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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:31,880 --> 00:00:32,879 Hi, Lucy. 2 00:00:32,880 --> 00:00:35,160 Here's the tray you wanted. Oh, thanks, doll. 3 00:00:37,060 --> 00:00:40,580 Oh, look at the hors d 'oeuvres. Boy, are you fancy. 4 00:00:40,840 --> 00:00:43,280 Now, stop that. I've got them arranged just right. 5 00:00:43,900 --> 00:00:44,900 Who's coming? 6 00:00:45,120 --> 00:00:46,760 Some of Ricky's friends from Cuba. 7 00:00:47,840 --> 00:00:49,560 Really? Yeah. Stop it! 8 00:00:51,040 --> 00:00:53,840 Gee, you know, Ethel, we've been married all these years, and it's the first 9 00:00:53,840 --> 00:00:55,760 time any of Ricky's friends have ever visited us. 10 00:00:59,530 --> 00:01:02,990 And you know they're all going to go back and tell everybody what kind of a 11 00:01:02,990 --> 00:01:07,490 Ricky married. My entire Cuban reputation depends on how I handle 12 00:01:07,490 --> 00:01:09,330 afternoon. Ah, you'll do fine. 13 00:01:12,990 --> 00:01:16,790 Who are these people? Well, they're members of a dance group that Ricky 14 00:01:16,790 --> 00:01:20,650 with in Cuba. And he's booked them into the club to start off their American 15 00:01:20,650 --> 00:01:23,850 tour. Gee, that's exciting. How do you like my new dress? 16 00:01:24,390 --> 00:01:27,660 Dreamy. They'll go back to Cuba and say... Oh, here they come, honey. Jenny, 17 00:01:27,660 --> 00:01:29,500 drop this in the kitchen on your way out, will you? Yeah. 18 00:01:30,600 --> 00:01:31,820 Good luck. Thank you. 19 00:01:33,460 --> 00:01:34,780 Lucy? Hello. 20 00:01:35,060 --> 00:01:36,140 Señora y señora Ortega? 21 00:01:36,360 --> 00:01:37,480 How do you do? Carlos? 22 00:01:37,840 --> 00:01:40,780 Maria? How do you do? Lucy? May I take your coat? 23 00:01:41,020 --> 00:01:42,020 Gracias. Siéntese. 24 00:01:42,240 --> 00:01:43,240 Siéntese, a favor. Gracias. 25 00:01:43,500 --> 00:01:44,500 Gracias. 26 00:01:45,620 --> 00:01:46,620 Lucy, 27 00:01:46,780 --> 00:01:48,000 did Fred bring the wine? 28 00:01:48,300 --> 00:01:51,480 Wine? Yeah, I told him to bring two special bottles of wine. Honey, I 29 00:01:51,480 --> 00:01:52,079 seen it. 30 00:01:52,080 --> 00:01:53,080 Oh, I hope he didn't forget. 31 00:01:53,300 --> 00:01:54,300 I'll be right back. 32 00:01:56,270 --> 00:02:00,810 Well, it certainly is nice to meet some of Ricky's friends from Cuba after all 33 00:02:00,810 --> 00:02:01,810 these years. 34 00:02:04,390 --> 00:02:06,350 I'll bet you wondered what I looked like. 35 00:02:08,430 --> 00:02:13,330 What kind of a girl did you think Ricky would marry? 36 00:02:14,770 --> 00:02:17,630 No, don't tell me. I shouldn't have asked that. 37 00:02:18,630 --> 00:02:20,070 How do you like the apartment? 38 00:02:20,390 --> 00:02:21,770 I decorated it myself. 39 00:02:22,960 --> 00:02:26,860 I think it has sort of a homey atmosphere, don't you think so? 40 00:02:31,340 --> 00:02:35,920 Would you have an hors d 'oeuvre? 41 00:02:37,700 --> 00:02:39,020 I made them myself. 42 00:02:39,760 --> 00:02:40,760 Oh, gracias. 43 00:02:40,860 --> 00:02:41,860 Muchas gracias. 44 00:02:45,800 --> 00:02:50,020 Ricky told me all about your dancing group and what a success it was in Cuba. 45 00:02:50,480 --> 00:02:51,920 Where do you think you'll go from here? 46 00:02:56,560 --> 00:02:58,760 Do you know where you'll go from here? 47 00:03:06,240 --> 00:03:07,640 We donut. 48 00:03:09,600 --> 00:03:10,920 We donut? 49 00:03:11,620 --> 00:03:13,500 Sounds like someplace in Arkansas. 50 00:03:17,560 --> 00:03:18,560 Oh. 51 00:03:19,540 --> 00:03:23,060 We donut speak English. 52 00:03:28,220 --> 00:03:30,020 English. Oh, well. 53 00:03:32,140 --> 00:03:33,140 Well. 54 00:03:36,520 --> 00:03:38,920 Will you have another hors d 'oeuvre? 55 00:03:39,480 --> 00:03:40,480 Si, gracias. 56 00:03:40,500 --> 00:03:41,500 No, gracias. 57 00:03:41,580 --> 00:03:45,120 Would you like a drink? 58 00:03:45,420 --> 00:03:46,860 Como? Oh, I forgot. 59 00:03:47,400 --> 00:03:49,500 Would you like -o el drink -o? 60 00:03:51,260 --> 00:03:52,300 El drink -o. 61 00:03:53,480 --> 00:03:54,920 I'm sorry it took so long. 62 00:03:59,210 --> 00:04:00,210 nice talk. 63 00:04:00,750 --> 00:04:05,110 Oh, I forgot to tell you, Carlos and Maria don't speak in English. 64 00:04:05,390 --> 00:04:08,630 Yes, I sensed that while you were gone. 65 00:04:09,690 --> 00:04:10,790 Well, I'm back now. 66 00:04:11,350 --> 00:04:13,610 Estamos encantados de conocer a tu mujer. 67 00:04:13,950 --> 00:04:14,948 Sí, chico. 68 00:04:14,950 --> 00:04:16,250 Oh, muchas gracias, muchas gracias. 69 00:04:17,110 --> 00:04:22,050 They want me to tell you that they're very happy to meet you. Oh, thank you. 70 00:04:22,410 --> 00:04:23,410 Thank you. 71 00:04:25,590 --> 00:04:27,230 ¿Un poquito de vino, Maria? Gracias. 72 00:04:27,490 --> 00:04:28,490 Lucy? 73 00:04:29,690 --> 00:04:31,910 Carlos, ¿quieres un poquito de vino? Sí, muchas gracias. 74 00:04:32,890 --> 00:04:35,370 Bueno, ¿eh? ¡A sus saludes! ¡A la salud! 75 00:04:35,790 --> 00:04:36,790 ¡A cubita bella! 76 00:04:37,270 --> 00:04:38,270 ¡A la jaim! 77 00:04:45,690 --> 00:04:47,670 ¡Buen vino, eh! 78 00:04:48,290 --> 00:04:53,470 ¡Muy bueno el vino! Well, it certainly is nice to meet some of Ricky's friends 79 00:04:53,470 --> 00:04:54,470 from Cuba. 80 00:04:58,410 --> 00:05:02,070 Lucy quiere que le diga que está muy contenta de conocer a los amigos míos de 81 00:05:02,070 --> 00:05:04,970 Cuba después de tantos años de casados. Ah, muchas gracias. 82 00:05:08,030 --> 00:05:11,570 Did you have a nice boat trip up here? 83 00:05:13,430 --> 00:05:15,310 Honey, they're not hard of hearing, you know. 84 00:05:16,910 --> 00:05:22,270 Oh, did you have a nice... Well, honey, you asked me if they had a nice boat 85 00:05:22,270 --> 00:05:23,270 trip. 86 00:05:23,990 --> 00:05:25,970 Lucy wants to know if you had a... Oh, fine. 87 00:05:42,850 --> 00:05:49,750 The first day I was 88 00:05:49,750 --> 00:05:50,750 just beautiful. 89 00:05:56,620 --> 00:05:58,860 The second day, the seas got a little rough. 90 00:05:59,740 --> 00:06:04,900 The third day, the waves were big, big, big. 91 00:06:06,500 --> 00:06:09,100 Maria and I were extremely dizzy. 92 00:06:12,180 --> 00:06:18,300 The third day, the waves... Never mind, never mind. 93 00:06:20,040 --> 00:06:22,320 I understand more Spanish than I thought. 94 00:06:42,599 --> 00:06:45,720 She wants to know if the color of your hair is natural. 95 00:06:47,500 --> 00:06:49,840 Oh, well, certainly tell them it's natural. 96 00:06:50,460 --> 00:06:52,680 My father and my mother both had red hair. 97 00:06:57,180 --> 00:06:59,500 Well, Ricky, go ahead and tell them. 98 00:07:02,180 --> 00:07:02,740 I 99 00:07:02,740 --> 00:07:17,920 have 100 00:07:17,920 --> 00:07:20,140 an idea my hair suffered in the translation. 101 00:07:21,900 --> 00:07:22,900 Dino? 102 00:07:23,609 --> 00:07:24,609 No, vino. 103 00:07:24,910 --> 00:07:25,910 Muchas gracias, sí. 104 00:07:26,790 --> 00:07:27,790 Gracias. 105 00:07:29,110 --> 00:07:31,650 Oye, Renita llegará dentro de un momento. 106 00:07:31,970 --> 00:07:32,749 Ah, sí. 107 00:07:32,750 --> 00:07:36,190 He estado tratando de averiguar a qué hora llega el avión que tomó Ramón. 108 00:07:36,510 --> 00:07:37,910 Parece que hubo una tardada. 109 00:07:38,130 --> 00:07:39,130 Ah, lo siento muchísimo. 110 00:07:39,470 --> 00:07:43,450 Oye, se me ocurre una cosa. ¿Qué cosa? Si Ramón no llega a tiempo para la 111 00:07:43,450 --> 00:07:45,910 apertura, ¿por qué no bailas tú con Renita? 112 00:07:46,190 --> 00:07:49,350 ¿Yo bailar con Renita? Sí. No, viejo, ni pensé. 113 00:07:49,570 --> 00:07:50,670 No, no, de verdad. 114 00:07:54,380 --> 00:07:55,500 No, no, no. 115 00:07:55,740 --> 00:07:56,740 Oh, go ahead. 116 00:08:04,000 --> 00:08:06,220 Go ahead and what? 117 00:08:07,160 --> 00:08:08,160 I don't know. 118 00:08:09,280 --> 00:08:10,280 I'm sorry. 119 00:08:11,280 --> 00:08:17,180 I'm sorry, they know what we're talking about. We're talking about Renita Perez. 120 00:08:17,540 --> 00:08:20,060 Who? Renita Perez. She'll be here any minute. 121 00:08:20,280 --> 00:08:24,370 Oh. Oh, she's with the troop, you know. Oh. And when I was in Cuba, I used to do 122 00:08:24,370 --> 00:08:26,090 a number with her in which I played her father. 123 00:08:26,390 --> 00:08:27,390 Oh, really? 124 00:08:28,290 --> 00:08:30,730 She was the cutest little thing you ever saw. 125 00:08:31,490 --> 00:08:35,110 So they were telling me, you know, that her partner hasn't arrived in New York, 126 00:08:35,190 --> 00:08:38,510 and they want me to dance with her tomorrow night at the opening. 127 00:08:38,789 --> 00:08:41,370 Well, honey, I think you should. Go ahead. 128 00:08:42,809 --> 00:08:45,110 I'd love to see you and little Renita dance. 129 00:08:46,230 --> 00:08:49,460 Oh, honey, I haven't done that kind of stuff in a long time. Oh, nonsense. 130 00:08:49,820 --> 00:08:52,020 Besides, it would help the good neighbor policy. 131 00:08:52,620 --> 00:08:55,200 The good neighbor policy would be helped. 132 00:08:56,880 --> 00:08:59,360 All right, I'll do it. Okay, I'll do it. 133 00:09:00,600 --> 00:09:01,600 Yes? 134 00:09:09,180 --> 00:09:10,180 Good evening. 135 00:09:10,400 --> 00:09:11,400 Good evening. 136 00:09:12,540 --> 00:09:13,540 Ricky! 137 00:09:27,820 --> 00:09:28,820 I wanted to meet my wife. 138 00:09:29,000 --> 00:09:32,080 Lucy, this is Renita, right? This is my wife, Lucy. How do you do? 139 00:09:32,440 --> 00:09:36,720 How do you do? It is so exciting. I haven't seen Ricky since I was a little 140 00:09:36,720 --> 00:09:39,060 girl. Yeah, that's what he told me. 141 00:09:40,360 --> 00:09:42,980 And I can't get over how he's developed. 142 00:09:43,840 --> 00:09:44,840 Yeah. 143 00:09:47,180 --> 00:09:48,520 You've done pretty well yourself. 144 00:09:50,700 --> 00:09:51,700 Thank you. 145 00:09:54,730 --> 00:09:58,630 Ricky, I think you're right, dear, about not doing that dance. 146 00:09:59,550 --> 00:10:03,050 Oh, no, honey, I think you are right. I think I ought to do it. 147 00:10:03,350 --> 00:10:05,890 As you said, I think it would help the good neighbor policy. 148 00:10:06,410 --> 00:10:08,310 Well, that policy just lapsed. 149 00:10:09,050 --> 00:10:12,290 Ricky! They just told me you're going to dance with me tonight. Si. 150 00:10:12,570 --> 00:10:13,570 Won't that be... 151 00:10:34,640 --> 00:10:37,600 Come on, we've got two more apartments to make. Now let's go. Wait just a 152 00:10:37,600 --> 00:10:39,640 minute. How did your meeting with Ricky's friends go? 153 00:10:40,000 --> 00:10:44,020 We've got two more apartments to make. I said let's go. Oh, now, Fred, I'm sorry 154 00:10:44,020 --> 00:10:45,020 you're in such a hurry. 155 00:10:45,240 --> 00:10:48,820 I kind of wanted to ask your advice about a sexy Cuban girl that was here 156 00:10:48,820 --> 00:10:49,820 night. Come on. 157 00:10:50,360 --> 00:10:51,420 Sexy Cuban girl? 158 00:10:53,460 --> 00:10:54,980 What about the sexy Cuban girl? 159 00:10:56,160 --> 00:10:58,580 Push your eyes back in your head, fatso. 160 00:11:00,120 --> 00:11:01,560 Come on, tell me. What happened? 161 00:11:01,800 --> 00:11:06,710 Well, it seems... that when this girl, Renita, was a child, she and Ricky used 162 00:11:06,710 --> 00:11:07,589 to dance together. 163 00:11:07,590 --> 00:11:09,050 She was much younger than he was. 164 00:11:09,310 --> 00:11:10,310 Yeah, what happened? 165 00:11:10,630 --> 00:11:12,450 Well, somehow she caught up with him. 166 00:11:13,950 --> 00:11:18,250 So? So now her partner hasn't arrived and they want Ricky to dance with her 167 00:11:18,250 --> 00:11:19,410 tonight. So? 168 00:11:19,930 --> 00:11:21,250 So? So? 169 00:11:22,050 --> 00:11:23,430 You haven't seen Renita. 170 00:11:24,410 --> 00:11:26,850 I'd just like to get a load of that dancer doing that, so. 171 00:11:27,090 --> 00:11:28,150 Why don't you go to rehearsal? 172 00:11:28,550 --> 00:11:31,330 Oh, I can't do that. I'm not going down there and have Ricky think that I'm 173 00:11:31,330 --> 00:11:32,770 jealous and spying on him. 174 00:11:33,020 --> 00:11:34,980 Well, I could go watch and then report to you. 175 00:11:36,200 --> 00:11:37,880 Oh, no, you couldn't. 176 00:11:38,520 --> 00:11:39,520 I could go. 177 00:11:39,800 --> 00:11:43,020 No, that's no good. Well, you know, in the afternoon down at that club, there's 178 00:11:43,020 --> 00:11:45,260 always a couple of those scrub women hanging around. 179 00:11:47,220 --> 00:11:48,220 Scrub women? 180 00:11:48,880 --> 00:11:49,880 Scrub women. 181 00:11:59,060 --> 00:12:01,160 All right, hold it, hold it, hold it, hold it. 182 00:12:01,420 --> 00:12:05,210 Listen. In that part of the brass, let's bite him off a little more, eh? Let's 183 00:12:05,210 --> 00:12:06,210 go. 184 00:12:06,350 --> 00:12:08,970 All right? 185 00:12:09,190 --> 00:12:10,190 Now let's hear it. 186 00:12:10,610 --> 00:12:11,489 Just the brass. 187 00:12:11,490 --> 00:12:12,309 Give you two. 188 00:12:12,310 --> 00:12:13,550 A one, a two. 189 00:12:25,030 --> 00:12:26,030 Everybody's a comic. 190 00:12:26,070 --> 00:12:28,750 All right, come on. You know what I mean. From the top, eh? 191 00:12:29,030 --> 00:12:30,070 Right from the top now. 192 00:12:44,270 --> 00:12:45,810 That work of art without a question. 193 00:12:46,750 --> 00:12:48,830 Who gives you hard and clear suggestions? 194 00:12:49,830 --> 00:12:54,550 Say, have you ever seen the dream in the red velvet town? 195 00:12:55,590 --> 00:13:00,370 If you would pardon my suggestion, you better ride her no more down. 196 00:13:01,530 --> 00:13:02,870 She's a doll, isn't she? 197 00:13:15,720 --> 00:13:18,260 The fellows are crazy for their lady in red. 198 00:13:19,880 --> 00:13:23,560 She says it's gaudy, what's bloody, what a personality. 199 00:13:25,760 --> 00:13:30,280 Lady in red, fresh as a daisy when the town is in bed. 200 00:13:32,140 --> 00:13:36,000 Dancing and dining and shining with originality. 201 00:13:37,460 --> 00:13:38,660 She's very proper. 202 00:13:49,480 --> 00:13:50,480 All right, guys. 203 00:15:08,410 --> 00:15:09,410 Oh, 204 00:15:11,310 --> 00:15:12,129 it is. 205 00:15:12,130 --> 00:15:14,810 It's from Ramon. He's in New York. He's going to be here this afternoon. 206 00:15:15,090 --> 00:15:16,630 Oh, good. Now you can do the number with him. 207 00:15:17,030 --> 00:15:18,030 Oh, no, Ricky. 208 00:15:18,310 --> 00:15:20,630 Oh, yes, honey. I'm not as good a shape as I used to be. 209 00:15:21,330 --> 00:15:24,590 Besides, I'd like to see you do that native wedding dance you told me about. 210 00:15:24,590 --> 00:15:27,310 right, I'll get the music. It's in my dressing room. No, I'll get it. 211 00:15:28,870 --> 00:15:29,870 You get it. 212 00:15:33,130 --> 00:15:34,830 No price from you, character. 213 00:15:44,970 --> 00:15:46,630 Would you care for some cookies, Renita, dear? 214 00:15:47,150 --> 00:15:48,150 No, gracias. 215 00:15:48,250 --> 00:15:51,630 It's been lovely visiting with you, though, Lucy, and I must really hurry 216 00:15:51,630 --> 00:15:54,570 to the club. I have to get ready for the opening, you know. Oh, well, Renita, 217 00:15:54,570 --> 00:15:56,590 it's been just wonderful getting to know you. 218 00:15:57,230 --> 00:15:58,230 Lucy! 219 00:15:58,430 --> 00:16:01,350 Oh, I'm sorry. I didn't know you had company. That's all right, Ethel. 220 00:16:01,610 --> 00:16:03,990 Renita, this is Ethel Merck. How do you do? How do you do? 221 00:16:05,370 --> 00:16:07,970 Well, you don't mind if I go freshen up a bit, do you? Oh, no, not a bit. Right 222 00:16:07,970 --> 00:16:10,170 in through there, dear. Right in through the bedroom. Thank you. 223 00:16:10,890 --> 00:16:12,530 Oh, isn't she cute? 224 00:16:13,820 --> 00:16:17,940 Lucy, I don't trust you being so palsy -walsy with her. What are you planning 225 00:16:17,940 --> 00:16:19,660 do? Oh, you're so smart. 226 00:16:20,280 --> 00:16:24,020 Listen, I'm going to do that lady in red number with Ricky tonight if it's the 227 00:16:24,020 --> 00:16:25,020 last thing I do. 228 00:16:25,380 --> 00:16:27,380 Wait till you see the beautiful costume I have. 229 00:16:27,580 --> 00:16:31,200 Oh, now, Lucy, this is just silly. Why don't you let her do the dance with him? 230 00:16:31,220 --> 00:16:32,220 You don't even know the steps. 231 00:16:32,460 --> 00:16:35,720 Listen, a Roomba is a Roomba. You just wiggle your hips and jump up and down. 232 00:16:36,800 --> 00:16:37,800 What about her? 233 00:16:39,140 --> 00:16:40,180 I have plans. 234 00:16:41,740 --> 00:16:42,740 Goodbye, Lucy. 235 00:16:43,690 --> 00:16:46,630 call you a cab. Pardon me. No, no, that's it. I will take the subway. No, 236 00:16:46,650 --> 00:16:49,130 no. I wouldn't hear of it. Nonsense. Now sit down. I'll call a cab. 237 00:16:51,430 --> 00:16:52,430 Como esta? 238 00:16:52,990 --> 00:16:55,030 Oh! Usted también habla español. 239 00:16:55,550 --> 00:16:58,030 Por luz y no me diga que usted habla español porque toda la gente habla 240 00:16:58,030 --> 00:16:59,130 y no sabe lo que está diciendo. 241 00:17:00,150 --> 00:17:01,150 Oui. 242 00:17:05,230 --> 00:17:09,109 Hello. Hello. I'd like you to send a cab to 623 East 68th Street. 243 00:17:09,589 --> 00:17:10,589 Right away, please. 244 00:17:10,750 --> 00:17:11,750 Apartment 4A. 245 00:17:12,349 --> 00:17:13,349 Yes, thank you. 246 00:17:13,690 --> 00:17:14,790 Cab will be right over. 247 00:17:15,050 --> 00:17:16,050 Thank you. 248 00:17:21,589 --> 00:17:23,030 Did you call a cab, lady? 249 00:17:26,410 --> 00:17:27,609 Well, yes, I did. 250 00:17:27,930 --> 00:17:30,310 I'd have been here sooner, Odie, but traffic was against me. 251 00:17:33,410 --> 00:17:36,470 Now, Cabby, I want you to take very good care of this little lady. I want you to 252 00:17:36,470 --> 00:17:37,690 take her to the Tropicana Club. 253 00:17:37,990 --> 00:17:41,150 Don't you worry, lady. I know a shortcut through, uh, Philadelphia. 254 00:17:43,450 --> 00:17:44,450 Adios, Lucy. 255 00:17:44,530 --> 00:17:46,030 Adios. Goodbye, lady. 256 00:17:46,430 --> 00:17:47,430 Adios. 257 00:18:08,460 --> 00:18:10,940 very much, Carlos and Maria. Thank you, ladies and gentlemen. 258 00:18:11,400 --> 00:18:16,140 I'm indeed very happy that you like those wonderful people because they were 259 00:18:16,140 --> 00:18:18,100 ones that gave me my star in show business. 260 00:18:18,500 --> 00:18:23,820 And now, for the highlight of the evening, I'd like to introduce to you 261 00:18:23,820 --> 00:18:29,100 and Renita doing their version of the African wedding dance. 262 00:18:29,500 --> 00:18:33,300 So now, we take you to... 263 00:18:33,300 --> 00:18:37,680 Africa! 264 00:18:41,830 --> 00:18:42,830 Just me. 265 00:18:43,970 --> 00:18:45,990 I only want to get you into the mood. 266 00:18:46,530 --> 00:18:53,530 You know, on the night of the full moon, the high priest goes 267 00:18:53,530 --> 00:19:00,090 to a jungle clearing and sings a song of love and then follows the courtship 268 00:19:00,090 --> 00:19:06,990 dance in which the bridegroom tries to impress his bride -to -be with his 269 00:19:06,990 --> 00:19:08,530 fierceness and strength. 270 00:19:08,990 --> 00:19:10,770 So now let's pretend... 271 00:19:10,990 --> 00:19:17,470 That this is a jungle clearing, there is a full moon, and the high priest is 272 00:19:17,470 --> 00:19:18,470 singing his song. 273 00:19:46,920 --> 00:19:50,060 Spirit in the wood, beat the hollow cane. 274 00:19:51,380 --> 00:19:54,800 Spirit in the wood, blow the wave of pain. 275 00:19:55,840 --> 00:19:59,300 Make the body right, find a life again. 276 00:20:01,260 --> 00:20:06,760 I sing me low, I sing me low, I sing me low. 277 00:20:07,020 --> 00:20:10,760 Spirit in the heart, make the blood flow fast. 278 00:20:11,560 --> 00:20:15,080 Spirit in the heart, make the muscle last. 279 00:20:16,750 --> 00:20:20,110 Keep their hope alive while the news go past. 280 00:20:21,370 --> 00:20:24,730 I say me low. I say me low. 281 00:20:25,510 --> 00:20:27,010 I say me low. 282 00:20:27,330 --> 00:20:34,330 When the woman come upon the scene, drop a petal from 283 00:20:34,330 --> 00:20:35,330 a tree. 284 00:20:36,390 --> 00:20:39,950 Clean the mountain up into the sky. 285 00:20:41,090 --> 00:20:43,810 Feel the river in the sea. 286 00:20:45,580 --> 00:20:48,720 Spirit in the wood, let the hollow came. 287 00:20:49,520 --> 00:20:52,760 Echo in the afterglow. 288 00:20:53,980 --> 00:20:57,580 Waiting for the flame to burn again. 289 00:20:59,600 --> 00:21:02,980 I see me low. I see me low. 290 00:21:03,580 --> 00:21:05,120 I see me low. 291 00:21:20,680 --> 00:21:21,680 Thank you. 292 00:23:50,800 --> 00:23:54,600 The part of Renita was played by Lita Barrett. Carlos was played by Alberto 293 00:23:54,600 --> 00:23:57,740 Morin. The part of Maria was played by Rita Condi. 294 00:24:21,840 --> 00:24:23,540 I Love Lucy is a Desilu production. 21345