All language subtitles for Perry Mason s09e4 Interview with Barbara Hale
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1
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How? I'm not going to tell you.
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No. Very honestly, I knew Gail Patrick
for about five
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years before this.
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And very honestly, again, she was
running a children's
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store on Rodeo in Beverly Hills.
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And I wanted to use, I made dolls.
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And I wanted to have a doll that
represented the young actors and
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actresses of the time.
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And then each picture that they made, I
would make wardrobe from the picture for
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the doll.
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It never worked out. But Gail and I
became very, very close friends because
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was interested in what I was trying to
do.
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the Enchanted Cottage on Rodeo Drive,
which housed the children's clothes and
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children's items.
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It was just a darling place, and I
wanted to make a box like the Enchanted
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Cottage to sell the doll in, you know,
put the doll in. That was their box. And
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then that also would be their stage and
their connection to Hollywood.
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So consequently, we got to know each
other real well, and one day she called
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she said, Barbara.
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I said, hi, hon. She said, I just have
an idea, and I've decided I think you
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should be Della Street.
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I said, I beg your pardon.
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And she said, well, hon, I think you
should be Della Street.
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We're doing a new series called Perry
Mason.
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And I said, Gail, stop right there,
please.
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I said...
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my children are little they're young and
i really don't want to do a series at
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this time i think it's bad for the
children also bad for the husband for me
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have another husband or children and see
that every week on television so she
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said oh no no no you don't have any
children in this in fact you play a
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secretary i said I play a secretary?
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And she said, yes.
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And she said, and Raymond Burr is going
to be Perry Mason.
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I said, Raymond Burr?
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Oh, I haven't seen him in an age.
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I know him very well, and Lord, he's a
good actor.
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Oh, he's a good performer.
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So he's going to do it. She said, let me
send you a script.
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So I got the script, I read it, and I...
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sent it back and I said, you know, I
really still feel that I don't want to
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the series now, but I think Ray is
wonderful because there's no other actor
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town that could do the three -day
monologue that this gentleman has to do.
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Because doing Perry Mason, you had to,
he was in the courtroom for three days
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and it was like a 15 -page monologue
every day.
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And I said, Raymond is wonderful.
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She said, uh -huh.
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Okay, now, then, are you going to do it?
I said, no, Gail. I said, no. She said,
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honey, we're only going to do 18.
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I said, 18?
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Okay, I'll talk to Bill. We'll see.
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So I talked to my husband, Willie, and
we decided 18 shows.
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Okay, that would be fun. I'd be working
with Raymond.
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It's going to be a good show.
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300 shows later and nine and a half
years actually we were
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still working but that was that was this
show and it was beautiful and it's been
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a wonderful career in fact Our son,
Bill, was just a little fellow,
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and in first grade they had to make a
picture of their mother and their daddy
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and say what their mother and daddy did.
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So he did his picture of his mother and
a picture of his daddy, and he said,
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this is my daddy, I love him, and so
forth.
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And he said, and this is my mama, I love
her, she's the secretary.
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So I thought, well, if he thinks I'm a
secretary, by gosh, that's great. Here
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go. So isn't that fun?
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Isn't that fun?
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And working with Raymond and working
with Bill, the two Bills, and Ray
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Collins, dear heaven have mercy, what a
wonderful experience.
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They treated me like their little
sister, I must say, and they teased me
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much.
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Raymond was constantly pulling gags, as
were the boys, but we managed to get
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through it. I tried to pay him back as
much as I could, but I didn't do very
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well. He always topped me.
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Oh, golly. Oh, hundreds of them.
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Well, I think Art Marks, when you were
talking to him, he was talking about Ray
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leaving the balloons in my room.
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They weren't balloons.
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They were air balloons.
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And when I opened the door to my little
cottage, the balloon, it was just like a
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Lucy show.
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The balloon came out the door, just like
the bread on Lucy when she was cooking
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bread. And I went screaming on set, and
I said, Burr.
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I'm going to get you. Get that out of my
dressing room. I have to get dressed.
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He said, Barbara, please, I don't know
what you're talking about. And he said,
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don't hold up the set.
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Thank you very much.
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Turned and walked away.
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Well, then another time, he handed me...
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the most beautiful bouquet. He stopped
the set down and all of the crew and the
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extras in the courtroom, you know, they
were sitting and watching.
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And he called me up and he said, I just
wanted to wish you the most beautiful
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and wonderful happy birthday.
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I said, oh, Raymond, how lovely.
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And with which he handed me this box,
huge long box of long stem roses.
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The most beautiful things. I took the,
you know, it had the little picture
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but I took the top off and I said, oh,
Raymond, thank you so very much. I
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up at him and then I looked back down
and, oh, good God, there were about 40
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little white mice with their little
heads sticking up between the roses. He
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them all under the roses, which I
dropped.
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Immediately. He's nailed my shoes to the
floor so that when I get up, I always
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took my shoes off under that table in
courtroom.
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When I get up to do a run for him while
the cameras are rolling, I'd slip
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my shoes on and run around the table,
you know.
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He nailed them to the floor.
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Couldn't get out. They don't sound
funny, but believe me.
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We had more fun. You just can't imagine.
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And as serious and serious as he was
regarding
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work, being professional, that's how
funny he was.
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He'd laugh.
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That man was just Peck's bad boy. He'd
laugh. Tears would stream down his
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face. He was beautiful in every way that
I can say.
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honest to heaven our children called him
uncle ray and he loved them and we all
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loved him believe me i uh to this day i
i truly miss
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raymond so very much because he was he
was my big brother that i never had and
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it was a lovely time how did i meet him
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my very first day at RKO that was
February 14th
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1943 believe it or not and as I always
told
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Raymond I've got to digress for a minute
I always told Raymond you know I'm only
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three and you're four and he said young
lady I want to tell you something I'm
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three you are four And we did that for
50 years thereafter.
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Anyway, getting back to what I meant,
Ray, I was in makeup taking the things
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from a show that I'd been told I had to
work on.
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And that first day, and Ray came in
because he had to bring some makeup and
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things back from his set where he was
working, and we met each other then, and
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then said goodbye.
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And I thought, boy, is he a good
-looking young man.
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And that was 50 years later.
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We were on the Perry Mason set
celebrating our 50 years of friendship.
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believe we knew each other for 50 years?
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I just, I think we were so, I was so
lucky.
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I was so lucky.
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And always have been.
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God's good.
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Raymond.
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was supposed to test for Hamilton
Burger.
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Did you know that?
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Well, let me tell you.
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He said he would, but he insisted that
he test for Perry Mason,
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too. And the producer said, I don't care
if he tests for Dulles Street as long
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as he'll test for Hamilton Burger.
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And, of course, you know what the
outcome was.
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With Earl, the only action I had with
Earl, one time in one of
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the scenes, Bray and I had been
supposedly out on location, and we came
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back, and I sat down in the office.
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This was shooting. We're shooting. I sat
down in the office on the sofa there,
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and I raised my foot a little bit, and I
rubbed my...
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my foot because I was tired from that
long hike in the forest.
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We had to cut it out.
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I said, why?
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What did I do?
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They said, Mr.
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Gardner saw it. And he said, no lady
would do that in the Perry Mason's
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You reached down and touched your foot.
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Well, as a result, it sounds ridiculous,
but we shot it over.
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Then another time, I was trying to be
just friendly with Raymond, and so we
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shooting, and he was at his desk, and I
went over by the desk, and I was looking
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at a paper, so I kind of sat on the edge
of the desk, and I said, yes, yes, to
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Raymond, and cut.
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We got a recording from...
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mr earl stanley gardner do it over no
woman no
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secretary would ever sit on her boss's
desk had to do it over so you see earl
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was very involved in what went on in
that in that office it was amazing just
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amazing anything but like me i must say
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she was
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Very proper, I think, quite proper.
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She did like to tease a little bit once
in a while with Mr. Burr.
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That's like me.
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But we weren't alike. We weren't alike,
darling.
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She, I don't know. I can't answer that,
really. I just
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can't answer it.
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Many of the ladies said that they wanted
to be just like Della, you know, the
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young people that would write in,
because they said she really respects
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and looks after him and does an
excellent job all the time.
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Another lady would write in, or a young
lady would write in and say she really
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likes her boss and nobody knows what
goes on outside of the set, of the
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which meant she thought there was a
little hanky -panky going on maybe.
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And I always said, you know, that's
audience participation.
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Ray and I could never get too close, so
we satisfied the ladies that wanted to
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be just a good secretary and an honest,
wonderful secretary, and also the ladies
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that were attracted to their boss a
little bit. You know, it satisfied them.
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But it was difficult at times because
Mr. Gardner didn't want Raymond and
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to get too close.
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But after Mr.
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Gardner passed away and the movies of
the week, we did get much closer because
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Mr. Gardner wasn't there, so they
allowed us to at least... Raymond came
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Della's house once, and they had...
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where they left the studio together.
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I don't mean... I mean in the picture,
you know.
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Raymond always wanted to do the show for
a two -hour movie because he said, it's
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a better show. It can be extended upon
and be a much better show.
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And I didn't think it would ever happen.
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But then, in 85, so be it, it did.
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It did happen. And they called us, and I
said, what are you going to do about
192
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the actors? Because the two Bills, Bill
Hopper, Bill Tallman, and Mr. Collins,
193
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Ray Collins, they were gone, you know.
194
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So our boys, my brothers, so to speak,
were all gone.
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And they said, well, we're going to, Mr.
Hargrove, Dean Hargrove said, we're
196
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going to have a younger, we're going to
appeal to a younger group of people by
197
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having a younger person play Paul Drake.
It'll be his son.
198
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And younger people being involved in the
show.
199
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I said, well, that's interesting.
200
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That's a good idea.
201
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I said, who?
202
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do you have any idea who these people
might be and mr hargrove said well yes
203
00:15:15,710 --> 00:15:21,790
there's one young man in town he said
he's uh he's a blonde boy
204
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and he said he's he did something about
hero greatest somebody's great hero or
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something like that i said oh um do you
mean william katt And he said,
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yes. I said, oh, he's in Kansas City
doing Music Man right now.
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He said, oh, you know him.
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I said, yes, Mr. Hargrove, I know him
very well.
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I changed his diapers. That's my son.
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And he just about fainted.
211
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And then Bill did the show. Bill came on
and was Paul Drake Jr. for nine
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shows, which was wonderful.
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00:16:03,000 --> 00:16:06,780
Just wonderful. And then Bill was called
away to do another show.
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So, too bad.
215
00:16:08,940 --> 00:16:11,400
With my son, it was wonderful.
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I only had to send him to his room about
twice a day.
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He minded very well.
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He said, Mother, forget it.
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00:16:22,700 --> 00:16:26,940
No, he's great to work with. Just great.
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We did four movies after Raymond left.
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00:16:33,220 --> 00:16:39,700
And it was... There was a great
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00:16:39,700 --> 00:16:42,080
fog, may I say.
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00:16:43,080 --> 00:16:49,180
But we all... It wasn't too bad for the
first two shows that we did.
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And then word came, for sure, we weren't
quite
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00:16:57,040 --> 00:16:58,920
positive. We still held hope.
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00:16:59,450 --> 00:17:00,570
did another show.
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00:17:01,550 --> 00:17:06,470
And our last show was very difficult to
get through.
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Very difficult.
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00:17:08,930 --> 00:17:15,790
In fact, it makes me sad just to think
of it,
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00:17:15,869 --> 00:17:20,430
because Raymond held the show together,
really.
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He was, can I say, the godfather of
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Perry Mason.
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in his attitude and his caring for the
cast and crew.
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00:17:34,570 --> 00:17:40,710
He kept it light by teasing the heck out
of me
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00:17:40,710 --> 00:17:46,830
and many others, but he had a wonderful
sense of humor, and
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it kept everything light with all the
seriousness.
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00:17:53,270 --> 00:17:56,970
Everything was quite serious in Perry
Mason, as you know.
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00:17:57,660 --> 00:17:59,940
And consequently, he was the comic
relief.
239
00:18:00,500 --> 00:18:06,980
He wore his clown hat and loved doing
it. He was just a
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00:18:06,980 --> 00:18:13,680
great tease, great, wonderful teddy bear
and a very strong, strong
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00:18:13,680 --> 00:18:17,380
man in his beliefs and in his caring for
others.
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Oh, goodness.
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00:18:24,840 --> 00:18:30,680
I have so many, you know, working with
somebody for all those years.
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00:18:33,920 --> 00:18:39,300
It's like saying, which child, which of
your children is your favorite?
245
00:18:39,720 --> 00:18:44,980
How can you say which is my favorite
about things that happen or memories?
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00:18:44,980 --> 00:18:51,940
know, you can't. As a result, if you
don't mind, I'd like to offer...
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00:18:53,930 --> 00:18:55,230
a toast to Raymond.
248
00:18:55,590 --> 00:19:01,910
Raymond gave this bottle to our agent
David Shapiro and it was from the first
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00:19:01,910 --> 00:19:07,770
bottling of his wine which is now still
going and delicious
250
00:19:07,770 --> 00:19:13,630
and he gave it to us
251
00:19:13,630 --> 00:19:19,450
for this reason to celebrate
252
00:19:19,450 --> 00:19:25,920
the 50 years 50 years of Perry Mason and
as a toast
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00:19:25,920 --> 00:19:32,140
to Perry Mason, Raymond Burr, my boss.
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00:19:34,080 --> 00:19:35,080
Cheers.
21575
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