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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,510 --> 00:00:03,469 Christopher Reeve? 2 00:00:03,470 --> 00:00:05,050 Fifteen seconds to curtain, Christopher. 3 00:00:05,310 --> 00:00:07,530 Oh, thanks a lot, Scooter. Hey, listen, can you tell me what these rats are 4 00:00:07,530 --> 00:00:08,530 doing in my dressing room? 5 00:00:08,550 --> 00:00:10,270 I think it's the Foxtrot. 6 00:00:11,770 --> 00:00:13,810 Gee, most stars get groupies. I get rats. 7 00:00:16,790 --> 00:00:20,790 It's the Muppet Show with our very special guest star, Christopher Reeve. 8 00:00:44,790 --> 00:00:47,570 You know, if this show was an airplane, it would have been grounded. 9 00:00:49,030 --> 00:00:50,630 It's time to get things started. 10 00:01:13,800 --> 00:01:16,200 Muppet Show. And do we have a show for you? 11 00:01:16,420 --> 00:01:17,700 Well, as a matter of fact, we do. 12 00:01:18,740 --> 00:01:23,340 Yes, and our guest star tonight is none other than that fantastic film star, the 13 00:01:23,340 --> 00:01:26,520 man who plays Superman, Mr. Christopher Reeve. 14 00:01:27,180 --> 00:01:28,180 Yes! 15 00:01:28,420 --> 00:01:32,300 But right now, it's opening number time, and the opening number happens to star 16 00:01:32,300 --> 00:01:34,220 me, which is why I'm dressed this way. 17 00:01:34,500 --> 00:01:37,880 So, uh, what can I say but, uh, let's hear it for me! 18 00:01:38,080 --> 00:01:39,080 Yay! 19 00:01:48,810 --> 00:01:53,590 When the sun goes down, folks all hurry to the edge of town. 20 00:01:54,470 --> 00:01:59,050 At the bayou bank, they stand and wait in the clear air. 21 00:02:01,930 --> 00:02:08,310 Soon the water ripples, gets air high, and the lady touching me does sigh. 22 00:02:09,210 --> 00:02:14,010 On a lily paddled, dressed in white, he appears there. 23 00:02:15,010 --> 00:02:19,470 And then I boogie up and down. and shuffle right. 24 00:02:20,390 --> 00:02:23,010 Slip and splash it in the moonlight night. 25 00:02:24,610 --> 00:02:29,630 Alligators with their teeth so bright, smiling way there, way there. 26 00:02:29,830 --> 00:02:34,210 And tune up with your giant in the jamboree. 27 00:02:35,590 --> 00:02:37,690 Everybody's happy just like me. 28 00:02:38,130 --> 00:02:41,390 Watch him dance on that log. 29 00:02:42,290 --> 00:02:43,370 It's the disc. 30 00:03:59,400 --> 00:04:01,140 New York in June. How about you? 31 00:04:03,680 --> 00:04:04,680 Okay, 32 00:04:05,940 --> 00:04:09,640 way to go, frogs. Nice going alligators and not bad meat. 33 00:04:10,200 --> 00:04:11,920 Well, not too terrifically terrible. 34 00:04:13,380 --> 00:04:14,920 I'm back. I'm back, everyone. 35 00:04:15,260 --> 00:04:16,199 Oh, Kimmy. 36 00:04:16,200 --> 00:04:19,480 Kimmy. Oh, I'm back. Hey, Piggy, where have you been? Because the show has 37 00:04:19,480 --> 00:04:20,379 already started. 38 00:04:20,380 --> 00:04:24,500 Oh, Kimmy. Well, I just stepped out to pick up a costume for my number tonight. 39 00:04:24,780 --> 00:04:25,479 Oh, yeah. 40 00:04:25,480 --> 00:04:26,900 What's so special about this number? 41 00:04:27,220 --> 00:04:28,220 Oh. 42 00:04:45,040 --> 00:04:47,500 You'll get to sing the song again right after the guest star spot. 43 00:04:48,420 --> 00:04:49,900 Oh, good. Who's the guest star? 44 00:04:50,140 --> 00:04:51,140 Christopher Reeve. 45 00:04:54,160 --> 00:04:55,360 Christopher Reeve? 46 00:04:58,360 --> 00:04:59,680 Kermit, where's Kermit? 47 00:05:00,020 --> 00:05:01,020 Kermit! 48 00:05:01,880 --> 00:05:05,320 Gonzo, you're supposed to be doing the first act of William Shakespeare's 49 00:05:05,320 --> 00:05:06,540 while hanging from your nose. 50 00:05:07,500 --> 00:05:08,660 I can't go on. 51 00:05:09,040 --> 00:05:09,899 Why not? 52 00:05:09,900 --> 00:05:11,080 I sprained my... 53 00:05:14,260 --> 00:05:15,420 rehearsing with heavy shoes. 54 00:05:16,640 --> 00:05:20,260 But, uh, listen, we rented the scenery and the costumes and everything. 55 00:05:20,960 --> 00:05:21,839 Yeah, boss? 56 00:05:21,840 --> 00:05:24,980 Do we have anybody else backstage that can play Hamlet? Well, there's Chris 57 00:05:24,980 --> 00:05:28,480 Reeve. He's real good, and he's not busy till the vet's hospital. Good luck. 58 00:05:28,600 --> 00:05:29,600 Just stall for me, would you? 59 00:05:30,060 --> 00:05:31,220 Stall? Oh, 60 00:05:34,320 --> 00:05:35,580 it's Christopher Reeve! 61 00:05:39,960 --> 00:05:43,060 Listen, are you doing anything special right now, Chris? 62 00:05:43,340 --> 00:05:46,040 No. I'm just hanging around the phone booth in case trouble breaks out. Well, 63 00:05:46,040 --> 00:05:50,660 listen, it just did. And I was wondering if you'd like to fill in for Gonzo's 64 00:05:50,660 --> 00:05:51,559 Hamlet spot. 65 00:05:51,560 --> 00:05:53,860 Hamlet? Wouldn't you like to play Hamlet? No. 66 00:05:54,720 --> 00:05:57,100 But every actor wants to play Hamlet. No, not really. 67 00:05:57,940 --> 00:05:59,380 Well, this is your big chance then. 68 00:05:59,720 --> 00:06:02,360 Okay. But you'll have to wear tights. 69 00:06:03,360 --> 00:06:04,600 Well, it won't be the first time. 70 00:06:05,080 --> 00:06:06,080 Okay. 71 00:06:06,760 --> 00:06:08,980 Oh, maybe I should change. 72 00:06:20,720 --> 00:06:21,720 Introduce me, my good frog. 73 00:06:22,760 --> 00:06:24,560 Yes, sir. Right. 74 00:06:27,780 --> 00:06:32,180 Okay, thank you very much, Scooter. And now, ladies and gentlemen, the soliloquy 75 00:06:32,180 --> 00:06:33,099 from Hamlet. 76 00:06:33,100 --> 00:06:37,620 And filling in for the ailing great Gonzo, here is the equally great, if not 77 00:06:37,620 --> 00:06:40,640 better or possibly only a little worse than Mr. Christopher Reeve. 78 00:06:50,600 --> 00:06:51,600 or not to be. 79 00:06:51,760 --> 00:06:53,720 That is the, um, 80 00:06:54,560 --> 00:06:56,240 um, not now. 81 00:06:57,380 --> 00:06:58,820 No, no, no, that's your line. 82 00:06:59,380 --> 00:07:00,380 I know. 83 00:07:01,360 --> 00:07:03,520 To be or not to be, that is the question. 84 00:07:04,080 --> 00:07:09,800 Whether it is nobler in the mind to suffer the slings and arrows of 85 00:07:09,800 --> 00:07:10,800 fortune. 86 00:07:14,360 --> 00:07:17,460 Excuse me, Mr. Hamlet, do you want this now? 87 00:07:18,010 --> 00:07:22,950 Upon what grounds do you disturb my soliloquy? Well, it's time for my coffee 88 00:07:22,950 --> 00:07:23,950 break. 89 00:07:24,050 --> 00:07:25,070 Coffee grounds? 90 00:07:26,470 --> 00:07:29,430 But please don't be mad, Mr. Hamlet. 91 00:07:29,790 --> 00:07:31,990 I'm not mad. I'm acting. 92 00:07:32,270 --> 00:07:33,270 Let me see. 93 00:07:34,970 --> 00:07:36,550 Alas, poor Yorick. 94 00:07:37,110 --> 00:07:38,490 I knew him, Horatio. 95 00:07:39,450 --> 00:07:44,310 Terrific. A fellow of infinite depth and most excellent fancy. 96 00:07:46,190 --> 00:07:49,570 Fancy. Ma always said I was the plain one. 97 00:07:51,230 --> 00:07:56,330 And he hath borne me on his back a thousand times. 98 00:07:56,650 --> 00:07:59,710 If you ask me, I'm still carrying the whole thing. 99 00:08:00,050 --> 00:08:02,010 Why don't you guys sing? 100 00:08:02,710 --> 00:08:04,250 Hamlet doesn't sing. 101 00:08:04,790 --> 00:08:05,830 Hey, I can sing. 102 00:08:06,400 --> 00:08:11,180 You're not Hamlet. Oh, well, listen, Hamlet was my nickname back when I was a 103 00:08:11,180 --> 00:08:12,200 little porker. 104 00:08:13,460 --> 00:08:17,060 Listen, I don't usually perform with amateurs. 105 00:08:17,760 --> 00:08:18,960 Amateurs, eh? Huh. 106 00:08:19,580 --> 00:08:20,680 I'll show you. 107 00:08:25,860 --> 00:08:28,120 Oh, good God. 108 00:08:28,480 --> 00:08:32,679 Wow. Hey, that's Hamlet 2, audience nothing. 109 00:08:36,080 --> 00:08:37,080 We're ready for Shakespeare. 110 00:08:37,580 --> 00:08:39,840 Yeah, well, he's not ready for you either. 111 00:08:40,220 --> 00:08:42,220 Ooh. Thank you. 112 00:08:42,600 --> 00:08:43,600 You're welcome. 113 00:08:44,760 --> 00:08:48,920 Brush up your Shakespeare. 114 00:08:49,420 --> 00:08:51,880 Start quoting him now. 115 00:08:52,580 --> 00:08:58,880 Brush up your Shakespeare and the women you will wow. Just 116 00:08:58,880 --> 00:09:01,140 declaim a few lines from Othello. 117 00:09:01,360 --> 00:09:03,540 Yes, sir. And then sing your one hat. 118 00:09:03,820 --> 00:09:04,459 of a fella. 119 00:09:04,460 --> 00:09:09,520 Hey! If your blonde won't respond when you flatter her, tell her what Tony told 120 00:09:09,520 --> 00:09:10,520 Cleopatra. 121 00:09:11,080 --> 00:09:16,220 And if still to be shocked she pretends well, just remind her that all's well 122 00:09:16,220 --> 00:09:17,500 that ends well. Hey! 123 00:09:17,780 --> 00:09:22,940 Crush up your Shakespeare and they'll all count out. 124 00:09:39,910 --> 00:09:43,630 didn't study Shakespeare when I was a kid. When you were a kid, you could have 125 00:09:43,630 --> 00:09:44,630 talked to Shakespeare. 126 00:09:46,890 --> 00:09:47,890 Oh, let's see. 127 00:09:49,710 --> 00:09:52,890 I better tell Piggy that her vet's hospital sketch is coming up next. 128 00:09:53,350 --> 00:09:55,230 Oh, her door is ajar. 129 00:10:57,580 --> 00:11:01,300 that a killer lamb had escaped from the Department of Agriculture's maximum 130 00:11:01,300 --> 00:11:02,680 security sheep station. 131 00:11:03,320 --> 00:11:07,820 This lamb is one of a new kind of sheep that has been bred to hunt wolves and is 132 00:11:07,820 --> 00:11:08,840 extremely dangerous. 133 00:11:11,420 --> 00:11:16,440 Uh, this killer lamb has been trained to attack at the sound of a bell. 134 00:11:18,020 --> 00:11:19,020 Hello? 135 00:11:20,320 --> 00:11:26,640 Time once again for Veterinarian's Hospital. 136 00:11:27,400 --> 00:11:32,080 The continuing story of a quack who's gone to the dogs. 137 00:11:32,460 --> 00:11:34,720 Hey, wait a minute. I'm not supposed to be the patient. 138 00:11:34,960 --> 00:11:37,200 Today you're getting a dose of your own medicine. 139 00:11:38,160 --> 00:11:40,740 Yeah, but my medicine tastes bad. 140 00:11:41,040 --> 00:11:43,600 Well, bad taste never bothered you before. 141 00:11:44,780 --> 00:11:46,800 Okay, okay. Who's going to be the doctor? 142 00:11:47,140 --> 00:11:48,019 Dr. Reed. 143 00:11:48,020 --> 00:11:48,839 Oh, Chrissy. 144 00:11:48,840 --> 00:11:52,540 Chrissy. Sorry I'm late, nurse. My caddy collapsed on the 17th hole. 145 00:11:56,570 --> 00:11:57,570 I'm a GP. 146 00:11:57,670 --> 00:11:59,970 Yes, a gorgeous person. 147 00:12:03,010 --> 00:12:05,630 Please, Nurse Piggy, stop panting. You're fogging my mirror. 148 00:12:07,590 --> 00:12:08,890 I can't help it. 149 00:12:09,350 --> 00:12:10,350 I love you! 150 00:12:12,290 --> 00:12:13,290 Thank you. 151 00:12:14,290 --> 00:12:15,290 Let's see now. 152 00:12:15,490 --> 00:12:17,070 Oh, looks bad. I'm going to operate. 153 00:12:17,510 --> 00:12:18,510 Oh, no, no! 154 00:12:18,790 --> 00:12:19,810 Oh, come now, this won't hurt a bit. 155 00:12:20,070 --> 00:12:22,390 Oh, it'll hurt this bit if you don't get laughs with it. 156 00:12:24,110 --> 00:12:26,630 Well, I'm not trying to get laughs. I don't want to set a precedent on the 157 00:12:28,290 --> 00:12:32,510 Touché, touché. Now just relax. I'll have you fixed in no time. Please, never 158 00:12:32,510 --> 00:12:33,670 say fixed to a dog. 159 00:12:34,790 --> 00:12:37,390 Well, anyway, you won't feel any pain. I'm going to put you to sleep. 160 00:12:37,610 --> 00:12:39,930 Oh, no, never say put to sleep to a dog. 161 00:12:41,770 --> 00:12:42,769 Now, now, now, come. 162 00:12:42,770 --> 00:12:43,810 This has gone far enough. 163 00:12:44,030 --> 00:12:46,710 Chrissy, let us go to the nurse's lounge and... Yes? 164 00:12:47,230 --> 00:12:48,230 Lounge! 165 00:12:50,510 --> 00:12:53,850 And so we come to the end of another veterinarian's hospital. 166 00:12:54,450 --> 00:12:56,490 Tune in next week when you'll hear Dr. 167 00:12:56,750 --> 00:12:59,170 Reeves say... Wait a minute, I'm not going to be here next week. You mean 168 00:12:59,170 --> 00:13:01,230 leaving? Faster than a speeding bullet. 169 00:13:08,090 --> 00:13:11,970 This show is disgusting. Get away. Get away. 170 00:13:12,190 --> 00:13:14,990 I'm going to write to someone important and put a stop to it. 171 00:13:19,820 --> 00:13:22,140 Like... Dear sir. 172 00:13:23,620 --> 00:13:25,920 This show is sick and weird. 173 00:13:27,660 --> 00:13:33,600 There are... That is not my song. 174 00:13:34,000 --> 00:13:35,300 I do not have a song. 175 00:13:37,840 --> 00:13:40,100 There are... Get off the table. 176 00:13:40,580 --> 00:13:44,320 There are rats here. 177 00:13:47,360 --> 00:13:48,680 It's under your skin. 178 00:13:48,980 --> 00:13:51,540 It's only a song can do. 179 00:13:52,040 --> 00:13:55,440 People that you meet by the lily on the street. 180 00:13:57,780 --> 00:13:58,780 Don't whistle. 181 00:13:59,080 --> 00:14:00,080 Oh, no. 182 00:14:02,540 --> 00:14:05,280 There is a thing whistling. 183 00:14:07,700 --> 00:14:11,380 Don't forget your trouble and where it's mine. 184 00:14:11,580 --> 00:14:13,020 There is a thing whistling. 185 00:14:15,040 --> 00:14:19,260 I would suggest to have someone come and fumigate. 186 00:14:27,000 --> 00:14:29,540 There's a lump playing harmonica. 187 00:14:32,020 --> 00:14:33,240 Get away! 188 00:14:34,840 --> 00:14:37,180 There are vermin in here. 189 00:14:49,449 --> 00:14:53,510 All right, out, out, out, out, get out, get out, get out, get out of here. 190 00:14:58,770 --> 00:15:01,030 Hey, Sam, that's a nice song. What is that? 191 00:15:01,650 --> 00:15:03,750 Oh, I don't know, something called Fred's Song. 192 00:15:04,690 --> 00:15:05,690 That's very pretty. 193 00:15:06,250 --> 00:15:07,250 No, it's not. 194 00:15:08,890 --> 00:15:10,750 Okay, let's see now. Did that one. 195 00:15:12,300 --> 00:15:14,740 Oh, hey, this is going to be good. Look. May I have a word with you? 196 00:15:15,280 --> 00:15:16,320 Oui, bien sûr. Entrez. 197 00:15:16,720 --> 00:15:17,720 What? 198 00:15:17,940 --> 00:15:18,940 Come in. 199 00:15:19,260 --> 00:15:20,260 Listen, 200 00:15:20,460 --> 00:15:22,080 guys, I'll see you later, okay? Thanks a lot. Bye. 201 00:15:23,260 --> 00:15:24,900 Move it. 202 00:15:25,520 --> 00:15:26,520 What? 203 00:15:29,060 --> 00:15:30,060 Oh, Christopher. 204 00:15:30,360 --> 00:15:30,959 I'm speaking. 205 00:15:30,960 --> 00:15:34,960 He gave you a wonderful necklace sketch. Oh, come on. Tell me, how did you get a 206 00:15:34,960 --> 00:15:37,260 job at Superman? Did someone see you lifting weights or what? 207 00:15:39,080 --> 00:15:39,939 Lifting weights? 208 00:15:39,940 --> 00:15:41,640 No, no, no. I just auditioned for the part. 209 00:15:41,960 --> 00:15:45,380 You know, like a lot of other actors. Uh -huh. But, you know, strikes really had 210 00:15:45,380 --> 00:15:46,380 nothing to do with it. 211 00:15:50,080 --> 00:15:51,200 You're certain about that? 212 00:15:53,820 --> 00:15:54,820 Ooh. 213 00:15:55,580 --> 00:15:56,580 Wait, wait, wait, wait. 214 00:15:57,720 --> 00:15:58,720 I didn't bring it. 215 00:15:59,380 --> 00:16:00,560 Oh, pity. 216 00:16:02,360 --> 00:16:05,960 Oh, how exciting it is to be in the same dressing room with the world's 217 00:16:05,960 --> 00:16:07,240 strongest man. 218 00:16:07,460 --> 00:16:09,280 Mr. Piggy, come on now. I mean, I tell you. 219 00:16:09,610 --> 00:16:12,270 Being strong had nothing to do with getting the part. I mean, I've just been 220 00:16:12,270 --> 00:16:13,870 lucky so far. Well, knock on wood. 221 00:16:17,870 --> 00:16:19,310 Uh, Christopher? 222 00:16:19,990 --> 00:16:23,110 Christopher, remember in the movie when you held Lois Lane? 223 00:16:23,450 --> 00:16:27,850 Mm -hmm. Could you use my body as a visual demonstration? 224 00:16:28,470 --> 00:16:31,810 What, to put my arm around her? Show me? Yes. And the other arm where? Yeah, the 225 00:16:31,810 --> 00:16:34,750 other arm too. And you held it tighter? Well, I had to because otherwise she'd 226 00:16:34,750 --> 00:16:36,870 fall, right? Tighter? Yeah, sort of like that. 227 00:16:37,330 --> 00:16:38,330 Tighter? 228 00:16:39,500 --> 00:16:40,500 me, Chris. 229 00:16:40,600 --> 00:16:46,780 Christopher here was showing me how to, he was, what were you doing? 230 00:16:47,060 --> 00:16:49,860 I was just showing her how I held Lois Lane in the movie. In the movie, Lois 231 00:16:49,860 --> 00:16:50,860 Lane, yeah. 232 00:16:51,900 --> 00:16:53,900 That's the worst explanation I've ever heard. 233 00:16:56,700 --> 00:16:58,300 Why? You look kind of jealous. 234 00:16:58,720 --> 00:17:00,100 Oh, he always looks jealous. 235 00:17:01,020 --> 00:17:02,180 That's his natural color. 236 00:17:45,040 --> 00:17:49,620 Dr. Bunsen Honeydew here at Muppet Labs where the future is being made today. 237 00:17:49,940 --> 00:17:54,640 Well, my assistant Beaker is bringing an old bossy here because today we're 238 00:17:54,640 --> 00:17:59,300 going to test Muppet Labs' latest invention, the electrically heated 239 00:17:59,300 --> 00:18:00,300 machine. 240 00:18:02,480 --> 00:18:03,480 Yes, 241 00:18:03,900 --> 00:18:09,100 cows just love sliding into a warm, cozy milking machine on these frosty 242 00:18:09,100 --> 00:18:10,640 mornings, don't they, Beaker? 243 00:18:20,810 --> 00:18:22,390 You'll get dandruff in the milk. 244 00:18:27,590 --> 00:18:33,170 Why, Beaker, you're hauntingly attractive today. 245 00:18:39,230 --> 00:18:42,950 And now, ladies and gentlemen, here is Miss Piggy to sing Never Before and 246 00:18:42,950 --> 00:18:45,730 Again, a song that means a lot to the two of us. Ladies and gentlemen, Miss 247 00:18:45,730 --> 00:18:46,730 Pig... 248 00:19:10,960 --> 00:19:13,340 I hope I did not hurt your palsy, Walt. 249 00:19:19,060 --> 00:19:20,980 Figgy, what happened to Ralph? 250 00:19:21,360 --> 00:19:22,480 I do not know. 251 00:19:22,960 --> 00:19:24,860 Someone must have blown a doggy with him. 252 00:19:26,420 --> 00:19:28,100 What do we do about a pianist? 253 00:19:28,960 --> 00:19:32,440 Do you think possibly Christopher could play piano for me? 254 00:19:32,800 --> 00:19:34,580 Why not? He does everything else. 255 00:19:39,880 --> 00:19:42,780 Piggy wants you to play piano for her. Play the piano for her? Yeah. 256 00:19:43,420 --> 00:19:45,840 What do you think, guys? Play the piano? Yeah? Yeah? 257 00:19:46,320 --> 00:19:47,800 Okay. I'm game for anything. 258 00:19:50,600 --> 00:19:52,280 Boy, I'll tell you something. This is quite a phone booth. 259 00:19:57,520 --> 00:19:59,280 How about that, huh? 260 00:19:59,500 --> 00:20:00,500 Nice, nice. 261 00:20:00,880 --> 00:20:04,380 Okay. Oh, listen. If anybody calls while I'm out, take a number. I'll call back. 262 00:20:04,660 --> 00:20:06,280 Super Rat, you're in charge. 263 00:20:28,970 --> 00:20:29,969 Never before, never again? 264 00:20:29,970 --> 00:20:32,630 I know. I have an especial song for us. 265 00:20:32,970 --> 00:20:36,530 Uh, East of the Sun and West of the Moon. Mm -hmm. I don't think I know this 266 00:20:36,530 --> 00:20:37,530 one. 267 00:21:01,870 --> 00:21:02,870 Is that my note? 268 00:21:03,090 --> 00:21:04,090 Oh, thank you. 269 00:21:04,590 --> 00:21:11,470 I wish that we could live up in the sky Where we could find a place away 270 00:21:11,470 --> 00:21:12,470 up high 271 00:22:45,100 --> 00:22:46,160 Just a short trip. I'm ready. 272 00:22:46,480 --> 00:22:47,720 Oh, wait! 273 00:22:49,160 --> 00:22:50,160 Wait! 274 00:22:50,700 --> 00:22:53,860 See, I'm sorry, Miss Piggy. I don't think I can manage. Maybe you gained a 275 00:22:53,860 --> 00:22:54,860 pounds. 276 00:22:55,320 --> 00:22:56,800 Shut the ding, Reeves! 277 00:23:54,700 --> 00:23:56,480 Boy, I tell you, you guys are crazy, but I had a great time. 278 00:23:56,720 --> 00:23:57,740 Oh, good. Well, listen. 279 00:23:57,980 --> 00:24:01,660 Tell me the truth, Chris. You really could have lifted Miss Piggy if you 280 00:24:01,720 --> 00:24:02,720 couldn't you? 281 00:24:02,800 --> 00:24:03,739 Are you kidding? 282 00:24:03,740 --> 00:24:06,780 Usually I have to lift locomotives, and some of them are even heavier than she 283 00:24:06,780 --> 00:24:07,780 is. 284 00:24:57,320 --> 00:24:58,720 This has been an evening to remember. 285 00:24:59,100 --> 00:25:00,900 Why? I forgot. 20566