subtitlecat.com

All language subtitles for The Ray Bradbury s02e12 And So Died Riabouchinska

Afrikaans

Akan

Albanian

Amharic

Arabic

Armenian

Azerbaijani

Basque

Belarusian

Bemba

Bengali

Bihari

Bosnian

Breton

Bulgarian

Cambodian

Catalan

Cebuano

Cherokee

Chichewa

Chinese (Simplified)

Chinese (Traditional)

Corsican

Croatian

Czech

Danish

Dutch

English

Esperanto

Estonian

Ewe

Faroese

Filipino

Finnish

French

Frisian

Galician

Georgian

German

Greek

Guarani

Gujarati

Haitian Creole

Hausa

Hawaiian

Hebrew

Hindi

Hmong

Hungarian

Icelandic

Igbo

Indonesian

Interlingua

Irish

Italian

Japanese

Javanese

Kannada

Kazakh

Kinyarwanda

Kirundi

Kongo

Korean

Krio (Sierra Leone)

Kurdish

Kurdish (Soranî)

Kyrgyz

Laothian

Latin

Latvian

Lingala

Lithuanian

Lozi

Luganda

Luo

Luxembourgish

Macedonian

Malagasy

Malay

Malayalam

Maltese

Maori

Marathi

Mauritian Creole

Moldavian

Mongolian

Myanmar (Burmese)

Montenegrin

Nepali

Nigerian Pidgin

Northern Sotho

Norwegian

Norwegian (Nynorsk)

Occitan

Oriya

Oromo

Pashto

Persian

Polish

Portuguese (Brazil)

Portuguese (Portugal)

Punjabi

Quechua

Romanian

Romansh

Runyakitara

Russian

Samoan

Scots Gaelic

Serbian

Serbo-Croatian

Sesotho

Setswana

Seychellois Creole

Shona

Sindhi

Sinhalese

Slovak

Slovenian

Somali

Spanish

Spanish (Latin American)

Sundanese

Swahili

Swedish

Tajik

Tamil

Tatar

Telugu

Thai

Tigrinya

Tonga

Tshiluba

Tumbuka

Turkish

Turkmen

Twi

Uighur

Ukrainian

Urdu

Uzbek

Vietnamese

Welsh

Wolof

Xhosa

Yiddish

Yoruba

Zulu

Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:35,850 --> 00:00:38,410 People ask, where do you get your ideas? 2 00:00:38,790 --> 00:00:40,270 Well, right here. 3 00:00:40,750 --> 00:00:43,710 Oh, this is my Martian landscape. 4 00:00:44,450 --> 00:00:47,410 Somewhere in this room is an African belt. 5 00:00:48,210 --> 00:00:53,550 Just beyond, perhaps, is a small Illinois town where I grew up. And I'm 6 00:00:53,550 --> 00:00:56,570 surrounded on every side by my magician's toy shop. 7 00:00:58,030 --> 00:00:59,730 I'll never starve here. 8 00:01:00,190 --> 00:01:04,330 I just look around, find what I need, and begin. 9 00:01:05,250 --> 00:01:08,930 I'm Ray Bradbury, and this is... 10 00:01:08,930 --> 00:01:15,810 Well then, right now, what shall it 11 00:01:15,810 --> 00:01:16,768 be? 12 00:01:16,770 --> 00:01:20,150 Out of all this, what do I choose to make a story? 13 00:01:21,070 --> 00:01:23,370 I never know where the next one will take me. 14 00:01:23,750 --> 00:01:24,750 And the trip? 15 00:01:25,370 --> 00:01:29,710 Exactly one half exhilaration, exactly one half terror. 16 00:03:05,130 --> 00:03:09,190 Can we have some real light, please? Thank you. 17 00:03:27,470 --> 00:03:32,930 I'm Detective Lieutenant Kravitch. Mr. Fabian? 18 00:03:33,230 --> 00:03:34,390 Let me out. 19 00:03:35,210 --> 00:03:36,210 Let me out. 20 00:03:36,310 --> 00:03:37,310 Oh, please. 21 00:03:38,470 --> 00:03:39,470 Oh, please. 22 00:03:39,710 --> 00:03:42,390 Please listen. Won't someone let me out? 23 00:03:43,410 --> 00:03:45,310 Won't anyone listen? Please. 24 00:03:45,990 --> 00:03:47,970 Ria. Ria Bushinsky. 25 00:03:48,770 --> 00:03:50,430 This is a serious business. 26 00:03:50,710 --> 00:03:52,310 Silence. Oh. 27 00:03:53,370 --> 00:03:54,370 Quiet now. 28 00:03:54,970 --> 00:03:56,170 There's a good girl. 29 00:03:58,110 --> 00:03:59,530 Please don't laugh. 30 00:04:00,300 --> 00:04:04,520 After what has happened, you should be kind. If you don't mind, Mr. Fabian, 31 00:04:04,600 --> 00:04:06,220 we'll have your dummy act later. 32 00:04:06,580 --> 00:04:07,580 Dummy? 33 00:04:07,740 --> 00:04:12,620 She's the finest handmade porcelain china puppet actress doll in the world. 34 00:04:12,620 --> 00:04:13,599 yes, I'm sure. 35 00:04:13,600 --> 00:04:14,700 Now, please. 36 00:04:21,040 --> 00:04:22,300 Mrs. Fabian? 37 00:04:24,400 --> 00:04:26,200 Mr. Howard Douglas? 38 00:04:26,660 --> 00:04:29,300 Mr. Fabian's promoter and press agent? 39 00:04:30,760 --> 00:04:31,900 And this. 40 00:04:34,600 --> 00:04:39,360 Is Robert Henry Ockham known to any or all of you? 41 00:04:42,340 --> 00:04:47,320 Well, Ockham knew you or one of you. 42 00:04:47,940 --> 00:04:52,320 Said so at the stage door many times in the last week. Yes? 43 00:04:54,820 --> 00:04:58,160 So, by God, someone is lying. 44 00:04:58,720 --> 00:04:59,720 They are. 45 00:05:00,360 --> 00:05:05,660 It's sad, but they are. Damn it, Fabian. Pay no attention to her, Lieutenant. 46 00:05:06,420 --> 00:05:10,760 Her or you, you or her, get together, you two. 47 00:05:11,320 --> 00:05:14,440 We'll never be together again after tonight. 48 00:05:29,360 --> 00:05:30,360 Careful. 49 00:05:37,900 --> 00:05:39,860 Ah, thank you. 50 00:05:49,700 --> 00:05:50,860 Talk to her if you will. 51 00:05:53,800 --> 00:05:54,800 No. 52 00:05:59,020 --> 00:06:00,340 My lovely one. 53 00:06:02,160 --> 00:06:04,880 Made from the finest rare imported woods. 54 00:06:05,480 --> 00:06:06,800 And porcelain? 55 00:06:08,540 --> 00:06:10,920 Worthy of Napoleon's gifts to Josephine. 56 00:06:12,060 --> 00:06:17,320 She's appeared in London, Rome, Paris, Istanbul, Cairo. 57 00:06:20,380 --> 00:06:24,920 Loved across the world by thousands who simply cannot believe that her beauty 58 00:06:24,920 --> 00:06:25,920 was... 59 00:06:26,310 --> 00:06:28,330 Once just simply a piece of clay. 60 00:06:29,110 --> 00:06:30,230 Enough, please. 61 00:06:31,050 --> 00:06:33,590 Such praise makes others sad. 62 00:06:36,730 --> 00:06:37,730 Ah, yes. 63 00:06:39,050 --> 00:06:40,050 Others. 64 00:06:41,890 --> 00:06:42,890 Damn. 65 00:06:43,550 --> 00:06:45,170 What are you up to? 66 00:06:45,670 --> 00:06:46,670 I'm helpless. 67 00:06:49,310 --> 00:06:50,770 Oh, I know what you think. 68 00:06:51,230 --> 00:06:53,310 You think that she's here in my throat. 69 00:06:55,150 --> 00:06:57,090 But no, she's not. She's somewhere else. 70 00:06:59,330 --> 00:07:00,330 Maybe here. 71 00:07:04,830 --> 00:07:05,830 Certainly here. 72 00:07:06,170 --> 00:07:07,390 She's not there. 73 00:07:08,830 --> 00:07:09,830 No. 74 00:07:11,730 --> 00:07:13,570 She hides herself so easily. 75 00:07:14,310 --> 00:07:17,990 She waits and watches me. She tells me what to do. I do it. 76 00:07:18,790 --> 00:07:23,070 She speaks where I cannot. She's good where I am evil. She's open where I am 77 00:07:23,070 --> 00:07:24,070 closed. 78 00:07:24,200 --> 00:07:31,160 She's all around, about, and... Sometimes she builds a wall and hides 79 00:07:31,160 --> 00:07:34,960 herself and doesn't say a word to me, but then again, sometimes, like tonight, 80 00:07:35,140 --> 00:07:39,340 she speaks. 81 00:07:48,900 --> 00:07:52,880 Mr. Daddler, are you... 82 00:07:54,570 --> 00:07:57,190 Mrs. Fabian, very close friends. 83 00:07:57,590 --> 00:07:58,590 See here. 84 00:07:59,170 --> 00:08:00,170 I do see. 85 00:08:01,150 --> 00:08:04,290 When the price agent sits where the husband should be sitting. 86 00:08:05,590 --> 00:08:09,010 Well, the way you look at the marionette, Mrs. Fabian. 87 00:08:09,450 --> 00:08:11,110 You make fists when she talks. 88 00:08:12,270 --> 00:08:16,370 If you think for one moment that I'm jealous of a thing like that. 89 00:08:16,750 --> 00:08:19,350 Alice, don't. 90 00:08:20,130 --> 00:08:21,130 Let her. 91 00:08:21,990 --> 00:08:22,990 Let her. 92 00:08:26,280 --> 00:08:28,260 I married John because I loved him. 93 00:08:31,720 --> 00:08:38,580 But over the years, I saw that he had lived all of his life 94 00:08:38,580 --> 00:08:39,580 for her. 95 00:08:55,500 --> 00:09:02,340 And finally, I saw that if there were two parts to John, why, the best part, 96 00:09:02,540 --> 00:09:08,620 the good part, was Rebushinka. 97 00:09:11,460 --> 00:09:12,580 Tell about Mr. 98 00:09:12,800 --> 00:09:13,800 Douglas. 99 00:09:15,940 --> 00:09:17,460 What is there to tell? 100 00:09:18,120 --> 00:09:19,220 It's an old story. 101 00:09:20,420 --> 00:09:23,740 One door shuts, another opens. 102 00:09:26,040 --> 00:09:27,860 Hmm. Yeah, of course. 103 00:09:29,800 --> 00:09:33,220 And who came here? A poor man. 104 00:09:34,020 --> 00:09:35,280 Know about you. 105 00:09:35,620 --> 00:09:36,880 Came here tonight. 106 00:09:37,440 --> 00:09:40,300 A blackmailer threatening to tell your husband. 107 00:09:41,600 --> 00:09:44,860 That's even sillier than all the rest. I didn't kill him. 108 00:09:45,580 --> 00:09:46,580 Why should she? 109 00:09:48,820 --> 00:09:51,140 Mr. Fabian already knew about us. 110 00:09:51,540 --> 00:09:52,540 Oh, I did indeed. 111 00:09:55,239 --> 00:09:57,840 Didn't I, William Shinsker? 112 00:10:04,120 --> 00:10:06,680 Oh, God, help me. 113 00:10:08,640 --> 00:10:10,300 That's enough for one night. 114 00:10:12,180 --> 00:10:13,660 Let's take the body out of here. 115 00:11:46,730 --> 00:11:47,730 Look familiar? 116 00:11:50,030 --> 00:11:51,490 Well? Well, indeed. 117 00:11:52,570 --> 00:11:56,910 The stage and theater museum is a great place. They loaned me this. 118 00:11:58,810 --> 00:12:01,190 So you had a different act. 119 00:12:04,330 --> 00:12:05,970 Sweet William. 120 00:12:08,570 --> 00:12:09,750 That's not all. 121 00:12:11,350 --> 00:12:12,350 How? 122 00:12:13,330 --> 00:12:14,330 How's this? 123 00:12:18,600 --> 00:12:21,120 Pretty fast -forward, our middle -class gumshoe, eh? 124 00:12:25,200 --> 00:12:26,200 Well? 125 00:12:27,860 --> 00:12:28,860 Well? 126 00:12:29,340 --> 00:12:31,280 Speak. Tell him. 127 00:12:35,540 --> 00:12:36,540 No comment? 128 00:12:42,920 --> 00:12:43,920 Allow me. 129 00:12:51,980 --> 00:12:53,100 Ilyana Ryamonova. 130 00:12:53,740 --> 00:12:56,460 Born New York City, 1958. 131 00:12:57,660 --> 00:13:01,320 Not paper machine, not wood, not puppet. 132 00:13:02,360 --> 00:13:07,080 But a woman who once lived and moved around and then disappeared. 133 00:13:13,060 --> 00:13:16,140 Like 10 ,000 other ballet lovers, I fell in love with her. 134 00:13:18,350 --> 00:13:21,130 I watched her dance a hundred times. How could I not? 135 00:14:23,440 --> 00:14:24,680 And so I made a doll. 136 00:14:27,280 --> 00:14:28,280 Like her. 137 00:14:29,540 --> 00:14:30,540 No. 138 00:14:32,800 --> 00:14:34,740 No. No, no. 139 00:14:37,100 --> 00:14:40,080 That makes two of us who don't believe you. 140 00:14:43,520 --> 00:14:47,400 You loved and knew the real woman. 141 00:14:48,160 --> 00:14:49,160 Yes. 142 00:14:58,600 --> 00:14:59,600 Very well. 143 00:15:01,880 --> 00:15:02,880 The truth. 144 00:15:05,800 --> 00:15:06,960 We were lovers. 145 00:15:09,880 --> 00:15:11,400 We traveled the world. 146 00:15:12,320 --> 00:15:13,780 She without dancing. 147 00:15:16,480 --> 00:15:18,100 I was sweet with him. 148 00:15:31,630 --> 00:15:36,230 But I was mad with love. We quarreled violently, and she ran from me, vanished 149 00:15:36,230 --> 00:15:37,230 forever this time. 150 00:15:37,850 --> 00:15:40,850 I hated myself. 151 00:15:41,170 --> 00:15:42,770 How to bring her back forever? 152 00:15:43,050 --> 00:15:46,430 I searched for her everywhere for months, but she was gone like a piece of 153 00:15:46,430 --> 00:15:47,870 tissue paper blown over the sky. 154 00:15:50,230 --> 00:15:55,750 But somehow, some way, I knew that I would have her back. 155 00:15:59,710 --> 00:16:00,710 Only one way. 156 00:16:01,120 --> 00:16:04,500 to shape, form, carve from memory. 157 00:16:05,660 --> 00:16:12,300 Brow, eyes, incredibly delicate nose, 158 00:16:12,420 --> 00:16:15,600 chin, lips. 159 00:16:46,380 --> 00:16:49,660 Days and nights, and then weeks and months, I worked. 160 00:16:51,600 --> 00:16:52,600 Obsessed. 161 00:16:55,420 --> 00:16:56,460 My voice. 162 00:16:58,040 --> 00:17:00,480 Hey, what's happening? 163 00:17:01,600 --> 00:17:02,600 It's going. 164 00:17:03,700 --> 00:17:04,700 Going. 165 00:17:28,780 --> 00:17:30,600 Yes. I'm here. 166 00:17:34,980 --> 00:17:40,700 So, that's it. 167 00:17:42,340 --> 00:17:44,460 You loved a real woman. 168 00:17:46,740 --> 00:17:49,180 Drove her off with your jealousy. 169 00:17:49,680 --> 00:17:54,040 She ran, and you met a doll just like her. 170 00:17:55,760 --> 00:17:56,760 Nothing more. 171 00:17:57,290 --> 00:17:58,290 No. 172 00:17:58,630 --> 00:17:59,630 Yes. 173 00:18:00,570 --> 00:18:01,570 No. 174 00:18:02,370 --> 00:18:03,370 Yes. 175 00:18:06,110 --> 00:18:10,590 Which still leaves us with a murdered man, damn it, Ockham. 176 00:18:13,310 --> 00:18:18,990 As you all claim you never saw him before, yet he came here asking for you 177 00:18:18,990 --> 00:18:22,770 dozen times, a dozen times. He knew something. 178 00:18:25,420 --> 00:18:26,920 I smell blackmail. 179 00:18:29,400 --> 00:18:34,280 If it was this easy for me to find those posters, maybe he did too. 180 00:18:34,800 --> 00:18:41,460 Duck up your past, suspected the worst, showed up here, and... 181 00:18:41,460 --> 00:18:45,620 The first letter came a month ago. 182 00:18:48,240 --> 00:18:53,480 The letter said, Ryabushinska. 183 00:18:54,330 --> 00:18:55,370 Born 1958. 184 00:18:56,510 --> 00:18:57,510 Died 1978. 185 00:18:59,110 --> 00:19:01,590 Born again 1979. 186 00:19:06,150 --> 00:19:10,150 Oakham had once worked for us years ago. He was there when I vanished. 187 00:19:11,110 --> 00:19:13,070 Now, years later, he showed up. 188 00:19:34,030 --> 00:19:36,730 I lay in my box and heard him die. 189 00:19:38,250 --> 00:19:39,970 You cannot hear. 190 00:19:41,790 --> 00:19:43,650 You cannot speak. 191 00:19:44,970 --> 00:19:47,290 Oh, I wish that were so. 192 00:19:48,170 --> 00:19:49,910 But I do hear. 193 00:19:52,170 --> 00:19:54,130 I must speak. 194 00:19:56,470 --> 00:19:59,430 Those were fine and terrible times. 195 00:20:00,050 --> 00:20:01,450 Jealous rages. 196 00:20:03,500 --> 00:20:04,520 And then the stripe. 197 00:20:04,820 --> 00:20:05,880 The blow. 198 00:20:10,100 --> 00:20:14,760 He didn't mean, but it was done. 199 00:20:18,800 --> 00:20:19,800 No! 200 00:20:20,360 --> 00:20:23,780 Yes. At long last, the truth. 201 00:20:24,160 --> 00:20:25,640 We have lived twice. 202 00:20:26,100 --> 00:20:29,060 But you killed us both now. 203 00:20:32,680 --> 00:20:36,280 I've lived with your weakness and your lies since you killed me. 204 00:20:36,520 --> 00:20:41,740 But when you killed him, we both knew it was finished. 205 00:20:43,240 --> 00:20:44,880 I can't stay. 206 00:20:45,280 --> 00:20:46,460 You must. 207 00:20:50,300 --> 00:20:51,300 No. 208 00:20:51,780 --> 00:20:53,360 You're alone now. 209 00:20:55,540 --> 00:20:56,540 Bye. 210 00:20:57,220 --> 00:20:58,220 No. 211 00:20:59,060 --> 00:21:00,060 Good... 212 00:21:27,720 --> 00:21:29,100 Make her come back. 213 00:21:30,480 --> 00:21:31,680 I can't. 214 00:21:35,680 --> 00:21:37,380 And neither can you. 215 00:21:52,720 --> 00:21:56,900 Little Fabian, I must place you under arrest. 13529