All language subtitles for Wanted Dead or Alive s03ex2 The Women Of
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Imagine the kind you associate with.
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The kind I associate with dress like
women, act like women, talk like women.
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They are women.
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I'm sure.
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I have ice water on in the vein. They
don't dress up like a spiritual. I'm
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trying to act like a man.
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Cool -handed, blue -eyed, and
charismatic, Steve McQueen captured the
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imagination of his audience.
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and the hearts of women across America
with his commanding on -screen presence.
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In Wanted, Dead or Alive, McQueen
anchors his acting legacy.
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If this works out, I'm gonna make $990.
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Yeah, you get a haircut.
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His character, Josh Randall, is hard at
work building his own reputation as a
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fast gun, a lawman, and a homegrown
hero.
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You will have a grandson, Don Emilio.
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I have willed it.
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The show's storylines deal with topics
not always considered on television.
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I have stirred the ashes.
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And among the many challenges tough guy
Josh Randall faces as a bounty hunter,
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the most daunting are with the strong
-willed women of Wanted, Dead or Alive.
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I'm not a greenhorn either.
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Gender roles in Wanted, Dead or Alive
are predictable enough for the Wild
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and most of the series' female
characters play a secondary role to a
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an employer.
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Yet, they manage to stand out.
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Theirs is a civilizing voice, one that
lends a touch of elegance to an
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unruly world.
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In the episode titled, Estrelita.
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Josh Randall finds out that looks can be
deceiving.
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It's my fault that he's waiting to be
hanged.
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Figures. You can do everything you can
to get him out of it, right?
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Rita Lynn plays a woman seeking to atone
for her wrongdoing by saving her
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husband from the gallows.
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Randall dices her up.
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But Estrelita has a few tricks up her
sleeve.
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Despite his best effort, our hero is
outwitted as she steals the money and
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Michelle.
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She gave me this.
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That's how I knew you'd show up.
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I love Jake Pringle, I think.
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But there are so many men in Arizona and
so little money.
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to hear you were in town, Josh.
43
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When Josh Randall sets out to help a
friend get hit, his interactions with
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women of the town provide classic,
wanted, dead or alive material.
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They don't back down.
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In fact, nearly all stand up to him, or
stand him up.
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The female characters on Wanted Dead or
Alive brush up against Josh Randall when
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they need something from him.
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Josh, help me.
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Make him give the money back.
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Sometimes what they need is easy to see,
but we can never be sure if their
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requests are harmless or if they're
trying to help someone get away with
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In the Healing Woman episode, Josh
confronts Mrs. Summers about the
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her young boy needs.
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He speaks to her smoothly and calmly, in
classic Josh Randall style, only to get
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sucker -punched by her husband for his
efforts.
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Randall blusters that he won't be
belittled in front of a woman.
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But this isn't the last time the
character walks away from a
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a member of the opposite sex.
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less confident than he arrived.
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In fact, this is a reoccurring theme of
the series, and it's a battle that
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Randall and McQueen seem to enjoy.
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Whether
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she
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plays a barmaid, a housewife, or a
schoolteacher, The women of Wanted, Dead
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Alive manage to bring out Josh Randall's
softer side.
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Yet even the most feminine character
makes her own distinct mark. And the
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profits from a cast of strong women.
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George!
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I quit.
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Appearing as John Collier's wife in The
Healing Woman, Virginia Gregg portrays
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the typical American housewife who must
go against her husband's word to help
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her son.
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Virginia is the template of a typical
wanted dead -or -alive woman.
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Her scenes are strong and compelling,
and her character is full of goodwill
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honesty.
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I'll need plenty of boiling water.
78
00:06:02,620 --> 00:06:07,800
Following her role on Wanted, Dead or
Alive, Virginia Gregg goes on to appear
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Alfred Hitchcock's Psycho and in a
number of television series, including
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Twilight Zone, Bonanza, Wagon Train,
Happy Days, The Streets of San
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and Dynasty.
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Thanks very much for helping him, Mr.
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Randall. Back known for her role selling
Folgers coffee on television, Virginia
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Christine is no stranger to a film set
or to budding stars.
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She plays in the Hollywood productions
from High Noon to The Mummy's Curse and
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Invasion of the Body Snatchers. I
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want to hire you to do a job for me.
88
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In the episode titled The Matchmaker,
Josh Randall tries to find a woman for
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friend Charlie, a lonely mine owner who
wants to get married. Charlie, I just
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want you to do me a favor.
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00:07:06,460 --> 00:07:09,020
Anything, you just name it. I want you
to meet somebody.
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Who? Her name is Harriet Meacham. Boy,
you've been out in the sun too long.
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Josh suggests Virginia Christine's
character, one Harriet Meacham, Charlie
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rejects her.
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Instead,
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he marries a beautiful young lady who is
out for his money.
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But not before he pens a letter to John
explaining how he would make a perfect
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husband for Harriet.
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Well, thank you very much, but I want to
make some distance before it starts
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getting dark.
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I hope to see you again.
102
00:08:05,180 --> 00:08:11,260
In the episode Reckless, Jean Allison
plays Madge Nelson, a bright -eyed
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temptress and a bold woman who puts
herself in the line of fire when a love
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triangle turns into a case of murder.
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I'm telling you, Madge.
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When Madge's husband -to -be, Paul
Bradley, is killed in an accident, the
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victim's father seeks revenge.
108
00:08:42,220 --> 00:08:45,060
He puts a price on the head of Tony
Egan.
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And in an act of desperation, Jean
Allison throws herself in harm's way to
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protect her friend.
111
00:09:05,220 --> 00:09:12,100
Now look, why don't you just settle
down, Mr. Bradley?
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Out of my way, bounty hunter!
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Allison's later career included featured
roles on Gunsmoke, Starsky & Hutch, and
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Charlie's Angels.
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Tony and I were only friends.
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I never loved anybody but Paul.
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The Old West evokes images of fast
-talking gunslingers. They'll shoot you
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the back for a glass of whiskey.
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Josh Randall's world may be filled with
thieves, crooks, and swindlers, but
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00:09:54,120 --> 00:09:58,900
sometimes in the Wild West, there's only
one way to get something done.
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The women of Wanted Dead or Alive
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embody the spirit of the American West,
and their example can only expand the
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role of women in contemporary
entertainment.
10123
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