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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:38,150 --> 00:00:39,049 Ricky, guess what? 2 00:00:39,050 --> 00:00:41,350 What, what? The baby laughed right out loud. 3 00:00:41,630 --> 00:00:42,630 That's nice. 4 00:00:45,690 --> 00:00:49,490 You said the baby laughed right out loud? Yes, and it was so cute. You 5 00:00:49,490 --> 00:00:51,250 have seen it. And it wasn't an accident. 6 00:00:51,490 --> 00:00:54,450 I made a funny face and he laughed at it. Isn't that intelligent? 7 00:00:54,910 --> 00:00:55,910 Oh, honey. 8 00:00:56,990 --> 00:01:00,250 I wish I'd seen him. Well, come on. I'll make him do it again. You think he 9 00:01:00,250 --> 00:01:01,730 will? Sure he will. Yeah? 10 00:01:01,970 --> 00:01:02,970 Yeah. 11 00:01:04,750 --> 00:01:05,750 Come on. 12 00:01:06,290 --> 00:01:07,290 Now you just watch. 13 00:01:07,920 --> 00:01:08,920 Come on, honey. 14 00:01:09,000 --> 00:01:10,000 Here we go. 15 00:01:10,060 --> 00:01:11,100 Here we go again. 16 00:01:11,420 --> 00:01:12,420 Now you watch. 17 00:01:12,460 --> 00:01:13,460 All right. 18 00:01:18,640 --> 00:01:19,640 Well, 19 00:01:24,320 --> 00:01:25,320 he laughed before. 20 00:01:25,760 --> 00:01:27,380 But maybe that face wasn't funny. 21 00:01:34,820 --> 00:01:36,400 He's a great audience, this kid. 22 00:01:36,640 --> 00:01:37,640 Well... 23 00:01:38,220 --> 00:01:39,220 I'll get him. 24 00:01:45,220 --> 00:01:46,220 Pekingese dog. 25 00:02:20,520 --> 00:02:21,520 with you. 26 00:02:21,940 --> 00:02:24,020 Can't you do what Mama wants you to do, huh? 27 00:02:30,740 --> 00:02:32,120 You got a sink to be fixed? 28 00:02:36,960 --> 00:02:37,960 Hey, Rick. 29 00:02:38,380 --> 00:02:41,340 Oh, hi, Fred. Just a minute, will you? Just a minute. 30 00:02:46,720 --> 00:02:49,880 Oh, boy, boy, boy, boy. What's so exciting? 31 00:02:50,440 --> 00:02:55,480 All those Indians you used to have in this country, the stories about them 32 00:02:55,480 --> 00:02:56,980 really make your blood cuddle. 33 00:02:59,520 --> 00:03:00,520 Cuddle? 34 00:03:00,940 --> 00:03:01,940 Yeah, cuddle. 35 00:03:02,180 --> 00:03:03,700 Oh, cuddle. 36 00:03:04,140 --> 00:03:07,080 I thought you meant like in that song, curdle up a little closer. 37 00:03:09,380 --> 00:03:10,380 Oh. 38 00:03:10,680 --> 00:03:12,400 What are you reading that kind of stuff for, anyhow? 39 00:03:13,400 --> 00:03:17,220 Well, Lucy wants me to study American history, so I'll be a good father for 40 00:03:17,220 --> 00:03:18,220 boy. 41 00:03:20,490 --> 00:03:21,490 And you know something? 42 00:03:22,090 --> 00:03:23,290 He gave me a wonderful idea. 43 00:03:23,570 --> 00:03:24,710 Yeah? Yes, sir? 44 00:03:25,050 --> 00:03:27,690 I'm putting on a show at the club, an Indian show. 45 00:03:27,950 --> 00:03:30,910 Oh, fun. Hey, you got a job for me in it? 46 00:03:31,710 --> 00:03:35,070 Well, you don't look like the Indian type to me, Fred. 47 00:03:37,310 --> 00:03:38,930 You look more like the plumber type. 48 00:03:40,090 --> 00:03:43,270 Which reminds me, I got a sink in the kitchen that needs fixing. All right, 49 00:03:43,350 --> 00:03:44,350 okay, okay. 50 00:03:45,770 --> 00:03:46,770 I'll be right with you. 51 00:03:59,850 --> 00:04:00,850 You find the Indians? 52 00:04:02,050 --> 00:04:03,050 Two of them. 53 00:04:03,470 --> 00:04:04,369 Good, yeah. 54 00:04:04,370 --> 00:04:05,370 That's what we need. 55 00:04:06,050 --> 00:04:07,970 Okay, look, Jerry, I tell you what. 56 00:04:08,870 --> 00:04:11,290 Send them over to my apartment this afternoon and I'll look at them, eh? 57 00:04:12,290 --> 00:04:13,290 Okay. 58 00:04:13,970 --> 00:04:14,970 Thank you. 59 00:04:15,510 --> 00:04:16,510 Goodbye, Jerry. 60 00:04:39,500 --> 00:04:40,840 to mock us and dance for you. 61 00:04:47,580 --> 00:04:51,040 How do you 62 00:04:51,040 --> 00:04:56,260 like them? 63 00:04:57,740 --> 00:04:58,740 Stink them. 64 00:05:01,600 --> 00:05:03,960 Look, Fred, they got to be real Indians. 65 00:05:04,440 --> 00:05:07,700 I'm sorry, old man. I got a couple of them coming over here this afternoon. 66 00:05:08,100 --> 00:05:09,100 Coming over here? 67 00:05:11,210 --> 00:05:13,530 Listen, how are you going to keep Lucy out of the act? 68 00:05:14,150 --> 00:05:15,150 Lucy? Yeah. 69 00:05:15,650 --> 00:05:18,130 Oh, that's all over with. 70 00:05:18,890 --> 00:05:20,210 Lucy's a mother now. 71 00:05:20,910 --> 00:05:25,190 She's perfectly happy just staying at home and taking care of the baby. This I 72 00:05:25,190 --> 00:05:26,190 got to see. 73 00:05:26,390 --> 00:05:27,390 Hi, Lucy. Hi, Fred. 74 00:05:27,630 --> 00:05:28,630 Lucy. What? 75 00:05:28,970 --> 00:05:33,510 I was just telling Fred that since you had the baby, the thought of being in 76 00:05:33,510 --> 00:05:36,190 show business has completely left your mind. Hasn't it? 77 00:05:54,380 --> 00:05:55,239 Right back in. 78 00:05:55,240 --> 00:05:57,820 Ricky, what do I do? What do I do? Sing? No. 79 00:05:58,040 --> 00:06:00,020 Dance? No. Tell jokes? No. 80 00:06:00,220 --> 00:06:01,220 Play my saxophone? 81 00:06:01,380 --> 00:06:03,760 No. Walk around look beautiful like a showgirl? 82 00:06:03,980 --> 00:06:05,820 Down, girl. 83 00:06:06,580 --> 00:06:08,060 Down, girl. Down, 84 00:06:08,980 --> 00:06:10,740 girl. Little mother. 85 00:06:12,200 --> 00:06:15,460 Now, Ricky, it's been a long time since I even asked you to be in one of your 86 00:06:15,460 --> 00:06:20,300 shows. Yes, I remember the last time. And you said it was going to be your 87 00:06:20,300 --> 00:06:23,360 song. Well, it's time for that swan to hit the comeback trail. 88 00:06:24,520 --> 00:06:27,060 That swan's got a little ham in it. You keep out of this. 89 00:06:28,480 --> 00:06:30,140 Look, I want you to understand this. 90 00:06:30,420 --> 00:06:33,300 You cannot be in this show or in any other show. 91 00:06:33,580 --> 00:06:34,680 Give me one good reason. 92 00:06:34,900 --> 00:06:36,240 I'll give you one good reason. 93 00:06:36,800 --> 00:06:37,800 You're a mother. 94 00:06:37,900 --> 00:06:41,360 I have just as much talent now as I had before the baby was born. 95 00:06:41,760 --> 00:06:43,500 That makes two good reasons. 96 00:06:48,880 --> 00:06:50,940 Your public is waiting for you in there. 97 00:06:53,680 --> 00:06:56,660 I guess I better call up and cancel those auditions. What's the show about? 98 00:06:57,020 --> 00:06:58,020 Never mind. 99 00:08:13,840 --> 00:08:14,599 Call Gary. 100 00:08:14,600 --> 00:08:17,240 Oh. And tell him to switch the auditions down there. 101 00:08:17,500 --> 00:08:20,620 Hey, I got a great joke you can use. 102 00:08:20,840 --> 00:08:21,840 Yeah? Yeah. 103 00:08:22,100 --> 00:08:25,540 Do you know the one about the Indian that had to sleep in the hotel lobby 104 00:08:25,540 --> 00:08:26,760 because he didn't have a reservation? 105 00:09:30,680 --> 00:09:34,960 I'm glad I didn't live in them. Listen. 106 00:09:35,340 --> 00:09:39,320 Listen to this. Then the silhouettes of the Indians appeared on the horizon. 107 00:09:39,620 --> 00:09:43,120 The pioneer men pushed the women and children back into the wagons. 108 00:09:43,420 --> 00:09:47,280 Imagine being alone out on the prairie, thousands of miles away from any help. 109 00:09:47,400 --> 00:09:48,400 Imagine that. 110 00:09:48,840 --> 00:09:51,440 The Indians crept closer and closer. 111 00:09:51,840 --> 00:09:56,140 Fire -tipped arrows pierced the canvas of the first wagon. Women fainted. 112 00:09:59,120 --> 00:10:04,600 upon them. They could see their fiendish faces hideously painted, grotesque in 113 00:10:04,600 --> 00:10:05,920 the light of the leaping flames. 114 00:10:06,300 --> 00:10:10,020 There was a lull as the last groans of the dying men faded. 115 00:10:10,540 --> 00:10:15,240 Suddenly to the ears of the cowering women and children, out of the stillness 116 00:10:15,240 --> 00:10:18,120 the night broke the sound of an Indian war cry. 117 00:11:54,730 --> 00:11:55,730 new show. 118 00:11:56,010 --> 00:12:00,130 They should have gone down to the club. 119 00:12:00,550 --> 00:12:01,550 Why'd you slug them? 120 00:12:03,110 --> 00:12:04,150 Why'd you slug them? 121 00:12:05,150 --> 00:12:06,150 Why'd we slug them? 122 00:12:07,430 --> 00:12:11,510 Oh, oh, oh, I was reading a book about Indians and writing the most exciting 123 00:12:11,510 --> 00:12:14,670 part. They came in and we just got carried away. 124 00:12:15,390 --> 00:12:17,330 Well, if they're hurt, you might get put away. 125 00:12:46,090 --> 00:12:47,090 Yes, yes. 126 00:12:47,130 --> 00:12:49,410 Ellen, you're supposed to get on the Tropicana Club. 127 00:12:49,630 --> 00:12:50,630 Are you all right? 128 00:12:51,050 --> 00:12:53,530 Well, I guess we'll live. 129 00:12:53,790 --> 00:12:56,450 Man, these auditions are getting tougher every day. 130 00:12:58,170 --> 00:13:00,050 Listen, I'm Mrs. 131 00:13:00,250 --> 00:13:05,530 Ricardo, and I promise that you'll both get the job if maybe you'll just forget 132 00:13:05,530 --> 00:13:06,530 about this. 133 00:13:07,490 --> 00:13:08,490 Well... 134 00:13:28,139 --> 00:13:34,940 Once, by the shores of Gitche Gumee, by the shining big seawater, stood 135 00:13:34,940 --> 00:13:38,360 the wigwam of... Will you stay with the baby while I go to rehearsal? 136 00:13:38,700 --> 00:13:40,180 No, she won't. Why won't I? 137 00:13:40,420 --> 00:13:43,380 Well, because Ricky just called and he wants us to come down to the club. He's 138 00:13:43,380 --> 00:13:44,780 got a job for us and a new show. 139 00:13:45,040 --> 00:13:46,620 Oh, that's wonderful. 140 00:13:46,940 --> 00:13:48,600 I'm sorry, Lucy. I'll see you later. 141 00:13:49,560 --> 00:13:50,780 Oh, yeah, maybe you will. 142 00:13:51,200 --> 00:13:52,200 Huh? 143 00:13:52,440 --> 00:13:56,300 Well, I might just stroll down to the club with the baby this afternoon. 144 00:13:57,780 --> 00:14:01,920 It's miles down there. Oh, yeah, I guess you're right. It's too far. 145 00:14:02,360 --> 00:14:03,360 So long. 146 00:14:49,290 --> 00:14:50,290 That's pretty good for that step. 147 00:14:50,650 --> 00:14:53,210 Now let's take the whole thing from the top. Oh, no. 148 00:14:53,430 --> 00:14:55,870 I couldn't do it again, Ricky. I'm too tired. 149 00:14:56,150 --> 00:14:58,630 I couldn't go through it. Well, you characters, you want to be in show 150 00:14:58,630 --> 00:15:01,310 and you don't want to rehearse. Why don't you get a whiff? Oh, my feet. Oh, 151 00:15:01,310 --> 00:15:04,250 feet. All right, okay. You go over to the table and rest for a while. I'll try 152 00:15:04,250 --> 00:15:05,229 the other number. 153 00:15:05,230 --> 00:15:06,730 Pepin, you go take a smoke. Go ahead. 154 00:15:07,650 --> 00:15:12,090 All right, let's try the waters of the Minnetonka. Is that the number? 155 00:15:12,830 --> 00:15:13,809 That's right. All right. 156 00:15:13,810 --> 00:15:17,610 I want to try the Mooney Pack, too, so get ready with the light, boys. 157 00:15:19,240 --> 00:15:20,640 Okay, Rick. Marco, ready? 158 00:15:22,020 --> 00:15:23,280 Here we go. I'll give you two, huh? 159 00:15:24,260 --> 00:15:25,260 One, two. 160 00:15:50,700 --> 00:15:51,700 Psalm. 161 00:18:01,680 --> 00:18:02,379 tomorrow afternoon. 162 00:18:02,380 --> 00:18:03,380 Tomorrow afternoon? 163 00:18:03,680 --> 00:18:06,460 That's right. Who ever heard of a nightclub open in the afternoon? 164 00:18:06,920 --> 00:18:10,200 Well, the place is sold for a benefit, a woman's club benefit. 165 00:18:10,840 --> 00:18:13,700 Besides, it'll give us a good chance to break in the act. 166 00:18:13,960 --> 00:18:16,900 Gee, Ricky, that's the only time I've got to spend with my baby. 167 00:18:17,820 --> 00:18:21,640 Well, honey, you'll make some extra money. You can buy the kid a defense 168 00:18:21,740 --> 00:18:22,740 all right? 169 00:18:22,840 --> 00:18:23,900 Okay. All right. 170 00:18:24,140 --> 00:18:25,140 Now, let's see. 171 00:18:25,580 --> 00:18:29,760 What kind of an act can I get to fill in while I change my costume for that 172 00:18:29,760 --> 00:18:31,080 peace pipe number? Well, 173 00:19:25,740 --> 00:19:28,120 I don't want to hear another word about it. Well, honey, you didn't even give me 174 00:19:28,120 --> 00:19:29,780 a chance to show you what I can really do. 175 00:19:30,080 --> 00:19:32,400 Well, why don't you leave your name and address with the secretary? 176 00:19:33,140 --> 00:19:34,900 Come on, let's check our costume. Let's go. 177 00:19:35,380 --> 00:19:36,760 Get moving here. 178 00:19:37,420 --> 00:19:38,420 Juanita. 179 00:19:41,320 --> 00:19:44,380 Juanita, it sure is a shame you can't spend any time with your baby tomorrow 180 00:19:44,380 --> 00:19:47,040 afternoon. I know just how you feel now that we have a child. 181 00:19:47,620 --> 00:19:50,660 Wouldn't it be wonderful if we could figure out some way that the show could 182 00:19:50,660 --> 00:19:52,580 on and you could still spend time with your baby? 183 00:19:52,990 --> 00:19:56,550 Be terrific. Well, now, if we just put our heads together, I'm sure that we're 184 00:19:56,550 --> 00:19:57,550 going to be able to do it. 185 00:20:31,310 --> 00:20:33,110 Said don't get yourself in a sweat. 186 00:20:33,550 --> 00:20:36,050 When things go wrong, you're struggling. 187 00:22:12,080 --> 00:22:17,900 version of one of the most beautiful Indian numbers ever written, 188 00:22:18,160 --> 00:22:21,440 the waters of the Minnetonga. 189 00:24:18,640 --> 00:24:19,640 taking care of the baby. 190 00:25:02,280 --> 00:25:06,300 Juanita was played by Carol Richards, and the Indians were Frank Gerstle and 191 00:25:06,300 --> 00:25:07,300 Dick Reeves. 192 00:25:35,340 --> 00:25:37,260 I Love Lucy is a Desilu production. 193 00:25:37,880 --> 00:25:42,080 Lucille Ball and Desi Arnaz will be back next week at this same time. 194 00:25:43,860 --> 00:25:46,220 This is the CBS Television Network. 14061