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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:06,760 --> 00:00:07,980 All right, we're going to meet our next guest. 2 00:00:08,820 --> 00:00:10,620 He's originally from Tucson, Arizona. 3 00:00:11,700 --> 00:00:14,840 He doesn't like women who are pretty and know it and use it to hurt him. 4 00:00:15,460 --> 00:00:19,060 He's a wonderful comedian. He says he looks like Gary Shandling, and sure 5 00:00:19,060 --> 00:00:20,820 enough, he does. It's Gary Shandling. 6 00:00:21,220 --> 00:00:22,078 Let's say hello. 7 00:00:22,080 --> 00:00:28,380 On the surface, a man could be vain, insecure, indecisive, or maybe even a 8 00:00:28,380 --> 00:00:30,560 little whiny. 9 00:00:31,340 --> 00:00:33,660 But I don't care about that. 10 00:00:34,450 --> 00:00:37,630 Underneath, he could very well be the greatest man that ever lived. 11 00:00:38,850 --> 00:00:39,850 All right. 12 00:00:41,030 --> 00:00:44,530 Well, now you've all met Gary and you know a little bit about him. You've seen 13 00:00:44,530 --> 00:00:48,130 his three choices. Now Gary's going to tell us who he picked. Well, I would 14 00:00:48,130 --> 00:00:50,610 been nuts not to pick Angelica. 15 00:00:53,850 --> 00:00:55,290 Any romance on this day? 16 00:00:56,730 --> 00:00:57,730 Well... 17 00:00:59,260 --> 00:01:00,760 Tell him. You can tell him. You tell him. 18 00:01:00,980 --> 00:01:02,020 No. Oh, you go ahead. 19 00:01:02,280 --> 00:01:05,319 A little bit. Yeah, Chuck, there was a little bit of rumbling. 20 00:01:05,680 --> 00:01:09,380 I beg your pardon? There was a little bit of rumbling. Well, just tell me a 21 00:01:09,380 --> 00:01:11,200 little about it. Well, I welded the car door shut. 22 00:01:22,260 --> 00:01:27,480 Oh, that's great. Have a seat there. Just make yourself at home. And I 23 00:01:29,930 --> 00:01:33,770 You two suppose you'll be going out on a second date together? 24 00:01:36,670 --> 00:01:43,050 I guess that's all the time we have for today. I'm Chuck Woolery. I hope all 25 00:01:43,050 --> 00:01:46,010 your dates go as well as this one. It looks like we made a perfect match here. 26 00:01:46,050 --> 00:01:47,050 Maybe one of the best. 27 00:02:17,580 --> 00:02:21,740 This is a first. Welcome to Gary and Angelica's show. 28 00:02:22,960 --> 00:02:23,960 That's right. 29 00:02:24,640 --> 00:02:25,640 Bang. 30 00:02:29,740 --> 00:02:32,100 You know, it's not just my show anymore. 31 00:02:32,680 --> 00:02:37,980 Because in last week's show, Angelica and I met on the Love Connection. And 32 00:02:37,980 --> 00:02:38,980 saw that clip. 33 00:02:39,900 --> 00:02:43,040 And then... Don't applaud for everything, really. 34 00:02:46,060 --> 00:02:49,520 And then she moved in in last week's show. I'm explaining all this because I 35 00:02:49,520 --> 00:02:51,000 know we have no regular viewers. 36 00:02:54,000 --> 00:02:56,500 And now she's here living with me. 37 00:02:58,220 --> 00:02:59,220 Hi. 38 00:03:02,280 --> 00:03:04,440 See, we're sharing the monologue now. 39 00:03:06,000 --> 00:03:10,140 So, uh, anyway, I know what you're probably thinking. Oh, great, he's got 40 00:03:10,140 --> 00:03:12,120 another Yoko Ono on his hand. 41 00:03:15,160 --> 00:03:20,940 Gary's, you know, you know, protesting the war and doing the show naked from 42 00:03:20,940 --> 00:03:21,940 bed. 43 00:03:22,480 --> 00:03:27,860 Which really isn't a bad idea for a variety special. But really, I don't 44 00:03:27,860 --> 00:03:31,640 you to be concerned. I'm going to be wearing the same beautiful outfits that 45 00:03:31,640 --> 00:03:34,860 you're used to seeing in the original It's Gary Shandling show. 46 00:03:39,140 --> 00:03:44,140 And we're going to have... 47 00:03:45,100 --> 00:03:48,420 Just as much fun around here as we've always had. And if you don't believe me, 48 00:03:48,520 --> 00:03:52,600 why don't you take a look at these pictures of what the week's been like 49 00:03:52,600 --> 00:03:54,820 you listen to the new opening theme. 50 00:03:58,840 --> 00:04:04,520 It's Gary and Angelica's show. Gary and Angelica's show. Gary called me up and 51 00:04:04,520 --> 00:04:06,360 told me that he had a girlfriend. 52 00:04:06,780 --> 00:04:11,720 I hear she's really pretty and things are going great. But Gary wants a new 53 00:04:11,720 --> 00:04:12,780 theme for this show. 54 00:04:14,210 --> 00:04:19,990 Gary and Angelica's show. Gary and Angelica's show. Gary put me on the spot 55 00:04:19,990 --> 00:04:21,490 think of something different. 56 00:04:21,709 --> 00:04:26,550 I think I'll keep the part of where I start to whistle. That's always seemed 57 00:04:26,550 --> 00:04:27,670 work so well before. 58 00:04:32,450 --> 00:04:35,210 So now it's Gary and Angelica's show. 59 00:04:47,150 --> 00:04:50,630 First of all, I'd like to say, don't you think I look good in a dress, quite 60 00:04:50,630 --> 00:04:51,630 frankly? 61 00:04:52,470 --> 00:04:53,470 Thank you. 62 00:04:53,770 --> 00:04:56,270 And it was a fun week, wasn't it, honey? 63 00:04:56,690 --> 00:04:57,569 Mm -hmm. 64 00:04:57,570 --> 00:04:58,890 What? Yes. 65 00:05:00,330 --> 00:05:02,010 What's wrong? You're a little quiet, Anne. 66 00:05:02,730 --> 00:05:07,370 Um, I guess I'm just a little intimidated by all your friends, Gary. 67 00:05:07,670 --> 00:05:08,830 Oh, you mean the audience? 68 00:05:09,130 --> 00:05:12,710 Yes. Well, you know, you can be comfortable. 69 00:05:12,910 --> 00:05:15,630 They're just as afraid of you as you are of them. 70 00:05:17,520 --> 00:05:20,140 Why don't you just say something nice? 71 00:05:46,800 --> 00:05:49,140 Don't you remember I told you Pete was coming over? No. 72 00:05:51,040 --> 00:05:53,020 Hey. Hey, Gare. What's going on? 73 00:05:53,480 --> 00:05:54,480 Hey, Angelica. 74 00:05:55,440 --> 00:05:57,320 Oh, it's Angelica, Pete. 75 00:05:58,460 --> 00:06:05,240 Why don't you tell everybody where we're going? 76 00:06:05,660 --> 00:06:06,660 Come on. 77 00:06:06,780 --> 00:06:08,980 Oh, give it a try. You got to get used to it. 78 00:06:16,490 --> 00:06:17,830 be the best one. 79 00:06:19,730 --> 00:06:21,030 Is she great or what? 80 00:06:21,270 --> 00:06:22,270 Come on. 81 00:06:25,550 --> 00:06:26,550 Okay. 82 00:06:27,050 --> 00:06:30,270 Um... Don't worry about me, Gary. I'll be fine. You sure? 83 00:06:30,550 --> 00:06:35,610 Yes. Okay. Well, if you need anything, there's, uh, some emergency jokes in the 84 00:06:35,610 --> 00:06:39,490 freezer. I want... I want... Okay, and if you want to use the flashback booth 85 00:06:39,490 --> 00:06:41,730 any time dissolves, you feel free. No, I don't. Okay. 86 00:06:42,410 --> 00:06:43,409 Miss you. 87 00:06:43,410 --> 00:06:44,790 Miss you, Cherry Will. 88 00:06:45,260 --> 00:06:46,880 Bye, my little teddy webby. Bye. 89 00:06:56,820 --> 00:06:57,820 Honey. 90 00:06:57,940 --> 00:06:59,220 Honey. What? Honey. 91 00:07:00,580 --> 00:07:04,140 I don't think you want to be vacuuming. It ruins the reception at home for the 92 00:07:04,140 --> 00:07:05,059 people watching. 93 00:07:05,060 --> 00:07:06,480 Oh. Okay. 94 00:07:07,000 --> 00:07:09,960 I didn't know that, Gary. That's okay. It gets all snowy and everything. 95 00:07:10,160 --> 00:07:12,600 Oh, okay. There's no way you would, my little stone pony. 96 00:07:13,480 --> 00:07:14,540 Bye, my little... 97 00:07:17,450 --> 00:07:18,450 little Eskimo pie. 98 00:08:09,580 --> 00:08:10,580 Basketball. 99 00:09:01,260 --> 00:09:02,260 Is Gary around? 100 00:09:02,680 --> 00:09:05,760 No, he went with Peter to play some basketball. 101 00:09:05,980 --> 00:09:06,980 Oh, that's too bad. 102 00:09:09,740 --> 00:09:13,720 Say, before he left, did he mention my musical number? 103 00:09:14,380 --> 00:09:15,380 No. 104 00:09:16,140 --> 00:09:21,720 Well, you see, traditionally on the show, I come over and clown around with 105 00:09:21,720 --> 00:09:25,440 a little bit, and then I sing a song. Sort of like Crazy Guggenheim on the old 106 00:09:25,440 --> 00:09:26,279 Gleason show. 107 00:09:26,280 --> 00:09:29,600 Really? Well, if it's a tradition. 108 00:09:31,719 --> 00:09:35,100 Everybody, please enjoy the music of Leonard Smith. 109 00:09:36,280 --> 00:09:39,700 I'm going to go to the pier and get some dinner. Oh, the pier. 110 00:09:39,940 --> 00:09:42,520 I have a friend who went to the pier once. Good old Charlie. 111 00:09:42,960 --> 00:09:44,540 Actually, it's sort of a sad story. 112 00:09:46,340 --> 00:09:51,700 Well, let me tell you the story of a man named Charlie on a tragic and fateful 113 00:09:51,700 --> 00:09:57,180 day. He put ten cents in his pocket, kissed his wife and family, went to ride 114 00:09:57,180 --> 00:09:58,440 the MTA. 115 00:09:59,180 --> 00:10:00,840 Well, did he ever return? 116 00:10:01,960 --> 00:10:07,100 returned, and his fate is still unlearned. Poor old Charlie, he may ride 117 00:10:07,100 --> 00:10:11,340 beneath the streets of Boston. He's the man who never returned. 118 00:10:39,980 --> 00:10:43,900 She's from his Gary and Angelica show. She's my favorite on that show. Me too. 119 00:12:03,080 --> 00:12:06,340 Hey, Gare, these are the lads. Jack Vess and, of course, Al. 120 00:12:07,220 --> 00:12:09,380 We've been together since the old coffee house days. 121 00:12:10,320 --> 00:12:12,140 Leonard, what the heck is going on? 122 00:12:12,600 --> 00:12:16,360 Well, Angelica said we could sing on the show Honest. Oh, she did? She said, 123 00:12:16,460 --> 00:12:17,460 yeah. 124 00:12:19,840 --> 00:12:20,840 Leonard, 125 00:12:23,480 --> 00:12:26,680 you guys, you've got to get your guys out of here, okay? Magic Johnson's 126 00:12:26,680 --> 00:12:30,200 over to teach us calligraphy. Magic Johnson from the Lakers? 127 00:12:31,150 --> 00:12:33,330 No, Magic Johnson from the Ice Capades. 128 00:12:34,650 --> 00:12:38,530 Just get him out. I'm serious. We did. Pete and I bumped into Magic Johnson. 129 00:12:38,610 --> 00:12:41,310 He's coming over to teach us calligraphy. You know, that fancy 130 00:12:41,310 --> 00:12:42,670 great at it. I know it sounds odd. 131 00:12:43,030 --> 00:12:45,270 He did. Have you ever seen Kareem's wedding invitations? 132 00:12:47,390 --> 00:12:48,590 Magic did them. They're unbelievable. 133 00:12:48,810 --> 00:12:49,810 Really. 134 00:12:50,770 --> 00:12:53,850 By the way, where's Angelica? Oh, Gary, she went out to the pier to get some 135 00:12:53,850 --> 00:12:55,810 food. You see, she's throwing a clambake for the whole audience. 136 00:12:56,990 --> 00:12:57,990 Clambake? Yeah. 137 00:13:00,970 --> 00:13:01,970 Yeah, sounds good. 138 00:13:07,290 --> 00:13:08,290 Yeah. 139 00:13:09,690 --> 00:13:12,130 You're pretty happy about this. 140 00:13:12,930 --> 00:13:13,930 Yeah. 141 00:13:14,310 --> 00:13:20,070 You know, don't you think it's taking advantage a little bit of somebody who's 142 00:13:20,070 --> 00:13:21,070 new to the show? 143 00:13:21,250 --> 00:13:22,250 Making them cook. 144 00:13:22,290 --> 00:13:23,510 Why don't you have them clean your seats? 145 00:13:23,790 --> 00:13:25,570 Why don't you have them come up and clean your seats? 146 00:13:26,390 --> 00:13:29,850 You know, you're a bad, bad audience. That's all I have to say. Bad audience. 147 00:13:29,930 --> 00:13:30,930 Bad, bad, bad. 148 00:13:32,490 --> 00:13:35,810 Okay, you're a good audience, but you did a bad, bad, bad thing. Really. 149 00:13:35,810 --> 00:13:37,070 a bad audience. 150 00:13:37,650 --> 00:13:39,130 Bad. No, bad. Bad. 151 00:13:41,110 --> 00:13:46,070 Hang down your head, studio audience. 152 00:13:47,010 --> 00:13:49,650 Hang down your head and cry. 153 00:13:50,850 --> 00:13:53,830 Hang down your head, studio audience. 154 00:14:21,100 --> 00:14:22,100 Damn it, Hugh. 155 00:14:22,800 --> 00:14:24,760 And the rear axle's bent. 156 00:14:25,020 --> 00:14:30,060 Got to realign all four wheels and, oh, yeah, rewire the entire electrical 157 00:14:30,060 --> 00:14:32,780 system. Oh, Nancy, what a mess. 158 00:14:33,300 --> 00:14:34,720 Oh, now, come on. 159 00:14:35,040 --> 00:14:37,880 There's worse auto messes. Geez. 160 00:14:38,080 --> 00:14:42,400 Well, I'll tell you about a worse one. It happened to me. Yeah, sure, 78. I 161 00:14:42,400 --> 00:14:44,560 out of Daytona. Oh, what a mess. 162 00:14:44,860 --> 00:14:49,440 Look at that four -car wheel smacked into the wall, burst into flames. I'll 163 00:14:49,440 --> 00:14:50,760 you. Talk about your method. 164 00:14:52,020 --> 00:14:57,260 Thanks a lot for trying to cheer me up, Nance, but I wasn't just talking about 165 00:14:57,260 --> 00:15:02,640 cars. Life with Gary is a whole lot stranger than I ever thought it would 166 00:15:05,980 --> 00:15:10,240 Well, maybe it would help you to think about Diane Fossey. What? 167 00:15:11,040 --> 00:15:15,340 You know, that naturalist who lived with the apes for about, oh, what, ten 168 00:15:15,340 --> 00:15:16,880 years? Sure. 169 00:15:17,760 --> 00:15:18,860 Similar kind of situation. 170 00:15:20,380 --> 00:15:24,300 Yeah, and she stuck it out. I'll tell you, she stuck in there, and eventually 171 00:15:24,300 --> 00:15:26,180 she really ended up enjoying herself. 172 00:15:26,500 --> 00:15:27,379 Quite a bit. 173 00:15:27,380 --> 00:15:28,380 Sure. Yeah. 174 00:15:29,740 --> 00:15:30,740 Well, 175 00:15:31,040 --> 00:15:34,200 I'd better get back under that car. I'll tell you, I got about six hours worth 176 00:15:34,200 --> 00:15:37,680 of work. Would you mind handing me my three -quarter box rent? 177 00:15:38,560 --> 00:15:40,600 Yeah, this is great. Thanks. You're welcome. 178 00:15:45,680 --> 00:15:46,720 Six hours. 179 00:15:47,790 --> 00:15:49,710 What am I going to do for six hours? 180 00:15:50,830 --> 00:15:51,830 Oh, I know. 181 00:15:51,910 --> 00:15:56,350 I'll do one of Gary's time tricks and make it six hours later. 182 00:16:26,920 --> 00:16:32,800 Okay, I have my speedball pen, and I got my India ink, and 183 00:16:32,800 --> 00:16:39,500 we have our rice paper, and so we're all set for our calligraphy lesson. 184 00:16:40,000 --> 00:16:41,420 Honey, I'm home. 185 00:16:41,920 --> 00:16:42,920 Oh, hi, honey. 186 00:16:48,060 --> 00:16:50,780 I'm glad you're here. You're just in time for the calligraphy lesson. Magic 187 00:16:50,780 --> 00:16:51,780 Johnson's coming over. 188 00:16:52,020 --> 00:16:54,720 Gary, I have some terrible... 189 00:16:55,560 --> 00:16:56,560 Oh, what is it, honey? 190 00:16:56,960 --> 00:16:58,280 I... Oh, 191 00:16:59,040 --> 00:17:01,500 I don't want to tell you. You're going to be really mad. 192 00:17:01,840 --> 00:17:03,260 No, I won't. Tell me. 193 00:17:04,140 --> 00:17:08,619 The two things you love the most fell off the Santa Monica Pier today. 194 00:17:09,200 --> 00:17:11,180 The ski ball and the corndog stand? 195 00:17:11,579 --> 00:17:12,800 No, Gary. 196 00:17:13,339 --> 00:17:14,579 Me and your car. 197 00:17:14,980 --> 00:17:16,480 I had an accident. 198 00:17:16,819 --> 00:17:21,380 Oh, honey, are you okay? Yes, I'm all right, but are you sure you're not mad? 199 00:17:21,740 --> 00:17:24,960 Oh, of course not. The car's just a material thing. 200 00:17:25,310 --> 00:17:27,990 Did you think I was gonna yell at you like Ricky Ricardo or something? 201 00:18:02,670 --> 00:18:05,270 Keep dribbling magic number 32. 202 00:18:06,630 --> 00:18:11,650 Oh, honey, because you did a six -hour time thingy, we missed Magic Johnson. 203 00:18:45,450 --> 00:18:49,010 on my show. I mean, and it looks like I didn't get here a minute too soon. 204 00:18:49,310 --> 00:18:51,090 Hey, you don't happen to know any calligraphy, do you? 205 00:18:51,530 --> 00:18:52,530 No, I don't. 206 00:18:52,630 --> 00:18:53,770 Magic Johnson does. 207 00:18:54,870 --> 00:18:58,370 Now, listen, why don't we go over here and sit on the couch, and you can tell 208 00:18:58,370 --> 00:19:01,090 what's been going on in your life since we saw you last. Come on over. 209 00:19:01,790 --> 00:19:05,750 Well, you know, that's really nice of you, Chuck. You know, we moved in 210 00:19:05,750 --> 00:19:08,590 since we saw you. You moved in together? 211 00:19:09,110 --> 00:19:14,270 Yes. Gee, that's a little sudden, don't you think? Well, I think so, Chuck. 212 00:19:14,760 --> 00:19:19,000 I mean, I didn't know that living with Gary was going to be so hard. 213 00:19:19,560 --> 00:19:23,660 First of all, there's this audience that's here all the time. 214 00:19:27,560 --> 00:19:31,860 And they're a really nice audience, but you've got to think of clever things to 215 00:19:31,860 --> 00:19:33,160 say to them all the time. 216 00:19:33,500 --> 00:19:34,780 That must be hard for you. 217 00:19:35,020 --> 00:19:38,760 Yeah, it is. But I thought I'd be nice and try to fix them some clams. 218 00:19:48,590 --> 00:19:49,590 hot -headed Cuban. 219 00:19:51,350 --> 00:19:53,090 I'm so sorry, honey. 220 00:19:53,370 --> 00:19:55,550 Oh, I'm sorry, too, Gary. 221 00:19:56,530 --> 00:19:59,150 I love you. I love you very much. I love you. 222 00:19:59,570 --> 00:20:03,890 But I don't think I was ready for the responsibilities of moving in here with 223 00:20:03,890 --> 00:20:07,250 you. Yeah. Gary, what do you think about that? I don't think I'm ready for the 224 00:20:07,250 --> 00:20:08,830 responsibilities either, Chuck. 225 00:20:09,170 --> 00:20:11,430 Yeah. Could I offer you a suggestion? 226 00:20:11,910 --> 00:20:14,710 Sure. If anybody knows about love, it's you. 227 00:20:17,640 --> 00:20:19,020 And Bob Eubanks. He will. 228 00:20:20,940 --> 00:20:21,940 Listen, 229 00:20:22,440 --> 00:20:25,860 why don't you kind of just step back from this relationship a little bit. 230 00:20:26,100 --> 00:20:27,460 Give it a little time. 231 00:20:27,960 --> 00:20:31,780 You know, start dating again. In fact, if you start dating again, we'll even 232 00:20:31,780 --> 00:20:32,840 pick up the tab for the day. 233 00:20:35,920 --> 00:20:37,380 Hey, really? What do you think? 234 00:20:37,680 --> 00:20:38,820 Well, I don't know, Gary. 235 00:20:39,520 --> 00:20:41,220 I think it'd be great. 236 00:20:41,540 --> 00:20:46,060 Maybe it would be a good idea after the show. Okay. Not when the show's on. 237 00:20:47,040 --> 00:20:50,020 Great. We'll see each other when the show's not on. We'll go on that date. 238 00:20:50,120 --> 00:20:54,600 Great. That's a good idea. Listen, I got some... Here's 23 bucks. You guys go 239 00:20:54,600 --> 00:20:55,600 out and have a supper. Great. 240 00:20:58,440 --> 00:20:59,440 Thanks, Chuck. 241 00:20:59,560 --> 00:21:02,040 20, 21, 22, 23. 242 00:21:02,280 --> 00:21:04,900 Wow, this is going to be our best date ever. 243 00:21:07,820 --> 00:21:08,820 Thank you. 244 00:21:09,080 --> 00:21:11,540 Hey, I think we learned a lot of things tonight. 245 00:21:12,720 --> 00:21:14,880 First of all, Chuck doesn't, you know... 246 00:21:15,110 --> 00:21:19,730 dump his contestants like other game show hosts who you know they probably 247 00:21:19,730 --> 00:21:23,450 see him again and second of all i think we learned that if you have a tv show 248 00:21:23,450 --> 00:21:27,610 you got to be really really conscientious about the relationships 249 00:21:27,610 --> 00:21:31,270 involved in because there's a real responsibility there that's why i hope 250 00:21:31,270 --> 00:21:35,030 rather never really moves in with a girl it would really muck up the cbs evening 251 00:21:35,030 --> 00:21:39,270 news you know and um i'll be seeing uh 252 00:21:40,080 --> 00:21:44,780 You know, Angelica went out when we're not on the show, and so you'll probably 253 00:21:44,780 --> 00:21:47,000 just have to read about it in one of those magazines. 254 00:21:48,000 --> 00:21:49,940 You know, like Boy's Life or something. 255 00:21:51,700 --> 00:21:55,280 And I guess I'll see you all next week, okay? 256 00:21:56,140 --> 00:21:57,140 Bye, everybody. 257 00:23:30,360 --> 00:23:32,540 Hope you enjoyed. It's Gary Sandlin Show. 20166

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