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# Happy birthday to you #

# Happy birthday to you #

# Happy birthday, dear Jed #

# Happy birthday to you #

Okay, now make a wish. Blow 'em out.

- [ALL] Yay! - All right!

Yeah, yeah, yeah, yeah, yeah, yeah, yeah.

All right.

[WOMAN] Drayton, where are your manners?

Give the first piece to the thief.

[MAN WHIMPERING, BREATHING HEAVILY]

[GRUNTING]

I didn't steal your fuckin' pigs!

You callin' my son a liar? He saw your grubby hands steal our property.

[GRUNTING]

[SPITTING]

Why would I go anywhere near your dirty pigs?

Or your filthy family?

I swear, the whole world gonna find out what kind of brood you raising here, Verna!

Shut him up. I've had enough.

- Ohh! - Listen to me.

No hillbilly's gonna ruin my son's special night.

[GRUNTING]

You ready for your present?

You know you're my special boy.

[MAN] Come on, Jed. Here you go.

- [ALL LAUGHING] - [VERNA] Jed.

[MAN 2] Yeah, this is it, Jed.

Now remember, bad people like him, they're trying to break our family apart.

But we're not gonna let that happen, right? Now go on, now. Pick it up.

Jed, pick it up.

- Jed. - Jed.

- Jed. Jed. - [POUNDING TABLE]

- [ALL CHANTING] Jed. Jed. Jed. - [VERNA] Pick it up, Jed.

Jed! Jed! Jed! Jed! Jed! Jed! Jed! Jed!

[VERNA] Come on, now. You know what you have to do.

- That's right, Jed! - [MAN] Get him, boy!

- [CHANTING CONTINUES] - Come on now, Jed.

Jed! Jed! Jed! Jed! Jed!

No! No!

- [OLD MAN] Here you go. - [MAN 2] Get him, son!

[CAPTIVE MAN] No!

Ohh. Ohh. Ohh. Ohh...

[CHAINSAW MOTOR SPUTTERS]

- [MOTOR STARTS] - [SCREAMS] No!

- No! - [OLD MAN] You can do it!

[TEENAGER CACKLING]

- [MAN 1] Whoo! - [CHAINSAW ROARING]

No!

No, please! No!

- No! - [CHANTING] Jed. Jed.

- Jed! Jed! Jed! - [SCREAMING]

Jed, go. Go.

[MAN 2] That's right, do it!

Jed! Jed! Jed!

No!

[GRUNTS]

[YELLS]

Stop! Stop now!

[YELLS]

[CHAINSAW REVS]

[SCREAMING]

- [CHAINSAW MOTOR STOPS] - [SCREAMING]

Hey. You let us down, Jed.

[GRUNTS]

- [MAN SCREAMING] - It's okay.

Your family's always here for you.

Remember that.

- Okay. - [GRUNTS]

[CRICKETS CHIRPING]

[ROCK MUSIC PLAYS ON RADIO]

- You tryin' to make us crash? - You want me to stop?

Nah, I didn't say that.

[CAR ACCELERATES]

Look out!

[TIRES SCREECHING]

What the hell was that thing?

Hey, Betty.

What is it?

I don't know.

Well, let's go.

[EXHALES]

[BREATHING HEAVILY]

What?

[GASPS]

[SHUDDERED BREATHS]

It's just a kid!

Let's go!

We're gonna be late!

Hey, there.

You okay?

[BREATHES HEAVILY]

You shouldn't play in the road.

[BOY] Help me! Please!

Hey, Betty, where you goin'? I didn't hit him!

- There's something wrong! - Betty!

He needs help!

Jesus Christ.

Hey, little guy, you hear me?

Let me help you!

Hello?

It's okay! You can come out!

Betty!

Betty, where'd you get off to?

[HINGES CREAK]

[CLATTERING]

- [FLOORBOARD CREAKS] - [OBJECT CLANKS]

- Hello? - [FLOORBOARD CREAKS]

Come on.

I won't touch you.

I just want to help.

[CLATTERING]

Okay?

[CRACKING]

- [WOOD BREAKING] - [SCREAMS]

[BODY THUDS]

[GASPING, GROANING]

You done good, Jed.

Looks like you can learn a little after all.

[GASPING, WHIMPERING]

[WINCH CLANKING]

[GURGLING]

Nubbins, go ahead. Learn him some more.

[WHIMPERING, GURGLING]

[BLOWS KISS]

Show him.

[SCREAMS]

[SIREN WAILING]

[CAR APPROACHES, ENGINE SHUTS OFF]

- [CAR DOOR SLAMS] - Where is she?

[COP] Take it easy, Hal.

- Let me through, goddamn it! - Hold it! Hold it!

Get off me! Get the fuck off me!

We'll figure out what happened.

- Easy there, Hal. - That's my baby in there.

[GRUNTS]

Is she in there?

Is my baby in there?

Answer me, goddamn it!

We got one of them.

Ahh...

[PANTING]

[GROANS]

[CRYING]

I couldn't get to her on time. [SNIFFLES]

I'm real sorry, sir. I swear to God.

[HAL] Drayton Sawyer.

This time it ain't the Gorman House.

Nah. You're grown up now.

That means the gas chamber for you.

[CHUCKLES]

For what?

You arrestin' me for finding the body? That ain't no crime I heard of.

How about I put a bullet right in your fuckin' skull, huh?

- [COP 1] Hold on. - [COP 2] Put it away, Hal.

- Come on, now. - He's right. We ain't got nothin' on him.

[COP 1] Easy, Hal. Keep your head on.

- [COP 2] Hal, he ain't worth it. - [COP 3] Come on, Hal. Put the gun down.

Fuckin' trash.

[CHATTER OVER POLICE RADIO]

You let those boys go this instant.

Don't count on it, Verna.

You see them do something wrong? No. No. I didn't think so.

You uncuff him! You let him out of the car!

No.

He's stayin' right there.

What for?

He's not under arrest. He's under protection.

- From you. - What are you talkin' about?

I can't count how many crime scenes I've been to

where there just happened to be Sawyers there already.

- Them kids ain't safe with you. - Horseshit.

Send some units over to the Sawyer house.

You round up all the minors. I want all of them.

- You hear me? - You can't do that. You can't do that.

Well, I'll have a warrant that says I can by the time we arrive.

It's called child endangerment.

You take one of mine...

and I'll take all yours, Verna.

All of 'em.

[MAN] In 1935, the state of Texas instituted

a endangered childcare program.

The first year, nearly 50 children were taken from homes

where criminal activity was the norm.

Most of these children were given new names

and entered into foster care.

Others, the product of degenerate parentage,

were remitted here to Gorman House.

You'll take care of their psychological, physical needs.

Yes, sir.

I've been wanting to come on here for a long time.

- I think I can help them. - Elizabeth.

Oh, please, sir. Lizzy's... Lizzy's fine.

Elizabeth.

Most of these kids will end up in prison or mental institutions.

Keeping them here is safer for everyone.

Keep your guard up.

[LOW CHATTER]

- [DOOR CLOSES] - [LOCK CLICKS]

[MAN SINGING ON RADIO, INDISTINCT]

[HUMMING MELODY]

[BOOKS BANGING]

[WOMAN GIGGLING]

[WOMAN 2] Can I get some water?

I'm thirsty.

Well, hello.

My name is Lizzy.

I'm new here, and I want to get to know y'all.

[GRUNTS]

Oh. That's Bud.

You don't say all that much, do you, big guy?

[MAN] Nuh-uh. Uh-uh.

- Uh... You're in my seat. - Oh. Sorry.

Thank you kindly.

- Uh, I'm... - Lizzy.

Yeah, I heard. I heard.

Shit. Sorry. I'm Jackson.

Jackson and Bud.

And what meds we have you on, Jackson?

Meds, huh?

They give 'em to us and we take 'em, right?

[LAUGHING]

We figured you'd know more about all of that than us, Lizzy.

You aren't gonna be trouble for me, are you?

No, not me, Lizzy.

Is there a reason you keep saying my name like that?

No, uh... I reckon I might like how it sounds, is all.

- [LOUD SLAM] - Fuck you, asshole!

I'll pop your eyes right the fuck out of your head!

- Let him go. - Mind your own business!

Is it my business. What is the problem?

He said some things I didn't care for.

Something about a girl in a nurse uniform, what she might taste like.

Hey! Hey! Get off me! Let go!

Fuck you, Frankenstein!

Break it up, pinheads!

- Back to what you were doing. - I didn't do nothin'.

[SOFTLY] I didn't do nothin'.

Don't look at me.

[SIGHS]

[EXHALES]

[SIGHS]

- [WOMAN GROANS IN DISTANCE] - [SCUFFLING]

[SCUFFLING CONTINUES]

[CLATTERING]

- [YELPS] - [GASPS]

[WOMAN GRUNTING]

[CHOKING]

What-What are you doing?

[COUGHING]

Come here.

[WHIMPERS, GRUNTS]

[SCREAMING]

What's the big deal?

It was just a stupid mouse.

[SQUEAKING]

Got a light?

You're not allowed to smoke in here.

[CHUCKLES]

I got me special permission.

True story. You can ask Dr. Lang.

- I will. - He'll tell you it helps me.

On account of my anxiety.

[CHUCKLES] Truth is...

it's 'cause I'm his favorite.

He told me so.

- You just got yourself a warnin'. - For what?

- I was takin' a bath. - Get out.

Bitch.

Everything all right?

Uh, yes, Dr. Lang. I'm... I'm fine. [CLEARS THROAT]

I'll have a word with Isaac and... Bud.

No, Bud didn't do nothin'.

Lookin' forward to our session tomorrow, Jackson?

Um, sir, he's right, actually. Bud didn't do anything.

He was just fighting?

Well, he was protecting me.

Remind me to tell you later what he did to his last foster family.

They took away his dog.

[LANG SIGHS] Yes?

That's a perfectly good reason to bludgeon somebody into a coma?

Yeah, well, I'm just sayin'.

[GASPS]

I'm sorry. I didn't mean to scare you.

You didn't.

Thanks for helping Bud.

I know you don't even know him, so that's, um... that's nice.

Well, I'm here to help you all.

So...

You're the first nice one we've had around here.

So I thought you should know.

Know what?

What goes on in the ECT chamber.

Kids around here got to callin' that

"Dr. Lang's Chamber of Horrors."

Piece of shit.

Why is that?

You drop by tonight, you can find out for yourself.

I think maybe you could even do something about it.

Yeah.

Jackson.

You're gonna get out of here someday.

And just cause you can't trust certain people...

it doesn't mean you shouldn't trust others.

Yeah, I'll think about that.

I'm sorry to keep you waiting.

Barry Farnsworth. We've been here an hour.

Uh, we?

[LANG] Miss Sawyer.

[FARNSWORTH] It's Mrs. Carson now.

I want to see Jed.

We've been through this before.

Year after year.

He's my son.

And I can afford me a lawyer now.

This changes nothin'.

He was taken from you for a reason.

Show him.

It's an injunction.

Court says Mrs. Carson has the right to visit.

You have to let me see him.

You bring me Jed.

Well, that's a problem.

Most of these kids are given a new name...

so they can hide from their degenerate...

criminal families.

Jed probably wouldn't be able to recall you

or even his real name.

But you know who he is.

You and that sideways ranger.

You know 'em all.

I have a lot of patients.

We'll have to check the records to be certain.

That's bullshit. [SCOFFS]

And that requires an entirely different court order.

The records are very sensitive.

Get me the correct court order,

I'll be happy to help you.

Oh, that one took three months to get!

Then I advise you to get on it quick!

Jed is 18 soon.

I'll recommend he be transferred to prison.

You're a bastard.

Even though you married into money and hired yourself a snot-nose shyster,

you are still hillbilly trash.

[DOOR SLAMS]

[FARNSWORTH] I have a friend, a country clerk.

Maybe he can push it through.

- Don't matter! It's all bullshit! - Whoa. Whoa.

Lavatory.

That way.

[LOUD GRUNTING]

[MAN] I warned you, Bud, but you wouldn't listen.

Come on. Man up, Bud. This is for your own good.

[BUD GRUNTING]

[SHOUTING IN DISTANCE]

[SHOUTING CONTINUES]

[MAN] Calm down.

[CONTINUES, INDISTINCT]

Go get her. Office hours are over.

I can't go into the ladies' room.

[KNOCKING]

- Ma'am? - It's Mrs. Carson.

[DOOR OPENS]

Goddamn it. She's gone!

[GRUNTS] Get... off me!

Get out...

[KEYS JINGLING]

Jed, I'm coming!

- [VERNA] Jed! Jed! - [MAN] What was that?

[VERNA] I'm here for you!

[ALL MURMURING]

- You hear me? - [WOMAN] What is that?

[BUD WHIMPERING]

[LANG] You're next, Isaac.

Are we ready?

[BUD WHIMPERING]

[EXCLAIMING, GAGGING]

[WHIMPERING, CRYING]

- [SWITCH CLICKS] - [ELECTRICITY BUZZING]

[BUD GROANING]

[DIAL CLICKING]

- [VERNA SHOUTING] - [ALARM BELL RINGING]

What the hell is that?

[VERNA] Jed!

- [RINGING CONTINUES] - Jed! Jed!

You can't be here!

Damn that woman. I'll be back.

[VERNA] Jed!

- [INMATES SHOUTING] - Jed!

[SHOUTING CONTINUES]

[RINGING CONTINUES]

[LAUGHING, SHOUTING]

[MAN] Come on!

[WOMAN] Lizzy. Come quick.

Kids are loose in the halls.

[VERNA] Jed, I'm coming!

Jed? Jed.

Get your hands off me!

Hey! [GRUNTS]

[INDISTINCT]

[FARNSWORTH] My client was acting in self-defense.

Get out.

She was...

[SHOUTING CONTINUES IN DISTANCE]

[RINGING CONTINUES]

That's it. Lock it down.

[MAN] Whoo-hoo!

[ALARM STOPS]

[NURSE SCREAMING]

[SHOUTING, SCREAMING]

I can't believe you did that.

[GASPING]

[INMATES SHOUTING]

[GLASS BREAKING]

Want to give me a hand?

[WOMAN] I saw you with him.

And you know that Ike is my soulmate.

[CHOKING]

- [DOOR SLAMS OPEN] - [INMATES SHOUTING]

There's an emergency exit in the basement.

Come on, follow me!

I told you a thousand times we're understaffed.

Just get here before they...

[BANGING]

Uh... Just hurry.

[HANGS UP PHONE]

- [BANGING] - Who's there?

[BANGING CONTINUES]

[GRUNTING]

[OBJECT CLATTERS]

Don't be stupid, Bud.

Bud?

They'll never let you go.

Think about it, Bud!

Let's get the fuck out of here, y'all!

Ike, where you at? Ike!

[LAUGHS]

[SHRIEKING]

[MOANING]

[MOANING]

[CACKLING]

[MOANING]

[MOANING]

- [INMATES SHOUTING] - [GLASS BREAKING]

- Let's hide. - Let's hide!

Right here.

[WHIMPERING]

[NURSE SCREAMING]

[SCREAMING STOPS]

[JACKSON ROARING]

[SCREAMS]

[WHIMPERING]

Come on.

[IKE] Jackson's got a hostage.

Hey, what's up?

Hey, Doc has a nice ride.

- Don't touch him! - [LIZZY] Let go of me!

Get going!

- [IKE] Be quiet! - [LIZZY] Let go!

- [GROANS] - You fuck!

[LIZZY SCREAMS]

[ROCK ON CAR RADIO]

[IKE] They'll think twice about shooting us down with her along.

[WOMAN] Yes, they will!

[WHOOPING, TRILLING, HOOTING]

[SCREAMING]

[WOMAN CACKLING]

[SONG CONTINUES]

[IKE] Hey.

Hop in, stupid. I owe you one.

[FEMALE SINGER] # That's the day I walk away #

# A-walk-a-walk-a-walk-a-ooh #

[SONG CONTINUES, INDISTINCT]

[WOMAN] Fuck you, Gorman!

Well, don't you look nice?

You just had to bring the prettiest nurse along with us, didn't you?

Oh... I didn't pick her.

No, Jackson did.

You got no reason to be jealous.

Why'd I be jealous of someone who's about to die?

Everything at the proper time.

[GRUNTS]

Jackson!

Oh, here we go.

Hey, where do you think you're going, bitch?

- [GRUNTS] - [GROANS]

Put me down, put me down.

Fuck you!

[WHIMPERING]

[SCREAMING]

Let go of me! Let go of me!

Do that again, I'll turn you into strawberry pie.

I'm gonna kill him, I'm gonna kill him...

right before your eyes.

And that goes for you two, as well.

Anyone bolts, and everyone dies.

- You son of a bitch. - [LIZZY] Jackson, wait.

We're all gonna look out for each other. It's okay.

Change.

No, you ain't makin' her get undressed.

Oh, ain't I?

You got clothes underneath?

All right.

Cut it out, you bastard...

before I slit her throat.

That ain't no way to talk about our new friend.

She's going with us all the way.

Where are you takin' us?

Mexico.

Perhaps you've heard of it?

Gonna find us some money, find us some more wheels.

Go past Austin, see my mom. Y'all be... all be welcome there.

My mama loves company.

And soon as we get to the Mexican border, we go our separate ways.

Jackson, you got someplace you want to get to?

You got family somewhere?

No.

No, Mexico sounds like a plan.

- [HAL] You Sorells? - Yes, sir.

Glad you could make it.

- We know which one did this? - No.

We know who's missing.

They're pulling up the files for us right now.

Bet I know who it was.

This ain't the work of a confused child.

This is evil.

Needs puttin' down.

They all mine?

All but one were brought in by you, yeah.

Roadblocks set?

- Ten. Twenty miles out. - Push 'em out more.

I want every local cop from here to New Mexico on the lookout.

Yes, sir.

[TELEPHONE RINGING]

Hello.

They're loose.

Cops lookin'?

Yeah, of course we'll pay ya.

You just keep us updated.

We're gonna find Jed.

[CHATTER ON POLICE RADIO]

[CAR MOVES PAST]

- Lang's car was just spotted. - Where?

South on 385. I'll meet you there.

Sorells.

Yes, sir.

Knowing these kids the way I do...

they ain't givin' up easy.

- I understand. - I don't think you do.

Just 'cause they're kids, I don't want your men going soft.

If they gotta shoot first and let God sort it out...

Well, that's permissible.

You copy that?

Copy.

[ENGINE STARTS]

[WOMAN] Fuck, I'm hungry.

I thought the plan was not to be seen.

People looking for a group with a mongoloid.

We go in separate.

- And you stays outside. - [GRUNTS]

You... stays quiet.

- We have no money. - Blah, blah, fuckin' blah.

We improvise. There's food, there's money, and there's cars to grab. Get in there.

[ROCK AND ROLL PLAYS ON JUKEBOX]

[IKE LAUGHING]

Wanna see if I can throw it in your mouth?

- Yeah. - Okay.

Oh, yeah.

[LAUGHING]

You all right, darlin'?

Ma'am.

You haven't touched your food.

I'm just not hungry, I guess.

I'll bag it up for you.

Throw it in my mouth.

- Aah! - [BOTH LAUGH]

What the fuck you lookin' at?

Yeah, that's right, nothin'.

Everybody think they can look down on us.

It's not funny.

You know...

Why don't you, um, check to see if he's got a gun?

He's got a gun.

- Let's start some shit up. - Okay.

I wish this was just normal.

I wish we were just two people...

here at a diner, you know.

I wish I was somebody else.

Sorry, y'all. That was my fault.

[LAUGHS]

Think it's time y'all clear out.

Pay up and go.

# We ain't got no money #

[SCREAMING]

[MAN] Goddamn!

Holy shit!

Fuck, I love Texas.

Everybody go ahead and put your keys and cash on the edge of the table.

Clarice, get a bag.

Put your guns on the table, man!

- Clarice? - Coming.

- Put your money on the table. - [CLARICE] Are you all deaf?

Get your fuckin' money out now!

- [IKE] Get it on the table! - Come on! We ain't got all day!

[IKE] Fuck you!

- [CLARICE] You! - Let's move!

- Give it up! - No, wait!

[IKE] Thank you!

- Let's go! - [GLASS SHATTERS]

Fuck!

- Ow! - No.

Where'd you go, bitch?

- Get a hold of her! - Stop it!

[LIZZY] Let me go!

- [LIZZY GASPS] - [JACKSON] Go, go, go, go, go! Go!

Come on! Come on! Go!

[CLARICE] Get in!

[SIREN WAILS, SLOWS]

[CHATTERING]

Yep, it were them.

No doubt about it.

What happened?

They went buckshit crazy.

Cuttin' up with the waitress.

Then they started shootin'.

You see which way they went?

What car they took?

Maybe they left in a wagon.

- What color? - Blue, I reckon.

Or gray.

A Ford.

[JACKSON] Hey.

Could have at least stolen a car with a full tank of gas.

[IKE] I don't look at the gas gauge when someone's shooting me, asshole.

[SHOTGUN COCKS]

Quiet, now.

Clarice, get over here.

Get the door.

Okay, on three, right?

One, two, three.

[SNIFFS] Smells like an old barn.

You first, Lizzy.

Well, go on and get in there.

[CLARICE] Get the fuck in.

Check it out, all right?

[STUMBLES, GROANS]

Well, it's as good a place as any for the night.

Can rest up, let the cops pass us up.

Enjoy my mama's barbecue by dinnertime.

[OBJECTS CLATTERING]

[INSECTS BUZZING]

[FLOORBOARDS CREAK]

[GRUNTS]

[WHIMPERING, SCREAMING]

- [LAUGHS] - Guess he died of loneliness.

Sit down.

[JACKSON] You're gonna be okay.

Okay.

I'm just gonna take a look, okay?

You're gonna be okay, but I...

I gotta put some pressure on it, okay?

Moonshine.

[LIZZY] That's good, that's good, that's good.

- [HYPERVENTILATING] - Now breathe slow.

- Come on, come on. - That's good. That's good.

[JACKSON] Squeeze. Make it better.

Big arms like that and that's all you got?

[LIZZY] That's good.

We just gotta put some pressure on it. Okay?

Jesus.

Man, you're lucky I love you.

Want some of this?

All right.

[GRUNTS]

Make you feel better.

Oh, God. Really?

Yeah, why not?

- What else are we gonna do? - Yeah.

Easy.

- [COUGHS] - Yeah.

[CLARICE MOANING]

[BOTH MOANING]

[LAUGHING]

[MOANING CONTINUES]

[FOOTSTEPS APPROACHING]

You're gonna aggravate your condition.

My condition?

What do you know about me?

What now?

You know she's seen our files.

So?

So, she knows where all those foster moms who gave you shit live now.

No, I don't.

I only saw your medical charts. I swear.

She's lying, Jackson.

She says she doesn't know.

Who cares if she saw anything?

You don't want to find your family?

[JACKSON] Bud's the only family I got.

A real family.

That's all I want.

[CHUCKLES]

I thought you said your family were in Austin.

They'd be thrilled to see you, you know.

They keep fuckin' movin'.

I swear, I don't know.

Come on, man. Let's leave her be, huh?

Oh, you sweet on her now?

Fine, lover boy.

Hey, uh...

Good luck getting it up with all the junk they got you on.

Sleep tight, asshole.

[JACKSON] Bud, you're on first watch.

Get your ass out of bed.

[CLATTERING]

[ANIMAL CALLS, INDISTINCT]

[FOOTSTEPS APPROACHING]

[BREATHING HEAVILY]

[SCREAMING]

- What'd I tell you about running away? - Let go of me!

[WHIMPERING, SCREAMING]

Guess I'm just too intense.

[CLOTH TEARING]

I think for the benefit of folks sleeping...

- best keep your mouth shut, huh? - [MUFFLED SCREAM]

[RAPID FOOTSTEPS APPROACH]

[GRUNTS]

[GRUNTING]

Run!

[GRUNTS]

[SHOTGUN COCKS]

What in the holy hell is going on here?

[SPITS]

[HUFFS]

This little piggy's the worst goddamn lookout in the Lone Star State.

And this little piggy just tried to abandon us all.

Including his girlfriend here.

Well, then maybe it's time we get rid of all this dead weight.

Calm down. We got a plan and we're stickin' to it.

Take these two back to the trailer, okay?

Don't take your eyes off 'em.

Bud, you're an idiot and a fool,

and I don't know why God bothered to make you.

Now get away from me.

Shit.

[BELT BUCKLE CLATTERING]

[URINATING]

[TWIG SNAPS]

[WIND WHISTLING]

[URINATING STOPS]

[ZIPPER CLOSES]

[GRUNTS]

[WHIMPERING]

[WHIMPERING CONTINUES]

[CRYING]

[SKULL CRUNCHES]

[BIRDS SINGING]

[CLARICE] Where's Ike?

Hey!

Where's Ike?

Maybe you should keep your voice down in case somebody else is out there.

And maybe you should kiss my Texan ass.

Ike!

Where's Bud?

Oh, shit.

Ike!

Ike!

- Okay. Come on. - Ike?

Jackson! This is our chance. Let's run.

If she finds Bud, she's gonna kill him.

Bud can take care of himself.

Ike, where you at?

[ECHOING]

Oh! Stop!

[PANTING] What?

You don't want to see it.

Bud, you okay?

Hey.

What did you do, big guy?

Come on. Let's get you up.

Come on.

I got ya.

Let me get a look at you.

Let's go.

Ike, where you at?

Ike?

[PISTOL COCKS]

Nope. Hands up, darlin'.

It's over.

I got one!

Drop the gun.

I said drop it.

All right, now turn around.

Where are the others at?

What do you mean, the others? It's just me and Ike.

And I can't find him.

Just tell me where the others are, and you'll be safe and sound.

[HAL] What do we got?

Fuckin' Hartman.

He won't ask but once. Just tell me where they are.

What'd she say?

That it's just her and Isaac. She don't know where he is.

Nothin' but bullshit then, huh?

Good to see ya again, Clarice.

[SCREAMS]

Jesus Christ, Hartman! You coulda killed her.

Get everybody to spread out. They're close.

Dogs are on the way.

All right, fan out! Wide circle.

They're somewhere close by, okay?

Don't!

[LAUGHS]

Yeah, you laugh it up, girl.

Let's see how funny this gets, huh?

- Feel that? Huh? - [MOANS]

Hey.

This is your last chance, baby, to tell me what I want to know.

- [SCREAMING] - Huh?

[CLARICE] Don't!

Where. They. At?

[SPITS]

[CHUCKLES]

[CLARICE] Cops! Cops!

Fuckin' cops!

Fuckin' cops!

- [GUNSHOT] - [CLARICE SCREAMS]

Shit. Hide! Go. Go, go. Go on.

[JACKSON] Holy fuck.

Who is he?

Rounds up kids like us. Bad news.

[WHIMPERS]

[SCREAMS]

He's a policeman.

Yeah, a policeman that broke my nose once.

- He can help us. - He's a corrupt son of a bitch

who has it out for kids that get into trouble.

He filled Gorman House almost single-handedly.

- [WHIMPERS] - Get. Come on.

- Get down there. - [GRUNTS]

Come on out!

Y'all got nowhere to go!

[LAUGHING]

You want to let me in on the joke?

Fuck you, pig.

You're the fuckin' joke. You ain't shit.

I said come out!

Your friends got guns in there?

You ain't law.

You're just a sad old man...

cryin' over his stupid, dead little girl.

- [MAN GASPS] - [LIZZY] Oh, no!

If you go, me and Bud will be next.

[SORELLS] Holy shit, Hartman!

Jesus fuck, Hartman! You out of your mind?

You forget what these fuckin' kids did at the diner?

It's called justice, boy.

Shh.

Get off me!

Get in there.

What do you got?

We got a body.

It's not one of them.

It's been in there a while.

Let's move out.

They gotta be close.

Lizzy!

- Hey! - [INSECTS BUZZING]

Ohh. [GROANS]

- [DOGS BARKING] - [HARTMAN] Fan out!

Shit. Dogs.

[COP] She got something. Over here!

[BARKING CONTINUES]

Get a whiff here!

Oh, it's nothin'. Head over the ridge.

[COP SHOUTING]

[LIZZY GASPING]

[GRUNTING]

[GRUNTS]

[WHIMPERS]

[GULPING]

[COUGHING]

[SPITS]

[VEHICLE PASSING]

Hey! Hey!

Stop! Please stop!

[TIRES SCREECH]

Stop!

Dispatch. I got three suspects at the old bridge.

[WOMAN] Copy that. Backup is on the way.

Don't you fuckin' move!

[COP] Get back! Stay back!

No!

[GRUNTS]

[YELLS]

[YELLS]

[YELLING]

Stop! Stop it!

[SCREAMS]

- [ROARS] - [ENGINE STARTS]

Fuck! They killed Bud! Fuck!

Fuck, fuck, fuck!

Fuck! Fuck!

Fuck!

Why'd you run away? Why the fuck did you run away?

You're insane. You just killed that cop.

You got Bud killed! You got Bud fucking killed!

Fuck! Fuck!

You're just like everybody else. You fuckin' liar.

Why'd I think you'd be any different?

Fuck!

- [GUNSHOT] - [YELPS]

It's Hartman! Drive! Drive!

[GUNFIRE CONTINUES]

[LIZZY SCREAMS]

[TIRES SCREECH]

[TIRES SCREECH]

[GASPS, WHIMPERS]

[GROANING]

- [GUNFIRE CONTINUES] - [YELPS]

[TIRES SCREECH]

[STATIC ON POLICE RADIO]

[SORELLS] Hartman?

Come in, Hartman. You there?

Hartman?

- [THUNDERCLAP] - [RAIN FALLING]

[GASPS, GRUNTS]

Hartman, come in.

It's Sorells. You there?

Hartman?

Hartman, come in.

[GRUNTING, WHIMPERING]

Hello?

My name is Elizabeth White.

I was kidnapped from Gorman House and held hostage.

Elizabeth?

This is Trooper Sorells, Texas State Police.

Where you at, girl?

I don't know.

Uh...

I'm locked in the back of a police car.

Why don't you go on, tell me what you see?

An old barn.

Looks like it might collapse.

All right. Okay. You stay put, darlin', yeah?

Dispatch, I'm on it.

[SCREAMING]

[SCREAMING CONTINUES]

Get down there.

[LIZZY] Jackson?

There is no Jackson, honey.

It's Jed. Jedidiah Sawyer.

What are you doing to him?

I'm settin' things right.

You know where he started?

Killin' my little girl.

Right here.

Please let me go.

You ain't goin' nowhere.

This shit's about to get fun.

[MAN] What do you want?

- Where's Verna? - Other side of town. Carson estate.

She's not there.

Look, it's about Jed.

[OBJECTS CLATTERING]

Pig is here. Says it's about Jed.

What is it?

Hartman's got your boy.

Holed up in an old barn somewhere.

- Sound familiar? - Sound right.

Hey. What about me?

What about you?

I thought we had an arrangement.

You know? Some kind of understanding?

That we did.

[THUNDERCLAP]

- [STABBING] - [SORELLS GASPS]

[GRUNTS, GASPS]

Pig.

[SORELLS, WEAKLY] No.

No. No, no.

No. No! [GASPS]

[COUGHING]

[PIGS GRUNTING]

[SQUEALING]

[SCREAMING]

Let's go get Jed.

He's at the old barn.

- [SCREAMING CONTINUES] - You sure he's gonna remember us?

I got something that'll jog his memory.

- [SQUEALING CONTINUES] - [SCREAMING CONTINUES]

[THUNDER RUMBLING]

Don't do this.

Well, who's gonna know?

- Me. - [CHUCKLES]

[VEHICLE APPROACHES]

Hey! Hey!

Shut up, goddamn it!

Hey, Verna! We've been waitin' for ya.

No! No! Jed!

Elizabeth, meet Verna Sawyer.

Jed's aunt. Or is it mother?

Or maybe both.

You're too late, Verna.

He's dead.

And I know you Sawyers all travel in packs.

So where they at? Huh?

Y'all get in here! Now!

- [PISTOL COCKS] - Hey!

Get on the ground!

Verna, get the fuck down.

Get in!

All right, well, maybe I'll just get on a roll.

Kill every goddamn Sawyer I see...

[YELPS]

[VERNA] Jed? Jed.

Jed.

You... You all right down there?

[WHEEZING]

Jed? Come on now.

Pull him out!

Come on, we got ya! We got ya, Jed.

[WINCES]

[SHUDDERING]

[VERNA GRUNTS]

[GRUNTS]

This'll hold it all together till you're all healed up.

[WINCES]

Okay, you're gonna feel it. I'm gonna tug it real hard.

[GRUNTS, GROANS]

Almost there.

- [GASPS] - [VERNA GRUNTS]

Okay.

Oh, Jed.

[BREATHING HEAVILY]

[COUGHS, SNIFFLES]

[GRUNTS]

[GRUNTS]

[HARTMAN] Elizabeth.

[THUNDER RUMBLING]

Elizabeth.

Untie me. Please.

Please.

Why?

What were you gonna do to me?

I don't know.

[CLATTERING]

But I'm sorry.

I am.

Jesus Christ.

[LIZZY] Oh, God, let's go.

[VERNA] Nubbins, get over here.

- Make your brother something to eat. - Okay.

[VERNA] They're gone. They're gone!

[KNIFE UNSHEATHES]

[FOOTSTEPS RECEDING]

Go. Go!

[LIZZY SCREAMING]

No! No!

All right. Let's go.

[GRUNTING]

[NUBBINS GRUNTING]

You messed with the wrong family.

Yeah, you're proud of this goddamn family, huh?

Jed?

Jed.

[HARTMAN SCOFFS]

Ah, fuck.

What you gonna do? Huh?

[HARTMAN] This ain't over, boy. Goddamn it!

This ain't fuckin' over, ya hear me?

Jed? What did I tell you about outsiders?

They fill your ears with lies.

You show 'em who you are, Jed.

Look what that man did to your face. Huh?

[LIZZY] Jackson, don't do it!

- [CHAINSAW SPUTTERS, STARTS] - [SCREAMS]

You shut up over there. You're next, do you hear me?

Fuck you!

[HARTMAN SCREAMS]

No!

- [CHAINSAW REVVING] - [SCREAMS]

[SCREAMING]

[HARTMAN SCREAMS]

[HARTMAN BREATHING HEAVILY]

[CHAINSAW REVS]

[LIZZY SCREAMING]

[YELLING]

[YELLING CONTINUES]

[CHAINSAW IDLING]

[LIZZY WHIMPERING]

[GRUNTS]

[PANTING]

Goddamn it. Go, go, go, go! Get her, now! Go get her!

[NUBBINS] Whoo-hoo!

Jed, remember what I told you? Go. Go get her.

Get her, Jed.

[CHAINSAW REVS]

Nobody messes with our family.

[PANTING]

[CHAINSAW REVS IN DISTANCE]

[CHAINSAW REVVING]

[CHAINSAW REVVING]

[CHAINSAW TURNS OFF]

[GRUNTS] Huh?

[TWIG SNAPS]

[GRUNTING]

[NUBBINS CACKLING]

[WHIMPERING]

- [CHAINSAW STARTS] - [LIZZY SCREAMS]

No!

- [CHAINSAW REVVING] - [SCREAMING]

- [SNAPS] - [SCREAMS]

[WHIMPERING, GROANING]

[CHAINSAW REVVING]

Jackson, don't do this!

Please, don't do this.

I tried to help you.

That's all I ever tried to do.

You know that, right?

Listen to me. It's not too late.

We can still get out of here together.

[VERNA] That bitch is a liar, Jed.

She doesn't care about you.

Kill her. Kill her now.

[LIZZY] Please don't listen to her.

Please.

I know there's good in you.

I've seen it.

Please listen to me.

This isn't you, Jackson.

This isn't you.

It's your crazy mother! It's your crazy...

[ROARS]

[VERNA] That's my boy.

You done good, Jed.

You made Mama proud.

[JED YELLS]

[GRUNTING]

[CHUCKLING]

[HUMMING MELODY]

[FEMALE SINGER] # It's over #

# It's over #

# It's over now #

# It's over #

# That's all there is #

# No more lonely tears #

# That's how it is #

# For now it is #

# Over #

# Ever time you broke my heart #

# I tried to make you see #

# You were driving us apart #

# But you only laughed at me #

# It's over #

# The tables turned #

# And all of the bridges burned #

# That's how it is #

# For now it is #

# Over #

[CHORUS VOCALIZING]

[FEMALE SINGER] # Don't try to lie again #

# And promise to be true #

# Maybe I will cry again #

# But never over you #

# Nothing you say or do #

# Could bring back my love for you #

# That's how it is #

# For now it is #

# Over #

[CHAINSAW REVVING]

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