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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,080 --> 00:00:07,937 We simply must be brave, mustn't we? Heaven knows it'll be hard. It'll be 2 00:00:07,961 --> 00:00:12,177 beastly. But we're strong people, Tony. You and. 3 00:00:12,201 --> 00:00:19,936 I. And what we feel for each other, it'll endure. It will endure. 4 00:00:19,960 --> 00:00:24,977 So I shall stay in my shop, 5 00:00:25,001 --> 00:00:29,697 you and yours. And all I ask is that you don't grow to 6 00:00:29,721 --> 00:00:33,617 hate me. How could I hate you, Madeline? You mean 7 00:00:33,641 --> 00:00:40,417 everything to me. What the hell was that? 8 00:00:40,441 --> 00:00:45,018 Billy, what was that? Just a car backfiring, I think, miss. 9 00:00:45,042 --> 00:00:48,778 That sounded like a pistol. It didn't sound like already pistol. 10 00:00:48,802 --> 00:00:52,818 You alright my bet. Yeah, I'm fine. I think I'm just a bit tired. 11 00:00:52,842 --> 00:00:57,217 Of course, darling. You must be. Tell you what, how about a proper dinner 12 00:00:57,241 --> 00:01:00,418 after this like we used to before the war? 13 00:01:00,442 --> 00:01:05,618 Oh, yeah. That would be wonderful. None of this canteen muk. No offense. 14 00:01:05,642 --> 00:01:09,458 Sandra, are you okay? Yes. Yes, Jesse. I'm fine. Don't fast. 15 00:01:09,482 --> 00:01:14,240 How was my pout at the end? Was it? I could do with a dab, actually. 16 00:01:14,441 --> 00:01:19,457 M only wears victory red. Besame, please. Can we just stop faffing and get 17 00:01:19,481 --> 00:01:22,657 on with it? Mary, thank you. Yes, we do. Right. 18 00:01:22,681 --> 00:01:28,176 Right. At Astra Paraspera, we must have bodies. 19 00:01:28,200 --> 00:01:33,777 Still, stop it. I've got to concentrate. Have quiet. 20 00:01:33,801 --> 00:01:37,937 Love Lawn in London. Scene 28. Take three. 21 00:01:37,961 --> 00:01:43,617 Action. We simply must be brave, mustn't we? 22 00:01:43,641 --> 00:01:47,536 Heaven knows it'll be hard. It'll be feasty. 23 00:01:47,560 --> 00:01:54,161 I was strong for my future. 24 00:01:57,721 --> 00:02:01,121 Oh my. 25 00:02:01,481 --> 00:02:08,817 And this is on his bedroom wall. Rose red and rolled gold. I said to him, 26 00:02:08,841 --> 00:02:14,976 Stewart, Stew, I said, you are just like this paper. You're so strong and modern. 27 00:02:15,000 --> 00:02:19,440 He handled this very role. 28 00:02:19,641 --> 00:02:23,857 Can I touch it? Uh, 29 00:02:23,881 --> 00:02:31,360 I shouldn't really, but um Well, since your extras in my cake shop, 30 00:02:37,080 --> 00:02:42,657 this is the last thing he sees when he gets into bed. Yes. And the first thing 31 00:02:42,681 --> 00:02:48,197 he sees when he gets up in the morning and his hair's all disarranged. 32 00:02:48,221 --> 00:02:50,000 It's 14 shillings. 33 00:02:53,161 --> 00:02:57,696 Tell you what, it's a bit irregular, but um 34 00:02:57,720 --> 00:03:03,056 I could let you have a sample for well six pence, say, and then you could keep 35 00:03:03,080 --> 00:03:07,518 a little reminder of him wherever you go. 36 00:03:07,542 --> 00:03:09,681 Oh, yes. 37 00:03:26,121 --> 00:03:27,937 Keep change. Thank you, 38 00:03:27,961 --> 00:03:33,418 Mr. Book. Didn't expect a welcoming committee. I thought I'd better prepare 39 00:03:33,442 --> 00:03:37,738 you for what? There have been some changes since you went away on your long 40 00:03:37,762 --> 00:03:42,498 errand, Jack. Oh, by the way, it's old Belra's first folio. What do they say? 41 00:03:42,522 --> 00:03:44,737 Is it genuine? As his teeth. 42 00:03:44,761 --> 00:03:48,000 Oh dear. 43 00:03:50,761 --> 00:03:53,696 What the hell? Close. 44 00:03:53,720 --> 00:03:59,616 Hollywood. Or rather, the nearest England can get to it. Yes, Jack. We're 45 00:03:59,640 --> 00:04:04,097 going to be in pictures. All right, then. Let's hear it whenever 46 00:04:04,121 --> 00:04:09,856 you're ready. Life and death. The whole world is here 47 00:04:09,880 --> 00:04:17,040 in this little patch of London town. You going to do it like that? 48 00:04:17,961 --> 00:04:21,858 Life and death. The whole world here in this little. 49 00:04:21,882 --> 00:04:27,377 No, I think we'll just lose the line. I'm already worried about the mustache. 50 00:04:27,401 --> 00:04:30,778 You'll be smashing in the background there. 51 00:04:30,802 --> 00:04:34,736 Let's take 10. 10 minutes all 10 minutes. Billy. 52 00:04:34,760 --> 00:04:38,097 Narina. Rather jumpy this morning, isn't she? 53 00:04:38,121 --> 00:04:41,537 Our dear Sandra. We worked on hours in the picture 54 00:04:41,561 --> 00:04:45,178 business. Narina. Oh, don't I know it. And it must be so 55 00:04:45,202 --> 00:04:49,137 hard to keep that from telling on the faces of your stars. 56 00:04:49,161 --> 00:04:54,016 If you'll excuse me. Just the exteriors are being done here. 57 00:04:54,040 --> 00:04:58,937 You understand? The rest is at Lady Hurst. That's the studios. You see, I 58 00:04:58,961 --> 00:05:03,538 know all the jargon. Who's in it? Morning, Mr. B. Good morning. 59 00:05:03,562 --> 00:05:06,418 Stuart Howard. Yes, ma'am. 60 00:05:06,442 --> 00:05:11,498 I like him. He must pass me by entirely, I'm afraid. He plays the hero. The 61 00:05:11,522 --> 00:05:15,698 idealistic young bookshop owner in love with the girl next door. Did you never 62 00:05:15,722 --> 00:05:20,098 see him in that submarine picture? He went mad and try to throttle everyone. I 63 00:05:20,122 --> 00:05:22,698 mean, it was proper sweaty. A lash. 64 00:05:22,722 --> 00:05:26,978 Well, who else? Patience. You've literally arrived halfway through this 65 00:05:27,002 --> 00:05:33,698 picture, and you've yet to set eyes on our leading lady, who's also Stuart's 66 00:05:33,722 --> 00:05:36,458 fianceé. Is real life fiance. Sandra there. 67 00:05:36,482 --> 00:05:42,098 She's using my room. They can candered my thing so she can do her mascara, sip 68 00:05:42,122 --> 00:05:47,618 her, vishi water, whatever it is these people do. I had a cigarette card of her 69 00:05:47,642 --> 00:05:50,417 before the war, of course. Ah, 70 00:05:50,441 --> 00:05:54,097 Mr. Book. Ah, you're getting too much in your way, I 71 00:05:54,121 --> 00:05:57,057 trust. Not at all. Certainly an education. 72 00:05:57,081 --> 00:06:02,257 Larry Olivier calls film an anemic little medium and such a crashing snob. 73 00:06:02,281 --> 00:06:07,296 For he today would shed his blood with me shall be my brother. Be he so vile. 74 00:06:07,320 --> 00:06:11,298 Cherish when they gave him the Oscar. Jack, this is Mr. Mckendrich. 75 00:06:11,322 --> 00:06:14,258 Delighted. Oh, and here's Nora. The gang's all 76 00:06:14,282 --> 00:06:16,337 here. So, you're the director 77 00:06:16,361 --> 00:06:19,818 and the writer. I thought you'd be older with a monle 78 00:06:19,842 --> 00:06:23,698 and a writing court. Must believe everything you read in the 79 00:06:23,722 --> 00:06:27,058 film magazines, young lady. I've seen you before. 80 00:06:27,082 --> 00:06:30,218 Mr. Mckendendrick had a lot of green penguins from us last summer. 81 00:06:30,242 --> 00:06:33,136 Oh yeah, you look different. It's the shorts. 82 00:06:33,160 --> 00:06:37,098 I'm not wearing shorts. That's why you look different. Yes, you 83 00:06:37,122 --> 00:06:40,178 a very busy bee. As I recall, you're always running about the place, weren't 84 00:06:40,202 --> 00:06:43,296 you, Mr. McGinry? Jesse. Jesse. 85 00:06:43,320 --> 00:06:47,617 Ah, hello, Narina. In search of material for your next article. 86 00:06:47,641 --> 00:06:52,320 Always. Well, the bins around the back. 87 00:06:52,521 --> 00:06:56,177 Aren't you going to introduce me? This is Mr. book from. 88 00:06:56,201 --> 00:07:00,817 Oh, the apostrophe man. They subbed your sign. 89 00:07:00,841 --> 00:07:05,857 I'm trying not to look. Would you by any chance be a member of His Majesty's. 90 00:07:05,881 --> 00:07:08,977 Press? Nina Bean, picture goer. If you have 91 00:07:09,001 --> 00:07:15,440 juicy tits, my door is open. I'll bear that in mind. 92 00:07:20,361 --> 00:07:26,121 Fingers, but they're not real. Don't break a tooth. 93 00:07:35,081 --> 00:07:39,377 It's lovely. And he has this 94 00:07:39,401 --> 00:07:46,976 from his ceiling all the way down to his skirting boards. 95 00:07:47,000 --> 00:07:50,736 Does he talk about her fianceé? 96 00:07:50,760 --> 00:07:54,898 Does he say, "I don't like her anymore. She's too old for me." 97 00:07:54,922 --> 00:07:58,178 No. Does he say she's so old it's like 98 00:07:58,202 --> 00:08:02,257 kissing a leg of mutton? No. She's only 45. Thank you very much. 99 00:08:02,281 --> 00:08:07,138 He says he was very excited about Love Lawn in London from the moment he saw 100 00:08:07,162 --> 00:08:12,497 the script. And he's very excited about married life. Though he also adds, "One" 101 00:08:12,521 --> 00:08:18,818 "must keep an open mind because who knows what fate may throw you away." Hear 102 00:08:18,842 --> 00:08:26,320 that, Barbara? Heavens go it back. Barbara 103 00:08:27,001 --> 00:08:32,881 home is the hunter. Oh my god. 104 00:08:44,121 --> 00:08:47,121 Heat. 105 00:09:02,361 --> 00:09:05,361 Heat. 106 00:09:17,481 --> 00:09:20,481 Hey, 107 00:09:30,841 --> 00:09:33,841 hey, hey. 108 00:09:50,281 --> 00:09:53,281 Uniform. 109 00:09:54,281 --> 00:09:57,281 Inspector, 110 00:09:57,321 --> 00:10:03,058 is this a sad one, Morris? Well, cuz I've been up all night with the razor 111 00:10:03,082 --> 00:10:06,577 blade case. So, all right, let's have it. Film struck 112 00:10:06,601 --> 00:10:11,537 girl extra dead on the counter. It's suspicious. I've shut down filming for 113 00:10:11,561 --> 00:10:15,218 the time being. Have the parents been informed? 114 00:10:15,242 --> 00:10:20,497 Yes, sir. Uh, she and her family didn't get on. Her friend said that's why she 115 00:10:20,521 --> 00:10:23,520 spent so much time at the uh pictures. 116 00:10:25,001 --> 00:10:29,297 Inspector book. 117 00:10:29,321 --> 00:10:34,080 We are at home to death, it seems. 118 00:10:34,281 --> 00:10:38,321 Oh, they're upstairs. 119 00:10:47,561 --> 00:10:52,496 Royal appointment. What are they keeping from us, Stuart? 120 00:10:52,520 --> 00:10:59,857 All this waiting is making me tired. Perhaps one should have a mask made. 121 00:10:59,881 --> 00:11:06,417 A mask? The permanent RT smile. 122 00:11:06,441 --> 00:11:14,441 They can do wonders with makeup. Now have Boris Carlo's number if you'd like. 123 00:11:16,841 --> 00:11:24,841 Dearest Miss Dare, you don't know me, but I'm your most devoted admirer. 124 00:11:26,200 --> 00:11:30,176 I wonder what they'll think. Loveorn in London. 125 00:11:30,200 --> 00:11:32,097 Who? Them. 126 00:11:32,121 --> 00:11:35,936 They'll buy it. They love us, don't they? Both of us. 127 00:11:35,960 --> 00:11:40,321 They'll throw bottles at the screen. 128 00:11:45,080 --> 00:11:49,297 Do you know what they shouted at the test of brief encounter? 129 00:11:49,321 --> 00:11:54,817 Why doesn't she just kiss him? Only they didn't say kiss. 130 00:11:54,941 --> 00:12:00,036 Relax, darling. There'll be another smash by the nation's most blissfully 131 00:12:00,060 --> 00:12:07,637 engaged couple. Remember? And what a long engagement it's been. 132 00:12:07,661 --> 00:12:12,277 Oh god, I can't wait to be back at the studio. Haven't you enjoyed a little 133 00:12:12,301 --> 00:12:15,518 field trip? If we're back at Lady House, it gets 134 00:12:15,542 --> 00:12:19,878 that dreadful narina bean out of my air. The studio has gates. 135 00:12:19,902 --> 00:12:25,478 Fire breather of picturegoer. You know when you lift a stone or a 136 00:12:25,502 --> 00:12:31,238 branch and suddenly all these ghastly, filthy, damp little monstrosities are 137 00:12:31,262 --> 00:12:36,597 exposed to the daylight, scrabbling back into the shadows. Well, beneath them are 138 00:12:36,621 --> 00:12:41,958 even worse filthy, damp little monstrosities. 139 00:12:41,982 --> 00:12:46,437 And under there is Narina be sure been rather sweet to me. 140 00:12:46,461 --> 00:12:49,397 Mhm. Well, 141 00:12:49,421 --> 00:12:52,677 we got good news for her, don't we? Do we? 142 00:12:52,701 --> 00:12:54,958 Deliveries. Oh, 143 00:12:54,982 --> 00:12:59,378 our new three picture deal. Picture go exclusive. 144 00:12:59,402 --> 00:13:00,901 Well, 145 00:13:01,341 --> 00:13:08,661 what do you want? Barley sugar boy. I'm afraid there's been an accident. 146 00:13:18,221 --> 00:13:23,476 The contents of a handbag. Melancholy, isn't it? Evidence of a 147 00:13:23,500 --> 00:13:28,500 little life spilled on the floor. 148 00:13:30,701 --> 00:13:36,757 Oh, what's this? You kiss your excess lipstick onto your 149 00:13:36,781 --> 00:13:40,276 favorite star. I am takes all sorts. 150 00:13:40,300 --> 00:13:44,596 This interests me. May I? Mhm. 151 00:13:44,620 --> 00:13:51,077 Very carefully rammed. Tenderly, I'd say. 152 00:13:51,101 --> 00:13:56,036 Well, they are still on the rationale. They look expensive. There are only 153 00:13:56,060 --> 00:13:58,276 coppers in this purse. Troty. Yes. 154 00:13:58,300 --> 00:14:04,677 Did they have money, these girls? Very little. So they didn't buy them. 155 00:14:04,701 --> 00:14:09,396 I didn't notice the production reviving fancy confectionary. 156 00:14:09,420 --> 00:14:14,517 No, the ferns bring them. Letters and presents. Sad little things 157 00:14:14,541 --> 00:14:20,197 they've knitted. They're left through there. Billy brings them up to them. 158 00:14:20,221 --> 00:14:25,781 Actually, he had a box of chocolates with him just now. 159 00:14:26,781 --> 00:14:31,476 Puncture mark. Barbara was breathless. Troty. Yes. 160 00:14:31,500 --> 00:14:35,141 Yes. And twitchy 161 00:14:35,740 --> 00:14:41,860 strictly. Oh, hell's bells. 162 00:14:49,581 --> 00:14:53,557 Poor girl. Someone's been at these. 163 00:14:53,581 --> 00:14:58,438 Oh, darling. You shouldn't You You don't know where they've been. 164 00:14:58,462 --> 00:15:00,998 Stop it. It's poison. Don't be absurd. They're by royal 165 00:15:01,022 --> 00:15:04,438 appointment. I'm afraid it's true, sir. You You You didn't have any, did you, 166 00:15:04,462 --> 00:15:06,478 mister? Oh, uh, no. No. 167 00:15:06,502 --> 00:15:11,157 What about you, Mr. Howard? No. Not good. Have you ever received chocolates 168 00:15:11,181 --> 00:15:14,338 like this before, mister? Uh, yes. All the time. My fans know 169 00:15:14,362 --> 00:15:17,377 they're my favorite, but I never eat them. 170 00:15:17,401 --> 00:15:22,138 It seems reasonable to assume then that you were the intended victim. 171 00:15:22,162 --> 00:15:26,218 Intended victim? What does he mean, intended victim? 172 00:15:26,242 --> 00:15:31,138 We're investigating the death of Barbara Malcolm. Yes, that unfortunate young 173 00:15:31,162 --> 00:15:32,736 woman. Yes. 174 00:15:32,760 --> 00:15:38,496 Oh my god. I have been sent some strange things in my time, but I would anyone 175 00:15:38,520 --> 00:15:42,778 want to kill me? Billy, who gave you these chocolates? 176 00:15:42,802 --> 00:15:48,098 Nobody. They were just with the usual mail. I always have to deal with it. 177 00:15:48,122 --> 00:15:51,658 Well, anyone could have got at them. And Barbara and her friend presumably did. 178 00:15:51,682 --> 00:15:54,818 Jesus Christ. We could have both died. What were you thinking about bringing 179 00:15:54,842 --> 00:15:57,218 that muck up here? Sorry, Mr. Howard, but you told me to 180 00:15:57,242 --> 00:15:59,936 bring Don't answer me back. 181 00:15:59,960 --> 00:16:04,320 Going need to find myself a new assistant. 182 00:16:05,561 --> 00:16:10,577 You all right, my love? It's a brutal question, mister, but I'm 183 00:16:10,601 --> 00:16:14,897 afraid it must be asked. Do you have any idea who might want to 184 00:16:14,921 --> 00:16:18,257 kill you? Can't this wait? 185 00:16:18,281 --> 00:16:24,097 Yes, of course. He'd excuse us. Sir, out. I need to remind you that this 186 00:16:24,121 --> 00:16:30,721 is an official murder investigation. Don't talk to the press. 187 00:16:48,601 --> 00:16:54,817 There once was an actress called Dare whose allure was exceedingly rare. Her 188 00:16:54,841 --> 00:17:00,337 chocolates were spiked with strictening, not nice. But it was Barbara that ate 189 00:17:00,361 --> 00:17:06,097 them. Not fair. I hope we did the right thing letting 190 00:17:06,121 --> 00:17:09,056 those people into the lane. Why did she? 191 00:17:09,080 --> 00:17:13,936 I'm afraid it was money. Yes, my love. Those little pieces of 192 00:17:13,960 --> 00:17:17,618 paper that keep us out of the small claims courts. 193 00:17:17,642 --> 00:17:19,857 How much? 20 guineies 194 00:17:19,881 --> 00:17:22,097 per week per DM 195 00:17:22,121 --> 00:17:26,081 for 10 DMs. 196 00:17:27,800 --> 00:17:33,058 The devil's going on out there? Bobby's swimming about like the cup final. 197 00:17:33,082 --> 00:17:36,258 Ah, Mrs. Goodwin. Yes. I'm afraid there's been an 198 00:17:36,282 --> 00:17:39,937 accident. Oh. Oh, nothing to do with Sandra Dare. 199 00:17:39,961 --> 00:17:43,858 I hope. I heard she was in the neighborhood. Oh, so that's why we're 200 00:17:43,882 --> 00:17:45,978 here. Always been a fan. 201 00:17:46,002 --> 00:17:49,657 They don't want to hear about your juvenile antics, woman. 202 00:17:49,681 --> 00:17:53,018 Miss Dale is perfectly sound, I'm happy to say. The scarlet pimpanel you heard 203 00:17:53,042 --> 00:17:56,017 from us last time, wasn't it? I trust you enjoy it. 204 00:17:56,041 --> 00:17:59,777 Oh, very much. I promised you the sequel. 205 00:17:59,801 --> 00:18:02,818 I'm teeing off at quarter 2. Sorry. 206 00:18:02,842 --> 00:18:04,738 Thinking I will repay. 207 00:18:04,762 --> 00:18:07,578 What? That's the sequel to The Scarlet. 208 00:18:07,602 --> 00:18:09,937 Pimpanel. Jack. Oh. Um, 209 00:18:09,961 --> 00:18:14,657 underneath Hardy Perennials, the biography of Danton and the stack of 210 00:18:14,681 --> 00:18:18,658 unpaid bills. Got anything on uh how to cook? 211 00:18:18,682 --> 00:18:23,776 I beg your pardon. That's what she needs. Can hardly boil a ruddy egg. 212 00:18:23,800 --> 00:18:26,737 How are your feet? Oh, how much better. 213 00:18:26,761 --> 00:18:31,040 Oh, I'll wait in the car. 214 00:18:31,321 --> 00:18:36,817 Ah, that's just a bob. Oh, and I put this to one side, too. Uh, on the house. 215 00:18:36,841 --> 00:18:41,776 What is it? Oh, just a little play. Ipsson, A Doll's House. It's about a 216 00:18:41,800 --> 00:18:47,521 woman who realizes she's rather trapped, unfulfilled. 217 00:18:47,561 --> 00:18:51,776 Thought you might find it enlightening. Thank you, 218 00:18:51,800 --> 00:18:54,800 Serio. 219 00:18:56,841 --> 00:19:00,177 How's business been? Booming. 220 00:19:00,201 --> 00:19:04,417 Goodbye to Bullin. All the Steuart Howard fans are mad for it. 221 00:19:04,441 --> 00:19:10,561 Is he in the film version? That's what I'm telling them. 222 00:19:10,841 --> 00:19:15,617 I uh better unpack. Oh, Jack, be a darling and fetch my bag 223 00:19:15,641 --> 00:19:22,016 from my room, would you? It's the green one with the amber class. 224 00:19:22,040 --> 00:19:25,040 Right. 225 00:21:03,081 --> 00:21:06,578 You really think someone tried to kill me? 226 00:21:06,602 --> 00:21:11,217 It really looks that way. Good God. At least we'll be back at Lady. 227 00:21:11,241 --> 00:21:15,258 Hurst tonight. You sure you're okay to shoot? 228 00:21:15,282 --> 00:21:20,256 Have to be, won't I? Dear dream, silly me. My memory. Sandra, are you 229 00:21:20,280 --> 00:21:27,537 ready? Ready? My exclusive. Oh, excuse me. Um, I promised an 230 00:21:27,561 --> 00:21:33,697 interview, Harold. Um, Marina, I can give you two minutes. 231 00:21:33,721 --> 00:21:40,481 Necessary evil. I suppose one must feed the machine. Mr. 232 00:21:40,761 --> 00:21:45,841 Ah, finally. 233 00:21:47,260 --> 00:21:51,637 If you piece of kite, you know my motto. If nothing nice to 234 00:21:51,661 --> 00:21:58,756 say, come and sit by me. And here you are, sitting by me. 235 00:21:58,780 --> 00:22:02,517 Ah, yes, but I do have something nice to say. Narina. 236 00:22:02,541 --> 00:22:10,037 Oh, Love Lawn in London is the first of a new three picture deal. 237 00:22:10,061 --> 00:22:14,597 A deal Stuart and I have signed on for. Isn't that marvelous? 238 00:22:14,621 --> 00:22:18,437 Marvelous. And you're shooting interiors at Lady. 239 00:22:18,461 --> 00:22:23,797 House, aren't you? Not exactly MGM, is it? Ped. Oh, it'll 240 00:22:23,821 --> 00:22:27,797 do nicely. You know the place though, don't you? 241 00:22:27,821 --> 00:22:33,518 Made plenty of pictures there in the past. Like the one where you played the 242 00:22:33,542 --> 00:22:35,877 simple crafter's daughter who married a duke. 243 00:22:35,901 --> 00:22:39,558 Yes. And the one where you played a simple 244 00:22:39,582 --> 00:22:43,877 fisherman's daughter who married a dude magnet. 245 00:22:43,901 --> 00:22:49,158 Yes. I always forget what dude is. It's a kind of fiber. People make bags with 246 00:22:49,182 --> 00:22:53,278 it. What's the first film you made there, 247 00:22:53,302 --> 00:23:00,756 Sandra? At Lady Hurst. H um I don't know. Uh 248 00:23:00,780 --> 00:23:05,478 springtime for Mary, I think. Oh, about a simple blacksmith's daughter 249 00:23:05,502 --> 00:23:08,661 who married. All right. 250 00:23:08,780 --> 00:23:13,797 I think it was quite a bit before that. Do you know our readers would be 251 00:23:13,821 --> 00:23:19,637 fascinated to learn that not all Sandra Dear's pictures were talking pictures? 252 00:23:19,761 --> 00:23:26,057 I love those old inter titles. Came the dawn and all that. 253 00:23:26,081 --> 00:23:31,897 Or I can check the date later. Dear Dre, that is your real name, isn't it? The 254 00:23:31,921 --> 00:23:38,297 one you used to go by. Dear Pedock, perhaps you should 255 00:23:38,321 --> 00:23:43,017 concentrate on the present Narina. Where? 256 00:23:43,041 --> 00:23:47,480 Someone is trying to kill me. 257 00:23:57,360 --> 00:24:02,658 Jesse and I are taking Sandra for supper. Try to take her mind off things. 258 00:24:02,682 --> 00:24:06,457 If that's not inappropriate under the circumstances. 259 00:24:06,481 --> 00:24:10,698 Well, one must eat. Where are you going? Wheelers? 260 00:24:10,722 --> 00:24:14,038 No, Camille's on the Strand. Good choice. 261 00:24:14,062 --> 00:24:15,801 Don't have the oysters. 262 00:24:16,081 --> 00:24:20,377 I saw them taking that girl away. I assumed it was an accident. 263 00:24:20,401 --> 00:24:23,497 Poison chocolates. Really? 264 00:24:23,521 --> 00:24:29,576 And they were intended for me. And that poor sad girl intercepted them. Oh god, 265 00:24:29,600 --> 00:24:35,576 how's that for an exclusive? Tragic. And what an angle. 266 00:24:35,600 --> 00:24:40,697 Oh, sorry. That was crash of me. But still, 267 00:24:40,721 --> 00:24:44,937 what an angle. Well, there's your story, Narina. 268 00:24:44,961 --> 00:24:49,258 Are you ready, darling? Oh, yeah. I was just leaving. 269 00:24:49,282 --> 00:24:53,096 Congratulations on the new contract, Stuart. 270 00:24:53,120 --> 00:24:56,360 Thank you. 271 00:24:56,641 --> 00:25:03,561 Much to chew on. Always lovely to see you. 272 00:25:04,721 --> 00:25:09,657 Bust the Lady Hursties in 5 minutes. 5 minutes everyone. 273 00:25:09,681 --> 00:25:13,880 What are you waiting for? The last post. 274 00:25:13,921 --> 00:25:18,297 Mr. Masterson son, what a pleasure to see you again. 275 00:25:18,321 --> 00:25:25,721 Lena Bane looking lovely as ever. What can I do for you? 276 00:25:29,921 --> 00:25:34,360 Here we go. Guitar. 277 00:25:38,821 --> 00:25:43,597 We met through um picture goer. Me and Barbara, I mean there's lots of 278 00:25:43,621 --> 00:25:47,838 correspondents. You see, like minded folk finding each other. 279 00:25:47,862 --> 00:25:52,157 Some aren't to their fans. Some and the other big names, too. 280 00:25:52,181 --> 00:25:57,558 There's a hairdresser I know who's putting on James Mason. 281 00:25:57,582 --> 00:26:03,718 But you know, Stuart was our favorite. That's why we Why we chose to get jobs 282 00:26:03,742 --> 00:26:08,316 as extras to get close? You're doing very well, my dear. 283 00:26:08,340 --> 00:26:12,621 You admit to taking the chocolates? 284 00:26:13,700 --> 00:26:17,196 Yeah. I'm awfully sorry. We just couldn't 285 00:26:17,220 --> 00:26:22,637 resist them. We saw them there on the table in the bookshop. And I mean, 286 00:26:22,661 --> 00:26:27,757 chocks, come on. It's been years. They were through there. 287 00:26:27,781 --> 00:26:34,141 Yeah, just through there. What did you do with the note? 288 00:26:35,141 --> 00:26:38,556 Note? Well, there was obviously an enclosure 289 00:26:38,580 --> 00:26:43,117 of some kind. It's not there now. What did you do with it? 290 00:26:43,141 --> 00:26:48,781 I I I I didn't see any note. 291 00:26:51,301 --> 00:26:55,661 It was over there. Look on the table. 292 00:26:55,861 --> 00:26:59,517 It's funny how easy it is to get close to them. 293 00:26:59,541 --> 00:27:05,081 Sally Gray once brushed past me in the powder room at the Walsingham. 294 00:27:05,106 --> 00:27:12,037 You opened the box. Maybe the card fell out. Do you have back issues? 295 00:27:13,861 --> 00:27:16,157 Picture girl. I mean, of course. 296 00:27:16,181 --> 00:27:22,941 January 35 onwards. Would you be so good as to let us have them? Of course. 297 00:27:27,541 --> 00:27:31,421 I know that look. 298 00:27:35,381 --> 00:27:40,381 Oh, dog. You a naughty boy. 299 00:27:40,580 --> 00:27:44,157 This succession. 300 00:27:44,181 --> 00:27:49,917 Well, I wouldn't say session, sir. He gives you full pay for that. 301 00:27:49,941 --> 00:27:56,717 He does. He really can't. You're sure he knows about that? Yeah, 302 00:27:56,741 --> 00:28:01,278 he does know where we are. Thank you, Miss Bruce. You've been most 303 00:28:01,302 --> 00:28:05,277 helpful. Uh uh, Constable. 304 00:28:05,301 --> 00:28:08,541 Thank you. 305 00:28:14,661 --> 00:28:17,661 Well, 306 00:28:18,100 --> 00:28:23,597 oh Stuart, oh Stewart, my love, there's so much I want to say to you. From that 307 00:28:23,621 --> 00:28:29,357 moment on the submarine, I knew your look of concentration, your strength, we 308 00:28:29,381 --> 00:28:35,757 were destined to love each other. Ship of shame. Good picture, that one. 309 00:28:35,781 --> 00:28:39,661 They were meant for him. 310 00:28:39,861 --> 00:28:46,076 We imagine we control our passions, but they direct us to the stars. We strive 311 00:28:46,100 --> 00:28:51,117 despite adversity. They drive ordinary people to extraordinary actions like 312 00:28:51,141 --> 00:28:55,997 like injecting strict mean into strawberry creams. 313 00:28:56,021 --> 00:29:01,837 So Stuart, my own best darling, I implore you not to try. Follow your 314 00:29:01,861 --> 00:29:07,917 heart. Break off your engagement and we can be together, you and I, my sweetest 315 00:29:07,941 --> 00:29:15,941 boy, in life or in the cold, cold tomb of death. And if one proves impossible, 316 00:29:16,100 --> 00:29:21,037 I'll take the other joyously. Well, that seems pretty clear. If the 317 00:29:21,061 --> 00:29:25,598 writer can't have him, nobody can. So, we're looking for a film fanatic. 318 00:29:25,622 --> 00:29:30,358 Fanatic being the word. That would be the obvious explanation. 319 00:29:30,382 --> 00:29:35,580 All right, then. Bring me up to speed. What do we know about this film, Mil? 320 00:29:35,781 --> 00:29:39,676 Stuart Howard, proof that smoldering Latin looks 321 00:29:39,700 --> 00:29:43,117 sometimes occur spontaneously in Burman's. 322 00:29:43,141 --> 00:29:47,997 He and Sandra have bound their careers together, the nation's sweethearts. 323 00:29:48,021 --> 00:29:54,078 But hope can know the truth of it. He's an actor and he's young and ruthless and 324 00:29:54,102 --> 00:29:59,278 rather over rewarded and appears to be hopelessly in love with someone else. 325 00:29:59,302 --> 00:30:01,037 Who? Himself. 326 00:30:01,061 --> 00:30:05,718 Then there's the Honorable Jesse Mckendrich. He lived in rooms on the 327 00:30:05,742 --> 00:30:09,398 lane last year just for a few weeks. Rich boy slumbing it for the summer. 328 00:30:09,422 --> 00:30:12,357 Ran up and down like a billy goat. He was always pounding the streets in his 329 00:30:12,581 --> 00:30:16,038 cells. Left when it got cold, ran straight back 330 00:30:16,062 --> 00:30:20,118 to daddy's place in Wiltshire, I think. I'm sure I looked it up. 331 00:30:20,142 --> 00:30:24,797 And then we must presume wrote his script on the private lives of the 332 00:30:24,821 --> 00:30:26,918 proletariat. Thank you so much for joining. 333 00:30:26,942 --> 00:30:30,518 Good neighbor, was he? Didn't pay much attention to be honest. 334 00:30:30,542 --> 00:30:34,238 I find that hard to believe. Well, he was obviously taking notes on 335 00:30:34,262 --> 00:30:37,518 how to run a bookshop. And Miss Dash, she had a rich husband 336 00:30:37,542 --> 00:30:41,318 who died, didn't she? Italian national. Is that why they went to the States? 337 00:30:41,342 --> 00:30:45,158 Well, if they'd stayed, he'd have been interned as an enemy alien, so I suppose 338 00:30:45,182 --> 00:30:49,038 they preferred the California sunshine. That's made me think rather better of 339 00:30:49,062 --> 00:30:52,558 her. I thought she was just running away from the bombs. 340 00:30:52,582 --> 00:30:54,618 What about Billy? Clapper boy. 341 00:30:54,642 --> 00:30:59,258 Positions, please. And from the look of it, Stuart Howard's 342 00:30:59,282 --> 00:31:04,538 now exhipping boy. Doesn't seem to be much love lost there. They pose a lot, 343 00:31:04,562 --> 00:31:09,976 don't they, these film stars? Why is he marrying her? Do you think to 344 00:31:10,000 --> 00:31:13,641 shows she's still here? 345 00:31:16,720 --> 00:31:20,377 Thank you. Uh to show she knows what the audience 346 00:31:20,401 --> 00:31:25,576 wants. Stuart Howard's just arrived at the top, ain't he? Sergeant's been there 347 00:31:25,600 --> 00:31:29,336 for years, but she can only stay there for so long. 348 00:31:29,360 --> 00:31:33,561 Very perceptive of you, Jack. 349 00:31:33,681 --> 00:31:39,336 What a brutal business this is. It captures people in time, then they 350 00:31:39,360 --> 00:31:42,360 change, 351 00:31:42,480 --> 00:31:47,818 and it mocks them for it. Right. I'm going to get on to the film 352 00:31:47,842 --> 00:31:52,698 security people. See if anyone saw who dropped the chocolates off. What will 353 00:31:52,722 --> 00:31:56,617 you do now? Jack and I are taking this note to 354 00:31:56,641 --> 00:31:59,641 dinner. 355 00:32:20,961 --> 00:32:24,681 Is that what I mean? 356 00:32:30,480 --> 00:32:35,801 Jesus Christ. Me? You. 357 00:32:36,081 --> 00:32:39,976 You have no idea how draining it is, Mr. Book. 358 00:32:40,000 --> 00:32:44,137 Glad handing. Scribbling one's autograph. Failing to 359 00:32:44,161 --> 00:32:49,178 recognize someone whom you apparently met at a village fate 10 years ago. And 360 00:32:49,202 --> 00:32:53,818 the smiling. Great god. The smiling. This is simply the next step. They can 361 00:32:53,842 --> 00:32:58,360 only love one so much. And there's only one way to go from there. 362 00:33:04,980 --> 00:33:09,718 Can I bloody well eat after that? Well, a crazed fan is only the most 363 00:33:09,742 --> 00:33:13,958 obvious theory, but we don't like to be obvious, do we, Jack? 364 00:33:13,982 --> 00:33:18,278 What? Oh, uh, no. No, we don't. So, if I might repurpose the inspector's 365 00:33:18,302 --> 00:33:21,917 earlier question, can you think of anyone who might want to kill you, Mr. 366 00:33:21,941 --> 00:33:24,157 Howard? Take your ready pick. 367 00:33:24,181 --> 00:33:29,998 There's quite a lot of angry ladies out there, not to mention their husbands. 368 00:33:30,022 --> 00:33:34,918 Several road tailor, producers, directors, writers, my ex-agent, my 369 00:33:34,942 --> 00:33:39,277 exx-agent, uncle Tom Conway and all. What about prison? 370 00:33:39,301 --> 00:33:42,958 What? You started to eat your dinner with your 371 00:33:42,982 --> 00:33:46,237 spoon. Ah, old habits. 372 00:33:46,261 --> 00:33:52,076 Dead giveaway. Takes one to no one. 373 00:33:52,100 --> 00:33:58,558 I was younger than you. Nothing too terrible. But I shouldn't like it to get 374 00:33:58,582 --> 00:34:04,060 into the popular press, Mr. Book. I should think not. 375 00:34:04,741 --> 00:34:08,077 Where'd they get you for? I went for a drive. 376 00:34:08,101 --> 00:34:11,756 Where? Through a fer's window in Mayfair. You 377 00:34:11,780 --> 00:34:17,658 went to the bank to make a withdrawal. With a stocking over your face? 378 00:34:17,682 --> 00:34:19,500 Yeah. My mother's. 379 00:34:19,540 --> 00:34:23,837 I'm a Burmany boy, Jack. Rough as a sailor's ass 380 00:34:23,861 --> 00:34:27,901 despite all of this. 381 00:34:28,340 --> 00:34:33,277 Do you think it could have something to do with that? The prison? 382 00:34:33,301 --> 00:34:37,358 Well, as you've indicated, it's a wide field. Tell you what, why not take on 383 00:34:37,382 --> 00:34:39,638 young Jack here as your new factom? Huh? 384 00:34:39,662 --> 00:34:42,638 No harm in having a strapping young fellow like him hanging around. And you 385 00:34:42,662 --> 00:34:46,398 are looking for a new assistant. Yeah, I can't. I've already got a job at 386 00:34:46,422 --> 00:34:49,237 the bookshop. I'm sure I can spare you for a few days. 387 00:34:49,261 --> 00:34:51,517 And you know how Nola loves to help out. Well, 388 00:34:51,541 --> 00:34:54,798 spend it. Yes, it's a good idea. You know, Mr. 389 00:34:54,822 --> 00:35:00,158 Book, you should all come to Lady Hurst. Help us get the details right and uh 390 00:35:00,182 --> 00:35:04,898 keep an eye on things. We'll be delighted. Thank you for these. 391 00:35:04,922 --> 00:35:06,701 I'm a film star. 392 00:35:08,181 --> 00:35:12,077 You all right? Yeah. 393 00:35:12,101 --> 00:35:16,397 Oh, wouldn't I be? I'll leave you to it then. Let me know 394 00:35:16,421 --> 00:35:21,277 if anything interesting turns up. Oh, be careful. There is a killer on the 395 00:35:21,301 --> 00:35:24,957 loose. Good night. 396 00:35:24,981 --> 00:35:31,421 Good night. Yes, sir. What's your poison? 397 00:35:43,540 --> 00:35:47,981 Varsity sporting review. 398 00:35:49,141 --> 00:35:52,621 There you are. 399 00:36:21,461 --> 00:36:26,157 What's this? Come on. It's usually around now that 400 00:36:26,181 --> 00:36:29,821 you dain to share. 401 00:36:30,821 --> 00:36:35,837 Three things then. Who would benefit from Lavlon in London collapsing? What 402 00:36:35,861 --> 00:36:39,918 was missing from that box of chocolates was lying there with all the other fan 403 00:36:39,942 --> 00:36:41,798 mail. But no envelope. 404 00:36:41,822 --> 00:36:47,117 Top of the class, Mrs. Book. So unless the envelope was disposed of, 405 00:36:47,141 --> 00:36:50,558 the chocolates didn't arrive by post. So anyone on the film set could have put 406 00:36:50,582 --> 00:36:54,078 it there. Precisely. And finally, the chocolate 407 00:36:54,102 --> 00:36:58,237 method, haphazard though it was, has been tried and failed, which means 408 00:36:58,261 --> 00:37:01,997 whoever's behind this is going to try again. What are you 409 00:37:02,021 --> 00:37:05,038 going to do? We're invited to the film studios 410 00:37:05,062 --> 00:37:09,516 tomorrow. And Jack has a new job. The Stuart Howard stand in. 411 00:37:09,540 --> 00:37:13,500 When are we going to tell him? 412 00:37:13,540 --> 00:37:18,637 Not yet. Shall I read? 413 00:37:18,661 --> 00:37:22,717 Well, I know how you enjoy it, so I'll humor you. 414 00:37:22,741 --> 00:37:26,141 But then. 415 00:37:28,901 --> 00:37:34,717 Oh, there it is. Been ftting about that since we moved my 416 00:37:34,741 --> 00:37:40,957 stuff to accommodate the stars. Then fret not, dear. And recall our 417 00:37:40,981 --> 00:37:44,461 solemn pack 418 00:37:49,461 --> 00:37:56,077 of fancy. I've seen some D in my time, but this 419 00:37:56,101 --> 00:38:00,476 so dirty, so shady. 420 00:38:00,500 --> 00:38:06,941 The pansies in my garden abhore the shade. 421 00:38:07,301 --> 00:38:14,476 Right, sir. It is sir. Is it? Let's find you on my 422 00:38:14,500 --> 00:38:21,277 list. Name, occupation, marital status. 423 00:38:21,301 --> 00:38:25,357 Engaged. Who are you? 424 00:38:25,381 --> 00:38:31,278 Medical officer stro with Perry. Troty to my friends. Late for the Gary Baldi. 425 00:38:31,302 --> 00:38:35,518 Brigade. And I don't mean the biscuits. I can pull out shrapnel. I can strip it 426 00:38:35,542 --> 00:38:38,638 to shanker in under two seconds. And I want to pull it south of the erbo, which 427 00:38:38,662 --> 00:38:43,517 I wouldn't recommend even to you, Sergeant. And I never ever leave a man 428 00:38:43,541 --> 00:38:46,478 behind. He's sitting there. And I'm getting 429 00:38:46,502 --> 00:38:51,918 married to him next Saturday. And the chief constable's daughter is one of our 430 00:38:51,942 --> 00:38:56,458 bridesmaids. So if I were you, I'd just admit the error right away and cross him 431 00:38:56,482 --> 00:38:58,780 off your list. What say you? 432 00:39:04,101 --> 00:39:08,077 Saturday all right for you? Forecast is good. 433 00:39:08,101 --> 00:39:11,741 Quite all right. True 434 00:39:14,901 --> 00:39:17,901 me. 435 00:39:18,341 --> 00:39:21,341 Uh-oh. 436 00:39:21,381 --> 00:39:27,037 Where would I be without you? I think we both know the answer to that, 437 00:39:27,061 --> 00:39:30,301 my love. 438 00:39:32,500 --> 00:39:37,277 Anyway, you were going to read. 439 00:39:37,301 --> 00:39:40,540 Of course. 440 00:40:04,341 --> 00:40:10,236 She's noticed you. Yeah, they always noticed me. Girls 441 00:40:10,260 --> 00:40:14,158 doesn't mean anything. It's like when kids point a dogs in the 442 00:40:14,182 --> 00:40:16,118 street and say, "Dog?" Yeah. 443 00:40:16,142 --> 00:40:19,757 Well, you getting married soon, sir. They've seen it in a column by Lena. 444 00:40:19,781 --> 00:40:22,718 Bean. But let me tell you something, Jack. 445 00:40:22,742 --> 00:40:24,918 I've never gone down at one knee to anyone. 446 00:40:24,942 --> 00:40:27,918 Sandra, what the question ended? I can imagine that. 447 00:40:27,942 --> 00:40:32,238 Most of the questions are from a business manager. 448 00:40:32,262 --> 00:40:36,637 Oh, so you've got an arrangement then. 449 00:40:36,661 --> 00:40:42,038 Shouldn't drink so much, should I? Yes, an arrangement. But we all have those, 450 00:40:42,062 --> 00:40:46,158 don't we? You have one with Book. Book has one with Mrs. Book if we're talking 451 00:40:46,182 --> 00:40:50,301 about unusual marriages. Why' you say Book's marriage is unusual? 452 00:40:50,421 --> 00:40:53,677 You'll like him book. How? 453 00:40:53,701 --> 00:40:59,101 Cuz you read. Just go on, read, mate. 454 00:41:00,341 --> 00:41:04,381 Well, um, 455 00:41:04,661 --> 00:41:09,838 you keep coming here cuz you think this is the sort of place that film stars go, 456 00:41:09,862 --> 00:41:15,318 but here's the thing. You don't like it here. You hate it. And you hate that 457 00:41:15,342 --> 00:41:19,037 drink, too. It's like a pudding from the war. 458 00:41:19,061 --> 00:41:24,558 So, you're thinking, "How can I be the chap I was?" You know, before I knew 459 00:41:24,582 --> 00:41:28,318 that the camera loved me, which is a terrible thing to know. It's all cracked 460 00:41:28,342 --> 00:41:31,518 up to be. Can you believe that? Yeah, I wouldn't mind a bit of it. 461 00:41:31,542 --> 00:41:35,658 Careful what you wish for, son. Got someone sending me poison in the post. 462 00:41:35,682 --> 00:41:37,181 Remember, 463 00:41:37,221 --> 00:41:43,597 I was a bit stuck when I met Sandra. Type cast, not officer material. They 464 00:41:43,621 --> 00:41:48,557 said it was a problem. Kid. Sandra changed that. She pulled strings, 465 00:41:48,581 --> 00:41:53,516 whispered in ears. Producers started casting us as lovers. We were lovers by 466 00:41:53,540 --> 00:41:57,357 then, of course. Do you love her now? 467 00:41:57,381 --> 00:42:01,421 Well, I don't hate her. 468 00:42:02,581 --> 00:42:04,637 You want to be your own man? 469 00:42:04,661 --> 00:42:09,398 Of course I do. But it's impossible, isn't it? We're a pair like Hope and 470 00:42:09,422 --> 00:42:12,438 Crosby, Fred and Ginger, Garbo and Gilbert. 471 00:42:12,462 --> 00:42:18,118 Except he left, didn't he? What? John Gilbert didn't survive when the torpies 472 00:42:18,142 --> 00:42:23,037 came. Yeah. So it's all an act then. You and her 473 00:42:23,061 --> 00:42:27,117 golden couple. All an act as much an artifice as Stuart 474 00:42:27,141 --> 00:42:30,621 Howard himself. 475 00:42:30,740 --> 00:42:36,317 Film is for dreamers. You see Jack when you sit there in the dark has to be 476 00:42:36,341 --> 00:42:43,117 space for you up there in that kiss. No scenes in the moonlight standing by 477 00:42:43,141 --> 00:42:48,398 the rail of a ship. You just read in the fan mags that the screen lovers have 478 00:42:48,422 --> 00:42:52,637 broken off the engagement. Can't stand to be in a room together 479 00:42:52,661 --> 00:42:57,020 and there's no space to dream. 480 00:44:37,941 --> 00:44:43,917 Scene 49, take eight and 481 00:44:43,941 --> 00:44:47,677 action. It was then I knew we had fallen in love 482 00:44:47,701 --> 00:44:53,117 from the pages of a book. But was that love strong enough to thrive out in the 483 00:44:53,141 --> 00:44:58,157 teeming world? Uh, can we um try it again without him reading in? I can do 484 00:44:58,181 --> 00:45:04,141 it in time. Yes, of course. Reset. 485 00:45:05,301 --> 00:45:09,437 Rolling. Sundra and 486 00:45:09,461 --> 00:45:12,461 action. 487 00:45:20,981 --> 00:45:27,117 I'm so sorry, Jesse. Uh, can I beg? 10 minutes. Siggy will sort me out. 488 00:45:27,141 --> 00:45:31,357 Cut it there. Cutting it there. 489 00:45:31,381 --> 00:45:36,301 10 minutes old. Back at five. 490 00:45:36,981 --> 00:45:41,981 Is that coffee, sir? No. Thank you. 491 00:46:18,260 --> 00:46:21,341 Come along. 492 00:47:18,500 --> 00:47:25,020 Eric Pival Banks. She's she's been married before. 493 00:47:43,381 --> 00:47:48,637 Good morning. You're up early. Oh, 494 00:47:48,661 --> 00:47:52,461 I thought you might want a tea. 495 00:48:12,581 --> 00:48:17,661 Hey kid, you want to be in pictures? 496 00:48:19,861 --> 00:48:22,637 Your name's not on the list. Who are you? 497 00:48:22,661 --> 00:48:26,198 We're antiquarian book sellers. Isn't it obvious? 498 00:48:26,222 --> 00:48:30,956 And I know we're being extra vigilant, Jerry Love, but bear with me. 499 00:48:30,980 --> 00:48:34,141 All right. 500 00:49:00,181 --> 00:49:04,038 What's this? The address of Barbara Markham's 501 00:49:04,062 --> 00:49:06,476 parents. I'll go visit them. 502 00:49:06,500 --> 00:49:11,516 No, no. There's the inquest first. Just write them a kind letter. 503 00:49:11,540 --> 00:49:15,677 I will. Thanks, Book. 504 00:49:15,701 --> 00:49:21,181 You boys in for the biggest surprise of your lives. 505 00:49:21,701 --> 00:49:28,797 Keep going. Better this way. More dramatic. 506 00:49:28,821 --> 00:49:34,701 Jordi, can I get some lights on, please? Yes. 507 00:49:39,621 --> 00:49:44,236 Amazing. It's absurd. 508 00:49:44,260 --> 00:49:49,516 Ridiculous, bizarre exaggeration of reality. 509 00:49:49,540 --> 00:49:54,317 It is wonderful. What a thrillingly peculiar life you 510 00:49:54,341 --> 00:49:58,317 lead, Mr. Howard. It's an imitation of life. 511 00:49:58,341 --> 00:50:02,557 Dog's blanket, but no dog. 512 00:50:02,581 --> 00:50:08,077 Is dog cast yet? Yeah. Not much cop. No screen presence. 513 00:50:08,101 --> 00:50:15,061 Think of a good replacement. Yeah, I can. 514 00:50:17,381 --> 00:50:22,877 Cans of cash. Your Tony's a better book seller than I am. 515 00:50:22,901 --> 00:50:29,117 It's fake. I like everything in here. Well, I'm glad you had a chance to look 516 00:50:29,141 --> 00:50:33,198 before the hordes arrived. Let's get some breakfast. Canteen's in the next 517 00:50:33,222 --> 00:50:36,621 block. Aon McDuff. 518 00:50:42,181 --> 00:50:45,037 It's just past the dressing rooms. 519 00:50:45,061 --> 00:50:50,078 Do you know what you're doing next? Or another Robin Hood remake? I mean, I've 520 00:50:50,102 --> 00:50:53,901 got the pins, right? Oh my god. What? 521 00:50:58,901 --> 00:51:02,540 It's one of the extras. 522 00:51:11,221 --> 00:51:17,260 No, I think not. 523 00:51:17,941 --> 00:51:21,740 It's Nina Bean. 524 00:51:30,181 --> 00:51:34,540 The girl with the poison pen. 525 00:52:10,101 --> 00:52:13,101 Yeah. 526 00:52:15,061 --> 00:52:18,061 Yeah. 47870

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