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1
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Hey, Mrs. Kipnis, I got a nice workshop
for you here.
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Thank you.
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Thank you.
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Excuse me.
5
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Thank you. Thank you very much.
6
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Thank you.
7
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Thank you very much. And welcome to the
show. Gary.
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I'm just going to do the opening
monologue.
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Okay, Eddie, you're up.
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Welcome to the show.
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Give me a couple of veal chops.
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You got it. Welcome to the show. Oh,
man.
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With no more than an eighth of an inch
of fat on it. Welcome to the fat. Oh, I
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cannot.
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I can't do an opening monologue here.
Anything you say, Eddie, because you're
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the guy.
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No, you're the guy.
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You know who that is? I think that's
Eddie King.
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Honey, I think that's Eddie King.
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Who's Eddie King? Oh, you're cute.
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Eddie King had his own variety show in
the 50s, and he had that catchphrase,
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You're the guy.
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You're the guy?
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You're the guy. Yeah, sure.
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Just like Marty Allen had, Hello there.
And Jackie Gleason had, Away we go.
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And Jerry Lewis says, Because of Eddie
King, people used to walk around saying,
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You're the guy. You're the guy. Really?
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For those of you who don't watch Star
Search, that's my butcher.
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he got past the first audition.
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Excuse me, Mr. King?
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Yes? Hi, I'm Gary Shanley. Sure, I know
who you are. Nice to meet you, Gary. Oh,
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thank you. It's nice to meet you. You're
the guy.
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How's my hair?
34
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Oh, wow.
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You're the guy.
36
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How's my hair?
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You're the guy.
38
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Well, it's coincidental. But I was
talking to someone about you just the
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day. Who's that? Brad Brillnick is your
man, right? Oh, yeah. Brad is a great
40
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guy. I hear that he's great, and I hear
he's done very well by you, right?
41
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Terrific. He's terrific. Eddie, I'd like
you to meet my girlfriend, Phoebe.
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Phoebe, this is Eddie King. Hi. It's
very nice to meet you. Likewise.
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Here's your order, Eddie.
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Thanks, Richard.
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Nice to meet you. Number six. It's an
honor meeting you, Eddie. You're one of
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the reasons I do comedy.
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Gary, it's nice of you to say that.
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Maybe we'll get together sometime and
talk shop a little.
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Well, I'd love that.
50
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Then why don't we do it?
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Really? Any time.
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Hey, what are you doing Saturday night?
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Saturday? Do we have anything on
Saturday? Well, it's Pete's birthday.
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Hey, we're free.
55
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Then it's a date.
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You'll come over to the house. You'll
meet the wife. We'll have some dinner.
57
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Have a few laughs. We'll make a little
party.
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Oh, and if you want to bring this guy
Brad along, bring him along.
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That's great. I'm sure he'd love to
come.
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7 .30.
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See, Eddie?
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Excuse me just a second, honey.
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Welcome to the show.
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This is going to be exciting. You know
what?
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Number seven.
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Number seven. I cannot do my monologue.
Honey, could I have this? Because can we
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go somewhere else to do the opening
monologue? I can't do it here. Please.
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And we don't want to eat here. None of
this stuff's going to cook up, right?
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Here. You at home. Here's the number
seven.
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Here, take this and you can do your
shopping.
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Can I have a watch on?
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All right.
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Maybe not. You have 41 seconds to shop
during the opening theme, and I'll see
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you Saturday night.
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I'm almost halfway finished. How do you
like it so far? How do you like the
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theme to Gary's show?
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This is the theme to Gary's show, the
opening theme to Gary's show. This is
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music that you hear as you watch the
credits.
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We're almost to the part of where I
start to whistle. Then we'll watch the
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Shandling show.
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This was the theme to Gary Shandling's
show.
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This is my fifth watch of the season.
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Please don't steal this one.
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Hi, Gare.
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Phoebe. Mrs. S. Oh, hello, Leonard. Hi,
Leonard.
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We'll say a word in the quad as you're
having dinner at Sid Caesar's.
87
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No, Leonard, it's not Sid. It's Eddie
King.
88
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Are you sure? Yeah, of course I'm sure.
89
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Well, now, the boys in the quad are
usually right about things like this,
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I think we know where we're eating
dinner.
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All right, all right. But if it turns
out to be the wrong place, just act like
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you belong. It works every time.
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Not working now. You're not fooling
anybody, Len.
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That must be Brad. Come on in, Brad.
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All right, let's get this over with. The
sooner we get there, the sooner we can
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leave. Brad, that's a horrible attitude.
This is going to be fun.
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Eddie's a legend. I'm looking forward to
this. Let me see if I can understand
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this. You meet this legend in a butcher
shop.
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He invites you and your girlfriend, and
he just happens to invite your manager
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over to his house for dinner. So? Why
not bring your mother? Why not bring
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condo guy?
102
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No can do, Brad. I'm booked through the
holidays.
103
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How come I'm not booked through the
holidays?
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The answer is so obvious, but I'll
explain it to you anyway.
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First of all, during the holidays, I
feel a man should be surrounded by the
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people who love him most.
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Namely, his family and friends. Not
sitting in a motel room, tossing cards
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a hat and saying, what happened to my
life? What happened to my life? Gary, as
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long as I'm your manager, your holidays
will be filled with love and joy. I'll
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wait in the car.
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I'd buy that every time. Let's go,
honey.
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See you guys later.
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Boy, it's something, Eddie. You got
every kind of award I've ever seen here.
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the cover of Time magazine?
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Time and Newsweek and TV Guide.
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Four times on TV Guide. Four times. Four
times.
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Have you ever been on any magazine
covers, Gary?
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Oh, no, Eddie.
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Once I saw my name on one of those
little address labels on the front of
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cover, but that's about it. I still got
excited. I said, hey, I'm on the cover.
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I told my mom to buy the issue, but it
was her name on there, so... I didn't
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know you were involved, Phil. That's
because you're a little baby.
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She sure is, Eddie.
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There are very few things I haven't done
in this business.
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Brad, do you remember Lock, Shaw, and
Shane?
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Lock, Shaw, and Shane. Lock, Shaw, and
Shane. They did a balancing act with a
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chair. Oh, win a prize.
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That's right.
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They gave me my start.
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Oh, yeah.
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They were a husband and wife pact in
vaudeville.
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Lockjaw and Shane.
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Hysterical. Just hysterical.
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Lockjaw would take an armchair, like
this one, and he would balance it on his
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face.
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And his wife would sit in the chair and
speak to her mother on the phone.
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Screams like you never heard before.
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Really? The audience would scream so
hard. And then they'd have to walk home.
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They'd have to walk home doubled over.
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Who's that, King?
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Lockjaw and Shane.
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Oh, they weren't that funny. God.
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Hey.
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How come you got all the fingerprints on
my brains? I just cleaned.
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That's all she does is clean.
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At least I'm active.
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Here, milk time.
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Oh, no, thanks. I don't drink.
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Oh, come on. It's a short one.
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Come on. Live it up.
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Okay. I love Manhattans.
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Looking at these pictures reminds me
that life goes by like that. Yeah.
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Remember that, Gary? Oh, I know where
you're coming from.
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My life is going by like that.
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Beautiful home, Mrs. King.
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Claire. Best investment I ever made. I
couldn't buy it now.
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Listen to me.
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Are you saving your money?
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Eddie, Eddie, I get as many free meals
like this as I can.
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Listen to me, kid. Don't make light of
this. I'm sorry. You know, you're riding
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high now, but I've been there. Right.
And you've got to get it while it's out
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there because it's not going to be out
there forever.
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Because if you think people are sitting
home thinking, what can I do for Gary
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Shanley? You are gravely mistaken, my
friend. I know, Eddie.
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People are home changing the channel
right now. They forget.
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They forget. You see these guys?
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These were my writers.
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I gave them their break. I put them on
the map. But am I in their plays or
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00:09:43,300 --> 00:09:44,920
movies or their TV shows?
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That's because you fired them, King.
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What difference does that make?
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If I was hot, they wouldn't have such
long memories.
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Brad knows.
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Brad, would you tell him? Tell him how
we are basically whores?
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Absolutely.
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What kind of thing is that to say?
Having fun with the legend, Gary?
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I'm playing.
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00:10:05,000 --> 00:10:06,000
Let's do it.
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I am hungry.
180
00:10:07,800 --> 00:10:08,800
Come on, Brad.
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Don't let the expression on my face fool
you. I'm having the time of my life.
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Come on, Brad. Come on.
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00:10:14,960 --> 00:10:16,180
You okay?
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Yeah, well, I've had better days. How
are you? Well, I'm okay. I'm afraid. I'm
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00:10:20,620 --> 00:10:23,420
very afraid. Where the hell are they?
It's getting cold.
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00:10:24,100 --> 00:10:26,780
Oh, boy. If they ask us to sleep over,
just fake it.
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00:10:30,030 --> 00:10:33,510
I never saw anything like it. One of the
great ladies. One of the great
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00:10:33,510 --> 00:10:35,190
performances. Who are you talking about?
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00:10:35,430 --> 00:10:36,430
Miss Pearlie Blankman.
190
00:10:36,650 --> 00:10:38,170
Do you remember her songs, Gary?
191
00:10:38,370 --> 00:10:39,750
Uh, actually, yeah.
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00:10:40,090 --> 00:10:44,170
Pour a pickle in your pumpkin stick, it
in your lover's heart. Scooby -dooby
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00:10:44,170 --> 00:10:45,230
-dooby -dooby -dooby -da.
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00:10:45,910 --> 00:10:50,330
Oh, yeah. Right. I love that song. I
remember that. It was a wonderful song,
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00:10:50,410 --> 00:10:50,969
wasn't it?
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00:10:50,970 --> 00:10:56,590
Anyway, they booked her last month at
the Hotel Crane in Westwood. Great
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00:10:56,970 --> 00:10:57,970
Yeah.
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00:10:59,400 --> 00:11:03,880
Everyone shows up to see her. And I mean
everyone. Us, Rosemary, everyone.
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00:11:04,980 --> 00:11:10,100
When Pearlie closed with See You in the
Depot, there wasn't a dry eye in the
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00:11:10,100 --> 00:11:12,480
house. It wasn't See You in the Depot.
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00:11:12,800 --> 00:11:16,140
People don't know from great singing
these songs. No, they don't. It's
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00:11:16,140 --> 00:11:19,880
lot, Eddie. It wasn't See You in the
Depot.
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00:11:20,140 --> 00:11:21,260
Yes, it was.
204
00:11:21,560 --> 00:11:24,380
No, it was Down by My T -Bird.
205
00:11:24,740 --> 00:11:28,480
Down by my T -Bird. This little love.
206
00:11:50,190 --> 00:11:51,190
You're the guy.
207
00:11:53,150 --> 00:11:55,610
You have to throw him a bone every once
in a while.
208
00:11:56,450 --> 00:11:58,470
Oh, come on, doll. Give me a plate.
209
00:11:58,870 --> 00:12:00,990
Oh, I couldn't. Oh, honey, have some.
Yeah, have some. Gary.
210
00:12:01,550 --> 00:12:04,570
Gary. Do you know what the funniest
number is?
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00:12:05,250 --> 00:12:08,370
What? Two hundred sixty -seven.
212
00:12:08,590 --> 00:12:09,850
Two sixty -seven. Really?
213
00:12:10,130 --> 00:12:13,470
Two hundred sixty -seven.
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00:12:14,310 --> 00:12:17,550
You would have guessed much higher.
215
00:12:28,720 --> 00:12:35,260
The King of the Mountain, starring Eddie
King and all the King's men. Brad,
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00:12:35,380 --> 00:12:39,300
ask me how many of these shows I've
done. Okay, Eddie, how many of these
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00:12:39,300 --> 00:12:40,119
have you done?
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00:12:40,120 --> 00:12:41,940
Two hundred and sixty -four.
219
00:12:48,320 --> 00:12:49,320
Summary, Pat.
220
00:12:50,060 --> 00:12:52,360
Eisenhower, Khrushchev, Washington, D
.C.
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00:12:52,620 --> 00:12:56,160
What a week! With weeks like this, who
needs months?
222
00:12:59,020 --> 00:13:01,480
I was down in Washington, D .C. this
last week. Oh, yeah.
223
00:13:01,760 --> 00:13:06,440
Mr. Eisenhower called me up. He said,
Eddie, I need somebody to meet with Mr.
224
00:13:06,540 --> 00:13:10,900
Khrushchev before I meet with him. You
know, someone to charm him and warm him
225
00:13:10,900 --> 00:13:12,880
up. And, Eddie, you're the guy.
226
00:13:13,620 --> 00:13:14,620
I said, I?
227
00:13:14,980 --> 00:13:16,240
Why am I the guy?
228
00:13:16,580 --> 00:13:20,920
This guy's Russian. He's got Sputnik.
He's got guns. He's got Siberia.
229
00:13:21,240 --> 00:13:23,320
No, you're the president.
230
00:13:23,780 --> 00:13:24,780
You're the guy.
231
00:13:29,420 --> 00:13:30,299
Very good.
232
00:13:30,300 --> 00:13:31,700
Very good. That's something, huh?
233
00:13:32,200 --> 00:13:35,140
It's amazing how this stuff still holds
up. It's cold.
234
00:13:35,640 --> 00:13:37,680
King. Yeah. This is great.
235
00:13:37,920 --> 00:13:39,540
You got soup on your chin right here.
236
00:13:40,260 --> 00:13:42,720
Now, that is smart political satire.
Yeah.
237
00:13:43,200 --> 00:13:45,140
Let me show you something. Yeah. Let me
show you something.
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00:13:45,780 --> 00:13:49,520
Remember Chaplin's Little Tramp? I sure
do, Eddie. Now, get a load of this sad
239
00:13:49,520 --> 00:13:53,000
sack. This is the guy who came and left
in that famous chariot race.
240
00:13:53,620 --> 00:13:54,620
Ben Hurt.
241
00:13:54,840 --> 00:13:55,980
How are we up here?
242
00:14:09,770 --> 00:14:11,110
with love. Right, Brad?
243
00:14:11,350 --> 00:14:12,209
Right, Eddie.
244
00:14:12,210 --> 00:14:14,950
Brad, do you remember the sombrero
shuffle?
245
00:14:15,410 --> 00:14:17,110
Of course you do. I really don't. Of
course you do.
246
00:14:17,670 --> 00:14:19,570
Aye, aye, aye, aye.
247
00:14:20,590 --> 00:14:22,970
Where are my eyes?
248
00:14:23,250 --> 00:14:26,250
You say it's the sea, but I cannot see.
249
00:14:26,490 --> 00:14:28,430
So tell me what's going on outside.
250
00:14:43,120 --> 00:14:46,120
sleep and talking to myself in my sleep,
it can only mean I'm going to have a
251
00:14:46,120 --> 00:14:50,040
nightmare about something to do about
Eddie King, something to do with the
252
00:14:50,040 --> 00:14:52,120
story. Oh, oh.
253
00:15:03,520 --> 00:15:04,520
Thank you.
254
00:15:05,480 --> 00:15:07,820
Thank you and welcome to the show.
255
00:15:08,120 --> 00:15:11,580
We're going to have a... Really exciting
show tonight because tonight, in this
256
00:15:11,580 --> 00:15:13,320
show, I'm going to visit Pete's grave.
257
00:15:13,880 --> 00:15:17,160
I guess I better get ready. Now, how's
my hair?
258
00:15:19,640 --> 00:15:20,640
Where is my hair?
259
00:15:20,980 --> 00:15:21,980
Where's my hair?
260
00:15:42,000 --> 00:15:44,700
If I told you once, I've told you 267
times.
261
00:15:46,540 --> 00:15:49,780
Gray shirt, gray hair, you stupid cow.
262
00:15:52,120 --> 00:15:53,120
I'm a cow.
263
00:15:53,520 --> 00:15:54,940
I better get my bail.
264
00:15:57,100 --> 00:15:58,580
Well, I have to do everything.
265
00:15:59,380 --> 00:16:06,120
Well, I guess I'll... I guess I'll
polish my picture frames under the
266
00:16:06,120 --> 00:16:07,120
the opening credits.
267
00:16:09,440 --> 00:16:10,440
Why don't you go?
268
00:16:11,210 --> 00:16:12,210
That was yours.
269
00:16:13,710 --> 00:16:15,530
This is the theme to Gary's show.
270
00:16:15,790 --> 00:16:20,550
The theme to Gary's show. The theme to
Gary's show. The theme to Gary's show.
271
00:16:20,550 --> 00:16:27,330
The theme to Gary's... Either Phoebe was
doing
272
00:16:27,330 --> 00:16:29,630
sit -ups or she saw the same nightmare I
just did.
273
00:16:30,270 --> 00:16:31,550
That was weird.
274
00:16:31,830 --> 00:16:33,490
That was horrible. Did you see that,
honey? Did you have a nightmare?
275
00:16:34,170 --> 00:16:38,650
I had this... Did you have that? You
called me a cow. A stupid cow. Is that
276
00:16:38,650 --> 00:16:39,650
one you saw?
277
00:16:42,199 --> 00:16:45,500
What are we going to do? I don't want to
be like that when I get older. Oh, no,
278
00:16:45,560 --> 00:16:46,640
you're not going to be like that.
279
00:16:46,960 --> 00:16:50,380
What if I am? What if it's my destiny to
be like that? No, no, no. That dream,
280
00:16:50,460 --> 00:16:54,080
it just represents our fears, our worst
fears. We just have to deal with that.
281
00:16:54,200 --> 00:16:57,680
Well, not right now. We can't deal with
it now because they're doing a show in
282
00:16:57,680 --> 00:16:59,200
there. That's professional courtesy.
283
00:17:00,200 --> 00:17:02,440
What am I talking about?
284
00:17:03,530 --> 00:17:05,190
They're in the living room now doing the
show.
285
00:17:06,130 --> 00:17:08,369
I'm not kidding. They're in that living
room right now.
286
00:17:08,630 --> 00:17:11,710
That's what happened. They're in there.
They're in there. They're in there.
287
00:17:11,930 --> 00:17:13,030
They're in there right now.
288
00:17:13,510 --> 00:17:16,490
I'll show you. Come on. That's what
happens when I have a real bad dream.
289
00:17:16,750 --> 00:17:20,349
Come on. Let's go. Come on. I'll show
you. They're in there.
290
00:17:20,609 --> 00:17:21,609
They're in there.
291
00:17:22,670 --> 00:17:23,670
Come on.
292
00:17:24,970 --> 00:17:26,050
Welcome to my nightmare.
293
00:17:28,190 --> 00:17:31,010
Don't worry. My fly is sewn shut. It's a
family show.
294
00:17:36,140 --> 00:17:36,879
I told you.
295
00:17:36,880 --> 00:17:37,960
I told you.
296
00:17:38,600 --> 00:17:40,200
What are you, crazy?
297
00:17:41,220 --> 00:17:43,420
I mean, a kid is a great responsibility.
298
00:17:46,700 --> 00:17:51,100
I mean, I don't think I'm ready to make
that kind of commitment.
299
00:17:54,820 --> 00:17:57,820
But, honey, how about my biological
clock?
300
00:18:01,340 --> 00:18:05,180
Oh, boy, this dream is getting scarier
and scarier, Gary. I'll say, look at his
301
00:18:05,180 --> 00:18:06,180
hair. Who are you?
302
00:18:06,500 --> 00:18:09,980
What are you doing in here? Get the hell
out of here. I'm Gary and this is
303
00:18:09,980 --> 00:18:13,320
Phoebe. Yeah, well, that's a great guy.
Get the hell out of here. I'm a younger
304
00:18:13,320 --> 00:18:15,520
you. I'm younger you. I'm you and I'm
younger.
305
00:18:15,920 --> 00:18:19,160
That's what I'm trying to say. Oh, yeah,
yeah. Well, maybe five years ago, but
306
00:18:19,160 --> 00:18:20,160
that don't prove nothing.
307
00:18:21,520 --> 00:18:22,459
Okay, listen.
308
00:18:22,460 --> 00:18:25,000
Remember when we were in high school and
we got beaten up by the high school,
309
00:18:25,100 --> 00:18:28,320
the girls' high school field hockey
team? Remember how they just beat the
310
00:18:28,320 --> 00:18:29,400
out of us? I know.
311
00:18:30,120 --> 00:18:33,360
Remember that? How'd you know that? I
never told anybody. I never did either.
312
00:18:33,360 --> 00:18:34,360
never told anybody.
313
00:18:35,180 --> 00:18:37,180
Oh, shut up. They were big girls.
314
00:18:38,720 --> 00:18:40,720
They were very big girls.
315
00:18:40,960 --> 00:18:44,720
Oh, remember that one that was like...
Remember that night we spent with Chad
316
00:18:44,720 --> 00:18:45,720
and Jeremy?
317
00:18:46,540 --> 00:18:48,320
Backstage, Fillmore East.
318
00:18:49,260 --> 00:18:50,260
They're us.
319
00:18:50,480 --> 00:18:51,640
State your business.
320
00:18:52,260 --> 00:18:55,940
Well, it just came out for me to tell
you that...
321
00:18:56,160 --> 00:18:58,420
I'm not going to be like you when I get
older.
322
00:18:58,780 --> 00:19:04,100
That's all. Oh, yeah? Yeah, that's
right. I can see it in your eyes right
323
00:19:04,500 --> 00:19:09,340
You're on your way, my friend. I am not
on my way. I can see the bitterness in
324
00:19:09,340 --> 00:19:12,580
your eyes. You're seeing my contact
lenses as well.
325
00:19:13,560 --> 00:19:16,540
Everybody knows it but you. No, that's
not true.
326
00:19:16,880 --> 00:19:17,880
That's not true.
327
00:19:24,560 --> 00:19:27,880
I'm not going to be angry. I would never
talk to Phoebe that way. When I get
328
00:19:27,880 --> 00:19:30,440
older, I will never talk to you that
way. I'll never be angry.
329
00:19:30,680 --> 00:19:35,100
And you've shown me a side of myself
that I'm never going to become.
330
00:19:35,640 --> 00:19:38,140
So basically, you don't exist.
331
00:19:39,260 --> 00:19:40,199
I'll tell you.
332
00:19:40,200 --> 00:19:41,880
I have more to tell him. Where did he
go?
333
00:19:43,200 --> 00:19:46,560
I have more things I wanted to say to
him. I was going to say, talk to him
334
00:19:46,560 --> 00:19:48,080
a lot of different things.
335
00:19:48,980 --> 00:19:50,040
All right.
336
00:19:50,260 --> 00:19:51,260
Three at last.
337
00:19:54,090 --> 00:19:56,090
Come on, link her to the cornfield. Then
we can go back.
338
00:19:58,010 --> 00:19:59,270
Maybe you better go now.
339
00:20:00,150 --> 00:20:01,450
Do I have to?
340
00:20:01,670 --> 00:20:03,210
I think it's best, yeah.
341
00:20:05,190 --> 00:20:07,050
I guess I'm ancient history.
342
00:20:08,830 --> 00:20:11,550
I'll be seeing you before you know it.
343
00:20:15,990 --> 00:20:21,090
How long has she been gone? Was I
kissing her long after she was gone?
344
00:20:21,090 --> 00:20:22,090
really embarrassing.
345
00:20:23,240 --> 00:20:24,340
I used to do that in high school.
346
00:20:26,060 --> 00:20:27,060
Very embarrassing.
347
00:20:27,340 --> 00:20:29,860
Come on, let's go talk about this
Fillmore East thing now.
348
00:20:35,800 --> 00:20:38,920
That was amazing. What a strange dream.
349
00:20:39,420 --> 00:20:42,720
Well, it sure was. Everyone had their
clothes on. I've never had one like
350
00:20:44,580 --> 00:20:47,700
But, Gary, do all your dreams come to
life like that?
351
00:20:48,920 --> 00:20:50,480
Only if it behooves the show.
352
00:20:52,590 --> 00:20:55,650
And, you know, speaking of the show, I
thought we had a really good one. I
353
00:20:55,730 --> 00:20:57,570
you know, we went through a lot
together.
354
00:20:57,830 --> 00:20:58,669
Boy, I'll say.
355
00:20:58,670 --> 00:21:00,370
This is a very serious relationship.
356
00:21:01,070 --> 00:21:03,310
Yes, Gary, this is a very serious
relationship.
357
00:21:04,290 --> 00:21:06,550
No, I mean, you know, a really serious
relationship.
358
00:21:07,230 --> 00:21:10,190
It is a really serious relationship.
You've got to remember we saw ourselves
359
00:21:10,190 --> 00:21:13,970
married in the future. I'm well aware of
that. So it must be really serious.
360
00:21:14,210 --> 00:21:18,310
Gary, it is. It's a very, very, very
serious relationship. Now, can we go to
361
00:21:18,310 --> 00:21:19,310
sleep?
362
00:21:19,610 --> 00:21:20,610
It's late.
363
00:21:21,090 --> 00:21:24,850
Well, I tell you what, I'm just going to
do my opening monologue, and then I'll
364
00:21:24,850 --> 00:21:25,769
go to sleep.
365
00:21:25,770 --> 00:21:28,610
Your opening monologue? Yeah, remember,
I didn't get to finish it in the butcher
366
00:21:28,610 --> 00:21:31,990
shop. And if I don't do an opening
monologue, I get a lot of letters.
367
00:21:33,050 --> 00:21:36,590
And I'm so up anyway, so this will be
great.
368
00:21:36,790 --> 00:21:39,290
Well, you have a good one. I'm going to
go to sleep, okay? Should I turn out the
369
00:21:39,290 --> 00:21:40,209
light?
370
00:21:40,210 --> 00:21:42,650
No, yeah, you can turn out the light.
I'll use my monologue helmet.
371
00:21:45,510 --> 00:21:48,910
Well, that's fine, but just don't forget
to turn it off because, you know, when
372
00:21:48,910 --> 00:21:50,850
you're done, you know, you don't want to
burn the place down.
373
00:21:51,150 --> 00:21:52,150
No, I'm okay.
374
00:21:53,790 --> 00:21:54,890
Good night. Good night, honey.
375
00:21:56,650 --> 00:21:57,650
Sleep well.
376
00:21:58,390 --> 00:21:59,390
Thanks.
377
00:22:08,710 --> 00:22:10,090
Well, welcome to the show.
378
00:22:10,930 --> 00:22:14,630
This is going to be a really good one
because this is the one where...
379
00:22:14,970 --> 00:22:18,390
I meet Eddie King, and then we go to his
house.
380
00:22:19,510 --> 00:22:26,050
And what we're going to do is after we
go to the butcher shop... After
381
00:22:26,050 --> 00:22:30,130
we go to the butcher shop, I'm going to
actually... Then we're going to go to
382
00:22:30,130 --> 00:22:32,190
the car wash, and then we're going to
get...
383
00:22:32,190 --> 00:22:40,370
We'll
384
00:22:40,370 --> 00:22:41,650
go clothes shopping after that.
385
00:24:04,590 --> 00:24:06,830
Hope you enjoyed it. Gary Shanley Show.
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