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All language subtitles for The Jim Henson Hour s01ex2 Pat Sajak Show 1989

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:03,880 Jim Henson is here tonight, who has won all sorts of awards for his work as Mr. 2 00:00:04,140 --> 00:00:06,940 Muppet, as we like to call him. He has a weekly series called the Jim Henson 3 00:00:06,940 --> 00:00:09,040 Hour, which airs regularly Friday nights on NBC. 4 00:00:09,460 --> 00:00:12,660 However, for Mother's Day, the show is going to air this Sunday with a special 5 00:00:12,660 --> 00:00:15,240 episode called Miss Piggy's Hollywood. 6 00:00:15,520 --> 00:00:16,920 Please welcome Jim Henson! 7 00:00:30,860 --> 00:00:31,860 Playing your song. 8 00:00:31,940 --> 00:00:33,100 Yeah, nice to see you. 9 00:00:33,460 --> 00:00:34,459 Thank you. 10 00:00:34,460 --> 00:00:40,080 This has really turned into the Muppet industry here. They're just all over the 11 00:00:40,080 --> 00:00:43,020 place, aren't they? They have been for many years. I don't think of it as an 12 00:00:43,020 --> 00:00:44,020 industry. 13 00:00:44,880 --> 00:00:47,140 That's not exactly a romantic way to look at it. 14 00:00:47,740 --> 00:00:51,660 You, it's nice to see you out front of the camera. You, in the past, did very 15 00:00:51,660 --> 00:00:54,480 little of that. You seem to be coming out a little more. 16 00:00:55,310 --> 00:00:59,810 I don't know. Well, this particular show that we're doing sort of has half the 17 00:00:59,810 --> 00:01:03,250 show is Muppets and half of it is other things, you know, like the Storyteller 18 00:01:03,250 --> 00:01:04,250 series. 19 00:01:04,310 --> 00:01:08,430 So it seemed like a logical thing for me to front it. 20 00:01:09,290 --> 00:01:13,370 But it's not like it's what I do comfortably or well. Yeah. 21 00:01:13,970 --> 00:01:17,490 It's always funny to hear you talk because in that voice you can hear a 22 00:01:17,490 --> 00:01:19,510 bit of some of those other people. 23 00:01:20,030 --> 00:01:24,490 Yeah, well, there's certain characters that are close to my own voice. People 24 00:01:24,490 --> 00:01:25,970 like Ernie is right there. Yeah. 25 00:01:27,350 --> 00:01:30,430 Ernie is lurking right beneath the circle. 26 00:01:31,650 --> 00:01:33,890 It doesn't change much, does it? No. 27 00:01:34,450 --> 00:01:35,450 It's right there. 28 00:01:36,430 --> 00:01:39,750 Do people recognize voices if you're ordering something on the phone or 29 00:01:39,750 --> 00:01:42,470 something? Sometimes, yeah. A kid was standing around the studio and I was 30 00:01:42,470 --> 00:01:45,510 directing, and he said to his mother that he thought Kermit the Frog was 31 00:01:45,510 --> 00:01:49,690 directing this particular thing that we were doing. Yeah, I can see where that 32 00:01:49,690 --> 00:01:50,689 would happen. 33 00:01:50,690 --> 00:01:55,870 So are you getting more comfortable doing some performing yourself? 34 00:01:56,150 --> 00:01:57,150 Well, it's interesting. 35 00:01:58,010 --> 00:02:04,070 I'm comfortable in front of a camera, more so than in front of an audience. 36 00:02:04,070 --> 00:02:09,539 interesting. I've always been a person that I hate appearing, you know, 37 00:02:09,539 --> 00:02:12,520 in front of the class talking and things like that. It was always murder. 38 00:02:13,140 --> 00:02:16,860 You know, I'm very flattered because I know that not a lot of the Muppets are 39 00:02:16,860 --> 00:02:21,960 based on real -life people. A few of them have been, and I'm honored. You're 40 00:02:21,960 --> 00:02:25,780 of the few. Apparently, yeah. On Sesame Street, there are only three puppets 41 00:02:25,780 --> 00:02:28,380 that we've based on a real character, and you're one of those. 42 00:02:28,640 --> 00:02:32,280 Geez. So now, do we have... Oh, thank you so much. We have a clip, yes. 43 00:02:34,990 --> 00:02:36,110 What do you have here, Jim? 44 00:02:36,530 --> 00:02:40,410 This is a piece of Sesame Street that we did, and you may remember. 45 00:02:41,170 --> 00:02:43,250 And it was called Squeal of Fortune. 46 00:02:44,230 --> 00:02:49,070 All right. So we have a little clip of it here. I guess it's from Sesame 47 00:02:49,090 --> 00:02:51,970 It should. Right. Let's find out. Jim Henson in the game. 48 00:02:52,250 --> 00:02:53,450 Three. Three. 49 00:02:53,650 --> 00:02:54,770 Is three your guess? 50 00:02:55,470 --> 00:02:59,910 All right. That's your guess. Three squeals. So give the pig a spin. 51 00:03:03,339 --> 00:03:04,820 Whee! One. 52 00:03:05,500 --> 00:03:06,900 Whee! Two. 53 00:03:07,380 --> 00:03:08,700 Whee! Three. 54 00:03:11,980 --> 00:03:14,840 Did I say three? Yes. I said three. 55 00:03:15,120 --> 00:03:19,380 Three squeals, telephone count, you've won. Oh, I won. 56 00:03:19,600 --> 00:03:20,600 He won. Yes. 57 00:03:20,780 --> 00:03:21,418 Oh, no. 58 00:03:21,420 --> 00:03:26,040 And now it's time to make your choice from the studio full of fabulous prizes, 59 00:03:26,040 --> 00:03:30,440 and here to show them to us is our hostess, Velma Blank. 60 00:03:34,510 --> 00:03:38,850 A 50 -gallon barrel of gray -green industrial -strength finger paint. 61 00:03:39,250 --> 00:03:45,690 A beautiful set of handcrafted grapefruit goggles perfect for 62 00:03:45,690 --> 00:03:46,690 that morning squirt. 63 00:03:47,930 --> 00:03:52,970 And a larger -than -life -size portrait of America's second favorite game show 64 00:03:52,970 --> 00:03:54,210 host, Fast Play Jazz. 65 00:03:58,010 --> 00:04:03,330 You know, what's... 66 00:04:04,019 --> 00:04:07,380 What's great about Sesame Street, in addition to what it provides for young 67 00:04:07,380 --> 00:04:10,420 people and the entertainment it brings them in and the other aspects of the 68 00:04:10,420 --> 00:04:15,620 show, is it's a very entertaining show no matter what your age is. Was that 69 00:04:15,620 --> 00:04:16,379 of the design? 70 00:04:16,380 --> 00:04:20,660 Yeah, actually it is. A piece like that, basically the idea of it is to teach 71 00:04:20,660 --> 00:04:25,840 counting, and we do count to three in that. But I think they've always known 72 00:04:25,840 --> 00:04:30,740 that the television set is really half -controlled by parents or older kids. 73 00:04:32,420 --> 00:04:36,540 From the beginning of that show, we've always done things at an adult level 74 00:04:36,540 --> 00:04:38,280 also. Yeah, it works very well. 75 00:04:38,580 --> 00:04:41,100 We're going to take a break. Is Kermit in the neighborhood? 76 00:04:41,320 --> 00:04:42,199 He is. 77 00:04:42,200 --> 00:04:46,880 He'll be around. Oh, good. Well, we'll meet Kermit in just a moment. Tim 78 00:04:50,500 --> 00:04:56,140 Our next guest is, I think, the first award -winning frog we've had on our 79 00:04:56,200 --> 00:04:59,260 a 30 -year veteran of TV and films, including such... 80 00:05:00,110 --> 00:05:03,730 shows as Sesame Street, of course, The Muppet Movie, and The Muppets Take 81 00:05:03,730 --> 00:05:06,330 Manhattan. Ladies and gentlemen, Kermit the Frog. 82 00:05:06,550 --> 00:05:08,770 Hello, Kermit. Thank you. Nice to meet you. 83 00:05:09,010 --> 00:05:10,010 Thank you. 84 00:05:10,910 --> 00:05:12,570 Boy. Thank you, Pat. 85 00:05:12,810 --> 00:05:13,810 You look great. 86 00:05:15,430 --> 00:05:19,150 And things are going terrific. Now you're on a new primetime television 87 00:05:19,150 --> 00:05:20,990 think that's kind of a breakthrough, don't you? 88 00:05:21,390 --> 00:05:26,530 Well, I guess it is. But actually, we frogs sort of think of it as just the 89 00:05:26,530 --> 00:05:30,390 beginning. So you've got more shows with frogs coming up? Yeah, I've been 90 00:05:30,390 --> 00:05:35,430 working on a few of them. We've got My Three Frogs. That sounds good. 91 00:05:35,770 --> 00:05:36,890 Married with Tadpoles. 92 00:05:40,660 --> 00:05:41,660 Quantum Leapfrog. Yeah. 93 00:05:42,280 --> 00:05:46,000 I'd watch that. Yeah, yeah. That's a good one. And then we got the Frogsby 94 00:05:46,020 --> 00:05:46,559 of course. 95 00:05:46,560 --> 00:05:49,860 Yeah. I think you can think about that one. You know, you have to think about 96 00:05:49,860 --> 00:05:50,860 it. 97 00:05:51,000 --> 00:05:53,680 I think you have to have a hyphenated name, actually, to be on that show. 98 00:05:54,100 --> 00:05:56,520 Anyway, it sounds like you had a lot of great ideas there, and we congratulate 99 00:05:56,520 --> 00:05:58,260 you. How's Miss Piggy doing, by the way? 100 00:05:58,520 --> 00:05:59,319 She's fine. 101 00:05:59,320 --> 00:06:00,860 I saw her the other day, you know. 102 00:06:01,980 --> 00:06:02,980 Oh, really? 103 00:06:03,020 --> 00:06:05,280 Well, she told me what happened. 104 00:06:06,660 --> 00:06:07,660 What happened? 105 00:06:08,400 --> 00:06:11,530 Well, I... You know, I think you're taking it all very well. 106 00:06:12,350 --> 00:06:13,850 I'm taking what very well, Pat? 107 00:06:14,610 --> 00:06:18,310 On national television, I don't think this is the place to... I can't talk 108 00:06:18,310 --> 00:06:21,050 it on TV. I'm sorry. You can't talk about what on TV? 109 00:06:21,730 --> 00:06:24,290 You know, about Miss Piggy dumping you. 110 00:06:24,950 --> 00:06:25,950 What? 111 00:06:26,690 --> 00:06:30,590 I know this is a difficult time for you, Kermit. I'm sorry. 112 00:06:31,370 --> 00:06:34,250 This isn't a difficult time for me. You mean you're glad to be out of the 113 00:06:34,250 --> 00:06:36,510 relationship? No, no, no. There is no relationship. 114 00:06:37,050 --> 00:06:38,950 Hey, that's no way to talk about Miss Piggy. I'm sorry. 115 00:06:39,490 --> 00:06:41,430 Well, can I just start over? 116 00:06:41,750 --> 00:06:44,170 Sure. I'm sure Miss Piggy would be happy to give you a second chance. Sure, 117 00:06:44,190 --> 00:06:44,849 that'd be fine. 118 00:06:44,850 --> 00:06:48,330 No, no, no. I don't want to start over with Miss Piggy. I want to start over 119 00:06:48,330 --> 00:06:49,330 with you. 120 00:06:50,210 --> 00:06:52,070 I've got a girlfriend already, Kermit. I'm sorry. 121 00:06:53,430 --> 00:06:57,410 Well, can we just show the clip? Yeah, sure. I can see that discussing Miss 122 00:06:57,410 --> 00:07:00,650 Piggy is pretty difficult for you. So what is this clip of here? 123 00:07:02,010 --> 00:07:03,010 I'm sorry. 124 00:07:03,910 --> 00:07:04,909 I didn't hear that. What was that? 125 00:07:04,910 --> 00:07:05,910 About Miss Piggy. 126 00:07:07,000 --> 00:07:11,500 Now, what about Miss Piggy? Well, you see, the clip features Miss Piggy from 127 00:07:11,500 --> 00:07:15,100 upcoming episode of the Jim Henson Hour called Miss Piggy's Hollywood. Well, 128 00:07:15,120 --> 00:07:17,800 that was nice of you, you know, to let her do an episode. I mean, after she 129 00:07:17,800 --> 00:07:18,800 dumped you and all. 130 00:07:19,560 --> 00:07:26,300 Can you tell us something about the show here, Kermit? Okay, well, yeah. Let's 131 00:07:26,300 --> 00:07:30,700 see, Piggy is giving us a tour of her Hollywood, and she... 132 00:07:31,300 --> 00:07:35,380 Actually, she has kind of a hard time finding guests and all that stuff. But 133 00:07:35,380 --> 00:07:36,380 does indeed find a few. 134 00:07:36,700 --> 00:07:39,260 And she goes to Dudley Moore's house. 135 00:07:39,880 --> 00:07:43,340 And she finds that actually Dudley Moore is a big collector of pig stuff. 136 00:07:43,660 --> 00:07:44,660 Pig stuff? Yeah. 137 00:07:44,860 --> 00:07:47,640 And that's what this clip is all about. Oh, good. Dudley Moore and pig stuff 138 00:07:47,640 --> 00:07:50,120 from the show. Well, let's have a look. Okay. 139 00:07:51,460 --> 00:07:53,200 I don't know what to say. 140 00:07:53,520 --> 00:07:54,540 You don't have to say anything. 141 00:07:55,660 --> 00:07:57,880 It's enough just to look at you. 142 00:07:58,160 --> 00:07:59,340 Look at me? Huh? 143 00:08:05,219 --> 00:08:12,140 Oh, this isn't happening. This probably, this is 144 00:08:12,140 --> 00:08:14,560 the most exciting moment of my entire life. 145 00:08:14,800 --> 00:08:16,040 I haven't kept you too long. 146 00:08:16,380 --> 00:08:20,480 Oh, of course not. You look absolutely... Rosie? 147 00:08:20,740 --> 00:08:21,740 Yes. 148 00:08:23,020 --> 00:08:24,760 Nice job, Thomas. Yeah. 149 00:08:29,480 --> 00:08:33,720 Now, how did the idea for this green fellow come along here? 150 00:08:33,980 --> 00:08:40,020 Oh, gee. Well, Kermit's been around for 30 -some years, and he was first made 151 00:08:40,020 --> 00:08:45,680 back when I was local television in Washington, D .C., and I made him out of 152 00:08:45,680 --> 00:08:48,920 coat of my mother's and a ping -pong ball. 153 00:08:49,740 --> 00:08:51,120 It was a humble beginning. 154 00:08:51,360 --> 00:08:52,360 Yeah. 155 00:08:52,500 --> 00:08:55,560 You've come a long way since then, kiddo. Yeah. Well, you know. 156 00:08:56,280 --> 00:08:58,560 Is this the kind of thing you want to do all your life, Jim? 157 00:08:59,500 --> 00:09:04,500 Puppeteering, and I guess Muppets is what? I get to do a lot of stuff because 158 00:09:04,500 --> 00:09:09,920 enjoy directing, so I direct a few of these things, and the producing, and I 159 00:09:09,920 --> 00:09:10,920 still like to perform. 160 00:09:12,730 --> 00:09:16,210 Yeah, I'm enjoying all the stuff that I do. You've given lots of entertainment 161 00:09:16,210 --> 00:09:20,030 to lots of folks. Again, Miss Piggy's Hollywood airs this Sunday, and, of 162 00:09:20,030 --> 00:09:22,990 course, the series continues then on Friday nights, the Jim Henson Hour. 163 00:09:23,230 --> 00:09:25,230 Kermit, it was great having you here. Thanks very much. Oh, thank you. 164 00:09:25,630 --> 00:09:29,590 It's very nice to be here, and try not to insult me the next time I come. 165 00:09:29,850 --> 00:09:33,910 And thanks for bringing your little pal Jim, too. We appreciate it. Oh, yeah. I 166 00:09:33,910 --> 00:09:35,830 didn't even realize he was there. 167 00:09:37,370 --> 00:09:39,190 Jim Henson and Kermit. Thanks, folks. 168 00:09:39,930 --> 00:09:40,930 Thank you. 169 00:09:41,480 --> 00:09:43,920 Take a break. John Steiner will be on in a moment. 14203