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Here we are in the midst of a
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high-class Spanish hidey-ho, and everything's excellenti.
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In fact, it's positively esplendido.
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In case somebody was climbing over you during
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the main title, may I remind you that
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you're now looking at one of America's most
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famous historical celebrations.
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It's the annual fiesta at California's sun-kissed
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Santa Barbara, where men are men and women
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are, well, you've got eyes, haven't you?
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The purpose of this general jubilation is to
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commemorate California's early period when holding a fiesta
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was an old Spanish customary.
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Fiestas are very popular because they always provide
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a swell excuse to knock off work and
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go into your dance.
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And now I hear you saying, Happy, what's
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a fiesta?
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To which I briefly reply, fiesta is taken
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from the Spanish word fiesta, which means fiesta.
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Presenting Don Jose Manuel Chester Conklin.
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Folks, I want you to meet the six
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reasons why my dude ranch is the best
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in the West.
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Mary Carlisle.
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Cecilia Barton.
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Shirley Ross.
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Rosalind Keith.
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Ida Lupino.
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And Colby Wing.
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Ah, Eddie Lowe and Gilbert Rowland.
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A capable couple of kippeting caballeros.
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And here are Miss Benny Barnes and Robert
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Taylor.
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Robert, your bow wows me.
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Gosh, I sound like an airdance.
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Harpo Marx enters into the spirit of the
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fiesta, while the spirits of the fiesta enter
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into Harpo.
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Time Marx is on!
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And now, my little fiesterettes, unless these old
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eyes deceive me, yonder comes Hollywood's champion bull
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thrower, Andy Devine.
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Andy claims a record of 4,000 bulls,
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which if you ask me, is a lot
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of hamburger.
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Andy, tell the cash customers how you became
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a toreador.
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Gosh, that sounds like business.
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It's Pete Smith's voice.
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It is Pete Smith's voice, you mug.
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Well, maybe that's the reason it sounded so
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much like it.
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How are you, Pete?
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Okay, how are you?
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Oh, all right, well, adios.
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But very sudden, the spectators run away.
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Oh, the mass runs ha-ha, and the
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dogs say ho-ho.
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Well, it must be now that the kingdom
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and the prominent hero do go.
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Well, toss this bullfighter on the horns of
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a dilemma if it ain't Buster Keaton.
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Senor Keaton, to you, my friend.
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You know who I am?
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Sure, sure.
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Who are you?
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I am the world's champion bull grower.
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Bull thrower?
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Ah, me too.
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Shake, my friend.
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No, not thrower, grower.
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I breed bulls for the ring.
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Say, that's pretty nice work, if you can
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get it.
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Irvin S.
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Cobb will now explain the difference between Spanish
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music and a Spanish omelet, if any.
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Criticism to make of Spanish music, which I
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love ordinarily, but with the exception of that
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famous song dedicated to the cockroach, I have
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never heard any Spanish song, however it started,
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that did not wind up with something about
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a dove.
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It's like Hawaiian music, eh?
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Defect in that is that Hawaiian singers are
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always telling you goodbye, and they never go.
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Joe Morrison, singing the song he made famous,
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and that made him famous.
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Long, long, old pal, it's time your tears
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were dry.
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I'm a-headin' for the lie.
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Get along, little doggie, get along, get along.
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Get along, little doggie, get along.
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Get along, little doggie, get
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along.
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With his long, snow-white hat, there'll
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be only...
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I want you to fight one of my
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bulls.
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I have the most dangerous bulls in all
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of Spanish Switzerland.
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He say, he say who?
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Española, Spain.
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Oh, sissy, senor.
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Don't call me sissy.
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Oh, no, no.
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Si, si, senor.
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Yeah, that's better.
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I have with me one dangerous bull.
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He's so fierce, he scare himself.
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Me too.
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Adios, senor.
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Wait.
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I do you a big favor.
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I let you fight my bull to prove
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to these people you are the world's greatest
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bullfighter.
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Oh, no, no, senor.
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That is not necessary.
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They believe it.
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Adios.
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Let's see him fight.
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See, these people, they demand you fight my
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bull.
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Okay, but remember, after this fight, I'm going
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to retire, because this is the last time
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I'm ever going to fight the bulls.
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You telling me?
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And now, hang on to your seats, folks.
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Here's T-Bone, the prize porterhouse.
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Tougher than a 15 cent stake.
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Hello, everybody.
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This is so thrilling.
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And isn't Andy too, too divine?
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Ouch.
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Well, my friends, you're now listening to Harry
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Hairlip, bringing to you the latest ringside moves.
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Toreador Divine will attempt to throw the bull
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in 15 seconds.
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Daylight saving time.
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The contestants are in fine condition.
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They are both able to stand up without
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any visible aid.
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As they go into their corners, the crowd
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hushes.
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Just listen to that crowd hush.
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There goes the bell.
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The fighters advance to the center of the
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ring.
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The bull leads with a pout.
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Andy retaliates with a sneer.
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Hey, what is this?
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It's a fake.
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They're no champions, they're amateurs.
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And what amateurs?
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Major, give him the bell.
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All right, all right.
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We've just received the wire from the Santa
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Barbara butchers, pledging to sell 1,000 tons
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of horse meat next week.
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And close by the bull arena is the
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world's greatest ballerina, Senorita Maria Gambarelli.
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Hola, Gary Cooper.
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Que te le gusta esta bonita fiesta?
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Espresso en si, espanol.
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Go, Healy.
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You're a dame.
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You're a villain.
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I've seen your picture.
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How are you, shorty?
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You saw me what?
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I saw you in pictures.
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You saw me in pictures?
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Yeah, I've seen the picture called Panserbeer.
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Wait a minute.
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You're not shorty.
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Panserbeer.
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That's Wallace Beery.
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My name is Ted Healy.
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I'll get you, I'll get you.
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Oh, yeah, I got it.
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A night at the opera.
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Oh, boy, you're a dame.
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Wait a minute, wait a second.
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Quiet down.
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Are you nervous or something?
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No, go ahead.
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A night at the opera.
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It's the Four Monks Brothers.
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Oh, wait a minute now.
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They're trying to pull an old-time pharaoh
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deal, right?
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They got an old-time pharaoh deal.
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Wait a minute, son.
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Go ahead.
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How'd you get in here?
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This is all high-class people.
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You know that, don't you?
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This is the Newport of the West.
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How did you get in here?
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Answer me a question, son.
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Don't yell.
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Don't.
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How did you get in here, kid?
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Please answer me.
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Don't evade it.
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How did you get in here?
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On my friend's ticket.
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You what?
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My friend's ticket.
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I'm not nervous.
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On your friend's ticket, eh?
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Yeah.
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Where's your friend?
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He's outside looking for his ticket.
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Oh, he is.
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He's looking for his ticket.
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Yeah.
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Don't yell.
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Don't holler.
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Don't scream at him.
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Go ahead.
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Wait a minute.
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Tell me more.
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Tell me more.
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I'll get you, I'll get you.
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You know me now, huh?
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Yeah.
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You're the guy on the radio.
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Six delicious flavors.
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You're the guy.
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You're great.
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Cut it out, will you please?
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That's Jack Benny.
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My name is Ted Healy.
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I'm getting warm, ain't I?
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Yeah, you're getting warm.
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OK, OK.
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Oh, wait a minute.
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I got...
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Never mind.
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Here.
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Read this.
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You're not mad at me, are you?
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Now, go ahead.
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How old are you, kid?
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23.
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You're a little older.
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Now, 23.
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Oh, no.
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Never get that dirty in 23 years.
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A little older, son.
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I know you.
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I'll get you in a second.
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Here, Mr. Healy.
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May I introduce a very charming fellow.
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You're OK.
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You're charming, all right.
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Very clever.
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Sings and dances.
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And I'll soon hear from you again.
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I remain faithful to yours.
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Sign yours truly.
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Who wrote this?
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I did.
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You did, eh?
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Yeah.
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Now, don't skip with me because I'm...
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Hiya, Healy.
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Oh, another one.
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How are you there, kid?
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What's new?
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Nothing.
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Everything is fine.
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What's that?
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Oh, just a friend of mine.
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Oh, yeah.
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Brewster.
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Hey, I forgot.
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The man outside is here with your relief
282
00:12:30,380 --> 00:12:30,640
ticket.
283
00:12:30,640 --> 00:12:31,340
Oh, wait a minute.
284
00:12:31,480 --> 00:12:31,820
Now, wait a minute.
285
00:12:31,820 --> 00:12:32,100
Take it easy.
286
00:12:32,240 --> 00:12:32,600
Wait a minute.
287
00:12:33,840 --> 00:12:34,780
How do you like that guy?
288
00:12:40,720 --> 00:12:40,840
Ah!
289
00:12:45,560 --> 00:12:45,960
Ah!
290
00:12:46,160 --> 00:12:46,260
Ah!
291
00:12:46,260 --> 00:12:47,120
Maybe I fooled you, no?
292
00:12:47,360 --> 00:12:48,720
I bet you think I am the big
293
00:12:48,720 --> 00:12:50,600
bad wolf in the sheep's overcoat.
294
00:12:51,660 --> 00:12:52,060
Poof.
295
00:12:52,420 --> 00:12:53,680
You're no fool of me.
296
00:12:54,120 --> 00:12:56,740
I see you moving pictures plenty too much.
297
00:12:57,340 --> 00:12:59,560
I ain't no afraid of the great Leo
298
00:12:59,560 --> 00:13:00,200
Carillo.
299
00:13:00,720 --> 00:13:01,120
Oh!
300
00:13:01,360 --> 00:13:02,600
A tough fella, eh?
301
00:13:02,600 --> 00:13:04,860
Your mouth is too big for your faces.
302
00:13:05,640 --> 00:13:06,320
Diablo!
303
00:13:14,100 --> 00:13:15,980
Gracias, my friends.
304
00:13:16,760 --> 00:13:18,860
I want you to meet the loveliest flower
305
00:13:18,860 --> 00:13:22,180
of the fiesta, Senorita Adrienne M.
306
00:13:26,580 --> 00:13:31,200
Now, my friends, the Carillas are here.
307
00:13:31,200 --> 00:13:33,260
We're going to have a good time, eh?
308
00:13:33,520 --> 00:13:36,040
I bring you one big surprise that I
309
00:13:36,040 --> 00:13:37,560
kidnapped from the Hollywoods.
310
00:13:38,080 --> 00:13:40,100
The first is La Cucaracha.
311
00:13:40,320 --> 00:13:42,800
Nobody can forget Senorita Steffi Duna, eh?
312
00:13:43,080 --> 00:13:45,740
She borrowed a burro to bring this bottle
313
00:13:45,740 --> 00:13:47,920
all the way from the Hollywoods.
314
00:13:50,160 --> 00:13:52,280
Sitting over there is a hombre who is
315
00:13:52,280 --> 00:13:54,960
making hey-hey with the senorita while the
316
00:13:54,960 --> 00:13:56,280
son she is signing, eh?
317
00:13:56,740 --> 00:13:58,620
Senor Paul Pocassi.
318
00:13:58,620 --> 00:14:02,850
La cucaracha, la cucaracha, ya no puede caminar
319
00:14:03,160 --> 00:14:06,680
porque no tiene porque le falta but I
320
00:14:06,680 --> 00:14:07,820
want to keep her more.
321
00:14:08,000 --> 00:14:12,120
La cucaracha, la cucaracha, ya no puede caminar
322
00:14:12,120 --> 00:14:15,260
porque no tiene porque le falta but I
323
00:14:15,260 --> 00:14:17,020
want to keep her more.
324
00:14:17,160 --> 00:14:20,540
Senor Paul Pocassi, if you want a hot
325
00:14:20,540 --> 00:14:25,060
one, something hot, San Diego and Hoboken.
326
00:14:25,580 --> 00:14:27,000
La cucaracha!
327
00:14:29,120 --> 00:14:32,940
The poor little cucaracha, she's dying.
328
00:14:33,800 --> 00:14:43,040
La cucaracha, la cucaracha, ya no puede
329
00:14:43,040 --> 00:14:55,340
caminar porque no tiene porque le falta Marihuana.
330
00:15:00,000 --> 00:15:00,560
Marihuana.
331
00:15:00,560 --> 00:15:04,420
La cucaracha, la cucaracha, ya no puede caminar
332
00:15:04,420 --> 00:15:08,980
porque no tiene porque le falta Marihuana.
333
00:15:12,120 --> 00:15:21,980
We're going to have the real spirit
334
00:15:21,980 --> 00:15:22,660
of the fiesta.
335
00:15:23,160 --> 00:15:24,840
We're going to see many beautiful senoritas.
336
00:15:25,420 --> 00:15:27,200
We're going to have the music and the
337
00:15:27,200 --> 00:15:29,780
girls are going to dance with the cascarettes.
338
00:15:31,180 --> 00:15:42,760
We're
339
00:15:42,760 --> 00:15:59,820
going
340
00:16:02,930 --> 00:16:04,270
to see many beautiful senoritas.
22004
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