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The concept of Magician Impossible came
from my want and, I suppose, need to try
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and push magic forward.
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You know, I've been performing magic
since I was, like, 11 years old.
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But the way that magic was presented
when I was younger, you know, watching
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people, you know, getting inspired by
them, was a little bit too old
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If I was to go out there and start
performing the way I'd watched other
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performers perform, then I'd probably be
ridiculed, especially by the friends in
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the area I grew up in.
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So I wanted to make it relevant for a
start, you know, for people my own age.
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It had to be visual so that even without
words, you know, you could understand
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what was happening.
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You know, it needed to be, I suppose,
magic that you'd never seen before.
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Oh, my God!
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Oh, my God! Oh, my God!
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There's a lot of things in the show
which I think people would have laughed
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me. When I first said the concept to
him, like, you know, people never
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that I'd be able to walk across the
River Thames.
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I've been talking about that for the
last six years.
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And, you know, 2011 was the year that
we, you know, did The Impossible.
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I think the biggest difference between
Magician Impossible and any other magic
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show that's been out there is, first
off, we've shown a story.
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In what I do, you know, most of the time
you watch a magic show and there's some
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amazing shows out there. I'm not taking
anything away from them.
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But I don't feel you really get a sense
of who the person is. You know, people
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want to follow someone or want to, you
know, watch somebody who they can relate
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to. It doesn't matter if I'm performing
for a celebrity or I'm performing for a
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guy in the street or a little kid.
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It's all about bringing people together.
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How you doing? Good, how are you?
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I'm pretty good.
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I want to try something.
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Cool. Just think of a playing card.
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00:02:01,580 --> 00:02:02,960
Yeah. You got one?
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Don't make it an easy one.
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Cool, yeah.
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Think I know what it is.
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I've got a pack of cards.
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I'm going to make a prediction. I'm
going to turn around, turn one card
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Yeah.
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Hopefully it'll be your card.
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Okay. Just look at me again.
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Yeah.
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I've made my prediction.
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I can't change my mind now.
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The card I turned over is right there.
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Name the card out loud. Three of hearts.
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Dude,
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that's crazy, bro.
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I'm from Bradford, a small town.
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You know, quite a humble beginning for,
I guess you'd say.
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And I managed to go from council estate
to royal estate.
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And if I can do it... then literally
anyone can.
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Getting Bradford in the show, for me, is
very important.
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You know, I grew up there, and I'm
extremely proud of my roots.
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There's so many people I know, you know,
some celebrities, some people who just
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live in Bradford, who, when they get
asked, where are you from, they say
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You know, and I just think it's... You
know, if you can't be proud of where
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you're from, then there's definitely
something wrong, do you know what I
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If I didn't put Bradford in there, I
would be doing...
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You know, a disservice to all the people
in Bradford who kind of supported me
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along the way before I managed to come
to London, before I got to any of these
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parties, you know, before I got out of
the estate, because without them I
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wouldn't be who I am today.
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He used to go for different things. They
were judo and all this sort of thing,
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but magic, he stuck to magic.
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Played piano, we spent pounds and pounds
for lessons for him.
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00:04:14,880 --> 00:04:18,279
And then he said he wanted to go on
organ, so that...
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00:04:18,620 --> 00:04:22,820
And then we said, look, make your mind
up, what do you want to do? So he said,
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want to go into magic.
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So I said, well... I said, right, magic.
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And I'll take you tomorrow.
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You could have told us before we spent
all that money.
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I kind of forget that he's famous,
really. You know, people say, oh, I bet
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you're right proud of him, aren't you?
And I'm like, I am proud of him, but
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still my little kid, even though he's,
you know, 29 years old nearly.
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He's still my little kid.
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That's just how I see him, really. My
name's Johnny Farley.
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I'm a good friend of Magic Steve's, or
Stephen, Magic Steve.
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00:04:54,740 --> 00:04:57,220
Now, let me start again. I don't know
what to call him.
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00:04:57,440 --> 00:05:00,980
I remember one time, the first time we
went to London, we went to Chili Wipes,
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and we got to London on £70 with us
both, and we had to get a hotel room for
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night, and I remember we was in there.
We got in there for free because we had
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the gig in there, and we had, like, £5
between us and we were proper skin.
84
00:05:14,680 --> 00:05:17,220
And we were just sat there, no one was
coming over, no one was paying any
85
00:05:17,220 --> 00:05:20,920
attention. And Dynamo just said, can you
just look after my bag, look after my
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00:05:20,920 --> 00:05:21,960
stuff, I'll be back in half an hour.
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He went off, I was waiting there for an
hour, and he came back with about £400
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in a pint glass.
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It was amazing.
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So that's the sort of stuff he does.
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He hadn't changed him at all, not
really.
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He wears nice clothes, he's got a nice
walk, he's got fancy care.
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Yeah, he brushes his teeth, Mark, has
he?
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00:05:42,440 --> 00:05:45,960
The response I get, you know, when I go
back to Bradford now is amazing. In
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00:05:45,960 --> 00:05:48,680
fact, for years, before the show came
out, you know, Bradford's always on my
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00:05:48,680 --> 00:05:53,420
back, but now, you know, I feel like
I've got the whole city looking after
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And, you know, all I can say is there's
no place like home.
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00:06:02,400 --> 00:06:06,180
I wanted to take my magic all over the
world, which, fortunately, I get to do
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00:06:06,180 --> 00:06:09,380
that anyway because I get booked, you
know, to go out to Abu Dhabi and
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00:06:09,620 --> 00:06:10,620
you know.
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00:06:10,840 --> 00:06:13,720
performance parties in London, you know,
performance events in the States.
102
00:06:14,320 --> 00:06:17,680
I really wanted to kind of show that
images are impossible.
103
00:06:18,120 --> 00:06:23,580
In episode two, we got invited on a road
trip to Austria, which sounded like a
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really good idea at the time.
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00:06:25,000 --> 00:06:27,420
Okay, friends, get in your car, drivers.
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Start your engines.
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00:06:29,380 --> 00:06:31,620
Let's get this show on the road.
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00:06:32,960 --> 00:06:36,900
The whole thing about snowboarding is
you take a big road trip from London to
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Austria. There's 120 cards, you know,
the likes of Professor Green, Example,
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IQ, Mr.
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00:06:43,800 --> 00:06:46,460
Motivator. How you doing, man? I'm
pretty good, guys. I'm a big fan.
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You've got good taste, guys. There's a
legend right here, yeah? Mr. Motivator
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used to wake me up in the morning not
like that.
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00:06:53,920 --> 00:06:55,720
I wear like eight stones, yeah?
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00:06:55,980 --> 00:06:56,980
It's not a lot.
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00:06:57,140 --> 00:06:59,540
This ceiling's quite low, but it's
taking the top off and everything.
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00:07:01,400 --> 00:07:02,500
Okay, guy, I'm ready for you.
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00:07:02,980 --> 00:07:06,820
Just give me your hand, and I just want
you to just lift me up. I don't weigh
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that much, so just lift me up. What's
the move for?
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00:07:09,460 --> 00:07:13,320
You can lift me, right? Do it again so
we can see the feet off the ground.
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00:07:15,520 --> 00:07:16,459
All right.
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Now look at me.
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Just lift me again.
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Ah, good trick.
125
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Very good.
126
00:07:31,140 --> 00:07:32,820
Let me try something.
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Money. Money, yeah. Money.
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Money.
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Money.
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00:07:45,140 --> 00:07:48,820
So, choose one, five or ten.
131
00:07:49,120 --> 00:07:50,960
I'm going to go for the five. All right,
take it.
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Fold it in half.
133
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Yeah, just like that.
134
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And then again.
135
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And fold like this.
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So we've got the five and the ten.
137
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Yeah?
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Hold out this hand.
139
00:08:07,030 --> 00:08:08,450
And just hold your hand over them, yeah?
140
00:08:09,310 --> 00:08:10,310
Turn your hand over.
141
00:08:11,510 --> 00:08:14,150
I'm going to reach in and pull one out.
So loosen your grip a little bit.
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00:08:14,370 --> 00:08:15,490
I'll just reach in here.
143
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So if I take... It's pretty tight. So
I'll take the five, yeah?
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00:08:21,090 --> 00:08:23,170
I've got the five, you've got the ten.
Hold it tight, yeah?
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Watch. One, two, three.
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Now I've got the ten.
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Take a look.
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Very good.
149
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Can you make it until fifth?
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00:08:45,060 --> 00:08:49,060
I let my friend Jalera drive for a
little bit because, you know, it's like,
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you're talking like, you know, it's a
good 24 -hour drive.
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And then I woke up, sirens flashing
around the car. I slept with my hood
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00:09:01,040 --> 00:09:03,960
face and I looked up and I'm like, wow,
we're literally surrounded by cops.
154
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I'm like, what's going on here?
155
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The front of the car is on the floor, on
the road.
156
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I wasn't sure if I was dreaming or a
nightmare because I got a call saying,
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well, we don't know what we're going to
do, we might have to go back home
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because we've just blown the budget for
the first part of the show.
159
00:09:26,040 --> 00:09:29,140
But as they say in entourage, we worked
it out.
160
00:09:31,420 --> 00:09:37,580
When I first got to Mayhofen in Austria,
it wasn't what I expected at all.
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Literally, the streets were filled with
people in costumes, people with
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foghorns. It was stupidly loud.
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The thing I love about travelling and
performing...
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in new places is that there's always new
things in the places to potentially do
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magic with up on the austrian mountains
you know i got the chance to work with
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00:10:02,580 --> 00:10:07,920
snow when i made the guys ring disappear
and appear in a snowball it you know it
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was just it just came to me and and it
worked oh
168
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my god that's impressive the problem is
when you start building getting
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people to build snowball
170
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It's only going to lead to one thing.
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Crazy snowball fights.
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And there was a point where we had to
literally, we couldn't film anymore
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because we were getting pelted by
snowballs.
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00:10:33,030 --> 00:10:38,550
I think, like, one of the actual sound
box that the sound guy had on his
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shoulder got hit by a snowball and it
just obliterated.
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00:10:42,510 --> 00:10:48,650
So when we were deciding which places to
go and film, I had to say Miami.
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There's a beat.
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There's beautiful women in bikinis.
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It seems like the perfect place to make
magic.
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Can I say that?
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00:11:01,960 --> 00:11:08,700
When you've also got, you know, the kind
of, the smaller side areas
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like Little Haiti and Little Havana, you
know, but kind of really show a
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00:11:13,740 --> 00:11:17,100
different culture out there, you know,
and...
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00:11:17,949 --> 00:11:21,770
With that, you know, you get so many
different types of people. So it's
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00:11:21,770 --> 00:11:24,750
literally, you know, every bit of Miami
is different.
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00:11:30,650 --> 00:11:35,530
It doesn't matter if I'm performing on a
campus day in Bradford or I'm
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00:11:35,530 --> 00:11:36,910
performing on the streets of Miami.
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00:11:37,710 --> 00:11:42,470
The way it brings people together, it
kind of shows you that it's totally
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universal. It's the one art form.
190
00:11:46,240 --> 00:11:48,140
that really can bring people together.
191
00:11:48,400 --> 00:11:52,280
So, what up? It's Dynamo, and we're on
top of the Beacon Hotel here in
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00:11:52,280 --> 00:11:54,520
Miami. I've been joined by the man,
Reggie.
193
00:11:54,860 --> 00:11:55,759
What up?
194
00:11:55,760 --> 00:11:57,980
You brought your peoples down as well,
right? Yeah, you know, I got some
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00:11:57,980 --> 00:12:01,620
sexiness with me. You know, we wanted to
just see if it was really real. We
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00:12:01,620 --> 00:12:04,100
wanted to see what everybody was talking
about. Everybody keeps talking about
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00:12:04,100 --> 00:12:07,140
Dynamo. Everybody keeps talking about
the magic. Everybody keeps saying, oh,
198
00:12:07,240 --> 00:12:08,340
shit, it's just out of control.
199
00:12:08,580 --> 00:12:10,840
So we want to witness it live in person.
200
00:12:11,280 --> 00:12:12,920
We're going to do it right now, you know
what I mean?
201
00:12:13,310 --> 00:12:17,430
whether you're famous, whether you're
just a kid in the street, whether, you
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00:12:17,430 --> 00:12:23,850
know, you're watching it on TV or up
close and personal, everyone
203
00:12:23,850 --> 00:12:25,330
tends to have the same reaction.
204
00:12:26,670 --> 00:12:27,670
Whoa!
205
00:12:31,490 --> 00:12:32,490
Shit!
206
00:12:34,870 --> 00:12:35,870
Ah!
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00:12:38,570 --> 00:12:39,630
First hand and a fist.
208
00:12:40,630 --> 00:12:41,630
From here.
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00:12:43,020 --> 00:12:44,020
Watch.
210
00:12:44,840 --> 00:12:45,840
Open your hand.
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00:12:46,020 --> 00:12:47,020
Turn your hand over.
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00:12:47,500 --> 00:12:48,500
Turn your hand over.
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00:12:49,260 --> 00:12:50,340
Look underneath your watch.
214
00:12:54,020 --> 00:13:00,720
There are so many parties and
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00:13:00,720 --> 00:13:02,080
good places to go and film.
216
00:13:02,420 --> 00:13:04,320
You know, the beach is always full of
people.
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00:13:04,960 --> 00:13:07,800
Like, it's kind of a women's situation
when you're out there.
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00:13:22,520 --> 00:13:23,520
Let me try this.
219
00:13:24,460 --> 00:13:25,900
These cards are all different, right?
220
00:13:26,440 --> 00:13:27,440
Yeah?
221
00:13:28,240 --> 00:13:29,240
Happy with that?
222
00:13:32,360 --> 00:13:33,360
Two of clubs?
223
00:13:33,780 --> 00:13:37,420
Hold your hand out, please.
224
00:13:38,120 --> 00:13:40,400
I'll take the two of clubs, I'll place
it there, just put your hand on top so
225
00:13:40,400 --> 00:13:41,319
doesn't blow away.
226
00:13:41,320 --> 00:13:42,660
Yeah? Put your hand on top as well.
227
00:13:43,060 --> 00:13:44,060
Put your hand on the bottom.
228
00:13:45,270 --> 00:13:47,110
There's no way I can get back to the
clubs now, is there?
229
00:13:48,270 --> 00:13:50,470
I'll take the next card, the three of
diamonds.
230
00:13:50,690 --> 00:13:52,190
So three of diamonds, two of clubs.
231
00:13:52,590 --> 00:13:53,590
Everybody see that?
232
00:13:53,610 --> 00:13:54,610
Yeah?
233
00:13:57,450 --> 00:14:00,150
On three, watch. One, two, three.
234
00:14:01,410 --> 00:14:02,790
Now I've got the two of clubs.
235
00:14:03,630 --> 00:14:04,630
Take a look.
236
00:14:05,870 --> 00:14:06,870
Me!
237
00:14:10,420 --> 00:14:13,340
Usually, you know, I'll be on the street
and I'll borrow someone's watch or
238
00:14:13,340 --> 00:14:16,800
their phone, you know, or I'll try to
use magic, you know, using something
239
00:14:16,800 --> 00:14:17,800
they've got on them.
240
00:14:18,580 --> 00:14:19,580
Wow!
241
00:14:19,900 --> 00:14:22,220
But on the beach, if they're just
wearing a bikini, they don't really have
242
00:14:22,220 --> 00:14:23,560
purse, so there's no money.
243
00:14:24,120 --> 00:14:26,340
They don't really have their phone
because they don't want it to get wet or
244
00:14:26,340 --> 00:14:27,340
covered in sand.
245
00:14:27,360 --> 00:14:31,300
Like, I think one of my favourite things
was, you know, I noticed a girl, she
246
00:14:31,300 --> 00:14:36,440
had a tan line from where her watch had
been, and it just seemed like the
247
00:14:36,440 --> 00:14:39,930
perfect... Thing to use, you know, I've
moved the ghost to line up her ass.
248
00:14:41,270 --> 00:14:42,270
Take the hat.
249
00:14:42,330 --> 00:14:47,070
What is he doing? I don't have one head
on her.
250
00:15:10,510 --> 00:15:11,930
Hollywood. I mean, what can I say?
251
00:15:12,190 --> 00:15:14,450
It's the place where the stars are born.
252
00:15:15,230 --> 00:15:16,450
We had to go and go there.
253
00:15:21,070 --> 00:15:26,050
I think being out there, you really do
get a sense of the Hollywood lifestyle.
254
00:15:31,150 --> 00:15:37,630
If you think of a celebrity, if you
think of a
255
00:15:37,630 --> 00:15:40,180
superstar... You instantly think of
Hollywood.
256
00:15:40,380 --> 00:15:41,700
It's a very crazy place.
257
00:15:42,800 --> 00:15:46,380
You know, there's so many eccentric
buildings, like we were in Chateau
258
00:15:46,380 --> 00:15:47,560
with Natalie and Julia.
259
00:15:47,960 --> 00:15:48,960
How are you?
260
00:15:49,240 --> 00:15:50,240
I'm very well.
261
00:15:50,620 --> 00:15:52,480
It's been a while. It has, yeah.
262
00:15:52,860 --> 00:15:57,800
The room we were actually filmed in is
covered in fake butterflies, all over
263
00:15:57,800 --> 00:15:59,140
walls, all over the ceilings.
264
00:15:59,400 --> 00:16:01,320
Do you think they'd notice if I took one
of these?
265
00:16:01,980 --> 00:16:03,420
You want to take a butterfly?
266
00:16:04,120 --> 00:16:05,120
Yeah.
267
00:16:07,180 --> 00:16:08,180
I don't know.
268
00:16:08,670 --> 00:16:12,710
Natalie's written a song called
Butterflies, so I knew that she kind of
269
00:16:12,710 --> 00:16:13,669
them.
270
00:16:13,670 --> 00:16:16,190
So I thought it'd be cool, you know, to
take one of the butterflies from the
271
00:16:16,190 --> 00:16:17,830
wall and bring it to life.
272
00:16:18,810 --> 00:16:19,810
Hello!
273
00:16:21,450 --> 00:16:22,450
Hello!
274
00:16:25,790 --> 00:16:28,010
Oh, my God!
275
00:16:31,670 --> 00:16:35,770
Thankfully, you know, she thought it was
the most beautiful piece of magic she's
276
00:16:35,770 --> 00:16:36,729
ever seen.
277
00:16:36,730 --> 00:16:38,470
That was beautiful. That was amazing.
278
00:16:43,710 --> 00:16:48,290
I've always been a big fan of boxing as
a sport. It's the one sport that I think
279
00:16:48,290 --> 00:16:51,250
I do go out of my way to make sure I get
to watch the fight.
280
00:16:52,950 --> 00:16:59,850
I met David Hay in a club a few years
ago and we just got on and we had a
281
00:16:59,890 --> 00:17:00,890
you know.
282
00:17:09,280 --> 00:17:13,359
Disgusting. From when, you know, David
used to invite me down to fight,
283
00:17:13,359 --> 00:17:16,300
tickets, you know, which was very nice
of him, and it was pretty awesome
284
00:17:16,300 --> 00:17:17,819
to see him going after his dreams.
285
00:17:18,260 --> 00:17:21,099
He's, like, one of the strongest people
I've ever met.
286
00:17:22,020 --> 00:17:26,500
And I had a few ideas, you know, kind of
strength -related magic that I wanted
287
00:17:26,500 --> 00:17:27,339
to try out on him.
288
00:17:27,339 --> 00:17:28,339
Just lift me again.
289
00:17:33,440 --> 00:17:36,340
Quite right, so I should be able to toss
him over a wall.
290
00:17:37,550 --> 00:17:38,550
I like that.
291
00:17:39,450 --> 00:17:40,450
Strange.
292
00:17:40,830 --> 00:17:47,450
I met Ian Brown at Adida in the
headquarters about a good five years ago
293
00:17:47,910 --> 00:17:52,750
Over the years, Ian's kind of almost
become an uncle to me.
294
00:17:53,050 --> 00:17:59,590
You know, whenever he'd give me advice,
you know, he could tell that he's lived
295
00:17:59,590 --> 00:18:01,410
through a lot of these things and he
doesn't take no shit.
296
00:18:01,810 --> 00:18:05,490
When we got invited down to his studio
to film for the show, I kind of had to
297
00:18:05,490 --> 00:18:08,270
use what was around me, and, you know,
he had, obviously, his junket in there,
298
00:18:08,430 --> 00:18:09,430
you know, his guitars.
299
00:18:20,610 --> 00:18:23,770
He's got so many fans all across the
world, you know, who would love to
300
00:18:23,930 --> 00:18:25,350
you know, ten minutes with him.
301
00:18:25,730 --> 00:18:30,530
So I wanted to do something that the
fans would actually get to sneak peek
302
00:18:30,530 --> 00:18:33,970
the mind of the man, the myth, the
legend, that is Ian Brown.
303
00:18:34,959 --> 00:18:40,920
Just because I'm in love with the people
304
00:18:40,920 --> 00:18:44,800
doesn't make me a fool.
305
00:18:45,340 --> 00:18:46,340
Are you doing that?
306
00:18:48,060 --> 00:18:51,580
So when we was making Magician
Impossible, we filmed with so many
307
00:18:51,580 --> 00:18:54,600
people. And personally, I wanted to put
all of it into the show.
308
00:18:55,080 --> 00:18:56,940
But we had to save some of it for the
DVD.
309
00:18:57,840 --> 00:19:02,420
So here's some unseen footage of what
happened when I met Alexis Jordan and
310
00:19:02,420 --> 00:19:03,420
sister.
311
00:19:03,669 --> 00:19:07,990
I'm here with the lovely Alexis Jordan
and her sister Taylor.
312
00:19:08,430 --> 00:19:10,370
Two amazing singers right now.
313
00:19:10,970 --> 00:19:12,130
There's a lot of talent in the room.
314
00:19:12,430 --> 00:19:13,129
Wow, yeah.
315
00:19:13,130 --> 00:19:14,410
I heard that you have more talent.
316
00:19:14,650 --> 00:19:17,910
Like you have crazy, weird, awesome
talent.
317
00:19:18,570 --> 00:19:22,930
I suppose I've got to try and live up to
my name. Yeah. Okay, let's see it.
318
00:19:23,150 --> 00:19:24,230
You want to see it straight away?
319
00:19:24,430 --> 00:19:25,430
Yeah, I want to see.
320
00:19:30,450 --> 00:19:31,890
Two of diamonds, yeah? Okay.
321
00:19:36,650 --> 00:19:38,850
Just write your name on there. My name?
Yeah.
322
00:19:39,770 --> 00:19:41,410
Any way I want to? Any way you want to,
yeah.
323
00:19:41,710 --> 00:19:42,710
Okay.
324
00:19:48,830 --> 00:19:50,250
All right, there you go. Cool.
325
00:19:50,470 --> 00:19:51,550
Do you want to write yours as well?
326
00:19:51,810 --> 00:19:52,810
Okay. Okay.
327
00:20:02,830 --> 00:20:04,030
Perfect. See that?
328
00:20:04,630 --> 00:20:05,770
Mm -hmm. Mm -hmm.
329
00:20:10,580 --> 00:20:12,500
Alexis and Taylor Jordan on one card.
330
00:20:12,820 --> 00:20:13,820
Yeah.
331
00:20:14,880 --> 00:20:15,880
Hold your hand out.
332
00:20:16,360 --> 00:20:17,360
Put your hand on top.
333
00:20:18,460 --> 00:20:19,460
Put it right in the middle.
334
00:20:19,640 --> 00:20:21,700
There's no way I can get to that card
now, is there? No.
335
00:20:24,000 --> 00:20:26,740
I'm going to take the next card.
336
00:20:27,140 --> 00:20:28,140
Yeah, Jack of spades.
337
00:20:30,600 --> 00:20:32,180
Alright, dynamo on this one.
338
00:20:32,700 --> 00:20:33,700
Okay.
339
00:20:39,150 --> 00:20:40,150
It's got dynamo.
340
00:20:46,110 --> 00:20:47,110
Watch.
341
00:20:47,490 --> 00:20:48,650
I just spin it.
342
00:20:49,790 --> 00:20:51,530
Boom. Did you feel anything?
343
00:20:51,890 --> 00:20:52,890
No.
344
00:20:54,770 --> 00:20:56,030
Oh, my God.
345
00:20:56,730 --> 00:20:57,730
Turn that over.
346
00:20:57,990 --> 00:20:59,410
Oh, my God.
347
00:21:00,850 --> 00:21:02,890
How did you do that?
348
00:21:04,550 --> 00:21:06,610
Oh, my God, I'm freaking out.
349
00:21:06,830 --> 00:21:07,930
I can't even tell Mom.
350
00:21:08,750 --> 00:21:10,150
I don't know how you do it. I don't know
how you do it either.
351
00:21:14,330 --> 00:21:15,330
Place it with your mind.
352
00:21:18,010 --> 00:21:19,650
You two are sisters, right? Yes.
353
00:21:20,290 --> 00:21:21,290
Who's the oldest?
354
00:21:21,390 --> 00:21:22,390
I'm the oldest.
355
00:21:23,350 --> 00:21:26,090
You're 17 and you're 19, yeah?
356
00:21:26,450 --> 00:21:30,130
So you've kind of done a lot of things
together, yeah? Yeah, almost everything.
357
00:21:30,370 --> 00:21:31,370
Did you go to the same school?
358
00:21:31,730 --> 00:21:33,230
Well, not that much, yeah.
359
00:21:33,510 --> 00:21:34,510
Yeah, we did.
360
00:21:34,610 --> 00:21:37,090
So, you know, being sisters, you've
probably got a really good connection,
361
00:21:37,270 --> 00:21:38,270
right?
362
00:21:38,760 --> 00:21:40,340
I want to just put that to the test.
363
00:21:40,920 --> 00:21:41,920
Okay. Yeah?
364
00:21:44,020 --> 00:21:45,720
Okay. Just stand up.
365
00:21:46,060 --> 00:21:47,060
Okay.
366
00:21:47,080 --> 00:21:48,080
All right.
367
00:21:48,540 --> 00:21:51,460
I'm going to stand in between you. If
you stand here, you stand right here.
368
00:21:51,880 --> 00:21:52,880
Yeah?
369
00:21:52,920 --> 00:21:56,360
What I'm going to do, I'm going to close
my hands, yeah? Okay. I want you to
370
00:21:56,360 --> 00:21:57,360
look at my hand, yeah?
371
00:21:57,540 --> 00:22:01,840
When I close it into a fist, I want you
to close your eyes, but I want you to be
372
00:22:01,840 --> 00:22:05,880
aware of, you know, any sensations
around you, so if you get any taps or
373
00:22:05,880 --> 00:22:06,880
touches, yeah?
374
00:22:06,980 --> 00:22:10,920
Okay. Cool. But don't say anything or
don't open your eyes until I ask you. Mm
375
00:22:10,920 --> 00:22:11,920
-hmm. Right?
376
00:22:12,280 --> 00:22:19,240
If you
377
00:22:19,240 --> 00:22:20,760
felt me tap you, just nod your head.
378
00:22:22,160 --> 00:22:24,480
Oh, my God! Am I holding my eyes up?
379
00:22:24,760 --> 00:22:26,380
That's right. How many times did you
feel it?
380
00:22:26,800 --> 00:22:29,060
Um, maybe like twice.
381
00:22:29,380 --> 00:22:30,380
And whereabouts?
382
00:22:30,920 --> 00:22:31,819
Right here.
383
00:22:31,820 --> 00:22:34,600
Can you tell her what happened? You just
poked me.
384
00:22:35,060 --> 00:22:36,060
Like twice.
385
00:22:37,710 --> 00:22:38,629
I'm about to cry.
386
00:22:38,630 --> 00:22:39,630
It's weird.
387
00:22:39,950 --> 00:22:41,370
I never actually touched you.
388
00:22:42,370 --> 00:22:47,090
What? He never touched you. He touched
me.
389
00:22:47,470 --> 00:22:48,470
I'm scared.
390
00:22:50,050 --> 00:22:51,170
That was awesome.
391
00:22:51,590 --> 00:22:53,910
Look, he brought tears to my eyes. Look
at this.
392
00:22:54,330 --> 00:22:55,850
That was so crazy.
393
00:22:58,110 --> 00:22:59,410
He didn't even touch her.
394
00:23:00,270 --> 00:23:02,270
He didn't even touch her. He touched me.
395
00:23:02,510 --> 00:23:04,890
He was nowhere near her. He was, like,
near me.
396
00:23:05,730 --> 00:23:06,730
Oh, my gosh.
397
00:23:07,390 --> 00:23:09,610
That freaks me out. Something touched
me.
398
00:23:10,290 --> 00:23:11,570
Something touched me.
399
00:23:13,030 --> 00:23:14,030
I'm scared.
400
00:23:15,290 --> 00:23:17,670
It was nice meeting you. It was so cool.
401
00:23:18,170 --> 00:23:21,270
Next time you're in England, we'll hang
out and see more magic.
402
00:23:21,470 --> 00:23:22,249
Bye, guys.
403
00:23:22,250 --> 00:23:24,050
Bye. Just do me a favor.
404
00:23:24,450 --> 00:23:25,450
Name a card.
405
00:23:26,030 --> 00:23:27,110
Name a card, really quick.
406
00:23:27,350 --> 00:23:27,969
Name a card?
407
00:23:27,970 --> 00:23:30,370
Yeah. Not the three clubs you had that
before. Okay, name a card.
408
00:23:32,070 --> 00:23:33,070
Ace of spades.
409
00:23:33,190 --> 00:23:34,750
Are you sure? Yeah. Yeah?
410
00:23:35,020 --> 00:23:36,540
Do you want to change your mind? No, I'm
good.
411
00:23:36,780 --> 00:23:38,440
You can if you want to. No, eight of
threes.
412
00:23:38,900 --> 00:23:39,900
Yeah? Yeah.
413
00:23:44,040 --> 00:23:46,880
You could have named any card. Yeah.
414
00:23:50,560 --> 00:23:53,440
One card upside down. Oh, my gosh. Turn
that over.
415
00:23:53,960 --> 00:23:54,960
No.
416
00:24:06,650 --> 00:24:11,110
Making Magician Impossible, you know, I
kind of looked at, you know, people like
417
00:24:11,110 --> 00:24:15,510
David Copperfield, you know, David
Blaine, you know, some of the greats of
418
00:24:15,510 --> 00:24:18,590
magic, you know, and looked at things
that they remembered for.
419
00:24:18,930 --> 00:24:21,710
Me and my friends always used to have
problems getting into places.
420
00:24:22,350 --> 00:24:26,370
You know, I look young for a start, and
we were formed out of an estate which
421
00:24:26,370 --> 00:24:27,370
had a bit of a bad reputation.
422
00:24:27,890 --> 00:24:30,510
You know, we'd never get in at the
parties, you know.
423
00:24:30,830 --> 00:24:34,270
One of the good things about magic, it
actually opened up a lot of doors for
424
00:24:34,680 --> 00:24:37,860
Now when I go to places, the hardest
part isn't getting in, it's actually
425
00:24:37,860 --> 00:24:40,480
getting out, it's actually leaving,
because once I start performing, people
426
00:24:40,480 --> 00:24:41,480
never want me to leave.
427
00:24:41,580 --> 00:24:45,900
And when we were performing down at
Rio's party, it actually became a
428
00:24:46,340 --> 00:24:49,640
So I figured the only way I'm going to
get out of here is if I somehow
429
00:24:49,640 --> 00:24:52,140
incorporate it into my performance.
430
00:24:52,680 --> 00:24:53,960
You guys can see me, right?
431
00:24:54,740 --> 00:24:55,740
Yeah?
432
00:24:56,100 --> 00:24:57,140
You can all see me, yeah?
433
00:24:58,540 --> 00:24:59,540
Right, what's this?
434
00:25:30,609 --> 00:25:33,370
For me, the best part about magic is
yelling the surprise.
435
00:25:34,150 --> 00:25:36,710
When I was in Miami, we were at the roof
party.
436
00:25:37,200 --> 00:25:39,960
I met these two guys and a few girls,
you know, they were the life of the
437
00:25:39,960 --> 00:25:40,960
and they were awesome.
438
00:25:41,120 --> 00:25:43,100
And I was just throwing some cool stuff
to them.
439
00:25:43,860 --> 00:25:46,920
And, you know, after a while they
started to like, you know, they were
440
00:25:46,920 --> 00:25:49,500
it, but they were kind of, you know, you
could tell that they weren't a surprise
441
00:25:49,500 --> 00:25:50,500
anymore.
442
00:25:50,980 --> 00:25:52,500
I wanted to hit them with one last
thing.
443
00:25:53,860 --> 00:25:57,000
So we had this foghorn because it was
the night of one of the basketball
444
00:25:57,000 --> 00:25:58,000
matches.
445
00:25:58,040 --> 00:26:01,820
And I decided to try and do something a
little bit different, you know, and use
446
00:26:01,820 --> 00:26:03,180
something using sound.
447
00:26:35,899 --> 00:26:41,580
I got invited on Scott Miller's radio
show, and I've been invited on quite a
448
00:26:41,580 --> 00:26:43,440
radio shows, you know, over the last few
years.
449
00:26:44,120 --> 00:26:47,320
And it's always quite difficult because,
you know, how do you do magic on the
450
00:26:47,320 --> 00:26:53,140
radio? I'm not really a mind reader,
but, you know, I do use certain
451
00:26:53,400 --> 00:26:58,820
Would you agree that it would be
impossible for somebody to know before
452
00:26:59,630 --> 00:27:01,530
But you would read that story out on
air.
453
00:27:01,730 --> 00:27:04,190
I have been quite good over the years of
making predictions.
454
00:27:05,330 --> 00:27:10,850
I can often tell what card someone's
going to choose before they even choose
455
00:27:11,590 --> 00:27:15,570
And I can tell what change people have
in their pockets just by them jingling
456
00:27:15,570 --> 00:27:20,830
it. I decided to try something with
Scott, which, you know, it was quite
457
00:27:20,970 --> 00:27:27,910
but I think it's one of the coolest
predictions I've ever made. How did
458
00:27:27,910 --> 00:27:28,910
that happen?
459
00:27:31,209 --> 00:27:32,410
How did that happen?
460
00:27:32,690 --> 00:27:35,770
Oh my God, he's drawn the man and
everything. He's actually drawn the man.
461
00:27:37,230 --> 00:27:40,330
He's got a red top and a picture and
he's drawn it in a red... Yeah.
462
00:27:41,970 --> 00:27:46,630
Walking on water has been a myth,
something that people talked about in
463
00:27:46,630 --> 00:27:47,630
for years.
464
00:27:47,750 --> 00:27:53,210
I need to do something to leave my
legacy, you know, to put my stamp on the
465
00:27:53,210 --> 00:27:54,590
and on the world of magic.
466
00:27:55,630 --> 00:28:00,780
I wanted to walk on water, but there's
only one place, but was really going to
467
00:28:00,780 --> 00:28:01,880
put me on the map.
468
00:28:02,720 --> 00:28:04,420
And it had to be the River Thames.
469
00:28:04,740 --> 00:28:07,400
You know, it's one of the most famous
rivers in the world.
470
00:28:08,300 --> 00:28:09,900
It's also one of the most dangerous.
471
00:28:10,740 --> 00:28:15,460
You know, if you get taken under the
water by the current, it can kill you.
472
00:28:25,840 --> 00:28:27,300
The man walking on water.
473
00:28:28,650 --> 00:28:32,490
I never really thought I'd be able to
achieve it.
474
00:28:33,010 --> 00:28:39,590
But in 2011, whilst running for Magician
Impossible, I managed to achieve
475
00:28:39,590 --> 00:28:42,010
possibly the most amazing thing I've
ever done in my life.
476
00:28:53,810 --> 00:28:56,030
So we've come to the end of the DVD
Extra.
477
00:28:56,560 --> 00:28:59,820
I want to say a big thank you for
everyone who's got the DVD, everyone who
478
00:28:59,820 --> 00:29:04,060
watched the show when it was on TV, all
of the Facebook fans and the Twitter
479
00:29:04,060 --> 00:29:08,320
followers and YouTube people who watch
all the videos, subscribers, and
480
00:29:08,320 --> 00:29:11,540
literally anybody else who has supported
me along the way.
481
00:29:11,780 --> 00:29:17,480
I couldn't be where I am without your
help. And to be honest, without you, the
482
00:29:17,480 --> 00:29:21,560
viewer, the spectator, the people I meet
in the street, without you guys, there
483
00:29:21,560 --> 00:29:22,560
really is no magic.
40148
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