All language subtitles for three_moons_over_milford_s01e05

Previously on Three Moons... Jonah!

Oh, look at you!

Hi. Max, this is my wonderful son.

Son?

You're the chief of police?

It kind of creeps me out a little bit,
too.

I just wanted to make sure that you want
to be here, that it's not a Three Moons

thing. This is where I want to be right
now.

Where?

Sitting right here.

It's not the contents of the house that
are under dispute, it's the house

itself! And if you've got any questions,
you ask that guy over there.

What's going on, BJ?

You tell me where Carl is, you get the
house back. I don't know where he is.

Oh, crap, I forgot to turn it off.

I never meant to see you in that black
lace. Go to your room, turn on your

computer, and call me for further
instructions.

What are you doing? I just want the same
act you got.

Stop putting up with it.

Can you ride?

Hey, leave that alone.

Drive.

Hey. Do you think I'm going to steal
your money?

You didn't have a driver's license?

Student ID card?

11th grade?

I just turned 16, okay?

I can drive fine.

No wonder you didn't want me to see it.

Who's that?

That's my family. Can I have that back?

That's sweet.

You look like your dad.

Is your mom your sister?

Could I just have that back?

that I've been sitting there since you
were nine.

These things get old, you know, even if
you don't use them. And, uh... That is

so pathetic.

That's my car.

No.

Mercedes ML350.

376 KBC.

376 KBC.

I have a copy of the registration.

Thin Deck Technologies are the leasee.
They terminated a lease, and I'm taking

it back to the lease company.

No, no, no, no, no, no, no, no, no, no,
no, no, no, no. Yes, yes, yes, yes, yes.

You have to understand.

I drive this car to get to work.

I pick up my kids from school with this
car. I need this car.

It's a Mercedes. Nobody needs a
Mercedes. It's what they call

call it transportational. All right?

This is the only thing that I have left
to drive. I have lost almost everything

I had.

Right. No, really.

She's telling the truth.

How would you know?

Because I go to the town meetings and
read the newspaper.

Okay. V .J. Patek, who runs Syndec.

Let me guess. He's the angry ex
-boyfriend. No! No, nothing like that.

He wants me to tell him where my husband
is. So he's doing this to punish me and

my kids until I tell him?

Why don't you give her back her car?

But I don't know where my husband is.

I mean... Give her a break, huh? I know
that he's somewhere in Africa. He's

climbing three different mountains.
Don't.

Don't. Don't do that. Can you get my
stuff out? I'm just getting my stuff.

trying to do my job, okay?

Oh, that's what the Nazis said.

If I don't tow this car, somebody else
will. Nazi said that, too. Oh, come on.

Give me a break.

Why? You won't get her one.

Put her car down.

Is this what you want to be doing when
the world ends?

You know what? I have $60 ,000 in the
bank.

I'm out of here.

I'm going to go live on a boat in the
Bahamas.

Don't tell me that the world has died.

No need to worry while it keeps on
spinning around.

All I'm saying is if it's down.

Hey, Ted.

You bought your tickets yet?

You know, I'm a little disappointed,
Pete.

I thought you'd be the music man.

You know, the... Professor Howarthill?
Yeah. You're the best the players have

got. You should be the professor.

I thought I'd sit this one out. Give
somebody else a chance to have some fun.

I can sell you a ticket, though. Got
them right here behind the counter.

$10 will get you an evening of
theatrical bliss.

It's $12 at the door, you know.

I'm still trying to figure that out.

Dreamloons and all.

The way I figure it.

Moons come down, it's not going to
matter. And if they don't, we get the

pleasure of anticipation.

All right. Sold.

Thanks,

Pete. Enjoy.

I said it was okay to put up the
placard. I did not say it was okay to

the customers.

No, I wasn't hustling. Can I have your
desk, okay? Yes, sir, of course.

I'm going to make a deposit in the vault
and then go on my break. Good.

Well, you can bring me a coffee to my
office on your way back. Yes, sir.

Three sugars, please.

I know.

Zach, what have you got in here?

Here, let me help you. I'm okay.

No, that's all mine.

Shane.

I... You know, it kind of flies out of
my pocket when I sit in my chair, so I

keep the dimes and the pennies and the
nickels in the box and the quarters on

the desk and take them as I need them.
Good for you.

Everything okay at home?

Yeah.

Alex is just scared. I don't know where
he is.

Did you guys have an argument?

Sort of.

You want to talk about it? No, don't
want to talk about it.

Why don't you get some fresh air and
take the change to the bank for me?

That's a good idea.

You'll hear from him.

Can you believe the price of gas here?

Yeah. You want to kick in?

No, never mind.

It's enough that you drove.

No, no, no, no.

How's 20?

Alex?

Is that you? Yeah, it's me. I'm fine. My
battery died. I'm on a friend's phone.

Where are you?

I'm fine, okay?

I've got to go.

I'll call you later.

Okay. Yeah, don't worry.

Bye. Hey.

There are six more bags inside if you
could help carry.

Sure.

There's something leaking back there.

That's ice melting.

What's that?

That's my dad.

Stuart.

He was 52.

Oh, uh, Miss Graybar needs to get to her
deposit box, Pete.

I've got a couple minutes left on my
break. I've got to go for a bit. I'll be

right back. No, no, no, no, no. You do
this, then you finish your break, okay?

Don't be cut so close, won't you, Pete?

How are you today, Miss Graybar?

You could stand up to him a little.

Well, he's my boss.

Harry, I'll bark and no bite, believe
me. Well, I think about it sometimes.

That time comes.

By the way... You're going to try to
push those damn Music Man tickets on me

again, aren't you? I don't know who it
is who decides to put on those big

Broadway plays in that itty -bitty
theater with SMA Krantz in the orchestra

on that out -of -tune piano.

Hi.

Could you count this and deposit it in
this account, please?

That's a lot, isn't it? Three years
worth of change mapped to dumping on the

floor.

You really need my car, VJ. Did that
give you some satisfaction?

Just tell me where Carl is.

Why are you doing this to us? He did
everything for you. I remember when Carl

hired you.

It's not the place for this, Laura.

You're here, I'm here. Seems like
he's... Thief!

What's this, man?

Um, it's, uh... What is it? Hey, hey,
hey!

No!

Thief! No!

Everybody get down. Get down.

I'm not kidding. Get down. I'm not
kidding around. Get down.

All right?

What's happening? I don't know.

Who's that, Pete?

It's Barton.

Don't open the door, okay?

Pete, is that you?

Pete, what are you doing? Go away. Go
away. I'll do something you'll be sorry

for. I swear I will. Go away.

It's Pete Waddell.

He's got a gun and has hostages. Pete
Waddell? Like Pete Waddell who played

Tantropanza in Man of La Mancha? Did he
say why? Not yet. What kind of gun? I

think it was a police revolver. With
bullets?

I don't know. I forgot to ask. What do
you want to do? I don't know. I mean,

there are procedures for this. There are
ways to handle this. What do you want

to do? Where are the bulletproof vests?
I don't know. In the closet. Which

closet? By the cooler.

Want me to get them? No, I'll get them.
I think you should stay here. No, you're

right. All right.

But we'll deal with this.

Where's the bullhorn?

In the closet.

By the vest.

All right. Everybody back!

Come on, everybody!

Has anyone tried calling in? Everybody
get back! Has anyone called in yet? Has

anyone seen Laura Davis? I think Laura's
in there. Somebody shut off that damned

alarm!

My stepmother killed him.

Kidding, right?

No.

Ooh, there's peanut butter and jelly and
bread. You can make us both sandwiches.

Unless you're not hungry.

She killed him?

She killed a spirit.

The body just fell like a baby down
after its mother.

I'll make the sandwiches.

He was really poor when him and my mom
got divorced.

So he married my stepmother because she
had money.

They owned a dairy and they sold it out
to a big company.

She got a kick out of making him beg to
eat dinner out or buy new tires for the

car.

I know this is a dumb question, but why
couldn't he buy tires himself?

Because he couldn't.

Oh. Well, he couldn't what?

Because he fell off the wagon ten years
ago and lost his job.

So tell me about you.

What were you doing at the side of the
road yesterday?

So, she didn't really kill him. I mean,
literally kill him.

No.

He decided he could ride the rapids of
the Ammonusac River at high water in a

leaky old kayak.

It's your basic three moons moment with
a little single malt for lubrication.

So, what about you?

Why did you look so sad?

Your girlfriend dumped you?

First, could you tell me why your dead
dad is in the back of this thing?

Because Hillary, my stepmother, wanted
to cremate him so she didn't have to pay

for his burial.

I'm taking him up to Barrow, Alaska for
a proper Eskimo farewell.

What's a proper Eskimo farewell?

Put him on an ice pole and I'm dressed
up to see.

I would have liked that.

I snuck him out of the funeral home
yesterday.

What are they going to do to me that's
worse than a moon coming down?

What a pathetic end to an incompetent
career.

Anyone else would have been a manager
after 20 years, but look at you.

It's all gone, Pete.

No more charming little conversations
with the customers about their gardens

their kids or their recipes or the
movies you saw.

No more Milford players.

You blew it all.

I don't think that's helping anything.

He's not going to shoot anyone.

Give me a cup of coffee, Mr. Cram.
You're kidding, right?

What do you do? You have to pull the
trigger or cock this? You see, I don't

much about guns.

Please don't do this. Shh! Don't touch
me!

Two sugars.

What do you think, I'm afraid?

I'm not afraid.

You know, when I look up in the sky and
I see the three moons, you know how I

feel?

I feel powerful.

I mean, look at it. What are we? We're
nothing. We're dust.

We're particles in the universe.

So what do I have to be afraid of?

What do we matter?

Two sugars.

You think that gun makes you someone
different, Pete?

Are you there, sweetheart?

Sybil, if you're there, would you pick
up, please?

Honey? Can I get the number for the
first bank in Milford?

5550177. Never mind.

Where's the yellow tape?

This is Murphy. We're still looking for
the keys to the closet. Over.

Laura, where are you? At the bank.

Are you all right? Yes, I'm all right.

I never should have sent you in there.

It's all right. It's not your fault. No,
it is. The change could have waited

until the regular deposit.

Yeah, but I wanted some air, remember?

If anything happens... Nothing's going
to happen to me.

No, it won't.

Mac. I promise I won't let it. It's all
right, Mac.

Who is it?

It's, um, McIntyre.

Um,

can I...

Hello? Who's this?

Mac, it's Pete. It's Pete Waddell.

That's true. I don't believe it. What
are you doing, Pete?

I know.

I can't believe it either.

It's true.

Is that him? Look, Mac, I don't want to
hurt anybody.

Well, that's good, Pete.

Hello?

This is Milford's chief of police, Grace
Wojcik. Who's this?

It's Pete Waddell.

How many people do you have in there,
Pete?

Oh, gosh, I don't know. I've got to
count.

We have nine.

Find a sniper. Put him in the crawler.
Hey, shut up!

This is what I want you to do. I want
you to come out slowly.

I want you to walk backwards out the
front door with your hands on top of

head. Yeah, so I can rot in jail until
the world ends?

Yeah, I don't think so.

You should have thought of that before
you took these people hostage.

Look, I can do what he wants.

We don't negotiate with terrorists.

He's not a terrorist.

We need to take a lesson from the
Israelis. They're the experts. They

negotiate. This is Milford, not Tel
Aviv. The point is, once you negotiate,

encourage others.

What others?

You know, there is only one of us who
has a certificate in police science.

Give me the damn phone.

Hey, Pete?

Hi, it's the mayor.

Look, just tell us what you need before
you release the hostages.

Let me just talk to Mac.

Just tell us what you want, Pete. I
don't want to talk to you, John.

I want to talk to Mac.

Is this because I didn't want you to
play Stanley in Streetcar? Just let me

to Mac.

Look, Pete, you are a very good actor. I
just didn't think you had the range to

play that role.

Yeah, well, you're a lousy theater
director, John.

Never hear of playing against type?

Here.

Hey, Pete, it's Mac.

Now, what can we do to get some of those
hostages free?

I don't know.

I don't know. I've never done this
before.

Um, I want to see Sybil. I want to see
my wife, okay?

Okay. Okay, you let the hostages go, and
we'll get Sybil down here.

Oh, right. Okay, I'm supposed to let the
hostages go, and then what? What, do I

shoot myself?

No, nobody's talking about shooting
anybody, Pete.

I am.

Look, I'll get Sybil down here, but you
need to give us something in return,

don't you think? I'm calling in the
state police.

They have a SWAT team. That is a really
dumb idea. Can somebody just get Sybil

Waddell down here, please?

Okay, then what, Pete?

You said the Mac has a thing about you?

We call it a thing, really.

All right, you let me see Sybil, and
I'll let Laura

go, okay?

How's that?

Excuse me?

I have to go to the bathroom.

Well, Emily, how am I going to keep an
eye on everybody that lets you do that?

I don't know, but I have to go. I can't
help it, Pete.

All right, everybody but Emily, go into
the vault. Not against the rules.

Well, you want Emily to go to the
bathroom, right?

Excuse me, I get claustrophobic in
enclosed spaces.

You're the send -in guy, right?

Yeah, you go in the vault first.

Hand me that wastebasket, will you,
please?

Here.

Come on, Emily.

Quick for you to everybody. Yep.

Come on.

I understand. I have a real problem with
this.

You've got your cell phones and your
pocket knives and keys, just like at the

airport, okay? We're just going on a
trip together.

You should let me help you. I'm an
expert negotiator. An expert liar and

This is not helping our cause, Laura.
How do we have a cause, BJ?

I'm asking you not to put me in there.
And I'm asking you to be considerate of

Emily, okay?

And help her in her time of need.

All right? Who else needs to go to the
bathroom?

It's Pete?

How could that be?

Maybe the moons?

Is Pete Sancho Panza Pete?

And Laura's been there.

Bummer. Yeah, she was running an errand
for me. You don't think he'd do

anything?

Not to Laura.

I mean, if he did, it wouldn't be your
fault.

She would have to probably run an errand
anyway.

You know what I mean.

I'm not helping.

Thanks, Dad. Okay, yeah.

Yeah, I'm fine. I heard, uh, what was
her name was in there? Laura.

That's terrible.

No, Sarah Louise. Yeah, I was at the
restaurant, and I was worried I just

to come and talk to you, and I know
that's not the best time.

I've just been thinking and thinking.

Somebody said Sybil may be at the beauty
parlor.

But, you know, I am a really good
mother, and maybe I wasn't there all the

but we are a package, Joan and Ina. You
either take it or you leave it. No, this

may not be the best time. Uh, excuse me,
ma 'am, can you back it up, please? You

would be such a good role model.

Uh, yeah, excuse me.

Please send him back to school if it was
a problem, Matt.

Can you think about it, okay?

I will.

I'm not going to let this go on and not
call the state police. You get the state

police in here, I guarantee you,
someone's going to wind up getting hurt.

Chief, we found the vets.

Man, they're heavy.

I think I'm going to be sick.

Good.

You take it personally. You shouldn't.

You took away our house. You tried to
take my car this morning.

I have a responsibility, Laura, to index
a publicly traded company.

Grandmothers invest their pensions in
it. Oh, so you did all that for the

grandmothers.

Considering everything that's going on,
do you ever even look at yourself?

You act like I'm not introspective, but
I am. I've read the great philosophers,

I've studied the defeat of Zen masters,
I've looked deep inside.

And? Deep inside, I am who I am.

He did.

What? My stomach hurts.

I have Rolaids.

I'll have one.

You know, this was a lot nicer place to
live before Sendak came in here with all

that money and jacked up all the real
estate prices.

Why are you always so mean to Pete?

He never did anything to you.

Why can't you follow the subject of a
conversation?

Why do you think everybody's so
interested in what you have to say?

I'm sorry we ruined your town.

He didn't ruin it.

He just changed it. You didn't ruin it.

In fact, I like that playground that
Syndic built over by the park.

Not a jungle gym. It's redwood. You
know, it's rustic and tasteful.

Thanks, Pete.

I'm gonna be sick.

Yeah,

your wife is on her way, Pete.

And you have Laura ready, okay? I said I
would.

What do you need nine hostages for
anyway, Pete?

You know, it kind of sounds like more
trouble than it's worth.

Come on, you can give up a few more.

Doesn't that sound more reasonable?

If I was being reasonable, I wouldn't be
holed up in a bank with a gun, now

would I?

I see civil.

Oh, come on. Why her?

No sense in us all being in here.

So, Pete, why are you doing this? Doing
what?

Is all this because of the moon?

Well, thank God for stopping to happen
to get me off the dime.

I'd be behind this gun for the rest of
my life.

What were you thinking? What were you
going to do with the money?

You really want to know?

You won't believe it. Join me.

I worked at this bank for 21 years.

It's not a great job, especially with
Mr. Cram.

I got a tough skin, but the retirement
plan was really good.

So Sybil and I were going to travel.

We have relatives in Argentina, some
uncles and cousins.

Except with the moons, everything
changed.

I was going to retire early.

But the bank froze all the early
retirements. So that's why you took the

$220 ,000.

Everything the bank owed me for my
frozen pension.

Not a dime more, you hear me?

So how does Alaska sound?

Like ice?

Depends how much.

Are you ever going to go back?

To New Hampshire?

No way.

Probably to go to Seattle or Portland.

Do you have friends there?

Not yet.

Shouldn't be a problem.

That would probably be great.

What about you?

I don't know.

My dad already took off. He's climbing
mountains.

He'll stay off those rivers.

I don't know where he is.

Yeah. I mean, there's only one person in
New Hampshire I even care about.

No, it's not a boyfriend or anything.

It's my stepsister, Lucy.

She's 11.

She has braces.

Only wears flip -flops.

She's a really good artist.

You could help me drive.

Lucy sounds cool.

What's your sister's name?

Lydia.

She's 14 now. She was 12 in the picture.

She's got this wicked smile.

You can almost see it in the picture.

It's weird when I think I might never
see Lucy.

It all could end tomorrow.

I had a dream.

Best part I ever played was in Glengarry
Glenroth by David Mamet.

It's like two years ago.

Now, we're used to doing light plays and
musicals, but Wilford needed a

kind of a shock.

Yeah, I've seen it.

I played Williamson. He's the office
manager.

It's about these salesmen in this high
-pressured sales office, and they talk

mean to each other, just terrible. But
it was important, you know? It was about

life. I could have played this part
every day for the rest of my life.

So what does this have to do with the
money?

Sybil and I wanted to start a theater
company in Argentina.

Do Mamet.

You know, 60 % of the people speak
English, so I bought the tickets, and we

supposed to leave tonight.

Sybil wanted to do this?

Well, Sybil's always talking about how
she really likes that side of the

So you haven't told her about this?

Sybil and I really love each other.

I mean, granted, she's been a little
distant lately.

You know, but that's the point.

Now we've got a chance to start over
again.

Like newlyweds.

Yeah.

Okay, Pete, you remember the deal. Let
Laura go and you can see Sybil. Okay, I

want to see Sybil first.

And she really wants to talk to you,
too, Pete.

Why don't you release the hostages and
you can talk to her? Come on. Come on.

You don't need nine.

She wants me to release some of the
hostages. She says we don't need nine.

That's right.

How many do we need?

I don't know. Do you have a plan?

To go to Argentina with Sybil. That's
not a plan, Pete. That's a dream.

Well, I'm doing the best I can here.

Okay. All right. Okay. You know what? I
thought about it.

And I will release a hostage for each
thing that you give me.

Okay. What do you want?

I want to see Sybil.

Any minute. Okay, that's for Laura. What
else?

What kind of car do you want? Oh.

That jerk was going to take away your
car today.

I think it'd be good. No, okay.

I want a nice car.

Okay, nice, comfortable, not too big,
you know, but good on gas mileage. Big

enough to handle the kids.

Silver? Silver.

Okay, okay, that's two hostages.

I want a new fly -fishing rod.

Orvis, carbon fiber.

You can get over at Flanagan Sporting
Goods. Are you serious?

That's what the hostage is.

Okay, that's three.

I want a maple cream pie from Ruby Red.

Do you have a whole maple cream pie?

Can do.

Okay, can do. That's four. You've got
five left. What else?

I think that's it for now.

Come on, Pete. You've got five hostages
left.

I don't think I'd be smart giving them
all up now, do you?

Hey!

Sybil!

and show me your face.

Pete, what are you doing?

I'm an actor, aren't I?

Don't shoot. I'll blow up the place. I
swear I will. Pete!

I don't believe it.

Where's Laura?

She's inside.

How could you do this?

I did it for us.

What do you mean for us? There is no us.

I love you.

Shoot him. Simple. I don't care.

Pete, Pete, take it easy.

And you want to know something else?

You push that button and I lose the best
lover I've ever had.

You're talking about Pete.

You have humiliated me with this stunt.

There's no need to do this.

Now it's time to get some back.

Get her out of here. How does it...

Son of a bitch.

You two -timing son of a bitch.

I think what would help us is you
getting back in that car. Yeah.

Help me as a new life.

Hey, Pete.

What about Laura? You promised Laura if
we delivered Sybil.

I think I need to stay in here with Pete
right now, okay?

I'll send someone else out.

It's okay.

Nobody's hurt.

That's it. I'm calling the SWAT team.

You have to let someone go.

You made a bargain.

Let Michelle go.

I want to die.

Don't say that.

The play is over.

The curtain's coming down.

Miss Graybar, you can go.

Think about it on Wednesday loan
approval seminars, Harry.

Oh, you can all go.

Except him.

Don't shoot.

It's Michelle Graybar.

Don't shoot.

It's okay now.

What are you, a safety for the Patriots?
My mom still...

Yeah, hi, Lydia. She's in there, but
Pete's releasing hostages one by one.

talk to her? Not right now, but I have,
and she's fine. In fact, she's kind of

holding things together in there right
now.

When Mom gets in that mode, things
explode on her. I think you should give

the gun, Pete.

Uh -uh.

I don't believe you want to hurt
yourself, and I don't believe you want

anybody else.

I don't care what happens to me.

Pete, we care about you. Isn't it better
to know, Pete?

About Sybil, I mean. No.

No, it's not better.

Delusion is better.

Delusion is often better.

What about David Mamet?

What about Glenn Gary, Glenn Roth?

In prison?

They can probably do plays in prison.

Can you imagine what would happen to me
in prison if they found out I was an

actor?

Do you mind if I get that?

Laura? Mac?

Are you all right? I'm okay.

I couldn't stand it, if anything.

Mac, I know.

What about the others?

Everyone's okay, except for Pete. What's
going to happen to him? I don't know.

Is he going to go to jail? Yeah, I'm
sure he will.

It's not fair. There ought to be a three
months defense. Well, then there'd be

no law at all.

We can't let this happen.

Laura, we didn't start this.

I don't care.

Look, Wochuk's sending in a SWAT team,
so if we don't end this, someone's going

to get killed. What if I have an idea?

An idea? What do you mean, an idea?

A way to get Pete out of this mess.

Do you know that if there are 60 people
in a room, that there's a 99 % chance

that two of them will have the same
birthday?

What? Is that a joke?

Where's the punchline?

Math people call it the birthday
paradox.

It has to do with unordered pairs.

Kind of like us.

The paradox or the unordered pair?

You know, you can come sit next to me
and tell me about it.

My dad won't mind.

He was a bit of a sport.

I can only stay for a while.

It's okay.

You need to get back home, right?

I want to stay.

But I gotta go.

It's the paradox, right?

He says he wants everything in the car
and delivered to the front door.

Then he'll take the car and run away.
Where's he going to go? I don't know.

know, better he's outside than inside.

I want to see the hostages first.

Pete, they want to see the hostages
first.

He says, okay, he'll even release an
extra hostage just to show goodwill. We

need to take care of his local before
the state police get here.

Keep talking. I'm going to talk to Pete.

He says he wants me and Ted to take the
pie and the fishing rod in the car and

bring it right to the front door. Tell
him we'll send a policeman.

They want to send a policeman, Pete.

He says no way it's me and Ted or
nothing.

You don't have to do this.

I'm fine with it.

It's cool with me.

Good man, Ted. Okay.

Nothing changes with us. I still want
the car.

Think of it as a performance, Pete.

It's opening night. Of course, you have
jitters.

It is possible to start over and make a
new life.

Even without the love you love, I'm
living proof of that.

Whoa, whoa, whoa.

Wait a minute. He said maple cream. This
is peach.

He likes peach, too. Don't sweat it.

You're going out of bank, Teller.

You're going home, Teller.

Hey, Pete!

We got your stuff, man!

We got your stuff, man!

How's this, Pete?

Is this okay?

Nice wheels, huh?

See my pie.

I asked for maple cream pie.

Yeah, but I... Peach, I know you like
peach. Yeah, but I asked you for maple

cream pie.

But it's fresh peach.

But I wanted a maple cream pie. Why do
you lie to me?

I didn't think it would matter. You lied
to me!

You lied to me! Why do you do that all
the time? You're lying to me. Why me?

I didn't think it was going to make that
much of a difference.

Why me?

Hey, I can get you a pie, Pete. No!

No! You lied to me! You understand me?

Huh? You're driving me crazy. You're
driving me crazy, Ted!

Huh? I got this pain inside my head! Ah!

Ah, my head!

Here's what we're going to do. We're
going to get in the car, and we're going

go back to the Ruby Red, and we're going
to get you a real maple cream pie, and

you're not going to hurt anybody, okay?

No! Just calm down there, Pete. I am
calm! Easy on the button.

grab that maple cream pie. Be right
back. This guy's totally off his rocker,

huh?

I'm at Pete's house. He's got his
passport and his ticket. He's going

to the airport.

Guys, thanks.

I really appreciate it.

I only hope Argentina's ready for
Mammoth.

I know they are.

I hope they're ready for Pete.

Ladies and gentlemen, welcome aboard
flight 342, non -stop to Buenos Aires,

Argentina.

Where's your brother?

I don't know.

Have you heard them at all?

No. Maybe this is him. Alex, where are
you?

I'm okay, Mom.

I'm on my way home.

Mr. Patek that he can pick up his car
anytime he wants.

Thank you very much.

Do you feel better?

Uh -huh.

I guess I'll have to give this one back.

Well, we'll find something.

Don't give up