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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,979 --> 00:00:04,720 You're watching CTF, family -friendly television. 2 00:00:06,720 --> 00:00:07,720 James Coco! 3 00:00:07,760 --> 00:00:08,760 James Coco! 4 00:00:08,980 --> 00:00:10,940 Fifteen seconds to curtain, Mr. Coco! 5 00:00:11,300 --> 00:00:14,580 Ah, thank you, Scooter. Would you tell Wardrobe that I like this jacket 6 00:00:14,860 --> 00:00:17,340 Sure! Hey, Wardrobe, press that jacket! 7 00:00:21,660 --> 00:00:23,740 Anything else? 8 00:00:25,480 --> 00:00:26,480 No, no. 9 00:00:26,840 --> 00:00:27,840 Hang it off. 10 00:00:28,350 --> 00:00:29,650 It was just perfect, really. 11 00:00:33,490 --> 00:00:37,390 It's The Muppet Show with our very special guest star, James Coco. 12 00:01:01,580 --> 00:01:02,840 It's time to put on makeup. 13 00:01:03,080 --> 00:01:04,780 It's time to dress up right. 14 00:01:05,180 --> 00:01:07,000 It's time to get things started. 15 00:01:07,360 --> 00:01:09,300 Why don't you get things started? 16 00:01:09,960 --> 00:01:10,980 Here's your script. 17 00:01:35,690 --> 00:01:39,490 Muppet Show, where our guest star tonight is the wonderful and very 18 00:01:39,550 --> 00:01:40,550 James Coco. 19 00:01:40,730 --> 00:01:44,710 But first, first we're going to open tonight's show with an underwater 20 00:01:44,930 --> 00:01:48,150 So without more ado, last one in is a sissy. 21 00:01:59,310 --> 00:02:00,790 I'd like to be... 22 00:02:01,900 --> 00:02:07,140 Under the feet in an octopus's garden in the shade. 23 00:02:08,600 --> 00:02:15,160 He let us in, knows where we've been in his octopus's 24 00:02:15,160 --> 00:02:16,860 garden in the shade. 25 00:02:18,680 --> 00:02:24,560 I'd like my friends to come and see an 26 00:02:24,560 --> 00:02:27,740 octopus's garden with me. 27 00:02:28,640 --> 00:02:30,300 I'd like to be. 28 00:02:32,240 --> 00:02:36,760 Under the sea, in an octopus's garden, in the shade. 29 00:02:38,720 --> 00:02:42,700 We would be warm, alone at dark, 30 00:02:43,560 --> 00:02:46,340 in our little hideaway beneath the wave. 31 00:02:48,900 --> 00:02:55,860 Resting our head on the seabed in an octopus's garden near 32 00:02:55,860 --> 00:02:56,860 a cave. 33 00:02:58,780 --> 00:03:00,240 We would sing. 34 00:03:11,049 --> 00:03:16,350 Under the sea, in an octopus's garden, in a tree. 35 00:03:58,120 --> 00:04:05,040 We would be so happy, you and me With no one there to tell 36 00:04:05,040 --> 00:04:06,220 us what to do 37 00:04:20,380 --> 00:04:21,380 Well, 38 00:04:27,660 --> 00:04:28,660 that was different. 39 00:04:29,020 --> 00:04:30,300 Did you like it? No? 40 00:04:30,580 --> 00:04:31,780 Then it wasn't different. 41 00:04:34,780 --> 00:04:36,800 Did you get any water on the seed, Paul? 42 00:04:37,160 --> 00:04:40,940 Yeah, but it's okay. The next act will take care of it. Okay, dancing sponges, 43 00:04:40,940 --> 00:04:41,940 you're on. 44 00:04:43,790 --> 00:04:44,790 Smart thinking. 45 00:04:46,890 --> 00:04:47,890 Oh, 46 00:04:48,270 --> 00:04:54,250 you were great in that last number, Piggy. Thank you, Kermie. You know, I 47 00:04:54,250 --> 00:04:55,250 like the water. 48 00:04:55,470 --> 00:04:56,470 Oh, I'm glad. 49 00:04:56,670 --> 00:04:59,730 Which means after we're married, we can live at your place. 50 00:05:01,810 --> 00:05:02,810 Yeah. 51 00:05:03,450 --> 00:05:07,090 Kermie, would you help me take this mermaid outfit off? 52 00:05:07,470 --> 00:05:09,030 You mean to do the zipper back here? 53 00:05:27,020 --> 00:05:28,020 Oh, I think so. 54 00:05:28,720 --> 00:05:35,500 And now, our very special guest 55 00:05:35,500 --> 00:05:40,220 star, James Coco, portraying a medium who will attempt to predict the future 56 00:05:40,220 --> 00:05:41,440 a character who has no future. 57 00:05:41,860 --> 00:05:42,860 Well done! 58 00:05:46,000 --> 00:05:51,020 Boy, oh boy, am I ever excited. I've never been to a real gypsy clairvoyant 59 00:05:51,020 --> 00:05:54,700 before. They say that for $10, you'll read your mind. 60 00:05:55,500 --> 00:05:56,900 I wonder what he'd see in mine. 61 00:05:57,540 --> 00:05:58,840 Three dollars change. 62 00:06:07,020 --> 00:06:10,460 Are you Dr. 63 00:06:10,680 --> 00:06:12,820 Coco the Happy Medium? That's right, that's right. 64 00:06:13,220 --> 00:06:14,900 And you? Yes. 65 00:06:16,200 --> 00:06:21,940 You are Farty Bear. 66 00:06:22,420 --> 00:06:24,620 And I am Seasick. 67 00:06:26,280 --> 00:06:27,480 Thank you. Thank you. 68 00:06:28,140 --> 00:06:29,820 I've got to know one thing. 69 00:06:30,120 --> 00:06:31,180 Yes, I can. 70 00:06:31,420 --> 00:06:33,900 Can you predict the future? I just need it. 71 00:06:35,080 --> 00:06:41,240 I want to know what my future in romance will be. Let me see 72 00:06:41,240 --> 00:06:45,400 if my crystal ball will speak to me. 73 00:06:55,690 --> 00:06:56,469 Bad news. 74 00:06:56,470 --> 00:06:57,470 What, what, what, what, what? 75 00:06:57,690 --> 00:06:58,950 It spoke to me. 76 00:07:00,210 --> 00:07:02,250 You see a tall, cute stranger? 77 00:07:02,890 --> 00:07:04,110 It could be taller. 78 00:07:04,370 --> 00:07:05,590 It could be cuter. 79 00:07:05,950 --> 00:07:07,550 But it couldn't be stranger. 80 00:07:09,710 --> 00:07:10,710 Hi, Fozzie. 81 00:07:12,110 --> 00:07:14,290 Beauregard, I want to get my future told. 82 00:07:14,530 --> 00:07:15,950 I want to get my hair down. 83 00:07:16,170 --> 00:07:17,450 I just want to get on with the sketch. 84 00:07:18,970 --> 00:07:21,050 But, but, but, but you're a medium. 85 00:07:21,350 --> 00:07:24,010 Are you kidding? Medium? I'm an extra large. 86 00:07:28,680 --> 00:07:32,340 Howdy, y 'all. Are you the senior citizens of Abilene? 87 00:07:33,080 --> 00:07:34,900 No, no, no, no, no, no. 88 00:07:35,160 --> 00:07:40,180 Oh, shucks. I'm Chester Pugh. I'm due to show up at their seance. 89 00:07:40,600 --> 00:07:41,600 Are you late? 90 00:07:41,780 --> 00:07:44,160 Of course, I'm late, Chester Pugh. 91 00:07:45,680 --> 00:07:47,820 Never. Better late than never. 92 00:07:48,280 --> 00:07:52,380 But this isn't even a real seance. It isn't. Wait, wait, wait, wait, wait, 93 00:07:52,500 --> 00:07:53,560 Jimmy, you mean... 94 00:07:54,250 --> 00:07:55,350 He's not part of the sketch. 95 00:07:55,810 --> 00:07:58,790 No. This is a show. 96 00:07:59,010 --> 00:08:00,050 A show? 97 00:08:01,070 --> 00:08:06,210 I'll say, I'd like to say hello to Ma and Pa and all the night shift down at 98 00:08:06,210 --> 00:08:09,770 Schneider's. Listen for everybody on the other side. 99 00:08:10,290 --> 00:08:12,710 Oh, Danny boy. 100 00:08:20,620 --> 00:08:22,160 Huh? No good. Why? 101 00:08:22,480 --> 00:08:24,640 Well, it's just no rhythm, no pace. 102 00:08:25,560 --> 00:08:26,860 Not even good looking. 103 00:08:28,940 --> 00:08:32,059 Jimmy? Jimmy, is this supposed to go this way? 104 00:08:32,260 --> 00:08:34,360 Of course not. I didn't know we'd get a real ghost. 105 00:08:35,539 --> 00:08:36,539 Oh, look! 106 00:08:37,340 --> 00:08:39,120 The table is gravitating! 107 00:08:39,460 --> 00:08:41,539 I'm going to get killed! 108 00:08:42,039 --> 00:08:43,780 No, I'm going to get lunch! 109 00:08:46,940 --> 00:08:48,120 Well, what can we do now? 110 00:08:49,390 --> 00:08:55,610 But I'll be here in sunshine or in 111 00:08:55,610 --> 00:09:02,310 shadow. Oh, Danny boy, oh, Danny boy, 112 00:09:02,470 --> 00:09:06,050 I love you so. 113 00:09:09,850 --> 00:09:16,670 What was that? It's called the 114 00:09:16,670 --> 00:09:17,670 medium sketch. 115 00:09:18,040 --> 00:09:19,040 The medium sketch? 116 00:09:19,420 --> 00:09:22,120 Yeah, it wasn't rare, and it certainly wasn't well done. 117 00:09:25,300 --> 00:09:26,860 That was disgusting. 118 00:09:27,400 --> 00:09:29,160 You ought to be ashamed of yourself. 119 00:09:30,260 --> 00:09:32,520 That sketch was the last straw. 120 00:09:32,740 --> 00:09:34,360 That does it. I am leaving. 121 00:09:35,840 --> 00:09:40,700 Well, don't you have anything to say to me before I go? 122 00:09:42,320 --> 00:09:43,460 Oh, yeah. 123 00:09:43,940 --> 00:09:46,580 On your way out, would you empty the garbage? 124 00:09:52,840 --> 00:09:55,660 I have spent my last moment in this theater. 125 00:09:55,960 --> 00:09:57,400 Oh, that's too bad, Sam. 126 00:09:57,680 --> 00:09:59,640 You're going to miss my tribute to Beethoven. 127 00:09:59,960 --> 00:10:03,880 I don't care as long as... Beethoven? 128 00:10:04,660 --> 00:10:06,380 Are you serious? 129 00:10:06,940 --> 00:10:08,160 What did I joke about Beethoven? 130 00:10:08,460 --> 00:10:09,460 He's my idol. 131 00:10:09,720 --> 00:10:10,720 See? 132 00:10:11,740 --> 00:10:14,320 Oh, Beethoven at last. 133 00:10:14,820 --> 00:10:18,860 Well, for Beethoven I'll stay. He's my favorite playwright. 134 00:10:21,000 --> 00:10:24,080 One, two, three, four, five, six, seven, eight. 135 00:10:24,320 --> 00:10:31,160 All he had was eight little notes, just eight little notes. But, oh, what Mr. 136 00:10:31,540 --> 00:10:35,780 B did with Do, Re, Mi, Fa, Sol, La, Ti, Do, Do. 137 00:10:36,020 --> 00:10:40,560 All he used were eight little notes, just eight. Count them eight like these. 138 00:10:41,290 --> 00:10:45,250 He'd mix and match and hatch a batch of catchy melodies. 139 00:10:45,870 --> 00:10:50,590 Now I could take two notes and come up with nothing of note. 140 00:10:50,810 --> 00:10:56,690 Mr. B took a G and a flattened E and wrote. 141 00:10:58,210 --> 00:10:59,670 Wouldn't that be fantastic? 142 00:11:00,230 --> 00:11:05,270 Though all he had was eight little notes, just eight little notes like 143 00:11:05,430 --> 00:11:10,190 which goes to show that one man's scale is another man's symphonies. 144 00:11:15,210 --> 00:11:16,210 Oh, yeah. 145 00:11:20,010 --> 00:11:25,410 Yet, all he had was eight little notes, just eight little notes, just eight. But 146 00:11:25,410 --> 00:11:32,030 he wrote nine symphonies and also some great quartets, quintets, fugues, and 147 00:11:32,030 --> 00:11:37,490 cantatas, plus an opera and a few cantatas, using only eight little notes 148 00:11:37,490 --> 00:11:38,490 row. 149 00:11:53,780 --> 00:11:56,940 Okay, set up the kitchen. The Swedish chef is on next. 150 00:11:57,520 --> 00:12:01,120 Oh, Kermit, you have a terrific show here. 151 00:12:01,480 --> 00:12:05,920 Oh, oh, well, thank you, James. It's not exactly Broadway, but... Oh, you mean 152 00:12:05,920 --> 00:12:09,840 with all the girls and the glitter and the rattle -dazzle? Yeah, I guess so. 153 00:12:10,060 --> 00:12:11,060 You don't need it. 154 00:12:11,200 --> 00:12:14,420 I mean, this show moves. It's got pace, pace, pace. 155 00:12:14,660 --> 00:12:15,619 You know what I mean? 156 00:12:15,620 --> 00:12:19,800 Pace? You got it. I mean, you only need rattle -dazzle if you've got a dull, 157 00:12:20,000 --> 00:12:24,880 slow -moving act, you know? But I have been watching this show. It is dynamic. 158 00:12:24,940 --> 00:12:26,880 It is full of sex appeal. It is fat. 159 00:12:27,080 --> 00:12:31,560 You do not need razzle -dazzle. You have... What 160 00:12:31,560 --> 00:12:38,540 is that? 161 00:12:40,460 --> 00:12:41,640 The next act. 162 00:12:44,020 --> 00:12:45,440 You need razzle -dazzle. 163 00:12:47,520 --> 00:12:51,180 Musicians, chorus girls, dancers, anything that moves. Yes, sir. Quick, 164 00:12:51,180 --> 00:12:55,300 quick. What can I do about the lights? 165 00:12:55,620 --> 00:12:56,620 Ah, switch. 166 00:12:57,040 --> 00:12:58,040 There you go. 167 00:12:58,520 --> 00:12:59,520 Fantastic. 168 00:13:23,950 --> 00:13:28,990 ... ... ... 169 00:13:28,990 --> 00:13:31,010 ... 170 00:13:53,320 --> 00:13:55,420 A banana split. 171 00:13:55,700 --> 00:13:56,700 A banana split. 172 00:13:57,360 --> 00:14:00,140 A banana split. 173 00:14:00,440 --> 00:14:01,440 A banana split. 174 00:14:01,820 --> 00:14:03,320 A banana split. 175 00:14:04,520 --> 00:14:06,340 A banana split. A banana split. 176 00:14:07,720 --> 00:14:09,220 A banana split. 177 00:14:10,900 --> 00:14:17,060 A banana split. 178 00:14:34,770 --> 00:14:37,670 For no banana split. 179 00:14:39,390 --> 00:14:40,390 Well, 180 00:14:42,150 --> 00:14:47,950 the chef's done it again. 181 00:14:48,210 --> 00:14:49,069 Done what? 182 00:14:49,070 --> 00:14:50,070 Nothing. 183 00:14:52,290 --> 00:14:54,250 Is he going to be all right? 184 00:14:55,690 --> 00:14:57,830 I doubt it. He never has been. 185 00:15:00,240 --> 00:15:01,240 Well, what's next? 186 00:15:01,300 --> 00:15:06,040 Let's see. A singer. Oh, good. Now we can relax. Singing is always good. Music 187 00:15:06,040 --> 00:15:11,500 is terrific. Catch a falling star and put it in your pocket. 188 00:15:12,300 --> 00:15:18,300 Catch a... Kermit, we have a lot of work to do. 189 00:15:21,700 --> 00:15:28,440 Catch a falling star and put it in your 190 00:15:28,440 --> 00:15:31,930 pocket. Save it for a rainy day. 191 00:15:32,950 --> 00:15:37,470 For love may come and tap you on the shoulder. 192 00:15:37,870 --> 00:15:40,770 Hey, your pants are on fire. One star. 193 00:15:41,110 --> 00:15:42,890 What are you doing? 194 00:15:43,130 --> 00:15:44,130 What are you doing? 195 00:15:46,410 --> 00:15:47,410 Well, 196 00:15:51,870 --> 00:15:53,570 you can't win them all. 197 00:15:53,890 --> 00:15:55,130 I'd settle for a tie. 198 00:15:56,030 --> 00:15:58,610 What did you guys do to me? 199 00:15:58,920 --> 00:16:00,360 I almost got killed out there. 200 00:16:00,640 --> 00:16:01,640 Almost? 201 00:16:05,420 --> 00:16:06,420 What's next? 202 00:16:06,460 --> 00:16:08,660 Oh, well, it's the veterinarian's hospital. 203 00:16:10,000 --> 00:16:11,000 Veterinarian's hospital? 204 00:16:11,720 --> 00:16:17,820 Yeah, it's this part where we tell bad jokes and it's death. 205 00:16:18,760 --> 00:16:19,760 Uh -huh. 206 00:16:19,800 --> 00:16:23,460 Well, I have just the thing that'll liven it up. It never fails. 207 00:16:23,780 --> 00:16:24,780 Oh, yeah? Uh -huh. 208 00:16:25,160 --> 00:16:26,160 Girl. 209 00:16:28,200 --> 00:16:29,200 Girl, oh, yeah. Right. 210 00:16:29,500 --> 00:16:31,140 Girl, say it. Girl. Girl. 211 00:16:35,600 --> 00:16:41,660 Right now for Veterinarian's Hospital, the continuing story of a quack. 212 00:16:42,160 --> 00:16:44,760 Say cheese. 213 00:16:45,140 --> 00:16:46,140 Oh. 214 00:16:46,700 --> 00:16:47,700 Close enough. 215 00:16:50,320 --> 00:16:51,320 Now, 216 00:16:51,780 --> 00:16:54,300 yes, nurse, tell me, what's wrong with this patient? 217 00:16:54,560 --> 00:16:59,320 Oh, Dr. Bob, he has acute appendicitis. I don't care how cute it is, it has to 218 00:16:59,320 --> 00:17:00,320 come out. 219 00:17:01,780 --> 00:17:04,260 Music, lights, dances, quick. 220 00:17:14,060 --> 00:17:18,319 Dr. Bob, how can you concentrate with those girls dancing by? 221 00:17:18,520 --> 00:17:20,420 Easy, I never take my eyes off them. 222 00:17:21,800 --> 00:17:23,040 Bring on the girls, quick. 223 00:17:31,280 --> 00:17:32,280 That's the girls? 224 00:17:35,440 --> 00:17:39,040 Why do they keep dancing that way? That's the way they get their kicks. 225 00:17:42,830 --> 00:17:44,070 I'd love to be on Broadway. 226 00:17:44,390 --> 00:17:46,110 Yeah, I can see your name in lights. 227 00:17:46,410 --> 00:17:47,590 25 watts. 228 00:17:48,130 --> 00:17:50,290 Oh, 25 watts? 229 00:17:50,670 --> 00:17:51,990 That's not very bright. 230 00:17:52,250 --> 00:17:53,250 Look who's talking. 231 00:17:57,490 --> 00:18:03,670 This is good. This is excellent. 232 00:18:04,590 --> 00:18:08,050 I've changed my mind. I am not taking out the appendix. 233 00:18:08,250 --> 00:18:10,550 What are you taking out? The blonde on the end. 234 00:18:13,310 --> 00:18:17,090 And so we come to the end of another veterinarian's hospital. 235 00:18:17,490 --> 00:18:21,450 Tune in next week when you'll hear Nurse Piggy say... Dr. 236 00:18:21,730 --> 00:18:26,190 Bob, you cannot go out with a chorus girl. What about the patient? 237 00:18:26,550 --> 00:18:28,710 Why should I go out with someone who's sick? 238 00:18:32,950 --> 00:18:35,430 Any luck? No, I checked all the doors. 239 00:18:35,670 --> 00:18:36,750 They got us locked in. 240 00:18:39,550 --> 00:18:40,550 Okay. 241 00:18:41,900 --> 00:18:45,480 with those showgirls? Well, we just kind of threw them in. Yeah, well, throw 242 00:18:45,480 --> 00:18:46,480 them out. 243 00:18:47,020 --> 00:18:49,980 Yes. Herman, I'm ready for my closing number. 244 00:18:50,240 --> 00:18:51,240 Oh, good. 245 00:18:51,400 --> 00:18:55,640 Listen, you know, I realize things have been a little ragged so far, but just 246 00:18:55,640 --> 00:18:58,780 wait till you see the closing number we have planned for you. It's a wonderful 247 00:18:58,780 --> 00:19:02,420 thing. We have staircases and waterfalls. We have colored lights and 248 00:19:02,420 --> 00:19:05,940 machines and 38 chorus girls. That's the fact that you're shaking your head from 249 00:19:05,940 --> 00:19:07,720 side to side mean what I think it does. That's right. 250 00:19:08,440 --> 00:19:10,040 I would really like... 251 00:19:10,350 --> 00:19:14,390 I'd like a change of pace. I'd like to do something simple. You know, something 252 00:19:14,390 --> 00:19:18,730 small. Yeah, but closing numbers are a big extravaganza. No, no, no. Small. 253 00:19:19,110 --> 00:19:20,110 Small, Kermit. 254 00:19:20,770 --> 00:19:21,770 Small. Small. 255 00:19:22,070 --> 00:19:23,810 Yeah, but... No, no, no, Kermit. 256 00:19:24,110 --> 00:19:25,110 Really small. 257 00:19:25,310 --> 00:19:26,310 Really small. Yeah, small. 258 00:19:26,730 --> 00:19:28,870 Small. Trust me. Just introduce me. 259 00:19:29,470 --> 00:19:32,830 Kermit, you're going to love it. I promise you, you're really going to love 260 00:19:32,830 --> 00:19:33,950 Now, Kermit, just introduce me. What? 261 00:19:35,930 --> 00:19:40,270 Well, here once again, ladies and gentlemen, is our guest star, James 262 00:19:40,270 --> 00:19:41,950 very small, gigantic finale. 263 00:19:42,290 --> 00:19:43,290 Hit it, guys! 264 00:19:52,770 --> 00:19:53,770 Hi, 265 00:20:00,030 --> 00:20:02,310 guys. You look gorgeous. 266 00:20:03,210 --> 00:20:04,210 Terrific. 267 00:20:05,930 --> 00:20:12,510 Short people got no reason. Short people got no reason. Short people got 268 00:20:12,510 --> 00:20:14,290 no reason to live. 269 00:20:15,650 --> 00:20:21,750 They got little hands and little eyes and they go around telling great big 270 00:20:21,910 --> 00:20:26,570 They got little noses and tiny little teeth. They wear platform shoes on their 271 00:20:26,570 --> 00:20:30,250 tiny little feet. Well, I don't want no short people. 272 00:20:30,510 --> 00:20:33,030 I don't want no short people. 273 00:20:33,270 --> 00:20:36,460 I don't want no short people. people around here. 274 00:20:46,760 --> 00:20:50,860 Short people are just the same as you and I. 275 00:20:51,960 --> 00:20:56,560 All men are brothers until the day they die. 276 00:20:57,120 --> 00:21:00,360 Short people got nobody. 277 00:21:00,900 --> 00:21:03,060 Short people got nobody. 278 00:21:04,240 --> 00:21:07,120 Short people got nobody to love. 279 00:21:08,560 --> 00:21:13,740 They got little baby legs and they stand so low. You got to pick him up just to 280 00:21:13,740 --> 00:21:14,519 say hello. 281 00:21:14,520 --> 00:21:17,200 They got little paws that go beep, beep, beep. 282 00:21:17,400 --> 00:21:22,540 They got little voices going peep, peep, peep. Grubby little fingers and dirty 283 00:21:22,540 --> 00:21:23,539 little minds. 284 00:21:23,540 --> 00:21:28,840 They're going to get you every time. I don't want no short people. 285 00:21:29,240 --> 00:21:31,580 I don't want no short people. 286 00:21:34,380 --> 00:21:35,380 around here. 287 00:21:36,260 --> 00:21:38,900 I hope I haven't offended you. You know, I was short once myself. 288 00:22:19,059 --> 00:22:22,080 Oh, Kermit, thank you. I really enjoyed myself tonight. 289 00:22:22,360 --> 00:22:26,260 Oh, I'm glad. I just loved your number with the short people. Did you? You 290 00:22:26,260 --> 00:22:29,920 think they resented it, do you? Oh, no. They loved it. Right, short people? 291 00:23:20,300 --> 00:23:22,540 Why should we leave now? The worst part's over. 20494