All language subtitles for Red Shoe Diaries s01e10 Emilys Dance
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1
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Dear Red Shoes, I feel your pain.
2
00:01:47,460 --> 00:01:52,320
And I know that sometimes the pain can
be so great that fantasy takes the place
3
00:01:52,320 --> 00:01:53,320
of reality.
4
00:01:55,080 --> 00:01:56,400
Especially when you're alone.
5
00:01:58,040 --> 00:02:02,200
I know because for a long time I thought
I was living my life truthfully.
6
00:02:03,760 --> 00:02:07,280
That I thought I was pushing myself as
hard as I could.
7
00:02:09,680 --> 00:02:10,680
Yes.
8
00:02:12,300 --> 00:02:13,300
I know that lie.
9
00:02:16,300 --> 00:02:17,560
September 8th.
10
00:02:18,380 --> 00:02:20,320
My time in L .A. is almost up.
11
00:02:21,660 --> 00:02:24,860
Either I get this Freedom Williams video
or it's back home for me.
12
00:02:26,480 --> 00:02:30,760
See, I promised my mom when I left, if
things didn't start to move in six
13
00:02:30,760 --> 00:02:33,280
months, I'd come home and get a real
job.
14
00:02:35,040 --> 00:02:36,560
I've gotten close a few times.
15
00:02:37,440 --> 00:02:38,800
But for some reason...
16
00:02:39,360 --> 00:02:42,060
Something inside always stops me from
letting go.
17
00:02:44,120 --> 00:02:47,560
Maybe it's because there's just so many
really good dancers out here.
18
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I mean, really good dancers.
19
00:02:52,700 --> 00:02:58,620
Or maybe it's because deep down, I just
don't believe I'm good enough.
20
00:03:00,220 --> 00:03:01,220
I don't know.
21
00:03:03,200 --> 00:03:04,940
And to make things even worse,
22
00:03:05,770 --> 00:03:09,050
The moment I laid eyes on freedom, I
knew I was in trouble.
23
00:03:10,450 --> 00:03:13,690
He's just so focused, so disciplined.
24
00:03:15,370 --> 00:03:19,410
Every time he looks at me, it's like
he's looking right through me.
25
00:03:20,850 --> 00:03:21,850
Here's what's happening.
26
00:03:23,590 --> 00:03:25,670
Everybody know A .C.? A .C., where are
you?
27
00:03:25,970 --> 00:03:27,490
A .C. is a choreographer.
28
00:03:27,770 --> 00:03:30,270
He's in it from New York. Take it from
the top, really strong.
29
00:03:30,530 --> 00:03:33,450
This is Tampa. She's the casting
director.
30
00:03:34,640 --> 00:03:35,640
How long have you been dancing?
31
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All my life. All my life.
32
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I'm the director.
33
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What we're going to be doing is we're
going to be interviewing most of you.
34
00:03:43,380 --> 00:03:44,820
Right. Name, place of birth.
35
00:03:45,280 --> 00:03:46,280
Hall of the Knee.
36
00:03:46,540 --> 00:03:47,540
Allison Kramer.
37
00:03:47,660 --> 00:03:49,140
Emily Johnston, Columbus, Ohio.
38
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Tony Reed.
39
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Faster.
40
00:03:52,620 --> 00:03:54,740
Los Angeles, California.
41
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Faster. We're talking energy here. Emily
Johnston, Columbus, Ohio.
42
00:03:58,660 --> 00:03:59,660
How old are you, Allison Kramer?
43
00:03:59,860 --> 00:04:00,860
I'm 22.
44
00:04:03,519 --> 00:04:04,519
20 -something.
45
00:04:04,920 --> 00:04:06,060
20 -something, huh?
46
00:04:07,220 --> 00:04:10,740
Then cut those interviews against the
footage that we're doing for the video.
47
00:04:10,940 --> 00:04:12,600
We're also going to film the whole
thing.
48
00:04:13,320 --> 00:04:15,080
How long do you give yourself to make
it, Emily?
49
00:04:15,680 --> 00:04:16,959
Six months, a year.
50
00:04:18,300 --> 00:04:19,399
What if it takes you longer?
51
00:04:20,660 --> 00:04:22,120
Well, if it's meant to be, it'll happen.
52
00:04:22,960 --> 00:04:23,980
What if it doesn't?
53
00:04:25,580 --> 00:04:26,860
I wouldn't have any peace.
54
00:04:29,060 --> 00:04:30,240
Then I'll do something else.
55
00:04:30,600 --> 00:04:32,700
I don't even want to think about it.
56
00:04:33,920 --> 00:04:35,040
Okay. That's a good attitude.
57
00:04:36,260 --> 00:04:37,260
Good luck.
58
00:04:38,460 --> 00:04:42,460
Now, I'm going to ask you to get up.
59
00:04:42,920 --> 00:04:45,740
Go up against that wall. I'm going to
say a word to you. I want you to say the
60
00:04:45,740 --> 00:04:47,080
first thing that comes into your mind,
okay?
61
00:04:48,560 --> 00:04:49,560
Freedom.
62
00:04:50,360 --> 00:04:51,580
Equality. Moving.
63
00:04:55,920 --> 00:04:57,180
Move for me, honey. It's okay.
64
00:04:59,280 --> 00:05:01,620
Come on. I want to see it in your body.
You're a dancer. Move.
65
00:05:02,409 --> 00:05:04,150
Freedom. How does it make you feel?
66
00:05:05,050 --> 00:05:06,050
Alive. Free.
67
00:05:06,270 --> 00:05:07,270
Good, good. Move.
68
00:05:08,090 --> 00:05:09,830
Good. Freedom. Say it.
69
00:05:10,150 --> 00:05:11,150
Freedom.
70
00:05:11,570 --> 00:05:12,710
Screaming. Freedom!
71
00:05:14,190 --> 00:05:18,550
Dancing. Do not give me attitude. Tell
me the first thing that comes into your
72
00:05:18,550 --> 00:05:21,490
mind. Honey, that is the first thing
that comes to my mind.
73
00:05:22,970 --> 00:05:23,970
Freedom.
74
00:05:25,950 --> 00:05:26,950
I don't know.
75
00:05:27,670 --> 00:05:28,670
Freedom.
76
00:05:29,070 --> 00:05:30,390
One, two, three.
77
00:05:30,600 --> 00:05:33,960
Three, down four. You're looking at the
floor. Right hand goes on the back.
78
00:05:34,360 --> 00:05:37,860
Bring the butt up. Can we change the
lights, get some atmosphere, put some
79
00:05:37,860 --> 00:05:38,860
in?
80
00:05:40,020 --> 00:05:41,960
Put on some dark music, something dark.
81
00:05:42,900 --> 00:05:43,900
Whenever you're ready.
82
00:05:48,240 --> 00:05:49,240
Really sexy, man.
83
00:07:45,100 --> 00:07:46,440
You're going to dance. Leave.
84
00:07:47,020 --> 00:07:48,900
I'm going to give you the AC. You know
freedom.
85
00:07:49,460 --> 00:07:50,460
How you doing?
86
00:07:51,260 --> 00:07:52,260
You did great.
87
00:07:52,500 --> 00:07:53,500
Thanks.
88
00:08:02,460 --> 00:08:03,460
Hey.
89
00:08:06,880 --> 00:08:07,880
Let me know.
90
00:08:19,210 --> 00:08:23,450
On the next floor, the vibe is hot and
the folks is sore. These blue contacts
91
00:08:23,450 --> 00:08:25,910
within, if you're a puss, then don't
forget.
92
00:08:26,290 --> 00:08:29,870
Out of hand, I'm setting in. Puss is
where our dance is hit.
93
00:08:30,090 --> 00:08:34,470
Take your time, but be discreet, because
you never know who you're meeting.
94
00:08:38,730 --> 00:08:40,010
Hey, so this is the most.
95
00:08:40,570 --> 00:08:43,470
Stevie's going to work with the girls.
Paige is going to work with the guys.
96
00:08:43,690 --> 00:08:45,530
Yeah, and there's a story that goes with
it, too.
97
00:08:46,130 --> 00:08:47,670
Emily's going to be dancing lead.
98
00:08:48,160 --> 00:08:49,600
She's going to be playing Freedom's
girlfriend.
99
00:08:49,840 --> 00:08:51,940
The back story is she was brought up in
the projects.
100
00:08:52,300 --> 00:08:56,020
She was a really talented dancer, but
she's gotten really frustrated lately,
101
00:08:56,020 --> 00:08:59,320
she's fallen on the bad times, and she's
got a gangster boyfriend now.
102
00:09:00,920 --> 00:09:04,780
But Freedom, who also grew up in the
projects and really, really loved this
103
00:09:04,780 --> 00:09:09,520
girl, and this girl loved him, has just
cut a new song, you know, because he's
104
00:09:09,520 --> 00:09:12,020
left the projects and he's worked really
hard, and he's come back because he
105
00:09:12,020 --> 00:09:16,000
knows how great a dancer this girl is,
and he begs her to dance in the video
106
00:09:16,000 --> 00:09:17,000
with him.
107
00:09:17,080 --> 00:09:20,780
Gangster finds out about it, he goes
ballistic because he's frightened of
108
00:09:20,780 --> 00:09:24,080
the girl. He doesn't want to hear about
freedom, so you know bad things are
109
00:09:24,080 --> 00:09:25,080
going to happen.
110
00:09:26,020 --> 00:09:32,260
So what you got? You got your bad guys,
you got your gangster, you got freedom.
111
00:09:35,240 --> 00:09:36,240
Who's the hero?
112
00:09:37,400 --> 00:09:38,660
And you got the girl in between.
113
00:09:52,240 --> 00:09:53,460
I want to bring the gangsters in.
114
00:09:54,500 --> 00:09:55,299
Come on in.
115
00:09:55,300 --> 00:09:57,840
I want to show you exactly what we're
going to do. Let's do this first, okay?
116
00:09:59,040 --> 00:10:00,040
Emily.
117
00:10:01,240 --> 00:10:02,240
Come on in.
118
00:10:03,760 --> 00:10:05,080
Okay, you guys are over here.
119
00:10:05,780 --> 00:10:06,780
You're here. Come here.
120
00:10:07,380 --> 00:10:08,380
Freedom's over here.
121
00:10:08,480 --> 00:10:09,480
Okay, here's what happens.
122
00:10:09,660 --> 00:10:10,439
You ready?
123
00:10:10,440 --> 00:10:11,520
I'm going to be you, okay?
124
00:10:11,840 --> 00:10:12,840
You come back.
125
00:10:13,280 --> 00:10:15,740
The first thing that's going to happen
is you want to keep Emily here.
126
00:10:16,680 --> 00:10:18,040
She's... Let her...
127
00:10:18,320 --> 00:10:20,400
Be on her own for a second, and then
you're going to come in here. And you're
128
00:10:20,400 --> 00:10:22,180
going to come in here, and you're going
to, okay, I want you.
129
00:10:22,540 --> 00:10:23,840
No, you stay there. Stay there.
130
00:10:24,540 --> 00:10:26,480
Okay. And you're here. Just do that.
131
00:10:26,960 --> 00:10:29,420
Now, she's going to try to go away.
You're going to go like this. I'm going
132
00:10:29,420 --> 00:10:30,420
be you now. You go.
133
00:10:30,520 --> 00:10:33,860
You go like this. You stop her. Come in
and stop her, but it's a dance.
134
00:10:34,120 --> 00:10:35,760
And then you move back like that, okay?
135
00:10:36,500 --> 00:10:39,320
At the same time that this is happening,
you keep doing this.
136
00:10:39,700 --> 00:10:42,580
You come in, boom, put the piece on her
face. Put it on her, man.
137
00:10:43,319 --> 00:10:47,020
But you don't want to shoot him, man,
because what are you going to tell your
138
00:10:47,020 --> 00:10:48,500
mother? What are you going to tell your
mother, huh?
139
00:10:48,720 --> 00:10:52,040
Your mother's going to say, what am I
going to tell my mother, man? Don't make
140
00:10:52,040 --> 00:10:54,960
me shoot you. Don't make me shoot you.
Don't make me shoot you like that.
141
00:10:58,060 --> 00:10:59,820
Come on now, do this. Do this. What?
142
00:11:00,360 --> 00:11:02,760
Right away, you guys take freedom. Boom.
143
00:11:03,300 --> 00:11:04,300
Get her. Go.
144
00:11:04,900 --> 00:11:05,900
Go. Go.
145
00:11:06,460 --> 00:11:10,000
Now what you want to happen, begin to
spin her, spin her, spin her, spin her,
146
00:11:10,000 --> 00:11:11,540
spin her. Back over to that corner.
147
00:11:12,750 --> 00:11:18,970
onto the floor that's it now we'll crawl
to freedom you see him with a gun get
148
00:11:18,970 --> 00:11:22,710
down get down you guys come over don't
let her get there no matter what happens
149
00:11:22,710 --> 00:11:27,610
that's it okay and freedom at a certain
time man it's the attitude man just get
150
00:11:27,610 --> 00:11:31,390
you know this guy's got a fucking gun on
you man but keep him moving keep him
151
00:11:31,390 --> 00:11:35,670
moving keep him moving get an attitude
break away break away music
152
00:12:20,750 --> 00:12:21,750
I'm sorry.
153
00:12:23,090 --> 00:12:24,270
Just give me a minute. I'll get it.
154
00:12:26,770 --> 00:12:28,970
I feel it. It's just not coming out. I'm
sorry.
155
00:12:29,290 --> 00:12:30,209
It's okay.
156
00:12:30,210 --> 00:12:31,210
It's okay. It's easy.
157
00:12:31,590 --> 00:12:34,150
Just go over a routine with her. Yeah,
you just gotta... Just listen to the
158
00:12:34,150 --> 00:12:35,330
music. Get the routine.
159
00:12:35,730 --> 00:12:36,629
Just feel it.
160
00:12:36,630 --> 00:12:37,870
It's not a problem, man.
161
00:12:38,690 --> 00:12:39,790
She knows the moves.
162
00:12:41,250 --> 00:12:42,250
Right?
163
00:12:42,870 --> 00:12:43,870
Yeah.
164
00:12:44,390 --> 00:12:45,470
I know.
165
00:12:46,350 --> 00:12:48,910
They had the same problem, too, when I
was starting out. You see?
166
00:12:50,060 --> 00:12:51,700
Felt all this emotion inside.
167
00:12:52,620 --> 00:12:56,960
Then one day, I was at this club, right,
in the sky, yo.
168
00:12:57,780 --> 00:12:58,780
It's a fly.
169
00:12:59,200 --> 00:13:00,200
It's a moon.
170
00:13:01,000 --> 00:13:02,480
A crazy moon.
171
00:13:03,620 --> 00:13:08,000
So I stepped to him. I said, yo, man,
what's your secret? He said, simple.
172
00:13:10,220 --> 00:13:15,960
If he ever got blocked up in his mind,
right, he'd pick out somebody he knew
173
00:13:15,960 --> 00:13:16,960
fuck me.
174
00:13:17,080 --> 00:13:19,980
They kind of like fly him up against the
wall like this for you. What's up, man?
175
00:13:20,140 --> 00:13:20,879
What's up?
176
00:13:20,880 --> 00:13:24,520
Come with me. Come with me. Come on. You
a daddy boy? What's up? You saw him?
177
00:13:24,640 --> 00:13:25,499
You saw him?
178
00:13:25,500 --> 00:13:27,120
Yeah, just like that.
179
00:13:27,920 --> 00:13:29,260
You know what I'm saying? Real simple.
180
00:13:29,520 --> 00:13:33,540
You see, he said this emotion would
start to send to him, and his juices
181
00:13:33,540 --> 00:13:37,560
start to flow, sort of like a jump
start, like a boost. You know what I'm
182
00:13:37,560 --> 00:13:38,560
saying? You know what I mean?
183
00:13:40,140 --> 00:13:43,400
Do you know what I'm trying to say? You
can push me.
184
00:13:44,380 --> 00:13:45,380
Come on.
185
00:13:45,740 --> 00:13:47,000
Just push me.
186
00:13:47,520 --> 00:13:48,520
Push yourself.
187
00:13:49,440 --> 00:13:51,580
Just let it go. Don't be scared.
188
00:13:52,340 --> 00:13:54,740
Come on, baby. I'm all yours. What's up?
Push me.
189
00:13:55,160 --> 00:13:56,160
Come for me.
190
00:13:57,580 --> 00:13:58,580
Come for me.
191
00:13:59,180 --> 00:14:01,020
Here it is. I'll take care of it.
192
00:14:02,400 --> 00:14:03,400
Come on. Come on.
193
00:14:05,860 --> 00:14:07,120
You've got to release yourself.
194
00:14:07,960 --> 00:14:09,120
You've got to stop thinking.
195
00:14:09,340 --> 00:14:10,660
Everything's held up tight.
196
00:14:10,940 --> 00:14:12,460
Release it. Let it go.
197
00:14:24,200 --> 00:14:25,280
We're going to break for the day.
198
00:14:27,100 --> 00:14:30,040
And AC, make it work. We're back
tomorrow.
199
00:14:30,920 --> 00:14:31,920
Eight o 'clock.
200
00:14:39,220 --> 00:14:40,220
This is it.
201
00:14:41,600 --> 00:14:42,600
I'm so nervous.
202
00:14:44,360 --> 00:14:45,760
I can barely breathe.
203
00:14:48,780 --> 00:14:49,840
No more excuses.
204
00:14:52,320 --> 00:14:53,320
Freedom's right.
205
00:14:54,090 --> 00:14:57,210
I've got to rise above my technique and
let my emotions flow.
206
00:14:59,670 --> 00:15:04,890
All I can say is, I just wish I could
see what other people see in me.
207
00:15:38,120 --> 00:15:40,940
I got this jam I want to play for you,
all right? Hold on. I'm going to win.
208
00:15:41,040 --> 00:15:42,300
Don't go nowhere. I'm going to play for
you.
209
00:15:45,920 --> 00:15:47,240
Yo, man, let me call you back.
210
00:15:48,220 --> 00:15:49,220
Five minutes.
211
00:15:49,240 --> 00:15:51,740
Joe, trust me. I'm going to call you
back. Five minutes. I'm going to win.
212
00:15:53,520 --> 00:15:54,520
What are you doing here?
213
00:15:56,780 --> 00:15:57,840
I'm out of clean underwear.
214
00:15:58,820 --> 00:15:59,820
Just like you.
215
00:16:00,080 --> 00:16:01,080
Hmm.
216
00:16:01,480 --> 00:16:05,460
Guess I just never imagined someone like
you doing his own underwear.
217
00:16:06,300 --> 00:16:07,600
Well, who gets wrong, sweetheart?
218
00:16:08,080 --> 00:16:09,080
Somebody's gotta do it.
219
00:16:09,480 --> 00:16:12,800
I mean, I'm not that famous yet, and
even if I was, I wouldn't be handing out
220
00:16:12,800 --> 00:16:13,960
underwear to somebody clean.
221
00:16:16,920 --> 00:16:18,420
Yeah. You're welcome.
222
00:16:18,920 --> 00:16:20,600
Thanks for being so understanding today.
223
00:16:21,540 --> 00:16:23,640
It's no problem. Don't mention it.
You're gonna be great.
224
00:16:24,320 --> 00:16:26,840
You just gotta... Gotta what?
225
00:16:27,740 --> 00:16:28,740
You gotta release.
226
00:16:28,940 --> 00:16:30,380
You gotta rise to the occasion.
227
00:16:31,140 --> 00:16:32,140
Yeah.
228
00:16:32,240 --> 00:16:36,000
I know. I mean, I don't understand it.
Nothing like this has happened before.
229
00:16:36,460 --> 00:16:37,460
It's like...
230
00:16:37,560 --> 00:16:40,580
I feel all the emotion. I feel all the
energy, you know, and then, boom,
231
00:16:40,720 --> 00:16:43,100
something happens, and I just, I mean,
I'm gone.
232
00:16:44,440 --> 00:16:46,600
Yeah, that's probably because you've
never been pushed before.
233
00:16:47,880 --> 00:16:50,920
No, I'm not pushed, you know. I'm used
to being pushed.
234
00:16:51,280 --> 00:16:55,320
I don't know. Not the way I look today.
Not under this much pressure. I don't
235
00:16:55,320 --> 00:16:58,880
think so. Ah, you're one pompous son of
a bitch. Ah, you should try what I
236
00:16:58,880 --> 00:16:59,880
suggested.
237
00:17:00,100 --> 00:17:01,039
Go ahead.
238
00:17:01,040 --> 00:17:02,040
Push.
239
00:17:02,560 --> 00:17:03,560
Push me.
240
00:17:04,440 --> 00:17:06,400
Come on. I'm telling you, you'll be
surprised.
241
00:17:07,099 --> 00:17:10,740
The things you'll find when everything
just comes out. Pow!
242
00:17:11,579 --> 00:17:13,980
Push. Freedom, I'm not going to push
you.
243
00:17:14,240 --> 00:17:15,280
Come on. Push.
244
00:17:16,760 --> 00:17:19,599
That's ridiculous. I'm not going to push
you. All right.
245
00:17:20,079 --> 00:17:21,079
I understand.
246
00:17:21,280 --> 00:17:22,859
We'll be doing this for the next ten
years.
247
00:17:23,500 --> 00:17:28,000
And it's got to rise above the
inhibition. Come from out of order.
248
00:17:29,160 --> 00:17:30,220
Fuck you.
249
00:17:30,500 --> 00:17:31,580
Oh. Oh.
250
00:17:33,570 --> 00:17:35,090
Seriously look around.
251
00:17:35,290 --> 00:17:40,070
There's no one here but this sound and
you and me. Step one, two, three. What a
252
00:17:40,070 --> 00:17:41,110
perfect harmony.
253
00:17:41,350 --> 00:17:46,890
Step one was all those years of
practicing so hide your tears. Step two,
254
00:17:46,890 --> 00:17:53,590
in you and do not forget what to do. Do,
do, do. Come on, come on, come on.
255
00:17:53,710 --> 00:17:56,190
You can do it. You can. Check it out.
256
00:17:57,470 --> 00:18:01,570
Step three is the hard part and it
requires the heart.
257
00:18:02,000 --> 00:18:06,940
You must have it from the start if you
believe in your art. All in all, there
258
00:18:06,940 --> 00:18:12,960
no clue of exactly what to do. You must
reach for the stars and hold on to them
259
00:18:12,960 --> 00:18:17,560
like glue. This is the part that will
send most running home back to the coast
260
00:18:17,560 --> 00:18:21,740
with their tails between their legs all
broke up like scrambled eggs. So come
261
00:18:21,740 --> 00:18:23,220
on, push, push, push.
262
00:18:23,420 --> 00:18:27,060
You can do it. Come on, come on. You can
do it. Do it.
263
00:18:27,420 --> 00:18:29,460
Come on. See this? Just take it.
264
00:18:29,720 --> 00:18:31,460
Just take it. There it is.
265
00:18:31,740 --> 00:18:32,239
Come on.
266
00:18:32,240 --> 00:18:33,079
Come on.
267
00:18:33,080 --> 00:18:36,280
Release. I know you can do it. I
wouldn't push you if I didn't believe
268
00:18:36,280 --> 00:18:37,280
do it. Come on.
269
00:18:37,460 --> 00:18:38,279
Come on.
270
00:18:38,280 --> 00:18:41,000
Release. If I didn't want you to, I
wouldn't ask you to.
271
00:18:41,460 --> 00:18:42,460
We wouldn't be here.
272
00:18:42,680 --> 00:18:44,840
Come on. I won't stop until you commit.
273
00:18:45,080 --> 00:18:48,500
You've got to get this part. Come on.
See? There it is. I see it.
274
00:18:48,780 --> 00:18:50,000
Come on. Come on.
275
00:18:50,380 --> 00:18:51,380
Come on.
276
00:18:54,600 --> 00:18:55,279
That's it.
277
00:18:55,280 --> 00:18:56,440
That's it. That's it.
278
00:18:57,000 --> 00:18:58,020
Come on now.
279
00:18:58,680 --> 00:18:59,760
You know you can do it.
280
00:19:00,590 --> 00:19:01,610
That's what you got to do.
281
00:19:02,090 --> 00:19:03,110
You got to commit.
282
00:19:03,910 --> 00:19:04,910
This will be hard.
283
00:19:05,770 --> 00:19:08,250
All that anger and tension you got is
bottled up.
284
00:19:08,870 --> 00:19:09,870
It's bottled up.
285
00:19:11,050 --> 00:19:12,050
Come on.
286
00:19:12,170 --> 00:19:13,170
That's it.
287
00:19:13,490 --> 00:19:14,490
You got to reach.
288
00:19:14,990 --> 00:19:16,150
You got to dig deep.
289
00:19:17,430 --> 00:19:18,970
You can be whatever you want to be.
290
00:19:20,130 --> 00:19:21,170
But you got to believe.
291
00:19:23,870 --> 00:19:25,450
You know how beautiful you look tonight?
292
00:19:26,210 --> 00:19:27,210
Yeah, man.
293
00:20:11,920 --> 00:20:12,960
The next day.
294
00:20:14,040 --> 00:20:15,040
D -Day.
295
00:20:16,540 --> 00:20:17,780
The day of the shoot.
296
00:20:19,180 --> 00:20:20,180
Couldn't sleep.
297
00:20:20,520 --> 00:20:21,520
Can't eat.
298
00:20:23,200 --> 00:20:24,620
Still too nervous.
299
00:20:53,070 --> 00:20:54,070
What's happening?
300
00:20:54,290 --> 00:20:55,249
A .C.
301
00:20:55,250 --> 00:20:56,790
Yeah, what's up? Talk to me.
302
00:20:57,910 --> 00:20:58,910
You ready?
303
00:20:59,230 --> 00:21:00,230
You girls ready?
304
00:21:02,710 --> 00:21:03,710
Let's do it.
305
00:21:04,570 --> 00:21:07,490
Everybody up here, let's see what it
looks like.
306
00:22:03,080 --> 00:22:04,080
With a new track.
307
00:22:04,440 --> 00:22:05,960
This ain't fiction, it's fact.
308
00:22:06,200 --> 00:22:09,440
I made the rules that'll make you wanna
groove. That'll make you wanna prove my
309
00:22:09,440 --> 00:22:10,440
moves to all that.
310
00:22:10,520 --> 00:22:14,680
Dance till you feel like I feel. Now,
grab your girl and then move that house.
311
00:22:14,840 --> 00:22:18,400
Now is the time. Now is the year. And
this is the world premiere.
312
00:22:59,609 --> 00:23:01,890
Back to the phone.
313
00:23:18,030 --> 00:23:19,090
Break it down for me, brother.
314
00:23:36,310 --> 00:23:40,470
One, two, one more is three. Here we go.
You want to flow? Join with me.
315
00:23:40,730 --> 00:23:42,990
Wave your hands in the air from side to
side.
316
00:23:57,720 --> 00:24:00,240
There's no shame to claim the fame that
I became.
317
00:24:00,500 --> 00:24:01,980
Do everybody scream that name?
318
00:24:35,720 --> 00:24:36,940
I thought you had this worked out.
319
00:24:38,120 --> 00:24:40,240
She'll get it. Just give us one more
chance, man. Chill.
320
00:24:40,500 --> 00:24:41,439
It's no problem.
321
00:24:41,440 --> 00:24:43,820
Just give us ten minutes, man. Just give
us ten minutes. I don't have ten
322
00:24:43,820 --> 00:24:45,880
minutes. Let's do the European version.
323
00:24:46,880 --> 00:24:49,860
The unrated version. Let's do it now.
324
00:24:50,340 --> 00:24:53,200
Hold on, hold on. She can do it, man.
She can do it. All right, listen up.
325
00:24:53,200 --> 00:24:54,200
doing the European version.
326
00:24:54,560 --> 00:24:57,180
Emily, close off. You're going to need
body makeup. What? What?
327
00:24:57,460 --> 00:25:00,820
Hey, you sign the nudity rider. All you
girls sign the nudity rider.
328
00:25:01,220 --> 00:25:02,540
I'm not taking off my clothes.
329
00:25:03,040 --> 00:25:06,300
All right. Just give us ten more
minutes, man. No, no. We don't have ten
330
00:25:06,300 --> 00:25:09,680
minutes. We've got so much time. We've
got so much money. I don't want you to
331
00:25:09,680 --> 00:25:12,140
anything you're not comfortable with.
Listen, then if that's your attitude...
332
00:25:12,140 --> 00:25:13,580
No, no, wait a minute. I got another
girl here.
333
00:25:13,800 --> 00:25:14,800
Great. Come on.
334
00:25:15,280 --> 00:25:17,460
No, no, no, no, no, no, no, no. Let me
take your hair.
335
00:25:18,480 --> 00:25:19,179
I'm out.
336
00:25:19,180 --> 00:25:20,320
That's it, man.
337
00:25:20,620 --> 00:25:24,680
Jesus Christ, man. Get a grip on it.
Where's the stuff you spoke to? I don't
338
00:25:24,680 --> 00:25:26,380
care. I really don't care.
339
00:25:27,280 --> 00:25:28,680
Unrated version now.
340
00:25:29,240 --> 00:25:32,520
Put the music on. Put the music on.
European version. Let's go.
341
00:25:41,740 --> 00:25:42,260
Let me
342
00:25:42,260 --> 00:25:54,100
know.
343
00:26:05,450 --> 00:26:09,510
On the dance floor, the vibe is hot and
the force is sore. Passing through,
344
00:26:09,610 --> 00:26:12,330
contact within. If you're a puss, then
don't begin.
345
00:26:12,670 --> 00:26:17,390
Out of hand, I must admit, but this is
where our dance is hit. Take your time,
346
00:26:17,390 --> 00:26:21,190
but be discreet, cause you never know
who you might meet.
347
00:26:21,770 --> 00:26:22,770
You don't give a shit?
348
00:26:23,440 --> 00:26:26,900
Bullshit. You're full of shit. I'm
telling you. Just leave me alone, okay?
349
00:26:26,900 --> 00:26:27,900
my chance. I blew it.
350
00:26:28,040 --> 00:26:31,560
No, you didn't blow anything, but you
know what you're doing? You're blowing
351
00:26:31,560 --> 00:26:34,580
right now. All of a sudden, it's not
comfortable, so you're just going to
352
00:26:34,580 --> 00:26:35,580
out on me?
353
00:26:35,700 --> 00:26:37,720
Wall to wall, the price is high.
354
00:26:38,060 --> 00:26:41,980
You might meet that type of guy or type
of girl who rock your world and trade
355
00:26:41,980 --> 00:26:46,540
your diamonds for their pearls. You can
stand and end the days, picking up their
356
00:26:46,540 --> 00:26:47,540
sexy ways.
357
00:26:47,620 --> 00:26:51,180
You might have to paraphrase what you
call the fatter days.
358
00:26:51,460 --> 00:26:56,380
All in all, there is no clue. If the sex
is good, take two. Sometimes I don't
359
00:26:56,380 --> 00:27:00,000
know what to do. I might explode all
over you, all over you.
360
00:27:02,840 --> 00:27:04,920
All over you. Who was that last night?
361
00:27:05,200 --> 00:27:07,500
You knew I was down and you took
advantage of me.
362
00:27:07,700 --> 00:27:11,440
If that was me taking advantage of you
last night, then I need to check myself
363
00:27:11,440 --> 00:27:15,120
into a loony bin for an overhaul. You're
right. Could you do it? Send a bill to
364
00:27:15,120 --> 00:27:16,120
me.
365
00:27:16,320 --> 00:27:17,320
Okay.
366
00:27:17,640 --> 00:27:18,960
I understand now.
367
00:27:19,400 --> 00:27:21,040
Okay. Thank you.
368
00:27:21,280 --> 00:27:22,500
European version, please.
369
00:27:23,700 --> 00:27:26,820
No problem. That's the way you want to
do it. You want to do the European
370
00:27:26,820 --> 00:27:30,260
version? Let's do it. We can do it right
now. All right. It's not a problem.
371
00:27:30,360 --> 00:27:31,600
It's not a problem. What do you want?
372
00:27:35,580 --> 00:27:37,940
What do you want? I'll hit you. Hit you.
373
00:27:38,720 --> 00:27:44,220
That's exactly it. Now just take that
passion, honey, and just start to dance.
374
00:27:44,320 --> 00:27:48,520
Just take all that emotion you're
feeling and just start to dance. That's
375
00:27:48,560 --> 00:27:49,560
Just reach down.
376
00:27:49,640 --> 00:27:53,740
You got it. You got it. Now what I want
to do is I want to pick up the video
377
00:27:53,740 --> 00:27:55,880
exactly where we left off.
378
00:27:56,160 --> 00:28:00,640
Everybody just get it in the position.
That's it, honey. Just reach down. You
379
00:28:00,640 --> 00:28:01,439
got it.
380
00:28:01,440 --> 00:28:03,580
Just reach down. I want to pick it up.
381
00:30:02,250 --> 00:30:03,250
You got what you wanted, huh?
382
00:30:03,430 --> 00:30:04,610
You bet your ass.
383
00:30:05,210 --> 00:30:06,210
I did.
384
00:30:06,390 --> 00:30:07,590
I got what I wanted.
385
00:30:08,370 --> 00:30:09,470
Now what do I do?
386
00:30:10,570 --> 00:30:13,530
Not with my career, but the way I feel
about freedom.
387
00:30:14,870 --> 00:30:15,870
Rule number one.
388
00:30:16,750 --> 00:30:22,230
The last thing my mother said before I
left home was, never, never fall in love
389
00:30:22,230 --> 00:30:23,230
with a rock star.
390
00:30:24,150 --> 00:30:27,790
And if you do, then go immediately to
rule number two.
391
00:30:28,850 --> 00:30:32,110
If you gotta love him, Take it one day
at a time.
392
00:30:38,410 --> 00:30:42,690
Somehow what I learned from him was to
push past what I thought my limits were.
393
00:30:43,550 --> 00:30:45,530
And most importantly, to trust myself.
394
00:30:48,990 --> 00:30:51,110
Love to learn to trust myself, too.
29048
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