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Hi, I'm Brian Henson.
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This episode of The Muppet Show stars
Harry Belafonte.
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He's an amazing guy. He's very
spiritual, very powerful. Once you've
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Belafonte, your life changes.
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Undoubtedly, Harry's most important
contribution to this episode is the
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number. It's a mystical African song
called Turn the World Around.
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The African
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mass puppets were built especially for
this number.
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Years later, Harry did a reprise of this
song at my father's memorial service.
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It was probably the most important and
powerful moment in the whole ceremony.
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Harry continues to be a great friend.
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to the family. He was a great friend of
my father's, and this is where we all
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met. Here he is in The Muppet Show.
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Harry Belafonte!
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30 seconds to curtain, Mr. Belafonte.
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Thank you, Scooter.
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Say, is everything all right?
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Oh, yeah, everything's okay.
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Except, you know, I haven't even done
the show yet, and already somebody
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to put me down. No.
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Oh, what do you mean?
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Just now I heard somebody outside my
door say, don't go inside that dressing
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room. Crazy Harry's in there. Oh, well,
they didn't mean you. You see, Crazy
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Harry's a mu... Crazy Harry?
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It's The Muppet Show with our very
special guest star, Harry Belafonte!
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I've seen enough. Let's leave.
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Thank you.
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Fozzie, this is not going to work.
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Just read off the page, Frog.
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Leggies and jungle funds.
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Leggies and jungle funds?
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Leggies and jungle funds.
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All right, so my typing is bad.
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Leggies and jungle funds.
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Welcome again, Tidy Muppet Shocks.
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My name is Kermit the Forg.
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The Forg?
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Come on, pick up the pace. Here we go.
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And our spiky old guest, Stapp, is the
amazing Harry Belafonte, folks.
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Come it.
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Your timing must be off. You should be
getting big laughs with that stuff.
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That was beautiful.
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Thank you very much, but I'm not
finished with the song yet.
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Oh, yeah, but boy, that was terrific. I
bet you must have sang that song a bunch
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of times on TV, huh?
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No, no, as a matter of fact, this is the
very first time.
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This here in the Muppet Show is the very
first time you sang this. The very
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first time.
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That's why it's very special to me. You
bet it is. And to us too. I tell you
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what, we're gonna do it up really
perfect.
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Hey pigs, pigs, come on in.
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This is your pig chorus.
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Okay, and I'll take care of everything
else. Don't worry. This is gonna be
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great.
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Are you sure?
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Trust me.
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Excuse me. I'm sorry. Excuse me. What is
a tally man?
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What is what?
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A telly man. You're saying telly man.
What's that?
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Well, he's the boss.
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The telly man is the guy who counts the
bananas as they go into the hold of the
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ship. And without him, there's just no
work. He's a very important man.
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Ah, could I be a telly man?
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Sure. Oh, yeah?
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Terrific.
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Okay, here we am, the telly man or the
telly bear.
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Okay, we got the telly bear, and now we
got the boat, the chorus with the pigs
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and the parrot.
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Okay, keep singing. This is going to be
great.
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Are you sure we have everything?
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Sure. How about the bananas?
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The what?
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Bananas. We need bananas. The banana
boat song. We have to have bananas.
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Good thinking.
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I've got just the man.
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All right, guys.
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Yes. Come here. Come here. You've got a
job.
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Get bananas for this song.
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Okay. Okay.
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Go ahead. This is just going to be
great.
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He's going to get the bananas?
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He's going to get the bananas, and the
song's going to be wonderful now.
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Are you sure?
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Trust me.
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That's what you said the last time.
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Come, Mr.
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Tallyman, tally me banana.
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Daylight come and me wanna go home.
Come, Mr.
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Tallyman, tally me banana.
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It's bananas.
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Daylight come and me wanna go home. Lift
six and seven and eight and punch.
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Daylight come and me wanna go home.
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Six, five, seven, eight, nine, punch. I
don't even know what those are.
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They're bananas.
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They're yellow.
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They're bananas.
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Keep singing.
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He's ready.
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Don't you understand? Don't you
understand?
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No,
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no,
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no, no, no. I don't work with a deadly
tarantula. I don't work with a deadly
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tarantula. Alice, please.
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Wait, wait, wait.
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Alice, please.
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Come on, what are you waiting for? Wait
a minute, please. Look, don't worry
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about the tarantula.
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Don't worry about the pineapples and the
onions. Look, this is the first time
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I'm doing this on television.
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I really would like to get it right.
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I'd like it to look good for other
people.
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Come on, I mean, won't you help me out?
Let's pull together, okay? Okay, right.
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Everybody ready, okay? Just watch me,
okay? It'll work. Do you really think
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it'll work?
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Trust me.
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I live six and seven and eight and
bunch.
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Daylight come and me one go home.
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Six and seven and eight and bunch.
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Come Mr.
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Tallyman, tally me banana. They like
come when me one go home.
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Come Mr.
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Tallyman, tally me banana.
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They like come when...
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all together? Yes sir, I'm sorry.
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in the first place.
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Okay, nice number, nice number. We got
some crackers in the kitchen.
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Hey, Kermit, oh, we thought these were
species.
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Hey, hey, watch out, watch out, Kermit.
Oh, God, watch out.
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Let's see.
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Where was I here? Where was I? Ralph in
New Zealand on stage for the musical
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moment. Oh, that's it, the musical
moment, yeah.
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Fuzzy, what are you doing with this
typewriter on my table?
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Kermit, I am writing the script for this
week's show.
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What makes you think the show needs a
script?
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Oh, come on.
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Every show has a script.
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Yeah, that way you leave nothing to
chance.
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Hey, guys, guys, hey, hey, hey.
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Here is the musical moment for this
week.
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Uh, curtains open.
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Lou Zealand and Ralph do something
funny.
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Curtains close.
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Go get him!
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You leave nothing to chance, huh?
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Trust me.
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Do you know T for two?
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T for two? I know it backwards.
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Oh, good, because that's the way we want
to hear it.
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Good, because that's the way I'm going
to sing it.
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Much very, you think.
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Mine was pleasure, thee.
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Now, time once again for Pigs in Space!
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What's old stupid doings?
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I'm not doing a thing.
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Well, the answer's been called.
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Not you, stupid dear.
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The stupid on the end.
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Ah, yes. I'm perfecting my dissolvetron.
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Ooh, what is that?
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What does it do?
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It does this.
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And it does this.
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Hey,
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you! What a wonderful trick.
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Do that again.
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Well,
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it's very simple, Link. You see, this
ray dissolves anything I point it at.
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And then it will undissolve you thusly.
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And there you are.
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Exactly as we were before.
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Maybe not exactly.
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But this is terrible. I can't live my
life being you.
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You think you've got troubles.
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Of course, I am kind of cute this way.
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Watch it, watch it. Don't you dare touch
you.
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Strange pork, this is all your fault.
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00:13:13,280 --> 00:13:15,320
Yeah, yeah. What do you have to say to
yourself?
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Ew, this is a bummer. I mean, really.
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Something has gone wrong with my...
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00:13:24,140 --> 00:13:25,760
This is definitely not my scene.
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00:13:26,060 --> 00:13:30,060
Oh, come in! Come in! Help! Where are
you? Come in! Come in!
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Oh, come in! That does it. The sketch is
cancelled.
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Kill the lights.
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Strike the scenery.
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Thank you.
186
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Oh, no.
187
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Oh, this is so embarrassing.
188
00:18:01,350 --> 00:18:05,930
I wonder if this ever happened to Neil
Simon.
189
00:18:06,750 --> 00:18:09,150
Oh, boy. Hey, Fonzie. Oh, hi.
190
00:18:09,550 --> 00:18:10,550
Hi, Ralph.
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00:18:10,570 --> 00:18:11,469
How's it going?
192
00:18:11,470 --> 00:18:16,950
Oh, well, gosh, I, um... I, uh, um...
You're stuck, huh?
193
00:18:18,010 --> 00:18:21,270
Yeah. Well, this then happens to all
writers.
194
00:18:22,280 --> 00:18:23,259
This does?
195
00:18:23,260 --> 00:18:25,580
Sure, it's what's called writer's block.
196
00:18:26,420 --> 00:18:30,880
Oh, oh, oh. You know where you can't
come up with the next line. Yes, well, I
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00:18:30,880 --> 00:18:32,480
can't come up with the next line.
198
00:18:32,680 --> 00:18:34,160
Well, maybe I can help.
199
00:18:34,380 --> 00:18:36,180
Let me see what you last wrote here.
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Stop!
201
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Hello, sports fans.
202
00:18:42,780 --> 00:18:47,060
Louis Kazaker bringing you the wild
world of Muppet Sports.
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00:18:47,520 --> 00:18:54,140
You join us today for the start of the
100 -meter blindfold... And the
204
00:18:54,140 --> 00:18:55,900
finalists are on their marks.
205
00:18:56,400 --> 00:18:58,540
And they can't see a thing.
206
00:19:00,540 --> 00:19:02,580
Not even the starting flat.
207
00:19:03,000 --> 00:19:04,820
So he'll try the pistol.
208
00:19:05,240 --> 00:19:08,580
And there they go. And there. And there
and over there.
209
00:19:08,920 --> 00:19:10,420
Yes. Number zero.
210
00:19:10,720 --> 00:19:12,660
Knocked down by number two. He's up
again.
211
00:19:12,980 --> 00:19:15,220
Number seven looking like a man of
action.
212
00:19:15,440 --> 00:19:17,200
Number zero knocked down again.
213
00:19:17,440 --> 00:19:21,520
This time by number six. Zero off to the
side. Six is off. Here comes two
214
00:19:21,520 --> 00:19:22,520
looking.
215
00:19:51,540 --> 00:19:52,439
What's that?
216
00:19:52,440 --> 00:19:53,620
Why did they do it?
217
00:19:56,640 --> 00:19:57,980
How's the writing going, Foss?
218
00:19:58,480 --> 00:20:00,740
Oh, boy, I didn't know it'd be that
tough, Harry.
219
00:20:01,040 --> 00:20:03,180
Oh, well, you know, you write a lot of
stuff.
220
00:20:03,880 --> 00:20:04,879
No, not really.
221
00:20:04,880 --> 00:20:06,960
No, well, I write songs.
222
00:20:07,460 --> 00:20:11,340
Oh, yeah, they're terrific, too. Hey,
how do you get ideas for all those
223
00:20:12,360 --> 00:20:14,520
Well, they don't come easily. You have
to get inspired.
224
00:20:15,180 --> 00:20:16,680
You like the song we're going to do
next?
225
00:20:16,960 --> 00:20:17,659
Mm -hmm.
226
00:20:17,660 --> 00:20:19,420
I discovered that song in Africa.
227
00:20:19,900 --> 00:20:21,180
I was in a country called Guinea.
228
00:20:21,640 --> 00:20:24,020
And I went deep into the interior of the
country.
229
00:20:24,300 --> 00:20:27,020
And in a little village, I met with a
storyteller.
230
00:20:27,660 --> 00:20:33,100
And that storyteller went way back into
African tradition and African mythology.
231
00:20:33,860 --> 00:20:40,400
He began to tell the story about the
fire, which means the sun, about the
232
00:20:40,480 --> 00:20:41,960
and about the earth.
233
00:20:42,540 --> 00:20:46,440
And then he pointed out that all of
these things put together turn the world
234
00:20:46,440 --> 00:20:48,360
around. And that all of us...
235
00:20:48,810 --> 00:20:50,930
We're here for a very, very short time.
236
00:20:51,430 --> 00:20:55,590
And in that time that we're here, there
really isn't any difference in any of
237
00:20:55,590 --> 00:20:59,050
us, if we were to take time out to
understand each other.
238
00:20:59,450 --> 00:21:02,490
And the question is, do I know who you
are?
239
00:21:02,730 --> 00:21:04,090
Do you know who I am?
240
00:21:05,010 --> 00:21:10,690
Do we care about each other? Because if
we do, together we can turn the world
241
00:21:10,690 --> 00:21:11,690
around.
242
00:21:16,970 --> 00:21:22,810
We come from the fire, living in fire,
go back to the fire, turn the world
243
00:21:22,810 --> 00:21:23,810
around.
244
00:21:48,970 --> 00:21:54,490
We come from the water, living in the
water, go back to the water, turn the
245
00:21:54,490 --> 00:21:55,490
world around.
246
00:22:21,000 --> 00:22:26,160
We come from the mountain, living on the
mountain, go back to the mountain, turn
247
00:22:26,160 --> 00:22:31,340
the world around. We come from the
mountain, living on the mountain, go
248
00:22:31,340 --> 00:22:33,340
the mountain, turn the world around.
249
00:22:33,660 --> 00:22:38,880
We come from the mountain, living on the
mountain, go back to the mountain, turn
250
00:22:38,880 --> 00:22:39,880
the world around.
251
00:22:51,020 --> 00:22:57,880
So it's like, do you know who I am? Do I
know who
252
00:22:57,880 --> 00:23:01,020
you are? See, we want another.
253
00:23:01,440 --> 00:23:08,440
Clearly, do we know who we are? Do you
know who I am? Who I am?
254
00:23:28,120 --> 00:23:30,400
So is life.
255
00:23:56,170 --> 00:24:01,630
Water make the river, river wash,
mountain fire make the sunlight turn the
256
00:24:01,630 --> 00:24:07,270
around. Heart is of the river, body is
the mountain, spirit is the sunlight
257
00:24:07,270 --> 00:24:12,990
the world around. We are of the spirit,
truly of the spirit, only can the spirit
258
00:24:12,990 --> 00:24:14,450
turn the world around.
259
00:24:14,690 --> 00:24:20,530
We are of the spirit, truly of the
spirit, only can the spirit turn the
260
00:24:20,530 --> 00:24:25,610
around. Do you know who I am? Do I know?
261
00:24:29,460 --> 00:24:32,840
Do we know who we
262
00:24:32,840 --> 00:24:45,520
are?
263
00:25:07,600 --> 00:25:09,920
Thank you.
264
00:25:23,440 --> 00:25:27,140
a great show that we can hardly bring
ourselves to end it. And we all know who
265
00:25:27,140 --> 00:25:28,140
we have to thank for that.
266
00:25:28,440 --> 00:25:29,520
The script writer.
267
00:25:29,840 --> 00:25:34,740
No, no, the guest star. And so thank you
from all of us, Mr. Harry Palafonte.
268
00:25:38,300 --> 00:25:41,760
This is the greatest group of singers
I've ever worked with. The Muppets.
269
00:25:42,040 --> 00:25:42,919
Night, all.
270
00:25:42,920 --> 00:25:44,880
Thank you. We'll see you next time on
The Muppet Show.
271
00:25:58,459 --> 00:25:59,860
is
20776
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