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All language subtitles for The Ray Bradbury s06e08 Sun and Shadow

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:15,120 --> 00:00:17,800 People ask, where do you get your ideas? 2 00:00:18,300 --> 00:00:19,580 Right here. 3 00:00:20,240 --> 00:00:23,200 Oh, this is my magician's toy shop. 4 00:00:25,560 --> 00:00:29,260 I'm Ray Bradbury, and this is... 5 00:01:16,940 --> 00:01:17,859 Breakfast, husband. 6 00:01:17,860 --> 00:01:20,180 And son of the father who is my husband. 7 00:01:21,240 --> 00:01:22,240 Oh, good. 8 00:01:22,500 --> 00:01:25,000 I could eat the dog that eats the cat. 9 00:01:27,000 --> 00:01:33,900 Look at that sky. 10 00:01:38,260 --> 00:01:40,200 Listen to the music of life. 11 00:01:42,480 --> 00:01:44,220 Don't say it. It's bad luck. 12 00:01:44,420 --> 00:01:45,800 It might be taken away. 13 00:01:47,410 --> 00:01:51,590 Maria, you are so superstitious. What could happen? Don't say that either. You 14 00:01:51,590 --> 00:01:52,488 bring it on. 15 00:01:52,490 --> 00:01:53,590 Bring what on? 16 00:01:58,990 --> 00:02:02,090 Drink before this gets warm. Eat before this gets cold. 17 00:02:03,110 --> 00:02:08,169 Maria, you are one of the gods. Come down to earth to make me happy, only to 18 00:02:08,169 --> 00:02:09,509 leave and make me sad. 19 00:02:29,480 --> 00:02:30,920 Fifteen feet. Start here. 20 00:02:34,820 --> 00:02:38,320 Finishes here. Flat. No build. You have eight minutes. 21 00:02:38,760 --> 00:02:39,579 All right, guys. 22 00:02:39,580 --> 00:02:43,100 Parabellum of the sun from there to there. But it won't last long. 23 00:02:43,500 --> 00:02:44,740 Don't go mad with your toys. 24 00:02:45,420 --> 00:02:48,360 Reflectors with bunkers. I have diffusion number three. 25 00:02:48,620 --> 00:02:51,260 Tell makeup and water that they're not ready. They're dead. 26 00:02:51,480 --> 00:02:52,478 Right away, sir. 27 00:02:52,480 --> 00:02:53,480 Shadows. 28 00:02:53,740 --> 00:02:55,360 Makeup. Texture. 29 00:02:55,780 --> 00:02:56,780 Burton. 30 00:02:57,520 --> 00:02:58,860 You must come and look. 31 00:02:59,310 --> 00:03:00,310 It's a manifest. 32 00:03:01,090 --> 00:03:02,090 Where's Tomas? 33 00:03:04,270 --> 00:03:05,270 Andrew? 34 00:03:07,230 --> 00:03:08,230 Andrew! 35 00:03:09,130 --> 00:03:12,930 The coat hangar's over here now. They've been tidying themselves up since first 36 00:03:12,930 --> 00:03:15,510 light, and the light is now perfect. Done! 37 00:03:18,730 --> 00:03:23,010 Lord, why does no one want to roll this camera except me? 38 00:03:23,390 --> 00:03:24,450 You down there. 39 00:03:25,750 --> 00:03:27,750 Ricardo, don't come away. You down there. 40 00:03:28,620 --> 00:03:29,620 That's all I need. 41 00:03:30,960 --> 00:03:31,960 Ricardo, stop. 42 00:03:32,240 --> 00:03:35,180 I don't need to stop. Tell them to stop. I'm not hurting anything. 43 00:03:35,560 --> 00:03:36,560 You there. 44 00:03:37,180 --> 00:03:40,960 All right, darling, let's put you right here. And the bottle here, keep the 45 00:03:40,960 --> 00:03:44,440 label turned to the camera. After all, we are trying to sell some ground. And 46 00:03:44,440 --> 00:03:47,000 when... Thomas. 47 00:03:47,760 --> 00:03:50,280 The lies and shadows will hit you absolutely. Thomas is in the street. 48 00:03:50,660 --> 00:03:52,540 Our own son, laughing there. 49 00:03:53,840 --> 00:03:56,140 Don't. No, no, I'll cut off their heads. 50 00:03:56,650 --> 00:03:59,610 The eye of the master, Kirsten, though I say it myself. 51 00:04:00,870 --> 00:04:03,550 The cool, dark mystery of shadow. 52 00:04:04,070 --> 00:04:06,310 The hot passion of the sun. 53 00:04:06,830 --> 00:04:09,470 And you in trance. 54 00:04:10,150 --> 00:04:12,610 If that doesn't fill that sick -making stuff, I'll drink some myself. 55 00:04:13,290 --> 00:04:15,190 Andrew, let's have a rehearsal now. 56 00:04:15,530 --> 00:04:17,050 Done. Places, everyone. 57 00:04:17,390 --> 00:04:18,390 That's my banister. 58 00:04:19,149 --> 00:04:20,630 Amigo, we're filming. 59 00:04:21,410 --> 00:04:23,010 Making a movie. 60 00:04:25,580 --> 00:04:28,640 Everything's all right. A few set -ups and we'll move on. 61 00:04:29,160 --> 00:04:30,880 Everything is not all right. 62 00:04:31,100 --> 00:04:32,480 She is on my house. 63 00:04:32,780 --> 00:04:34,440 We're filming a commercial. 64 00:04:35,040 --> 00:04:40,580 It's costing lots and lots of... I get it. Silly me. 65 00:04:41,660 --> 00:04:43,920 Andrew, give this gentleman some portraits of his president. 66 00:04:45,500 --> 00:04:46,980 De Niro, pesos. 67 00:04:48,380 --> 00:04:51,780 No, you insult me. I work for my money. 68 00:04:53,260 --> 00:04:54,260 Please go. 69 00:04:55,330 --> 00:04:57,030 What? Move my crew? 70 00:04:57,250 --> 00:04:58,270 All this equipment? 71 00:04:58,650 --> 00:04:59,650 Now! 72 00:05:00,710 --> 00:05:01,870 Thomas, get in the house. 73 00:05:02,190 --> 00:05:03,029 But, Papa. 74 00:05:03,030 --> 00:05:04,030 Huh? 75 00:05:07,070 --> 00:05:11,830 In all my years in the film industry, no one has behaved as Batman is behaving. 76 00:05:12,270 --> 00:05:14,170 It is past time someone behaved. 77 00:05:14,790 --> 00:05:15,790 I am the one. 78 00:05:17,290 --> 00:05:18,290 All right. 79 00:05:18,640 --> 00:05:22,420 We'll use the street I found on the survey. It has cracked walls, deep 80 00:05:22,520 --> 00:05:25,120 It's not as good, but I shall be able to make it work. 81 00:05:25,560 --> 00:05:27,180 We're moving out. 82 00:05:28,180 --> 00:05:29,900 Look, you must understand. 83 00:05:30,140 --> 00:05:32,340 It is not you I matter, or even him. 84 00:05:33,060 --> 00:05:37,780 I have my job, you have yours. We should understand each other, but I will not 85 00:05:37,780 --> 00:05:39,940 have my alley used because it has pretty shadows. 86 00:05:40,280 --> 00:05:45,220 Or my sky used because of its sun. Or my house used because there is an 87 00:05:45,220 --> 00:05:47,640 interesting crack in the wall. That guy pestering you, Kirsten. 88 00:05:50,320 --> 00:05:52,260 No, no, no. I am explaining. 89 00:05:52,820 --> 00:05:54,840 Look, you must understand. I'm not a mean man. 90 00:05:56,300 --> 00:05:57,880 You should have thought to ask permission. 91 00:05:58,800 --> 00:06:02,920 Well, do I have permission, senor? 92 00:06:03,560 --> 00:06:04,560 No. 93 00:06:05,800 --> 00:06:07,940 Why are you angry? I am the one to be mad. 94 00:06:09,000 --> 00:06:11,280 Why ask permission if it's refused? 95 00:06:13,300 --> 00:06:14,340 Politeness. Good manners. 96 00:06:14,660 --> 00:06:16,840 The world runs mad for lack of politeness. 97 00:06:17,240 --> 00:06:18,400 The loss of good manners. 98 00:06:20,820 --> 00:06:22,120 Thanks for the enlightenment. 99 00:06:23,320 --> 00:06:24,480 This way, guy. 100 00:06:24,940 --> 00:06:27,660 On the double. It's the locals who take the theater. 101 00:06:33,000 --> 00:06:34,000 One moment. 102 00:06:38,000 --> 00:06:39,120 One moment, please. 103 00:06:40,520 --> 00:06:45,060 Do I look like a cardboard cutout? What do you mean, cardboard? 104 00:06:45,660 --> 00:06:46,660 Well, you see, 105 00:06:47,440 --> 00:06:50,920 The places where the tourists stick their heads to pretend they are 106 00:06:50,920 --> 00:06:53,160 dancers. So if they're there, why not? 107 00:06:54,540 --> 00:06:56,380 And we're here, so why not, huh? 108 00:06:57,900 --> 00:07:01,160 We do not exist to be backgrounds for your smiling ladies. 109 00:07:03,440 --> 00:07:04,820 My life is my life. 110 00:07:05,140 --> 00:07:06,440 My alley is my alley. 111 00:07:07,100 --> 00:07:08,100 Exactly, Buster. 112 00:07:08,340 --> 00:07:11,140 And they're both over there, the other side of the square. 113 00:07:11,940 --> 00:07:13,760 We're off your little hacienda now. 114 00:07:14,040 --> 00:07:16,160 So behave yourself and bamus. 115 00:07:16,810 --> 00:07:18,250 Or I'll call the Federales. 116 00:07:24,110 --> 00:07:25,110 Ricardo. 117 00:07:25,230 --> 00:07:29,030 They had their work and so do you. And we both should do our work. 118 00:07:29,290 --> 00:07:30,590 Where it is fitting. 119 00:07:31,470 --> 00:07:35,110 We are not a film studio. We are people. And we must be given attention as 120 00:07:35,110 --> 00:07:36,110 people. 121 00:07:36,830 --> 00:07:39,530 We did not plan our cracked walls and peeling paint. 122 00:07:39,910 --> 00:07:40,910 Ricardo. Maria. 123 00:07:41,430 --> 00:07:45,090 If I had not sent Tomas inside, they would have used my honorable son in 124 00:07:45,090 --> 00:07:48,720 Not... Quite. That's clothing like a poster or a potted plant or a cut. 125 00:07:48,960 --> 00:07:51,700 Ricardo. Tomás. Yes, Tomás. He's not inside. 126 00:08:02,600 --> 00:08:05,040 Naomi, I'll put you here. The sun will cross my feet perfect. 127 00:08:05,380 --> 00:08:07,200 Lucky for you guys, I can think on my feet. 128 00:08:07,480 --> 00:08:08,480 Okay. 129 00:08:09,020 --> 00:08:11,300 We'll come off, Naomi, bound. 130 00:08:12,500 --> 00:08:14,480 Cross the statue, the broken nose is fabulous. 131 00:08:15,690 --> 00:08:21,530 And we move in to discover Kirsten leaning against the door and the A1 132 00:08:21,530 --> 00:08:22,530 beast. 133 00:08:26,010 --> 00:08:27,970 Don't you belong back at that loudmouth place? 134 00:08:28,250 --> 00:08:29,990 I am free to go where I wish. 135 00:08:30,650 --> 00:08:32,010 Damn right you can, kid. 136 00:08:32,690 --> 00:08:33,689 Hey, look. 137 00:08:33,690 --> 00:08:36,590 I am going to put you in my movie. What do you think of that, huh? 138 00:08:37,210 --> 00:08:41,470 This will fix that dead spot between the fountain and the wall. Now, when I call 139 00:08:41,470 --> 00:08:44,470 action, I want you to start here, walk in that direction. 140 00:08:44,990 --> 00:08:46,030 And don't stop till I call cut. 141 00:08:47,790 --> 00:08:48,790 Andrew. Sir. 142 00:08:49,150 --> 00:08:50,410 Give him a few pesos. Sir. 143 00:08:51,210 --> 00:08:52,210 Ten. 144 00:08:52,470 --> 00:08:53,470 Americano. 145 00:08:55,450 --> 00:08:59,630 I hate impromptu, but on the other hand, here. 146 00:09:00,630 --> 00:09:02,710 Okay, we'll shoot the rehearsal. We've lost enough time already. 147 00:09:04,010 --> 00:09:05,610 Kid, kid, sit down. Sit down. 148 00:09:06,130 --> 00:09:07,610 Yeah. And no smiles. 149 00:09:08,470 --> 00:09:09,470 Sad. 150 00:09:10,090 --> 00:09:13,710 Your poor mother's just sent you out with the last few pesos to buy half of 151 00:09:14,080 --> 00:09:15,200 And five B's. 152 00:09:16,500 --> 00:09:17,600 Motivation for a kid, eh? 153 00:09:19,120 --> 00:09:22,680 Okay, stand by, kid. Now remember, this is serious. 154 00:09:24,560 --> 00:09:25,560 Serious indeed. 155 00:09:28,120 --> 00:09:30,640 Now it seems you have vandalized the whole town. 156 00:09:33,920 --> 00:09:35,640 Tomás, vámonos. 157 00:09:38,980 --> 00:09:40,360 I warned you, Pancho. 158 00:09:42,220 --> 00:09:45,180 This is not your house, and we never knocked it down. 159 00:09:45,980 --> 00:09:47,940 My home is intact. 160 00:09:48,640 --> 00:09:52,080 And my name is Ricardo Juan de Silva Orte. 161 00:09:53,020 --> 00:09:54,860 A good name for the mayor of the town. 162 00:09:55,820 --> 00:09:57,040 No, I'm not the mayor. 163 00:09:58,060 --> 00:10:05,000 Then, with or without your permission, citizen, we shall proceed. 164 00:10:06,420 --> 00:10:07,660 Same position for you, Naomi. 165 00:10:09,500 --> 00:10:12,460 Kirsten, the shot will pick you up. On the move, walking to the door. I'll kill 166 00:10:12,460 --> 00:10:13,339 you for your walk. 167 00:10:13,340 --> 00:10:14,760 Excuse us, citizen. We're working. 168 00:10:18,060 --> 00:10:20,500 Andrew! Sir! The old man out of it. He's in the shot. 169 00:10:20,700 --> 00:10:21,700 Sir! What's this? 170 00:10:22,700 --> 00:10:23,720 Can you come over here? 171 00:10:24,320 --> 00:10:28,240 All right, girls, get ready. Look gorgeous. Wait for my cue. And don't 172 00:10:28,320 --> 00:10:29,320 we'll motivate them. 173 00:10:29,460 --> 00:10:30,740 All right. 174 00:10:31,680 --> 00:10:33,680 What are you doing? 175 00:10:33,980 --> 00:10:35,580 Roll camera. I'm standing here watching. 176 00:10:37,060 --> 00:10:38,380 Rolling. Isn't that your doorway? 177 00:10:39,050 --> 00:10:41,050 I mean, you wouldn't let them use it? 178 00:10:41,530 --> 00:10:42,530 Well, I'd rather. 179 00:10:44,050 --> 00:10:49,030 But if they're using your property like a movie actor's place, aren't you 180 00:10:49,030 --> 00:10:50,030 insulting? 181 00:10:50,190 --> 00:10:51,390 I haven't thought about it. 182 00:10:51,950 --> 00:10:53,170 Slowly, slowly. 183 00:10:54,030 --> 00:10:55,030 Think. 184 00:10:56,050 --> 00:10:57,370 I see little harm. 185 00:10:57,570 --> 00:10:58,570 Go, Kirsten! 186 00:11:01,850 --> 00:11:03,530 What are you doing? 187 00:11:09,260 --> 00:11:13,700 Am I the only one in the world with a tongue in his mouth and taste on his 188 00:11:13,700 --> 00:11:20,580 tongue? Is this the town of pictures that won't anyone do something about 189 00:11:20,580 --> 00:11:21,580 this? 190 00:11:25,380 --> 00:11:26,380 Except me. 191 00:11:38,220 --> 00:11:40,160 Deuces know how to pick their moments, huh, guys? 192 00:11:45,160 --> 00:11:48,580 Laszlo, how goes it, guys? Great, Vincent, great. Kidding's a terrific 193 00:11:48,760 --> 00:11:52,200 What else would I expect from a film by Laszlo? You want the quaint man in the 194 00:11:52,200 --> 00:11:56,680 background? You want me by this wall here with my hat dust, my beach dust, 195 00:11:56,680 --> 00:12:00,620 light dust, and, uh, on my sandals, which, by the way, I've made myself. 196 00:12:01,160 --> 00:12:02,160 Using the locals? 197 00:12:02,260 --> 00:12:03,260 Marvelous. Good thinking. 198 00:12:03,770 --> 00:12:05,170 And this guy doesn't even want any money. 199 00:12:05,690 --> 00:12:08,690 He's a bit loco, but I'm getting some good atmosphere with it. Do you want me 200 00:12:08,690 --> 00:12:11,710 rip this hole in my shirt a bit larger? Like this? Okay, buddy. 201 00:12:12,090 --> 00:12:13,090 That's fine. 202 00:12:13,210 --> 00:12:15,630 Is my face cleared with enough respiration? 203 00:12:16,270 --> 00:12:17,890 Is my hair long enough, sir? 204 00:12:18,310 --> 00:12:19,490 He's pretty sharp, huh? 205 00:12:20,930 --> 00:12:21,930 Just stand. 206 00:12:23,570 --> 00:12:24,570 Right there. 207 00:12:24,810 --> 00:12:26,330 Oh, I will not look in the camera. 208 00:12:28,170 --> 00:12:29,390 Get them to PD left. 209 00:12:30,730 --> 00:12:31,730 Let me get set. 210 00:12:32,310 --> 00:12:33,490 Roll camera. Rolling. 211 00:12:44,500 --> 00:12:45,500 Now kiss her. 212 00:12:52,320 --> 00:12:52,680 I 213 00:12:52,680 --> 00:13:00,600 did 214 00:13:00,600 --> 00:13:01,600 not know I would do that. 215 00:13:02,530 --> 00:13:03,429 Sorry, Vincent. 216 00:13:03,430 --> 00:13:06,150 The village idiot called the cops. I've done that already. 217 00:13:06,670 --> 00:13:10,150 May I suggest a change of location? Something like a beach? 218 00:13:11,630 --> 00:13:16,030 I've got just the spot. Beautiful sand, old boats, blue sky, sparkling water. 219 00:13:16,090 --> 00:13:17,850 Sounds good to me. And me. 220 00:13:23,470 --> 00:13:25,350 Two minutes. Time is money. 221 00:13:25,730 --> 00:13:28,770 Hurry up before the bride comes in and ruins Vincent's wonderful idea. 222 00:13:29,930 --> 00:13:30,930 Like that. 223 00:13:32,240 --> 00:13:33,860 Oh, it's fishing stuff. Great set dressing. 224 00:13:36,840 --> 00:13:38,000 Oh, my God. 225 00:13:38,620 --> 00:13:41,160 What are we going to do about this, idiot? Buy more. 226 00:13:41,800 --> 00:13:42,800 Try back. 227 00:13:42,820 --> 00:13:43,940 Well, try harder. 228 00:13:44,340 --> 00:13:45,340 More money. 229 00:13:48,120 --> 00:13:49,900 I'll show you what a producer does. 230 00:13:54,780 --> 00:13:56,320 Police will soon be here. 231 00:14:06,089 --> 00:14:07,089 Attention. Look. 232 00:14:07,570 --> 00:14:09,550 Look at what the dog has done for you. 233 00:14:09,990 --> 00:14:12,970 What patterns, huh? What art. 234 00:14:14,310 --> 00:14:15,670 Well, quick before it dries. 235 00:14:17,070 --> 00:14:17,969 Here they are. 236 00:14:17,970 --> 00:14:18,970 Please. 237 00:14:20,290 --> 00:14:24,750 Got him, sir. 238 00:14:29,010 --> 00:14:30,450 What seems to be the trouble? 239 00:14:32,210 --> 00:14:33,290 That man over there. 240 00:14:33,680 --> 00:14:34,900 We want him removed. 241 00:14:37,360 --> 00:14:40,960 This man over here seems only to be leaning against a boat. 242 00:14:41,700 --> 00:14:45,280 Well, sure, now he is, but... Just watch this space. 243 00:14:47,380 --> 00:14:48,840 Okay, girls, down there by the nets. 244 00:14:56,600 --> 00:15:02,760 Take your poses, girls. 245 00:15:03,200 --> 00:15:03,879 Roll camera. 246 00:15:03,880 --> 00:15:04,880 Rolling. 247 00:15:05,780 --> 00:15:07,980 And action. 248 00:15:14,560 --> 00:15:15,560 Cut. 249 00:15:21,680 --> 00:15:24,740 And we have all the evidence on film. 250 00:15:25,520 --> 00:15:27,200 So what do you want me to do? 251 00:15:27,620 --> 00:15:29,360 Do? Arrest him. 252 00:15:31,500 --> 00:15:32,500 Indecent exposure. 253 00:15:32,800 --> 00:15:34,200 He's wasting our money. 254 00:15:34,620 --> 00:15:38,200 This man over here, I know him. His name is Ricardo. 255 00:15:38,660 --> 00:15:39,660 Hola, Esteban. 256 00:15:40,200 --> 00:15:41,460 Ricardo, que pasa? 257 00:15:43,500 --> 00:15:45,260 Things could be better, Esteban. 258 00:15:45,500 --> 00:15:48,540 Well, he's doing nothing that I can see. 259 00:15:49,680 --> 00:15:52,640 He's half naked. We're not making a porno. 260 00:15:54,980 --> 00:15:58,120 This man, he's doing nothing immoral. 261 00:15:58,840 --> 00:16:01,860 If he were doing something with his hands... 262 00:16:02,540 --> 00:16:03,540 Or with his body. 263 00:16:03,940 --> 00:16:05,680 Something terrible to view. 264 00:16:06,340 --> 00:16:07,960 Then I would act on the instant. 265 00:16:08,700 --> 00:16:14,140 However, since he is simply standing there, not moving limb or muscle, I can 266 00:16:14,140 --> 00:16:15,140 nothing wrong. 267 00:16:17,060 --> 00:16:18,960 He's naked! 268 00:16:19,220 --> 00:16:20,220 He's naked! 269 00:16:21,280 --> 00:16:24,320 Naked! The shirt is long. I am not offended. 270 00:16:25,740 --> 00:16:27,260 They are offended. 271 00:16:27,560 --> 00:16:30,020 There are naked people and naked people. 272 00:16:30,940 --> 00:16:34,140 Good, bad, some sober, some with drink in them. 273 00:16:35,040 --> 00:16:38,900 I judge this man, Ricardo, to be a man with no drink in him. 274 00:16:39,100 --> 00:16:40,500 He's a good man by reputation. 275 00:16:41,680 --> 00:16:43,360 Half naked, see. 276 00:16:44,460 --> 00:16:49,780 But he's standing very still, so as not to frighten the fishes. 277 00:16:52,100 --> 00:16:53,160 Who are you? 278 00:16:54,000 --> 00:16:56,320 Brother. Yes, compadre, see. 279 00:16:57,580 --> 00:17:01,020 Man! Yes! Throw everybody out back to the square. We'll find another location. 280 00:17:02,000 --> 00:17:03,000 France. 281 00:17:05,319 --> 00:17:06,319 What? 282 00:17:12,720 --> 00:17:14,640 France, Sweden, Spain. 283 00:17:15,099 --> 00:17:16,099 Sweden, ah. 284 00:17:16,680 --> 00:17:19,339 I have seen nice pictures of walls in Sweden. 285 00:17:20,240 --> 00:17:22,760 I'll find a place without you. 286 00:17:23,480 --> 00:17:24,540 I think not. 287 00:17:25,380 --> 00:17:26,440 I will be there. 288 00:17:27,290 --> 00:17:31,430 Tomorrow, the next day, let the bullfight at the market anywhere. 289 00:17:32,630 --> 00:17:34,590 Everywhere you go, I go. 290 00:17:35,650 --> 00:17:36,830 Quietly, with dignity. 291 00:17:37,910 --> 00:17:40,090 To perform this necessary act. 292 00:17:41,250 --> 00:17:43,830 The hell do you think you are? 293 00:17:46,050 --> 00:17:47,830 I did not know till now. 294 00:17:48,490 --> 00:17:50,630 I came upon myself by surprise. 295 00:17:53,030 --> 00:17:59,250 As long as there is one man like me, In the town of 10 ,000, the world will go 296 00:17:59,250 --> 00:18:00,250 on. 297 00:18:01,210 --> 00:18:05,670 Without me... Hail. 298 00:18:08,330 --> 00:18:10,630 Laszlo, we'll need to talk. 299 00:18:12,330 --> 00:18:13,810 I warned you, Laszlo. 300 00:18:14,510 --> 00:18:17,390 I hate location. 301 00:18:18,270 --> 00:18:24,410 We have this fabulous, raunchy Ranchero studio set, but now... You demanded the 302 00:18:24,410 --> 00:18:25,410 real thing. 303 00:18:26,670 --> 00:18:31,190 Well, if this is the real thing, give me artificial every time. 304 00:18:32,430 --> 00:18:33,430 I'm disappointed. 305 00:18:34,950 --> 00:18:36,310 I'm very disappointed. 306 00:19:13,040 --> 00:19:18,200 As we've spent the big bucks coming down here, we'll have to shoot it here in 307 00:19:18,200 --> 00:19:20,640 lovely Santa Misery or something. 308 00:19:21,240 --> 00:19:23,620 Fifty miles down the coast, the location of hell. 309 00:19:23,840 --> 00:19:29,960 Give you two hours travel, lunch, save your receipts, start at one, and do your 310 00:19:29,960 --> 00:19:31,700 extra overnight. 311 00:19:33,620 --> 00:19:37,240 Your fees are not looking so good, Mark. 312 00:19:37,800 --> 00:19:40,100 Eight full multiplied by 125. 313 00:19:41,680 --> 00:19:43,560 Subtract from equals. 314 00:19:48,760 --> 00:19:49,760 Serious. 315 00:19:59,740 --> 00:20:06,500 Now I have walked up the street to my house, which has paint peeling 316 00:20:06,500 --> 00:20:09,660 from the door where I have brushed it a thousand times in passing. 317 00:20:10,160 --> 00:20:14,620 and walked these stones that I have worn down in 30 years of walking. 318 00:20:14,960 --> 00:20:19,300 I have run my hand over the crack in the wall of my house, which is the crack 319 00:20:19,300 --> 00:20:21,260 made by the earthquake in 1980. 320 00:20:21,600 --> 00:20:26,660 When you and I were much in love, and thought it was our love that moved the 321 00:20:26,660 --> 00:20:29,600 house, warm and great in the night. 322 00:20:30,700 --> 00:20:35,600 But it was the earth trembling, and in the morning, that crack in the wall. 323 00:20:37,450 --> 00:20:41,570 And I have climbed up the steps to the latticework balcony of my father's home, 324 00:20:41,730 --> 00:20:45,050 which latticework he made with his own hands. 325 00:20:46,130 --> 00:20:48,710 And we shall sit, eating and talking. 326 00:20:49,830 --> 00:20:55,190 Not photographs, not backdrops, not paintings, not stage furniture, any of 327 00:20:56,590 --> 00:20:58,330 But in our own way, actors. 328 00:20:59,230 --> 00:21:00,230 All of us. 329 00:21:01,490 --> 00:21:03,070 Very fine actors, indeed. 330 00:21:09,270 --> 00:21:11,830 Tomás, what is he doing? Is he still stage drunk? 331 00:21:12,410 --> 00:21:13,410 I think not. 332 00:21:22,270 --> 00:21:26,990 Tomás, our son that we created. 333 00:21:28,410 --> 00:21:29,410 That is good. 334 00:21:30,250 --> 00:21:31,350 It is very good. 335 00:21:33,030 --> 00:21:35,530 I think, Maria, the world will go on. 23262