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Alegre e Feliz 1937
Subtitles: (AI) Translation Of The English Language
The golden voice and the twinkling toes, is
my daughter Once a pale and sickly child
Weak in the limbs and hardly able to
walk Until she started to take Indian Wizard
Oil Show me Hitchcock Kelly And
now you might ask What brings a physician
of my reputation Away out here to Western
Pennsylvania?
These visavors don't look like they're going to
spend a dime Oh, they'll spend all right
when Paul gets wound up Paul gets a
white pants to a coal miner At any
cost, just the same I'm going to see
that each and every one of you Can
enjoy the benefits of this remarkable oil I'm
going to pass out sample bottles absolutely free
My daughter, my little daughter Will go among
you like a ministering angel Give it away,
Sally, give it away From now on, folks,
you've got no cause To go around dragging
one foot after the other Laugh right back
at life Be as light on your feet
as a young gazelle Thanks You know, you're
the best-looking ministering angel I've seen in
a long time And one up here, young
woman, as long as it's free Thank you
And now Chief Yellow Cloud will pass among
you And collect a small sum of 25
cents Not for the oil, mind you Merely
to cover the cost of the bottle Keep
good Big Chief says so Keep good Hey,
just a moment, sir This compound of yours
is nothing but plain, ordinary rock oil Why,
this stuff comes from here, seeps right through
our ground Young man, you don't know what
you're talking about I know rock oil when
I smell it You wouldn't know the sight
of a bar unless it hit you Who
told you you were smarter than the Indians?
It's got nothing to do with the Indians
It's got nothing to do with the Indians?
Did you ever see a white man turn
a flip-flop at the age of 84?
You just saw Chief Yellow Cloud do it,
didn't you, smart aleck?
And now I'm going to ask Chief Yellow
Cloud to give me another exhibition of his
strength I'm going to ask him to take
you by the nap of the neck And
throw you off this square Don't hurt him,
Peter Hurt him?
Chief!
Chief!
Chief!
Chief!
Chief!
Chief!
Chief!
Where are you?
Stop, Sally!
You're from Jeepers!
Talk like an Indian, you fool!
Let me down!
Let me down!
He said it was good for anything.
Got some place to put your horse?
We ain't even got some place to put
ourselves.
The girl could sleep on the sofa in
the parlor, and the two men could lie
up in the stable.
Well, well, this is a great kindness, madame.
But you'll have to leave right after breakfast.
I ain't running a hotel.
We ain't asking for charity, Pop.
Jump in.
We'll take the girl in front.
With pleasure, with pleasure.
Pop, out of the...
Oh, I could get in by myself if
I wanted to.
You mean to say you're going to accept
favors from a man who said your medicine
was rock oil?
Shut up.
It is rock oil.
Oh, you're up.
Good morning.
Who's this?
That's my mother, Peter's great-grandmother.
I was married in that dress, too.
I wish I had my mother's wedding dress.
Oh, you've got so many pretty things.
I guess a house is a good thing
to have, isn't it?
Don't you think it's time you was getting
dressed?
Oh, is this late?
It's going on seven o'clock.
Morning's half over.
Oh, it's just like a picture book out
there.
Cows and sheep and pretty white doves.
A farm's hard work from sun up to
dark.
What's that thing?
Looks like a window without sails.
Ain't nothing that sensible.
It's something they call a derrick.
And my grandson's out there fooling with it,
and he ought to be clear in the
north meadow.
He's digging way down in the ground for
rock oil.
I thought he was a farmer.
He is, but he's got this crazy notion
about oil now.
Says he's gonna keep the poor man warm
and light up every little shack in the
country.
Oh, die.
The most beautiful woman in the world just
kissed me.
She's been in and out of this hayloft
all night.
Here's your things.
Oh, I'm gonna look at you.
Thank you, Mrs. Cortland.
You better hurry up and get dressed now.
I'm gonna give you and your father and
that other fellow your breakfast, and then I'll
have done my Christian duty.
From then on, you must ship for yourselves.
Yes, ma'am.
Hello, Oscar.
Want your breakfast?
Yes.
Tweet, tweet, tweet.
High, wide and handsome I'm riding wide and
high Run, little horsey, run Just so you
can play High, wide and handsome I'm riding
wide and high Run, little horsey, run Just
so you can play Good for you.
You pick up a tune quick.
Always did have a good ear.
You got a mighty pretty voice too, Mrs.
Cortland.
Mighty pretty.
Are you trying to get around me?
Because if you are, don't do your mighty
good.
You can tell me I had a voice
like an Italian prima donna.
You'd still have to be out of this
house within the hour.
I know.
I'm riding wide and high Run, little horsey,
run I'm
riding wide and high Run, little horsey, run
High, wide and handsome I'm riding wide and
high How far are you now?
About 30 feet.
And you can skim all the rock oil
you need right off the top of the
crib.
Not all I want.
I ain't trying to get it all just
for myself.
Who are you trying to get it for,
Peter?
Maybe for people in Philadelphia.
Philadelphia?
Yeah, and Boston, and Baltimore, and Pekin, and
Constantinople.
Awful lot of people in them places.
I suppose you'll have to be getting more
help pretty soon, I reckon.
That's what I figure.
Sober up, Davey.
Get on that bow wheel, Lamb, and lower
away.
All right, Peter.
Zee, come in here and give me a
hand.
Guide that drill.
I bet they hit China before they hit
oil.
Watch that drill hole, Shorty.
There's likely to be a bunch of little
Chinese girls pop out of there any minute.
You put the other clamp in.
All right, now go ahead.
Go ahead.
That's it.
What's the matter?
That's it.
Come on.
Steady.
Steady, Lamb.
Put you on your toes.
We're all set, Peter.
Hey, Gabby, get on that control.
All right, Peter.
Lamb, kick it over.
Come on!
You made it work.
Yep, looks like it'll do all right.
It'll be quicker than the old foot drill.
I don't like to bother you, but I've
got a message from your grandma.
She says you've got an old hay wagon
maybe you don't need.
Yeah, I've got an old broken wagon, that's
all.
Well, I was thinking maybe if you don't
need it, Pa could fix it up for
us to use.
You see, we ain't got a wagon or
nothing now.
It'll take some time to make anything out
of that old wagon, won't it?
A couple of weeks, Pa, I think.
I could help your grandma in the kitchen.
She says it's all right with her if
we stay, so long as it's all right
with you.
Yeah, it's all right with me.
Enjoyed your dancing last night, Miss Patterson.
Wasn't surprised to hear the wagon catch fire.
Almost busting the flames myself.
See, you're kind of smart, ain't you?
I ain't as smart as Cortland there.
You know what he's doing?
He's digging up enough oil for all the
people in the world.
Well, maybe that's a pretty good thing to
do.
Well, I don't think all the people in
the world has got rheumatism or jaundice, or
whatever your pop said rock oil was good
for.
Some of us don't need it.
Blockheads don't know what it's good for, maybe.
Blockheads ain't figured out that maybe you can
light lamps and make stoves go with rock
oil.
That's good.
Lighten all the lamps in Philadelphia and Peking,
China, with rock oil from Peter Cortland's farm.
Get out of here, Red.
Yeah, I guess maybe I better, before I
start getting queer IDs myself.
See you later, Miss Watterson, on the other
side of the fence.
Who told you?
Tell me what?
About this, what I'm aiming at.
Oh, I just kind of figured it out
for myself.
You've been talking to Grandma.
Maybe.
Come to think about it, she did say
something about you having a daffy notion in
your head.
You think it's daffy?
Yes, I think it's daffy, pretty daffy.
Looks like it might be a good idea
for everybody to get back to work instead
of wasting a lot of time over a
lot of silly jabbering.
And if you're going to earn your keep
by helping Grandma, why don't you go and
start in?
You can't talk bossy to me like that,
Mr. Cortland.
I ain't used to it.
And I ain't used to being told I'm
daffy.
You ain't?
Well, it's about time somebody told you.
Right snippy little piece, ain't she?
She is kind of snippy.
To fool a simple maiden Whose heart with
love was laden To fool a simple maiden
Whose heart, whose heart with love Her lust
was laden Then she runs off the stage
crying.
And is that the end?
No, he marries her at the end.
Oh, I like comic opera.
I loved the one I saw.
Lamb's sake, look at that sun.
Red as a tomato and right on top
of the hill.
Peter hasn't fed the stock yet.
I'll feed him.
You think you can?
Of course I can.
All right.
Now that's for the chickens and that's for
the horse.
Right.
You just throw it to them, don't you?
That's all.
Hello, chickens.
I'm bringing you your dinner today.
What's the matter?
What are you running away for?
Mercy me.
I said throw it to them, not at
them.
Ah.
Why did you come to the well every
morning If not to laugh at me?
Oh, no, Suzetta.
I would not laugh at you.
Oh, the love you need, oh, oh, oh
Are you not to see how easy it
was To buy a container?
Mommy!
First time I've ever seen a pig have
music with his nails.
I reckon you don't know much about pigs.
No, but I'm learning.
Well, hi, White and handsome.
How are you coming along, Pop?
Oh, we'll have her finished on time.
You work too hard.
I'll bet Sally would be glad to get
away from here.
Do you think so, Mac?
Sure.
She's always fighting with that Cortland fella.
She hates the sight of him.
You know human nature, don't you, Mac?
From A to Z.
You must have skipped W.
Women come under W.
Well, why did you come up this side
today?
I went by the barn to see how
Pop was getting along.
You're late this morning.
Well, I peed around a half hour earlier
than usual.
Seem like you're awful late.
Here's your vinegar, Slang.
Thanks.
Good.
You going Friday?
Yes.
Pop says the wagon will be ready by
then.
Oh, I love it up here on this
hill.
Just the same, I bet you're hankering to
get back on the road.
Oh, I don't know.
It's been kind of fun living in a
house and cooking in a real kitchen.
I surely will miss your grandma.
Oh, I've got to get back too.
She'll be mad and I'll get out if
I don't.
Oh, don't go yet.
I want to ask you something.
It's about Thursday night.
They're having a kind of jamboree over duck
lip and cuts and...
Oh, yes, your grandma told me.
I was thinking, I don't know, it might
not be very exciting for you.
But I was wondering whether...
You want me to go to the dance
with you?
Yeah, that's what I'd like.
Well, I'd love to go, Peter.
Will you?
Of course I will.
Well, I've got to get back to work
now.
The picture.
Now, listen to those birds sing.
They don't usually sing this time of day.
Don't they?
No.
Well, goodbye.
First couple out to the right and swing.
All other couples keep walking in a ring.
Balance ain't an old age thing.
One fellow man and a right-hand man.
Swing your swing, let's swing another game.
I like your dress.
Grandma made most of it.
I'll see how you did all that work
in one day.
Oh, it took four days.
But I didn't ask you until yesterday.
I'm sorry to see that the tone of
this here gathering ain't as high as we
like to keep it in our socials around
here.
Oh, you mean Red Scanlon.
Well, as long as he behaves himself.
No, I'm referring to that medicine show gal
your grandson brought here, Mrs. Cortland.
By the way, Mr. Stark, what do you
hear from that brother of yours at the
penitentiary?
His term for horse stealing's about up by
now, ain't it?
Everybody up for the kissing game?
King William was King James' son And love
that royal race he sprung He wore a
star upon his breast To show that he
was royal best He wore a star upon
his breast To show that he was best
Go choose your east, go choose your west
Go choose the one that you like best
If he's not here to take your heart
Go choose another, go choose another Go choose
another with all your heart It's only a
game, Peter.
It's only a game, Peter.
What's the fuss about?
She's been kissed before, ain't she?
Wasn't she with the medicine show?
Looks like we're going to have some fun.
Somebody pull him apart!
Peter, look out!
Peter, look out!
Give me a sign in the air, Peter!
That's the way to do it!
Let me go.
Let's finish this fight fair.
That's what I want to do.
Take him to the house and hold him
there till Peter goes.
Do you want to send the girl away,
too?
Easy, Red!
We ain't tore this yet, Cortland.
Remember that.
I don't leave no fights unfinished.
All right, Cortland, all right.
We'll have to ask you to leave, Peter.
Let him go, boys.
Come over and apologize to Mrs. Lippincott tomorrow,
Peter.
That was a good one you gave me.
This is a shortcut home.
Oh, it's beautiful here.
Yep.
Apples.
I got kind of scared when you were
fighting.
I thought he was hurting you.
Thanks for getting scared.
Oh, I love it here.
Can we sit here and talk a while?
Uh-huh.
The air smells so sweet.
I...
I think you're sweet.
Let's go on.
We'll get to the sea, maybe.
Are you going tomorrow for sure?
Uh-huh.
It's been nice having you here.
Your pa always cracking jokes and you singing
songs and everything.
Oh, we like being here.
Oh, I...
I guess you'll be glad to get back
on the road.
First thing you know, you'll forget all about
us.
Maybe.
Think you'll forget about us?
Maybe.
In a couple of years.
Shut your eyes.
And feel the moonlight.
It's like you were drowning in silver.
And once we walked in a moonlit dream.
Can I forget you?
Or will my heart remind me How sweet
you made the moonlight feel?
Feel the glory of your kindness.
And moonlight bathed in a veil of rain.
But I want you back again.
I'll take this.
It's not heavy.
You...
You know what we said about forgetting in
a couple of years?
Well, I don't think I'll ever forget you.
I'll take this.
Goodbye.
Goodbye.
And there was something I wanted to tell
her.
Then why didn't you?
Why don't you?
Go away!
Hey, come on!
Get off!
Get off!
Just a moment, won't take long.
Let's see from here.
No, I don't like that.
Oh, there it is.
I like that much better.
Yes, that's the one.
Now, smile as though you were happy.
Lovely.
Now, don't move.
Steady.
One, two, three, four, five, six, seven, eight,
nine, ten, eleven, twelve, thirteen, fourteen, fifteen, sixteen,
One, two, three, four, five, six, seven, eight,
nine, ten, eleven, twelve, thirteen, fourteen, fifteen.
That's it!
Thank you!
Mariah, I'll have no shilly-shallying.
Mariah, don't wait until tomorrow.
Mariah, but get dressed up with your bombazine
and go to the church in the village
green.
Mariah, I can't wait to marry you.
Will you make my apple red beat?
Will you take my song to the bar?
Don't forget that you're a handyman around the
bar.
I'll have no shilly-shallying.
Mariah, I'll have no shilly-shallying.
Mariah, don't wait until tomorrow.
Mariah, but get dressed up with your bombazine
and go to the church in the village
green.
Mariah, I can't wait to marry you.
Where are we going?
I want to show you something.
We shouldn't go off like this.
Why don't you start arguing with me right
off the bat?
I'm out of breath.
Good, then I can do all the talking.
Do you want to know what I brought
you up to show you?
Yes, what?
It's going to be right here.
What's going to be right here?
The house I'm building for you.
Peter!
It can be painted white.
If you like white houses, I hope you
do.
Oh, I love white houses.
And I love you for wanting to build
it for me up here on our hill.
But darling, you've got a house.
Oh, Grandma's staying in that one.
She says a young couple ought to be
along.
Come on, sit down.
I'll tell you about it.
I was up here this morning staking the
whole thing out.
Where's it from Portugal, I mean?
Oh, it's going to be a beauty.
Runs across here, thirty feet, and faces south.
Oh, Peter.
We'll make changes as any family will But
we will always be called The folks who
live on the hill Ah, Veranda will command
the view of meadows green The sort of
view that seems to want to be seen
And when the kids grow up and leave
us We'll sit and look at that same
old view Just we two, Darby and John
Who used to be Jeff and Jill The
folks who like to be called What they
have always been called The folks who live
on the hill What's
this?
What is that?
Look at it!
You are welcome.
Look at it gushing.
It wasn't so crazy after all.
Men, run and look down the road.
Wow, Peter.
Come on.
This pouring all over our property?
I don't know what this mad part's saying.
Mrs. Cortland, I am sure it would have
met with his approval.
That'll go sky high.
I'll be rich, perfect.
Why is this lazy plan?
Look at him run!
There'll be a fine spell over land options
now, Mrs. Cortland.
What?
Oh, try to get rich quick.
Hey, Sally!
Sally!
Sally!
Oh, Sally, darling!
Darling, looks like you brought me good luck.
Everything's going to be different from what we
figured.
Peter, look what you've done.
Oh, never mind that.
You can have anything you want now.
But I've got everything I want.
Right here.
Look at it.
MOCUSSAMA This
oil business very
definitely concerns us.
It concerns here in Philadelphia.
Our Wall Street friends in New York.
Our other associates in Cleveland and St. Louis.
In fact, clear out to San Francisco.
They all agree this may be one of
the big industries of the future.
So, I think It's high time we went
to Western Pennsylvania and took control of it.
Getting control of an industry, Mr. Brennan, takes
time and a lot of money.
It certainly does, yes.
That is, unless someone thinks of a shortcut.
Meaning?
Well, these oil fields are owned by a
group of hard-headed farmers.
They won't sell out.
But their oil is no good unless it's
refined.
They can't get it to the refineries unless
they use our railroads.
So, if we keep raising the freight rates,
we lower their profits to a vanishing point.
Well, you gentlemen have certainly heard of a
little game called freeze-out.
Good morning.
Good morning.
Same thing every day.
Paying a lot of men to come up
here and do nothing.
We can't start building your house less than
we know front from back.
We just got started working with Mr. Cortland
and then he had to go.
Said it was something awful important.
My husband's a very busy man these days.
I guess you better tell your men to
go on home.
Guess that's all we can do, Miss Cortland.
I'm sorry.
Come on, boy.
Hey, Lem.
Lem!
Have you sorted all that correspondence on the
railroad rates?
Yes, here it is.
And I want everything else from the Brennan
offices in Philadelphia.
Oh, you ain't human, Peter.
Look at that clock.
The roosters will be crowing soon.
Never mind.
Now get me what I'm asking for.
Then you can go home.
I gotta have my facts dead straight before
I tackle Mr. Walt Brennan and company.
And that's the worst of the evils these
strangers have brought with them.
The shanty boat.
It's time the God-fearing people of this
county took action.
These gamblers and women and whiskey sellers are
gonna be driven off the creek.
Get out!
There, that's for you, son.
Thank you, honey.
So this is the sporting life in Titusville.
Here's the fellow I was telling you about,
Peter Cortland.
The one who's been making all the trouble.
Mr. Brennan, my name's Cortland.
We had an appointment.
Sure, sure.
Sit down, Cortland.
Mr. Brennan, we gotta have an understanding about...
Wait until the little lady finishes her song.
have another chorus.
Look, Brennan, I didn't come here to listen
to singing.
I'm talking for a group of men who
ship...
4,000 barrels of oil a day on
one of your railroads.
4,000 barrels, huh?
My, my, my.
Think of that.
How this business is growing.
Growing fast enough to be interested in big
business, men.
Yes, Mr. Cortland.
Well, I think it's time men with some
important capital...
came in and organized it.
What about the men who started it?
Put their savings in it, put their hearts
in it...
and built it up to what it is.
I admire them.
What courage.
What adventure.
Have another drink, gentlemen?
Yes, sir, Mr. Cortland, you can well feel
proud of yourselves.
Why, do you know that you're giving your
country a new industry?
You like it, do you?
You like it so well, you want to
add it to your collection.
You've got things a little mixed up.
I'm only interested in railroads.
Yeah, I heard you were.
You're the one who's raising freight rates so
high...
we'll have to shut down our wells.
Why not raise the price of oil?
Because our life and the life of our
industry...
depends on putting out refined oil cheap...
so as the poor man can buy it.
The poor man.
Oh, I see.
Well, Cortland, what's your solution to it all?
Lower your rates.
Let me fill your glass.
Never mind that.
You listen to me, Brennan.
Your rates have got to be lowered.
Well, I'm sorry, Mr. Cortland...
but you must permit me to run my
own business.
That's final, is it?
I'm to go back and tell them you
refuse to change the rates.
No, no, don't tell them that.
I'm going to change them.
I'm going to raise them again tomorrow.
Oh, Sally, that cake's a beauty.
It don't look so bad for a first
cake, does it?
Why, no.
You'll think he'll like my dress, Grandma.
Well, it's ruffled, ain't it?
All you have to do to catch a
man's eye...
is tack on a ruffle somewhere.
Now, when he comes in...
I'll be singing and playing...
and you have the candles all lit.
You think he'll like the cake?
Why, of course he will.
He can't do that.
Does Mr. Brennan own the world?
He thinks he does, him and all his
friends in Philadelphia.
They think the United States of America...
is just a big pie...
for him to cut up and pass around
among themselves.
Ain't it time somebody stopped him?
Ain't it time somebody stood up to him?
We've got to stop him!
We've got to stop him!
I'm glad to hear you feel that way.
I know for myself I expect to be
fighting Brennan...
and people like him to the end.
And I'm glad I don't have to fight
him alone.
Peter.
I'm awfully sorry, honey.
Something extra special came up tonight...
and I couldn't get away.
Waiting, waiting, I must have dropped off to
sleep.
Peter Digger.
Seems there's always something extra special lately.
I know, honey.
I feel terrible about it...
being away so much...
and especially tonight...
you baking that nice cake and everything.
It don't look so good as it did.
I bet it tastes good.
Can we have some now?
Of course you can.
I'll light the candles all over again...
and we'll open the presents and have a
real party.
Oh, you poor thing.
Bet you're so tired you can hardly see.
Oh, I wish you'd give those railroad men
a good licking...
and send them about their business.
Then maybe we could settle down to living.
Maybe we could get started on the house.
I was up on the hill today.
My, it was beautiful.
I don't suppose there's a spot in the
whole world...
where I'd rather build a house.
Can we start it soon, Peter?
Peter.
Now, you thieves...
corruptors and evil-doers...
get off this rotten raft...
and take your women with you.
Get a tour.
Go to the county...
and don't you ever set foot back...
in this land of decent people.
Stop.
Leave me alone.
Get that woman.
I ain't got one job.
Leave me alone.
I ain't got one job.
Peter.
Take her out of there.
Get out.
Get her.
Come on!
Come on!
Come on!
Come on!
Come on!
Come on!
Come on!
All right!
Now you'll drive this carrion over the county
line.
Come on, get a move on!
You can't do that!
This girl can't walk!
Make that Jezebel walk!
Drag her by the hair!
Drag her by the heel!
Come on!
Come on!
Come on!
Come on!
Come on!
Come on!
Come on!
Come on!
Come on!
Peter!
Peter!
Shut up and walk!
Oh, let go!
What is this, Doc?
That woman's off the shanty boat.
We raided them, the rats.
I'm driving them over to Petroleum City, over
the line.
Peter, come on, take her inside.
You can't take her into your house.
A wench off a shanty boat.
Who's telling us who we can take into
our house?
The girl's hurt, she's nearly dead.
She's gonna be taken in here and nursed
until she's well again.
If it ain't too late.
She's got to go across the county line
tonight.
You ain't the law.
Nobody made you judge a right and wrong.
Nobody but yourself.
Bring her in, Peter.
I reckon you don't know what you're doing,
Peter Cortland.
Get your men off of my property stock
and get them off quick.
You're taking this on yourself.
Remember that.
I'm holding you responsible to every church-born
citizen of county.
Put her on the sofa, honey.
And run upstairs and get those two heavy
green blankets in the hall closet.
Mercy!
Who is she?
Where'd she come from?
She's off a shanty boat.
A shanty boat woman?
In my parlor?
She's hurt and she's soaked through to the
skin.
Guess I better heat some water.
High, wide and handsome, a yellow moon above.
Why am I riding high?
Cause I'm riding to my love.
And this is the hat that went with
it, see?
Oh, it's awful pretty.
Do you ever miss all that excitement?
Ain't you ever a little homesick?
I got a home.
I got a husband to think about.
But all you can do is think about
him.
You don't see him very much.
The whole two weeks I've been here he's
been out every day from morning till night.
He's having business troubles.
He's fighting the railroad.
That Mr. Stark.
He's been bothering him too, ain't he?
What do you know about him?
Oh, I heard all the fuss yesterday.
The door was open.
The elders of the church and all coming
up and telling you to throw me out.
Well, don't you worry.
You ain't leaving this house till I say
you're strong enough to go.
That won't be long.
Oh, Sally, you've been so wonderful to me.
I'll never forget you.
Stop talking rubbish.
Here, open your mouth.
I've been thinking about getting a job for
you.
There's a carnival show coming along this route
pretty soon.
I know the man that runs it.
Pop Barge.
He's a friend of Pa's.
But I'd be no good with a carnival
show.
All I can do is sing sad songs
and make people cry after they've had a
few drinks.
But you could learn something, Lovely.
I could teach it to you.
That's my line.
No allegheny, Al.
Uh-uh.
Who's that rascal there?
Who's that steamboat dandy?
Allegheny, Al.
Allegheny, Al.
Fair grease on his hair makes him shine
like candy.
Allegheny, Al.
Is that her?
Is that the woman off the shanty boat?
No, it sounds like Sally's voice.
You mean that's your daughter-in-law up
there singing and dancing to that woman?
Well.
Mercy, I'm late.
I promised Miss Henderson I'd drop in on
her this morning.
Bye, Wilhelmina.
Bye, Miss Ramage.
Penelope.
Be sure and tell Mrs. Henderson and all
the rest of the gossips about the terrible
scandal.
Tell them the Courtlands are practically running a
shanty boat on land.
Wilhelmina.
And the next time I see any of
them, I'll tell them about something I know
that happened on a certain hayride.
That time we all went up to Hidetown.
Just before you met your husband, you was
carrying on with Alf Cotton.
The photographer?
Well, that was more than 30 years ago.
It'd still make a spicy story.
We seem to be hurting ourselves more than
we're hurting the railroads.
We are.
You think so?
You go take a look at the empty
cars off on the railroad side and figure
out what the other side's losing.
Beamer here says they've got so much money
they can hold out from now to doomsday.
That's right.
Now, look here, man.
Just because a couple of...
Mr. Courtland, a porter just come from the
market house.
Says Mr. Brennan wants to see you right
away.
You hear that?
Maybe Brennan's a little tired of fighting, too.
Maybe he don't like his cars being empty
anymore and we like our pumps being idle.
Go over and see him now, Peter.
We'll wait for you here.
All right?
I got an idea.
I'll bring back some good news.
Now, just between you and me, why don't
you give your business to the central refineries
in Pittsburgh?
Your railroad owns that, don't it?
Exactly.
You deal with our refinery and there'll be
certain favors that you'll get to make up
for their high freight rates.
Oh, and the rates wouldn't be hurting me.
They'd just be freezing out the rest of
the fellas.
Say, you catch on quick.
You've got a good head for business.
Well, we didn't know how to figure out.
All it amounts to is plain everyday stealing.
A few men stealing what belongs to a
lot of men.
That happens to be a pretty good definition
of business.
We can't change it, so why try?
Sooner or later, oil's got to be controlled
by a small group of strong men.
Well, might as well be us.
Who do you think this oil belongs to
by rights?
Ones who grab it first.
It belongs to the world.
It's for everybody to benefit by.
You can't tie it up and make it
any price you like.
But I can, and I will.
Not while I've got any breath left in
my body to fight you.
Fight me?
Don't be a fool.
What could you do without the railroads?
How would you get your oil to the
refineries?
Carry it in your hat or roll it
there?
I don't know who you think you're bluffing,
but I do know you can't live without
the railroads.
Fight me, huh?
Well, go ahead and fight.
I will.
John!
John!
What's the matter?
Something wonderful.
Did Brennan give in?
Come in.
What do you see?
Bad weather?
No.
That pipe.
See that rain pipe?
Yes.
See the water flowing through that pipe?
Yes.
Well, it isn't water.
It's oil.
It's oil flowing through a pipe.
Peter, have you been drinking?
Here, sit down.
You think I'm out of my head, John?
Well, I am.
I am from pain and excitement.
I got pipes on the brain.
Iron pipes.
Miles and miles of them.
Carrying our oil.
Clear across the state, right spike into the
refineries.
You mean...
I mean we'll tell the railroads to go
to blazes.
And give Brennan a great big laugh right
in his face.
Gee hoss of that, Peter.
You have thought of something.
Now, Mr. Engineer.
Come on.
Get busy.
Get busy.
Wait a minute.
What's the matter?
What about the cost?
Have you thought of that?
Not to mention the price of the pipe
itself.
Iron isn't butter, you know.
I know that, John.
You begin to draw this pipe on paper.
I'll do the rest.
Peter, you realize that this thing is going
to take every penny you farmers have got.
Maybe more.
Can you afford to take that gamble?
John, we can't afford not to.
Get busy, man.
Get busy.
Wait a minute.
What?
I have to have my map.
Map?
I thought the house was coming down.
Will you slam that front door?
What is that you're bringing up here?
Stars.
What's the matter with you, Peter?
Oh, I must self-deny, Grandma.
I'm King Solomon, wisest of men.
I'm Alexander the Great.
Peter.
Shh.
Peter, stop it.
Look at you.
You're soaked.
Where have you been?
Away from you.
But I'm back.
See?
Back where I want to be all my
days.
Here's the brightest light I ever saw.
Here's the sweetest thing in the world.
Honey, you've had good news.
Things are going your way.
Something's happened, something wonderful.
Something wonderful happened the day you was born.
Where'd you get the apple blossoms?
Oh, they just busted out on me.
I was hurrying home to you, and I
just busted in the bloom.
Tell me, what has happened?
Don't bother me, just be quiet.
Just stay like this for a month of
Sundays, till Judgment Day.
Like this with me.
Close, honey, close.
When you can laugh and be gay, everything's
right for me.
Everything's all right again.
Everything's going to be right from now on.
That's easy.
You just look at me the way you're
doing.
Mr. Cortland!
Mr. Cortland!
Who's that?
I'm from Mr. Thompson's office.
He's got to see you.
Tell John he'll have to wait till tomorrow.
He says he'll lose the whole day unless
you come to see him tonight.
He's got things to ask you.
Says it's important.
Oh.
All right.
Why does John Thompson have to ask you
questions at this hour?
It's about what's happened.
We've thought of a way to beat Brennan.
John and me figured out something.
A way to carry the...
I can't help it, honey.
I've got to go.
There's other men in this thing, and every
day we save means something.
Goodbye, honey.
You get some sleep.
It seems like throwing good money after bad,
Mr. Cortland.
I wish you luck.
Thank you.
That closes out your account, Mr. Stackpole.
Yes, I know.
I'll have all mine.
Not bad.
They said they were going to lay pipe
all the way to their refineries, and I'm
darned if they haven't started it.
That's not funny.
Nothing to laugh at, Mr. Brennan.
Suppose they finish it.
Oh, but they won't, Mr. Marble.
I'll show you something.
This line is the pipe.
Well, why is it broken here?
Well, that, gentlemen, is where Mr. Cortland and
his farmer friends might find the pipe.
Funny if someone bought that entire strip, wasn't
it?
You mean to say Brennan's bought every section
in that 20-mile strip?
All except this one piece, 18.
Who owns that?
Joe Verez, the Greek over at Petroleum City.
The fellow who runs the Hunky Dory.
He wouldn't sell to Brennan.
Says he won't sell to anybody.
He's as smart as they make him.
I wonder what he's after.
Let's go over and find out.
We gotta have that.
Jim Lamb, come along with us.
Let's go.
Well, what do you want from me?
What do you want for your land?
It's like this.
Mr. Brennan say whatever you offer, he pay
more.
Put you in a nice position, don't it,
Joe?
Yeah.
Elegant.
You both got to have it, so somebody's
got to give Joe anything he ask.
Well?
Well, Joe is a gambler.
Willing to give up cash from Brennan if
you give good gambling chance.
You got a fine oil land, Mr. Cortland.
You want my oil wells?
You got a fine land where you never
put the wells.
You mean your hill?
Yeah.
I hear that's a fine property for prospecting.
So I take that in trade for my
land.
You think Joe is smart?
You can't have that hill.
Too bad.
Too bad for pipeline.
Too bad for you farmers lose all you
got.
Look, Joe, that hill means something special to
me.
I promised my wife we'd build our home
there.
Oh, you got a wife.
Well, I know how you feel.
I had a wife once.
She was a wonderful woman.
You better ask for something else, Joe.
Don't bother Joe no more.
Don't like the bargains.
Just make it a yes or no.
Nothing in between, please.
He's got us, Peter.
He can't do that to me.
It's crazy.
He's got the only thing that can save
us.
We don't get his land, we have no
pipeline.
That's right, Peter.
Well, I could offer him a couple of
wells.
He won't take that.
He's too smart for that.
You see, he's an old friend of mine.
It's very important I find him.
Well, it won't do you no good to
see Mr. Bowers now.
We'll be all moved and packing in two
days.
Ten minutes.
But where is he?
Well, he's over having a drink at that
hunky-dory place.
Right over there.
Come on, Patricia.
This is an awful place for you to
come.
Don't you worry about me.
I'm going to get you this job.
There's Pop Bars.
Pop!
Pop Bars!
Sally!
I'm so glad to see you.
I saw your father a few days ago.
He's going to join my show in a
couple of weeks, you know.
Yes, I know.
He tells me you're married and happy.
Say, what are you doing in a place
like this?
I'm looking for you.
I was owed your pitch and they told
me I'd find you here.
Well, it's lucky you found me.
We were just getting ready to leave town.
Pop, this is Molly Fuller.
How do you do?
I'm awful anxious to get a job for
Molly.
We haven't got what you call an opening
with a show.
Oh, well, she'd take anything.
She sings awful pretty.
Let's hear you.
You mean here?
Sure.
Nothing like singing in front of an audience.
Hey, George.
Play something for this lady.
Come on.
He don't like me.
Sure he does.
Can you play Allegheny, Al?
Sure.
Good.
You can play it, honey.
Go on now.
Give it to him.
Steamboat round the bend Round the river bend
Sing louder.
I can't hear you.
Make it a little brighter, Molly.
Play a little faster, will you?
Steamboat round the bend Round the river bend
Brings a scandalous gamblin' man With lots of
money to spend He's a howlin' swell Rare
and tearin' swell Highfalutin' and hard to please
And rough on women as well Who's that
rascal there?
Who's that steamboat dandy?
Allegheny, Al Allegheny, Al That grease on his
hair Makes him shine like candy Allegheny, Al
Allegheny, Al With a white diamond White diamond
Blinkin' on his throat And a sunflower Sunflower
Stinkin' up his coat As a quick kisser
A slick kisser He gets the ladies votin'
Don't you let your gal Meet that steamboat
dandy Allegheny, Al Allegheny, Al Ain't
she great, Pop?
Play it through again, will ya?
We'll make everybody sing Who's that rascal there?
Who's that steamboat dandy?
Allegheny, Al Allegheny, Al That grease on his
hair Makes him shine like candy Allegheny, Al
Meet that steamboat dandy the
contract.
Right now we can get transfer of deed
before everything close up.
Put an ink over here, please.
Just a short letter.
Just say you give Joe the hill and
he give you the land.
What hill is he talking about?
It isn't anything about our hill, is it?
I got to let it go, Sally.
Let it go?
Our hill?
Oh, no, Peter.
No, you can't do that.
There ain't no other way.
I already gave my word.
But our house, Peter.
It's already started.
There are other people to think of, honey.
We've got to have that pipeline.
Pipeline?
Oil wells?
You've thrown away everything for them.
All right.
If it don't mean anything to you, it
don't mean anything to me, then.
Nothing does.
Nothing matters.
Nothing in the whole world.
You better come across the street to attend
the transfer.
She'll feel much better when we come back.
You understand women.
I figure I'm up just a little bit.
Come on!
All is well, Peter.
Brandt's gang shows up.
Fire your gun to signal us.
Who goes there?
Hold on.
Who's that?
Is it you, Peter?
What are you doing with that gun?
Well, Joe Williams was on guard and he
got took with the chill, so I'm taking
his place.
Grandma, next time, ask who goes there.
I did.
Yes, but you shot first and then asked.
It should be the other way around, Mrs.
Cortland.
Oh, all right.
Grandma, I'll have somebody come and take your
place.
Good week's work, Scanlon.
Thanks, General.
Tonight I want to hit them where it
counts.
Do you know the junction where all the
pipes go into one big one?
Down by the bridge.
Yeah, well, if that were busted, it wouldn't
be so easy to put together, would it?
Ain't gonna be so easy to bust.
That's a heavy pipe.
I think maybe I can help you with
this one.
How?
THE CONNER Come
on, come on!
Hurry it up!
Come on, get that chain around that place.
And you fellas over in the brush and
tie him up!
And get that hook around that elbow.
Come on, come on, put some beef into
him!
Come on, it's all right.
Get away from it, get away.
Hurry up, get on there.
All right, Jim.
Get out of the way.
Well, boys, back to work.
When I forget you, whenever...
Who's that?
It's only me, Peter.
Why don't you go to bed?
I don't sleep so well when I do
go to bed.
You could think it was your grandpa sitting
there.
The two stubbornest men I ever knew.
You just won't do the thing you're dying
to do.
Nothing could persuade you to go and get
that girl back.
Mrs. Dr. Lippincott came back from Harrisburg today
and she had news of Sally.
Well?
Seems there's a show in Harrisburg called Bower's
Carnival and Sally's singing in it.
Well?
Well, the whole town's talking about her.
Say she's getting to be the most popular
singer east and west of the Alleghenies.
Why, a man told Mrs. Lippincott...
All right, Grandma, I'm going to bed now.
Going to bed?
You'd better go and get her before she
finds out she can get along without you.
Good night, Grandma.
Good night.
Good night, boy.
Well, gentlemen, suppose we drink to our new
agreement and may we all prosper.
Why don't you drink your champagne, Mr. Lippincott?
I don't feel altogether right.
We promised Peter to see the governor and...
Oh, I wouldn't worry about Peter Cortland.
You've stuck with him long enough.
And what have we got?
Nothing.
What side do you want to play?
On the smart side or the dumb side?
Well, I know what you mean.
And I've got my family to thank for
everything.
Oh, now, Mr. Lippincott, you're talking sense.
Molly, fill Mr. Lippincott's glass.
But, Mr. Brennan, what's going to happen to
the others?
The ones who don't come over to your
Pittsburgh refinery?
They'll be out.
Out in the cold.
What about Peter Cortland?
Peter Cortland's got to be smashed.
As a matter of fact, he's going to
be smashed.
Perhaps you ought to explain that to the
gentleman, Mr. Brennan.
Well, he's got to get his pipe to
the refinery within a time limit.
That's the contract, isn't it?
But the refinery's granted him an extension.
Ah, but suppose their bank doesn't consent to
that extension.
Suppose, for instance, that I'd bought that bank.
Exactly.
Well, that would leave him two days to
complete three miles of pipe.
That would be quite a trick to do,
wouldn't it?
It certainly would.
Quite a trick to do.
THE FOURTH DAY Look, Mr. Brennan.
That's him, all right.
Ladies and gentlemen, again we are about to
offer to you the pride of the Bowers
Carnival, the little lady who has already conquered
your hearts with her flood of golden songs.
I have the honor of presenting to you
once more the Pennsylvania Meadowlark, You've
got five minutes to get dressed and start
from the train.
I'll have a hat at the entrance.
Go get your clothes on.
Scoot.
Hurry up, Sal.
Molly.
Sally, my darling.
It's good to see you.
Sally, I've got some news for you.
What news, Molly?
Your husband, he's in trouble.
Peter?
In trouble?
Your daughter isn't much of a quick-change
artist, is she?
I'll see what's keeping her.
You, Mr. Bonham?
Of course I am.
I got a message for you.
She ain't coming.
Who ain't coming?
Sally, Miss Watterson.
She had to go somewhere else.
What are you talking about, young woman?
She's driving to Titusville.
By herself?
Why, that takes all night.
Titusville?
Why in blazes is she going to Titusville?
Is the girl crazy, throwing away a future
like I just offered her?
Can anybody give her a future in Titusville?
Maybe somebody can.
Maybe somebody.
TITUSVILLE Good
afternoon,
Colonel.
How are you, Peter?
What do you think of the time we're
making?
I tell you, in one week we'll have...
Bad news.
You haven't got a week.
You've only got until tomorrow.
But, Colonel, you know it ain't humanly possible
to finish by tomorrow.
It's three miles around this cliff.
And besides, you promised me the extension.
I know.
It's the bank.
They threatened to call in my mortgage if
I gave you the extension.
But, Colonel, that was...
You see, the bank has a new owner.
Brennan?
Yes.
I'm sorry it ended like this, boys.
I wanted to see you win.
But I guess it just isn't in the
cards.
Sorry, boys.
That means I call the men off, don't
it?
No.
Put them back to work.
Make them work like devils.
Even devils couldn't lay that pipe to the
refinery in less than a week.
You do as I tell you.
That's what you're being paid for.
The trouble is we ain't being paid, Peter.
These men have been paid nothing for the
past two weeks.
They've been working because they've been promised pay
when the pipe started to earn money.
It ain't gonna earn money now.
I guess we all know that.
It's no use, Peter.
There's nothing more we can do.
Why is I'm going back to work?
Who's with me?
All right, we're all licked.
Let's crawl home like a pack of licked
curdogs.
There ain't going to be any pipeline.
Just a lot of iron rusting and rotting
in the earth.
It's too bad we don't lie down ourselves
and rot.
We ain't men, we ain't nothing.
What was I trying to do anyway?
Who did I think I was?
Who cares?
Peter!
Peter!
Sally, how did you get here?
I came down for Mary.
I came to warn you.
They're going to hold you to your time
limit.
Yes, I know.
Look.
You're men quitting?
That's where we're all quitting.
Not you, Peter.
You don't know what it is to quit.
I'm beginning to learn.
But the pipeline.
You've given up everything for it.
That's why I made a fool of myself.
You knew I was a fool, too.
Oh, no, Peter.
You showed me what you thought of me
and my notions, didn't you?
And you were right, too.
No, Peter, I was wrong.
Anybody's wrong who runs away from things.
I can't bear to think of you running
away.
I'd expect you to fight until you dropped,
until you didn't have enough strength in your
body to move, not to turn tail and
run home.
Look, that ain't like you, Peter.
Well, what do you want me to do?
What have you got to do?
It's three miles around that cliff to the
refinery.
It'd be a miracle if there ain't that
much pipe in less than a week.
They tell me I gotta do it in
a day.
I can't do it, you understand?
Nobody can do it.
I can't make the pipes fly over that
cliff or climb over.
I can't.
I...
Climb over.
If the rock would hold, we could pump
it up.
You thought of something.
Can't talk to you now, Sally.
Hey, Phil!
Phil!
Get out of Spike and Hammer.
We're hanging the pipe to the cliff.
Hang it straight over the hill.
It's worth a try, boys.
Come on!
Peter, I'm going with you.
No, no, Sally, you stay here.
I can't take you.
Come on, guys!
Come on, boys!
Come on!
Bring out Spike and Hammer.
Right in here.
Snap that hammer.
Tie that crevice.
That'll hold it all right.
Yeah.
Phil, we could rig up a block and
tackle and pull the men up so they
can drive in these spikes and run the
pipes clamped to the top.
That's a pretty high cliff to climb.
I know that, but we can make it.
Only...
Only we need more men.
We do that.
And where are we going to get them?
How many more men do you need, Peter?
At least as many more as we have
now.
I know.
I know where I could get them.
Where, Sally?
Never mind.
You put your men to work.
I'll get you some help.
All right, boys, let's get started.
All right, come on, boys!
Bring your equipment over.
All your spikes.
Now bring him down.
Come on, come on!
Come on, come on!
Hey, take care of his teeth.
Bye.
Where's Mr. Brennan?
What is it, Scanlon?
Portland's up to something we ain't counted on.
I thought we'd counted on everything.
Not this.
Just by Adam's Bluff.
You know down there by the pass?
Yes.
They're pushing the pipe right up over it.
Over the top?
Yeah.
Red, we've got to stop that.
You better get your men to get it.
All right, you better come too, Mr. Brennan.
All right.
Hey, Jack, Jerry, get in here.
Where are you going, Red?
Adam's Bluff.
Portland again.
Oh!
Come on, let's go!
All right, boys!
Get your bow whips!
Come on, get going!
Come on, get that team out of here!
Come on, boys, get going!
Hey!
Hey, look!
To the
other side.
Protect this pipe.
Every pipe.
Come on!
Come on!
Get up that cliff from them pipes already!
It was a great fight, but we still got work to
do.
We've got to finish that pipeline!
Come on!
Well, your time's nearly up.
Well, it isn't 12 o'clock yet.
You see,
the pipe here isn't what he's after.
He's got to have oil in his tank.
You can't make it, Portland.
You've only got two minutes.
Start your pumps!
Start the pumps!
Start the pumps!
You can't make it.
You see?
Your pipe doesn't help you.
Gotta be oil.
Transcription and translation (AI) from de English Language, by Kasamaruti/GM JUL 2025
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