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Did you see this picture of Ricky in the
paper? Yeah, I saw it. Lucy, did I
2
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leave my glasses here last night? Yeah,
Fred, right there.
3
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You don't sound very excited.
4
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Ricky Ricardo crowns queen of the
automobile show.
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That's the third one this week.
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Ricky's crowned more queens than the
Archbishop of Canterbury.
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Oh, I think it's a very good picture,
don't you, Fred? Yeah, this automobile
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queen's got a nice chassis.
9
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I meant the picture of Ricky.
10
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Ricky?
11
00:01:04,430 --> 00:01:06,150
Hey, here's a picture of Ricky, too.
12
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That's all, brother.
13
00:01:08,970 --> 00:01:11,470
What's wrong with this? Well, look.
14
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Ricky Ricardo dedicates new freeway.
15
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Ricky Ricardo opens supermarket.
16
00:01:18,950 --> 00:01:21,510
Ricky Ricardo judges dog show.
17
00:01:21,830 --> 00:01:23,410
Well, publicity is mighty important.
18
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Yeah, look at this. Mammoth car wash
open.
19
00:01:27,210 --> 00:01:30,370
Ricky Ricardo left tosses in first soapy
sponge.
20
00:01:30,870 --> 00:01:31,870
What's the matter with that?
21
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Well, they had to say he was on the left
so people could tell which one was the
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00:01:35,890 --> 00:01:36,890
sponge.
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00:01:38,210 --> 00:01:42,090
Ah, let's face it, Ethel. You don't win
Academy Awards by patting poodles on the
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head and crowning queens.
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I don't think that studio is ever going
to give him a picture. Oh, sure they
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00:01:48,150 --> 00:01:52,130
are. Well, it has been a long time. Now,
what does Ricky think about it? Oh, the
27
00:01:52,130 --> 00:01:55,230
poor thing hasn't got time to think he's
so busy hopping from one publicity
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stunt to the other.
29
00:01:56,370 --> 00:01:57,570
Where's Peter Rabbit now?
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This you won't... believe he is out
judging a mambo contest.
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00:02:02,410 --> 00:02:07,110
He has to dance with 100 young college
girls. Can you think of anything worse
32
00:02:07,110 --> 00:02:07,789
than that?
33
00:02:07,790 --> 00:02:09,490
Yeah, I can think of a couple of things.
34
00:02:12,170 --> 00:02:16,790
Well, this just can't go on. This is not
the way to... Oh, here he is.
35
00:02:17,110 --> 00:02:18,610
Hi, Ricky. Hi, everybody.
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00:02:20,290 --> 00:02:21,189
Hi, dear.
37
00:02:21,190 --> 00:02:22,350
How'd everything go?
38
00:02:22,830 --> 00:02:23,850
All right, I guess.
39
00:02:24,270 --> 00:02:27,590
Ricky, did you really have to dance with
100 girls?
40
00:02:27,960 --> 00:02:29,820
That's what they taught me. I lost count
sometimes.
41
00:02:31,120 --> 00:02:33,920
Oh, he's been dancing since 10 o 'clock
this morning.
42
00:02:34,400 --> 00:02:37,420
Honey. Honey, come on. No, no, honey.
Stop it.
43
00:02:37,720 --> 00:02:40,780
Come on, now. Just sit down there. Come
on, now. Sit down.
44
00:02:42,620 --> 00:02:43,620
Poor boy.
45
00:02:43,700 --> 00:02:46,960
Honey, I've just been going through your
scrapbooks, and suddenly I got a very
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00:02:46,960 --> 00:02:50,480
objective picture of just what's been
happening to you since you came to
47
00:02:50,480 --> 00:02:51,480
Hollywood. Yeah?
48
00:02:51,580 --> 00:02:54,620
This is the last publicity stunt you are
going to do.
49
00:02:54,860 --> 00:02:55,499
It is?
50
00:02:55,500 --> 00:02:56,500
Yes.
51
00:02:58,220 --> 00:02:59,220
foot down.
52
00:02:59,640 --> 00:03:03,040
Well, pick it up again, because I'm on
the contract with the studio, you know.
53
00:03:03,080 --> 00:03:05,220
They're paying my salary every week.
Yeah.
54
00:03:05,600 --> 00:03:06,860
He has to do what they say.
55
00:03:07,380 --> 00:03:08,380
That's right.
56
00:03:08,720 --> 00:03:11,640
Besides, they've been in the picture
business a long time. They know what's
57
00:03:11,640 --> 00:03:15,320
for me. Well, I've been in the Ricky
Ricardo business a long time, and I know
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00:03:15,320 --> 00:03:18,740
what's better for you. Look, honey, I
don't like it either, but what am I
59
00:03:18,740 --> 00:03:19,279
to do?
60
00:03:19,280 --> 00:03:20,280
What can he do?
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00:03:20,820 --> 00:03:24,160
I'll tell you what he can do. He can
march himself right out there and demand
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00:03:24,160 --> 00:03:26,160
that they give him a picture to star in.
63
00:03:26,830 --> 00:03:28,270
And suppose they don't?
64
00:03:28,510 --> 00:03:33,870
You tell them they have to give you a
picture or... or... or...
65
00:03:33,870 --> 00:03:38,250
Or what?
66
00:03:39,050 --> 00:03:40,050
Or else.
67
00:03:40,150 --> 00:03:41,089
Or else what?
68
00:03:41,090 --> 00:03:42,250
Oh, you keep out of this.
69
00:03:43,330 --> 00:03:47,010
Can't you just say, you give me a
picture or else and let them worry?
70
00:03:48,730 --> 00:03:52,130
Why don't you just forget it, eh? I feel
better if I know that you're not
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00:03:52,130 --> 00:03:53,130
worrying about my career.
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00:03:54,800 --> 00:03:57,260
Awful tight. I'm going to go lie down
for a while. Okay.
73
00:03:57,640 --> 00:03:59,520
Take a hot bath, honey. Yeah, something.
74
00:04:01,320 --> 00:04:03,260
Honestly, I don't know what's happened
to him.
75
00:04:03,900 --> 00:04:07,620
Forget it, Lucy. The studio knows what's
best for him. They do not. They're
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00:04:07,620 --> 00:04:10,800
letting a great talent slip right
through their fingers. If only I could
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00:04:10,800 --> 00:04:12,380
Ricky to do something about it.
78
00:04:12,580 --> 00:04:16,480
Well, what do you want him to do? Walk
in and say, you better use me because my
79
00:04:16,480 --> 00:04:17,779
wife thinks I'm very talented.
80
00:04:18,620 --> 00:04:22,560
Well... Well, the trouble is that Ricky
hasn't got an agent to go in and fight
81
00:04:22,560 --> 00:04:23,560
for him.
82
00:04:24,660 --> 00:04:27,580
Fred, when will you ever learn to keep
your big mouth shut?
83
00:04:28,540 --> 00:04:32,720
Now, what did I do? You just lit a fuse
that may lead to the biggest explosion
84
00:04:32,720 --> 00:04:33,720
we've seen yet.
85
00:04:34,920 --> 00:04:35,920
An agent.
86
00:04:36,180 --> 00:04:39,620
Of course that's what he needs. Somebody
to go in there and tell them how good
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00:04:39,620 --> 00:04:41,940
he is and how many other offers he's
had.
88
00:04:42,600 --> 00:04:44,200
But Ricky hasn't got an agent.
89
00:04:44,420 --> 00:04:45,420
He has now.
90
00:04:46,260 --> 00:04:48,120
Gee, I'm glad you gave me this idea,
Fred.
91
00:04:48,440 --> 00:04:49,440
What idea?
92
00:04:49,700 --> 00:04:51,020
The idea for this whole plan.
93
00:04:51,600 --> 00:04:52,600
What plan?
94
00:04:52,680 --> 00:04:53,680
This plan worked.
95
00:04:54,260 --> 00:04:55,380
What's the matter with you, Fred?
96
00:04:55,780 --> 00:04:59,260
Well, I'm just practicing my answers for
when Ricky asks me if I know anything
97
00:04:59,260 --> 00:05:00,260
about this.
98
00:05:01,100 --> 00:05:02,360
What idea, Ricky?
99
00:05:03,120 --> 00:05:04,420
What plan are you talking about?
100
00:05:05,140 --> 00:05:06,140
Lucy who?
101
00:05:06,180 --> 00:05:07,180
Oh, Fred.
102
00:05:09,040 --> 00:05:12,040
Lucy, I don't think you better meddle in
this. Now, look, Ethel, Ethel,
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00:05:12,060 --> 00:05:14,800
nothing's going to go wrong. I'm just
going to go out there and light a fire
104
00:05:14,800 --> 00:05:15,980
under Dory Sherry.
105
00:05:16,320 --> 00:05:18,760
Well, I hope he's wearing asbestos
britches.
106
00:05:20,549 --> 00:05:22,490
603311. Oh, now, Lucy.
107
00:05:22,790 --> 00:05:23,790
No.
108
00:05:23,950 --> 00:05:26,970
Hello, MGM. I'd like to speak to Dory.
Oh.
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00:05:28,090 --> 00:05:30,110
I just remembered. Dory Sherry knows me.
110
00:05:31,770 --> 00:05:32,770
Yes.
111
00:05:33,830 --> 00:05:38,030
I'd like to speak to the vice president
in charge of Ricky Ricardo, please.
112
00:05:38,810 --> 00:05:39,810
Ricky Ricardo.
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00:05:41,270 --> 00:05:44,150
Who is he? He's one of your biggest
stars.
114
00:05:44,730 --> 00:05:45,730
Who is he?
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00:05:50,280 --> 00:05:51,280
to discuss his contract.
116
00:05:52,480 --> 00:05:53,900
Walter Riley, thank you.
117
00:05:56,040 --> 00:05:58,100
Uh, hello, Mr. Riley.
118
00:05:58,620 --> 00:06:01,500
I'm calling for Miss McGillicuddy of the
Trans -Britain Scream Agency.
119
00:06:02,780 --> 00:06:04,420
Yes, this is Miss McGillicuddy's
secretary.
120
00:06:04,960 --> 00:06:07,300
Yes, we just signed a new client, Mr.
Ricky Ricardo.
121
00:06:07,640 --> 00:06:10,720
Miss McGillicuddy would like to come in
and discuss his contract with you.
122
00:06:16,140 --> 00:06:17,760
Lucy, are you still here?
123
00:06:18,200 --> 00:06:21,120
Yeah, I thought Ricky would never leave.
I'm going to be late for my appointment
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00:06:21,120 --> 00:06:22,120
with Mr. Riley.
125
00:06:22,140 --> 00:06:23,840
Well, your mother wants a little robe
for the baby.
126
00:06:24,040 --> 00:06:25,100
Oh, well, you know where they are,
honey.
127
00:06:25,340 --> 00:06:26,340
Yep.
128
00:06:31,620 --> 00:06:33,900
Hi. I thought you'd left.
129
00:06:34,200 --> 00:06:35,880
Well, I went down to the car to get my
guitar.
130
00:06:36,140 --> 00:06:37,900
Oh. You're not going anyplace, are you?
131
00:06:38,180 --> 00:06:39,800
Hmm? You're not going anyplace, are you?
132
00:06:40,080 --> 00:06:41,120
Uh, no.
133
00:06:41,580 --> 00:06:45,740
Oh, hi. Hi, Ethel. Hi, Rick. Listen,
I... I got to sing at the opening of a
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00:06:45,740 --> 00:06:49,120
bowling alley this afternoon, so I
thought maybe you... Would you listen to
135
00:06:49,120 --> 00:06:50,160
song and say if you think it's all
right?
136
00:06:50,760 --> 00:06:52,860
Sure. Opening of a bowling alley?
137
00:06:53,100 --> 00:06:54,100
Yeah.
138
00:06:55,240 --> 00:06:56,800
It's an old Spanish song, you know.
139
00:07:27,270 --> 00:07:28,990
Oh, honey, that's wonderful.
140
00:07:29,450 --> 00:07:31,370
Well, that's just the verse. Now listen
to the chorus.
141
00:07:44,200 --> 00:07:51,140
Y me quieren robar el divino penal de
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00:07:51,140 --> 00:07:57,720
adorarte Pues que
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00:07:57,720 --> 00:08:04,440
quieres vivir y volver a sentir la
otadía
144
00:08:04,440 --> 00:08:10,440
De manchar la esmeralda
145
00:08:10,440 --> 00:08:12,960
de tus ojos
146
00:08:30,240 --> 00:08:32,020
Listen, uh, do you want to come with me?
147
00:08:32,240 --> 00:08:34,100
Uh, no, no.
148
00:08:34,320 --> 00:08:37,200
No, it's such a lazy day. I'm just going
to lo -
149
00:09:28,330 --> 00:09:31,330
Frankie Ricardo's agent, a Miss
McGillicuddy, is here.
150
00:09:32,670 --> 00:09:34,190
Ask her to come in, would you please,
Miss Klein?
151
00:09:34,430 --> 00:09:35,430
Yes, sir.
152
00:09:38,770 --> 00:09:40,090
How do you do, Mr. Riley?
153
00:09:40,490 --> 00:09:41,850
How do you do, Miss McGillicuddy?
154
00:09:43,970 --> 00:09:44,970
Down, Riley.
155
00:09:46,530 --> 00:09:49,930
I do not believe that women in business
deserve any special privileges.
156
00:09:50,590 --> 00:09:51,569
As you say.
157
00:09:51,570 --> 00:09:53,210
Now then, let's get down to cases.
158
00:09:59,720 --> 00:10:03,520
Well, you see... After all, he didn't
come all the way out to California just
159
00:10:03,520 --> 00:10:06,360
crown queens and open supermarkets, you
know.
160
00:10:07,060 --> 00:10:10,200
Yeah, well, we understand all that.
We're just trying to keep his name
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00:10:10,200 --> 00:10:12,180
the public until we put him in a
picture.
162
00:10:13,260 --> 00:10:16,320
And just when do you think that might
be, Mr. Riley?
163
00:10:16,840 --> 00:10:21,260
Well, to tell you the truth, we can't
seem to find just the right property for
164
00:10:21,260 --> 00:10:22,159
him. Uh -huh.
165
00:10:22,160 --> 00:10:24,180
Well, you see, he's a little difficult
to cast.
166
00:10:24,500 --> 00:10:25,500
Not...
167
00:10:30,190 --> 00:10:34,710
in from New York, where a very famous
team of producers have a big musical
168
00:10:34,710 --> 00:10:36,710
are just frantic to star Ricardo in.
169
00:10:37,330 --> 00:10:38,870
Famous team of producers?
170
00:10:39,190 --> 00:10:44,050
Yes, of course, I can't reveal their
names, but Oscar and Dick are just wild
171
00:10:44,050 --> 00:10:45,050
about the boy.
172
00:10:45,930 --> 00:10:47,210
They really want him, eh?
173
00:10:47,810 --> 00:10:52,850
Unquestionably. But I said to them, you
can't have him, Oscar, and neither can
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00:10:52,850 --> 00:10:53,850
you, Dick.
175
00:10:54,570 --> 00:10:57,510
This throws an entirely new light on
things.
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00:10:57,930 --> 00:10:59,210
I thought it would.
177
00:11:01,070 --> 00:11:03,310
around here. I'm sure it could.
178
00:11:03,770 --> 00:11:05,690
I'd better call Mr. Sherry about this.
179
00:11:06,010 --> 00:11:07,130
I think you should.
180
00:11:09,010 --> 00:11:10,590
Uh, Mr. Sherry, please.
181
00:11:12,490 --> 00:11:14,430
Hello, Dory. Uh, Walt.
182
00:11:14,770 --> 00:11:21,530
Say, uh, Ricky Ricardo's agent is in
here and... Well, he has one now.
183
00:11:22,570 --> 00:11:27,430
Yes. She's been telling me that Ricky
has an offer to star in a Broadway show.
184
00:11:28,830 --> 00:11:30,390
Well, that's the way I feel about it,
too.
185
00:11:31,150 --> 00:11:32,230
He's a great talent.
186
00:11:32,710 --> 00:11:35,270
We should have used him in a picture
long before this.
187
00:11:36,490 --> 00:11:38,350
Oh, I agree with you completely.
188
00:11:39,370 --> 00:11:40,830
I think it should be right away.
189
00:11:42,190 --> 00:11:43,190
All right.
190
00:11:43,530 --> 00:11:44,990
I'm sure she'll be delighted.
191
00:11:45,810 --> 00:11:46,810
All right.
192
00:11:46,990 --> 00:11:47,990
Goodbye.
193
00:11:49,230 --> 00:11:52,950
Well, Miss McGillicuddy, I have great
news for you.
194
00:11:53,230 --> 00:11:57,670
Yes? Yes. We have decided to release
Ricky from his contract.
195
00:12:02,510 --> 00:12:05,630
we have decided to release Ricky from
his contract.
196
00:12:06,150 --> 00:12:10,370
But I... He's released?
197
00:12:12,290 --> 00:12:13,610
Surprised? Yeah.
198
00:12:14,510 --> 00:12:16,130
Why am I surprised?
199
00:12:17,390 --> 00:12:21,530
Well, I don't blame you. You know, we
don't do this very often, but we're very
200
00:12:21,530 --> 00:12:24,910
fond of Ricky, and we don't want to
stand in his way. Yeah, well, then...
201
00:12:38,470 --> 00:12:39,590
Yeah, well, I'll need it.
202
00:12:40,850 --> 00:12:43,670
I may be back in New York in time for
the opening of his show.
203
00:12:43,890 --> 00:12:46,230
If I am, perhaps you can send me some
passes, eh?
204
00:12:47,570 --> 00:12:48,570
Yeah.
205
00:12:51,030 --> 00:12:52,030
Well,
206
00:12:53,530 --> 00:12:55,050
thank you so much for dropping in.
207
00:12:55,690 --> 00:12:57,430
Uh, Mr.
208
00:12:57,870 --> 00:12:58,870
Riley? Yes?
209
00:13:01,210 --> 00:13:02,210
See you at the opening.
210
00:13:08,970 --> 00:13:09,970
Could you come in, please, Miss Klein?
211
00:13:11,810 --> 00:13:15,290
Yes, Mr. Riley. Mr. Riley, I've been
looking it over, and I can't do this to
212
00:13:15,290 --> 00:13:18,730
you. How do you mean? Well, look at it
this way.
213
00:13:19,610 --> 00:13:23,590
You release Ricky from his contract. He
goes to Broadway and becomes a
214
00:13:23,590 --> 00:13:24,590
tremendous success.
215
00:13:24,950 --> 00:13:29,270
And then Metro buys the film rights to
the musical, and they want Ricky to play
216
00:13:29,270 --> 00:13:30,270
the lead.
217
00:13:30,690 --> 00:13:36,650
Naturally, since Ricky has become such a
huge success, I have to demand a huge
218
00:13:36,650 --> 00:13:37,650
salary.
219
00:13:41,740 --> 00:13:48,280
contract to you and he was released,
they demand to know who released him.
220
00:13:48,440 --> 00:13:52,660
And every finger points to you, Walter
Ryan.
221
00:13:53,460 --> 00:13:55,460
They fire you immediately.
222
00:13:56,240 --> 00:14:00,600
And no other studio will hire such a
dunce.
223
00:14:01,980 --> 00:14:05,120
You become a penniless bum.
224
00:14:07,480 --> 00:14:11,300
Now, I don't want to have to go through
life knowing...
225
00:14:11,530 --> 00:14:17,870
that I was responsible for making you,
Walter Riley, end up in the gutter.
226
00:14:20,130 --> 00:14:24,330
I appreciate your concern, but I'm
afraid I'll just have to take that
227
00:14:24,450 --> 00:14:25,450
Miss McGillicuddy.
228
00:14:25,690 --> 00:14:26,690
Goodbye.
229
00:14:30,830 --> 00:14:32,150
He's released, huh?
230
00:14:32,770 --> 00:14:33,770
Goodbye,
231
00:14:36,010 --> 00:14:37,010
Miss McGillicuddy.
232
00:14:38,630 --> 00:14:39,630
Bye.
233
00:14:50,250 --> 00:14:51,250
Come in, Miss Klein.
234
00:14:53,310 --> 00:14:54,890
Yes, sir. Mr. Riley.
235
00:14:56,010 --> 00:14:59,890
Mr. Riley, you're doing lots of remakes.
Why don't you take one of your big hits
236
00:14:59,890 --> 00:15:02,310
and do it over for Ricky? Tailor it for
him.
237
00:15:55,530 --> 00:16:01,890
Dear A .J., uh, dear A .J., regarding
your visit here to us next month to
238
00:16:01,890 --> 00:16:06,550
discuss plans for the coming year, I
have already set up meetings for you
239
00:16:06,550 --> 00:16:11,210
the heads of the various departments and
arranged a press party for you.
240
00:16:11,490 --> 00:16:14,330
Dory wants you and your wife to spend a
weekend... Mr. Wright!
241
00:17:08,720 --> 00:17:10,680
Are they just going to keep on like
they're going now?
242
00:17:12,400 --> 00:17:14,660
Well, there's no other alternative, is
there?
243
00:17:17,020 --> 00:17:18,020
Why?
244
00:17:18,900 --> 00:17:21,180
They released him from his contract.
245
00:17:21,420 --> 00:17:22,720
Oh, no.
246
00:17:23,260 --> 00:17:27,140
Oh, Lucy, when Ricky finds out you got
him fired, he'll kill you.
247
00:17:27,640 --> 00:17:30,180
If I could only be sure, that's all
he'll do.
248
00:17:31,580 --> 00:17:32,920
How did this happen, Lucy?
249
00:17:33,160 --> 00:17:36,820
Well, I went in to talk to Mr. Riley,
and I told him that...
250
00:17:37,050 --> 00:17:41,150
That Ricky had a big musical on Broadway
and he called Dory Sherry and they said
251
00:17:41,150 --> 00:17:42,690
they didn't want to stand in his way.
252
00:17:42,890 --> 00:17:44,670
And they released it.
253
00:18:09,000 --> 00:18:11,100
There's just one thing I can do, Ethel.
What?
254
00:18:11,360 --> 00:18:14,220
I'm just gonna have to face him with
what I've done.
255
00:18:14,640 --> 00:18:16,440
Oh, you know Ricky's temper.
256
00:18:16,980 --> 00:18:18,080
Yeah, we've met.
257
00:18:19,700 --> 00:18:21,400
Well, you're gonna meet again.
258
00:18:21,900 --> 00:18:23,520
I don't want to be here for the reunion.
259
00:18:25,400 --> 00:18:28,100
I've done a terrible thing. I've ruined
his career.
260
00:18:28,700 --> 00:18:30,520
Anything he does to me, I deserve.
261
00:18:30,840 --> 00:18:31,840
Oh, now, honey.
262
00:18:32,040 --> 00:18:36,660
For 14 years, Ricky's been trusting,
devoted, understanding.
263
00:18:40,760 --> 00:18:47,280
selfish, meddlesome, bungling, scheming,
conniving, and... Irritating,
264
00:18:47,280 --> 00:18:50,220
headstrong, obnoxious, self -centered.
265
00:18:52,600 --> 00:18:55,060
All right, Ethel, let him alone. He's
right.
266
00:18:55,700 --> 00:19:00,740
Well, as long as it's open season, how
about petty, childish, stubborn, vain?
267
00:19:00,860 --> 00:19:02,660
All right, let's not get carried away.
268
00:19:05,080 --> 00:19:07,980
What are we standing here for? Ricky
will be here any minute.
269
00:19:08,240 --> 00:19:12,330
Come on, you better hide. in our room.
Yeah, come on. Come on now, honey. You
270
00:19:12,330 --> 00:19:15,770
can leave him alone and then come back
when the storm blows over. No, I'm going
271
00:19:15,770 --> 00:19:19,130
to stay right here and face him. What
with a chair and a whip?
272
00:19:19,770 --> 00:19:23,230
I'm not going to let you do it. Now,
come on. You better come with us. No,
273
00:19:23,230 --> 00:19:26,550
not. Come on now, honey. Come on. Hi,
everybody.
274
00:19:26,950 --> 00:19:27,950
Hi.
275
00:19:30,230 --> 00:19:34,910
Oh, um, uh, Rick, uh, Lucy, uh, uh, uh,
Ricky.
276
00:19:36,010 --> 00:19:37,010
Ricky.
277
00:19:37,150 --> 00:19:38,150
Ricky.
278
00:19:38,540 --> 00:19:40,520
I have something to say to you. Well,
I'll see you later.
279
00:19:40,720 --> 00:19:41,720
So long, Rick.
280
00:19:42,340 --> 00:19:43,340
See you around.
281
00:19:46,160 --> 00:19:47,220
What's the matter with them?
282
00:19:48,140 --> 00:19:50,280
They don't want to watch and I don't
blame them.
283
00:19:50,900 --> 00:19:51,900
Watch what?
284
00:19:52,640 --> 00:19:53,640
Give me a kiss.
285
00:19:54,860 --> 00:19:56,880
One last farewell kiss.
286
00:19:58,180 --> 00:19:59,320
What's the matter with you, honey?
287
00:20:00,900 --> 00:20:05,020
Ricky, I went out to MGM today and got
you fired.
288
00:20:11,500 --> 00:20:13,280
ended it and pretended that I was your
agent.
289
00:20:13,580 --> 00:20:14,580
You what?
290
00:22:34,480 --> 00:22:35,500
with us for a long time.
291
00:22:35,720 --> 00:22:38,240
Oh, if only you hadn't gone out there
today.
292
00:22:38,640 --> 00:22:40,000
Yes, but I did.
293
00:22:42,000 --> 00:22:43,300
I have an idea.
294
00:22:44,180 --> 00:22:47,700
How can you stand there in the middle of
all this mess and utter those four
295
00:22:47,700 --> 00:22:49,760
horrible words, I've got an idea.
296
00:22:50,840 --> 00:22:52,600
Now, wait a minute. Wait a minute.
297
00:22:54,580 --> 00:22:56,040
Text us all 3311.
298
00:22:56,280 --> 00:22:58,860
She's a cool one. She's returning to the
scene of the crime.
299
00:23:03,240 --> 00:23:04,660
I don't know that I was the one that was
out there today.
300
00:23:07,800 --> 00:23:08,880
Hello, Mr. Riley.
301
00:23:09,500 --> 00:23:12,180
Mr. Riley, this is Miss Ricardo, Ricky
Ricardo's wife.
302
00:23:13,020 --> 00:23:15,720
Yes, Ricky wanted me to call you and
warn you about something.
303
00:23:16,060 --> 00:23:20,060
It seems there's some woman going around
town claiming that she's Ricky's agent.
304
00:23:21,300 --> 00:23:23,320
She was in your office today.
305
00:23:33,710 --> 00:23:35,890
Mr. Riley, Ricky doesn't have an agent.
306
00:23:36,190 --> 00:23:40,790
No, she certainly is not. And as for
that nonsense about Ricky going to
307
00:23:40,790 --> 00:23:47,590
for a pic... Well, I know she's been
going
308
00:23:47,590 --> 00:23:48,590
around saying that.
309
00:23:49,730 --> 00:23:54,810
Yes, Mr. Riley, Ricky is very happy
working at Metro and he wishes to
310
00:23:54,810 --> 00:23:55,810
their long...
311
00:24:30,670 --> 00:24:34,410
place up. But it really doesn't matter
because... I'll tell you it doesn't
312
00:24:34,410 --> 00:24:35,570
matter. What do you mean?
313
00:24:35,890 --> 00:24:40,150
Well, I got myself an agent and he
already got me a job at another studio
314
00:24:40,150 --> 00:24:41,150
three times the money.
315
00:24:43,190 --> 00:24:47,150
Huh? You know, getting me out of that
metro deal was the best thing you've
316
00:24:47,150 --> 00:24:48,150
done.
317
00:24:50,310 --> 00:24:52,390
Three times the money. Imagine that.
318
00:24:53,010 --> 00:24:56,310
And not only that, but they're going to
star me in four pictures in a row.
319
00:25:07,050 --> 00:25:08,050
give you a contract.
320
00:25:40,400 --> 00:25:42,940
will be brought to you by Lilt Home
Permanence.
321
00:25:51,820 --> 00:25:55,760
Mr. Riley was played by Parley Baer and
the secretary was Helen Cleave.
322
00:26:10,030 --> 00:26:12,210
I Love Lucy is a Desilu production.
323
00:26:12,850 --> 00:26:16,850
Lucille Ball and Desi Arnaz will be back
next week at this same time.
25742
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