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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:06,920 --> 00:00:08,380 Hi, I'm Brian Henson. 2 00:00:09,220 --> 00:00:12,400 This episode of The Muppet Show stars Harry Belafonte. 3 00:00:16,260 --> 00:00:20,680 He's an amazing guy. He's very spiritual, very powerful. Once you've 4 00:00:20,680 --> 00:00:22,500 Belafonte, your life changes. 5 00:00:23,480 --> 00:00:27,120 Undoubtedly, Harry's most important contribution to this episode is the 6 00:00:27,120 --> 00:00:31,220 number. It's a mystical African song called Turn the World Around. 7 00:00:31,680 --> 00:00:38,580 The African 8 00:00:38,580 --> 00:00:41,380 mass puppets were built especially for this number. 9 00:00:41,780 --> 00:00:46,960 Years later, Harry did a reprise of this song at my father's memorial service. 10 00:00:47,000 --> 00:00:52,040 It was probably the most important and powerful moment in the whole ceremony. 11 00:00:52,420 --> 00:00:54,360 Harry continues to be a great friend. 12 00:00:54,960 --> 00:00:58,600 to the family. He was a great friend of my father's, and this is where we all 13 00:00:58,600 --> 00:01:00,460 met. Here he is in The Muppet Show. 14 00:01:05,060 --> 00:01:06,060 Harry Belafonte! 15 00:01:06,400 --> 00:01:08,440 30 seconds to curtain, Mr. Belafonte. 16 00:01:08,760 --> 00:01:09,760 Thank you, Scooter. 17 00:01:10,200 --> 00:01:12,060 Say, is everything all right? 18 00:01:12,480 --> 00:01:13,580 Oh, yeah, everything's okay. 19 00:01:14,220 --> 00:01:16,880 Except, you know, I haven't even done the show yet, and already somebody 20 00:01:16,880 --> 00:01:18,060 to put me down. No. 21 00:01:18,300 --> 00:01:19,300 Oh, what do you mean? 22 00:01:19,680 --> 00:01:23,640 Just now I heard somebody outside my door say, don't go inside that dressing 23 00:01:23,640 --> 00:01:28,850 room. Crazy Harry's in there. Oh, well, they didn't mean you. You see, Crazy 24 00:01:28,850 --> 00:01:31,330 Harry's a mu... Crazy Harry? 25 00:01:38,790 --> 00:01:43,050 It's The Muppet Show with our very special guest star, Harry Belafonte! 26 00:02:15,500 --> 00:02:16,960 I've seen enough. Let's leave. 27 00:02:41,480 --> 00:02:42,339 Thank you. 28 00:02:42,340 --> 00:02:44,020 Fozzie, this is not going to work. 29 00:02:44,240 --> 00:02:46,320 Just read off the page, Frog. 30 00:02:49,440 --> 00:02:50,820 Leggies and jungle funds. 31 00:02:51,540 --> 00:02:52,920 Leggies and jungle funds? 32 00:02:53,700 --> 00:02:54,920 Leggies and jungle funds. 33 00:02:56,020 --> 00:02:58,160 All right, so my typing is bad. 34 00:03:01,060 --> 00:03:02,420 Leggies and jungle funds. 35 00:03:02,860 --> 00:03:05,360 Welcome again, Tidy Muppet Shocks. 36 00:03:06,500 --> 00:03:08,460 My name is Kermit the Forg. 37 00:03:09,180 --> 00:03:10,300 The Forg? 38 00:03:11,440 --> 00:03:13,020 Come on, pick up the pace. Here we go. 39 00:03:14,220 --> 00:03:19,740 And our spiky old guest, Stapp, is the amazing Harry Belafonte, folks. 40 00:03:20,640 --> 00:03:21,619 Come it. 41 00:03:21,620 --> 00:03:25,700 Your timing must be off. You should be getting big laughs with that stuff. 42 00:04:01,649 --> 00:04:03,310 That was beautiful. 43 00:04:04,810 --> 00:04:07,190 Thank you very much, but I'm not finished with the song yet. 44 00:04:07,410 --> 00:04:12,490 Oh, yeah, but boy, that was terrific. I bet you must have sang that song a bunch 45 00:04:12,490 --> 00:04:13,650 of times on TV, huh? 46 00:04:14,010 --> 00:04:15,990 No, no, as a matter of fact, this is the very first time. 47 00:04:17,459 --> 00:04:21,579 This here in the Muppet Show is the very first time you sang this. The very 48 00:04:21,579 --> 00:04:22,419 first time. 49 00:04:22,420 --> 00:04:26,820 That's why it's very special to me. You bet it is. And to us too. I tell you 50 00:04:26,820 --> 00:04:28,820 what, we're gonna do it up really perfect. 51 00:04:29,180 --> 00:04:30,720 Hey pigs, pigs, come on in. 52 00:04:31,420 --> 00:04:32,840 This is your pig chorus. 53 00:04:33,460 --> 00:04:36,980 Okay, and I'll take care of everything else. Don't worry. This is gonna be 54 00:04:36,980 --> 00:04:37,980 great. 55 00:04:38,360 --> 00:04:39,360 Are you sure? 56 00:04:41,040 --> 00:04:42,040 Trust me. 57 00:05:07,439 --> 00:05:12,220 Excuse me. I'm sorry. Excuse me. What is a tally man? 58 00:05:13,500 --> 00:05:14,500 What is what? 59 00:05:15,200 --> 00:05:17,380 A telly man. You're saying telly man. What's that? 60 00:05:17,860 --> 00:05:19,360 Well, he's the boss. 61 00:05:19,600 --> 00:05:22,960 The telly man is the guy who counts the bananas as they go into the hold of the 62 00:05:22,960 --> 00:05:25,940 ship. And without him, there's just no work. He's a very important man. 63 00:05:26,200 --> 00:05:28,500 Ah, could I be a telly man? 64 00:05:28,820 --> 00:05:29,920 Sure. Oh, yeah? 65 00:05:30,340 --> 00:05:31,340 Terrific. 66 00:05:31,740 --> 00:05:35,120 Okay, here we am, the telly man or the telly bear. 67 00:05:36,100 --> 00:05:40,340 Okay, we got the telly bear, and now we got the boat, the chorus with the pigs 68 00:05:40,340 --> 00:05:41,340 and the parrot. 69 00:05:41,600 --> 00:05:43,460 Okay, keep singing. This is going to be great. 70 00:05:43,900 --> 00:05:44,900 Are you sure we have everything? 71 00:05:45,340 --> 00:05:46,480 Sure. How about the bananas? 72 00:05:47,260 --> 00:05:48,260 The what? 73 00:05:48,720 --> 00:05:51,780 Bananas. We need bananas. The banana boat song. We have to have bananas. 74 00:05:53,680 --> 00:05:54,680 Good thinking. 75 00:05:55,140 --> 00:05:56,340 I've got just the man. 76 00:05:56,560 --> 00:05:57,560 All right, guys. 77 00:05:57,600 --> 00:05:59,740 Yes. Come here. Come here. You've got a job. 78 00:06:00,000 --> 00:06:01,800 Get bananas for this song. 79 00:06:02,240 --> 00:06:03,300 Okay. Okay. 80 00:06:03,800 --> 00:06:05,460 Go ahead. This is just going to be great. 81 00:06:06,240 --> 00:06:07,260 He's going to get the bananas? 82 00:06:07,520 --> 00:06:10,000 He's going to get the bananas, and the song's going to be wonderful now. 83 00:06:10,680 --> 00:06:11,680 Are you sure? 84 00:06:12,680 --> 00:06:13,680 Trust me. 85 00:06:14,960 --> 00:06:16,180 That's what you said the last time. 86 00:06:19,500 --> 00:06:20,820 Come, Mr. 87 00:06:21,240 --> 00:06:23,240 Tallyman, tally me banana. 88 00:06:23,920 --> 00:06:28,500 Daylight come and me wanna go home. Come, Mr. 89 00:06:28,920 --> 00:06:30,900 Tallyman, tally me banana. 90 00:06:31,220 --> 00:06:31,919 It's bananas. 91 00:06:31,920 --> 00:06:38,480 Daylight come and me wanna go home. Lift six and seven and eight and punch. 92 00:06:39,200 --> 00:06:42,500 Daylight come and me wanna go home. 93 00:06:42,890 --> 00:06:45,870 Six, five, seven, eight, nine, punch. I don't even know what those are. 94 00:06:46,130 --> 00:06:47,130 They're bananas. 95 00:06:47,190 --> 00:06:48,190 They're yellow. 96 00:06:48,890 --> 00:06:49,890 They're bananas. 97 00:06:50,310 --> 00:06:51,310 Keep singing. 98 00:06:52,010 --> 00:06:53,010 He's ready. 99 00:07:14,090 --> 00:07:16,330 Don't you understand? Don't you understand? 100 00:07:16,870 --> 00:07:17,870 No, 101 00:07:18,530 --> 00:07:19,630 no, 102 00:07:20,890 --> 00:07:25,350 no, no, no. I don't work with a deadly tarantula. I don't work with a deadly 103 00:07:25,350 --> 00:07:26,350 tarantula. Alice, please. 104 00:07:26,430 --> 00:07:27,510 Wait, wait, wait. 105 00:07:27,930 --> 00:07:28,930 Alice, please. 106 00:07:29,430 --> 00:07:33,050 Come on, what are you waiting for? Wait a minute, please. Look, don't worry 107 00:07:33,050 --> 00:07:34,050 about the tarantula. 108 00:07:34,290 --> 00:07:38,010 Don't worry about the pineapples and the onions. Look, this is the first time 109 00:07:38,010 --> 00:07:39,150 I'm doing this on television. 110 00:07:39,390 --> 00:07:40,730 I really would like to get it right. 111 00:07:41,090 --> 00:07:42,890 I'd like it to look good for other people. 112 00:07:43,440 --> 00:07:47,060 Come on, I mean, won't you help me out? Let's pull together, okay? Okay, right. 113 00:07:47,820 --> 00:07:53,680 Everybody ready, okay? Just watch me, okay? It'll work. Do you really think 114 00:07:53,680 --> 00:07:54,680 it'll work? 115 00:07:55,000 --> 00:07:56,000 Trust me. 116 00:07:58,980 --> 00:08:02,940 I live six and seven and eight and bunch. 117 00:08:03,780 --> 00:08:06,840 Daylight come and me one go home. 118 00:08:07,180 --> 00:08:10,260 Six and seven and eight and bunch. 119 00:08:15,210 --> 00:08:15,929 Come Mr. 120 00:08:15,930 --> 00:08:21,850 Tallyman, tally me banana. They like come when me one go home. 121 00:08:22,170 --> 00:08:23,170 Come Mr. 122 00:08:23,390 --> 00:08:25,430 Tallyman, tally me banana. 123 00:08:25,950 --> 00:08:27,830 They like come when... 124 00:09:03,150 --> 00:09:04,350 all together? Yes sir, I'm sorry. 125 00:09:54,320 --> 00:09:55,320 in the first place. 126 00:09:57,360 --> 00:10:00,860 Okay, nice number, nice number. We got some crackers in the kitchen. 127 00:10:01,100 --> 00:10:03,500 Hey, Kermit, oh, we thought these were species. 128 00:10:04,240 --> 00:10:08,100 Hey, hey, watch out, watch out, Kermit. Oh, God, watch out. 129 00:10:08,740 --> 00:10:09,459 Let's see. 130 00:10:09,460 --> 00:10:13,000 Where was I here? Where was I? Ralph in New Zealand on stage for the musical 131 00:10:13,000 --> 00:10:15,020 moment. Oh, that's it, the musical moment, yeah. 132 00:10:16,580 --> 00:10:19,320 Fuzzy, what are you doing with this typewriter on my table? 133 00:10:20,020 --> 00:10:22,800 Kermit, I am writing the script for this week's show. 134 00:10:23,790 --> 00:10:25,450 What makes you think the show needs a script? 135 00:10:26,150 --> 00:10:27,150 Oh, come on. 136 00:10:27,690 --> 00:10:29,490 Every show has a script. 137 00:10:30,050 --> 00:10:32,270 Yeah, that way you leave nothing to chance. 138 00:10:32,730 --> 00:10:34,410 Hey, guys, guys, hey, hey, hey. 139 00:10:34,910 --> 00:10:37,050 Here is the musical moment for this week. 140 00:10:37,690 --> 00:10:39,090 Uh, curtains open. 141 00:10:39,530 --> 00:10:42,070 Lou Zealand and Ralph do something funny. 142 00:10:42,550 --> 00:10:43,550 Curtains close. 143 00:10:44,130 --> 00:10:48,950 Go get him! 144 00:10:50,210 --> 00:10:51,870 You leave nothing to chance, huh? 145 00:10:52,730 --> 00:10:53,730 Trust me. 146 00:10:55,660 --> 00:10:57,900 Do you know T for two? 147 00:10:58,220 --> 00:11:00,300 T for two? I know it backwards. 148 00:11:00,660 --> 00:11:03,540 Oh, good, because that's the way we want to hear it. 149 00:11:03,800 --> 00:11:05,680 Good, because that's the way I'm going to sing it. 150 00:11:23,680 --> 00:11:25,320 Much very, you think. 151 00:11:25,660 --> 00:11:27,400 Mine was pleasure, thee. 152 00:11:28,940 --> 00:11:34,120 Now, time once again for Pigs in Space! 153 00:11:39,340 --> 00:11:41,200 What's old stupid doings? 154 00:11:41,440 --> 00:11:43,220 I'm not doing a thing. 155 00:11:44,560 --> 00:11:46,920 Well, the answer's been called. 156 00:11:48,120 --> 00:11:50,280 Not you, stupid dear. 157 00:11:50,480 --> 00:11:52,320 The stupid on the end. 158 00:11:53,070 --> 00:11:56,350 Ah, yes. I'm perfecting my dissolvetron. 159 00:11:56,970 --> 00:11:58,510 Ooh, what is that? 160 00:11:58,750 --> 00:11:59,790 What does it do? 161 00:11:59,990 --> 00:12:00,990 It does this. 162 00:12:06,590 --> 00:12:10,770 And it does this. 163 00:12:15,670 --> 00:12:16,670 Hey, 164 00:12:18,710 --> 00:12:21,310 you! What a wonderful trick. 165 00:12:21,610 --> 00:12:22,670 Do that again. 166 00:12:24,470 --> 00:12:25,470 Well, 167 00:12:26,830 --> 00:12:32,130 it's very simple, Link. You see, this ray dissolves anything I point it at. 168 00:12:34,810 --> 00:12:41,410 And then it will undissolve you thusly. 169 00:12:44,550 --> 00:12:46,110 And there you are. 170 00:12:46,610 --> 00:12:48,430 Exactly as we were before. 171 00:12:52,560 --> 00:12:53,560 Maybe not exactly. 172 00:12:55,020 --> 00:12:58,400 But this is terrible. I can't live my life being you. 173 00:12:59,900 --> 00:13:01,660 You think you've got troubles. 174 00:13:02,060 --> 00:13:05,880 Of course, I am kind of cute this way. 175 00:13:06,520 --> 00:13:09,660 Watch it, watch it. Don't you dare touch you. 176 00:13:11,120 --> 00:13:13,020 Strange pork, this is all your fault. 177 00:13:13,280 --> 00:13:15,320 Yeah, yeah. What do you have to say to yourself? 178 00:13:15,880 --> 00:13:18,580 Ew, this is a bummer. I mean, really. 179 00:13:19,140 --> 00:13:21,560 Something has gone wrong with my... 180 00:13:24,140 --> 00:13:25,760 This is definitely not my scene. 181 00:13:26,060 --> 00:13:30,060 Oh, come in! Come in! Help! Where are you? Come in! Come in! 182 00:13:31,360 --> 00:13:37,900 Oh, come in! That does it. The sketch is cancelled. 183 00:13:38,200 --> 00:13:39,200 Kill the lights. 184 00:13:39,520 --> 00:13:40,520 Strike the scenery. 185 00:14:32,160 --> 00:14:33,160 Thank you. 186 00:17:54,510 --> 00:17:55,510 Oh, no. 187 00:17:56,110 --> 00:17:58,470 Oh, this is so embarrassing. 188 00:18:01,350 --> 00:18:05,930 I wonder if this ever happened to Neil Simon. 189 00:18:06,750 --> 00:18:09,150 Oh, boy. Hey, Fonzie. Oh, hi. 190 00:18:09,550 --> 00:18:10,550 Hi, Ralph. 191 00:18:10,570 --> 00:18:11,469 How's it going? 192 00:18:11,470 --> 00:18:16,950 Oh, well, gosh, I, um... I, uh, um... You're stuck, huh? 193 00:18:18,010 --> 00:18:21,270 Yeah. Well, this then happens to all writers. 194 00:18:22,280 --> 00:18:23,259 This does? 195 00:18:23,260 --> 00:18:25,580 Sure, it's what's called writer's block. 196 00:18:26,420 --> 00:18:30,880 Oh, oh, oh. You know where you can't come up with the next line. Yes, well, I 197 00:18:30,880 --> 00:18:32,480 can't come up with the next line. 198 00:18:32,680 --> 00:18:34,160 Well, maybe I can help. 199 00:18:34,380 --> 00:18:36,180 Let me see what you last wrote here. 200 00:18:36,560 --> 00:18:37,560 Stop! 201 00:18:41,100 --> 00:18:42,560 Hello, sports fans. 202 00:18:42,780 --> 00:18:47,060 Louis Kazaker bringing you the wild world of Muppet Sports. 203 00:18:47,520 --> 00:18:54,140 You join us today for the start of the 100 -meter blindfold... And the 204 00:18:54,140 --> 00:18:55,900 finalists are on their marks. 205 00:18:56,400 --> 00:18:58,540 And they can't see a thing. 206 00:19:00,540 --> 00:19:02,580 Not even the starting flat. 207 00:19:03,000 --> 00:19:04,820 So he'll try the pistol. 208 00:19:05,240 --> 00:19:08,580 And there they go. And there. And there and over there. 209 00:19:08,920 --> 00:19:10,420 Yes. Number zero. 210 00:19:10,720 --> 00:19:12,660 Knocked down by number two. He's up again. 211 00:19:12,980 --> 00:19:15,220 Number seven looking like a man of action. 212 00:19:15,440 --> 00:19:17,200 Number zero knocked down again. 213 00:19:17,440 --> 00:19:21,520 This time by number six. Zero off to the side. Six is off. Here comes two 214 00:19:21,520 --> 00:19:22,520 looking. 215 00:19:51,540 --> 00:19:52,439 What's that? 216 00:19:52,440 --> 00:19:53,620 Why did they do it? 217 00:19:56,640 --> 00:19:57,980 How's the writing going, Foss? 218 00:19:58,480 --> 00:20:00,740 Oh, boy, I didn't know it'd be that tough, Harry. 219 00:20:01,040 --> 00:20:03,180 Oh, well, you know, you write a lot of stuff. 220 00:20:03,880 --> 00:20:04,879 No, not really. 221 00:20:04,880 --> 00:20:06,960 No, well, I write songs. 222 00:20:07,460 --> 00:20:11,340 Oh, yeah, they're terrific, too. Hey, how do you get ideas for all those 223 00:20:12,360 --> 00:20:14,520 Well, they don't come easily. You have to get inspired. 224 00:20:15,180 --> 00:20:16,680 You like the song we're going to do next? 225 00:20:16,960 --> 00:20:17,659 Mm -hmm. 226 00:20:17,660 --> 00:20:19,420 I discovered that song in Africa. 227 00:20:19,900 --> 00:20:21,180 I was in a country called Guinea. 228 00:20:21,640 --> 00:20:24,020 And I went deep into the interior of the country. 229 00:20:24,300 --> 00:20:27,020 And in a little village, I met with a storyteller. 230 00:20:27,660 --> 00:20:33,100 And that storyteller went way back into African tradition and African mythology. 231 00:20:33,860 --> 00:20:40,400 He began to tell the story about the fire, which means the sun, about the 232 00:20:40,480 --> 00:20:41,960 and about the earth. 233 00:20:42,540 --> 00:20:46,440 And then he pointed out that all of these things put together turn the world 234 00:20:46,440 --> 00:20:48,360 around. And that all of us... 235 00:20:48,810 --> 00:20:50,930 We're here for a very, very short time. 236 00:20:51,430 --> 00:20:55,590 And in that time that we're here, there really isn't any difference in any of 237 00:20:55,590 --> 00:20:59,050 us, if we were to take time out to understand each other. 238 00:20:59,450 --> 00:21:02,490 And the question is, do I know who you are? 239 00:21:02,730 --> 00:21:04,090 Do you know who I am? 240 00:21:05,010 --> 00:21:10,690 Do we care about each other? Because if we do, together we can turn the world 241 00:21:10,690 --> 00:21:11,690 around. 242 00:21:16,970 --> 00:21:22,810 We come from the fire, living in fire, go back to the fire, turn the world 243 00:21:22,810 --> 00:21:23,810 around. 244 00:21:48,970 --> 00:21:54,490 We come from the water, living in the water, go back to the water, turn the 245 00:21:54,490 --> 00:21:55,490 world around. 246 00:22:21,000 --> 00:22:26,160 We come from the mountain, living on the mountain, go back to the mountain, turn 247 00:22:26,160 --> 00:22:31,340 the world around. We come from the mountain, living on the mountain, go 248 00:22:31,340 --> 00:22:33,340 the mountain, turn the world around. 249 00:22:33,660 --> 00:22:38,880 We come from the mountain, living on the mountain, go back to the mountain, turn 250 00:22:38,880 --> 00:22:39,880 the world around. 251 00:22:51,020 --> 00:22:57,880 So it's like, do you know who I am? Do I know who 252 00:22:57,880 --> 00:23:01,020 you are? See, we want another. 253 00:23:01,440 --> 00:23:08,440 Clearly, do we know who we are? Do you know who I am? Who I am? 254 00:23:28,120 --> 00:23:30,400 So is life. 255 00:23:56,170 --> 00:24:01,630 Water make the river, river wash, mountain fire make the sunlight turn the 256 00:24:01,630 --> 00:24:07,270 around. Heart is of the river, body is the mountain, spirit is the sunlight 257 00:24:07,270 --> 00:24:12,990 the world around. We are of the spirit, truly of the spirit, only can the spirit 258 00:24:12,990 --> 00:24:14,450 turn the world around. 259 00:24:14,690 --> 00:24:20,530 We are of the spirit, truly of the spirit, only can the spirit turn the 260 00:24:20,530 --> 00:24:25,610 around. Do you know who I am? Do I know? 261 00:24:29,460 --> 00:24:32,840 Do we know who we 262 00:24:32,840 --> 00:24:45,520 are? 263 00:25:07,600 --> 00:25:09,920 Thank you. 264 00:25:23,440 --> 00:25:27,140 a great show that we can hardly bring ourselves to end it. And we all know who 265 00:25:27,140 --> 00:25:28,140 we have to thank for that. 266 00:25:28,440 --> 00:25:29,520 The script writer. 267 00:25:29,840 --> 00:25:34,740 No, no, the guest star. And so thank you from all of us, Mr. Harry Palafonte. 268 00:25:38,300 --> 00:25:41,760 This is the greatest group of singers I've ever worked with. The Muppets. 269 00:25:42,040 --> 00:25:42,919 Night, all. 270 00:25:42,920 --> 00:25:44,880 Thank you. We'll see you next time on The Muppet Show. 271 00:25:58,459 --> 00:25:59,860 is 19591