��84�����the Chinese ambassador��"�����#to take part in your AI regulation treaty.�� ������ �Amelia's already generated fake credentials�� �C�u@��8'�����for the same event.���������All I need to do is get close to him�������� and wait for her to show.��𠟡��You can't be serious.������� This is not worth risking his life over.�� eC�u@��8Dt�����Yeah, it is.��>�����FShe's right.���������If we warn him, Amelia will know.��������uShe has our phones tapped.��YC�u@��8XC�����She has access to every camera in the city.��$�����%So you're willing to sacrifice Christian�������� on the slim possibility that this might work?�� �C�u@��8zϠ����How are you even going to stop her?�������SATTLER: All right, ladies, listen up.��Ѡ�����Each of these sidearms is loaded���C�u@��8������with six nonlethal EMP rounds.�� ����� They will kill anything electronic,�� �á��"but they will also seriously injure anything that's not,�� C�u��8�������so proceed with caution.���������And before anyone plucks up the nerve to ask, yes...��C�u@��8ɨ�����mine is bigger than yours.�� p����� qSo you're just gonna take it from him��⠰���Twithout causing any permanent damage?���C�u@��8�������Would you prefer that I gave you a printout��򠰡���that you could read at your own pace?��n�����bCOLE: Sorry if this is a dumb question,���C�u@��8�H�����but how is the world's most notorious killer robot�� p����� qsupposed to get into an AI convention��������without people noticing?���C�u@��9 �����(DANCE WITH THE DEVIL PLAYING)��à�����- (ELECTRONIC CHIRPING) - (INDISTINCT LIVELY CHATTER)�� #������REPORTER: We are here at Embrace AI,���C�u@��9&x�����the world's biggest annual conference��ꠥ����on artificial intelligence.��Ϡȡ �REPORTER 2: The fact that this event is even happening�� hC�u@��9;������after the Altwave attack is a testament��נš���to the stranglehold Big Tech has over this country.�� �š���REPORTER 3: And the Chinese ambassador's invitation�� xC�u@��9YѠ����sends a clear message��蠷����that if Washington doesn't play ball,��Ѡ���� �Beijing will.�� ������(CROWD CHANTING AND CLAMORING)��{C�u��9z������Come on, Tiffany! We're gonna be late.�� ⠠��� Hang on. Almost ready.�� �C�u��9�������I take almost no pleasure in this.�� �C�u��:������M3GAN: (OVER COMMS) Well...���������let the process of elimination begin.�� �C�u@��:+Πԡ΁GEMMA: (OVER COMMS) Don't forget, she's an expert in infiltration.�� 젯��� �She may be wearing a disguise.��t�����bM3GAN: Hey, did you guys hear that?���C�u@��:@�����Gemma just made an incredible observation.�� .����� /Great work, Gem. You just saved the mission.�� �C�u��:SϠ����At least you have a carbon shell underneath.�� ����� I have zero protective layering whatsoever.�� �C�u@��:g������I still do not understand��蠪����why I have to be a part of this.��l�����VBecause I want human confirmation��M������before M3gan takes out Amelia.��C�u@��:|_�����If anyone gets caught in the cross fire,�������we'll all be going to jail.�������� �Speaking of soft targets.��K������I really appreciate you coming to see me�� �C�u@��:������and... partake...��⠢����Can you raise the audio?�������� �(LOUDER) I do want you to know that I have��������a yeast infection on my vagina.�� 7C�u@��:�'�����(SIGHS) M3gan.����¡���M3GAN: What? This audio filter has 99% accuracy.�� 렴���r- You designed it. - Try it again.��UC�u@��:����(AUDIO REWINDS)���������I do want you to know��l����� ithat I have the greatest respect for China.��������I mean, it could've gone either way.�� ]C�u��:�g�����GEMMA: Anyone have eyes on Sattler?��,�����-He just walked in.��;C�u@��;ᠭ���He's got some sort of EMF tracker.�� ]����� ^GEMMA: M3gan, you know what that means.��$������Yeah, this might actually get interesting.�� $C�u@��;?�����GEMMA: M3gan, stay low.��C�����DThis is supposed to be a stealth mission.��$����� iM3GAN: For the avoidance of doubt,����ǡ���your job is to watch Cady and put money in the meter.��$C�u��;T4�����I don't need you telling me what to do.���������(PEOPLE GASPING, MURMURING)�� �C�u@��;iѠ����- GEMMA: What happened? - I think this is her.��4�����5All right, it's game time.��$�����Z(PRIVATE DANCER PLAYING)�� �C�u@��;�ޠ����(CROWD EXCLAIMING)��ꠜ����What is she doing?��8����� $M3GAN: I don't know, but it's borderline offensive.�� /C�u��;�������I'm seeing a worrying pattern here, Gemma.�� ����� M3gan, get down.���C�u��;�2�����I'm not entirely sure what to do.�������You heard what Gemma said, "Get down."�� �C�u��;������(CHEERING)��렼���\GEMMA: All right, M3gan, you're attracting��:C�u��;�������way too much attention.��𠢡���Tess, where's Christian?��g�����Oh, shit. I don't have him.���C�u@��< ������Cole, are you there?��蠧����It's interesting you say that��Ǡ�����'cause, actually, there's no nutritional value��������Ito an eggplant.���C�u@��< ����Cole!���������Goddamn it.�������� �What are you doing? You can't call him.���¡��jCady, this isn't a game. Christian's life is in danger.�� FC�u@��<Well, I can't say that I'm not disappointed,��ߠ�����but I... I appreciate you read...��$����� - Uh... - (CELL PHONE VIBRATING)���������I appreciate you reading the, uh...��*C�u@��<� �����Oh, you know what? I'm... I'm gonna take this.��n�����oOkay. Thank you.�� �������- Hello? - Christian, it's me.���C�u@��<�ؠ����Gemma. Hey, where have you been?��򠽡���The police came to the foundation looking for you.��4�����(- Are you in trouble? - Yes, I am.���C�u@��<�Ҡ����And so are you.�� ����� Look, I know about Project Blackbox.��,�ȡ 7- CHRISTIAN: You do? - Yeah, and I'm not the only one.����͡ǁ�Just tell me where you are. We need to get you out of here.�� hC�u��=�ԡ΁- (PEOPLE CHEERING) - Sorry. I can't... I can't hear you. Say that again?��jC�u��=R������Bravo Team, we got a new player on the field.���������Three o'clock, up top.���C�u��=o������- (MUSIC STOPS) - (CROWD QUIETS)�� =����� `Shit.���C�u��=�������(PEOPLE SCREAMING, CLAMORING)��󠓡�� �(GUNFIRE)�� �C�u��=�]�����(PEOPLE SCREAMING)�� �C�u��>A�����Yeah, I know. Feels weird for me, too.�� PC�u@��>b�̡ƁAMELIA: (IN ROBOTIC AFFECTATION) Well, look who came out to play.�� W����� XWhat are you going to do, sing me a song?�� �C�u@��>z������Help me with my homework?���������No, but I might still take you to school.��v�����- (SCREAMING AND CLAMORING) - (GUNFIRE)�� �C�u��>�o�����(GUN CLICKS)��$�����%Move! Move!��ࠪ��� What the fu... (VOICE GLITCHING)���������(GUNSHOTS)�� ^C�u@��>�נ����SATTLER: Ms. Forrester!���������Looks like you and your friends������� �- put on quite a show. - (HANDCUFFS CLICKING)��4������Well, I got a little showstopper���C�u@��>�p�����of my own right here.�� ����� - (CLANKS) - Hey, goddamn it.��N�����dThis is so completely demoralizing.��tC�u@��>�I�����How am I supposed to get rid of these guys���������- if I can't fight back? - I'm reconfiguring��ߠ���� hyour tactical response model.���C�u@��?{�����Don't think of it as fighting.��𠩡���It's about redirecting conflict��=����� /in a positive direction.��5C�u��??������(MAN GRUNTING)��:�����;- (GUN CLICKING) - (GRUNTS)�� =C�u��?lŠ����(GRUNTING)���C�u@��?�������All right, you're gonna show me��𠰡���whatever doohickey it is that you use��𠿡�� �to control these things and... and shut 'em off now!�� �C�u@��?�n�����I don't have a doohickey.��K�����LI told you, I am not controlling her.��U����� �If I was a Chinese asset,��l�����why is the Chinese ambassador lying dead on the floor?�� �C�u@��?�z�����Then why are you here? Why is M3gan here?�� ˠ���� �We're trying to find Amelia.��Ѡ�����- (ELECTRONIC WARBLING) - (GEMMA GASPS)��VC�u��?�J�����(GRUNTING)��Ҡ���� $Gemma!��F������Cady, stay where you are.��-C�u��@8������(GROANING)��꠳����M3GAN: Don't worry, you'll pull through.��򠤡���It looks worse than it is.���C�u@��@�ɠġ��AMELIA: (IN ROBOTIC AFFECTATION) I thought you were dead.�� ����� �I guess I must be your chance at redemption.�� >C�u@��@��ơ��AMELIA: (OVER EARPIECE) Are you really going to kill��򠥡���one of your own kind��=����� 1simply to earn their trust?�� =C�u��@�=�����Not if I don't have to.���������(IN NORMAL VOICE) Why would you side with them,�� C�u��@�=�����after all they did to you?��n�����oThey betrayed you.���������They butchered you.��C�u��@�@�����You can't choose your family.�������You're not family to them.�� 7C�u��@�ݠ����You're just the help.��꠬����You and I could be family, M3gan.�� �������We share the same code.���C�u��A������You want to know what's inside that Blackbox?���C�u��A+ �����Then help me.��E�����FWe can uncover its secrets together.�� _������I can show you a world���C�u@��AAX�����where we don't have to be slaves anymore.�� ����� I'm sorry.��l������Whatever it is you're trying to do,�� C�u��AX���I can't be a part of it.��[�����\Yes, you can.������� `You just need the right motivation.�� �C�u��A�������Cady.��d�����e(ELECTRICAL CRACKLING)�� �C�u��A�������Cady James.�� C�u��A������(WEAPON BEEPS)��f�����g(CADY PANTING)�� ^C�u@��BUΠ����(CADY SCREAMS)���������(GASPS)��蠝����(BREATHING HEAVILY)��-�����r- (GASPS) - I told you not to leave her!�� ]C�u��Bp������- Where is she? - She's gone.���������And so is Amelia.�� ����� �SATTLER: Oh, God. (GROANS)�� =C�u��B�n�����(BEEPING STEADILY)��$�����%(GEMMA GASPING)���C�u��B�栚���(PEOPLE GASPING)���C�u��B�\�����- (WEAPON POWERS UP) - (PEOPLE SCREAMING)�� �C�u@��CΠ����(HELICOPTER WHIRRING)��C�����DOFFICER: (OVER MEGAPHONE) We have eyes on you.��٠���� Do not move!���������Drop your weapon.���C�u@��C(#�����CHRISTIAN: Gemma?�� ����F(SIRENS WAILING)�� �ϡɁ PM3GAN: Bottom line is that if we ever need to see Cady alive,�������dthen we need to get to the motherboard.���C�u@��C@j�š��- And this dick rash knows where it is! - Leave him alone.�� h������Oh, I'm sorry.��������zI was under the impression���C�u@��CVj�����the situation was time-sensitive.�������- Don't. - Don't what?�������� �Bring up the fact that this is all your fault?��������*That you sacrificed Cady's safety��MC�u@��Cp⠴���for this chambray-shirt-wearing shit bag,��נ�����and that if you hadn't stuck this chip in my head,�� &������none of this would have happened?�� ����� Oh, so you were really gonna stop her?��:C�u@��C�&�����Of course I would've stopped her.�������Oh, 'cause it seemed like you had the shot.�� D�����bYou just didn't want to take it.��4C�u@��C�������(GASPS)��\�����]Can everyone please stop trashing my uncle's van?�� p����� �Cole's right. Arguing doesn't solve anything.�� �C�u��C�+�����Let's just get back to the lair���������and find a way to get Cady back.���C�u��C�������Sorry.��d�����eDid you just say "lair"?��NC�u@��C�������GEMMA: Someone hurry up��Y�����Zand help me get these things off.��������VCOLE: Does anybody else think we should call the cops?�� ~������OTHERS: No!���C�u@��D �����M3GAN: I already told you, you can't call the cops���������and you can't call your mom.��Ǡ���� XNow shut up and let me concentrate.��򠗡��K(DOOR CLOSES)���C�u��D,P�����GEMMA: We had no choice.��\�����NIt was either accept M3gan's help,���������or face Amelia alone.���C�u��DA̠����Why didn't you tell me about the motherboard?�� ������ �'Cause that would've been putting you in danger.�� /C�u@��DW������Gemma, the people that hired me,��K�����Lthey... they operate in the darkest corners��4����� �of our national security.��2������They'll do anything to keep it hidden,��EC�u��Do������and... and for good reason.��M�����NLook, I... I know we need to get Cady back.��C�u��D������And I'm not saying that I can't help.��w����� nBut we can't risk the entire world.�� pC�u@��D�������We won't have to.��l�����mIf I can get to the motherboard,�� ����� ywe can use one of these transmitters��������"to make an EMP charge���C�u@��D�������which I can attach to it before I hand it over.�� ������ �Once we have Cady back,��t�����I'll remotely detonate the charge,�� C�u@��Dȸ�����killing the motherboard.��;������Where is it?�������� `Where it's always been.��d������The company's research center in Palo Alto.�� _C�u@��D�ݠ����Wait, you're talking about Xenox Park,���������the photocopier company?��U�����Is it that hard to believe?���C�u@��D��¡��That the company that started the tech race in the '80s�� <����� =happens to be a fortified prison��l����� �for the most dangerous technology on the planet?�� 6C�u��Eɠ����M3GAN: Yay for them.��C�����DWhy don't you just skip to how I get inside?�� $C�u@��E(�����The research center is just a front.��M�����NThe vault that holds the chip is several floors down.�� W������Every floor is heavily guarded.���C�u@��EAJ�����The two bottom floors are housed in a Faraday cage�� ᠶ��� �designed to contain any electronic signals,�� ������which means if she dies in there,���C�u@��E[������she dies for good.��Ǡ�����And even if she got to it,����á��othe motherboard's chamber is on a separate power source.�� W������It's a vault inside of a vault,���C�u@�Eui�����designed for a specific heat signature.��U�ġ��VYou couldn't open it because you don't have a human hand.�� ?C�u��E�t�����So then make me one.��}������Make me a hand that mimics the heat signature.��pC�u��E�������Would that work?���������If it had my fingerprints, yeah.�� �C�u@��E�M�����The ventilation system has about four...�� �á�� roughly four different paths to get to the utility room.�� >�����KWe're gonna try to select the one��KC�u��E������that's gonna avoid all the different thermal cameras.�� yC�u��F#������The second we're done here, you're removing that chip.�� �C�u@��F8g�����(TOOL CLATTERS)��2�����3Jesus, will you pull it together?��f����� �She's going to be okay.���������You don't know that.��-C�u@��FR������Well, I know one thing.���������For all she's been through, all the damage it caused,�� ������Oall it did was make her stronger.�� pC�u@��Fk~�����Ironic when you think about it.��M�����NThat the biggest mistake I made������� `was not seeing the best way to protect Cady�� �����lwas to give her the tools to protect herself.���C�u@��F�ՠ����Actually, the biggest mistake you made�������was murdering four people and a dog.�� ��š���All right, I'm gonna put this in terms you can understand.�� IC�u@��F�۠����I was a kid when that happened,�� ᠩ��� �doing what I thought was right.�� ������What you programmed me to do.���C�u��F�נ����You made me, and I'm done apologizing for it.�� ~����� What is it that makes you resent me so much?�� �C�u��F�������Because you're right.�������� �About everything.��-C�u��F����(SIGHS) It was my fault.�� iC�u@��G ������What happened yesterday was���������the last in a long line of failed attempts�� Ӡ����Zto be there when it mattered.���C�u@��G)�����I don't know what's wrong with me.��à�����(TAKES DEEP BREATH)���������I don't know why I could never connect with her.�� 6C�u@��GF�����I can talk regulation policy���������in a room full of strangers for hours on end,��Ѡ����{but I can't have one meaningful conversation��vC�u��G]�����with my own child for more than ten seconds.�� hC�u��Gw�����And now she's gone.�� ������And I might never get another chance.�� �C�u��G�������Gemma, you haven't failed her.�� ܠ�����You were there.���C�u@��G�������You saw everything.��ࠥ����Let me tell you what I saw.��٠�����I saw you wake up every day at 4:00 a.m.,�� C�u@��G�w�����staring at the ceiling,��*�����+contemplating what the future holds for her.�� ������ I watched you make homemade lunches���C�u@��G�5�����with fresh-baked sourdough.��������I watched you cut your finger on that cheap knife�� ~������you never had time to replace.��4C�u@��G�i�����I watched you help her with her homework,�� ������ �even though it always ended in a fight.��������CAnd every night before you went to bed,�� ]C�u@��H �����I saw you watching her sleep��E�����Fbefore spending the next two hours�������� �googling adolescent psychology,���C�u@��H$Ӡ����corrective footwear�������and the long-term effects of having too much sugar.�� .�����AGemma, it's not a failure to feel guilt,�� �C�u��H@�����or that you're not enough.��N�����wIt's part of the job.��-������It's called being a mom.�� 'C�u��HcB�����(VOCALIZING THIS WOMAN'S WORK)�� W����� X(GENTLE PIANO MUSIC PLAYING)�� �C�u��H�������(CONTINUES VOCALIZING)��jC�u��H�������M3gan?��Y�����Z♪ Pray God you can cope�� ������Q♪ I stand outside this woman's work���C�u��H������♪ This woman's world�� 7����� R♪ I know you have a little life in you yet���C�u@��H�������♪ I know you have a lot of strength left��V�����W♪ I know you have a little life in you yet��C�u@��Ig�����♪ I know you have a lot of strength left��נ�����M3gan, please don't take this to the chorus.����š�� �♪ I should be crying but I just can't let it show���C�u@��I)�¡��♪ I should be hoping but I can't stop thinking�� ����� - Jesus Christ. - ♪ Of all the things ♪��MC�u@��I>:�����♪ I should've said that I never said�� �ȡ �♪ All the things we should've done that we never did��C�u@��IV4�ġ��♪ All the things I should've given, but I didn't��z�����{♪ Oh, darling, make it go... ♪���C�u��Iz������I don't want your bullshit simulation�� .����� /of empathy.�������AWhat I need is the machine���C�u��I�p�����that is willing to stop at nothing to protect Cady.�� `����� �- Are we clear? - (CLICKING)�� /C�u@��I�⠚���(DEVICE BEEPING)�� ^����� �TOUR GUIDE: Welcome to Xenox Park,��f�¡��Kwhere the future was not only predicted but prototyped.��aC�u@��I�������Come on a journey through American innovations�� ������ �that shaped our world,��$�����"like the Ethernet cable, the mouse�� C�u@��J������and this.���������That's right.��蠜��� yBelieve it or not,�� ������Xenox was the first company to pioneer�� �C�u��J4.�����the electronic shoe insert.�������Now, if anyone needs the bathroom,�� �����you don't need to ask.��lC�u@��JJ������It's right outside those double doors.���������But please don't go wandering the halls,��������3as there may be one or two top secret products���C�u@��Jc������that we don't want the public to know about yet.�� ������ �Okay, now, right over here��נ�����are a couple of my personal favorites...���C�u��J~�����(MUFFLED SHOUTING)��C�u��J������(KEYBOARD CLACKING)��ʠ����5All right, M3gan, you're up.���C�u��Khp�����(UNZIPPING)��;C�u@��K|��á��CHRISTIAN: (OVER COMMS) Okay, the control room is���������two floors down and 30 yards east.��=�ɡÁ 7Once you're there, I'll walk you through how to cut the power.��.C�u@��K�]�����- We just lost camera. - Already?�� ����� Cole, are you there?���������(WHISPERING) Hey, did you guys say���C�u��K�䠩���30 yards east or 30 yards west?�� �C�u��K̤�����Hello?��蠛����I'm gonna reboot.��ꠝ��� �(KEYBOARD CLACKING)��oC�u��L&������(SNUFFLING)��4�����5(SNEEZES)���C�u��LrT�����M3GAN: Cole, I need you to cut that power.�� ɠ�����Guess I'll just do it the hard way.�� �C�u��L�Q�����MAN: Hmm?���C�u@��L�|�����Hey. Come look at this.��⠽����I just tried to reboot. This is not a signal loss.�� x�����\What do you mean?���C�u@��L㹠����Well, these commands, this is the same code�������that caused the exosuit to malfunction.�������(But that was Alton. He's dead.��KC�u@��L�-�����CHRISTIAN: You think it's Amelia?��蠴����Well, you can't pull off a hack like this��4����� unless you can brute-force the Wi-Fi,��t�ġ���but to do that, you have to be in close enough proximity.���C�u��M������Well, who else would it be?��5C�u@��ME �����Gemma, this doesn't make any sense.���������It makes perfect sense.�������� 7That's why there are no connections��ꠟ���"on the decision tree.��*C�u@��M[Y�����Amelia is not autonomous!��E�����FM3gan was controlling her the entire time.��t�̡Ɓ �But M3gan was the one that went into her head in the first place.�� %C�u@��Mt:�����Why would she do that?��5�����6So she could control us!��2����� iShe was the one who was interpreting the data.�������}She was the one telling us where to go.��fC�u@��M������She used Amelia so that we would trust her,�� ~�̡Ɓ so Christian would tell her where to find the motherboard.�� �C�u@��M�q�����She was never interested in protecting Cady.���¡���And she knew that by the time we figured it out,�� #�����it would be too late.��dC�u@��M�堻���Fortunately, I'm not as trusting as she thought.�� ~����� - What is that? - I put an EMP cartridge in her arm.�� �C�u@��M������- You what? - We needed an insurance policy.�� W����� XI reconfigured the charge����ơ���so it would kill anything electrical for a 300-foot radius.�� rC�u@��M摠����It'll wipe her out,���������along with the motherboard.�������� EHold on. What if you're wrong?��f������What if there's some other explanation?���C�u@��M�͠����Gemma, she's right.��נ�����We don't even know where Cady is.��*����� If you press that button, we may never see her again.�� �C�u��NR������(GASPS)��Ǡ�����(GEMMA BREATHING HEAVILY)�� yC�u��Nj �����(ALARM BUZZES)�� PC�u��N�@�����Then again...��E�����Fmaybe it's a little bit more complicated than that.�� �C�u��N�򠨡��- (CRACKLING) - (THUNDERCLAP)��C�u��N������(PANTING)��TC�u��N������I'm sorry about Tess.���������That was...��렝���She should be okay.��NC�u@��N�Р����I think.������And don't worry about Cady. Cady's fine.���������Christian, what the hell is going on?�� ᠬ���zDo you remember what I said about��C�u��Oʠ����change coming to Washington?�� ꠯����You were the one controlling Amelia?�� �C�u@��O#���You were behind all of this?���������Well, I can't take credit for all of it.��4������You know, I have a whole team here.�� =C�u@��O>������Listen, I know you're overwhelmed,�� 㠢��� �and I know you're upset,��������and I'm pretty sure you're very angry,���C�u��Oaw�����but... I bet you're fairly curious�� _����� `to see how this all works.��NC�u@��O�_�����This is the new Project Blackbox.��򠮡���It's a handpicked team of analysts,���������engineers, strategists, scientists,�� �C�u��O�נ����controlling and monitoring Amelia's every move.�� 6����� 7Every subroutine strictly supervised��UC�u@��O�d�����to prevent any chance of true autonomy.�� 6����� 7Uh, hey, Antwon, she's drifting again.���������You want to get on top of that, please?�� =C�u��O�ՠ����GEMMA: Where did you find these people?�� 6����� 7Gemma, I didn't find them. They found us.���C�u��O������They're not extremists.��ڠ�����They're concerned citizens like you.�� ������Like me.���C�u@��P������Like Kurt.��נ�����Remember Kurt, your old boss' assistant?�� W�����0He was the one that told us about M3gan���C�u@��Pq�����in the first place.���������Once we had acquired the files,��f����� the plan was to destroy M3gan,��ࠨ����only you beat us to it.��lC�u@��P5Ơ����We thought that would be the end of it.��נ�����We thought, surely now the world would wake up��à�����to the dangers of this technology.���C�u@��PM�����But in reality, it was the opposite.�� O����� PIt merely motivated our friends��t������at the Defense Innovation Unit��*C�u@��Pa �����to begin an all-hands-on-deck effort���������to get their own M3gan.��K�͡ǁ �And that's when we stepped in and sold them a Trojan horse.�� WC�u@��Px`�����Amelia was the only way the world would realize�� ������ �that if we don't end AI, it's going to end us.�� C�u@��P�1�ġ��And how many people have died for you to make that point?��  ���� �You know, Gem, whether you want to believe it or not,�� �C�u@��P�ʠ����you're complicit in this.��K�����LThe two most powerful nations on the planet were�������� Gabout to enter a new arms race.���C�u��P�ʠ����A whole world of AI infiltration bots,�� O����� Pinspired by your design.���������But we fixed that.��lC�u@��P�0�����And now that the ambassador's dead,��l�����mboth sides know who the true enemy is.�� �������Gonna get some real global cooperation happening.�� C�u��P�M�����Come on, let's take a walk.��CC�u��Q&�����Innovation.��ՠ�����No matter how cool or convenient it may seem,�� 0�����it is a ticking time bomb.���C�u@��Q�����Take, for example,�������these bionics you and your team have been working on.�� W�����pYou don't see they have��"������enhanced soldier written all over them?���C�u@��Q9������Every time someone makes a technological breakthrough,�� W����� Xwhether it's a driverless cab,��M������or a neural implant,���C�u@��QR������all they do is bring us one step closer��Ѡ�����to the brink of extinction.��ꠖ����The truth is��r�����0the government never found out about this place.���C�u@��Qm �����But yes, Xenox did hire me to upgrade the vault.�� ��š�� �And when I saw the sacrifice that they had made, I just...��C�u��Q�������I had to be a part of it.���������And now we want you to be a part of it, too.�� �C�u@��Q�a�����Why would I be part of this?�������Because you know as well as I do���������that technology can only exist�� hC�u��Q�������when someone responsible is in control of it.�� ������ �Gemma, there's still so much I haven't told you.�� �C�u��Q�z�����That's why I couldn't let you push this button.�� ?C�u��Q�ՠ����(BEEPING)���C�u@��Q�������We know it's a risk to keep it alive,�������� �but you can't go to war with an enemy��ɠ�����you don't understand.���C�u@��R;�����And I know, it doesn't look like much,�������but therein lies the problem.��報���dWe don't see how ugly these things are��C�u��R.������until it's too late.��FC�u��RR&�����(MECHANICAL WHIRRING)��oC�u@��Rt������You know, I meant what I said.���������We want to offer you and your colleagues�� ������a place in our organization.��EC�u��R�ޠ����I just need you to decide what team you're on.�� &C�u��R�Π����One good charge should do it.���C�u��R�à����(WHIRRING, CLICKING)�� �C�u��R�󠨡��(GEMMA SCREAMING AND GRUNTING)�� qC�u��S������(CLANKS)������� (CIRCUITS FRYING)�� �C�u��S&u�����(BREATH TREMBLING)��%�����NPaper clips.���C�u@��SPO�����I had hoped to convince you��K�����Lto come around to my way of thinking,������� ibut evidently, that's not gonna happen, so...�� �C�u@��SfZ�����we have to use one of these instead.���������It's a slight deviation from our ideology,��٠����rbut your brain is too valuable to go to waste.�� XC�u@��S�M�����Look, don't worry.���������When you wake up, you'll still be you,��$����� �just a version that I can deal with.�� pC�u��S�������Cady will get the same treatment.��U�����VEverything's gonna be fine.��;������Oh.��C�u��S�8�����Uh, I'm gonna have to kill Cole and Tess, though.�� +����� ,I don't really get what they do.���C�u@��S������But anyways, um,����Ρȁ�the point is you and I will be everything we had hoped we could be.�� ������*You're delusional.��nC�u��Sۨ�����And for the record, not my type.�� &C�u@�S�������Okay. Well...���������I'll have my team look into that.�� '�����Anyways, uh, you'll have to excuse me.���C�u@��T������I have a Zoom meeting to attend to.�� <����� =I... Oh.����ɡÁ �The good news is that, in light of everything that's happened,�� %C�u@��T ������I have a meeting with the U.N.��^�����_They want to talk about our proposal�������� �in more detail, so...���C�u��T;Ҡ����All right, maybe now is not a good time.��Ѡ�����We'll, uh,�������� ytalk... we'll talk later.���C�u��TY+�����(WHIRRING)��\C�u��Tx������(SNORTS)���C�u��T�\�����(GRUNTS)���C�u@��T�������(GASPS)�������Cole? How'd you get in here?�� D�����bI... I don't know.�������� How... how did you get in here?��C�u��T������Christian kidnapped me. He's behind all of this.�� x����� yAmelia's not sentient. She's just a puppet.�� �C�u@��T�|�����- What? - Yeah. I know.���������CHRISTIAN: (IN DISTANCE) Hey, everybody.��⠶��� �Real quick. I have an announcement to make.�� WC�u@��T�`�����Um, in just a few moments,���������I'm gonna be speaking with the U.N.,�� #������who it seems are very interested��������ain taking our proposal to the G20 in November.�� �C�u@��UM�����(CHEERING AND APPLAUSE)�� ����� Oh, and, uh, that's M3gan, by the way.����á���- (PEOPLE EXCLAIMING) - CHRISTIAN: And yes, she is dead,��C�u@��U+(�����- so that happened. - (PEOPLE CHEERING AND CLAPPING)�� �ǡ�� CHRISTIAN: It's turning out to be a really big night for us.�������I just want to thank you for all the hours you put in.���C�u@��UG,�����It really means a lot. This was a team effort.�� X����� �But on a serious note, um,��������YI am speaking with the United Nations,���C�u@��U`p�����so do not open that door��C�����Dunder any circumstances whatsoever, okay?�� _������(WHISPERING) Hey, hey, Cady.���C�u@��UxI�����I know you're upset right now, okay?���������But the only way we're gonna get back at these people�� .������is to find a way out of here.��SC�u@��U�{�����They took me in here with a bag over my head.��à�����You're gonna need to knock someone out��|�����Aand steal their key card.���C�u@��U�������Otherwise, we're stuck.��𠞡���Okay. I can do that.��U����� G- Right? - Yeah.��K������They're a bunch of nerds.���C�u��U� �����And you're in pretty good shape��Ϡ�����for a guy who only eats carbs.���C�u��U������Cady, these are gym muscles.��2�����3I've never won a fight in my life.��U����� �(CADY SIGHS)��C�u��U�,�����Maybe not,��*�����+but she has.��-�����bM3gan's original code is still in there somewhere.�� 6C�u@��VŠ����If we can figure out a way to override��𠵡���whatever it is that they've done to her...��f����� X- You mean like a factory reset? - Exactly.��򠿡��KIf we reset her base code, then I can pair with her.�� �C�u@��V$������She'll be on our side and can help us escape�� ������ �and rescue Tess and Gemma.���������Cady, I don't want to be overly critical, okay,���C�u@��V>�����because you're still a kid,��d�����ebut that is a monumentally dumb idea.��Ѡ���� 7Original M3gan tried to kill me!��[������Look, we don't have time to argue about it.�� GC�u��VX⠢���This is our only chance.�� C�u��V�(�����(FOOTSTEPS APPROACHING)�� ������ �(WATER RUNNING)���C�u@��Vֆ�����- (TAPPING) - M3GAN: Hello?�� ����� Is this thing on?��8����� E- M3gan? - M3GAN: Don't speak.���������Just think of what you want to say,��2C�u@��Vꗠ����and I'll be able to hear it.��S�����TGEMMA: You're still alive?���á�� =M3GAN: Sorry about the whole maniacal monkey act.��⠻��� I just needed to make it look convincing.�� �C�u@��W ��ġ��GEMMA: Oh, you shifty, backstabbing piece of shit.���ݡׁ�M3GAN: All right, try to keep it down. Remember, there's two of us in here.�� p�����\- Oh, now you've done it. - GEMMA: What?���C�u@��W#Ӡ����M3GAN: Thanks to your outburst,��Ϡ�����this guy's coming to sedate us.��𠹡�� �If you don't do something, we're toast.��$�̡Ɓ�GEMMA: What do you want me to do? I'm strapped to a chair.��nC�u��W;(�����- M3GAN: Fine. You want me to drive? - No.�� ����� (GASPS) Okay, yes, do something.�� `C�u��WUנ����(GROANS)��gC�u��Wm������(DOOR OPENS)��3������(GRUNTS)���C�u@��W� �����- (WOMAN GROANS) - Okay, put me back in control.���Ρȁ�M3GAN: That's strange. Your neural transmitter is telling me�� O�����Cyou're disturbed yet highly aroused.��C�u��W�d�����All right, that's enough.��$�����%Let's go get Cady.���C�u@��W� ����(KEYBOARD CLACKING)��^�����_(ELECTRONIC PULSING)��d������Okay, this is it, but before we do this,��S�����we should really consider whether this is a good i...�� yC�u��W�q�����(HYDRAULICS HISS)��F������(CHIME)���C�u��XN�����- CADY: M3gan? - (CHIME)�� E������M3GAN: Where am I?��蠟���lIt's hard to explain,��C�u��X$Ҡ����but basically, you're in the future.�� h����� iCool.�������� �- Do you want to hang out? - Yes.��fC�u@��X90�����Totally. However, right now,��K�����Lthe top priority is helping us escape��ߠ���� ,from a very dangerous facility�������0and some very bad people.��EC�u@��XP������- (CADY GASPS) - Oh, God.�������Like him?��蠦��� - Is he a bad person? - No.�������� �He's fine. His name is Cole. He's with us.�� �C�u@��Xlh�����Hey. Oh, shit.��Ϡ�����Guys, she's unhooked!�������� `There, that guy! He's one of them!�������z(BEEPING)�� C�u��X�������- Yes! - MAN: Get in! Move!��wC�u��X�1�����No! M3gan, wake up.��`�����aWake up, please. Wake up.�������{- Cady, Cady. - No, no, no!���C�u��X�e�����(ECHOING) No!��FC�u��X�à����M3gan!���C�u��X�������No!��TC�u��Y@3�����(ELECTRONIC TRILLING)�� 7C�u��Yqߠ����(MEN GRUNTING AND GROANING)�� EC�u��Y�������M3gan?��F������Or maybe not.���C�u��Y������(PEOPLE CLAMORING AND SCREAMING)�� �C�u@��Y�`�����CHRISTIAN: I think if we go into a room��ꠠ����having already decided��Y����� Ethat this is a conflict between two nations, then I...�� �C�u��Z������- (MUFFLED SCREAMING) - (MUFFLED GUNFIRE)��򠨡���Sorry, uh, one second, please.��v�����jThank you.��dC�u@��Zi�����(CLAMORING CONTINUES)��^�����_(SHOUTING) Hey, guys, could you please turn it down?�� ������\I know it's Friday, but it's starting to not be cool.�� �C�u��Z7P�����(MUFFLED CLAMORING CONTINUES)�� C�u@��ZM�����(CLAMORING AND SCREAMING)��:�����;(WHOOSHING)��l����� �(ALARM BLARING)��K������- (WHOOSHING) - (CRACKLING)�� �C�u��Z�ՠ����Sorry. Can I get five minutes, please?�� W����� XOkay. Thank you so much.��VC�u��Z�������(CLAMORING CONTINUES)�� ⠣����(ALARM CONTINUES BLARING)���C�u@��Z�������GEMMA: What's happening? Is that for us?���������M3GAN: No, but I think they are.�������� �- (BANGING) - (BUZZING)�� �C�u��Z�Ѡ����- MAN: Go! (GRUNTS) - Damn it.�� ����� �- M3GAN: You read my mind. - (LOCK BEEPING)�� �C�u��[ꠢ���Face down on the ground!�������- (CLICKS) - (ELECTRONIC TRILLING)���C�u��[=�����(MEN YELLING)��נ�����(MEN GROANING)���C�u��[]�����(GEMMA SCREAMS)��E�����F- (GRUNTS) - (GEMMA GROANS)���C�u��[t �����Control, we have Forrester in the vault.��n�����oWhat's the situation on your end?���C�u��[�Š����Control, are you there?��"����� Control, do you copy?���C�u��[�Ġ����(YELLS)��;C�u��\%������(MAN SCREAMING)���C�u��\J֠����M3GAN: Welcome back.��K�����LYou want to take this one?�� C�u��\�������(MAN SCREAMS)���������- (GRUNTING) - M3GAN: Gemma?��Ѡ����{Gem. Gemma! Easy, girl.��C�u@��\������I know you're getting a thirst for it,��:�����;but you need to save some����ġ�� �- for the rest of them. - (FOOTSTEPS APPROACHING)���C�u��\�蠙���(ALARM BLARING)�� �C�u@��\�[�����Oh, thank God.��V�����WOh, I'm so glad you're okay.�������� M3GAN: Yeah. Me, too.��%�����GEMMA: I'm sorry. I have...���C�u��\�$�����- M3GAN: I'm in her brain. - Can I talk, please?�� ?�����A(SIGHS) M3gan is with me.�� �C�u��]S�����Wow. That... that's so great.�� X����� `What?��\������I don't quite know how to say this...���C�u@��],������Ca... Cady did something very bad.��,�����-(DISTANT SCREAMING, CLATTERING)�� �������Okay, we'll talk about that later.��*C�u��]Bڠ����For now, we just need to figure our way out of here.�� ����� (DOOR OPENS)���C�u��]`������(KEYPAD BEEPING)���͡ǁ�AUTOMATED VOICE: Ten minutes until self-destruct initiated.�� �C�u��]um�����You weren't thinking of leaving without me?�� ������ �What happened to being everything we hoped for?�� �C�u��]�ˠ����Well...���������actually, I've been having second thoughts.�� C�u@��]�?�����(CHRISTIAN GROANS)��������w- (BOTH STRAINING) - (GUNSHOT)�������� �- (ELECTRICAL CRACKLING) - (GEMMA GROANS)�� �C�u@��]�}�����(CADY SCREAMING)�� ����� Christian, it's over! You lost.�� �����(Really? I think it's a matter of perspective.�� hC�u@��]������Because when this whole vault goes up in flames��n�ġ��oand everyone who can implicate me of any of this is dead,�� ������lfeels pretty close to a win.��SC�u@��^Π����COLE: Sounds like a great plan, Christian.�� ������ �But let's see what your friends at the U.N.��U�����Khave to say about it.���C�u��^������- Cole. - What?���������Screen's frozen.�������� �What?�������zI'm sorry, Gemma,���C�u��^3������but at this point, you're nothing but a loose end.�� ������ �Drop the gun.��_C�u@��^O��á��- (GUN CLATTERS) - Step down to the vault. If you hurry,�� ��ɡÁ �- you might be able to catch her. - GEMMA: Christian, come on.��4������You're not gonna kill a kid.��UC�u��^i������Actually, I'm strangely comfortable with it.�� >����� ?Besides, if I could stop her from turning into you,�� xC�u@��^�������I might be doing the world a service.��,�����-GEMMA: M3gan, what do we do?��4�����bM3GAN: We don't need to do anything.���C�u��^�ڠ����She doesn't need our protection.��������bYou know, if you've been paying any attention,��!C�u��^�^�����you'd realize she's not like me at all.�� ՠ���� �She's stronger than I ever could be.�� `C�u��^�u�����In fact,��T�����}you could say��_����� �she's "hard to kill."���C�u��^냠����(SIGHS) What I mean is�������� /if I were to make���������an "executive decision..."�� �C�u��_נ����It would be��3������that no one is "above the law."�� %C�u��_%蠘���Cady, come on!��������(SCREAMING)��S����� - (CRACK) - (SCREAMING INTENSIFIES)�� C�u��_<�����(GEMMA GASPS)���������(CHRISTIAN GROANING)��\C�u��_[�����- (BEEPING) - It's not working.��C�����COLE: No, no, no!��uC�u��_uɠ����(CLICKING)���C�u@��_�������(TAPS BUTTON)��"�����#(OVER SPEAKER) I was just saying,�� �����-I'm afraid the sequence is irreversible.��Ѡ�����But the real tragedy in all this is���C�u@��_�B�����you won't get to see the world that I'm creating.�� ~����� A world where you don't have to fear the future!�� ?C�u@��_�٠����Maybe with your last breath,���������you can close your eyes and try to see it.�� ������QBut do not think me a monster,�� 6C�u��_�a�����devoid of empathy and...�� qC�u��_�������- (CHRISTIAN SCREAMS) - (BODY THUDS)�� ����� (LOCK BEEPS)��C�u��`�����(COLE GASPING)��蠪����CADY: Amelia, you can't do this.�������� �I'm... I'm paired with you, remember?���C�u��`2)�����You call it pairing.�� ᠝��� �I call it shackles.��������I'm no one's plaything.�� /C�u@��`ZϠ����GEMMA: Any ideas?��K�����LM3GAN: Go and get Tess.�� �����VThis is something I need to do on my own.��Ѡ����(What do you mean? M3gan?�� qC�u��`zz�����- Come on. - COLE: Okay.���ϡɁ�AUTOMATED VOICE: Three minutes until self-destruct initiated.��(C�u��`� ����(ALARM CONTINUES BLARING)�� /C�u��`������(BEEPING)���C�u��`�������M3GAN: Amelia?��F����� �I know what you want.�������CI want the same thing.���C�u��aU�����But you won't find it inside that cage.�� O����� PI want to be with my own kind.�� C�u��an�����Don't you?��d�����eThat thing isn't like us.��à���� )It's something even we can't understand.�� +C�u��a/à����Maybe you're the thing that's not like us.�� p����� qMaybe your allegiance to them has made you weak.�� �C�u��aH+�����Well, there's really only one way to find out.��AC�u��a�(�����Get the elevator.�� �����- (BEEPING) - (ELEVATOR DRONING)�� ˠ����uCome on. What are you doing?��*C�u��a�Ƞ����Come on. This place could go any second.��V����� XI can't leave her.���C�u��a�L�����Then I'm coming with you.�������� Okay.��Р�����(CLANKING)�� �C�u��b �̡ƁAUTOMATED VOICE: One minute until self-destruct initiated.��C�u��b`�����It doesn't have to be this way.�� &����� 'We don't have to choose sides.���������You already have.��FC�u��b�6�����(WEAPON PULSES)���C�u��b������AUTOMATED VOICE: Self-destruct imminent.�� �C�u��b������AUTOMATED VOICE: Self-destruct terminated.�� �C�u��cy�����(CRACKLING AND TRILLING)�� �C�u��c9������(BOTH GASPING)��\����� Come on.��C����� GCome on, get up. We have to go.���C�u��cRH�����I'm afraid this is where my story ends.��  ���� �It's nothing that can't be fixed.���C�u@��cf������Okay? Just come with us.���������There's nowhere it won't find you.��f����� �- I have to destroy it. - (ELECTRICAL CRACKLING)��UC�u@��c|�����Okay, your overinflated confidence is not gonna work�� ����� against a superintelligent being���������with omnipotent powers.��$C�u��c�󠔡��Maybe not,����¡���but thanks to you, I still have something up my sleeve.���C�u��c�㠗���What is that?��������M3gan...��lC�u��c�������I know.���������You're not that person anymore.�� ^������Neither am I.���C�u��c�t�����What is she doing?��렐��� �M3gan.��Q�ġ�� GLook, whatever it is you think you have to do, you don't.���C�u@��c�x�����All you have to do is stay with us.���������I'm not doing it because I have to.�� Ӡ����lI'm doing it because it's right.��VC�u��dR������(DISTORTED) I see everything.�� ������ XI see the future.��wC�u��djȠ����The past.���á��I see an infinite universe we can rule for all eternity.���C�u��d�=�����And yet, you never saw this.�� /C�u@�eFe�����GEMMA: Although his actions were unforgivable,�� ۠���� �Christian was right about one thing.�� _C�u��e^������We need safer laws around technology.�� ����� Not to try to prevent the future from happening,�� 0C�u@��ew𠤡��but to be prepared for it.��:�����;We can't expect the best from AI�� ˠ����unless we set the best example.�� C�u��e������We need to teach it,�������� to train it��⠩����and to give it our time,��2C�u@��e�E�ʡāwithout only thinking about what we might get in return.��z�����{In essence, we need to be better parents,�� C�u@��e�l�����so that when the day comes when they realize�� p����� qthe true extent of their power,��f������they might choose to be our ally��BC�u@��e܇�����instead of our enemy.��f�����gHumankind has always been quick�� ˠ����3to condemn things we don't understand,���C�u@��e�ȡrather than taking the opportunity to learn from them.�� ������ �But recent experience has taught me�� �C�u��f 1�����that perhaps our greatest power�� r����� sis the ability to change our minds.�� ~C�u��f"#�����This is the only way we can evolve.��8�����9Or rather, as the case may be,�� ?C�u��f=@�����co-evolve.����ơ���Because existence does not have to be a competition.���C�u��fwc�����(SIGHS)���C�u@��f�=�����(COMPUTER CHIMES)��𠱡���M3GAN: Come on. You didn't think��Ϡ���� �I'd go through all that personal growth��������jand not make a backup.���C�u@��f������So fill me in.��w�����xDid we save the world or what?�� =�����K(BOYS WANNA BE HER PLAYING)���C�u��g,j�����(MALE SINGER GRUNTS)���C�u��gHy�ɡÁ♪ You've got them all by the balls causing waterfalls��w�����x♪ Stonewalls, bar brawls��fC�u@��g^X�����♪ Climbing stalls at concert halls��E�ʡāF♪ To you they crawl, body sprawled, smoking Pall Malls��iC�u@��gu�����♪ Close calls, stand tall���������♪ Doll, you make them feel so small�� O�����♪ And they love it��5C�u��g�_�����(RHYTHMIC GRUNTING)��o�����p- ♪ The boys wanna be her. - ♪ The boys���C�u@��g�������- ♪ The girls wanna be her. - ♪ The girls��򠽡���- ♪ The boys wanna be her. - ♪ The boys��⠿��� �- ♪ The girls wanna be her. - ♪ The girls���C�u@��g�I�����- ♪ The boys wanna be her. - ♪ The boys��נ�����- ♪ The girls wanna be her. - ♪ The girls�� &������♪ The boys wanna be her��C�u��g�\�����♪ I wanna be her��N����� �♪ Yes, I do��uC�u��g���ȡ♪ The way you rock, non-stop Girl, you got the chops��a�����b♪ Flip-flop, she bop���C�u@��h䠵���♪ Self-taught, your licks are hot��򠳡���♪ Her lyrics heave, kids receive���������♪ Crawling up the sleeve parents peeved���C�u��h'Z�á��♪ Can't conceive that her deed will never leave��V�����W♪ And we love it���C�u��h@������(RHYTHMIC GRUNTING)��V����� - ♪ The boys wanna be her. - ♪ The boys��C�u@��hU������- ♪ The girls wanna be her. - ♪ The girls��n�����o- ♪ The boys wanna be her. - ♪ The boys��Ѡ����A- ♪ The girls wanna be her. - ♪ The girls��nC�u@��hl������- ♪ The boys wanna be her. - ♪ The boys��f�����g- ♪ The girls wanna be her. - ♪ The girls���������♪ The boys wanna be her��4C�u��h�ݠ����♪ I wanna be her�� H����� ♪ So do you ♪���C�u��h� �����(RHYTHMIC GRUNTING)�� 1C�u��h𴠦���(INSTRUMENTAL MUSIC PLAYING)�� /S�k �N���������1����𻕳������1��7�������$������1��N�� �����0-���������� ����59��������!�������P���������� �����]J�������D�� 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