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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:38,670 --> 00:00:41,650 Writing a novel? Oh, I brought back the magazine. 2 00:00:42,190 --> 00:00:43,510 A novel? 3 00:00:44,010 --> 00:00:46,450 Yeah, I found this in the paper this morning. 4 00:00:47,210 --> 00:00:50,730 Housewife wins $10 ,000 prize for first novel. 5 00:00:51,030 --> 00:00:52,290 Need I say more? 6 00:00:52,890 --> 00:00:58,410 Yes. Well, I'm a housewife. Oh, well, I think it takes a little more than that 7 00:00:58,410 --> 00:00:59,410 to write a novel. 8 00:00:59,990 --> 00:01:01,290 What are you going to write about? 9 00:01:01,530 --> 00:01:03,690 I'm writing about things I know. 10 00:01:04,209 --> 00:01:06,330 That won't be a novel. That'll be a short story. 11 00:01:10,190 --> 00:01:12,490 like that and I'll kill you off in chapter one. 12 00:01:13,870 --> 00:01:18,010 Oh, am I going to be in it? Sure, we all are. You, Ricky, Fred, me. 13 00:01:18,410 --> 00:01:20,090 Not under our own names, of course. 14 00:01:20,850 --> 00:01:21,850 Now then. 15 00:01:40,780 --> 00:01:41,780 you doing? 16 00:01:42,340 --> 00:01:43,920 I'm studying you. 17 00:01:45,200 --> 00:01:47,880 Huh? Ethel, what makes you tick? 18 00:01:49,000 --> 00:01:51,420 Tick? What makes you you? 19 00:01:52,380 --> 00:01:53,780 Me? Me? 20 00:01:54,660 --> 00:01:59,220 Lucy, I don't think I'm gonna like this. Ethel, you don't seem to realize what 21 00:01:59,220 --> 00:02:03,280 this means. My novel may turn out to be another Gone with the Wind. 22 00:02:03,480 --> 00:02:05,880 If it does, that makes you Scarlett O 'Hara. 23 00:02:14,700 --> 00:02:19,440 I'm deeper than most people think. On the surface, I'm carefree and happy. 24 00:02:19,740 --> 00:02:24,980 But deep down inside, I'm intense and moody. 25 00:02:26,000 --> 00:02:27,340 I'm sensitive. 26 00:02:28,120 --> 00:02:30,180 I feel things. 27 00:02:35,500 --> 00:02:37,460 What's the matter, Ethel? You got a stomachache? 28 00:02:48,040 --> 00:02:48,879 him tick. 29 00:02:48,880 --> 00:02:50,320 He creaks a little too. 30 00:02:51,100 --> 00:02:52,880 What's going on in this booby hatch? 31 00:02:53,440 --> 00:02:55,140 Booby hatch. That's good. I'll use it. 32 00:02:55,700 --> 00:02:57,040 Ethel, what is all this? 33 00:02:57,400 --> 00:03:01,000 Lucy's writing a novel and we're all going to be in it. You mean she's 34 00:03:01,000 --> 00:03:03,100 novel this very minute? Yeah. No kidding? Yeah. 35 00:03:03,380 --> 00:03:04,380 Well, well. 36 00:03:25,260 --> 00:03:26,380 I'd like to put to you. 37 00:03:27,200 --> 00:03:28,200 All right. 38 00:03:28,540 --> 00:03:33,340 Put. What was your reaction when you came to this country for the first time? 39 00:03:34,620 --> 00:03:38,780 A lonely immigrant arriving in New York Harbor on a cattle boat. 40 00:03:40,820 --> 00:03:44,720 You crazy or something, you know that well. I came here by plane from Havana 41 00:03:44,720 --> 00:03:45,539 Miami Beach. 42 00:03:45,540 --> 00:03:48,500 And I wasn't lonely. I had 14 musicians with me. 43 00:03:49,020 --> 00:03:50,520 Not in my book you didn't. 44 00:03:51,960 --> 00:03:54,520 As your leaky Cuban cattle boats 45 00:04:17,640 --> 00:04:22,500 Wait, wait, wait, wait, wait, wait, wait, wait. Is this the kind of stuff 46 00:04:22,500 --> 00:04:23,500 writing about? 47 00:04:26,950 --> 00:04:30,090 that's what writers do. They take the truth and twist it a little. 48 00:04:31,210 --> 00:04:34,490 Well, if your book doesn't sell, you can always get a job making pretzels. 49 00:04:36,190 --> 00:04:39,030 I think we'd better take a look at what she's writing about. 50 00:04:39,270 --> 00:04:42,670 Yeah, I want to see how she's twisting me. Just a moment. 51 00:04:43,290 --> 00:04:45,090 A writer's work is sacred. 52 00:04:46,110 --> 00:04:47,910 You can read it when it becomes a bestseller. 53 00:04:48,510 --> 00:04:53,070 And now, if you'll excuse me, the muse calls and I must answer. 54 00:05:04,940 --> 00:05:05,940 It's not here. 55 00:05:07,560 --> 00:05:08,700 No, I can't find it. 56 00:05:10,320 --> 00:05:11,320 It's not in here. 57 00:05:12,360 --> 00:05:15,860 Well, I will look all over this place and the other room. Let's go and look in 58 00:05:15,860 --> 00:05:17,060 the kitchen. All right. Okay. 59 00:05:19,520 --> 00:05:20,560 It's got to be here someplace. 60 00:05:22,260 --> 00:05:25,440 Fred, if you were Lucy's novel, where would you go? 61 00:05:26,400 --> 00:05:28,700 Well, I'd run down in the basement and jump in the furnace. 62 00:05:29,720 --> 00:05:31,780 Now, come on. This is silly. It's got to be here someplace. 63 00:05:31,980 --> 00:05:33,400 Look under the sink, please. Oh, okay. 64 00:05:34,440 --> 00:05:35,440 I'll give you some light. 65 00:05:35,740 --> 00:05:36,740 Yeah, that'll help. 66 00:05:38,800 --> 00:05:40,060 I got it! What? 67 00:05:40,300 --> 00:05:41,620 She hung it in the blinds! 68 00:05:43,340 --> 00:05:44,960 Oh, my goodness. 69 00:05:45,300 --> 00:05:46,560 Oh, Father, go on. 70 00:05:46,840 --> 00:05:50,320 In the blinds. Oh, boy. 71 00:05:50,560 --> 00:05:53,740 How cute could you be? Now I'll get this all straightened out here. 72 00:05:54,240 --> 00:05:55,240 Listen to this. 73 00:05:55,820 --> 00:05:56,880 I got the title. 74 00:05:57,720 --> 00:05:59,180 Real Gun With The Wind. 75 00:06:05,800 --> 00:06:06,800 Here's the first page. 76 00:06:07,340 --> 00:06:13,940 Now it can be told for the first time how I, Lucille McKillicuddy, gave up a 77 00:06:13,940 --> 00:06:19,940 brilliant career in the theater to marry a poor and unknown bongo player. 78 00:06:23,020 --> 00:06:27,280 This, then, will be the story of one of the brightest lights in show business 79 00:06:27,280 --> 00:06:29,640 and how she dimmed her bulb. 80 00:06:35,450 --> 00:06:37,510 Wait, I got something here. Listen to this. 81 00:06:38,190 --> 00:06:41,390 Later, we moved to an apartment on East 68th Street. 82 00:06:41,790 --> 00:06:46,070 It was there that I met Ethel Nertz, our landlady. Ethel Nertz? 83 00:06:46,690 --> 00:06:50,290 That must be misspelled. No, she said she wasn't going to use our real names. 84 00:06:51,430 --> 00:06:53,910 Well, nobody knows who Ethel Nertz is. Oh, no. 85 00:06:54,790 --> 00:06:56,550 Well, now, let me go out here. Get the rest of it. 86 00:06:56,950 --> 00:06:59,370 It was there I met our landlady, Ethel Nertz. 87 00:06:59,670 --> 00:07:04,650 We became the very best of friends in spite of the great difference in our 88 00:07:08,520 --> 00:07:14,100 As the years went along, I came to think of her not just as a friend, not just 89 00:07:14,100 --> 00:07:16,020 as a neighbor, but as a mother. 90 00:07:19,620 --> 00:07:22,860 I don't think that's so funny. 91 00:07:25,300 --> 00:07:27,160 Go ahead and laugh. 92 00:07:28,520 --> 00:07:30,720 Well, ha, ha, ha, listen to this. 93 00:07:32,360 --> 00:07:36,740 A colorful character in our neighborhood was a funny old coot named Fred Nertz. 94 00:07:38,500 --> 00:07:39,920 Shall I go on? No. 95 00:07:40,140 --> 00:07:41,140 Go on. 96 00:07:41,260 --> 00:07:45,720 He was really a nice person if you had the time and energy to look beneath his 97 00:07:45,720 --> 00:07:47,300 rough and grumpy exterior. 98 00:07:48,200 --> 00:07:53,500 The best thing about Fred was that when you met him, you understood why Ethel 99 00:07:53,500 --> 00:07:54,800 was like she was. 100 00:07:58,700 --> 00:07:59,700 What does that mean? 101 00:07:59,900 --> 00:08:02,220 I don't know, but I'll bet it's insulting. Yeah. 102 00:08:02,780 --> 00:08:05,100 Now, come on. Don't be such bad sports. 103 00:08:05,820 --> 00:08:09,360 You're being too sensitive. Oh, we're being sensitive when you get to the 104 00:08:09,380 --> 00:08:11,740 Go on. Find something to bat your scalp in. Yeah, let's get paid. Okay. 105 00:08:12,140 --> 00:08:16,060 You are mother difference in our age. Here's something. 106 00:08:16,440 --> 00:08:17,620 Here's something right here. 107 00:08:18,220 --> 00:08:22,680 The greatest day of my life was the day I was married to Nicky Nicardo. 108 00:08:23,140 --> 00:08:24,420 Nicky Nicardo. 109 00:08:24,840 --> 00:08:25,920 I wonder what she means. 110 00:08:26,180 --> 00:08:27,180 Oh, I wouldn't know. 111 00:08:27,870 --> 00:08:33,730 Although Nicky was an unknown when I married him, he soon became one of the 112 00:08:33,730 --> 00:08:36,130 country's leading Latin American entertainers. 113 00:08:36,990 --> 00:08:38,429 That doesn't make me mad. 114 00:08:38,770 --> 00:08:43,309 His voice charmed millions. 115 00:08:43,950 --> 00:08:46,610 His guitar playing made women swoon. 116 00:08:47,470 --> 00:08:49,250 You know, she writes very well. 117 00:08:51,830 --> 00:08:54,030 His voice charmed millions. 118 00:08:54,270 --> 00:08:56,670 His guitar playing made women swoon. 119 00:08:57,210 --> 00:09:00,530 So it was a small wonder that... Where's page 12? 120 00:09:00,830 --> 00:09:01,830 Page 12. 121 00:09:02,350 --> 00:09:05,070 Let's find it. I got it. I got it. Good. What'd that say? 122 00:09:05,310 --> 00:09:06,990 His voice charmed millions. 123 00:09:07,230 --> 00:09:09,450 His guitar playing made women swoon. 124 00:09:09,690 --> 00:09:13,890 So it was a small wonder that... He turned into such a big ham you could 125 00:09:13,890 --> 00:09:14,890 him with clothes. 126 00:09:18,010 --> 00:09:20,470 Now, that is not funny. It's not funny at all. 127 00:09:21,150 --> 00:09:24,510 I think we'd better read this novel from beginning to end. Right now. I want the 128 00:09:24,510 --> 00:09:25,510 whole... 129 00:09:28,230 --> 00:09:30,450 Makes a nice fire, doesn't it? 130 00:09:33,450 --> 00:09:35,070 Well, hi, everybody. 131 00:09:35,330 --> 00:09:36,330 Hi. Hello. 132 00:09:36,730 --> 00:09:40,030 How come you got a fire on a nice day like this? 133 00:09:40,270 --> 00:09:44,230 Well, it makes it so comfy -like. There's nothing like a good book in a 134 00:09:44,230 --> 00:09:45,230 fire. 135 00:09:47,590 --> 00:09:51,170 You mean a good book in a roaring fire. 136 00:09:52,050 --> 00:09:53,310 That's more like it. 137 00:09:55,820 --> 00:10:00,980 What are you three up to? We pulled down the kitchen blind and changed the name 138 00:10:00,980 --> 00:10:03,060 of your novel to Forever Ember. 139 00:10:05,780 --> 00:10:07,260 You didn't. 140 00:10:17,580 --> 00:10:20,000 Well, the three little snoopers. 141 00:10:20,240 --> 00:10:23,420 I trust you didn't have too much trouble finding it. 142 00:10:24,100 --> 00:10:25,860 Well, it wasn't... easy. 143 00:10:27,220 --> 00:10:31,400 First of all, we had to make ourselves think the way you do. 144 00:10:32,500 --> 00:10:34,380 That was an accomplishment in itself. 145 00:10:36,680 --> 00:10:40,720 You know, the way that you wrote about the mercies on me is really something. A 146 00:10:40,720 --> 00:10:42,440 great difference in our ages. 147 00:10:43,060 --> 00:10:44,380 Funny old coot. 148 00:10:45,620 --> 00:10:49,500 I'm such a ham, I should go lie down between two pieces of rye bread. 149 00:10:51,020 --> 00:10:54,760 My book isn't even published yet, and already I'm being misquoted. 150 00:10:55,240 --> 00:10:57,660 Thanks to us, your book will never be published. 151 00:10:57,940 --> 00:11:00,440 But don't worry, it went out in a blaze of glory. 152 00:11:01,260 --> 00:11:08,040 Yep, you wrote a red -hot novel. A red -hot novel is a blaze of glory. 153 00:11:08,200 --> 00:11:10,120 You're all very smug, aren't you? 154 00:11:10,340 --> 00:11:13,880 If I'd known the type of people that I was dealing with, I'd have made a carbon 155 00:11:13,880 --> 00:11:16,300 copy. Yes, that would have been very clever. 156 00:11:16,540 --> 00:11:20,400 As a matter of fact, I do know the type of people that I'm dealing with. 157 00:11:21,000 --> 00:11:22,000 Pardon me. 158 00:11:22,140 --> 00:11:23,580 Pardon me, please. Pardon. 159 00:11:30,960 --> 00:11:31,960 Pardon me, please. 160 00:11:32,320 --> 00:11:33,320 Pardon. 161 00:11:34,160 --> 00:11:35,160 Pardon me. 162 00:11:37,800 --> 00:11:41,840 Pardon me. 163 00:11:50,520 --> 00:11:53,260 Let's see, I think that's all. One, two, three, yes. 164 00:11:53,580 --> 00:11:57,240 Not counting the one that I sent to Dorrance and Company Publishers. 165 00:11:57,860 --> 00:11:58,980 See you around the bookstore. 166 00:12:14,890 --> 00:12:16,130 there looking for that mailman again. 167 00:12:16,330 --> 00:12:19,910 Yes, I have. You'd think he'd be early just this once when he knows that I'm 168 00:12:19,910 --> 00:12:21,230 waiting for a letter from my publisher. 169 00:12:21,950 --> 00:12:25,090 Lucy, you really don't think anybody's going to publish that book of yours, do 170 00:12:25,090 --> 00:12:26,970 you? You don't, do you? 171 00:12:27,930 --> 00:12:32,790 If I had the slightest idea that anyone would ever consider it, I'd be down at 172 00:12:32,790 --> 00:12:34,350 the publisher's with my lawyer right now. 173 00:12:35,050 --> 00:12:36,870 You wait. You eat those words. 174 00:12:37,310 --> 00:12:41,050 If anybody ever publishes that book, I'll eat my hat. 175 00:12:43,540 --> 00:12:44,540 Registered letter. 176 00:12:45,200 --> 00:12:47,340 Dorrance and Dorrance Publishers. Yeah. 177 00:12:47,800 --> 00:12:48,800 Oh. 178 00:12:49,340 --> 00:12:50,560 Thank you. Thank you. 179 00:14:09,150 --> 00:14:10,370 Lucy. Yes, sir. 180 00:14:10,710 --> 00:14:13,030 We have something to say to you. Yes, darling. 181 00:14:13,870 --> 00:14:16,390 Fred and Ethel and I just had a conference. 182 00:14:16,670 --> 00:14:17,549 Oh. 183 00:14:17,550 --> 00:14:18,950 Nothing personal, dear. 184 00:14:19,610 --> 00:14:21,350 But we're suing you for libel. 185 00:14:24,890 --> 00:14:26,330 You're suing me? 186 00:14:26,550 --> 00:14:28,630 For every cent I've got. 187 00:14:32,670 --> 00:14:37,590 Well, I can't believe it. You're suing me, your wife, your best friend? 188 00:14:37,870 --> 00:14:41,710 Yep, we three are suing little old lovable libelous Lucy. 189 00:14:44,490 --> 00:14:46,930 Well, if that's the way you feel about it. 190 00:14:47,490 --> 00:14:52,530 It's too bad, though, considering I was going to split the royalties four ways. 191 00:14:52,870 --> 00:14:53,950 Split the royalties? 192 00:14:54,310 --> 00:14:57,430 Yes, yes, I was saving that as sort of a surprise. 193 00:14:58,110 --> 00:15:02,710 Lucy, you know darn well that that never occurred to you until you found out 194 00:15:02,710 --> 00:15:03,710 that we were going to sue. 195 00:15:04,630 --> 00:15:05,830 Well, that was a surprise. 196 00:15:08,970 --> 00:15:09,970 We'll say sewer. 197 00:15:10,050 --> 00:15:12,910 Sewer. Oh, sewer, sewer. Get your mind out of the gutter. 198 00:15:15,750 --> 00:15:17,710 I don't want my name in that book. 199 00:15:17,930 --> 00:15:22,130 Ethel, just think of the money. Why, your share alone might be $50 ,000. 200 00:15:22,510 --> 00:15:24,930 Yeah, what's the matter with you, Ethel? It sounds all right to me. 201 00:15:26,190 --> 00:15:28,170 Why, Brad, where's your pride? 202 00:15:28,430 --> 00:15:30,270 Remember, she called you an old coot. 203 00:15:30,550 --> 00:15:33,810 Listen, she can call me anything she likes for $50 ,000. 204 00:15:35,290 --> 00:15:37,530 Honestly. I'm in for a fourth, Lucy. 205 00:15:40,810 --> 00:15:42,690 friend, neighbor, and mother is not. 206 00:15:43,610 --> 00:15:45,170 Neither is the Cuban ham. 207 00:15:48,810 --> 00:15:49,810 West. 208 00:15:54,770 --> 00:15:56,130 Yes? Mrs. Ricardo? 209 00:15:56,430 --> 00:15:58,790 Yes, sir. I'm Mr. Dorrance of Dorrance and Company. 210 00:15:59,370 --> 00:16:04,670 Oh, how do you do, Mr. Dorrance? Oh, I'm so happy to see you. Oh, this is Mr. 211 00:16:04,850 --> 00:16:08,690 Dorrance, my publisher, Mr. and Mrs. Mertz. How are you? This is my husband, 212 00:16:08,790 --> 00:16:11,000 Ricardo. How do you do? Mr. Dorrance. My publisher. 213 00:16:11,300 --> 00:16:12,300 Won't you sit down, sir? 214 00:16:12,540 --> 00:16:15,700 Oh, excuse me. Oh, Mr. Dorrance, this is such a surprise. 215 00:16:16,000 --> 00:16:19,840 I'm so pleased to meet you. It certainly is a wonderful thrill to have my book 216 00:16:19,840 --> 00:16:22,940 published for the first time. Well, Mrs. Ricardo, ordinarily I don't handle 217 00:16:22,940 --> 00:16:23,879 these things myself. 218 00:16:23,880 --> 00:16:26,840 But in your case, I thought I ought to come out and talk to you myself. 219 00:16:27,180 --> 00:16:28,280 Oh, really? 220 00:16:28,800 --> 00:16:32,980 Yes. Mrs. Ricardo, last week my secretary got married. 221 00:16:33,540 --> 00:16:35,000 Oh. Well, congratulations. 222 00:16:36,090 --> 00:16:37,029 Thank you. 223 00:16:37,030 --> 00:16:40,090 Anyway, for the last few days, she hasn't had her mind on her work. 224 00:16:40,850 --> 00:16:44,550 And somehow, she got your name on someone else's manuscript. 225 00:16:46,530 --> 00:16:49,250 You mean she made a mistake? 226 00:16:49,690 --> 00:16:54,030 That's right. And when I wrote to you asking to publish your novel, I was 227 00:16:54,030 --> 00:16:55,790 referring to someone else's work entirely. 228 00:16:56,810 --> 00:17:01,050 Oh. I was just sick when I found out about it, so I sat down and read your 229 00:17:01,050 --> 00:17:05,210 novel. I know how disheartening this is to someone who is just starting to 230 00:17:05,210 --> 00:17:08,089 write. And I can't tell you how sorry I am that it happened. 231 00:17:09,190 --> 00:17:12,270 Oh, well, then this means you won't be publishing. 232 00:17:12,490 --> 00:17:15,450 I'm sorry, but it isn't quite what we're looking for right now. 233 00:17:16,069 --> 00:17:17,069 Oh. 234 00:17:18,490 --> 00:17:22,790 Well, I guess you want your check back then. No, please. We'd like you to keep 235 00:17:22,790 --> 00:17:24,569 it for all the heartaches we've given you. 236 00:17:24,810 --> 00:17:25,649 Oh, no. 237 00:17:25,650 --> 00:17:28,010 No, I couldn't accept it. I wish you would. 238 00:17:28,270 --> 00:17:29,290 Oh, no, I couldn't. 239 00:17:30,490 --> 00:17:32,570 Well, I could accept $25 of it. 240 00:17:45,520 --> 00:17:46,520 Well, goodbye. 241 00:17:47,540 --> 00:17:51,600 Thank you for coming over, mister. I'm awfully sorry. Goodbye. Thank you. 242 00:18:01,900 --> 00:18:04,220 Oh, honey, don't feel so bad. What does he know? 243 00:18:04,660 --> 00:18:05,660 Oh, sure. 244 00:18:05,860 --> 00:18:09,540 You wrote a wonderful novel full of true -to -life characters. 245 00:18:09,740 --> 00:18:12,900 Yeah. Come to think of it, I really am a funny old coot. 246 00:18:18,540 --> 00:18:21,860 Come on, honey, cry or something. Don't just stand there looking like that. I 247 00:18:21,860 --> 00:18:22,860 can't take it. 248 00:18:23,500 --> 00:18:24,620 I can't cry. 249 00:18:25,240 --> 00:18:27,100 This is deeper than tears. 250 00:18:27,680 --> 00:18:32,180 Oh, now, when you write your second novel, why, Mr. Dorrance will come 251 00:18:32,180 --> 00:18:33,180 to buy it. Yeah. 252 00:18:33,900 --> 00:18:35,840 There'll be no second novel. 253 00:18:48,460 --> 00:18:50,860 sad and sad about. I'm not sad for myself. 254 00:18:51,280 --> 00:18:53,120 I'm sad for the world. 255 00:18:53,660 --> 00:18:57,120 Mankind will never benefit from these immortal pages. 256 00:18:57,560 --> 00:19:00,460 It isn't my loss. It's a loss to civilization. 257 00:19:00,920 --> 00:19:03,820 Too bad, world. Too bad, mankind. 258 00:19:04,960 --> 00:19:06,620 Sorry, book of the month. 259 00:19:26,760 --> 00:19:28,980 I'm not writing anything again as long as I live. 260 00:19:30,860 --> 00:19:32,060 What do you want me to say? 261 00:19:32,380 --> 00:19:34,700 Two quarts of milk and a pint of cream. 262 00:19:35,020 --> 00:19:36,020 Okay. 263 00:19:38,920 --> 00:19:39,920 Hello. 264 00:19:41,060 --> 00:19:42,800 Oh, hello, Mr. Doran. 265 00:19:44,980 --> 00:19:45,980 You did? 266 00:20:10,250 --> 00:20:13,270 friend of mine, my book, and he wants to see it. He thinks he can use it. Oh, 267 00:20:13,530 --> 00:20:15,630 honey, that's wonderful. Isn't it great? 268 00:20:16,630 --> 00:20:19,510 Wait a minute. You tore up every copy you had. 269 00:22:02,830 --> 00:22:04,950 brush in my... What follows, Lucy? 270 00:22:05,410 --> 00:22:06,530 Naturally red hair. 271 00:22:09,410 --> 00:22:10,570 Naturally red hair. 272 00:22:11,510 --> 00:22:12,750 Well, I threw that away. 273 00:22:13,350 --> 00:22:15,470 I didn't think that came from Lucy's book. 274 00:22:15,770 --> 00:22:18,450 Oh, come on. Get it out of there and bring it over here. 275 00:23:16,520 --> 00:23:17,299 be sufficient. 276 00:23:17,300 --> 00:23:18,300 Huh? 277 00:23:18,620 --> 00:23:21,520 Oh, Mr. Eaton, why do you have on your pajamas? 278 00:23:22,640 --> 00:23:25,340 Honey, it's me, Ricky. Wake up. Oh, oh. 279 00:23:25,580 --> 00:23:26,720 Haven't you gone to bed yet? 280 00:23:27,000 --> 00:23:29,340 No, I have to retype this so it'll be neat. 281 00:23:32,620 --> 00:23:36,020 Honey, it's 9 .30 in the morning. You said you were coming right to bed. 282 00:23:36,260 --> 00:23:39,120 Come on, honey, you gotta get some rest. Come on, sweetheart, honey. 283 00:23:49,480 --> 00:23:53,200 wanted to retype the novel so it looked neat, and she sat up all night and typed 284 00:23:53,200 --> 00:23:55,320 the whole thing over again. Oh, no. 285 00:23:56,120 --> 00:23:57,460 She hasn't gone to bed yet. 286 00:24:01,120 --> 00:24:04,120 Hello? Oh, may I speak to Mr. Eaton, please? 287 00:24:04,440 --> 00:24:05,880 This is Mr. Eaton speaking. 288 00:24:06,260 --> 00:24:08,240 Oh, Mr. Eaton, this is Mrs. Ricardo. 289 00:24:08,680 --> 00:24:12,100 I was supposed to bring a novel down to you this morning. Can I still come down? 290 00:24:12,220 --> 00:24:13,139 Is it too late? 291 00:24:13,140 --> 00:24:16,040 Why, of course, Mrs. Ricardo. Come down any time you like. 292 00:24:18,250 --> 00:24:19,249 Mrs. Ricardo. 293 00:24:19,250 --> 00:24:19,829 Yes, sir? 294 00:24:19,830 --> 00:24:20,709 Did Mr. 295 00:24:20,710 --> 00:24:22,630 Dorrance tell you how I wanted to use it? 296 00:24:23,410 --> 00:24:24,289 How's that? 297 00:24:24,290 --> 00:24:27,690 Mr. Dorrance, did he tell you how I wanted to use it? No, sir. 298 00:24:28,030 --> 00:24:32,310 Well, I'd like very much to print portions of it in a textbook I'm 299 00:24:32,310 --> 00:24:33,370 how to write a novel. 300 00:24:33,870 --> 00:24:34,870 Oh! 301 00:24:35,390 --> 00:24:40,170 Oh, he wants to print portions of it in a textbook on how to write a novel. 302 00:24:42,010 --> 00:24:46,330 Go on, Mr. Eaton. Well, I wish Mr. Dorrance had mentioned this to you, 303 00:24:47,260 --> 00:24:51,280 It'll head up the chapter entitled, Don't Let This Happen to You. 304 00:24:56,380 --> 00:25:00,000 It's going to head up the chapter entitled, Don't Let... 305 00:26:14,190 --> 00:26:16,470 I Love Lucy is a Desilu production. 306 00:26:17,130 --> 00:26:21,230 Lucille Ball and Desi Arnaz will be back next week at this same time. 23235