All language subtitles for i_love_lucy_s04e18_don_juan_and_the_starlets

Oh, hello.

Here are the extra towels you ordered,
Mrs. McDonald.

Thank you very much.

Lucy?

Yeah? Lucy!

What? Come here.

Guess who's down by the pool.

Who? Robert Taylor.

No kidding.

Yes, sir. Maybe you can see from up
here. Come over. Where is he?

There he is. Where?

See that great big green and white
striped umbrella?

Yeah. Will you see those feet sticking
out from under that umbrella?

Yeah. Those are Robert Taylor's feet.

Robert Taylor's feet? Yeah, and the rest
of him's even better. Go get your

bathing suit on and meet me down by the
pool. Okay.

Oh, oh, I can't. Ricky just called and
he's not his way here from the studio

with the photographer. We're going to
take some pictures.

We?

Are you going to be in them? Well, I
didn't get all the details, but what

reason would they have for taking them
here?

It's probably one of those fan magazine
deals, you know, where they play up the

domestic angle.

Lucy and Ricky Ricardo at home. Oh,
that'll be wonderful.

Yeah.

Where in the sandhill have you been? I
went down to the pool

and you weren't there.

Oh, for goodness sake. Now, you could
have gone into the waiting pool until

Mommy got there.

I want you to rub this oil on me so I
can get a suntan. Oh, Fred, you'll never

get a suntan. Your skin's just like
mine. It's too fair.

Well, it says right here if I use it,
I'll be a golden brown.

You will, a golden brown blister.

Well, I'm going to give it a try. Now,
let's go.

Okay. I want to get one more look at
Robert Taylor.

He's gone.

Oh, darn it.

Now, let's go. We're wasting that good
sun.

Oh, there's no hurry. Yes, there is.

Gee, they're here already.

Does Ricky Ricardo live here?

Uh, yes.

Yes, he does.

Well, I'm Dolores Donlan. The studio
told me to come over here to have some

pictures taken with Ricky.

Oh, well, won't you come in?

Thank you.

Uh, I'm, uh, Mrs.

Ricardo. This is Mr. and Mrs. Merck. How
do you do?

How do you do?

Oh, well, come on. We're wasting that
good sun.

There's no hurry.

Oh, well, won't you sit down?

Thank you.

Yes? Well, the studio said to come out
and have some pictures taken.

Oh, hi, Dolores. Hi, Maggie.

Did they call you for this, too?

Yeah, but I don't know much about it. Me
either. The studio just said to go over

and have my picture taken with Ricky
Ricardo, whoever he is.

Oh, haven't you met him?

He's a handsome Latin with an accent.

He's the end.

I'm a little confused.

What kind of pictures are they taking?

Oh, are you from the studio, too, honey?

No, I'm Mrs. End.

I mean, I'm Mrs. Ricardo.

Oh, well, how do you do?

I'm Maggie McGinnis. Oh, well, how do
you do? This is Mr. and Mrs. Murph.

Hello!

It's been nice knowing you. We're going
down to the pool.

What for?

I thought you said you wanted to get
some sun.

With my fair skin?

Mrs. Rigley, I hope.

Hello. Yeah, yeah, come on in.

Why are there so many of them? Who
cares?

wife Lucy. How do you do? Nice to meet
you, Mr. Ricardo.

Oh, hello, girls. What are those?

Well, they're going to be in the Don
Juan picture with me.

Oh?

Yeah, they play their four women that
are in love with me in the picture.

Oh, that's very exciting.

Say, Ricky, come on over and meet the
girls. Okay, excuse me. Girls, this is

Ricky Ricardo. Hello, Dolores. I made it
for you. Hello, kids. Okay, kids, let's

get started. Now, Ricky, for the first
shot, take this script and sit in that

chair with the girls all around you,
huh? Okay. Now, we'll see how that

Okay.

Okay, kids, that's good. Now, one.

Mrs. Ricardo, if you stand there, you're
going to be in the picture.

It's not that we wouldn't like to use
you in some of the shots, but it just

wouldn't fit in with our publicity
campaign.

Oh, well, I thought you would want to
play up the domestic angle. You know how

happily married Ricky is.

We would ordinarily, you see, but Don
Juan is all about love.

It's got nothing to do with marriage.

Oh.

Okay, kids, let's get this now. Ready?

One, two, and good.

Okay, now, I think we'll have some
cheesecake. Everybody over to the couch.

Ricky, you go get your guitar, huh?
Okay.

All right, kids, two on one side and two
on the other.

There, that's going to be fine. Now,
let's all cross our legs to the right,

That's good. Now, leave space in the
middle for Ricky. What do you want me to

do? Right in the middle, Ricky,
serenading the girls, huh?

Now, everybody look at Ricky and smile.

Now, hold it.

One, two.

This is recorded.

Well, you said everybody.

Well, I meant all the girls.

Oh.

Lucy. Well, I misunderstood him, that's
all.

Okay, all right. One, two, and good.

Now, for the next shot, let's have
everybody back to the couch, huh?

Okay. Well, if you don't need me, I have
a few things I could be doing in the

bedroom. All right, Mrs. Ricardo, if we
need you, we'll call you.

Thank you.

Stretch out on the couch looking up at
the girls. And girls, I want just the

head showing.

Everybody down. That's right.

Now, just the chin sticking out,
Beverly. Just your chin.

Now, there.

Let's see how that's going to look.

Now, don't move, Beverly.

Now, I want you to move over to the
right.

And you three to...

doing back there?

I lost my earring.

Where? In the bedroom.

What are you doing looking out here for
it?

Because the light's better out here.

Okay, kids, let's get this shot, huh?

On, tilt.

I think we'll move down to the pool.

Kids, change into your suits and a
cabana.

Let me get into some trunks in a row.
Okay.

All right, fine.

Oh, it's nice to have met you, Mr.
Ricardo. I'll see you again sometime.

Lucy?

Yeah?

Are you watching that spectacle from up
here?

Isn't it revolting?

Will you please tell me what is so
exciting about taking pictures of four

starlets in bikini bathing suits?

I don't know, but I can see Fred's eyes
bugged out clear up here.

I'm glad that's over.

I never realized that taking pictures
was such hard work.

Oh, you poor little thing.

I'll bet your arms...

from having him around those starlets.

Honey, you know I had nothing to do with
this. Don't get mad.

Mad? Me mad?

Why? Why should I be mad?

On the contrary, I'm glad.

Very glad.

Why, when those four girls walked in
here today, it was the happiest day of

life. Now, Lucy. And they didn't want me
to be in the pictures. I wanted to jump

for joy. Lucy.

put on those bathing suits and trooped
down to the pool, I just felt as if my

fondest dreams had come true.

Now, honey... And you thought I was mad.
Why, I wasn't mad. I was happy.

Happy. H -A -P -P -Y.

Happy.

Whoa. Now, look, honey, I know that
you're a little upset. A little upset.

think I'm a little upset.

Now, just a minute.

Ricky, let her go. I want to see what
she'll do for an encore.

I know that this is hard for you to put
up with, but it's part of the publicity

campaign for the picture, and I got to
go along with it. Yeah, well, I don't

to go along with it.

Yes, you do.

You are my wife, and this is part of my
career right now.

Now, there'll probably be a lot more
pictures like that, but I'm sure that if

you think the whole thing over calmly,
you won't be childish enough to let it

bother you. Any bets?

You keep out of this.

I hear.

Here's something to make you happy.

Ross gave me some tickets to go to a big
premiere tonight.

And we're going to get all dressed up
and go.

We are?

Yes, sir. I'm taking the prettiest girl
in Hollywood to the premiere.

Oh, honey.

Oh, I love movies with a happy ending.

Gee, Ed, well, just think, my first
Hollywood premiere.

Where is it, honey? Guam's Chinese
Theater?

He didn't tell me. Look in the tickets
and see.

Just one ticket here.

You sure?

I'm positive.

Oh, well, then it must be good for two
people. You know, one person and a

Of course, dear. That's why it says
admit one.

Oh.

Well, I almost got to a Hollywood
premiere.

Now, honey, there's just been a mistake.

That's all. You bet there's just been a
mistake. And I made it 15 years ago.

When Marion Strong asked me to go on a
blind date with a Cuban drummer and I

said yes.

Oh, hello, Ruskerman. Say, Ricky, I just
realized I only give you one ticket for

tonight. See?

Oh, well.

I can't send you to a premiere all by
yourself.

No, that's right. You certainly can't.
Here you are. One, two, three, four.

Four? Four.

Yeah, for the four girls.

Now, Ricky, when they interview you in
the lobby, mention Don Juan as many

as you can. Now, look, Ross, Ross, I
wanted to take Lucy to the premiere

tonight. Now, Ricky, I know how you
feel, but I've got this thing all set

There'll be plenty of other premieres
she can go to later on.

You understand, don't you, Mrs. Ricardo?

Oh, sure, I understand.

Oh, you're a real dog.

Now, look, Ricky, there's a party at the
Macombo after the show. You and the

four girls, okay?

Yeah. I'll see you at the story in the
morning, huh? Yeah, well, yeah.

I know.

I'm your wife.

And I have to go along with it. It's
part of your career. It's for publicity.

And I'm not supposed to let it bother
me. I shouldn't be childish, and I

take it with a smile.

Lucy. I'm smiling.

I don't like you when you're smiling
that way.

Don't crush your luck. I'm smiling.

Oh, honey, you should have waited up for
me.

Come on, let's go to bed.

Come on, honey, I got an early call at
the studio tomorrow.

Lucy, have I got a clean talks shirt?

Honey, I got to go to the studio and my
talks and I want...

you

Thank you.

Ten o 'clock.

Give me MGM Studio, please.

Hello? Is Ricky Ricardo working there
today?

Would you find him, please?

I'll hold on.

Oh, you're up. Good.

Say, Ethel wants to know if we're still
going to Knott's Berry Farm today.

will be on Ricky's head.

Huh? He didn't come home all night.

Oh, you must be mistaken.

Go see for yourself. His bed hasn't been
slept in.

Oh.

Well, of course it hasn't.

What do you mean?

Well, that's another reason I had for
coming over. First I wanted to ask you

about going to Knott's Berry Farm and
then I wanted to tell you that Ricky

the night over at our place.

He did?

Yeah.

Why? Why?

Well, he... Why?

Yes?

Oh. Oh, well, thank you.

He's on his way home from the studio.

Yeah, that's it. He got an early call
from the studio and he didn't want to

disturb you.

Really? Yeah.

Well, I'll see you later. I just thought
of something I have to tell Ethel.

Hi. Come on, Ethel. Let's go and eat
some breakfast.

We just had breakfast. Well, let's go
and have another one. I'm starving.

What's the matter with you?

Ethel.

Ethel, did anyone sleep on your couch
last night?

Yeah, why?

Are you sure?

Sure, I'm sure.

Well, I'll be darned.

How'd you know I slept on the couch last
night?

Uh -huh.

Uh -huh what? I sleep on the couch lots
of nights. Fred snores like a buzzsaw.

Well, at least you know where your
buzzsaw was last night.

What are you talking about?

Ricky didn't come home at all.

He didn't. Oh, now, let's not jump to
conclusions. There must be some

Oh, you keep out of this, you, you
husband, you.

Well, I'm lost. What are you talking
about? Oh, Fred's trying to cover up for

Ricky by telling me that he slept on
your couch last night.

Oh, honestly, Fred.

Well, I just thought that there might be
a... Hi, everybody.

Hi, honey.

Oh.

Have you no shame?

Look at him. Out all night parading
around at 10 o 'clock in the morning in

tuxedo.

What happened?

You'll never get out of this one. Just
turn around and head back for Cuba.

I'd like to know what's going on. So
would I.

Where were you last night?

Yes, where were you last night, you tad?

Yeah, I'd kind of like to know myself.

You know where I was last night.

I went to the premiere, and then I went
to the party in Mocambos.

And then?

And then?

And then I came home.

Ha!

Now, look, I, I, I, you mind telling me
what you're talking about? I was right

on that couch all night, and you did not
come home.

You crazy something? Of course I came
home.

I'll tell you exactly what happened.

I came home, it was 2 o 'clock in the
morning. You were sleeping on the couch.

I tried to wake you up, but you wouldn't
budge.

So I figured I'd better let you sleep
there. It was late, so I covered you up.

gave you a kiss.

I went in the bedroom, went to sleep.

I had an early call this morning. I got
up.

You were still asleep.

So I went to work, and I finished my
work. I came home. That's all there is

it. Oh, come now. You can do better than
that.

She's right. You can do better than
that.

I suppose you always wear your tuxedo in
the studio in the morning.

Well, they wanted me to wear the tuxedo.
They were taking some pictures,

supposed to be in a nightclub.

Oh, glib, isn't he?

Check with Ross Elliott.

All right, I will.

Uh -oh, wait a minute.

He dropped me here on the way to the
airport. He's on his way to San

right now.

How very convenient.

Now, wait a minute. Now, this is
ridiculous. I'm telling you, I was home

night.

All right.

All right, if you had to put your tuxedo
on again this morning, that means that

I'll find the shirt you wore last night
and the clothes hamper, right?

Aye, aye, aye, aye, aye.

I had to wear the same shirt.

All the other tuxedo shirts were in the
laundry.

Oh, now, isn't that too bad?

Now, look, this is ridiculous now. I'm
telling you all that I was home last

night. And you slept in your bed?

Yes. Then your bed would be unmade.

Yes.

Did

you

make that bed?

No, I did not make that bed.

Has the maid been here?

No, the maid has not been here.

See, waste paper basket's full.

Ash trays haven't been emptied.

Go ahead, it's your turn.

Wait, wait, wait.

I'm waiting.

There's something.

There's got to be something.

I know, I got it. My carnation. I threw
it in the waste basket in the bedroom.

happened to it?

The phantom maid strikes again.

Now, look, I'm telling you. I'm telling
you that I came home last night. I came

home. It was 2 o 'clock in the morning.
You were sleeping on the couch.

That's it.

You were sleeping on the couch, right?

Yes. All right.

If I wasn't home, how do I know that you
were sleeping on the couch?

Yeah.

Because I just told you. I told you when
you came in that I was asleep on that

couch all night.

Yeah.

Nice try, though.

Thank you, son. I thought I could finish
up in here.

I mean, I thought I could do the room.

Now, look, honey. You've got to listen
to me.

Finish up in here.

Maid!

Maid!

Maid!

Maid, please come here. Come here,
please.

Come here, please.

Come right in here.

Now, look.

You just said you wanted to finish up in
here.

Were you here before?

Oh, no.

No, I wasn't in here, sir.

It's against the rules for the maid to
enter the room when the guest is in.

Oh, and please don't tell the manager I
did.

I wish all the guests were as nice as
this.

Well, I wish all the maids were as nice
as you are. You're a very nice lady, and

I'm going to give you the biggest box of
candy you ever got. I love you.

Ricky, I'm sorry I thought what I
thought.

Can you forgive me?

Listen, for a minute I was beginning to
wonder whether I was home last night.

Let's go until the lovebirds are at it
again.

Oh, look.

Here's a program from the premiere last
night.

Yeah, I brought it home last night so
Lucy could see it.

How about that? What? My alibi.

The publicity man was Ross Elliott. The
maid was Iva Shepard. And the starlet

were Dolores Donlan, Maggie McGinnis,
Shirley Teggy, and Beverly Thompson.

I Love Lucy is a Desilu production.

Lucille Ball and Desi Arnaz will be back
next week at this same time.