All language subtitles for Its Garry Shandlings s02e07 Angelica 2
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1
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All right, we're going to meet our next
guest.
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He's originally from Tucson, Arizona.
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00:00:11,700 --> 00:00:14,840
He doesn't like women who are pretty and
know it and use it to hurt him.
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00:00:15,460 --> 00:00:19,060
He's a wonderful comedian. He says he
looks like Gary Shandling, and sure
5
00:00:19,060 --> 00:00:20,820
enough, he does. It's Gary Shandling.
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00:00:21,220 --> 00:00:22,078
Let's say hello.
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00:00:22,080 --> 00:00:28,380
On the surface, a man could be vain,
insecure, indecisive, or maybe even a
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little whiny.
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But I don't care about that.
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Underneath, he could very well be the
greatest man that ever lived.
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00:00:38,850 --> 00:00:39,850
All right.
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00:00:41,030 --> 00:00:44,530
Well, now you've all met Gary and you
know a little bit about him. You've seen
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his three choices. Now Gary's going to
tell us who he picked. Well, I would
14
00:00:48,130 --> 00:00:50,610
been nuts not to pick Angelica.
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Any romance on this day?
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Well...
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Tell him. You can tell him. You tell
him.
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No. Oh, you go ahead.
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A little bit. Yeah, Chuck, there was a
little bit of rumbling.
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I beg your pardon? There was a little
bit of rumbling. Well, just tell me a
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little about it. Well, I welded the car
door shut.
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Oh, that's great. Have a seat there.
Just make yourself at home. And I
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You two suppose you'll be going out on a
second date together?
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I guess that's all the time we have for
today. I'm Chuck Woolery. I hope all
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your dates go as well as this one. It
looks like we made a perfect match here.
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Maybe one of the best.
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This is a first. Welcome to Gary and
Angelica's show.
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That's right.
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Bang.
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You know, it's not just my show anymore.
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Because in last week's show, Angelica
and I met on the Love Connection. And
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saw that clip.
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And then... Don't applaud for
everything, really.
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And then she moved in in last week's
show. I'm explaining all this because I
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know we have no regular viewers.
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And now she's here living with me.
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Hi.
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See, we're sharing the monologue now.
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So, uh, anyway, I know what you're
probably thinking. Oh, great, he's got
40
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another Yoko Ono on his hand.
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Gary's, you know, you know, protesting
the war and doing the show naked from
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bed.
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Which really isn't a bad idea for a
variety special. But really, I don't
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you to be concerned. I'm going to be
wearing the same beautiful outfits that
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you're used to seeing in the original
It's Gary Shandling show.
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00:03:39,140 --> 00:03:44,140
And we're going to have...
47
00:03:45,100 --> 00:03:48,420
Just as much fun around here as we've
always had. And if you don't believe me,
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why don't you take a look at these
pictures of what the week's been like
49
00:03:52,600 --> 00:03:54,820
you listen to the new opening theme.
50
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It's Gary and Angelica's show. Gary and
Angelica's show. Gary called me up and
51
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told me that he had a girlfriend.
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I hear she's really pretty and things
are going great. But Gary wants a new
53
00:04:11,720 --> 00:04:12,780
theme for this show.
54
00:04:14,210 --> 00:04:19,990
Gary and Angelica's show. Gary and
Angelica's show. Gary put me on the spot
55
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think of something different.
56
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I think I'll keep the part of where I
start to whistle. That's always seemed
57
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work so well before.
58
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So now it's Gary and Angelica's show.
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First of all, I'd like to say, don't you
think I look good in a dress, quite
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frankly?
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Thank you.
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And it was a fun week, wasn't it, honey?
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Mm -hmm.
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What? Yes.
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What's wrong? You're a little quiet,
Anne.
66
00:05:02,730 --> 00:05:07,370
Um, I guess I'm just a little
intimidated by all your friends, Gary.
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00:05:07,670 --> 00:05:08,830
Oh, you mean the audience?
68
00:05:09,130 --> 00:05:12,710
Yes. Well, you know, you can be
comfortable.
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They're just as afraid of you as you are
of them.
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00:05:17,520 --> 00:05:20,140
Why don't you just say something nice?
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Don't you remember I told you Pete was
coming over? No.
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00:05:51,040 --> 00:05:53,020
Hey. Hey, Gare. What's going on?
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Hey, Angelica.
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Oh, it's Angelica, Pete.
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Why don't you tell everybody where we're
going?
76
00:06:05,660 --> 00:06:06,660
Come on.
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Oh, give it a try. You got to get used
to it.
78
00:06:16,490 --> 00:06:17,830
be the best one.
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Is she great or what?
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00:06:21,270 --> 00:06:22,270
Come on.
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Okay.
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Um... Don't worry about me, Gary. I'll
be fine. You sure?
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Yes. Okay. Well, if you need anything,
there's, uh, some emergency jokes in the
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freezer. I want... I want... Okay, and
if you want to use the flashback booth
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any time dissolves, you feel free. No, I
don't. Okay.
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Miss you.
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Miss you, Cherry Will.
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Bye, my little teddy webby. Bye.
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Honey.
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Honey. What? Honey.
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I don't think you want to be vacuuming.
It ruins the reception at home for the
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people watching.
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Oh. Okay.
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I didn't know that, Gary. That's okay.
It gets all snowy and everything.
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Oh, okay. There's no way you would, my
little stone pony.
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Bye, my little...
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little Eskimo pie.
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Basketball.
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Is Gary around?
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No, he went with Peter to play some
basketball.
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00:09:05,980 --> 00:09:06,980
Oh, that's too bad.
102
00:09:09,740 --> 00:09:13,720
Say, before he left, did he mention my
musical number?
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00:09:14,380 --> 00:09:15,380
No.
104
00:09:16,140 --> 00:09:21,720
Well, you see, traditionally on the
show, I come over and clown around with
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a little bit, and then I sing a song.
Sort of like Crazy Guggenheim on the old
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Gleason show.
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Really? Well, if it's a tradition.
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00:09:31,719 --> 00:09:35,100
Everybody, please enjoy the music of
Leonard Smith.
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I'm going to go to the pier and get some
dinner. Oh, the pier.
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00:09:39,940 --> 00:09:42,520
I have a friend who went to the pier
once. Good old Charlie.
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00:09:42,960 --> 00:09:44,540
Actually, it's sort of a sad story.
112
00:09:46,340 --> 00:09:51,700
Well, let me tell you the story of a man
named Charlie on a tragic and fateful
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day. He put ten cents in his pocket,
kissed his wife and family, went to ride
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the MTA.
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Well, did he ever return?
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returned, and his fate is still
unlearned. Poor old Charlie, he may ride
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beneath the streets of Boston. He's the
man who never returned.
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She's from his Gary and Angelica show.
She's my favorite on that show. Me too.
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Hey, Gare, these are the lads. Jack Vess
and, of course, Al.
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We've been together since the old coffee
house days.
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Leonard, what the heck is going on?
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00:12:12,600 --> 00:12:16,360
Well, Angelica said we could sing on the
show Honest. Oh, she did? She said,
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yeah.
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00:12:19,840 --> 00:12:20,840
Leonard,
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you guys, you've got to get your guys
out of here, okay? Magic Johnson's
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over to teach us calligraphy. Magic
Johnson from the Lakers?
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00:12:31,150 --> 00:12:33,330
No, Magic Johnson from the Ice Capades.
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00:12:34,650 --> 00:12:38,530
Just get him out. I'm serious. We did.
Pete and I bumped into Magic Johnson.
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He's coming over to teach us
calligraphy. You know, that fancy
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00:12:41,310 --> 00:12:42,670
great at it. I know it sounds odd.
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00:12:43,030 --> 00:12:45,270
He did. Have you ever seen Kareem's
wedding invitations?
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Magic did them. They're unbelievable.
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00:12:48,810 --> 00:12:49,810
Really.
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00:12:50,770 --> 00:12:53,850
By the way, where's Angelica? Oh, Gary,
she went out to the pier to get some
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food. You see, she's throwing a clambake
for the whole audience.
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00:12:56,990 --> 00:12:57,990
Clambake? Yeah.
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00:13:00,970 --> 00:13:01,970
Yeah, sounds good.
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00:13:07,290 --> 00:13:08,290
Yeah.
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You're pretty happy about this.
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00:13:12,930 --> 00:13:13,930
Yeah.
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00:13:14,310 --> 00:13:20,070
You know, don't you think it's taking
advantage a little bit of somebody who's
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new to the show?
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Making them cook.
144
00:13:22,290 --> 00:13:23,510
Why don't you have them clean your
seats?
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Why don't you have them come up and
clean your seats?
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You know, you're a bad, bad audience.
That's all I have to say. Bad audience.
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Bad, bad, bad.
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00:13:32,490 --> 00:13:35,810
Okay, you're a good audience, but you
did a bad, bad, bad thing. Really.
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a bad audience.
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Bad. No, bad. Bad.
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Hang down your head, studio audience.
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Hang down your head and cry.
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Hang down your head, studio audience.
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Damn it, Hugh.
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And the rear axle's bent.
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Got to realign all four wheels and, oh,
yeah, rewire the entire electrical
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system. Oh, Nancy, what a mess.
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00:14:33,300 --> 00:14:34,720
Oh, now, come on.
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There's worse auto messes. Geez.
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Well, I'll tell you about a worse one.
It happened to me. Yeah, sure, 78. I
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out of Daytona. Oh, what a mess.
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Look at that four -car wheel smacked
into the wall, burst into flames. I'll
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you. Talk about your method.
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Thanks a lot for trying to cheer me up,
Nance, but I wasn't just talking about
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cars. Life with Gary is a whole lot
stranger than I ever thought it would
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Well, maybe it would help you to think
about Diane Fossey. What?
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You know, that naturalist who lived with
the apes for about, oh, what, ten
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years? Sure.
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Similar kind of situation.
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Yeah, and she stuck it out. I'll tell
you, she stuck in there, and eventually
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she really ended up enjoying herself.
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Quite a bit.
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Sure. Yeah.
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Well,
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I'd better get back under that car. I'll
tell you, I got about six hours worth
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of work. Would you mind handing me my
three -quarter box rent?
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Yeah, this is great. Thanks. You're
welcome.
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Six hours.
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What am I going to do for six hours?
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Oh, I know.
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I'll do one of Gary's time tricks and
make it six hours later.
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Okay, I have my speedball pen, and I got
my India ink, and
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we have our rice paper, and so we're all
set for our calligraphy lesson.
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Honey, I'm home.
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Oh, hi, honey.
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I'm glad you're here. You're just in
time for the calligraphy lesson. Magic
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Johnson's coming over.
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Gary, I have some terrible...
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Oh, what is it, honey?
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I... Oh,
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I don't want to tell you. You're going
to be really mad.
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00:17:01,840 --> 00:17:03,260
No, I won't. Tell me.
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00:17:04,140 --> 00:17:08,619
The two things you love the most fell
off the Santa Monica Pier today.
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The ski ball and the corndog stand?
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00:17:11,579 --> 00:17:12,800
No, Gary.
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Me and your car.
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I had an accident.
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00:17:16,819 --> 00:17:21,380
Oh, honey, are you okay? Yes, I'm all
right, but are you sure you're not mad?
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00:17:21,740 --> 00:17:24,960
Oh, of course not. The car's just a
material thing.
200
00:17:25,310 --> 00:17:27,990
Did you think I was gonna yell at you
like Ricky Ricardo or something?
201
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Keep dribbling magic number 32.
202
00:18:06,630 --> 00:18:11,650
Oh, honey, because you did a six -hour
time thingy, we missed Magic Johnson.
203
00:18:45,450 --> 00:18:49,010
on my show. I mean, and it looks like I
didn't get here a minute too soon.
204
00:18:49,310 --> 00:18:51,090
Hey, you don't happen to know any
calligraphy, do you?
205
00:18:51,530 --> 00:18:52,530
No, I don't.
206
00:18:52,630 --> 00:18:53,770
Magic Johnson does.
207
00:18:54,870 --> 00:18:58,370
Now, listen, why don't we go over here
and sit on the couch, and you can tell
208
00:18:58,370 --> 00:19:01,090
what's been going on in your life since
we saw you last. Come on over.
209
00:19:01,790 --> 00:19:05,750
Well, you know, that's really nice of
you, Chuck. You know, we moved in
210
00:19:05,750 --> 00:19:08,590
since we saw you. You moved in together?
211
00:19:09,110 --> 00:19:14,270
Yes. Gee, that's a little sudden, don't
you think? Well, I think so, Chuck.
212
00:19:14,760 --> 00:19:19,000
I mean, I didn't know that living with
Gary was going to be so hard.
213
00:19:19,560 --> 00:19:23,660
First of all, there's this audience
that's here all the time.
214
00:19:27,560 --> 00:19:31,860
And they're a really nice audience, but
you've got to think of clever things to
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say to them all the time.
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That must be hard for you.
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Yeah, it is. But I thought I'd be nice
and try to fix them some clams.
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hot -headed Cuban.
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I'm so sorry, honey.
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Oh, I'm sorry, too, Gary.
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I love you. I love you very much. I love
you.
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But I don't think I was ready for the
responsibilities of moving in here with
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you. Yeah. Gary, what do you think about
that? I don't think I'm ready for the
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responsibilities either, Chuck.
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Yeah. Could I offer you a suggestion?
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Sure. If anybody knows about love, it's
you.
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And Bob Eubanks. He will.
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Listen,
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why don't you kind of just step back
from this relationship a little bit.
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Give it a little time.
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You know, start dating again. In fact,
if you start dating again, we'll even
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pick up the tab for the day.
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Hey, really? What do you think?
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Well, I don't know, Gary.
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I think it'd be great.
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Maybe it would be a good idea after the
show. Okay. Not when the show's on.
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Great. We'll see each other when the
show's not on. We'll go on that date.
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00:20:50,120 --> 00:20:54,600
Great. That's a good idea. Listen, I got
some... Here's 23 bucks. You guys go
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00:20:54,600 --> 00:20:55,600
out and have a supper. Great.
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Thanks, Chuck.
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20, 21, 22, 23.
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Wow, this is going to be our best date
ever.
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Thank you.
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Hey, I think we learned a lot of things
tonight.
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First of all, Chuck doesn't, you know...
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dump his contestants like other game
show hosts who you know they probably
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see him again and second of all i think
we learned that if you have a tv show
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you got to be really really
conscientious about the relationships
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involved in because there's a real
responsibility there that's why i hope
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00:21:31,270 --> 00:21:35,030
rather never really moves in with a girl
it would really muck up the cbs evening
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news you know and um i'll be seeing uh
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You know, Angelica went out when we're
not on the show, and so you'll probably
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just have to read about it in one of
those magazines.
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You know, like Boy's Life or something.
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And I guess I'll see you all next week,
okay?
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Bye, everybody.
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Hope you enjoyed. It's Gary Sandlin
Show.
20166
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